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Jack McRae Aviation Photography Collection

Creator:
McRae, Jack  Search this
Names:
McRae, Jack  Search this
Extent:
0.45 Cubic feet ((1 legal document box))
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Place:
New York (N.Y.)
Date:
[ca. 1920s-1930s]
Scope and Contents:
This collection consists of seven scrapbooks containing a large number of mostly black and white photographs. A preponderance of the images were taken in the New York Metropolitan area and relate to general aviation in the 1920s and 1930s. Racers (many which are one of a kind) and military aircraft are also featured. Most of the photos seem to have been taken by Jack McRae but there are also many gathered from other sources, most notably the Air Force and Wright Field Collections.
General:
NASMrev
Provenance:
Jack McRae; Cradle of Aviation Museum, Transfer from Cradle of Aviation Museum, Garden City, NY, 1999, 1999-0058, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics, Commercial  Search this
Aeronautics -- Competitions  Search this
Aeronautics  Search this
Airplane racing  Search this
Genre/Form:
Photographs
Scrapbooks
Identifier:
NASM.1999.0058
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1999-0058
Additional Online Media:

Arnold D. Kates Film Collection

Creator:
Kates, Arnold D.  Search this
Names:
Advertising Federation of America  Search this
Association of Young Advertising Men  Search this
Bush Terminal Building  Search this
Railway Express Agency.  Search this
Extent:
1 film reel
Type:
Archival materials
Collection descriptions
Film reels
Motion pictures (visual works)
Cityscapes
Place:
Lincoln Memorial (Washington, D.C.)
White House (Washington, D.C.)
Washington (D.C.) -- 1930-1940
New York (N.Y.) -- 1930-1940
Date:
1929-1931, undated
Summary:
Arnold D. Kates was an officer in the Association of Young Advertising Men of New York in the 1930s. As an officer, he visited Washington, D.C., to attend the annual meeting of the Advertising Federation of America and took home movies of the capital, including a formal reception at the White House, the Washington Monument, and the Lincoln Memorial. Additional film footage includes scenes on a ship, cityscapes and industrial landscapes of New York City.
Scope and Contents:
Four small reels, combined into a single compilation reel by Archives Center staff, of 16mm black and white, silent, camera original reversal motion picture film. One film depicts scenes of Washington, D.C., including a receiving line at the White House for the annual meeting of the Advertising Federation of America. A second film shows people on a boat, people in a car, and a woman with a calf. The third depicts a Manhattan, New York cityscape, docks and ships, industrial buildings, rail yards and railcars, and shipping trucks. Trucks from the Railway Express Agency and the Bush Terminal Co. appear, as well as buildings possibly owned and/or operated by the Bush Terminal Co. Lastly, the fourth film contains images of automobiles and individuals outside of a building possibly identified as the Cypress Hills Hotel Abbey.

Arnold D. Kates dated the film contents to 1931 based on writing on the boxes the films were contained in when he donated the films. An examination of the Eastman Kodak film stock codes gives dates of 1929 and 1930 for the actual film stock. The four films have been combined into a single compilation reel based on the film stock chronology. The first three films have stock dating 1929 and the final film's stock on the compilation reel dates 1930. No other chronological linkages could be determined.
Biographical / Historical:
Arnold D. Kates was an officer in the Association of Young Advertising Men of New York in the 1930s. As an officer, he visited Washington, D.C., to attend the annual meeting of the Advertising Federation of America and took home movies of the capital, including a formal reception at the White House, the Washington Monument, and the Lincoln Memorial. Additional film footage includes scenes on a ship, cityscapes and industrial landscapes of New York City.
Provenance:
The collection was donated by Arnold D. Kates, 1983.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
United States Capitol (Washington, D.C.) -- 1880-1890  Search this
Washington Monument (Washington, D.C.)  Search this
Urban Life  Search this
Associations, institutions, etc.  Search this
Automobiles -- 1920-1930  Search this
Railroads  Search this
Ships -- New York (N.Y.)  Search this
Boats -- New York (N.Y.)  Search this
Harbors -- New York (N.Y.)  Search this
Monuments -- Washington (D.C.)  Search this
Genre/Form:
Motion pictures (visual works) -- 1930-1950
Cityscapes
Citation:
Arnold D. Kates Film Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0259
See more items in:
Arnold D. Kates Film Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0259

