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Tad Hershorn Collection

Creator:
Hershorn, Tad  Search this
Names:
Granz, Norman  Search this
Extent:
1 Cubic foot (1 box)
Type:
Archival materials
Collection descriptions
Clippings
Concert programs
Programs
Photographs
Typescripts
Date:
1956-1991.
Scope and Contents note:
Materials relating to jazz, including photographs of jazz performers; printed material, including clippings about the jazz promoter Norman Granz, and nine concert programs; and a typescript history of jazz at the Philharmonic.
Arrangement:
Divided into 5 series.
Provenance:
Collection donated by Tad Hershorn. ,Rutgers Institute of Jazz Studies, Dana Library.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1950-2000 -- United States  Search this
Musicians -- 1950-2000  Search this
Jazz -- 1950-2000  Search this
Genre/Form:
Clippings -- 1950-2000
Concert programs
Programs -- Concerts
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Typescripts
Citation:
Tad Hershorn Collection, 1956-1991, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0680
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0680
Additional Online Media:

New York Chapter of the Duke Ellington Society Collection

Creator:
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Duke Ellington Society, New York Chapter  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Extent:
1.1 Cubic feet (5 boxes)
Type:
Archival materials
Collection descriptions
Newsletters
Oral history
Audiotapes
Interviews
Date:
1960-1991
Scope and Contents note:
68 cassette audiotape recordings of oral history interviews and presentations, and 55 newsletters compiled by the New York Chapter of the Duke Ellington Society, 1960-1991.

Audiotapes and Newsletters from the New York Chapter of the Duke Ellington Society Meetings.
Arrangement:
1 series. Unarranged.
Biographical / Historical:
The New York Chapter of the Duke Ellington Society is located in New York and focuses on the life and career of musician and composer, Edward "Duke" Ellington.
Provenance:
Collection donated by Morris Hodara, February 4, 1992.
Restrictions:
Unrestricted research use on site, by appointment, but collection is unprocessed.
Rights:
Certain restrictions on usage: Any use of these recordings for publication (in electronic or print form) must provide a credit line with the name of the speaker or interviewee, the name of the person conducting the interview, and the date (when available). The credit line also must contain the following statement: "original recording in the Duke Ellington Society Archives at the Schomburg Center for Research in Black Culture, New York Public Library, New York, New York." Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz -- 1950-2000  Search this
Music -- 20th century -- United States  Search this
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Genre/Form:
Newsletters -- 1950-2000
Oral history -- 1950-2000
Audiotapes -- 1950-2000
Interviews -- 1950-2000
Citation:
New York Chapter of the Duke Ellington Society Collection, 1960-1991, Archives Center, National Museum of American History. (See "Reproductions" for additional credit line information.
Identifier:
NMAH.AC.0390
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0390

Charlie Ventura Collection

Donor:
DePasquale, Dolores  Search this
Creator:
Ventura, Charlie, 1916-1992  Search this
Extent:
2 Cubic feet
Type:
Archival materials
Collection descriptions
Contracts
Letters (correspondence)
Awards
Articles
Correspondence
Audiocassettes
Videocassettes
Photographs
Date:
19XX
Summary:
The collection documents the life and career of jazz saxophonist Charlie Ventura.
Scope and Contents:
The collection documents the life and career of jazz saxophonist Charlie Ventura. It includes letters, photographs, business records such as contracts, printed materials such as magazine and newspaper articles, awards, and audiovisual materials including videocassettes and cassette tapes.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Chalie Ventura was a jazz saxophonist.
Provenance:
Donated to the Archives Center in 2013 by Dolores DePasquale.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1950-2000 -- United States  Search this
Musicians  Search this
Saxophone  Search this
Jazz  Search this
Genre/Form:
Contracts
Letters (correspondence) -- 20th century.
Awards
Articles -- 20th century
Correspondence -- 1950-2000
Audiocassettes
Videocassettes
Photographs -- 1950-2000
Citation:
Charlie ventura Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1308
See more items in:
Charlie Ventura Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1308
Additional Online Media:

Navroze Contractor Photographs

Creator:
Contractor, Navroze  Search this
Names:
Keystone Korner (San Francisco, Cal.).  Search this
Bang, Billy (musician)  Search this
Bridgewater, Cecil (musician)  Search this
Hill, Calvin (musician)  Search this
Jarrett, Keith (musician)  Search this
Knepper, Jimmy (musician)  Search this
Mangelsdorf, Albert (musician)  Search this
Moore, Eddie (musician)  Search this
Roach, Max (musician)  Search this
Rollins, Sonny (musician)  Search this
Shaw, Woody (musician)  Search this
White, Michael (musician)  Search this
Extent:
0.5 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Photographs
Place:
California -- San Francisco
Date:
1978-1995
Summary:
Black-and-white photographic prints depicting jazz musician Eddie Moore and musicians who played in tribute to Moore that include Billy Bang, Cecil Bridgewater, Calvin Hill, Keith Jarrett, Jimmy Knepper, Albert Mangelsdorf, Max Roach, Sonny Rollins, Woody Shaw, and Michael White. Many of the photographs were taken at San Francisco's Keystone Korner, a popular jazz venue in the United States during the 1970s and early 1980s.
Scope and Contents note:
The Navroze Contractor Photograph Collection consists of twenty-three black and white photographic prints depicting jazz drummer Eddie Moore (1940-1989) performing in California and India, musicians who played with Moore, and musicians who performed a 1995 tribute concert to Moore in Oakland, California. In addition there are photographs of Moore=s family that were taken at their Farallones Street home in San Francisco, California.

