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Willis G. Tilton photograph collection of American Indians

Collector:
Tilton, Willis G.  Search this
Names:
Field Museum of Natural History  Search this
Big Foot, -1890  Search this
Geronimo, 1829-1909  Search this
Photographer:
Dorsey, George A. (George Amos), 1868-1931  Search this
Gutekunst, Frederick, 1831-1917  Search this
Hall, E. E.  Search this
James, George Wharton, 1858-1923  Search this
Maude, F. H. (Frederic Hamer)  Search this
Nelson, Edward William, 1855-1934  Search this
Thompson, J. Eric S. (John Eric Sidney), 1898-1975  Search this
Voth, H. R. (Henry R.), 1855-1931  Search this
Winternitz, L.  Search this
Extent:
685 Negatives (circa, glass and nitrate)
Culture:
Pueblo Indians  Search this
Dakota Indians -- depicted  Search this
Arapaho Indians  Search this
Apache Indians  Search this
Brulé Indians  Search this
Assiniboine Indians  Search this
Jicarilla Indians  Search this
Cheyenne Indians  Search this
Kootenai Indians  Search this
Kickapoo Indians  Search this
Navajo Indians  Search this
Kwakiutl Indians  Search this
Pawnee Indians  Search this
Oglala Indians  Search this
Ponca Indians  Search this
Indians of North America -- Great Plains  Search this
Piegan Indians  Search this
Potawatomi Indians  Search this
Sauk Indians  Search this
Seminole Indians  Search this
Shoshoni Indians  Search this
Taos Indians  Search this
Iroquois Indians  Search this
Umatilla Indians  Search this
White Mountain Apache Indians  Search this
Wichita Indians  Search this
Indians of North America -- Northeast  Search this
Arctic peoples  Search this
Hopi Indians  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Great Basin  Search this
Mayas  Search this
Patagonians  Search this
Dakota Indians  Search this
Crow Indians  Search this
Fox Indians  Search this
Eskimos  Search this
Haida Indians  Search this
Gros Ventre Indians (Montana)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hunkpapa Indians  Search this
Chiricahua Indians  Search this
Comanche Indians  Search this
Coast Salish Indians  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Negatives
Place:
Belize
Fort Belknap Indian Reservation (Mont.)
Oraibi (Ariz.)
Date:
circa 1880-1930
bulk 1899-1904
Scope and Contents note:
Photographs collected by Willis G. Tilton, a dealer in artifacts and photographs relating to American Indians. Many of the photographs were made by Field Columbian Museum photographer Charles Carpenter at the Louisiana Purchase Exposition in 1904; many others were created by various photographers for Field Museum publications. Notable subjects include Big Foot, dead in the snow at the Wounded Knee battlefield; Arapaho and Cheyenne social dances; Hopi ceremonies; a reenactment of the shooting of Sitting Bull; Sun Dances (Arapaho, Assiniboin and Atsina, Blackfoot, Cheyenne, Ponca); and views of the United States Indian School Building and Pawnee Indians at the the Louisiana Purchase Exposition in St. Louis, Missouri. Other photographs include portraits and images of artifacts, basket weaving, cradles, dress, dwelling, tipis and other dwellings, and tree burials. There are also some photographs of Henry Field's expedition to Iraq in 1934 (Field museum anthropological expedition to the Near East), work elephants in Burma, Pipestone Quarry in Minnesota, a church in the Yucatan, and a rickshaw and cart in Ceylon.
Biographical/Historical note:
Willis G. Tilton was a dealer and owner of the store, Tilton Indian Relics, in Topeka, Kansas.
Local Call Number(s):
NAA Photo Lot 89-8, NAA Photo Lot 135
Location of Other Archival Materials:
Photographs in the Tilton Collection, previously filed in Photo Lot 135, have been relocated and merged with Photo Lot 89-8. These photographs were also purchased by the Bureau of American Ethnology from Willis G. Tilton and form part of this collection.
Associated photographs still held in the Field Museum of Natural History, Chicago.
Most photographs included in the card catalog of copy negatives and in the reference file prints by tribe.
Additional photographs by Dorsey held in the National Anthropological Archives in MS 4721 and Photo Lot 24.
Correspondence from Dorsey held in the National Anthropological Archives in MS 4821, records of the Bureau of American Ethnology, the J.C. Pilling Papers, and the Ales Hrdlicka Papers.
Additional photographs by Nelson held in National Anthropological Archives Photo Lot 171, Photo Lot 133, Photo Lot 24, and the BAE historical negatives.
Additional Maude photographs held in National Anthropological Archives Photo Lot 90-1 and Photo Lot 24.
Additional E. E. Hall photographs held in National Anthropological Archives MS 4978 and Photo Lot 24.
The Smithsonian Institution Archives holds Nelson's field reports (SIA Acc. 97-123) and the Edward William Nelson and Edward Alphonso Goldman Collection (SIA RU007364).
See others in:
Willis G. Tilton photograph collection of American Indians, circa 1880-1930 (bulk 1899-1904)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Salish Indians  Search this
Rites and ceremonies  Search this
Wounded Knee Massacre, S.D., 1890  Search this
Sun Dance  Search this
Citation:
Photo Lot 89-8, Willis G. Tilton photograph collection of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-8
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-8

Photographs of Pine Ridge delegation at the United States National Archives

Names:
National Archives (U.S.)  Search this
Extent:
16 contact prints ((possibly proof sheets))
3 Prints (silver gelatin)
Culture:
Oglala Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Prints
Photographs
Date:
1975
Scope and Contents note:
Photographs depicting Oglala Indians from Pine Ridge during a visit to the National Archives to look at documents relating to the tribeʹs history and culture.
Local Call Number(s):
NAA Photo Lot 76-92
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 76-92, Photographs of Oglala delegation at the United States National Archives, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.76-92
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-76-92

Arthur Amiotte photographs of his art

Creator:
Amiotte, Arthur (photographer and artist)  Search this
Extent:
314 copy color slides
Culture:
Oglala Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Copy color slides
Photographs
Date:
circa 1963-1986
Scope and Contents note:
Photographs depicting Arthur Amiotte's artwork, including stitchery and quilts, clothing and mocassins, wall hangings, and paintings. The collection also includes some images of exhibits of Amiotte's work, a powwow, and scenic views of the Great Plains area.
Biographical/Historical note:
Born in 1942 and raised on the Pine Ridge Reservation, Arthur Amiotte is an Oglala painter, collage and fiber artist, lecturer, and author. Influenced by native artist Oscar Howe, Amiotte's art is based on Oglala tradition and culture.
Local Call Number(s):
NAA Photo Lot 88-1, NAA ACC 89-13
Reproduction Note:
Copy slides made by Smithsonian Institution, 1987.
Location of Other Archival Materials:
Artwork by Amiotte can be found in the National Anthropological Archives in American Indian Social and Political memorabilia.
The Archives of American Art holds audio recording of an oral history interview with Amiotte.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Wall hangings  Search this
Clothing and dress  Search this
Painting  Search this
Quilts  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 88-1, Arthur Amiotte photographs of his art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.88-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-88-1

