Search Results

Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

26 Items (Stamps)

Type:

Archival materials

Correspondence

Date:

undated

Scope and Contents:

This folder contains 26 stamps. It is unclear what exactly the relationship these 26 stamps have to the rest of the collection, and whether they were collected by Brumbaugh or one of the artists whose correspondence is included. The nationalities of the stamps and the cities where they were sent are: Tasmania - Launceton, Canada - Halifax & Yarmouth, Luxembourg - Dudelange, Queensland, Australia - Brisbane, Federated Malay States - Kuala Lumpur, United Kingdom - Glasgow, Australia - Melbourne, Russia, Silesia - Province of Upper Silesia, Russia, China, Touva (Russia), Austria - Bischofshofen, French Republic - Nice, Province of Upper Silesia - Kattowitz, an Austrian Military Outpost, Federated Malay States, El'Terieh, Austria - Wien (Vienna), Iceland, Province of Upper Silesia, Finland, Germany, and French Indochina.

Arrangement:

Organized in the way they were acquired.

Local Numbers:

FSA A2009.06 9

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Postage stamps  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 9

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc35b716d53-db95-4d71-9a9e-7ff6ee59a442

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref9

Editor:

McKendry, Meredith  Search this

Curator:

Ray, Rebecca (1994-)  Search this

Grist, Penelope  Search this

Issuing body:

National Portrait Gallery (Australia)  Search this

Subject:

National Portrait Gallery (Australia)  Search this

Physical description:

202 pages. portraits. (chiefly colour) 23 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Place:

Australia

Australie

Date:

2023

Topic:

Celebrities--Portraits--Exhibitions  Search this

Portraits  Search this

Portrait photography--Exhibitions  Search this

Portrait photography  Search this

Portraits (Photographie)  Search this

Portraits (Photographie)--Expositions  Search this

Celebrities--Portraits  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160994

Author:

Drew, R. A. I.,  Search this

Romig, Meredith C.,  Search this

Physical description:

vii, 124 pages illustrations 29 cm

Type:

Books

Place:

Papua New Guinea

Papouasie-Nouvelle-Guinée

Date:

2022

Topic:

Fruit-flies--Classification  Search this

Fruit-flies--Identification  Search this

Fruit-flies--Environmental aspects  Search this

Diseases and pests  Search this

Mouches des fruits--Classification  Search this

Mouches des fruits--Identification  Search this

Mouches des fruits--Aspect de l'environnement  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1162310

Written by:

Brigadier General Charles Young, American, 1864 - 1922  Search this

Received by:

Oscar W. Price, American, 1893 - 1970  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W: 10 1/8 × 7 15/16 in. (25.7 × 20.2 cm)

Type:

letters (correspondence)

Place made:

Wilberforce, Greene County, Ohio, United States, North and Central America

Date:

January 21, 1918

Topic:

African American  Search this

Correspondence  Search this

Men  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2010.39.2

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5ab60f754-4c2b-45c1-9a99-34462a6d5ad6

EDAN-URL:

edanmdm:nmaahc_2010.39.2

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Conversations and talks

Blog posts

Published Date:

Tue, 12 Dec 2023 20:18:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_909f1623a90c3e2cb0fd0426022c0b8d

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Wed, 04 Oct 2023 00:02:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_24bc130215ecd243986c26da7987c270

Creator:

Jordan, Phil  Search this

Names:

Art Directors Club of Metropolitan Washington  Search this

Baughman Company  Search this

Beveridge and Associates Inc.  Search this

Chamber of Commerce of the United States of America  Search this

East Carolina University  Search this

IBM (International Business Machines)  Search this

McGraw-Hill Book Company, Inc.  Search this

National Air and Space Museum  Search this

Richmond Times-Dispatch (Firm)  Search this

Robert Kline and Co. Inc.  Search this

Skyline Soaring Club  Search this

Society of Illustrators (New York, N.Y.)  Search this

United States Postal Service  Search this

United States Postal Service. Stamp Development Department  Search this

United States. Coast Guard  Search this

United States. Montgomery G.I. Bill  Search this

United States. National Aeronautics and Space Administration  Search this

Virginia Commonwealth University  Search this

Jordan, Phil  Search this

Extent:

7.18 Cubic feet (10 letter size document boxes, 3 legal size document boxes, one tall document box, and one oversize folder.)

Type:

Collection descriptions

Archival materials

Place:

New Bern (N.C.)

Fort Greely (Alaska)

United States -- History -- Civil War, 1861-1865

Date:

1992-2015

Summary:

Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps. The collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2014. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responisbile for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.

