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Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk, 1949-1975

Creator:
Perls, Frank, 1910-1975  Search this
Subject:
Amato, Sam  Search this
McGarrell, James  Search this
Matisse, Henri  Search this
Chuey, Robert  Search this
Ray, Man  Search this
Lipschitz, Jacques  Search this
Perls, Klaus G.  Search this
Warsaw, Howard  Search this
Strombotne, James  Search this
Peake, Channing  Search this
Lebrun, Rico  Search this
Picasso, Pablo  Search this
Brice, William  Search this
M. Knoedler & Co.  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
Frank Perls Gallery (Beverly Hills, Calif.)  Search this
Type:
Scrapbooks
Photographs
Short stories
Sales records
Gallery records
Topic:
Art galleries, Commercial  Search this
Curators  Search this
World War, 1939-1945  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)9601
(DSI-AAA_SIRISBib)211805
AAA_collcode_perlfran
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211805
Additional Online Media:

Exhibition Invitation for " Alvin Lustig: An exhibition of his work" at the Frank Perls Gallery, Beverly Hills, CA

Designer:
Alvin Lustig, American, 1915–1955  Search this
Medium:
Lithography in blink, blue, black and yellow ink on white wove paper
Type:
graphic design
exhibition announcement
Object Name:
exhibition announcement
Date:
1949–50
Credit Line:
Gift of Tamar Cohen and Dave Slatoff
Accession Number:
1993-31-155
Restrictions & Rights:
© Elaine Lustig Cohen
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-31-155

Early Cycladic Figure

Collector:
Joseph Hirshhorn  Search this
Donor Name:
Hirshhorn Museum & Sculpture Garden  Search this
Height - Object:
9 cm
Length - Object:
5 cm
Width - Object:
3.8 cm
Culture:
Cycladic  Search this
Object Type:
Figure
Place:
Not Given, Greece (not certain), Europe
Accession Date:
28 Aug 1992
Collection Date:
1962
Topic:
Archaeology  Search this
Accession Number:
370312
USNM Number:
A553101-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8503917
Additional Online Media:

Perls Galleries records, 1937-1997

Creator:
Perls Galleries  Search this
Subject:
Miró, Joan  Search this
Picasso, Pablo  Search this
Dudensing, F. Valentine  Search this
Streisand, Barbra  Search this
Calder, Alexander  Search this
Priebe, Karl J.  Search this
Canaday, John Edwin  Search this
Luce, Claire  Search this
Ford, Henry  Search this
Hitchcock, Alfred  Search this
Garbo, Greta  Search this
Cafritz, Gwendolyn  Search this
de Menil, Adelaide  Search this
Cafritz, Morris  Search this
Luce, Henry  Search this
Austin, Darrel  Search this
Perls, Klaus G.  Search this
Art Institute of Chicago  Search this
Pierre Matisse Gallery (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
National Gallery of Art (U.S.)  Search this
James Corcoran Gallery  Search this
Fujikawa Gallery  Search this
Galerie Maeght  Search this
Type:
Photographs
Drawings
Illustrated letters
Topic:
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)6120
(DSI-AAA_SIRISBib)216333
AAA_collcode_perlgall
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216333
Additional Online Media:

Peter A. Bradley papers, 1966-1976, 2003, 2014

Creator:
Bradley, Peter A., 1940-  Search this
Subject:
Gelfman, Robert  Search this
Calder, Alexander  Search this
Lowenthal, Karl S.  Search this
Noland, Kenneth  Search this
Perls Galleries  Search this
Topic:
African American artists  Search this
Painters  Search this
Art dealers  Search this
Record number:
(DSI-AAA_CollID)15724
(DSI-AAA_SIRISBib)284194
AAA_collcode_bradpete
Theme:
African American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_284194
Additional Online Media:

Oral history interview with Klaus G. Perls, 1993 Jan. 19

Interviewee:
Perls, Klaus G., 1912-2008  Search this
Interviewer:
Hadler, Mona  Search this
Subject:
Calder, Alexander  Search this
Perls Galleries  Search this
Type:
Sound recordings
Interviews
Topic:
Art galleries, Commercial  Search this
Art dealers  Search this
Record number:
(DSI-AAA_CollID)12889
(DSI-AAA_SIRISBib)215267
AAA_collcode_perls93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215267

Frederick Papsdorf papers, 1900-1975

Creator:
Papsdorf, Frederick, 1887-1978  Search this
Subject:
Perls, Klaus G.  Search this
Type:
Photographs
Works of art
Topic:
Painters  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)7142
(DSI-AAA_SIRISBib)209276
AAA_collcode_papsfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209276

