Skip to main content Smithsonian Institution

Search Results

Collections Search Center
107 documents - page 1 of 6

Irving Petlin papers, 1952-2014, bulk 1970-1990

Creator:
Petlin, Irving, 1934-2018  Search this
Subject:
Golub, Leon  Search this
Kitaj, R. B.  Search this
Selz, Peter Howard  Search this
Type:
Drawings
Sketchbooks
Citation:
Irving Petlin papers, 1952-2014, bulk 1970-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art and war  Search this
Vietnam War, 1961-1975 -- Protest movements -- United States  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)21701
(DSI-AAA_SIRISBib)398508
AAA_collcode_peltirvi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398508
Online Media:

Self-Portrait with Rita

Artist:
Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975  Search this
Sitter:
Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975  Search this
Rita Piacenza Benton, 5 Jan 1896 - 9 Apr 1975  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 124.5 x 100 x 2.5cm (49 x 39 3/8 x 1")
Frame: 146.1 x 121 x 7cm (57 1/2 x 47 5/8 x 2 3/4")
Type:
Painting
Date:
c. 1924
Topic:
Home Furnishings\Furniture\Table  Search this
Exterior\Landscape\Coastal\Beach  Search this
Home Furnishings\Furniture\Seating\Bench  Search this
Self-portrait  Search this
Costume\Jewelry\Watch\Wrist watch  Search this
Rita Piacenza Benton: Visual Arts\Artist  Search this
Rita Piacenza Benton: Female  Search this
Thomas Hart Benton: Male  Search this
Thomas Hart Benton: Visual Arts\Artist\Painter  Search this
Thomas Hart Benton: Visual Arts\Art instructor  Search this
Thomas Hart Benton: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Jack H. Mooney
Object number:
NPG.75.30
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm47261ce1f-fe80-4709-84e0-ef9b7a854d5f
EDAN-URL:
edanmdm:npg_NPG.75.30

Holmes' Hole: Campground Landing, on the East Shore, (painting)

Painter:
Brownell, Charles de Wolf 1822-1909  Search this
Medium:
Oil on paper
Type:
Paintings
Owner/Location:
Hirschl & Adler Galleries New York New York
Date:
1865
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Control number:
IAP 61071773
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_480581

Reynolds Beal papers, 1874-1939

Creator:
Beal, Reynolds, 1866-1951  Search this
Subject:
Chase, William Merritt  Search this
Citation:
Reynolds Beal papers, 1874-1939. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American -- Massachusetts  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5880
(DSI-AAA_SIRISBib)208720
AAA_collcode_bealreyn
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208720

Oral history interview with Elizabeth Saltonstall, 1981 November 18

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Benson, Frank Weston  Search this
Bosley, Frederick A.  Search this
Chase, Frank Swift  Search this
Clark, Henry Hunt  Search this
Cross, Anson K.  Search this
Hale, Philip Leslie  Search this
James, Alexander  Search this
Miller, George Charles  Search this
Presser, Josef  Search this
Saltonstall, Nathaniel  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow  Search this
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.)  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Elizabeth Saltonstall, 1981 November 18. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13235
(DSI-AAA_SIRISBib)215615
AAA_collcode_salton81
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215615
Online Media:

Oral history interview with Jessie Benton, 2020 August 10

Interviewee:
Benton, Jessie, 1939-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jessie Benton, 2020 August 10. Archives of American Art, Smithsonian Institution.
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)21993
AAA_collcode_benton20
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21993

Oral history interview with Jessie Benton

Interviewee:
Benton, Jessie, 1939-  Search this
Interviewer:
Franco, Josh T. (1985-)  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((24 min.), digital, mp4)
8 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Video recordings
Date:
2020 August 10
Scope and Contents:
An interview with Jessie Benton conducted 2020 August 10, by Josh T. Franco, for the Archives of American Art's Pandemic Oral History Project, at Benton's home in Martha's Vineyard, Massachusetts.
Biographical / Historical:
Jessie Benton (1939 - ) is the daughter of painter Thomas Hart Benton.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and audio recording are open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.benton20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f399f2dc-b9ae-4a55-a48e-10c049c3fc30
EDAN-URL:
ead_collection:sova-aaa-benton20
Online Media:

Irving Petlin papers

Creator:
Petlin, Irving, 1934-2018  Search this
Names:
Golub, Leon, 1922-2004  Search this
Kitaj, R. B.  Search this
Selz, Peter Howard, 1919-2019  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1952-2014
bulk 1970-1990
Summary:
The papers of painter Irving Petlin measure 3.0 linear feet and date from 1952-2014. Materials include correspondence with other artists and collaborators, galleries, friends, and family; notes by Petlin related to his artistic process; exhibition and project files regarding the war in Vietnam and other projects; exhibition catalogs, announcements, and clippings related to Petlin's work and group and solo museum and gallery shows; periodicals related to the art world; books featuring Petlin as an illustrator or inscribed by author or editor friends of Petlin's; sketches by Petlin; an Italian contemporary art award; a piece of the Peace Tower collaboration with Mark di Suvero and other artists; and photographs of Petlin's works, installations, and Petlin in a studio.
Scope and Contents:
The papers of painter Irving Petlin measure 3.0 linear feet and date from 1952-2014. Materials include correspondence with other artists and collaborators, galleries, friends, and family; notes by Petlin related to his artistic process; exhibition and project files regarding the war in Vietnam and other projects; exhibition catalogs, announcements, and clippings related to Petlin's work and group and solo museum and gallery shows; periodicals related to the art world; books featuring Petlin as an illustrator or inscribed by author or editor friends of Petlin's; sketches by Petlin; an Italian contemporary art award; a piece of the Peace Tower collaboration with Mark di Suvero and other artists; and photographs of Petlin's works, installations, and Petlin in a studio.
Arrangement:
The collection is arranged as 7 series.

