Search Results

Interviewee:

Jacquette, Yvonne  Search this

Interviewer:

McElhinney, James Lancel, 1952-  Search this

Creator:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Names:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Moore College of Art  Search this

New York (State).. Metropolitan Transportation Authority.Arts for Transit  Search this

Parsons School of Design -- Faculty  Search this

Pennsylvania Academy of the Fine Arts -- Faculty  Search this

University of Pennsylvania -- Faculty  Search this

Burckhardt, Rudy, 1914-1999  Search this

Denby, Edwin Hooper, 1873-  Search this

Grooms, Mimi Gross  Search this

Katz, Alex, 1927-  Search this

Kushner, Robert, 1949-  Search this

Extent:

3 Items (Sound recording, master: 3 sound files (2 hr., 55 min.), digital, wav file)

91 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2010 Oct. 19-21

Scope and Contents:

An interview of Yvonne Jacquette conducted 2010 Oct. 19 and 21, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Jacquette's home and studio, in New York, N.Y.

Jacquette talks about a current competition for art in a Metropolitan Transit Authority (MTA) subway station at 34th Street and 11th Avenue in New York City; mosaics and fresco; materials and methods; other MTA commissions; her late husband Rudy Burckhardt; teaching at Moore College of Art in Philadephia, the Pennsylvania Academy of the Fine Arts, the University of Pennsylvania, and Parsons School of Design; flying over proposed subjects to get an aerial view; spending summers in Maine; other artists in Maine; her interest in painters who "developed spiritually"; travel to Japan with Burckhardt; collaborating with Burckhardt on the film, "Night Fantasies," (1990); acceptance of women artists; galleries; women artists she admires, and other topics. She recalls Robert Kushner, Edwin Denby, Alex Katz, Mimi Gross, and others.

Biographical / Historical:

Yvonne Jacquette (1934-2023) was a painter and printmaker in New York, N.Y. James McElhinney is an artist and educator in New York, N.Y.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Topic:

Mural painting and decoration  Search this

Mosaics  Search this

Painting -- Equipment and supplies  Search this

Painting -- Technique  Search this

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.

Identifier:

AAA.jacque10

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b48f8ed3-e62b-4776-995f-609d410b0ce8

EDAN-URL:

ead_collection:sova-aaa-jacque10

Creator:

Doll & Richards (Gallery)  Search this

Names:

Azeez Khayat Gallery  Search this

Kleemann Galleries  Search this

Macbeth Gallery  Search this

Museum of Fine Arts, Boston  Search this

Chetcuti, John  Search this

Freiman, Robert  Search this

Goodrich, Lloyd, 1897-1987  Search this

Haseltine, William Stanley, 1835-1900  Search this

Homer, Winslow, 1836-1910  Search this

Lindenmuth, Tod  Search this

Meyerowitz, William, 1887-1981  Search this

Shepler, Dwight, 1905-  Search this

Verner, Elizabeth O'Neill, 1883-1979  Search this

Woodward, Stanley Wingate, 1890-1970  Search this

Wyeth, Andrew, 1917-2009  Search this

Zoehler, Wendell H., 1907-1989  Search this

Extent:

87.5 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Financial records

Date:

1863-1978

bulk 1902-1969

Summary:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

Scope and Content Note:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.

Historical Note:

The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.

Related Material:

Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.

Separated Material:

A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.

Provenance:

The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

Function:

Art galleries, Commercial -- Massachusetts

Genre/Form:

Photographs

Scrapbooks

Financial records

Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

Identifier:

AAA.dollrich

See more items in:

Doll & Richards gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b774b9ae-a4eb-4849-9652-6be121c5142f

EDAN-URL:

ead_collection:sova-aaa-dollrich

Collection Creator:

Doll & Richards (Gallery)  Search this

Container:

Volume 127

Type:

Archival materials

Date:

1926-1947

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

See more items in:

Doll & Richards gallery records

Doll & Richards gallery records / Series 6: Inventory Records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92f93c048-32d7-444c-ab22-e2b16e511035

EDAN-URL:

ead_component:sova-aaa-dollrich-ref1450

Creator:

McFarland, J. Horace (John Horace), 1859-1948  Search this

American Rose Society  Search this

Names:

J. Horace McFarland Company  Search this

Mount Pleasant Press  Search this

Extent:

30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )

Type:

Collection descriptions

Archival materials

Photographs

Black-and-white photographs

Lantern slides

Place:

Breeze Hill (Harrisburg, Pennsylvania)

Pennsylvania -- Harrisburg

Date:

1899-1974

Summary:

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

Scope and Contents note:

The J. Horace McFarland Collection includes over 2,700 black and white mounted photographs, 448 glass lantern slides, and 41 glass plate negatives of gardens throughout the United States dating from 1899 to 1963. A small number of images show gardens in Austria, Canada, England, Mexico, Scotland and Wales. Many of the images, which were generated and used by the J. Horace McFarland Company to illustrate trade catalogs and journal and newspaper articles, indicate the publication(s) in which they appeared. A series of portraits of rosarians, many of them featured in Modern Roses 6, rounds out the image collection. The McFarland Collection also includes color records, plants patents, and miscellaneous publications. Color records are plant 'portraits' that were painted by McFarland Company staff artists in watercolor. They were referenced by the printing department in order to render illustrations of plants in colors as close to the originals as possible. The plant patents are patents for plants issued by the United States Patent Office. They include the plant name, source, filing and patent dates, patent number, and growth characteristics. Most are accompanied by a colored image of the plant identified in the patent. The miscellaneous publications are various pamphlets and booklets published by the J. Horace McFarland Company.

Arrangement:

The collection is arranged into 5 series:

1) Garden images (including mounted photographs, glass plate negatives, and glass lantern slides)

2) Portraits of Rosarians

3) Color Records

4) Plant Patents

5) Miscellaneous Publications

Biographical/Historical note:

Dr. J. Horace McFarland (1859-1948) was an influential civic leader, author, publisher, horticulturist, and authority on roses. His printing company, Mount Pleasant Press (later the J. Horace McFarland Company), was based in Harrisburg, Pennsylvania. It published many of the seed and nursery trade catalogs in the United States during the first half of the twentieth century and was one of the first to apply color processes to commercial print applications. J. Horace McFarland Company staffers photographed thousands of different gardens and plant specimens throughout the United States. These images were used to illustrate numerous nursery and seed catalogs, journals and books. Among its many services, the firm sold various themed lectures illustrated by sets of hand-colored glass lantern slides.

McFarland wrote over 200 articles in popular journals as well as a dozen books on roses and gardening. He served as the first president of the American Civic Association from 1904-1924 and led several local and national campaigns to protect communities and scenic areas from urban blight and overdevelopment including the city of Harrisburg and Niagara Falls. McFarland, who served as the president of the American Rose Society (1930-1932) and helped establish a standardized rose identification and registration method, used the gardens on his own 2.5 acre property in Harrisburg, "Breeze Hill," to test hundreds of varieties of roses and plant cultivars. "Breeze Hill" was used as the backdrop for many photographs taken by McFarland's firm.

Related Materials:

The Pennsylvania State Archives in Harrisburg, Pennsylvania includes the J. Horace McFarland Company Records (Manuscript Group 453) and the J. Horace McFarland Papers (Manuscript Group 85).

The Historical Society of Dauphin County in Harrisburg, Pennsylvania includes the J. Horace McFarland Collection (MG 229).

Separated Materials note:

The Smithsonian Institution's Botany and Horticulture Library includes seed and nursery trade catalogs, books, and published materials from the J. Horace McFarland Company.

The United States Department of Agriculture's National Agricultural Library in Beltsville, Maryland has various photographic images, nursery catalogs, publications and miscellaneous records from the J. Horace McFarland Company in its J. Horace McFarland Collection.

Provenance:

Donated in 1992 by James W. Walsh, who purchased the J. Horace McFarland Company from its founder's heirs. (The business was later renamed the Roebuck Printing Company.)

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Printers -- United States  Search this

Horticulturists  Search this

Printers -- Pennsylvania  Search this

Gardening -- Washington (D.C.)  Search this

Seeds -- Catalogs  Search this

Seed industry and trade -- United States  Search this

Gardens -- United States  Search this

Seed industry and trade -- Catalogs  Search this

Rose breeders -- United States  Search this

Genre/Form:

Photographs

Black-and-white photographs

Lantern slides

Citation:

Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.