Chet Harmon La More papers, 1933-1973

Creator:
La More, Chet Harmon, 1908-1980  Search this
Subject:
Weber, Max  Search this
Type:
Scrapbooks
Photographs
Exhibition catalogs
Topic:
Art, American  Search this
Sculptors  Search this
Graphic artists  Search this
Educators  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)7843
(DSI-AAA_SIRISBib)210010
AAA_collcode_lamochet
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210010

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Type:
Gallery records
Topic:
Art  Search this
World War, 1939-1945  Search this
Art dealers  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 10
Additional Online Media:

Oral history interview with Joni Gordon, 2002 July 8-Sept 23

Interviewee:
Gordon, Joni, 1936-  Search this
Interviewer:
Karlstrom, Paul J., 1941-  Search this
Subject:
Asher, Betty M.  Search this
Los Angeles Institute of Contemporary Art  Search this
Type:
Interviews
Sound recordings
Topic:
Art galleries, Commercial  Search this
Gallery owners  Search this
Record number:
(DSI-AAA_CollID)12888
(DSI-AAA_SIRISBib)236021
AAA_collcode_gordon02
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_236021
Additional Online Media:

Sylvia Fein papers

Creator:
Fein, Sylvia  Search this
Names:
Glasier, Marshall, 1902-  Search this
Huppler, Dudley, 1917-1988  Search this
Priebe, Karl J., 1914-1976  Search this
Wilde, John, 1919-2006  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1936-2011
Summary:
The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.
Scope and Content Note:
The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1936-2010 (Box 1, 8; 10 folders)

Series 2: Correspondence, 1941-2011 (Box 1-3; 2.3 linear feet)

Series 3: Project Files, 1970-2011 (Box 3-4, 8; 1.2 linear feet)

Series 4: Writings by Others, circa 1940s-1994 (Box 4; 4 folders)

Series 5: Printed Material, 1941-2010 (Box 4-5; 0.7 linear feet)

Series 6: Photographs, circa 1940-2000 (Box 5; 0.2 linear feet)

Series 7: Artwork, 1941-1947 (Box 5; 3 folders)

Series 8: Scrapbooks, circa 1940-2010 (Box 5-7; 0.8 linear feet)
Biographical Note:
Sylvia Fein (1919- ) is a painter and author in Martinez, California. She is part of the Magic Realist Group of artists that originated at the University of Wisconsin.

Fein was born in Milwaukee, Wisconsin, and from 1938 to 1942 she studied art at the University of Wisconsin in Madison. While there she became friends with fellow artists Marshall Glasier, John Wilde, Dudley Huppler, and Karl Priebe. In 1942 she married William Scheuber and briefly had a factory job in Milwaukee testing switches for naval planes. From 1944 to 1947 Fein lived and traveled throughout Mexico. Much of the work produced during this period was included in a solo exhibition of her paintings at the Perls Galleries in 1946. She and her husband then moved to northern California and had a daughter, Heidi. During the 1950s and 1960s, Fein continued to paint in her home studio.

In 1973 Fein decided to take a break from painting and published two books, Heidi's Horse (1976) and First Drawings: Genesis of Visual Thinking (1993). These works were greatly inspired by her friendship with art educator and researcher, Henry Shaefer-Simmern. In 2003 she resumed painting. She was featured in the group show, "With Friends: Six Magic Realists, 1940-1965" at the University of Wisconsin in 2005 and in a solo retrospective at the Bakersfield Art Museum in 2007. From 1970 to 2000 Fein was also active in the community of Pleasant Hill, California, as a member of several public services commissions.
Provenance:
The collection was donated in 2011 by Sylvia Fein.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Sylvia Fein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- California  Search this
Magic realism (Art)  Search this
Women artists -- California  Search this
Painters-Wisconsin -- Madison  Search this
Women artists -- Wisconsin  Search this
Authors -- Wisconsin  Search this
Authors -- California  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.feinsylv
See more items in:
Sylvia Fein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-feinsylv

Perls Galleries

Collection Creator:
Fein, Sylvia  Search this
Container:
Box 2, Folder 23
Type:
Archival materials
Date:
1943-1949
1956
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Sylvia Fein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Sylvia Fein papers
Sylvia Fein papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-feinsylv-ref45

Frank Perls papers and Frank Perls Gallery records

Creator:
Perls, Frank  Search this
Names:
Curt Valentin Gallery (New York, N.Y.)  Search this
M. Knoedler and Co.  Search this
Amato, Sam, 1924-  Search this
Brice, William, 1921-  Search this
Chuey, Robert  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Matisse, Henri, 1869-1954  Search this
McGarrell, James, 1930-  Search this
Peake, Channing, 1910-  Search this
Perls, Klaus  Search this
Picasso, Pablo, 1881-1973  Search this
Ray, Man, 1890-1976  Search this
Strombotne, James  Search this
Warsaw, Howard  Search this
Extent:
23.8 Linear feet
Type:
Collection descriptions
Archival materials
Short stories
Scrapbooks
Photographs
Sales records
Gallery records
Date:
circa 1920-1983
bulk 1949-1975
Summary:
The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.
Scope and Content Note:
The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