The collection contains unmounted 16x20 photographic prints. Interesting musicians in this collection include Eddie Moore, Max Roach, Sonny Rollins, and Woody Shaw. Other photographs of interest are those taken in San Francisco at Keystone Korner, which was one of the most important Awest coast@ jazz venues in the United States during the 1970s and early 1980s. The photographs are organized in alphabetical order by performers last name.
Arrangement:
The collection is arranged into one series. Arranged alphabetically by subject.
Biographical/Historical note:
Navroze Contractor is a highly acclaimed cinematographer and photographer. He studied painting and photography at the Faculty of Fine Arts, M.S. University, Baroda, film direction at the Film & Television Institute of India, Pune, cinematography under master director of photography, Laszlo Kovacs, at Rockport, Maine, and video production at Sony Corporation, Tokyo, Japan. Contractor=s feature film credits include Duvidha (1972, directed by Mani Kaul), 22nd June, 1897 (1979, directed by Nachiket Patwardhan), Percy (1989, directed by Pervez Merwanji), Hun Hunshi Hunshilal (Love In The Time Of Malaria) (1991, directed by Sanjiv Shah) and Devara Kadu (1992, directed by Pattabhi Rama Reddy). In addition to his professional interests, Contractor is an avid aficionado of jazz performed in both the United States and India.
Provenance:
Collection donated by DEN Productions, through Navroze Contractor, February 1, 1997.
Restrictions:
The collection is open for research. Gloves required with unprotected photographs.
Rights:
Copyright restrictions; contact staff for information.
Topic:
Jazz musicians -- United States  Search this
Jazz -- 1970-2000  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Citation:
Navroze Contractor Photographs, 1978-1995, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0569
See more items in:
Navroze Contractor Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0569
Additional Online Media:

Alan Strauber Photoprints

Photographer:
Strauber, Alan  Search this
Names:
Brown, Jerry, 1942-  Search this
Burrell, Kenny  Search this
Diddley, Bo, 1928-2008  Search this
Duke, David  Search this
Franklin, Aretha  Search this
Winfield, Dave  Search this
Extent:
0.2 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Place:
Ellis Island (New York, N.Y.)
Date:
ca. 1990-1999.
Summary:
Forty-one black and white photoprints, most of which are portraits of jazz, blues, Cajun, and zydeco musicians, plus a few additional subjects.
Scope and Contents:
These prints are all on fiber-based paper, unmounted. The subjects include jazz, blues, and zydeco musicians, politicians, and baseball players in action. All prints copyright 1994 by Alan Strauber, except as otherwise noted, and signed and dated on verso. All are 8" x 10" except for the 11" x 14" prints in box 2.

The majority of the photographs depict musicians in concert, but additional subjects include professional baseball players, politicians like Jerry Brown, and built structures in the American South and at Ellis Island.
Subjects include Marie Laveau's tomb, Aaron Neville, Irma Thomas, Dr. John, Michel Doucette, George Porter, Aretha Franklin, Willie Dixon, Koko Taylor, Johnny Copland, Clarence "Gatemouth" Brown, "Snooks" Eaglin, Robert Ward, Bo Diddley, Don Byron, Cajun dancers, David Duke, Jerry Brown, Boozoo Chavis, Terrence Simien, Chubby Carrier, C. J. Chevier, Dave Winfield, Rickey Henderson, Kenny Burrell, Robben Ford, Kenny Neal, Junior Wells, John Lee Hooker and Willie Dixon, a Mardi Gras "Indian," Walter "Wolfman" Washington, and Robert "Junior" Lockwood; Ellis Island; and "Little Wimp's Barbecue House."
Arrangement:
1 series.

Arranged topically.
Biographical / Historical:
Alan Strauber is a photojournalist whose work has been published in The New York Times, the Philadelphia Inquirer, Gannett Suburban Newspapers, Downbeat Magazine, and AKC Gazette, among others. His work is in the collections of Yad Vashem (Jerusalem, Israel), the Delta Blues Museum (Clarksdale, Mississippi), and the National Baseball Hall of Fame (Cooperstown, N.Y.). Among his special photographic interests are the photography of jazz musicians, professional baseball, and politicians; examples are contained in this collection. His e-mail address is meandgi@sabbatai.com

He is also a poet and art critic. An article by Mr. Strauber, "Art entices eyes, ears at Whitney Museum" from the Poughkeepsie (N.Y.) Journal, April 11, 2002, is posted on the World Wide Web at http://cityguide.pojonews.com/fe/DayTrips/stories/dt_whitney_museum.asp.