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Vose Galleries of Boston records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art galleries, Commercial -- Rhode Island -- Providence  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vosegall

Kahn Family Film Collection

Creator:
Bergman, Harry M.  Search this
Kahn family  Search this
Kahn, Kimberly  Search this
Names:
Chrysler Building (New York, N.Y.) -- Pictorial works  Search this
Godwin Construction Company.  Search this
Bergman family  Search this
Extent:
3 Cubic feet (5 document boxes

)
Type:
Archival materials
Collection descriptions
Home movies
Motion pictures (visual works)
Travelogs
Videotapes
Place:
New York (N.Y.)
Date:
1926-1957
Scope and Contents:
The Kahn Family Films document the activities of the Godwin Construction Co. of New York City from 1928-1934. The films also document more than twenty-five years of the Bergman and Kahn family life and travel. The films are silent, 16mm black and white reversal and Kodachrome. Unless otherwise noted, films were arranged in the Archives Center on compilation reels by subject. Some images are deteriorated because of age and film conditions, most noticeably on 722.39. A detailed description of each reel is included under each film title. The collection is divided into five series and arranged in chronological order; Series 1, Godwin Construction Company, 1927-1934; documents the digging, structural support and daily site activities at various Godwin construction jobs around New York City. In the footage taken at the Chrysler Building site, Bergman documented many of the workers who worked on the job as well as the secretaries in the main offices with filmed portrait shots. While the films are primarily focused on documenting construction practices and procedures at the sites, there is also footage of workmen and machinery. The films also document the company=s annual ABeefsteak@ that eventually moved from a banquet hall to one of the islands in Jamaica Bay.

Series 2, Rockaway Park Yacht Club, 1927-1929; documents many of Bergman's yachting activities on the yacht Thora and events at the Rockaway Park Yacht Club (RPYC) from family related activities to some of the Godwin Company's Beefsteaks.

Series 3, Travel and Leisure, 1926-1957, undated; documents many of the Bergman and Kahn family trips to various locations in the United States and Europe. The 1927 trip to Canada and the American West has footage of Hollywood, then just on the verge of adding sound to motion pictures. The 1929 trip to Europe occurred not only during the first year of the Great Depression but is a wonderful travelogue of Europe in the years before WWII. On reel 722.27 there is an interesting shot of a poster, "Ethel et Julius Rosenberg Que Les Assassins, Soient Maudits A Jamais" [trans: Ethel and Julius Rosenberg let the assassins be cursed/condemned forever.] showing a young boy throwing mud on the poster - presumably in protest.

Series 4, Family and Home Life, 1928-1958; Titles of the footage are taken directly from the original film containers. There is footage of many family members and gatherings. There is footage shot at Bergman's onetime home at 120-18 Newport Ave., Rockaway Park, Long Island. There is footage of tennis great Bill Tilden giving a small exhibition match in Florida in 1946 on 722.25.

Series 5, Papers, 1927-1958; are selections of the original paper containers for some of the films with the original notes and identifications written on them. This series also contains a copy of Bergman's 1907 thesis and related papers and architectural drawings.
Arrangement:
5 series.
Biographical / Historical:
Harry Montefiore Bergman (1885-1971) was born on August 3, 1885 in Elmira, New York. He graduated from college in 1907 with a degree in Applied Science from Columbia University's School of Engineering. After graduation, he went to work for Godwin Construction Co. He specialized in structural foundations and was an authority on the soil and bedrock of Manhattan Island, New York. Beginning his employment as a superintendent, he rose to the position of Secretary and General Superintendent of Civil Engineering in June, 1927. In January 1932, Bergman was elevated to Vice-President and finally attained the presidency of the company in 1957. Bergman retired from the company in 1967. He was a member of the Association of American Society of Civil Engineers.