Personal papers contain biographical materials, including military records from Perls' service in the army during World War II, personal photographs, documentation on his estate settlement, and numerous short stories. Of particular interest are Perl's stories about his interactions with Pablo Picasso and his work to uncover fraud, fakes, and corruption in the art world. There are also many photographs of Picasso, photographs of family, the war, and Perls, including two original photographs of Perls by Man Ray.

Gallery sales, purchases, consignments, insurance appraisals, loans, provenance research, and general business expenses are well documented in the General Business and Financial Records. Perls jointly owned artwork with several galleries in New York, including the Curt Valentine Gallery and M. Knoedler Gallery, and these consignment and joint sales are documented in the invoices. A complete accounting of the Gallery's income and expense reports from 1950-1971 is also be found in this series. Artists extensively documented through financial transactions are William Brice, James Strombotne, and Howard Warsaw.

Extensive exhibition files document the gallery's exhibitions and Perl's curatorial work. Files contain varied documentation, such as photographs, catalogs, announcements, and publicity for Frank Perls Gallery shows from 1939 through 1971. Artists represented in this series include Sam Amato, Robert Chuey, Jaques Lipchitz, Pablo Picasso, James McGarrell, and James Strombotne. Files are also found for the two major retrospective exhibitions Perls organized and curated, Matisse Retrospective at University of California, Los Angeles and Sixty Years of Picasso Prints at the Los Angeles County Museum of Art, both in 1966. Additional information about these exhibitions is also found in the Subject Files.

Subject Files are extensive and varied in name, content, and topic. They consist mostly of correspondence with friends, family, colleagues, artists, critics, galleries and dealers, clients, arts organizations and associations, publications, and others. There are also reference files and exhibition files for exhibitions held at other galleries and museums in which Perls was interested, guest curated, or loaned artwork. The contents of each file unit varies, but many include correspondence, photographs, appraisal records, sales records, invoices, reports, and membership records. The files highlight his close personal relationship with many artists, including William Brice, Rico Lebrun, James McGarrell, Channing Peake, Pablo Picasso, and James Strombotne. Subject Files also contain abundant correspondence with colleagues and family members, including his brother Klaus, who owned and operated the Perls Gallery in New York. Many of the files concern Perl's work with art documentation and authentication. Subject Files have been arranged according to Frank Perls original order.

Finally, scrapbooks contain newspaper articles, catalogs, and announcements about exhibitions at the Perls Gallery in New York during the late 1930s and the Frank Perls Gallery in Los Angeles during the 1950s.
Arrangement:
The collection is arranged into 5 series:

Series 1: Frank Perls papers, circa 1920-1981 (Box 1-2, 28; 1.1 linear feet)

Series 2: General Financial and Business Records, 1949-1975 (Box 2-4, 23-27; 3.4 linear feet)

Series 3: Exhibition Files, 1937-1975 (Box 5-6; 1.5 linear feet)

Series 4: Subject Files, circa 1939-1983 (Box 6-22; 16.5 linear feet)

Series 5. Scrapbooks, 1937-1957 (Box 28; 0.3 linear feet)
Historical Note:
Frank Perls (1910-1975) was founder and sole owner of the Frank Perls Gallery in Beverly Hills, California.

Frank Perls was born in Germany on October 23, 1910. His parents, Hugo and Kaethe Perls, owned one of the leading art galleries in Berlin, and sold the work of many well-known artists. Artists works included in the gallery inventory were pieces by Edvard Munch, Pablo Picasso, Claude Monet, Vincent van Gogh, and Paul Cézanne, among others. His parents enjoyed a close friendship with Picasso, a relationship Perls maintained until Picasso's death in 1973. After his parents divorce in 1931, his mother left Germany and eventually opened the Galerie Kaethe in Paris.Frank Perls studied art history at the Universities of Munich, Berlin, and Frankfurt and joined his mother at the Galerie Kaethe in 1932.

Frank Perls immigrated to the United States in 1937 and partnered with his brother, Klaus Perls, to open the Perls Galleries in New York. Two years later he moved to California and opened the Frank Perls Gallery on Sunset Boulevard in Hollywood. During those first years, the Gallery hosted exhibitions by Man Ray, Eugene Berman, and John Decker.