Scope and Contents:

The Phil Jordan collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2013. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responsible for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.

Of the some 300 stamps Jordan was responsible for, some that are represented in this collection include stamps related to hospice care (Jordan consider his work on this stamp to be amongst the most rewarding); legends of baseball; the Civil War Sesquicentennial; legends of Hollywood; the Indianapolis 500; literary arts; Owney the postal dog; the Washington, D.C. cherry blossom centennial; bicycling; ʻĪd al-Fiṭr; Grand Central Terminal in New York City; the USS Arizona Memorial; Wilt Chamberlain; the 225th anniversary of the U.S. Coast Guard; and the 50th anniversary of supersonic flight.

In addition, there are portfolios that provide visual documentation of Jordan's work on stamps, correspondence related to stamp design inquiries, and some biographical information.

Materials in the collection include correspondence, drawings, illustrations, color photographs, color transparencies, maps, news releases, notes, research materials, brochures, and clippings. Some materials are in electronic format.

Many of the stamps that Jordan worked on as Stamp Art Director can be found at the National Postal Museum.

Arrangement:

This collection is arranged into five series.

Series

Series 1: Issued Stamps Issued Stamps, 1999-2011

Series 2: Unissued Stamps, 1998-2006

Series 3: Portfolios, 1993-2015

Series 4: General Files, 1992-2013

Series 5: Oversize, 1994-2015

Biographical / Historical:

Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps.

Jordan grew up in New Bern, North Carolina and attended East Carolina University. After a period of service with the Army Arctic Indoctrination School in Fort Greely, Alaska, Jordan graduated from Virginia Commonwealth University with a degree in visual communications. Early in his career he worked as an artist for the Richmond Times-Dispatch and the Baughman Company offset lithographers while attending school on the GI Bill.

Later he worked at the advertising agency Robert Kline and Co. Inc. as their art supervisor before serving as the assistant art director the United States Chamber of Commerce. Next, he joined Beveridge and Associates, Inc. guiding art direction for corporate, institutional and government design projects. Eventually becoming a partner at the firm, Jordan left after 18 years to form his own communications consulting firm where he managed projects for USAir, NASA, McGraw-Hill, IBM, the National Air and Space Museum, and Smithsonian Books.

Jordan was responsible for the formats of the Air and Space and Smithsonian magazines and was their Design Director for fifteen years. From there his work as consulting art director for the United States Postal Service's Stamp Development Department saw him art direct and produce 300 postage stamps as well as other stamp collateral publications for 23 years. Among some of the stamps he worked on include the 2011 Neon! Celebrate stamp, the 2012 Major League Baseball All-Stars stamps, the 2013 Civil War stamps; the 2012 Cherry Blossom Centennial stamps; the 1997 Classic American Aircraft stamps; and the 2003 First Flight stamp.

Jordan's work has been featured in a number of exhibitions and in publications such as Graphis, Society of Illustrators, and Communication Arts. A recipient of professional awards from these organizations over the years, he was also the recipient of the NASA Group Achievement Award. He is a past president of the Art Directors Club of Metropolitan Washington and was an avid glider pilot, being a founding member of the Skyline Soaring Club and the former long-time editor of Skylines newsletter.

Provenance:

Donated by Phil Jordan, 2015. This collection was initially part of the museum collections (Accession 2015.2015), but was released to the NPM Archives in December 2023.

Restrictions:

Collection is open for research. Access to original archival materials is by appointment only. Researchers must submit request for appointment in writing. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Rights:

The National Postal Museum Archives makes its archival collections available for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. Please refer to the Smithsonian's Terms of Use and the NPM Rights and Reproductions for additional information. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Occupation:

Art directors  Search this

Graphic designers -- United States  Search this

Topic:

Postage stamps  Search this

Baseball  Search this

Cherry blossoms  Search this

Bicycling  Search this

Supersonic planes  Search this

Hospice care  Search this

Owney (Dog)  Search this

Glider pilots  Search this

USS Arizona Memorial (Hawaii)  Search this

ʻĪd al-Fiṭr  Search this

Citation:

Phil Jordan Collection, NPMA.2023.2, National Postal Museum, Smithsonian Institution

Identifier:

NPMA.2023.2

See more items in:

Phil Jordan Collection

Archival Repository:

National Postal Museum Archives

GUID:

https://n2t.net/ark:/65665/zn80a463026-5019-4c9c-95c2-cd698cf84f5a

EDAN-URL:

ead_collection:sova-npma-2023-2

Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

Extent:

245 Linear feet ((376 boxes and 10 map drawers))

Type:

Collection descriptions

Archival materials

Date:

1878-1965

Summary:

The records in this collection embody the administrative functions of the Bureau of American Ethnology from 1879 to 1965. The collection consists of correspondence, card files, registers, official notices, annual and monthly work reports, research statements, research proposals, grant applications, personnel action requests, notices of personnel action, meeting minutes, purchase orders and requisitions, property records, biographical sketches, resolutions, newspaper clippings, reviews of publications, drafts of publications, circulars, programs, pamphlets, announcements, illustrations, cartographic materials, photographic prints, photographic negatives, bibliographies, and reprinted publications.