United States National Museum Department of Anthropology photograph collection of American Indians

Creator:
United States National Museum., Dept. of Anthropology.  Search this
Photographer:
Geological and Geographical Survey of the Territories (U.S.)  Search this
Heyn Photo  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
Mitchell, McGowan and Company  Search this
Place & Coover  Search this
Addison, George A.  Search this
Barry, D. F. (David Francis), 1854-1934  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Brady, Mathew B., approximately 1823-1896  Search this
Bretz, George W. (Fort Sill, Oklahoma)  Search this
Fly, C. S. (Camillus Sidney), 1849-1901  Search this
Fouch, John H., 1849-1933  Search this
Gardner, Alexander, 1821-1882  Search this
Goff, O. S. (Orlando Scott), 1843-1917  Search this
Gutekunst, Frederick, 1831-1917  Search this
Jackson, William Henry, 1843-1942  Search this
Partridge, William Ordway, 1861-1930  Search this
Randall, A. F. (A. Frank)  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Wittick, Ben, 1845-1903  Search this
Publisher:
Rice, Rutter & Co.  Search this
Artist:
Noyes, Francis H.  Search this
Reiss, Winold, 1886-1953  Search this
Extent:
3 painted photographs
8 Prints (halftone and color halftone)
56 Photographic prints (albumen and silver gelatin)
10 copy prints
1 Stereograph (albumen)
2 Engravings
2 color lithographs
Culture:
Siouan Indians  Search this
Shoshoni Indians  Search this
Ute Indians  Search this
Teton Indians  Search this
Indians of North America -- Great Plains  Search this
Mohawk Indians  Search this
Crow Indians  Search this
Indians of North America -- Great Basin  Search this
Dakota Indians  Search this
Cheyenne Indians  Search this
Chiricahua Indians  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Southwest, New  Search this
Arapaho Indians  Search this
Seminole Indians  Search this
Sauk Indians  Search this
Indians of North America -- Plateau  Search this
Powhatan Indians  Search this
Piegan Indians  Search this
Hunkpapa Indians  Search this
Oglala Indians  Search this
Nez Percé Indians  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Painted photographs
Prints
Photographic prints
Copy prints
Stereographs
Engravings
Color lithographs
Photographs
Date:
undated
Scope and Contents note:
The bulk of the collection consists of portraits of identified American Indians and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa; Gaul, Hunkpapa; Geronimo, Chiricahua; John Grass, Teton; Chief Joseph, Nez Perce; Little Wound, Oglala; Medicine Bull, Hunkpapa; Osceola, Seminole; Ouray, Ute; Litte Raven, Arapaho; Plenty Coups, Crow; Pocahontas, Powhatan; Rain in the Face, Hunkpapa; Red Cloud, Oglala; Red Iron, Dakota; Short Man, Piegan; Sitting Bull, Hunkpapa; Standing On Prairie, Siouan; Thayendanegea (Joseph Brant), Mohawk; Two Guns White Calf, Piegan; Two Moon, Cheyenne; and Washakie, Shoshoni.
Local Call Number(s):
NAA Photo Lot 87-2P
Contained in:
Smithsonian Institution Bureau of American Ethnology photograph collections, undated
See others in:
United States National Museum Department of Anthropology photograph collection of American Indians, undated
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 87-2P, United States National Museum Department of Anthropology photograph collection of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-2P
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-2p

John O'Leary photographs of American Indian gatherings and artifacts

Creator:
OʹLeary, John  Search this
Photographer:
Bell, Bert  Search this
Kinkaid, Reece  Search this
Names:
Poolaw, Horace (photographer, Kiowa)  Search this
Powell, Peter John, Father  Search this
Extent:
105 copy prints
94 copy negatives
Culture:
Indians of North America -- Northeast  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Ojibwa Indians  Search this
Cherokee Indians  Search this
Navajo Indians  Search this
Indians of North America -- Southern States  Search this
Winnebago Indians  Search this
Sauk Indians  Search this
Oglala Indians  Search this
Pawnee Indians  Search this
Fox Indians  Search this
Arapaho Indians  Search this
Cheyenne Indians  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Copy negatives
Photographs
Date:
circa 1930-1970
Scope and Contents note:
Copies of photographs depicting American Indian gatherings, including those at Pine Ridge and Chicago American Indian Center Exposition. Additionally, there are images of Sioux, Winnebago, and Navajo artifacts and art, and historical sites relating to Chief Red Cloud. Also included are photographs of Kiowa Indians, made by Kiowa photographer Horace Poolaw.
Local Call Number(s):
NAA Photo Lot R74-12
Reproduction Note:
Copy prints and negatives prepared by Smithsonian Institution, 1974.
Location of Other Archival Materials:
Photographs by John O'Leary can also be found in the National Anthropological Archives in Photo Lot 81-72.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes. Copies can be made only with permission of John O'Leary.
Topic:
Powwows  Search this
Genre/Form:
Photographs
Citation:
Photo lot R74-12, John O'Leary photographs of American Indian gatherings and artifacts, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R74-12
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r74-12

Herman J. Viola photograph collection of Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA

Creator:
Viola, Herman J.  Search this
Names:
American Indian Cultural Resources Training Program  Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program  Search this
Hunt, Wolf Robe, 1905-1977  Search this
Photographer:
Genete, Rev. Salvatore  Search this
Krantz, Victor  Search this
Neufeld, Harry B.  Search this
Warren, Dave.  Search this
Extent:
120 Negatives (circa, 35 mm)
31 color slides
300 Prints (circa, silver gelatin)
310 Negatives (circa, acetate)
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Oneida Indians  Search this
Indians of North America -- Northeast  Search this
Pima Indians  Search this
Paiute Indians  Search this
Cree Indians  Search this
Spokane Indians  Search this
Makah Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hupa Indians  Search this
Yakama Indians  Search this
Yavapai Indians  Search this
Tewa Indians  Search this
Sihasapa Indians  Search this
Navajo Indians  Search this
Oto Indians  Search this
Pawnee Indians  Search this
Coos Indians  Search this
Zuni Indians  Search this
Acoma Indians  Search this
Choctaw Indians  Search this
Wyandot Indians  Search this
Clallam Indians  Search this
Kiowa Apache Indians  Search this
Nez Percé Indians  Search this
Wintu Indians  Search this
Missouri Indians  Search this
Shawnee Indians  Search this
Indians of North America -- Great Basin  Search this
Osage Indians  Search this
Nisqually Indians  Search this
Menominee Indians  Search this
Hidatsa Indians  Search this
Southern Paiute Indians  Search this
Puyallup Indians  Search this
Chickasaw Indians  Search this
Indians of North America -- California  Search this
Fox Indians  Search this
Sauk Indians  Search this
Seneca Indians  Search this
Indians of North America -- Southern States  Search this
Arapaho Indians  Search this
Indians of North America -- Plateau  Search this
Cheyenne Indians  Search this
Ute Indians  Search this
Klamath Indians  Search this
Biloxi Indians  Search this
Tunica Indians  Search this
Gros Ventre Indians (Montana)  Search this
White Mountain Apache Indians  Search this
Kiowa Indians  Search this
Ojibwa Indians  Search this
Wampanoag Indians  Search this
Oglala Indians  Search this
Tlingit Indians  Search this
Cayuga Indians  Search this
Tulalip Indians  Search this
Type:
Collection descriptions
Archival materials
Negatives
Color slides
Prints
Photographs
Date:
1970-1991
Scope and Contents note:
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.

Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of the American Indian who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to entice American Indians into becoming professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Salish Indians  Search this
Archives -- Acquisitions  Search this
Powwows  Search this
Genre/Form:
Photographs
Citation:
Photo lot 74-17, Herman J. Viola photograph collection of Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.74-17
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-74-17

John Rutter Brooke photograph collection from Camp Supply and Pine Ridge Indian Reservation

Collector:
Brooke, John Rutter, 1838-1926  Search this
Names:
Northwestern Photographic Company, photographer's studio  Search this
Trager and Kuhn  Search this
Photographer:
Soule, William S. (William Stinson), 1836-1908  Search this
Trager, George E.  Search this
Extent:
17 mounted prints (albumen)
Culture:
Indians of North America -- Great Plains  Search this
Oglala Indians  Search this
Arapaho Indians  Search this
Cheyenne Indians  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Place:
Pine Ridge Indian Reservation (S.D.)
Fort Supply (Okla.)
Rosebud Indian Reservation (S.D.)
Date:
circa 1867-1891
Scope and Contents note:
Photographs mostly made by William S. Soule and George E. Trager, and probably acquired by John Rutter Brooke while stationed with the US Army at Camp Supply (circa 1873) and the Department of the Platte (1888-1895). Photographs by William S. Soule document life at Camp Supply, depicting Arapaho Indians (including Chief Powder Face), tipis and encampments, drying bison meat, and one image of Cheyenne captives, identified as Dull Knife, Curly Hair, and Big Head. Photographs by George E. Trager (through his studios Trager and Kuhn and the Northwestern Photographic Company) depict Red Cloud, Pine Ridge Agency, Rosebud Agency, and a Grand Council between Plains Indian chiefs at Pine Ridge. The collection also includes three images relating to a Ute Bear Dance at Uintah Agency.
Biographical/Historical note:
John Rutter Brooke (1838-1926) graduated from Ursinus College shortly before enlisting in the 4th Pennsylvania Infantry division in April 1861. At the age of twenty-three, Brooke was granted the rank of colonel and served as the commanding officer for the 53rd Pennsylvania volunteer regiment. He led the 53rd at Antietam and a brigade of the Union Army's 1st Division during the Gettysburg campaign, leading to his appointment as Brigadier General in 1864. During peacetime, Brooke participated in the removal of American Indians to reservations. He commanded troops at Camp Supply in 1873, the U.S. 7th Cavalry during the attack at Wounded Knee, the Department of the Platte when the Ghost Dance War began in 1890 and the 1st Corps during the Spanish-American War. In 1897, he was promoted to major general and served as military governor of Puerto Rico and Cuba in the last years of the 19th century. Brooke returned to the United States as commanding officer of the Department of the East, eventually retiring to Philadelphia in 1902.
Local Call Number(s):
NAA Photo Lot 4599, NAA MS 4598, USNM ACC 63760
Location of Other Archival Materials:
Photographs previously filed in MS 4598 have been relocated and merged with Photo Lot 4599. These photographs were also collected by John Rutter Brooke and donated in accession 063760 and form part of this collection.
Additional Soule photographs held in National Anthropological Archives Photo Lot 3912, MS 4791, MS 2531, Photo Lot 24, Photo Lot 97-6, and the BAE historical negatives.
John R. Brooke also donated a large copper nugget, a bolo and sheath, and a dagger, which are held in the collections of the Department of Anthropology in accession 063760.
The Historical Society of Pennsylvania holds John Rutter Brooke papers.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Camps  Search this
Cooking  Search this
Tipis  Search this
Citation:
Photo Lot 4599, John Rutter Brooke photograph collection from Camp Supply and Pine Ridge Indian Reservation, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4599
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4599

James E. Taylor scrapbook of the American West

Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Names:
Geological Survey (U.S.)  Search this
United States. Army  Search this
Buffalo Bill, 1846-1917  Search this
Crook, George, 1829-1890  Search this
Custer, George Armstrong, 1839-1876  Search this
Hickok, Wild Bill, 1837-1876  Search this
Juárez, Benito, 1806-1872  Search this
Kinman, Seth  Search this
Miles, Nelson Appleton, 1839-1925  Search this
Powell, John Wesley, 1834-1902  Search this
Red Cloud, 1822-1909  Search this
Richard, Louis  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Photographer:
Barry, D. F. (David Francis), 1854-1934  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Eaton, E. L. (Edric L.), b. ca. 1836  Search this
Ebell, Adrian J. (Adrian John), 1840-1877  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
M'Clees, Jas. E. (James E.)  Search this
O'Sullivan, Timothy H., 1840-1882  Search this
Pywell, Wm. R. (William Redish), 1843-1886  Search this
Vannerson, Julian, 1827-  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Extent:
4 Tintypes
3 Chromolithographs
3 Lithographs (3 chalk-manner lithographs)
1 Print (photogravure)
118 Pages (Scrapbook)
685 Prints (circa, albumen)
80 Items (circa 80 relief prints (including woodcuts and wood engraving))
30 Items (circa 30 intaglio prints (including etchings and engravings))
Culture:
Apache Indians  Search this
Pueblo Indians  Search this
Cheyenne Indians  Search this
Cherokee Indians  Search this
Comanche Indians  Search this
Creek Indians  Search this
Crow Indians  Search this
Fox Indians  Search this
Gros Ventre Indians (Montana)  Search this
Kiowa Indians  Search this
Modoc Indians  Search this
Navajo Indians  Search this
Oglala Indians  Search this
Ojibwa Indians  Search this
Omaha Indians  Search this
Pawnee Indians  Search this
Potawatomi Indians  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Southwest, New  Search this
Winnebago Indians  Search this
Zuni Indians  Search this
Sauk Indians  Search this
Shoshoni Indians  Search this
Ute Indians  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Collection descriptions
Tintypes
Chromolithographs
Lithographs
Prints
Pages
Photographs
Newspapers
Woodcuts
Place:
Mexico
Taos Pueblo (N.M.)
California
Oregon
Fort Davis (Tex.)
New Mexico
Fort Snelling (Minn.)
Arizona
Texas
San Juan Pueblo (N.M.)
Zuni (N.M.)
Kansas
Colorado
Date:
circa 1863-1900
Summary:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
Biographical Note:
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
Related Materials:
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Provenance:
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Church buildings  Search this
Mines and mineral resources  Search this
Dance  Search this
White River Massacre, Colo., 1879  Search this
Painting  Search this
Washita Campaign, 1868-1869  Search this
Mormon Church -- History  Search this
Genre/Form:
Photographs
Newspapers
Woodcuts
Tintypes
Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4605
See more items in:
James E. Taylor scrapbook of the American West
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4605
Additional Online Media:

H. Scudder Mekeel photographs

Creator:
Mekeel, H. Scudder (Haviland Scudder), 1902-1947  Search this
Names:
Laboratory of Anthropology (Museum of New Mexico)  Search this
Collier, John, 1884-1968  Search this
Kroeber, A. L. (Alfred Louis), 1876-1960  Search this
Photographer:
Fiske, Frank Bennett, 1883-1952  Search this
Rise, Carl H., 1888-1939  Search this
Extent:
1 Print (photochrom)
443 Negatives (nitrate)
235 Prints (silver gelatin)
Culture:
Taos Indians  Search this
Pueblo Indians  Search this
Indians of North America -- Southwest, New  Search this
Hopi Indians  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Teton Indians  Search this
Ojibwa Indians  Search this
Oglala Indians  Search this
Siouan Indians  Search this
Osage Indians  Search this
Hualapai Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Negatives
Place:
Standing Rock Indian Reservation (N.D. and S.D.)
Oraibi (Ariz.)
Pine Ridge Indian Reservation (S.D.)
Date:
bulk 1930-1933
circa 1920-1947
Scope and Contents note:
The photographs primarily document ceremonies, people, and lands of American Indians in the Plains and Southwest, taken during Mekeel's field research from 1929 to 1936. A large portion of the collection depicts Mekeel's research during the early 1930s among the Oglala of the Pine Ridge Reservation in South Dakota. Another large portion of the collection includes personal photos depicting Mekeel's homes and children.
Biographical/Historical note:
H. Scudder Mekeel (1902-1947) was an anthropologist who studied social and psychological aspects of American Indian cultures. Educated at Harvard University (BA, 1928), the University of Chicago (MA, 1929), and Yale University (PhD, 1932), he was a member of the 1929 Laboratory of Anthropology (Santa Fe) ethnological field school led by Alfred L. Kroeber. In 1929-1932, he carried out three field expeditions to the Sioux Indians of South Dakota, working mainly on the Pine Ridge Reservation. He joined the Bureau of Indian Affairs as Director of Applied Anthropology under Commissioner John Collier in 1935. Two years later, he was appointed Director of the Laboratory of Anthropology at Santa Fe and continued there until 1940, when he accepted a teaching position at the University of Wisconsin.
Local Call Number(s):
NAA Photo Lot 94-21
Location of Other Archival Materials:
The National Anthropological Archives holds copies of Mekeel's Field Notes from the summers of 1930 and 1931 in the White Clay District of the Pine Ridge Reservation, South Dakota (MS 7088). Originals of these field notes and Mekeel's population notes on the White Clay District are held by the American Museum of Natural History, Division of Anthropology Archives (.M454).
The Human Studies Film Archives holds Mekeel's film footage of a Lakota Sioux Sundance from 1930 (HSFA 92.8.1).
Correspondence from Mekeel held in the National Anthropological Archives in the William Duncan Strong papers, Raoul Weston LaBarre Papers, and Bureau of American Ethnology Administrative File.
Restrictions:
Original nitrate negatives are in cold storage and require special arrangements for viewing.
Rights:
Contact the repository for terms of use.
Citation:
Photo Lot 94-21, the H. Scudder Mekeel photographs, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.94-21
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-94-21

Charles Milton Bell photographs of American Indians

Creator:
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Names:
Joseph (Nez Percé Chief), 1840-1904  Search this
Lean Wolf.  Search this
Parker, Quanah, 1845?-1911  Search this
Plenty Coups Chief of the Crows, 1848-1932  Search this
Red Cloud, 1822-1909  Search this
Spotted Tail, 1823-1881  Search this
Extent:
340 copy prints (circa)
3 Prints (albumen)
333 glass negatives (wet plate collodion and dry gelatin)
69 copy negatives
Culture:
Piegan Indians  Search this
Sauk Indians  Search this
Seminole Indians  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Great Plains  Search this
Shoshoni Indians  Search this
Sisseton Indians  Search this
Spokane Indians  Search this
Wichita Indians  Search this
Winnebago Indians  Search this
Yakama Indians  Search this
Yanktonai Indians  Search this
Indians of North America -- Northeast  Search this
Oto Indians  Search this
Osage Indians  Search this
Kickapoo Indians  Search this
Kansa Indians  Search this
Kiowa Indians  Search this
Kiowa Apache Indians  Search this
Oglala Indians  Search this
Nez Percé Indians  Search this
Omaha Indians  Search this
Ojibwa Indians  Search this
Cherokee Indians  Search this
Brulé Indians  Search this
Assiniboine Indians  Search this
Arikara Indians  Search this
Arapaho Indians  Search this
Indians of North America -- Plateau  Search this
Hunkpapa Indians  Search this
Iowa Indians  Search this
Paloos Indians  Search this
Pawnee Indians  Search this
Hidatsa Indians  Search this
Fox Indians  Search this
Delaware Indians  Search this
Crow Indians  Search this
Comanche Indians  Search this
Cheyenne Indians  Search this
Type:
Archival materials
Collection descriptions
Copy prints
Prints
Glass negatives
Copy negatives
Photographs
Date:
circa 1874-1890
Scope and Contents note:
Portraits of American Indians made by Charles Milton Bell in his Washington, DC studio. Depicted individuals include Red Cloud, Oglala; Spotted Tail, Brule; Quanah Parker, Comanche; Nawat, Arapaho; Scabby Bull, Arapaho; Wolf Robe, Cheyenne; D. W. Bushyhead, Cherokee; John Jumper, Seminole; Plenty Coups, Crow; Rushing Bear, Arikara; Gall, Hunkpapa; John Grass, Sihasapa; Lean Wolf, Hidatsa; Chief Joseph, Nez Perce; and Lone Wolf, Kiowa; as well as people associated with Pawnee Bill's Wild West Show. The collection also includes copies of some images by other photographers, including G. G. Rockwood and F. T. Cummins.
Biographical/Historical note:
Charles Milton Bell (circa 1849-1893) was the youngest member of a family of photographers that operated a studio in Washington, DC, from around 1860-1874. Charles Milton Bell established his own studio on Pennsylvania Avenue in 1873 and it rapidly became one of the leading photography studios in the city. Bell developed the patronage of Ferdinand Vandeveer Hayden, who sent American Indian visitors to the studio to have their portraits made. Bell also made photographs of Indians for the Department of the Interior and the Bureau of American Ethnology.
Local Call Number(s):
NAA Photo Lot 80, NAA MS 4661
Location of Other Archival Materials:
Copy prints previously filed in MS 4661 have been relocated and merged with Photo Lot 80. These are also copy prints of Bell negatives that were acquired from Boyce and form part of this collection.
Additional C. M. Bell photographs held in National Anthropological Archives Photo Lot 4420, Photo Lot 24, Photo Lot 60, Photo Lot 81-44, Photo lot 87-2P, and Photo Lot 90-1.
See others in:
Charles Milton Bell photographs of American Indians, circa 1874-1890
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Salish Indians  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 80, Charles Milton Bell photographs of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-80

