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Correspondence

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Type:
Archival materials
Date:
circa 1941-1984
Scope and Contents note:
Lee Krasner's correspondence spans over forty years, but the bulk of it ranges from 1970 to her death in 1984. Found here is correspondence with galleries and gallery owners that represented her, exhibited her work, or requested her work for potential exhibitions. Krasner was friends with many artists and art professionals and her personal correspondence includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also corresponded with art historians and critics, curators, collectors, arts and social organizations, admirers, and family members. Additionally, this series includes fan mail, student inquiries, correspondence with journalists and publishers, requests for her to lecture, and business correspondence on the sale of her work. There are numerous letters and telegrams congratulating Krasner on exhibitions, such as the 1965 Whitechapel retrospective and extensive documentation of her 1958 commission to create a mural for Uris Brothers, Inc.

See Index for List of Notable Correspondents from Series 2.2
Arrangement note:
Letters are arranged chronologically and include both letters received by Krasner and handwritten or typed drafts sent by Krasner. Later in her life many of the drafts were written by her secretary.
Index: List of Notable Correspondents from Series 2.2:
List represents only a selection of correspondents.

Albright-Knox Art Gallery

American Federation of Arts

Appelhof, Ruth Ann

Asher, Elise

Australian National Gallery

Barron, Maida

Berkson, Bill

Collier, Oscar

Cooper Union

County of Nassau Office of Cultural Development

Diamonstein, Barbaralee

Dickler, Gerald

Eames, Ray

Englesmith, Tejas

Erskine, Halley

Forge, Andrew (Yale University)

Franklin Siden Gallery

Friedman, B. H.

Friedman, Sanford

Glaser, Bruce

Goodman, Naomi

Gray, Cleve

Gregory-Hood, Alex (Rowan Gallery)

Guggenheim Museum

Guild Hall

Holladay, Billie

Howard, Richard

Howell, Douglas Morse

Hubbard, E. W.

Janie C. Lee Gallery

Johnson, Philip

Landau, Ellen

Lauck, Anthony

Lloyd, Frank

Marlborogh Fine Art, Ltd.

Martha Jackson Gallery

Matter, Mercedes

McHenry, Barnabas (Barney)

Michael, Marjorie

Museum of Modern Art

Myers, John Bernard

Namuth, Hans

Nemser, Cindy

New York WPA Artists, Inc.

Nochlin, Linda

Novak, Barbara

O'Connor, Francis

Oppler, Ellen

Ossorio, Alfonso

Pace Gallery

Parrish Art Museum

Pavia, Philip

Pollock, Jay

Rago, Louise Elliott

Robert Miller Gallery

Robertson, Bryan

Rose, Barbara

Russell, Bertrand

Schilling, Marge

School of Visual Arts

Sidney Janis Gallery

Siegel, Adele

Smithsonian Institution

Spaeth, Elaine

Stasik, Andrew

Still, Clyfford

Stony Brook Foundation

Tate Gallery

Thaw, Eugene V.

Thayer, Jeanne

Valliere, James

Van Fossen, Ted

Whitechapel Art Gallery

Whitney, David

Whitney Museum of American Art

Wise, Howard
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Jackson Pollock and Lee Krasner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack, Subseries 2.2
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-polljack-ref245

Joyce Kozloff response to "What is Feminist Art?"

Creator:
Kozloff, Joyce, 1942-  Search this
Subject:
Nochlin, Linda  Search this
Type:
Writings
Date:
2019
Record number:
(DSI-AAA)22355
See more items in:
What is Feminist Art? questionnaire responses, 2019
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22355
Additional Online Media:

Nochlin, Linda Weinberg

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 17, Folder 29
Type:
Archival materials
Date:
1954
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Robert Rosenblum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 4: Writings by Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref425

Young Woman in Black, (painting)

Title:
Portrait of a Young Woman, (painting)
Girl in Black, (painting)
Painter:
Boss, Homer 1882-1956  Search this
Subject:
Unidentified  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
University of Wisconsin-Madison Chazen Museum of Art 800 University Avenue Madison Wisconsin 53706 Accession Number: 1978.18
Date:
Ca. 1910
Topic:
Portrait female--Full length  Search this
Control number:
IAP 87200006
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237967