Godwin Construction Company was founded by Philander Hanford Godwin (1877-1936) in the early 20th century. Godwin was one of the pre-eminent civil engineering firms in New York City primarily involved in constructing foundations for large public building projects. The company was responsible for digging and construction of the foundations for the Chrysler Building, 176th St. Telephone Building, the old New York Port Authority Truck Terminal, the old Madison Square Garden at 8th Ave. and 50th St., the Hudson River Bridge, New York Hospital, Knickerbocker Village and others. Godwin Construction Co. was located in New York City, through the years at various locations: by 1915 at 251 4th Ave., by 1932 at 370 Lexington Ave., Rm. 1201 and later at 130 East 44th St.

Bergman, a lifelong bachelor, developed a love of motion picture photography and pursued this hobby with great enthusiasm. He photographed not only Godwin's construction work and work sites at various foundation projects throughout New York City in the 1920s and 1930s but filmed the company picnics, called "Beefsteaks", family leisure time activities and vacations as well. Bergman was also an avid yachtsman and filmed many hours of footage while sailing on Samuel Lauterbach's yachtThora , (the Thora may also have been owned in a partnership between Lauterbach and Bergman) and at the Rockaway Park Yacht Club (RPYC) in Rockaway Park, New York. Bergman, along with Lauterbach, was one of the founders of the RPYC and it was reportedly founded because Jews were not allowed membership in any of the "exclusive" yacht clubs surrounding Manhattan. The yacht club was destroyed during the hurricane of 1938. Many films feature Ruth Perl who was Bergman's favorite niece. They took numerous trips to California, Canada, and Europe. Perl seems to also have taken an interest in motion picture photography as well, often operating the camera herself. Perl married Irving Kahn and had three sons, Donald Kahn, Alan R. Kahn and Thomas G. Kahn, who figure prominently in the later films. Bergman was a lifelong resident of New York. As of 1916, his address was 615 W. 143rd St., New York, NY. For a time he lived at 120-18 Newport Ave. in Rockaway Park, NY. In 1951 he bought a home at 143-17 Cronston Avenue in Belle Harbor. At the end of his life, Bergman is noted as living at 1 Fifth Avenue, New York, NY. Bergman died on August 3, 1971. At the time of his death Bergman was staying at the Florence Nightingale Nursing Home, 175 East 96th St. in New York, New York.

Bergman's employer and the founder of Godwin Construction Co., Philander H. Godwin, was born on September 30, 1877 in New York City, NY. Godwin graduated from Columbia University's School of Engineering with a degree in Applied Science in 1899. After graduation, he married Carrie L. Pye and they had two children. Godwin founded the Godwin Construction Co. in the early 20th century and was the company's president until his death in 1936. As of 1916, his residence address was Cedar and Arch Avenues in Larchmont, NY and by the time of his death he was living at 26 Willow Avenue in Larchmont. He was a member of the Larchmont Yacht Club and perhaps had a great influence on Bergman's taking up the sport. He was an active member of St. John's Episcopal Church, Larchmont and a member of the Union League. Godwin died on March 27, 1936 in Larchmont.

Sources: Records of Columbia University, New York, New York "City Sells 2 Plots for Factory Sites", New York Times, June 6th, 1951, pg. 64. Newspaper Obituary of Harry N. Bergman, Archives Center Control File Conversation and correspondence with Alan and Kimberly Kahn My Life: Edward du Moulin
Provenance:
Donated to the National Museum of American History, Archives Center in 2000 by Kimberly R. Kahn, great-great niece of Harry M. Bergman.
Restrictions:
Unrestricted research access on site by appointment. Researchers may use videotape reference copies only.
Rights:
The National Museum of American History may not authorize publication, reproduction, or distribution by a commercial, for-profit publisher, distributor, media producer, or film maker without the express permission of the Donors.