Edward S. Curtis photogravure plates and proofs for The North American Indian

Photographer:
Curtis, Edward S., 1868-1952  Search this
Extent:
96 photomechanical prints (photogravure proofs)
184 printing plates (copper printing plates)
Culture:
Twana Indians  Search this
Hoh  Search this
Walla Walla Indians  Search this
Wishram  Search this
Suquamish Indians  Search this
Skokomish Indians  Search this
Quinault Indians  Search this
Quileute  Search this
Apache Indians  Search this
Tolowa Indians  Search this
Hupa Indians  Search this
Hopi Pueblo  Search this
Squaxon  Search this
Mewuk (Miwok)  Search this
Achomawi Indians  Search this
Klamath Indians  Search this
Yurok Indians  Search this
Kumeyaay (Diegueño)  Search this
Cayuse Indians  Search this
Northern Paiute Indians  Search this
Santa Ysabel (Santa Isabela) Diegueño  Search this
Kalispel Indians  Search this
Spokan  Search this
Yakama Indians  Search this
Sahnish (Arikara)  Search this
Numakiki (Mandan)  Search this
Pikuni Blackfeet (Piegan)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Nimi'ipuu (Nez Perce)  Search this
A'aninin (Gros Ventre)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Tsuu T'ina (Sarcee)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Denésoliné (Chipewyan)  Search this
Cree Indians  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Kewa (Santo Domingo Pueblo)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Serrano Indians  Search this
Washoe (Washo)  Search this
Kutzadika'a (Mono Paiute)  Search this
Kupangaxwichem (Kupa/Cupeño)  Search this
Piipaash (Maricopa)  Search this
Diné (Navajo)  Search this
Oglala Indians  Search this
Quechan (Yuma/Cuchan)  Search this
Hualapai Indians  Search this
Akimel O'odham (Pima)  Search this
Tohono O'Odham  Search this
Mojave  Search this
Niuam (Comanche)  Search this
Wichita Indians  Search this
Ponca  Search this
Osage Indians  Search this
Yokuts Indians  Search this
Chukchansi Yokuts  Search this
Southern Mewuk (Southern Miwok)  Search this
Wailaki Indians  Search this
Pomo Indians  Search this
Wappo Indians  Search this
Maidu Indians  Search this
Type:
Archival materials
Collection descriptions
Photomechanical prints
Printing plates
Photogravures
Photographs
Date:
1899-1927
circa 1980
Summary:
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.

Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."

In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.

In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.

In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.

Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.

The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.

Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Salish Indians  Search this
Indians of North America -- Pictorial works  Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.080
See more items in:
Edward S. Curtis photogravure plates and proofs for The North American Indian
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-080
Additional Online Media:

Bureau of American Ethnology collection of stereographs relating to American Indians

Collector:
Smithsonian Institution. Bureau of American Ethnology  Search this
Photographer:
Bennett & Brown  Search this
Caswell & Davy  Search this
Continent Stereoscopic Company  Search this
E. & H.T. Anthony (Firm)  Search this
J. Gurney & Son  Search this
Whitney & Zimmerman  Search this
Barker, George, 1844-1894  Search this
Bennett, H. H. (Henry Hamilton), 1843-1908  Search this
Brown, William Henry, 1844-1886  Search this
Childs, B. F. (Brainard F.), ca. 1841-1921  Search this
Cross, W. R. (William R.)  Search this
Doerr, H. A. (Henry A.), 1826-1885  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Heister, H. T., (Henry T.), -1895  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Jarvis, J. F. (John F.), b. 1850  Search this
Morrow, Stanley J.  Search this
Payne, H. T.  Search this
Robinson, H. N.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Singley, B. L. (Benjamin Lloyd)  Search this
Soule, John P.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Wittick, Ben, 1845-1903  Search this
Publisher:
Florida Club (Cooperative)  Search this
Keystone View Company  Search this
Underwood & Underwood  Search this
Brubaker, C. B.  Search this
Names:
Curly, approximately 1856-1923  Search this
Red Cloud, 1822-1909  Search this
Sitting Bull, 1831-1890  Search this
Extent:
70 Stereographs (circa, albumen)
Culture:
Arctic peoples  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Great Basin  Search this
Ojibwa Indians -- depicted  Search this
Seneca Indians -- depicted  Search this
Mandan Indians -- depicted  Search this
Oglala Indians -- depicted  Search this
Southern Paiute Indians -- depicted  Search this
Tewa Indians -- depicted  Search this
Shoshoni Indians -- depicted  Search this
Sisseton Indians -- depicted  Search this
Winnebago Indians -- depicted  Search this
Tuscarora Indians -- depicted  Search this
Ute Indians -- depicted  Search this
Eskimos  Search this
Hopi Indians -- depicted  Search this
Isleta Indians -- depicted  Search this
Indians of North America -- Northeast  Search this
Kiowa Indians -- depicted  Search this
Laguna Indians -- depicted  Search this
Arikara Indians -- depicted  Search this
Cheyenne Indians -- depicted  Search this
Dakota Indians -- depicted  Search this
Hidatsa Indians -- depicted  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Stereographs
Photographs
Date:
late 19th century-early 20th century
Scope and Contents note:
Stereographs documenting American Indians and their built and natural environments, including studio portraits and depictions of camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Photographed tribes include the Winnebago, Tuscarora, Tesuque, Seneca, San Juan, Pecos, Ojibwa, Oglala, Ute, Kaibab, Sisseton, Arikara, Mandan, Hopi, Shoshoni, Isleta, and Laguna Indians, as well as natives of Alaska and Labrador. Frequently commissioned by railroad companies, the photographs were published by a variety of firms including E. & H. T. Anthony & Company, George Barker, H. H. Bennett, Bennett & Brown, W. Henry Brown, Caswell & Davy, Childs Art Gallery, B. B. Brubaker, Continent Stereo Company, W. R. Cross, H. A. Doerr, J. Gurney & Son, Haynes, H. T. Hiester, John K. Hillers, William H. Jackson, J. F. Jarvis, Keystone View Company, B. L. Singley, S. J. Morrow, H. T. Payne, H. N. Robinson, C. R. Savage, John P. Soule, Underwood & Underwood, Whitney's Gallery, Whitney & Zimmerman, and Ben Wittick.
Local Call Number(s):
NAA Photo Lot 140
Location of Other Archival Materials:
Additional photographs by these photographers can be found in the National Anthropological Archives in additional collections of stereographs relating to American Indians (MS 4551 and Photo Lot 90-1)
See others in:
Bureau of American Ethnology collection of stereographs relating to American Indians, late 19th century-early 20th century
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Dwellings  Search this
Cradleboards  Search this
Pottery  Search this
Genre/Form:
Photographs
Citation:
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.140
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-140