Perls closed his gallery in 1942 when he enlisted in the United States Army. Because he was fluent in both French and German, Perls served as an interpreter at the Military Intelligence Service, European Theater of Operations. He landed in Normandy with the 30th Infantry Division and was awarded the Bronze Star in 1944. In 1945, Perls was assigned to the Arts and Monuments Section of Allied Military Government in Germany. He was honorably discharged in September, 1945.

After the war, Perls returned to Los Angeles and managed the recently opened Associated American Artists Gallery in Beverly Hills. The gallery was organized in 1934 and marketed art to the middle classes with the opportunity to purchase prints at affordable prices. Perls made significant contacts during his tenure at the gallery and eventually opened his own Beverly Hills gallery in 1950.

The Frank Perls Gallery on Camden Drive was closely associated with the Pierre Matisse Gallery and the Curt Valentin Gallery in New York, both major sources of exhibition materials for the early years. Perls introduced southern California to artists he believed represented the best modern art of America and Europe - Henri Matisse, Georges Braque, Alexander Calder, Pablo Picasso, Ben Shahn, Georgia O'Keeffe, Marc Chagall, Paul Klee, and Jean Dubuffet. Between 1950 to 1954, Frank Perls Gallery organized the first West coast exhibitions of Joan Miro, Marino Marini, and Alberto Giacometti. Perls also gave exhibitions to newly emerging artists of Southern California artists, including William Brice, Robert Chuey, Rico Lebrun, James McGarrell, Channing Peake, and Howard Warsaw.

Perls moved his gallery to Wilshire Boulevard in 1965 and stopped representing California artists at that time to focus primarily on major exhibitions of Henri Matisse and Picasso. In 1966, he helped organize an extensive traveling Henri Matisse exhibition at UCLA called Matisse Retrospective. Perls worked with Matisse's children, Pierre, Jean, and Marguerite Duthuit, to identify 345 prints and sculptures and attach family inventory numbers to them.

Frank Perls also organized several large Picasso exhibitions, including the Bonne Fete Monsieur Picasso exhibit at UCLA in 1961 and the 45 Selected Picasso Graphics exhibition at Frank Perls Gallery in 1971. For his work in preparing these major exhibitions in California of Matisse and Picasso, Perls was made a life fellow of the Los Angeles County Museum.

Perls was a member of the Art Dealers of America, serving for several years on the Board of Directors and as director. He was also dedicated to exposing art fakes and forgeries, earning a reputation for discovering, exposing, and pursuing disreputable art appraisers and dealers. Perls wrote extensively about modern art and artists, as well as his experiences in short stories that often appeared in print.

Frank Perls died on February 8, 1975 from complications following open-heart surgery. The Gallery remained open until 1981 while his executor and family distributed the gallery inventory.
Provenance:
The Frank Perls papers and Frank Perls Gallery records were donated by Joan Hazlitt, one of the executors of the Perls' estate, from 1976-1988.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting -- California -- Beverly Hills  Search this
World War, 1939-1945  Search this
Curators -- California  Search this
Art -- Forgeries  Search this
Art galleries, Commercial -- California -- Beverly Hills  Search this
Genre/Form:
Short stories
Scrapbooks
Photographs
Sales records
Gallery records
Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.perlfran
See more items in:
Frank Perls papers and Frank Perls Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-perlfran
Additional Online Media:

Santa Barbara Museum of Art

Collection Creator:
Perls, Frank  Search this
Container:
Box 20, Folder 26
Type:
Archival materials
Date:
1953-1954
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref1318

Santa Barbara Museum of Art

Collection Creator:
Perls, Frank  Search this
Container:
Box 20, Folder 27
Type:
Archival materials
Date:
1955-1957
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref1319

Santa Barbara Museum of Art

Collection Creator:
Perls, Frank  Search this
Container:
Box 20, Folder 28
Type:
Archival materials
Date:
1958-1974
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref1320

Henri Matisse - Insurance Fraud

Collection Creator:
Perls, Frank  Search this
Container:
Box 17, Folder 1
Type:
Archival materials
Date:
1968-1974
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref479

Jean Matisse

Collection Creator:
Perls, Frank  Search this
Extent:
(2 folders)
Container:
Box 17, Folder 2-3
Type:
Archival materials
Date:
1963-1974
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref480

Pierre Matisse

Collection Creator:
Perls, Frank  Search this
Extent:
(8 folders)
Container:
Box 17, Folder 4-11
Type:
Archival materials
Date:
1949-1974
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref481

Peter Matisse

Collection Creator:
Perls, Frank  Search this
Container:
Box 17, Folder 12
Type:
Archival materials
Date:
1960-1973
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Frank Perls papers and Frank Perls Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perlfran-ref482

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