Summer Clouds, (painting)

Painter:
Curran, Charles Courtney 1861-1942  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Terra Foundation for American Art 980 North Michigan Avenue, Suite 1315 Chicago Illinois 60611 Accession Number: 1992.29
Date:
1917
Topic:
Figure group  Search this
Landscape--Weather--Cloud  Search this
Landscape--Season--Summer  Search this
Control number:
IAP 87200002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237963

The Morning Paper, (painting)

Title:
Breakast Table, (painting)
Painter:
Paxton, William McGregor 1869-1941  Search this
Medium:
Oil
Type:
Paintings
Date:
1911
Topic:
Architecture interior--Domestic  Search this
Object--Written Matter--Newspaper  Search this
Figure  Search this
Control number:
IAP 87200003
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237964

Daughter of the Mines, (painting)

Painter:
Bellows, George Benjamin 1866-1933  Search this
Medium:
Watercolor
Type:
Paintings
Owner/Location:
Munson-Williams-Proctor Institute Museum of Art 310 Genesee Street Utica New York 13502
Date:
1923
Topic:
Figure female  Search this
Control number:
IAP 87200005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237966

The Captain's Wife, (painting)

Painter:
Hawthorne, Charles W. 1872-1930  Search this
Subject:
Unidentified  Search this
Medium:
Oil
Type:
Paintings
Date:
1924
Topic:
Portrait female--Full length  Search this
Control number:
IAP 87200007
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237968

Mrs. T. in Wine Silk, (painting)

Painter:
Bellows, George 1882-1925  Search this
Subject:
Tyler, Mary Brown  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Mitchell Museum Cedarhurst Center for the Arts P. O. Box 923 Mount Vernon Illinois 62864 Accession Number: 1973.1.3
Date:
1919
Topic:
Portrait female--Full length  Search this
Portrait female--Elderly  Search this
Dress--Accessory--Glove  Search this
Dress--Accessory--Hat  Search this
Control number:
IAP 87200008
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237969

Dressing the Hair, (painting)

Painter:
Weber, Max 1881-1961  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Forum Gallery New York New York
Date:
1910
Topic:
Figure female--Nude  Search this
Control number:
IAP 87200009
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237970

Portrait of Myself, (painting)

Title:
Florine Stettheimer (a Self-Portrait), (painting)
Painter:
Stettheimer, Florine 1871-1944  Search this
Subject:
Stettheimer, Florine  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Columbia University New York New York 10027
Date:
1923
Topic:
Portrait female--Self Portrait  Search this
Portrait female--Full length  Search this
Occupation--Art--Artist  Search this
Control number:
IAP 87200010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237971

A Studio Corner, (painting)

Painter:
Kuhn, Walt 1877-1949  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Los Angeles Athletic Club Los Angeles California
Date:
1932
Topic:
Figure female  Search this
Architecture interior--Studio  Search this
Control number:
IAP 87200011
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_237972

Photograph of Linda Nochlin receiving an award and Joyce Kozloff

Photographer:
Rosenthal, Mel  Search this
Subject:
Kozloff, Joyce  Search this
Nochlin, Linda  Search this
Type:
Photographs
Date:
1990
Record number:
(DSI-AAA)21072
See more items in:
Linda Nochlin papers, circa 1876, 1937-2017
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21072
Additional Online Media:

Shirley Jaffe papers

Creator:
Jaffe, Shirley, 1923-  Search this
Names:
Ford, Hermine  Search this
Francis, Sam, 1923-1994  Search this
Held, Al, 1928-  Search this
Jenkins, Paul, 1923-2012  Search this
Kushner, Robert, 1949-  Search this
Mitchell, Joan, 1926-1992  Search this
Nochlin, Linda  Search this
Rivers, Larry, 1925-2002  Search this
Smith, Kimber, 1922-1981  Search this
Stone, Sylvia, 1928-  Search this
Sugarman, George, 1912-1999  Search this
Extent:
7.1 Linear feet
0.26 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Video recordings
Sketchbooks
Diaries
Photographs
Interviews
Date:
circa 1950-2011
Summary:
The papers of artist Shirley Jaffe measure 7.1 linear feet and 0.260 GB and date from circa 1950-2011. The collection documents her life and career as an American painter living in Paris through biographical material, letters, notebooks, writings, project files, printed and digital material, photographic material, and sketchbooks.
Scope and Contents:
The papers of artist Shirley Jaffe measure 7.1 linear feet and 0.260 GB and date from circa 1950-2011. The collection documents her life and career as an American painter living in Paris through biographical material, letters, notebooks, writings, project files, printed and digital material, photographic material, and sketchbooks.