The term of the requirement for written authorization prior to third party, for-profit, commercial use will last 50 (fifty) years unless agreed to in writing by both the National Museum of American History and the Donors.
Topic:
Travel photography  Search this
Travelogues (Motion pictures)  Search this
Family -- 20th century  Search this
Travel -- Europe  Search this
Construction  Search this
Architecture -- New York (State) -- New York  Search this
Amateur films  Search this
Genre/Form:
Home movies
Motion pictures (visual works)
Travelogs
Videotapes
Citation:
Kahn Family Film Collection, 1920s-1930s, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0722
See more items in:
Kahn Family Film Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0722
Additional Online Media:

Jan Wolff Collection of New York City Photographic Postcards

Photographer:
Rotary Photo  Search this
Frange, William  Search this
Fairchild Aerial Surveys  Search this
Brown Bros.  Search this
Donor:
Wolff, Jan  Search this
Publisher:
Jonas (L.) & Co., Inc. (Woolworth Bldg., New York City)  Search this
Names:
Woolworth Building (New York, N.Y.)  Search this
Extent:
0.33 Cubic feet (1 box, 53 items)
Type:
Archival materials
Collection descriptions
Postcards
Photographs
Picture postcards
Photographic postcards
Date:
circa 1927-1930
Summary:
Photographic postcards collected by Dr. Rudolf Wolff, a pediatrician from Krefeld, Germany during a trip to the United States in the early 1930's and brought back to America when the family immigrated in 1936.
Scope and Contents:
The collection consists of fifty three photographic postcards of New York City buildings and landmarks, including aerial views. The postcards were collected by Dr. Rudolf Wolff, a pediatrician from Krefeld, Germany during a trip to the United States in the early 1930s and brought back to America when the family immigrated in 1936. The cards are arranged into four series by the company that published or printed the materials.

System of Arrangement: The collection is arranged into four series.

Series 1, Cards published by the Franco-American Novelty Company, New York, consists of three items. The Franco-American Novelty Company was established in 1910 at 1209 Broadway in New York City. The cards published under this company's name have the same set numbering convention as series 4 and one is marked "Printed in England", suggesting they were printed by Rotary Photo. Series 2, Cards published by William Frange, New York, consists of two cards. William Frange was a New York photographer who sold photographs to other publishers and published cards himself. His slogan, printed on the cards, was "Real Photographs, New York's Best Views". The cards in this group were printed in England.

Series 3, Cards printed in Germany published by L. Jonas & Company, Woolworth Building, New York, includes sixteen cards. The L. Jonas Company ran the observatory at the Woolworth Building. Most of the postcards in this series were published by them. No German printer is named but the cards in this set have a numbering convention differing from those printed in England.

Among these materials are eight cards copyrighted by photographer Irving Underhill (1872 -1960) whose studio was located at 17 Park Place in New York City. He became a leading contributor of images for many different postcard publishers. Underhill opened his studio in 1896, specializing in "artistic portraits, city views and panoramas, group photographs, marine, legal and machinery photography." He was so successful that his agency received exclusive commissions to photograph and promote new buildings like the Woolworth Building, which he would capture in timed intervals to track the construction process. One postcard has a copyright date of 1927 on the image, helping to establish the dates of this collection.

Photographs on three other cards in this set are copyrighted by photographer William Frange. Other cards include a photograph from the New York Central Railroad and a theater photograph from the Paramount Famous Lasky Corporation.

Series 4, Cards printed in England by Rotary Photo and published by L. Jonas & Company, Woolworth Building, New York, consists of thirty two cards. These materials were printed by Rotary Photo in England. Rotary Photographic Company, founded in 1899, was located at 23 Moorefields, London, England. It produced a wide variety of greetings and postcards as real photographs. These cards were manufactured in Great Britain and issued under many trade names. They also made photograph cards for other publishers as shown by the example above. In 1921 they became one of seven companies that joined together to form Amalgamated Photograph Manufacturing Ltd., and they are now part of Illford.