Scope and Contents:

The records in this collection embody the administrative functions of the Bureau of American Ethnology from 1879 to 1965. The collection consists of correspondence, card files, registers, official notices, annual and monthly work reports, research statements, research proposals, grant applications, personnel action requests, notices of personnel action, meeting minutes, purchase orders and requisitions, property records, biographical sketches, resolutions, newspaper clippings, reviews of publications, drafts of publications, circulars, programs, pamphlets, announcements, illustrations, cartographic materials, photographic prints, photographic negatives, bibliographies, and reprinted publications.

Correspondence comprises the bulk of this collection. A significant portion of this correspondence originates from the Bureau's duty to field inquiries regarding North American aboriginal cultures and respond to requests relating to the duplication of BAE library and archival materials. Inquiries and requests, received from all parts of the world, were submitted by colleagues, museum curators and directors, students, professors, amateur archaeologists, government agents, military officials, Smithsonian Institution officials, artists, and members of the general public. Other correspondence reflects the Bureau's day-to-day operations and internal affairs. Subjects discussed in this correspondence include research projects, field expeditions, annual budgets, personnel matters, the acquisition of manuscripts, the disbursement of specimens, and production of BAE publications. Correspondence is occasionally accompanied by announcements, circulars, programs, pamphlets, photographs, drawings, diagrams, bibliographies, lists, newspaper clippings, and maps. Also among these records are the card files and registers of incoming and outgoing correspondence maintained by early BAE administrative staff. For a list of correspondents, see the appendix to this finding aid, available in the NAA reading room.

The majority of illustrations, artwork, and photographs that appear in this collection are associated with BAE publications, including BAE Annual Reports, BAE Bulletins, Contributions to North American Ethnology and Smithsonian Institution, Miscellaneous Collection. Maps located among the collection originate, by and large, from BAE field expeditions and research projects. BAE staff also amassed great quantities of newspaper clippings that concerned BAE research or points of interest. Of particular note are three scrapbooks comprised of clippings that relate to "mound builders" and the work of the BAE's Division of Mound Explorations.

Also worthy of note are the various records relating to the 1903 investigation of the BAE. Records related to the investigation highlight the Smithsonian Institution's longstanding dissatisfaction with the internal management of the BAE, its concerns over the BAE's loose relationship with the parent organization, and displeasure with the manner in which BAE scientific research was developing. Other materials of special interest are the various administrative records covering the period 1929 to 1946 and 1949 to 1965. The majority cover personnel matters; however, others justify the work of the BAE and bear witness to growing concerns that the BAE would eventually be absorbed by the Department of Anthropology within the United States National Museum.

Arrangement:

The collection has been arranged into the following 12 series: (1) Correspondence, 1897-1965; (2) Cooperative Ethnological Investigations, 1928-1935; (3) Miscellaneous Administrative Files, 1929-1946; (4) Miscellaneous Administrative Files, 1949-1965; (5) Records Concerning the Photographic Print Collection, 1899-1919; (6) Records Concerning Employees; (7) Fiscal Records, 1901-1902 and 1945-1968; (8) Records Relating to the 1903 Investigation of the BAE; (9) Property Records and Requisitions; (10) Clippings; (11) Publications; (12) BAE Library Materials, Pamphlets and Reprints

Administrative History:

The Bureau of Ethnology was established by an act of the United States Congress on March 3, 1879, but it was largely the personal creation of the geologist and explorer Major John Wesley Powell. His earlier explorations of the Colorado River and Grand Canyon formed the basis of the Geographical and Geological Survey of the Rocky Mountain Region. While exploring the area, Powell became alarmed at what he perceived to be the decline of the aboriginal way of life due to rapid depopulation. In a letter to the Secretary of the Interior, he warned that "in a few years, it will be impossible to study…Indians in their primitive condition, except from recorded history" (Hinsley). He urged swift government action; the result of which was the appropriation of $20,000 (20 Stat. 397) to transfer all documents relating to North American Indians from the Department of Interior to the Smithsonian Institution and its Secretary's appointment of Powell as director of the newly established Bureau of Ethnology, a position he held until his death in 1902. In 1897, its name was changed to the Bureau of American Ethnology (BAE) to underscore the limits of its geographical reaches.