Scattered biographical materials include address and appointment books, an interview with Jaffe by Jeff Perkins recorded on one videocassette, and other documents.

Letters make up a significant portion of the collection and are primarily written to Shirley from friends and family. In addition to frequent letters received from her siblings and mother, Jaffe also received letters from artists Joan Mitchell, Sam Francis, Kimber Smith, Sylvia Stone and Al Held, Hermine Ford, Robert Kushner, and George Sugarman.

The papers include eighty-four notebooks kept by Jaffe containing lists, addresses, notes, sketches and the occasional diary entry. Project files contain correspondence, gouache studies, sketches, and printed material related to commissions and collaborations, including illustrations, murals, and the design of stained glass windows in the Chapelle Saint-Jean-l'Evangéliste in Perpignan, titled Funéraria.

Printed materials include articles, published books about Jaffe, clippings, exhibition catalogs, a recorded radio broadcast, and reviews.

There are photographs, slides, transparencies, and digital photographs depicting Jaffe's paintings, exhibitions, and artists and art world figures including Larry Rivers, Kimber Smith, Linda Nochlin, Sam Francis, Paul Jenkins, and Joan Mitchell at exhibition openings in the 1960s-1970s. Eight sketchbooks contain drawings by Jaffe in ink, marker, and pen.
Arrangement:
The collection is arranged as 7 series

Series 1: Biographical Material, 1950s-2000s (0.3 linear feet; Box 1)

Series 2: Letters, 1950s-2000s (3 linear feet; Box 1-4)

Series 3: Notebooks and Writings, 1950s-2000s (0.9 linear feet; Box 4-5)

Series 4: Project Files, 1970s-2003 (0.6 linear feet; Box 5, 9)

Series 5: Printed Material, 1952-2011 (0.7 linear feet; Box 5-6, 9)

Series 6: Photographic Material, 1950s-circa 2010 (1.3 linear feet; Box 6-8, 0.260 GB; ER01)

Series 7: Sketchbooks, 1960s-2000s (0.3 linear feet; Box 8)
Biographical / Historical:
Shirley Jaffe (1923-2016), née Sternstein, was an American painter living and working in Paris.

Born in New Jersey and raised in Brooklyn, Shirley Jaffe completed her studies at the Cooper Union in 1945. In 1949 she and husband Irving Jaffe moved to Washington, D.C. where she attended the Phillips Art School. Later that same year, they moved to Paris. The Jaffes returned to New York briefly in the early 1950s, but moved back to Paris in 1953, where Shirley Jaffe has been living and working ever since. She was married to Irving Jaffe until 1962.

Jaffe started her career as an abstract expressionist but began to work in a flat and geometric style in the late 1960s. She was part of the American expatriate art scene in Paris and associated with Joan Mitchell, Jean-Paul Riopelle, Sam Francis, Kimber Smith, and others. In 1963, Jaffe received a grant from the Ford Foundation to spend a year working in Berlin.

Jaffe took on several commissions in France including illustrations, murals, and notably, the design of stained glass windows in the Chapelle Saint-Jean-l'Evangéliste in Perpignan, titled Funéraria. Her paintings have been exhibited in New York at the Holly Solomon Gallery and the Tibor de Nagy Gallery, and at galleries and museums throughout France.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Shirley Jaffe conducted by Avis Berman, September 27-28, 2010.
Provenance:
The Shirley Jaffe papers were donated to the Archives of American Art by Shirley Jaffe in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Shirley Jaffe papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- France -- Paris  Search this
Women artists -- France -- Paris  Search this
Expatriate artists -- France  Search this
Genre/Form:
Sketches
Video recordings
Sketchbooks
Diaries
Photographs
Interviews
Citation:
Shirley Jaffe papers, 1950s-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jaffshir
See more items in:
Shirley Jaffe papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jaffshir
Additional Online Media:

Linda Nochlin papers, circa 1876, 1937-2017

Creator:
Nochlin, Linda, 1931-2017  Search this
Subject:
Lajer-Burcharth, Ewa  Search this
Zuka  Search this
Pearlstein, Philip  Search this
Courbet, Gustave  Search this
Mitchell, Joan  Search this
Topic:
Interviews  Search this
Educators  Search this
Art historians  Search this
Sketchbooks  Search this
Women art historians  Search this
Video recordings  Search this
Feminists  Search this
Diaries  Search this
Sound recording  Search this
Realism (artistic form of expression)  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)17580
(DSI-AAA_SIRISBib)395108
AAA_collcode_nochlind
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_395108
Additional Online Media:

Linda Nochlin papers

Creator:
Nochlin, Linda  Search this
Names:
Courbet, Gustave, 1819-1877  Search this
Lajer-Burcharth, Ewa  Search this
Mitchell, Joan, 1926-1992  Search this
Pearlstein, Philip, 1924-  Search this
Zuka  Search this
Extent:
31.2 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Date:
circa 1876
1937-2017
Summary:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Scope and Contents:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

Biographical materials include two address books; awards and prizes; certificates and diplomas; childhood writings and notes, assignments, and school newsletters; course work at Vassar College and NYU's Institute of Fine Arts; honors; and one sound recording and three transcripts of Nochlin interviews with Alain Veinstein, Dan Karlholm, Jon Weiner, and Moira Roth.

Over 150 date books and notebooks spanning nearly 60 years contain appointments, reminders, travel plans, thoughts on art, journal entries, daily activities, to-do lists, contact information, fiction writing, and other small notations. Correspondence is with family; close colleagues and artists Ewa Lajer-Burcharth, Zuka Mitelberg, Joan Mitchell, and Philip Pearlstein; and professional contacts regarding speaking engagements, publishing projects, exhibitions, artists' work, conferences, and events.

The bulk of the collection documents Nochlin's prolific writing career that includes her lifelong research and work on Gustave Courbet, realism, bathers and the body, as well as numerous essays and lectures, research and writings on artists, and various other writing projects.

Files for professional activities contain material for conferences and symposiums that include 11 sound and video recordings, grants, fellowships, and travel arrangements and expenses. Teaching files consist of documentation for courses taught by Nochlin at New York University Institute of Fine Arts, Vassar College, Yale University, and other academic institutions.

Publications and other printed materials include annotated books, booklets, clippings, exhibition catalogs, journals and magazines, newsletters, offprints, five video recordings of broadcasts and documentary material, flyers, invitations, posters, and postcards. Artwork includes sketches in ink, charcoal, paint, and pencil created during Nochlin's childhood into her early 20s, along with artwork by children, and one video art recording by Zoulikha Bouabdellah.

Photographs and negatives are of Nochlin with artists Nancy Graves, Sebastian Horsley, and Shirley Jaffe; childhood classmates; friends and colleagues; students; and travels to Europe. Also included are photographs of works of art, personal photographs of family members, and portraits and snapshots of Nochlin.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Materials, circa 1940-2012 (1.0 linear feet; Box 1, OV 35)

Series 2: Datebooks and Notebooks, 1959-2017 (2.5 linear feet; Boxes 2-5, OV 35)

Series 3: Correspondence, 1946-2014 (2.0 linear feet; Boxes 5-7, OV 35)

Series 4: Writing Project Files, circa 1876, 1953-2016 (17.0 linear feet; Boxes 7-21, 30-31, 33-34, OVs 36-37)

Series 5: Professional Files, 1957-2012 (1.0 linear feet; Boxes 22-23)

Series 6: Teaching Files, 1953-2012 (2.5 linear feet; Boxes 23-25, OV 36)

Series 7: Printed Materials, 1939-2017 (3.0 linear feet; Boxes 26-28, 32, 34, OVs 39-40)

Series 8: Artwork, circa 1940-2004 (1.0 linear feet; Boxes 28, 34, OV 38)