This series includes four photographs credited to Brown Brothers. Large publishers became desperate for photographs trying to meet the ever increasing demands of the postcard-collecting public. This generated a new type of business that would warehouse negatives and sell them on request. Brown Brothers was the first such company, founded in 1904 with a staff of twelve photographers. At first they targeted large newspapers, which at this time often did not have their own photographers. They went on to supply postcard publishers with images as well. They were a forerunner to the stock photography industry. There are also four photos taken from an "aeroplane" credited to Fairchild Aerial Surveys.
Arrangement:
The collection is arranged into four series.

Series 1: Cards published by the Franco-American Novelty Company, New York Series 2: Cards published by William Frange, New York

Series 3: Cards printed in Germany published by L. Jonas & Company

Series 4: Cards printed in England by Rotary Photo and published by L. Jonas & Company
Biographical / Historical:
The first known photographic postcard made its appearance in 1899, but this type of card did not gain popularity until George Eastman marketed Velox developing out paper in 1902, which was a heavy stock that resisted curling and could be preprinted with a postcard back.

Most of the postcards during the early 1900s were printed in Europe, primarily in Germany, where the printing technology was considered the best. Imports dropped after the start of World War One, and from 1915 more printing was concentrated in England and the United States. White border cards were developed at this time, and they were popular until 1930.

The printing of the photographer's or manufacturer's name on the back of real photos was an expensive proposition. This practice was only cost effective on cards printed in large numbers.

A postcard may have a number of different names printed on it. The most common name is that of the publisher who commissions the postcard and supplies the image. The next name is that of the printer who manufactures the card. The photographer who supplied the initial image may have his name on the card, often next to the picture.

One of the largest categories of postcards was those produced for tourist consumption, and they mostly consisted of views. This collection of New York landmarks falls into that category.

Sources

History of the Real Photo Postcard http://www.metropostcard.com/card07realphoto.html

Rotary Photographic Company 1899-1921 http://www.metropostcard.com/publishersr1.html

Irving Underhill http://theboweryboys.blogspot.com/2009/08/picture-perfect-irving-underhill-and.html

Brown Brothers, New York, New York http://www.metropostcard.com/publishersb2.html

NYPL Fairchild Aerial Surveys Collection http://iarchives.nysed.gov/PubImageWeb/listCollections.jsp?id=67854

The Fairchild Story http://web.whittier.edu/fairchild/home.html
Provenance:
This collection was donated by Jan Wolff, son of Dr. Rudolf Wolff.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Postcards -- 1920-1930
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1920-1930
Picture postcards -- 1920-1930
Photographic postcards
Citation:
Jan Wolff Collection of New York City Photographic Postcards, ca. 1928-1930, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1165
See more items in:
Jan Wolff Collection of New York City Photographic Postcards
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1165

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The José de Creeft papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Diary

Collection Author:
Harriman, Stephen (farmer)  Search this
Myers, Annamae Barlup (farmer)  Search this
Container:
Box 1
Type:
Archival materials
Date:
1937
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Annamae Barlup Myers & Stephen Harriman Diaries, 1883-1894, Archives Center, National Museum of American History.
See more items in:
Annamae Barlup Myers and Stephen Harriman Diaries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0345-ref25
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Diary digital asset number 1

[Army-Notre Dame football game, caption no. 10166 : photonegative.]

Publisher:
Underwood & Underwood  Search this
Names:
United States Military Academy  Search this
University of Notre Dame Art Gallery  Search this
Yankee Stadium (New York, N.Y. : 1923-2009)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
West Point (New York)
Local Numbers:
RSN 5426
General:
Company catalog card included.
Similar to RSN 18836 [VDF 18130] and 18838.
Currently stored in box 3.1.73 [180].
A-2 (on envelope?)
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crowds -- New York  Search this
Football -- New York  Search this
Sports -- New York  Search this
Stadia -- New York  Search this
Universities and colleges -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.1: H.C. White Negatives / RSN Numbers 5349-5434
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref1101

New York City: Mrs. Francoise Levapresto celebrates her 108th birthday, wants an airplane ride as a birthday present from her children. She is shown with her dog Gyp. [Active no. 1806 : photonegative,]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" dx 4".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
1926
Local Numbers:
RSN 18271
General:
Currently stored in box 3.1.70 [227A].
Orig. no. A-14.
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Aged persons -- New York  Search this
Aging -- New York  Search this
Birthdays  Search this
Dogs -- New York  Search this
Dwellings -- New York  Search this
Seniors -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18165-18288
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14701