Under Powell, the BAE organized the nation's earliest anthropological field expeditions, in which the characteristics and customs of native North Americans were observed firsthand and documented in official reports. Images of Indian life were captured on photographic glass plate negatives, and their songs on wax cylinder recordings. Histories, vocabularies and myths were gathered, along with material objects excavated from archaeological sites, and brought back to Washington for inclusion in the BAE manuscript library or the United States National Museum.

The fruits of these investigations were disseminated via a series of highly regarded and widely distributed publications, most notably BAE Annual Reports, BAE Bulletins, and Contributions to North American Ethnology. BAE research staff also responded routinely to inquiries posed by colleagues, government agencies, and the general public on matters ranging from artwork to warfare. Moreover, the BAE prepared exhibits on the various cultural groups it studied not only for the Smithsonian Institution, but also for large expositions held nationwide.

In 1882 Powell, under instruction of Congress, established the Division of Mound Explorations for the purpose of discovering the true origin of earthen mounds found predominately throughout the eastern United States. It was the first of three temporary, yet significant, subunits supported by the Bureau. Cyrus Thomas, head of the Division, published his conclusions in the Bureau's Annual Report of 1894, which is considered to be the last word in the controversy over the mounds' origins. With the publication of Thomas' findings, the Division's work came to a close.

The course of BAE operations remained largely the same under Powell's successors: W.J. McGee (acting director) 1902; William Henry Holmes, 1902-1910; Frederick W. Hodge, 1910-1918; J. Walter Fewkes, 1918-1928; Matthew W. Stirling, 1928-1957; Frank H.H. Roberts, Jr., 1957-1964; and Henry B. Collins (acting director), 1964-1965. However, following a 1903 internal investigation of the Bureau's administrative activities, Smithsonian officials called for a broader scope of ethnological inquiry and greater application of anthropological research methodologies. The BAE responded in 1904 by expanding agency activities to include investigations in Hawaii, the Philippines, and the Caribbean.

The BAE extended its geographical reaches once again, in the 1940s, to include Central and South America. In 1943, the Institute of Social Anthropology (ISA) was established as an independent subunit of the Bureau for the purpose of developing and promoting ethnological research throughout the American Republics. The findings of ISA-sponsored investigations were published in the six volume series, Handbook of South American Indians (BAE Bulletin 143). Julian H. Steward, editor of the Handbook, was appointed director of ISA operations and held the position until 1946 when George M. Foster assumed responsibility. The ISA was absorbed by the Institute of Inter-American Affairs in 1952, thus terminating its relationship with the BAE.

In 1946 the BAE assumed partial administrative control of the recently established River Basin Surveys (RBS), its third and final autonomous subunit. The purpose of the RBS was to salvage and preserve archaeological evidence threatened by post-World War II public works programs, more specifically the rapid construction of dams and reservoirs occurring throughout the country. Excavations conducted under the RBS yielded considerable data on early North American Indian settlements, and subsequent deliberations on this data were published as reports in various BAE Bulletins.

In 1965, the BAE merged administratively with the Smithsonian Institution's Department of Anthropology to form the Office of Anthropology within the United States National Museum (now the Department of Anthropology within the National Museum of Natural History). The BAE manuscript library, also absorbed by the Department of Anthropology, became the foundation of what is today the National Anthropological Archives (NAA).

In its 86 year existence, the BAE played a significant role in the advancement of American anthropology. Its staff included some of the nineteenth and twentieth centuries' most distinguished anthropologists, including Jeremiah Curtain, Frank Hamilton Cushing, J.O. Dorsey, Jesse Walter Fewkes, Alice Cunningham Fletcher, Albert H. Gatschet, John Peabody Harrington, John N.B. Hewitt, William Henry Holmes, Ales Hrdlicka, Neil Judd, Francis LaFlesche, Victor and Cosmo Mindeleff, James Mooney, James Pilling, Matilda Coxe Stevenson, Matthew Williams Stirling, William Duncan Strong, and William Sturtevant. The BAE also collaborated with and supported the work of many non-Smithsonian researchers, most notably Franz Boas, Frances Densmore, Gerard Fowke, Garrick Mallery, Washington Matthews, Paul Radin, John Swanton, Cyrus Thomas, and T.T. Waterman, as well as America's earliest field photographers such as Charles Bell, John K. Hillers, Timothy O'Sullivan, and William Dinwiddie. Several of its staff founded the Anthropological Society of Washington in 1880, which later became the American Anthropological Association in 1899. What is more, its seminal research continues to be drawn upon by contemporary anthropologists and government agents through the use of BAE manuscripts now housed in the NAA.