Stephen Gambaro photographs of American Indian artists and public figures

Creator:
Gambaro, Stephen  Search this
Names:
Billedeaux, Dwight  Search this
Biss, Earl, 1947-1998  Search this
Deer, Ada Elizabeth  Search this
DesJarlais, Larry J.  Search this
Echohawk, Brummett T., 1922-2006  Search this
Harris, LaDonna  Search this
McCarty Hessing, Valjean, 1934-  Search this
Peña, Jose Encarnacion, San Ildefonso  Search this
Runnels, Vic  Search this
Seabourn, Bert D., 1931-  Search this
West, W. Richard (Walter Richard), 1912-1996  Search this
Extent:
4 Prints (halftone)
41 Prints (silver gelatin)
Culture:
Indians of North America -- Northeast  Search this
Pawnee Indians  Search this
Kiowa Indians  Search this
Navajo Indians  Search this
Kickapoo Indians  Search this
Seneca Indians  Search this
Creek Indians  Search this
Indians of North America -- Southwest, New  Search this
Onondaga Indians  Search this
Indians of North America -- Great Plains  Search this
Cherokee Indians  Search this
Cheyenne Indians  Search this
Menominee Indians  Search this
Comanche Indians  Search this
Ojibwa Indians  Search this
Crow Indians  Search this
Choctaw Indians  Search this
Tewa Indians  Search this
Indians of North America -- Southern States  Search this
Oglala Indians  Search this
Apache Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Date:
circa 1976-1984
Scope and Contents note:
Portraits of American Indian artists, craftspeople, activists, and leaders from Stephen Gambaro's photography exhibits: "The Indian, the Animal, and the Land," 1976; "Indian Artists," 1977; and "Shadows Caught: Images of Native Americans," 1984.

Individuals pictured include: Brummett Echohawk, Pawnee; Archie Blackowl, Cheyenne; Bert Seabourn, Cherokee; LaDonna Harris, Comanche; W. Richard West, Sr., Southern Cheyenne; Ada Deer, Menominee; George Watchetaker, Comanche; King Kuka, Blackfeet; Earl Biss, Crow; Larry J. DesJarlais Jr., Turtle Mountain Chippewa; Encarnacion Pena, San Ildefonso; Valjean McCarty Hessing, Choctaw; Allan Hauser, Apache; Victor H. Runnels, Oglala; Sarah McCray, Navajo; Marian Wolf, Kiowa; Dwight Billedeaux, Blackfeet; Elsie Peshlakai, Navajo; Johnny Tiger Jr., Muscogee; John Kaskaske, Kickapoo; Linda Russell, Apache-Pawnee; Stephen Gonyea, Onondaga Iroquois; Naomi and Kathy Gonyea, Seneca Iroquois; and John, Eric, and Tanya Parker, Choctaw.
Biographical/Historical note:
Stephen Gambaro is a professional photographer and former Chief of Rehabilitation Services for the Washington, DC, government. He and his wife, a Cherokee sculptor, operate an Indian art gallery in DC. Gambaro's photographs largely depict Indian friends, artists, and craftsmen whom his gallery represents, as well as his travels to Indian communities around the United States.
Local Call Number(s):
NAA Photo Lot 80-37, NAA ACC 84-19
Location of Other Archival Materials:
The exhibition catalog for "Indian Artists" in 1977 was donated with parts of this collection in 1980. It has been relocated to the National Anthropological Archives Reference Files.
Additional photographs by Stephen Gambaro can be found in the National Anthropological Archives in Photo Lot R80-33.
Jose Encarnacion Pena's painting entitled "Spotted Pumpkin Dance," collected by Gambaro for the "Shadows Caught" exhibit, can be found in the National Anthropological Archives in MS 7429.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 80-37, Stephen Gambaro photographs of American Indian artists and public figures, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80-37
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-80-37

Robert M. Farring Jr. photograph collection of Indian delegations

Creator:
Faring, Robert M. Jr  Search this
Names:
United States. Bureau of Indian Affairs  Search this
Extent:
61 Prints (silver gelatin)
169 polaroid prints (color)
Culture:
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Pueblo Indians  Search this
Ute Indians  Search this
Coeur d'Alene Indians  Search this
Sauk Indians  Search this
Fox Indians  Search this
Arapaho Indians  Search this
Kickapoo Indians  Search this
Passamaquoddy Indians  Search this
Uinta Indians  Search this
Pima Indians  Search this
Makah Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Great Basin  Search this
Vietnamese  Search this
Nooksack Indians  Search this
Yavapai Indians  Search this
Assiniboine Indians  Search this
Wahpeton Indians  Search this
Hopi Indians  Search this
Sisseton Indians  Search this
Paiute Indians  Search this
Shoshoni Indians  Search this
Shawnee Indians  Search this
French  Search this
Delaware Indians  Search this
Zuni Indians  Search this
Tohono O'Odham Indians  Search this
Navajo Indians  Search this
Washoe Indians  Search this
Creek Indians  Search this
Ponca Indians  Search this
Seminole Indians  Search this
Dakota Indians  Search this
Osage Indians  Search this
Oglala Indians  Search this
Omaha Indians  Search this
Indians of North America -- Southwest, New  Search this
Cheyenne Indians  Search this
Indians of North America  Search this
Pawnee Indians  Search this
Yankton Indians  Search this
Yakama Indians  Search this
Umatilla Indians  Search this
Winnebago Indians  Search this
Seneca Indians  Search this
Colville Indians  Search this
Crow Indians  Search this
Lummi Indians  Search this
Mescalero Indians  Search this
Ojibwa Indians  Search this
Cochiti Indians  Search this
Apache Indians  Search this
Indians of North America -- Plateau  Search this
Comanche Indians  Search this
Indians of North America -- Southern States  Search this
Santee Indians  Search this
Kiowa Indians  Search this
Kalispel Indians  Search this
Spokane Indians  Search this
Choctaw Indians  Search this
Laguna Indians  Search this
Cherokee Indians  Search this
Muskogean Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Polaroid prints
Photographs
Date:
1967-1971
Scope and Contents note:
Photographs depicting tribal delegates, probably made by Robert M. Farring during tribal group visits to the Bureau of Indian Affairs Washington office. Many of the photographs were originally mounted in notebooks with identification of pictured individuals and their affiliations.
Biographical/Historical note:
Robert M. Farring, Jr. is an employee in the Tribal Operations office of the Bureau of Indian Affairs in Washington, DC.
Local Call Number(s):
NAA Photo Lot 85-21
Location of Other Archival Materials:
Additional photographs of American Indian delegations can be found in the National Anthropological Archives in Photo Lot 4286, MS 4638, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Salish Indians  Search this
Delegations  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 85-21, Robert M. Farring Jr. photograph collection of Indian delegations, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.85-21
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-85-21

