Service at 7th Day Apostolic Pentecostal Church of Christ; Claude Shields
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
1 sound recording
Other number Q-11
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or firstname.lastname@example.org for additional information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Folklife Festival records: 1971 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
This collection, which dates from circa 1887-2001, contains materials relating to the history of African-American Holiness and Pentecostal movements. Included are newsletters, correspondence, brochures, fliers, magazines, VHS tapes, articles, newspaper clippings, slides, manuscripts, photographs, books, financial documents, audiocassettes, compact discs, diskettes, DuPree's research files, and other materials. A copy of DuPree's book "African-American Holiness Pentecostal Movement: an Annotated Bibliography," which was based on the research in this collection, is also present.
Sherry Sherrod DuPree is a librarian and historian whose research focuses on African-American gospel music and African-American Pentecostal churches. She was the founder and organizer of the DuPree African-American Pentecostal and Holiness Collection at the New York Public Library's Schomburg Center for Research in Black Culture. DuPree began the National African American Holiness Pentecostal Project, during the course of which she received several grants to fund her work. 1988, DuPree was appointed by Dr. Wilma Hughey to the Archival Historical Committee of The Church of God in Christ, Memphis, Tennessee. In 1995, DuPree became the Archivist of the Gospel Music Hall of Fame and Museum in Detroit. In March of 1998, she was elected Second Vice-President in the Society for Pentecostal Studies.
This collection is located at an off-site storage facility. To access the materials, please contact the archivist at email@example.com.
Videotapes of Pentecostal ceremonies, such as snake handling, laying on of hands, baptisms, foot washing, casting out of devils, dancing in ecstasy; a video interview with Brother Harrison Mayes at his home in Middleburg, Kentucky; and an audiotape of revival meetings.
Collection is arranged in one series:
Series 1, Audiovisual
Biographical / Historical:
Eleanor Creekmore Dickinson, artist, produced several exhibits as well as a book on Pentecostal worship in the South entitled Revival! She documented Pentecostal and Baptist ceremonies using videotape, audiotape, line drawings and velvet painting.
Dickinson was born February 7, 1931, in Knoxville, Tennessee. She was educated at the University of Tennessee (B.A., Fine Art, 1952); the San Francisco Art Institute (painting and printmaking, 1961-1963); the Académie Grande Chaumière, Paris (drawing, 1971); the University of California at Berkeley (history, 1967 and 1981), and the California College of Arts and Crafts (Master of Fine Arts in Video, 1982). She began teaching at the California College of Arts and Crafts as Professor of Art in 1971.
She has had numerous solo and group exhibitions, has received grants in connection with her work, and is represented in more than a dozen public collections, including the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Library of Congress, and the Oakland Museum.
A resume and selected bibliography, compiled in 1986, are in the Archives Center's collection control files.
Related artifacts in Division of Community Life, NMAH (see accessions 306082, 306787, 1981.0570, and 1978.0344); related materials in the SI Archives of American Art and the Library of Congress.
Collection donated by Eleanor Dickinson in 1980 and transferred to the Archives Center from the National Museum of American History Division of Community Life in 1986.
Collection is open for research. No reference copies exist. Orginals are not accessable.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.