Sources Consulted:

Hinsley, Curtis. Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology, 1846-1910. Washington, DC: Smithsonian Institution Press, 1981.

McGee, WJ. "Bureau of American Ethnology." The Smithsonian Institution, 1846-1896, The History of its First Half-Century, pp. 367-396. Washington, DC: Smithsonian Institution Press, 1897.

Sturtevant, William. "Why a Bureau of American Ethnology?" Box 286, Functions of the BAE, Series IV: Miscellaneous Administrative Files, 1948-1965, Records of the Bureau of American Ethnology, National Anthropological Archives.

Related Materials:

Additional material relating to BAE administrative affairs and research projects can be found among the National Anthropological Archives' vast collection of numbered manuscripts. Too numerous to list in this space, these include official correspondence, monthly and annual work reports, fiscal records, field notes, personal diaries, expedition logs, catalogues of specimens, vocabularies, historical sketches, maps, diagrams, drawings, bibliographies, working papers and published writings, among various other material. Most of these documents are dispersed throughout the numbered manuscript collection as single items; however, some have been culled and unified into larger units (e.g., MS 2400 is comprised of documents relating to the Division of Mound Explorations). Artwork and illustrations produced for BAE publications are also located among the NAA's numbered manuscript collection as well as its photograph collection (e.g., Photo Lot 78-51 and Photo Lot 80-6).

Photographs concerning BAE research interests can be found among the following NAA photographic lots: Photo Lot 14, Bureau of American Ethnology Subject and Geographic File ca. 1870s-1930s; Photo Lot 24, BAE Photographs of American Indians 1840s to 1960s (also known as the Source Print Collection); Photo Lot 60, BAE Reference Albums 1858-1905; and Photo Lot 85, BAE Miscellaneous Photographs 1895 to 1930. Other photographic lots include portraits of BAE staff and collaborators, namely Photo Lot 33, Portraits of Anthropologists and others 1860s-1960s; Photo Lot 68, Portraits of John Wesley Powell ca. 1890 and 1898; and Photo Lot 70, Department of Anthropology Portrait File ca. 1864-1921.

Additional materials in the NAA relating to the work of the BAE can be found among the professional papers of its staff, collaborators and USNM anthropologists. These include the papers of Ales Hrdlicka, John Peabody Harrington, Otis Mason, J.C. Pilling, Matthew Williams Stirling, and William Duncan Strong. Documents relating to the work of the BAE can be found among the records of the River Basin Surveys (1928-1969) and the Institute of Social Anthropology (1941-1952).

Records related to this collection can also be found in the Smithsonian Institution Archives (SIA). SIA accession 05-124 includes information regarding the 1942 transfer of six audio recordings related to the Chumash Indian language from the Bureau of American Ethnology to the National Archives, nine pages of Chumash translations, and "The Story of Candalaria, the Old Indian Basket-Maker." The Fiscal and Payroll Records of the Office of the Secretary, 1847 to 1942 (Record Unit 93), includes voucher logs, disbursement journals and daybooks of money paid out to the BAE from 1890 to 1910. BAE correspondence can also be found among the Records of the Office of the Secretary (Record Unit 776, accession 05-162). The Papers of William Henry Holmes, second director of the BAE, are also located among the SIA (Record Unit 7084).

Accession records concerning artifacts and specimens collected by the BAE are located in the registrar's office of the National Museum of Natural History.

Related collections can also be found at the National Archives and Records Administration. RG 57.3.1, the Administrative Records of the United States Geological Survey, includes register of applications for BAE ethnological expositions conducted between 1879-1882. RG 75.29, Still Pictures among the Records of the Bureau of Indian Affairs, includes 22 photographs of Arapaho, Cheyenne, Kiowa, Comanche, Navajo, and Apache Indians taken by William S. Soule for the BAE during 1868-1875. RG 106, Records of the Smithsonian Institution, includes cartographic records (106.2) relating to Indian land cessions in Indiana created for the First Annual Report of the Bureau of American Ethnology, 1881 (1 item); a distribution of American Indian linguistic stock in North America and Greenland, by John Wesley Powell, for the Seventh Annual Report of the Bureau of American Ethnology, ca. 1887 (1 item); a distribution of Indian tribal and linguistic groups in South America, 1950 (1 item); the Indian tribes in North America, for Bulletin 145, Bureau of American Ethnology, 1952 (4 items). Sound Recordings (106.4) include songs and linguistic material relating to the Aleut, Mission, Chumash, and Creek, gather by the BAE in 1912, 1914, 1930-41. Some include translations (122 items).