Copies of David F. Barry photographs of Plains Indians

Creator:
Barry, D. F. (David Francis), 1854-1934  Search this
Names:
Barry, D. F. (David Francis), 1854-1934  Search this
Buffalo Bill, 1846-1917  Search this
Curly, approximately 1856-1923  Search this
Custer, George Armstrong, 1839-1876  Search this
Low Dog Dakota Oglala  Search this
Rain in the Face, approximately 1835-1905  Search this
Red Cloud, 1822-1909  Search this
Running Antelope Dakota Oglala  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Young Man Afraid of His Horse, ca. 1830-1900  Search this
Extent:
24 copy prints
Culture:
Hidatsa Indians  Search this
Crow Indians  Search this
Sihasapa Indians  Search this
Brulé Indians  Search this
Indians of North America -- Great Plains  Search this
Oglala Indians  Search this
Hunkpapa Indians  Search this
Type:
Archival materials
Collection descriptions
Copy prints
Photographs
Date:
circa 1870-1890
Scope and Contents note:
The collection is largely composed of photographs depicting Plains Indians, many of whom took part in the Battle of the Little Bighorn. Depicted individuals include Young Man Afraid of His Horse, Low Dog, Good Horse, Clear Eyes, Rain in the Face, Crow Flies High, Trail Hunter, Sitting Bull, Crow King, Red Cloud, White Faces, Running Antelope, Red Girl, Curly, John Grass, Gall, Spotted Tail, and a group of Ghost Dancers. There are also images of Barry, General Custer, the horse Comanche, and Buffalo Bill.
Biographical/Historical note:
David Frances Barry (1854-1934) was a photographer based in Bismarck, Dakota Territory, who is most noted for his photographs of famous American Indians. In 1878, he was hired by itinerant photographer O. S. Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed the Dakota Territory, making many of his most widely known photographs of American Indians, forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show.
Local Call Number(s):
NAA Photo Lot R81-71
Reproduction Note:
Copy prints made by Smithsonian Institution, 1981.
Location of Other Archival Materials:
Additional photographs by Barry, as well as originals of images in this collection, can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, MS 4559, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Comanche (Horse)  Search this
Little Bighorn, Battle of the, Mont., 1876  Search this
Genre/Form:
Photographs
Citation:
Photo lot R81-71, Copies of David F. Barry photographs of Plains Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R81-71
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r81-71

Howard D. Beach portraits of American Indians at the Pan American Exposition

Creator:
Beach, Howard D.  Search this
Names:
Geronimo, 1829-1909  Search this
Extent:
16 prints (platinum)
Culture:
Indians of North America -- Great Plains  Search this
Oglala Indians  Search this
Siouan Indians  Search this
Indians of North America -- Southwest, New  Search this
Apache Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Date:
1901
Scope and Contents note:
Portraits made by Howard D. Beach depicting Thomas Short Bull, Lissie Old Eagle, Her Holy Blanket, George Charging Alone, Dan White Eyes, Sam Breaks In, Ghost Dog, Little Cloud, Albert Running Bear, Chief Painted Horse, Bird Necklace, Joseph Bad Yellow Hair, Chief Last Horse, Thomas Iron Crow and Wallace Iron Crow, Chief William Sitting Bull, and Geronimo during the Pan American Exposition in Buffalo, New York. Many of the photographs were probably made in Beach's studio, but Geronimo was probably photographed at the Exposition's "Indian Village."
Biographical/Historical note:
Howard Dwight Beach (1867-1954) was a painter, photographer, and inventor in Buffalo, New York. Born in New Britain, Connecticut, he moved to Buffalo in 1884 to apprentice with photographer Andrew Simson, described as "Buffalo's oldest photographer." In 1896, Beach partnered with Simson to form the Simson & Beach photographic studio. Simson became the accredited photographer for the Pan-American Exposition in 1901. During the exposition, Beach photographed the American Indians that participated in the "Indian Congress," a "living exhibit" of various American Indian tribes on the exposition's Midway.
Local Call Number(s):
NAA Photo Lot 2001-1
Location of Other Archival Materials:
Additional Beach photographs held in National Anthropological Archives Photo Lot 59.
Additional photographs of Geronimo held in National Anthropological Archives Photo Lot 59, Photo Lot 87-2P MS 4423, MS 4691, MS 4875, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 2001-1, Howard D. Beach portraits of American Indians at the Pan American Exposition, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.2001-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2001-1

Native American Public Programs photograph collection of American Indian artists and art

Collector:
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Ringlero, Aleta Pima  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Clark, Chip, 1947-2010  Search this
Hansen, Carl C.  Search this
Hart, Alan  Search this
Long, Eric  Search this
Minor-Penland, Laurie  Search this
Penland, Dane  Search this
Strauss, Richard  Search this
Taccone, Christina  Search this
Vargas, Rick  Search this
Names:
Lewis, Lucy M.  Search this
Extent:
5,750 prints (circa, silver gelatin (including contact prints))
12 color transparencies
10 color negatives
3,500 color slides (circa)
67 color prints
4 negatives (acetate)
Culture:
Indians of North America -- California  Search this
Paiute Indians  Search this
Jemez Indians  Search this
Miwok Indians  Search this
Yurok Indians  Search this
Cherokee Indians  Search this
Tewa Indians  Search this
Indians of North America -- Southern States  Search this
Tlingit Indians  Search this
Zuni Indians  Search this
Assiniboine Indians  Search this
Oglala Indians  Search this
Kwakiutl Indians  Search this
Delaware Indians  Search this
Indians of North America -- Great Plains  Search this
Tohono O'Odham Indians  Search this
Cheyenne Indians  Search this
Indians of North America -- Great Basin  Search this
Pima Indians  Search this
Hopi Indians  Search this
Indians of North America -- Southwest, New  Search this
Mohawk Indians  Search this
Onondaga Indians  Search this
Creek Indians  Search this
Mono Indians  Search this
Pomo Indians  Search this
Laguna Indians  Search this
Makah Indians  Search this
White Mountain Apache Indians  Search this
Seneca Indians  Search this
Miniconjou Indians  Search this
Dakota Indians  Search this
Mandan Indians  Search this
Pueblo Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hidatsa Indians  Search this
Navajo Indians  Search this
Kiowa Indians  Search this
Crow Indians  Search this
Indians of North America -- Plateau  Search this
Nez Percé Indians  Search this
Cayuse Indians  Search this
Acoma Indians  Search this
Luiseño Indians  Search this
Indians of North America -- Northeast  Search this
Hunkpapa Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Color transparencies
Color negatives
Color slides
Color prints
Negatives
Date:
1989-1993
Scope and Contents note:
Photographs documenting Native American Public Programs events, including images of American Indian artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by American Indian artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Art  Search this
Handicraft  Search this
Citation:
Photo Lot 91-26, Native American Public Programs photograph collection of American Indian artists and art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-26

Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance

Creator:
Feraca, Stephen E., 1934-  Search this
Extent:
85 copy color slides
Culture:
Indians of North America -- Great Plains  Search this
Dakota Indians  Search this
Oglala Indians  Search this
Type:
Archival materials
Collection descriptions
copy color slides
Photographs
Place:
Pine Ridge Indian Reservation (S.D.)
Rosebud Indian Reservation (S.D.)
Date:
circa 1954-1961
Scope and Contents note:
Copies of photographs mostly depicting Sun Dances on the Pine Ridge and Rosebud Indian Reservations. They depict Oglala, Dakota, and other Siouan Indians, encampments, wagons, tipis, and a powwow.
Biographical/Historical note:
Stephen E. Feraca was an employee of the Department of the Interior, based at the Pine Ridge Reservation in South Dakota. He earned a masters degree from Columbia University (ca. 1957); his thesis was titled "The contemporary Teton Sioux Sun Dance." He also authored the book Wakinyan: Lakota Religion in the Twentieth Century, University of Nebraska Press, 1998. Feraca retired from the Department of the Interior in 1985.
Local Call Number(s):
NAA Photo Lot R92-49
Reproduction Note:
Copy slides made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
Correspondence from Feraca held in the National Anthropological Archives in the James Henri Howard Papers.
Provenance:
Originals loaned for copying by Stephen Feraca through Joallyn Archambault, 1989.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Tipis  Search this
Wagons  Search this
Sun Dance  Search this
Camps  Search this
Genre/Form:
Photographs
Citation:
Photo Lot R92-49, Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.R92-49
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r92-49

Copy of Frank A. Bowman portrait of Red Cloud and Othniel Charles Marsh

Creator:
Bowman, Frank A.  Search this
Names:
Marsh, Othniel Charles, 1831-1899  Search this
Red Cloud, 1822-1909  Search this
Extent:
1 copy print
Culture:
Indians of North America -- Great Plains  Search this
Oglala Indians  Search this
Type:
Archival materials
Collection descriptions
copy prints
Photographs
Date:
1883
Scope and Contents note:
Copy of a studio portrait depicting Red Cloud presenting a headdress and pipe to Othniel Charles Marsh. The portrait was made at Frank A. Bowman's studio in New Haven, Connecticut, on January 22, 1883.
Biographical/Historical note:
Othniel Charles Marsh (1831-1899) was a well-known paleontologist who met Red Cloud (1822-1909) in 1874. While doing fieldwork for the Red Cloud Agency, Marsh assisted Red Cloud in encouraging Indian agent Dr. John J. Saville, a physician accused of graft, to resign from the agency. In 1883, Red Cloud visited Marsh at the Peabody Museum of Yale University, at which time they visited Frank Augustus Bowman (1847-1911), a commercial photographer in New Haven from about 1878-1900.
Local Call Number(s):
NAA Photo Lot R79-49
Reproduction Note:
Copy print made, probably by John Canfield Ewers, 1979.
Location of Other Archival Materials:
The Peabody Museum holds the headdress and pipe pictured, as well as other photographs made during the same event.
Additional photographs of Red Cloud can be found in the National Anthropological Archives in MS 4559, MS 4598, MS 4754, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 2001-14, and the BAE historical negatives.
Papers relating to Marsh can be found in the Smithsonian Institution Archives in SIA RU000248, SIA RS00251, and SIA AH00049.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This print was obtained for reference purposes only and cannot be reproduced for researchers.
Genre/Form:
Photographs
Citation:
Photo lot R79-49, Copy of Frank A. Bowman portrait of Red Cloud and Othniel Charles Marsh, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R79-49
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r79-49

Copies of Stanley J. Morrow photographs

Creator:
Morrow, Stanley J.  Search this
Extent:
434 copy prints
Culture:
Ponca Indians  Search this
Mandan Indians  Search this
Cheyenne Indians  Search this
Indians of North America -- Great Basin  Search this
Crow Indians  Search this
Hidatsa Indians  Search this
Arikara Indians  Search this
Oglala Indians  Search this
Teton Indians  Search this
Indians of North America -- Great Plains  Search this
Sisseton Indians  Search this
Wahpeton Indians  Search this
Yanktonai Indians  Search this
Santee Indians  Search this
Bannock Indians  Search this
Hunkpapa Indians  Search this
Type:
Archival materials
Collection descriptions
copy prints
Photographs
Place:
South Dakota
Date:
circa 1865-1887
Scope and Contents note:
Photographs made by Stanley J. Morrow depicting Plains Indians, agencies, and United States Army installations and expeditions. About half of the subjects relate to American Indians, including Arikara, Hidatsa, Mandan, Ponca, Crow, Cheyenne, Bannock, Hunkpapa, Oglala, and other Teton Sioux including "Loafer Band," Yanktonai, Santee, Sisseton and Wahpeton. The rest include views of Yankton, Vermillion, Deadwood and Rapid City in the 1880s; Civil War scenes; the Battle of Slim Buttes (1876); the reburial expedition at Little Big Horn (1877); and Morrow family portraits. Though the bulk of the photographs appear to have been made by Morrow, some were likely created by other photographers.
Biographical/Historical note:
Stanley J. Morrow (1843-1921) was a pioneer photographer who documented American Indians, forts and agencies, and military expeditions, largely in the Great Plains region. Born in Richland County, Ohio, Morrow received his first training in photography as Matthew B. Brady's volunteer assistant (ca. 1863-1865) in the US Army. Morrow was mustered out of the army in early 1865 and returned to Wisconsin to marry Iza Ketchum. Late in 1868, Morrow and his family moved to Yankton, Dakota Territory, where he opened a studio. In 1874, Morrow opened a branch photo gallery in St. Helena, Nebraska, and photographed the territorial legislature. Morrow was an official photographer under the command of General George Crook after the battle of the Little Big Horn, photographing the Battle of Slim Buttes in September 1876. He was also the photographer for the initial reburial expedition at Little Big Horn under W. K. Sanderson in 1877. The Morrow family moved to Florida in 1883, though Stanley Morrow continued to photograph in the South and East until his death.
Local Call Number(s):
NAA Photo Lot R4468
Location of Other Archival Materials:
Additional Stanley J. Morrow photographs held in National Anthropological Archives Photo lot 140, MS 4751, Photo Lot 90-1, Photo lot 79, MS 4720, and the BAE historical negatives.
The National Museum of the American Indian Archives holds Stanley J. Morrow photographs and negative collection, and Morrow photographs in the General Nelson A. Miles collection.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Permission to publish must be obtained from the Over Museum which has the copy negatives and is planning publication of some of the collection.
Topic:
Slim Buttes, Battle of, S.D., 1876  Search this
United States -- History -- Civil War, 1861-1865  Search this
Genre/Form:
Photographs
Citation:
Photo Lot R4468, Copies of Stanley J. Morrow photographs, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R4468
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r4468

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