[Canadian? Active no. 1981 : non-stereo photonegative,]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Canada
New York (N.Y.)
Rotary Club
Date:
1926
Local Numbers:
RSN 18481
General:
Company catalog card included.
Currently stored in box 3.1.71 [227B].
U&U caption in file box.
Orig. no. A-2.
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Rites and ceremonies  Search this
Clubs  Search this
Flags  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18413-18537
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14901

Canadian Day celebrated by Rotary Club with all Canadian celebration at the Hotel Mc Alpin. [photonegative]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Canada
New York (N.Y.)
Rotary Club
Date:
07/01/1926
Scope and Contents:
Caption: "New York City.- Dominion Day, a great Canadian celebration has been organised by Canadian in the Rotary Club, at a special luncheon given at the Hotel McAlpine, at which a Canadian menu was prepared. Pirie MacDonald, President of New York Rotary Club presented the American Flag to Senator C.P. Beaubien, of Canada. Photo shows:- Edmund Burke, member of Metropolitan Opera Company, and Canada's best singer, Pirie McDonald, President of Rotary Club, Senator C.P. Beaubien, and Raymond Knoeppel, International Rotarian."
Local Numbers:
RSN 18486

Video number 17807
General:
Currently stored in box 3.1.71 [227B].
Company catalog card included.
U&U caption in file box: 1985-A2.
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Rites and ceremonies  Search this
Clubs  Search this
Flags  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18413-18537
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14906

The only Ukelele to cross the North Pole. [photonegative]

Publisher:
Underwood & Underwood  Search this
Names:
Byrd Polar Expedition (1926)  Search this
Konter, R.W.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Place:
New York (N.Y.)
North Pole
Date:
07/01/1926
Scope and Contents:
Caption: "New York City. - Photo shows:- The ukelele, property of Chicago Petty Officer R.W. Konter, which flew over the North Pole on the Byrd Polar Expedition, bearing the autographs of Commander Byrd, Pilot Bennett, and others of Polar Flight fame."
Local Numbers:
RSN 18496

Video number 17817

AC0143-0018496
General:
Company catalog card included.
U&U caption in file box: 1989-A2.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments -- 1920-1930  Search this
Ukeleles  Search this
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18413-18537
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14916

[Williams and bride : active no. 2026. Photonegative,]

Publisher:
Underwood & Underwood  Search this
Names:
United States. Navy  Search this
Williams, Lt. Alford  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
1926
Local Numbers:
RSN 18571

Video number 17883
General:
Company catalog card included.
U&U caption in file box.
Currently stored in box 3.1.71 [227B].
Orig. no. A-2
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Aviation -- New York  Search this
Couples -- New York  Search this
Marriages -- New York  Search this
Pilots -- New York  Search this
Love -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14989

America's speed king of the air weds beauty of south. Lieutenant Williams forsakes flying for matrimony and practice of law. [photonegative]

Publisher:
Underwood & Underwood  Search this
Names:
Williams, Lt. Alford  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
07/06/1926
Scope and Contents:
Caption: "New York, N.Y. - Lieutenant Alfred Williams, speed champion of the air and winner of both the Pulitzer Trophy and Schneider Cup for the Navy, married Mrs. Florence Hawes Selby of Bainbridge, Georgia, and will resign from the Navy to take up the practice of law. Lieut. Williams established a new world speed record while practicing for the Pulitzer race of 303.2 miles per hour in a Curtiss Racing plane. Photo shows Lieutenant Williams and bride leaving for honeymoon immediately after the wedding."
Local Numbers:
RSN 18574

Video number 17886
General:
Company catalog card included.
U&U caption in file box: 2027-A2.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobiles -- New York  Search this
Couples -- New York  Search this
Military -- New York  Search this
Love -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14992