Series 9: Photographic Materials, circa 1935-circa 2010 (1.0 linear feet; Boxes 28-29, 34)
Biographical / Historical:
Linda Nochlin (1931-2017) was a feminist art historian and professor at New York University Institute of Fine Arts in New York, New York. She is widely known for her essay first published in 1971, "Why Have There Been No Great Women Artists?," that explored the institutional systems in place for analyzing art history and their impacts on women artists. In 1976, Nochlin co-curated Women Artists: 1550-1950 alongside Ann Sutherland Harris at the Los Angeles County Museum of Art, and in 2007 she co-curated with Maura Reilly the Global Feminisms Exhibition at the Brooklyn Museum. Both exhibitions are considered landmark exhibitions of women artists.

Nochlin was born in Brooklyn, New York. She attended the Brooklyn Ethical Culture School and Midwood High School before enrolling in Vassar College where she majored in philosophy with minors in Greek and art history. After graduating in 1951, she went on to earn a master's degree in English from Columbia University in 1952. In 1963, she earned her PhD in art history from the Institute of Fine Arts. Nochlin's PhD dissertation, "Gustave Courbet: A Study of Style and Society," marked the beginning of her lifelong study of the 19th-Century French artist Gustave Courbet.

Nochlin taught at Yale University, the Graduate Center at the City University of New York, and Vassar College. She was also a visiting professor at Columbia University, Hunter College, Stanford University, Williams College, and Yale University, and later became the Lila Acheson Wallace Professor Emerita of Modern Art at the Institute of Fine Arts.

Nochlin authored numerous art history books including Realism (1971), The Politics of Vision: Essays on Nineteenth-Century Art and Society (1989), Representing Women (1999), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), Bathers, Bodies, Beauty: The Visceral Eye (2006), Courbet (2007), and Misère: The Visual Representation of Misery in the 19th Century (2018).
Related Materials:
Also found at the Archives of American Art is an oral history interview of Linda Nochlin conducted on June 9-30, 2010 by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Provenance:
The collection was donated in 2018 by Daisy Pommer, Linda Nochlin's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Feminists  Search this
Women art historians  Search this
Realism (artistic form of expression)  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind
See more items in:
Linda Nochlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nochlind

Biographical Materials

Collection Creator:
Nochlin, Linda  Search this
Extent:
1 Linear foot (Box 1, OV 35)
Type:
Archival materials
Date:
circa 1940-2012
Scope and Contents:
Nochlin's biographical materials include two address books, awards and prizes, certificates from the American Academy of Arts and Sciences and her elementary school; childhood writings, class notes, assignments, and newsletters demonstrating Nochlin's early writing and drawing abilities; undergraduate and graduate class notes and papers related to art, philosophy, and politics along with other records collected while attending Vassar College and NYU's Institute of Fine Arts; diplomas and degrees; material from events honoring Nochlin; and one sound recording and three transcripts of Nochlin interviews with Alain Veinstein, Dan Karlholm, Jon Weiner, and Moira Roth.
Arrangement:
The series is arranged alphabetically by format or subject, then arranged chronologically within the folders.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind, Series 1
See more items in:
Linda Nochlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1

Files on Gustave Courbet and Realism

Collection Creator:
Nochlin, Linda  Search this
Type:
Archival materials
Date:
circa 1876
1959-2010
Scope and Contents:
Included in this subseries are drafts and notes for Nochlin's dissertation, "Gustave Courbet: A Study of Style and Society," published in 1976 which was the genesis of Nochlin's lifelong study of Courbet and his relation to realism. The subseries includes drafts, correspondence, lectures, outlines, typescripts, contracts, and research material that includes an original letter written by Courbet, circa 1876. Additional material on Courbet can be found within the teaching files in series 6, subseries 6.1.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind, Subseries 4.1
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref10

Notebook

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 3, Folder 18
Type:
Archival materials
Date:
1997
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 2: Datebooks and Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref100

"Art and the Conditions of Exile: Men/Women, Emigration/Expatriation"

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 34, Folder 1
Type:
Archival materials
Date:
circa 2005
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.3: Essays
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1000

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