Series 1: Correspondence, 1968-2002 (0.25 linear feet, Box 1)

Series 2: Writings, 1952-1984 (0.18 linear feet) Box 1)

Series 3: Exhibition Files, 1974-1988 (0.20 linear feet, Box 1)

Series 4: Project Files, 1980-1984, 2007 (0.17 linear feet, Box 1)

Series 5: Printed Material, 1962-2014 (2.09 linear feet Box 1, 2, 3)

Series 6: Artwork, circa 1966-1974 (0.07 linear feet, box 3, 4)

Series 7: Photographic Material, circa 1970s-1978 (0.04 linear feet, Box 4)
Biographical / Historical:
Irving Petlin (1934-2018) was a painter in Paris, France; New York, New York; and Martha's Vineyard, Massachusetts. Petlin was born in Chicago to Polish Jewish immigrants, attended the Art Institute of Chicago, and earned a MFA from Yale University. Petlin specialized in the medium of pastel, first gaining recognition in Paris after his service in the United States army. From there he went to Los Angeles, where he was principal organizer of the "Artists Protest Movement Against the War in Vietnam," and the 1966 "Peace Tower," with Mark di Suvero and other artists. Petlin and his wife, Sarah, a poet, moved to New York City for 28 years before returning to Paris. Petlin was heavily influenced by the political landscape around him and was an active member of the Art Workers' Coalition. He used allegory, mythology, and symbolism to illustrate politics and the human condition. He often collaborated on projects with other artists and was inspired by writers and poets. In the last decades of his life, Petlin split his time between his studio in Paris and his family's 18th century farmhouse in Martha's Vineyard continuing his work as an artist and activist.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Irving Petlin conducted by James McElhinney September 13 and 15, 2016.
Provenance:
The collection was donated in 2019 by Sarah Petlin.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- France -- Paris  Search this
Painters -- Massachusettes -- Martha's Vineyard  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art and war  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Citation:
Irving Petlin papers, 1952-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.peltirvi
See more items in:
Irving Petlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9096058f3-4b7d-4759-ba0d-e212757f6c50
EDAN-URL:
ead_collection:sova-aaa-peltirvi
Online Media:

Reynolds Beal papers

Creator:
Beal, Reynolds, 1866-1951  Search this
Names:
Chase, William Merritt, 1849-1916  Search this
Extent:
6 Microfilm reels (195 items on 6 microfilm reels)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1874-1939
Scope and Contents:
The microfilmed Reynolds Beal papers contain sketchbooks, art works, notes, photographs, and printed material. Much of the material relates to William Merrit Chase. Microfilmed on Reels 278-282 and Reel 286 are a biographical sketch; 169 sketchbooks (1874-1938); a folder of 32 "Japanese Prints," mostly watercolors; a letter to Beal from his father (1896); three clippings; a book, Song of the Sea (1891), illustrated by Beal; and a diary kept while traveling around Long Island and Martha's Vineyard with his brother, Albert (1896).

Also microfilmed on Reel 286 is material relating to William Merrit Chase's classes at Shinnecock Hills, including Beal's notes on Chase's critical comments while studying with Chase; comments from Chase on museums in Holland; photographs of Chase's 10th Street studio and Shinnecock Hills studios; a catalog of the Chase retrospective, National Arts Club, (1910); clippings and miscellaneous printed material; a diary kept by Beal (1891), "Trip to Newfoundland with Albert [Beal],"describing fishing and his sketching activity; and a notebook with expense accounts and pencil sketches (1899).
Biographical / Historical:
Reynolds Beal (1866-1951) was a painter and printmaker in Rockport, Massachusetts known for his marine and landscape paintings. His brother was Gifford Beal (1879-1956), a painter, printmaker, and muralist. Reynolds Beal studied naval architecture at Cornell University before going on to study painting with William Merritt Chase in Shinnecock, Long Island and with Henry Ward Ranger in Europe. He is considered a modernist and he helped found the Society of Independent Artists and the New Society of Artists alongside George Bellows, Childe Hassam, John Sloan, William Glackens, and Maurice Prendergast.
Related Materials:
The Archives of American Art holds the Alger Beal papers relating to Reynolds and Gifford Beal, circa 1890-1965.
Provenance:
Materials on reels 278-282 and frames labeled as 1-85 on reel 286 lent for microfilming 1972 by Robert Campbell, Shore Galleries, Boston, Mass. Reel 286, frames labeled as 1-60 were lent by Mr. and Mrs. Wayne Morrell through Chapellier Galleries.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts -- Rockport  Search this
Printmakers -- Massachusetts -- Rockport  Search this
Topic:
Painting, American -- Massachusetts  Search this
Identifier:
AAA.bealreyn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ff4cc8a-ebdb-4f2d-b94a-d09419e3f052
EDAN-URL:
ead_collection:sova-aaa-bealreyn