Identifier:

AAG.MCF

See more items in:

J. Horace McFarland Company collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb69dd45f0c-ce66-4097-bc0f-68f5be9a5b11

EDAN-URL:

ead_collection:sova-aag-mcf

Medium:

Ink, color, gold, and silver on indigo paper

Dimensions:

H x W (calligraphy): 21.2 x 325.7 cm (8 3/8 x 128 1/4 in)

Type:

Painting

Origin:

Japan

Date:

1666

Period:

Edo period

Topic:

Buddhism  Search this

Edo period (1615 - 1868)  Search this

Japan  Search this

Lotus Sutra  Search this

Japanese Art  Search this

Credit Line:

Purchase — Charles Lang Freer Endowment

Accession Number:

F1962.27

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3f9b53f72-3bfc-425a-88dc-a759a09d1601

EDAN-URL:

edanmdm:fsg_F1962.27

Artist:

Suzuki Kiitsu 鈴木其一 (1796-1858)  Search this

Medium:

Ink and color on silk

Dimensions:

H x W (overall): 175.2 × 40.6 cm (69 × 16 in)

Type:

Painting

Origin:

Japan

Date:

early 19th century

Topic:

moon  Search this

Japan  Search this

Japanese Art  Search this

Credit Line:

Gift of Mary and Cheney Cowles

Accession Number:

F2023.3.12

Restrictions & Rights:

Usage conditions apply

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3a0ae8999-1a45-4fe1-97f6-f6a43d75309f

EDAN-URL:

edanmdm:fsg_F2023.3.12

Artist:

Toyohara Kunichika 豊原国周 (1835-1900)  Search this

Block carver:

Umezawa Minokichi 梅沢已之吉 (act. ca. 1880–1922)  Search this

Publisher:

Fukuda Kumajiro 福田熊治良 (active ca. 1874-1898)  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (image): 108.6 x 24.4 cm (42 3/4 x 9 5/8 in)

Type:

Print

Origin:

Japan

Date:

1892

Period:

Meiji era

Topic:

Meiji era (1868 - 1912)  Search this

theater  Search this

kabuki  Search this

ghost  Search this

Japan  Search this

Japanese Art  Search this

Robert O. Muller collection  Search this

triptych  Search this

Credit Line:

Robert O. Muller Collection

Accession Number:

S2003.8.2750

Restrictions & Rights:

Usage conditions apply

On View:

Sackler Gallery 25: Staging the Supernatural: Ghosts and the Theater in Japanese Prints

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3de574a84-31dc-4390-9bc1-fd4854e0a5f3

EDAN-URL:

edanmdm:fsg_S2003.8.2750

Author:

Chen, Naihua 1979-  Search this

Physical description:

6, 392 pages illustrations 23 cm

Type:

Books

Place:

China

Tongren Xian (Qinghai Sheng)

Xi zang

Date:

2013

Topic:

Tankas (Tibetan scrolls)  Search this

Painters  Search this

Painting, Tibetan  Search this

Buddhist painting  Search this

Tang ka--zong jiao yi shu--yan jiu  Search this

Min jian yi ren--ren wu yan jiu  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1108040

Artist:

Johns, Jasper 1930-  Search this

Author of added text:

Worth, Alexi  Search this

Host institution:

Matthew Marks Gallery  Search this

Physical description:

98 pages chiefly illustrations (some color) 29 x 24 cm

Type:

Exhibitions

Criticism, interpretation, etc

Exhibition catalogs

Place:

United States

Date:

2019

21st century

Topic:

Painters  Search this

Artists  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1112190

Author:

Kasuya, Makoto 1960-  Search this

Physical description:

2 volumes illustrations (some color), plates 26 cm

Type:

Books

Place:

Japan

Date:

2019

2021

Topic:

Buddhist painting--History  Search this

Scrolls, Japanese--History  Search this

Narrative painting, Japanese  Search this

Buddhist legends  Search this

Buddhist painting  Search this

Scrolls, Japanese  Search this

Buddhist stories, Japanese--History and criticism  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145052

Editor:

Hirai, Yoshinobu  Search this

Furuta, Ryō  Search this

Asahi Shinbunsha  Search this

Translator:

McClintock, Martha Jane  Search this

Host institution:

Tōkyō Geijutsu Daigaku Daigaku Bijutsukan  Search this

Kyōto Kokuritsu Kindai Bijutsukan  Search this

Subject:

Maruyama, Ōkyo 1733-1795  Search this

Physical description:

254 pages illustrations 29 cm

Type:

Exhibitions

Place:

Japan

Kyoto

Date:

2019

Edo period, 1600-1868

Meiji period, 1868-1912

Topic:

Painting, Japanese  Search this

Maruyama School  Search this

Shijō school of art  Search this

Call number:

ND1053.5 .M358 2019

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145062

Author:

Suemori, Kaoru 1980-  Search this

Physical description:

vi, 326 pages illustrations 27 cm

Type:

Books

Place:

China

Dunhuang Caves

Date:

2020

Topic:

Mural painting and decoration, Chinese  Search this

Buddhist mural painting and decoration  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145302

Author:

Fu, Shen 1937-  Search this

Author:

Zhang, Daqian 1899-1983  Search this

Editor:

Tian, Hong (Writer on art)  Search this

Jiang, Chaoxian  Search this

Physical description:

9, 423 pages illustrations (chiefly colore) 29 cm

Type:

Books

Date:

2022

20th century

20e siècle

Topic:

Painting, Chinese  Search this

Peinture chinoise  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1156114

Editor:

Pfeiffer, Ingrid  Search this

Host institution:

Schirn Kunsthalle Frankfurt  Search this

Louisiana (Museum : Humlebæk, Denmark),)  Search this

Physical description:

419 pages illustrations (some color), facsimiles, portraits (some color) 30 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

History

Catalogues d'exposition

Place:

20th century

Date:

2020

20th century

20e siècle

Topic:

Surrealism  Search this

Women artists--History  Search this

Surréalisme  Search this

Femmes artistes--Histoire  Search this

Women artists  Search this

Malerei  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158323

Compiler:

Fenollosa, Ernest 1853-1908  Search this

Translator:

Yamaguchi, Seiichi  Search this

Physical description:

xvi, 381 pages illustrations (some color), facsimiles, portrait 27 cm

Type:

Books

Date:

2020

Topic:

Art, Japanese  Search this

Call number:

N7483.F43 F46 2020

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158418

Editor:

McKendry, Meredith  Search this

Curator:

Ray, Rebecca (1994-)  Search this

Grist, Penelope  Search this

Issuing body:

National Portrait Gallery (Australia)  Search this

Subject:

National Portrait Gallery (Australia)  Search this

Physical description:

202 pages. portraits. (chiefly colour) 23 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Place:

Australia

Australie

Date:

2023

Topic:

Celebrities--Portraits--Exhibitions  Search this

Portraits  Search this

Portrait photography--Exhibitions  Search this

Portrait photography  Search this

Portraits (Photographie)  Search this

Portraits (Photographie)--Expositions  Search this

Celebrities--Portraits  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160994

Author:

Lu, Jiachuan 1974-  Search this

Physical description:

4, 198 pages illustrations 24 cm

Type:

Books

Place:

China

Chine

Date:

2021

Topic:

Figure painting  Search this

Painting, Chinese--History  Search this

Peinture de figures humaines  Search this

Peinture chinoise  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161194

Author:

Wen, Zhengming 1470-1559  Search this

Editor:

Zhou, Daozhen  Search this

Physical description:

4 volumes 21 cm

Type:

Books

Date:

2022

Ming-Qing dynasties, 1368-1912

Topic:

Calligraphy, Chinese--History  Search this

Painting, Chinese  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161199

Editor:

Tesio, Paola Simona 1973-  Search this

Cossa, Gilberto  Search this

Physical description:

47 pages illustrations (chiefly color) 20 x 24 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Place:

Mozambique

Date:

2015

21st century

21e siècle

Topic:

Art, Mozambican  Search this

Art  Search this

Painting  Search this

Photography--Exhibitions  Search this

Artists  Search this

Art mozambicain  Search this

Peinture  Search this

Artistes  Search this

Photography  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161243

Author:

Nike Art Gallery (Lagos, Nigeria)  Search this

Physical description:

36 pages illustrations (colour) 21 x 30 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Date:

2013

Topic:

Art, Nigerian  Search this

Art, Yoruba  Search this

Painting, Nigerian  Search this

Art nigérian  Search this

Art yoruba  Search this

Peinture nigériane  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161442