Provenance:

The Records of the Bureau of American Ethnology were transferred to the Smithsonian Office of Anthropology Archives with the merger of the BAE and the Department of Anthropology of the National Museum of Natural History in 1965. The Smithsonian Office of Anthropology Archives was renamed the National Anthropological Archives in 1968.

Restrictions:

The Records of the Bureau of American Ethnology are open for research.

Access to the Records of the Bureau of American Ethnology requires an appointment.

Rights:

Contact repository for terms of use.

Citation:

Records of the Bureau of American Ethnology, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.XXXX.0155

See more items in:

Records of the Bureau of American Ethnology

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw391046c25-21e2-4334-a01f-9a6f734ae9cd

EDAN-URL:

ead_collection:sova-naa-xxxx-0155

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 21, Item 17

Type:

Archival materials

Photographs

Date:

1932-09

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.5: Bridges, Metal Arch / 1.5.6: Foreign Metal Arch

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87c22e57e-f1f9-46b7-a98e-1eab0b3d9d8b

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1980

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 21, Item 18

Type:

Archival materials

Photographs

Date:

1932-09

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.5: Bridges, Metal Arch / 1.5.6: Foreign Metal Arch

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81f63a45e-1eec-4997-9fa4-2ac616b11f18

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1981

Creator:

Starr, Frederick, 1859-1933  Search this

Photographer:

Lang, Charles B.  Search this

Grabic, Louis  Search this

Extent:

152 Lantern slides

3344 Negatives (photographic)

Culture:

Zoque  Search this

San Felipe Pueblo  Search this

Mazatec [Huautla]  Search this

Indians of Mexico  Search this

Zapotec  Search this

Maya  Search this

Wampanoag  Search this

Salish (Flathead)  Search this

Mazahua  Search this

Ute  Search this

Sioux  Search this

Numakiki (Mandan)  Search this

Tzotzil Maya  Search this

Taos Pueblo  Search this

Tzeltal Maya  Search this

Sac and Fox (Sauk & Fox)  Search this

Laguna Pueblo  Search this

Triqui (Trique) [San Joan Copala]  Search this

Shuar  Search this

Niimíipuu (Nez Perce)  Search this

Chol Maya  Search this

Totonac  Search this

Osage  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Tonkawa  Search this

Otomí (Otomi)  Search this

Diné (Navajo)  Search this

Tlingit  Search this

Mixe  Search this

Chinantec  Search this

Mixtec  Search this

Potawatomi  Search this

Chibcha  Search this

Akimel O'odham (Pima)  Search this

Mehináku (Mehinacu)  Search this

Salish (Flathead)  Search this

Apache  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Ponca  Search this

Menominee (Menomini)  Search this

Cahuilla  Search this

Haida  Search this

Karajá (Caraja)  Search this

Cherokee  Search this

Sahnish (Arikara)  Search this

Assiniboine (Stoney)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Caddo  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Cochiti Pueblo  Search this

Teotihuacán (archaeological culture)  Search this

Isleta Pueblo  Search this

Purepecha (Tarasco)  Search this

Inunaina (Arapaho)  Search this

Iroquois  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

A:shiwi (Zuni)  Search this

Acoma Pueblo  Search this

Macushi (Macusi)  Search this

Type:

Collection descriptions

Archival materials

Lantern slides

Negatives (photographic)

Negatives

Place:

Colombia

Washington

West Virginia

Kansas

Kentucky

New Mexico

Brazil

Ecuador

Missouri

Wisconsin

Oklahoma

Ohio

New York

Georgia

Mexico

Iowa

Arkansas

Illinois

Pennsylvania

Alaska

Date:

1894-1910

Summary:

The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.

Arrangement note:

Collection arranged by item number.

Biographical/Historical note:

Frederick Starr was born in Auburn, New York, on September 2, 1858. He received a Ph.D. in biology in 1884 at Coe College, where he was later appointed professor of biology. Starr did postgraduate work in anthropology at Yale. In 1889 he was appointed head of Ethnology at the American Museum of Natural History, and in 1892 he was chosen by William Harper to organize the Anthropology Department at the new University of Chicago. Starr remained at the University until his retirement in 1923. Besides his field studies with various Indian tribes in the United States, Starr traveled to Mexico, Brazil, Colombia, Guatemala, Ecuador, Guiana, Japan, the Philippines, and Africa. He died in Tokyo, Japan, on August 14, 1933. Starr was the author of several books and scholarly articles.