[Naval couple.] 2028 photonegative

Publisher:
Underwood & Underwood  Search this
Names:
Williams, Lt. Alford  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
1926
Local Numbers:
RSN 18578

Video number 17889
General:
Company catalog card included.
Currently stored in box 3.1.71 [227B].
Copy and Version Identification Note:
A-2
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Couples -- New York  Search this
Marriages -- New York  Search this
Military -- New York  Search this
Love -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14996

Submarine S-51 goes aground in East River after wreck of two forward pontoons. [photonegative]

Publisher:
Underwood & Underwood  Search this
Names:
United States. Navy  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
07/07/1926
Scope and Contents:
Caption: "New York City. - Photo shows:- Lieut. W.H. Hamberger, standing on top of pontoons which were wrecked during the towing of the submarine S-51. They are in the Brooklyn Navy Yard for repairs."
Local Numbers:
RSN 18608

Video number 17912
General:
Company catalog card included.
U&U caption in file box: 2042-A2.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Pontoons -- New York  Search this
Ships -- New York  Search this
Submarines -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15025

[Prime Minister S.M.Bruce of Australia arrives in New York City.] 2440 photonegative

Publisher:
Underwood & Underwood  Search this
Names:
Bruce, Stanley M.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Australia
New York (N.Y.)
Date:
1926
Local Numbers:
RSN 18615
General:
Company catalog card included.
U&U caption in file box.
Currently stored in box 3.1.71 [227B].
Copy and Version Identification Note:
A-3
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15032

Princess Boncompagni [nee Margaret Draper] arrives in New Yok City. [Active no. 2441 : non-stereo photonegative,]

Publisher:
Underwood & Underwood  Search this
Names:
Boncompagni, Princess  Search this
Draper, Margaret  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.)
Date:
1926
Scope and Contents:
Subject standing in fur coat, full length. Margaret Draper was a Washington debutante who married Prince Andrea Boncompagni Ludovici of Rome in 1916
Local Numbers:
RSN 18616
General:
Company catalog card included.
U&U caption in file box.
Currently stored in box 3.1.71 [227B].
Orig. no. A-3.
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fur garments  Search this
Portraits -- Women  Search this
Nobility  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15033

"Group of Slaves / Members of Society Researse for Presentation of Alibaba Ball at Hotel Astor." Company no. 2442A-3 : photonegative

Topic:
Alibaba Ball
Junior League -- 1920-1930 -- New York (N.Y.)
Publisher:
Underwood & Underwood  Search this
Names:
Astor Hotel (New York, N.Y.)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (piece, 4" x 5".)
Type:
Archival materials
Photographs
Place:
New York (N.Y.) -- 1920-1930
Date:
1926
Local Numbers:
RSN 18619
General:
Company caption included: "...The younger set responded enthusiastically when a call was made for candidates to take part in the Midnight Cabaret[,] slated to be one of the most interesting features at the Astor on Friday, January 14th, for the benefit of the Junior League Baby Shelter. / PHOTO SHOWS: Group of 'Alibaba Slaves.' Left to right, standing, are: Miss Frederick [sic] Steif; Miss Violet Grubb; Miss Shally [sic] Shonk; Miss Rosamond Starr; Miss Sarah Heaton; (Sitting,) [sic] Miss Hope Richardson; Miss Mildred Vander Poel."
U&U caption in file box.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- 1920-1930 -- New York (State) -- New York  Search this
Benefit performances -- 1920-1930 -- New York (State) -- New York  Search this
Upper class -- 1920-1930  Search this
Baby shelters -- 1920-1930 -- New York (State) -- New York  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15036

[Chinatown street scene, New York City : Active no. 2443 : photonegative,]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Chinatown (New York, N.Y.) -- 1920-1930
New York (N.Y.) -- 1920-1930
Date:
1926
Local Numbers:
RSN 18621
General:
Company catalog card included.
U&U caption in file box.
Currently stored in box 3.1.71 [227B]. Orig. no. A-2.
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Streets  Search this
Trucks  Search this
Wagons  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15038

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