Oral history interview with Elizabeth Saltonstall

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.) -- Faculty  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.) -- Faculty  Search this
Windsor School (Boston, Mass.) -- Students  Search this
Benson, Frank Weston, 1862-1951  Search this
Bosley, Frederick A., 1881-1942  Search this
Chase, Frank Swift, 1886-1958  Search this
Clark, Henry Hunt  Search this
Cross, Anson K., 1862-1944  Search this
Hale, Philip Leslie, 1865-1931  Search this
James, Alexander, 1890-1946  Search this
Miller, George Charles, b. 1894  Search this
Presser, Josef, 1909-1967  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow, 1906-1978  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 November 18
Scope and Contents:
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Printmakers--Massachusetts--Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.salton81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9599f68e3-0aba-4b7f-91d7-e84662b73f90
EDAN-URL:
ead_collection:sova-aaa-salton81
Online Media:

Senga Nengudi/Sue Irons Resumes and Biographies

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 1970s-circa 1990s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952794551-06ea-4d19-98fb-cb017aff2fc7
EDAN-URL:
ead_component:sova-aaa-nengseng-ref14
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Senga Nengudi/Sue Irons Resumes and Biographies digital asset number 1

Gay Head, (painting)

Painter:
Beal, Reynolds 1867-1951  Search this
Medium:
Watercolor
Type:
Paintings
Date:
1940
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Massachusetts--Gay Head  Search this
Control number:
IAP 8F871600
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_473035

Prestige Crossing Line - West Chop, (painting)

Painter:
Beal, Reynolds 1867-1951  Search this
Medium:
Watercolor
Type:
Paintings
Date:
1938
Topic:
Landscape--Massachusetts--West Chop  Search this
Landscape--Massachusetts--Tisbury  Search this
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Architecture--Boat  Search this
Control number:
IAP 8F871565
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_472998

The Bicyclers, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Medium:
Acrylic on canvas mounted on panel
Type:
Paintings
Date:
1961
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Landscape--Road  Search this
Figure group  Search this
Recreation--Sport & Play--Bicycling  Search this
Control number:
IAP 8C670024
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423420

T. P. Repairing the Sloop, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Subject:
Unidentified  Search this
Medium:
Oil on paper
Type:
Paintings
Date:
1973
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Portrait male--Full length  Search this
Architecture--Boat--Sailboat  Search this
Object--Tool--Ladder  Search this
Control number:
IAP 8C670030
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423426

Rita Watering the Garden, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Subject:
Benton, Thomas Hart, Mrs. (Rita)  Search this
Unidentified  Search this
Medium:
Oil on panel
Type:
Paintings
Date:
Ca. 1930s
Topic:
Portrait female--Full length  Search this
Portrait male--Child  Search this
Animal--Cat  Search this
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Landscape--Garden  Search this
Occupation--Domestic--Gardening  Search this
Control number:
IAP 8C670007
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423352

Haying at Chilmark, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Medium:
Oil and tempera on panel
Type:
Paintings
Date:
Ca. 1946
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Massachusetts--Chilmark  Search this
Landscape--Farm  Search this
Architecture exterior--Religious--Church  Search this
Figure group--Male  Search this
Object--Tool--Scythe  Search this
Occupation--Farm--Farmer  Search this
Occupation--Farm--Harvesting  Search this
Architecture--Vehicle--Tractor  Search this
Control number:
IAP 8C670010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423355

Menemsha, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Medium:
Watercolor on paper
Type:
Paintings
Date:
1951
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Massachusetts--Menemsha  Search this
Landscape--Wharf  Search this
Waterscape--Harbor  Search this
Figure group  Search this
Architecture--Boat--Sailboat  Search this
Landscape--Coast  Search this
Control number:
IAP 8C670018
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423363

Wooded Bluffs and Rocks, Martha's Vineyard, (painting)

Painter:
Benton, Thomas Hart 1889-1975  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
1923
Topic:
Landscape--Massachusetts--Martha's Vineyard  Search this
Landscape--Coast  Search this
Landscape--Forest  Search this
Control number:
IAP 8C670039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_423435

House in Martha's Vineyard, (painting)

Painter:
Cooper, Colin Campbell 1856-1937  Search this
Medium:
Gouache on board
Type:
Paintings
Topic:
Architecture exterior--Domestic--House  Search this
Landscape--Massachusetts--Martha's Vineyard  Search this
Figure group--Female  Search this
Control number:
IAP 8A370045
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_395807

Modify Your Search







or


Narrow By