General note:

Starr hired professional photographers Charles B. Lang and Louis Grabic to accompany him on his field trips. One lantern slide of Moses Ladd (Menomini) was taken by William H. Jackson.

Provenance:

Dr. Frederick Starr, Purchased, circa 1929

Restrictions:

Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.

Topic:

Indians of South America -- Brazil  Search this

Indians of North America -- Southwest  Search this

Indians of South America -- Colombia  Search this

Indians of North America -- Alaska  Search this

Indians of North America -- Basin  Search this

Indians of North America -- Plains  Search this

Indians of North America -- Southeast  Search this

Indians of North America -- Plateau  Search this

Indians of Central America -- Guatemala  Search this

Indians of North America -- Northwest  Search this

Indians of North America -- Northeast  Search this

Indians of North America -- Midwest  Search this

Indians of South America -- Ecuador  Search this

Indians of South America -- Guiana  Search this

Genre/Form:

Negatives

Lantern slides

Identifier:

NMAI.AC.052

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv40602e9f6-8984-4da6-a139-bd97c27fa824

EDAN-URL:

ead_collection:sova-nmai-ac-052

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 18, Item 43

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.4: Bridges, Masonry Aqueducts / 1.4.9: Wood Arch and Truss

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep866415a3e-3785-489c-adde-812e48c60718

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1814

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 27, Item 34

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.6: Bridges, Metal Truss / 1.6.7: Foreign Metal Trusses

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep89d733875-ab52-44c9-bc5d-455c3556e093

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref2578

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 12, Item 12

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.3: Bridges, Concrete Arch, and Beam / 1.3.2: Bridges, Masonry Arch

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cd5bacd3-bb92-4ee2-abe0-c1356ff3c451

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1403

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 13, Item 20

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.3: Bridges, Concrete Arch, and Beam / 1.3.4: Concrete Arch

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86bdc2527-191b-457f-8a5d-cf2612e3e4e5

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1476

Artist:

Unidentified Artist  Search this

Sitter:

Merle Oberon, 19 Feb 1911 - 23 Nov 1979  Search this

Laurence Olivier, 22 May 1907 - 11 Jul 1989  Search this

David Niven, 1 Mar 1910 - 29 Jul 1983  Search this

Medium:

Chromolithograph on paper

Dimensions:

Image: 99.1 × 64.3 cm (39 × 25 5/16")

Sheet: 104.1 × 69.4 cm (41 × 27 5/16")

Mount: 114.3 × 78.9 cm (45 × 31 1/16")

Type:

Print

Date:

c. 1939

Topic:

Home Furnishings\Furniture  Search this

Costume\Headgear\Hat  Search this

Costume\Jewelry\Watch  Search this

Imaginary  Search this

Home Furnishings\Lighting Devices\Lantern  Search this

Poster  Search this

Laurence Olivier: Male  Search this

Laurence Olivier: Literature\Writer  Search this

Laurence Olivier: Performing Arts\Performer\Actor\Stage actor  Search this

Laurence Olivier: Performing Arts\Performer\Actor\Movie actor  Search this

Laurence Olivier: Performing Arts\Performing arts director\Theater director  Search this

Laurence Olivier: Performing Arts\Performer\Actor\Television actor  Search this

Laurence Olivier: Performing Arts\Producer\Theater producer  Search this

Laurence Olivier: Oscar  Search this

Merle Oberon: Female  Search this

Merle Oberon: Performing Arts\Performer\Actor  Search this

David Niven: Male  Search this

David Niven: Literature\Writer  Search this

David Niven: Performing Arts\Performer\Actor  Search this

David Niven: Military and Intelligence\Army\Officer\British Army  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; acquisition made possible through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center

Object number:

NPG.2017.97

Restrictions & Rights:

Usage conditions apply

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4a6db89b5-10f0-4ab2-957f-22452a7cf0ae

EDAN-URL:

edanmdm:npg_NPG.2017.97

Life Form:

Lithophytic

Bloom Characteristics:

Erect or arching inflorescence is 6-16" (15-40 cm) long with 2-20 pink to white flowers that last almost a month. Flowers are 1" (2-3 cm) across.

Fragrance:

Floral, honey

Plant Size:

6-15" x 3-5" (15-38 x 8-13 cm), excluding inflorescence

Range:

E Australia

Habitat:

Coast and mountains; 1640-3940ft (50-1200m)

Topic:

Orchids  Search this

Living Collections  Search this

Common Name:

Capt. King's Dendrobium

Pink Rock Lily

Pink Rock Orchid

Group:

[vascular plants]

Class:

Equisetopsida

Subclass:

Magnoliidae

Superorder:

Lilianae

Order:

Asparagales

Family:

Orchidaceae

Subfamily:

Epidendroideae

Genus:

Dendrobium

Species:

kingianum

Accession Number:

2008-1618A

Restrictions & Rights:

CC0

See more items in:

Smithsonian Gardens Orchid Collection

Data Source:

Smithsonian Gardens

GUID:

http://n2t.net/ark:/65665/ax7b4089c51-44cd-4a47-93e9-042bd1ec7705

EDAN-URL:

edanmdm:ofeo-sg_2008-1618A

Life Form:

Lithophytic

Bloom Characteristics:

Erect or arching inflorescence is 6-16" (15-40 cm) long with 2-20 pink to white flowers that last almost a month. Flowers are 1" (2-3 cm) across.

Fragrance:

Floral, honey

Plant Size:

6-15" x 3-5" (15-38 x 8-13 cm), excluding inflorescence

Range:

E Australia

Habitat:

Coast and mountains; 1640-3940ft (50-1200m)

Topic:

Orchids  Search this

Living Collections  Search this

Common Name:

Capt. King's Dendrobium

Pink Rock Lily

Pink Rock Orchid

Group:

[vascular plants]

Class:

Equisetopsida

Subclass:

Magnoliidae

Superorder:

Lilianae

Order:

Asparagales

Family:

Orchidaceae

Subfamily:

Epidendroideae

Genus:

Dendrobium

Species:

kingianum

Accession Number:

2008-2029A

Restrictions & Rights:

CC0

See more items in:

Smithsonian Gardens Orchid Collection

Data Source:

Smithsonian Gardens

GUID:

http://n2t.net/ark:/65665/ax7cfc2f178-eda9-4460-adaf-f4edd39fd897

EDAN-URL:

edanmdm:ofeo-sg_2008-2029A

Life Form:

Epiphytic

Bloom Characteristics:

Inflorescence is 3-8" (7.6-20.3 cm) long with 6-12 white flowers with purple-lined throats. Flowers are 3" (7.5 cm) across.

Fragrance:

Fragrant

Range:

New Guinea to Solomon Is.

Habitat:

Wet tropic lowlands; 1640-4920ft (500-1500m)

Topic:

Orchids  Search this

Living Collections  Search this

Common Name:

Johnson's Dendrobium

Group:

[vascular plants]

Class:

Equisetopsida

Subclass:

Magnoliidae

Superorder:

Lilianae

Order:

Asparagales

Family:

Orchidaceae

Subfamily:

Epidendroideae

Genus:

Dendrobium

Species:

johnsoniae

Accession Number:

2010-1232B

Restrictions & Rights:

CC0

See more items in:

Smithsonian Gardens Orchid Collection

Data Source:

Smithsonian Gardens

GUID:

http://n2t.net/ark:/65665/ax722abf969-f588-4f11-a262-0c206a010361

EDAN-URL:

edanmdm:ofeo-sg_2010-1232B

Life Form:

Terrestrial

Bloom Characteristics:

Inflorescence is 4-12" (10-30 cm) long with 10-25 densly blooming white flowers that last 2-3 weeks. The column and lip of the flower are twisted in opposite directions. Flowers are .75" (1.7 cm) across.

Foliage Characteristics:

Dark green, 2-3" (5-7.6 cm) long leaves with criss crossing lines that run the length of the leaf and some speckling.

Fragrance:

Fragrant

Plant Size:

10-18" x 6-10" (25-46 x 15-25 cm)

Range:

S China to Sumatera and Philippines

Habitat:

Humid, shady, lowland forests near rivers; 230-3600ft (70-1100m)

Topic:

Orchids  Search this

Living Collections  Search this

Common Name:

Jewel Orchid

Twisty-Flowered Orchid

Variegated Orchid

Rock Lotus Root

Rock Silk Worm

Group:

[vascular plants]

Class:

Equisetopsida

Subclass:

Magnoliidae

Superorder:

Lilianae

Order:

Asparagales

Family:

Orchidaceae

Subfamily:

Orchidoideae

Genus:

Ludisia

Species:

discolor

Accession Number:

2011-2421C

Restrictions & Rights:

CC0

See more items in:

Smithsonian Gardens Orchid Collection

Data Source:

Smithsonian Gardens

GUID:

http://n2t.net/ark:/65665/ax7801c81a8-577a-4f92-9cd9-6cc9137f17b8

EDAN-URL:

edanmdm:ofeo-sg_2011-2421C