Mr. Strauber is mentioned in on a genealogical site listing his family background, posted in the "Phair Family Circle" at http://www.geocities.com/hmshultz/phair.html.
Provenance:
Collection donated by Alan Strauber, 1994, December 21.
Restrictions:
Collection is open for research.
Rights:
Alan Staruber retains copyright. At the time of donation, the Archives Center of the National Museum of American History obtained standard museum rights from the photographer to exhibit these photographs, lend them to other qualified museums, and publish them in its own publication program. These rights do not entitle the Archives Center to provide reproduction permission to third parties, which must contact the photographer for further information.
Topic:
Baseball players -- 1990-2000  Search this
Baseball -- 1990-2000  Search this
Jazz musicians -- 1950-2000 -- United States  Search this
Zydeco musicians  Search this
Musicians, Cajun  Search this
Blues musicians  Search this
Jazz -- 1990-2000  Search this
Carnival -- 1990-2000 -- New Orleans (La.)  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Citation:
Alan Strauber Photoprints, 1990-1994, 1999, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0517
See more items in:
Alan Strauber Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0517

The / Nancy / Wilson / Cannonball / Adderley / ... / Flip / Wilson / Show [newspaper advertisement proof]

Advertiser:
Apollo Theatre (New York, N.Y.)  Search this
Names:
Adderley, Cannonball  Search this
Wilson, Flip  Search this
Wilson, Nancy, 1937-  Search this
Collection Collector:
Schiffman, Frank, ?-1972  Search this
Collection Donor:
Schiffman, Jack  Search this
Extent:
1 Item (8" x 6".)
Culture:
African Americans  Search this
Type:
Archival materials
Advertisements
Newspapers
Place:
Harlem (New York, N.Y.)
Date:
1968
Scope and Contents:
Newspaper advertisement proof for Apollo Theatre acts performing the week of April 12, 1968, Nancy Wilson, Cannonball Adderley, Duke Pearson Orchestra, Flip Wilson, and the Impacts.
Arrangement:
In Box 7, Folder 1.
Local Numbers:
AC0540-0000044.tif (AC Scan No.)
General:
Archives Center's Women in Jazz
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Singers  Search this
Jazz  Search this
African American musicians  Search this
Women musicians  Search this
Women in music  Search this
Women in jazz  Search this
Genre/Form:
Advertisements -- 1950-2000.
Newspapers
Collection Citation:
Frank Schiffman Apollo Theatre Collection, 1935-1973, Archives Center, National Museum of American History.
See more items in:
Frank Schiffman Apollo Theater Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0540-ref613

Pearl Bailey, newspaper advertisement

Advertiser:
Apollo Theatre (New York, N.Y.)  Search this
Names:
Bailey, Pearl  Search this
Collection Collector:
Schiffman, Frank, ?-1972  Search this
Collection Donor:
Schiffman, Jack  Search this
Extent:
1 Item (9" x 4".)
Culture:
African Americans  Search this
Type:
Archival materials
Advertisements
Newspapers
Clippings
Place:
Harlem (New York, N.Y.)
Date:
1965
Scope and Contents:
Newspaper ad for Apollo Theatre acts performing the week of October 22; Pearl Bailey and her Revue, Bunny Briggs, Martin Bros.
Arrangement:
In Box 7, Folder 3.
Local Numbers:
AC0540-0000049.tif (AC Scan No.)
General:
Archives Center's Women in Jazz
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women in music  Search this
Singers  Search this
Jazz  Search this
African American musicians  Search this
Women musicians  Search this
Women in jazz  Search this
Genre/Form:
Advertisements -- 1960-1970
Newspapers
Clippings -- 1950-2000
Collection Citation:
Frank Schiffman Apollo Theatre Collection, 1935-1973, Archives Center, National Museum of American History.
See more items in:
Frank Schiffman Apollo Theater Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0540-ref614

Mongo Santamaria Papers

Creator:
Santamaria, Mongo, 1917-  Search this
Extent:
2 Cubic feet (4 boxes)
Type:
Archival materials
Collection descriptions
Articles
Passports
Photographs
Manuscripts
Concert programs
Date:
1950s-1996
Summary:
Collection includes music manuscripts, articles and clippings, concert programs, passports, and photographs.
Scope and Contents:
This collection documents, mostly in photographs, the musical career of Mongo Santamaria. Other materials include music manuscripts, magazine and newspaper articles, flyers, posters, and passports.

Series 1, Photographs, circa 1950s–1990s, includes primarily black and white and some color images of Mongo Santamaria. There is a photograph of Santamaria with the first Congo he brought from Cuba to the United States. Of particular interest is Santamaria performing with Tito Puente and Cal Tjada's bands. Some of the earlier photographs document performances at the Palladium Nightclub and Apollo Theatre. There are publicity photographs of Santamaria and his band created by the recording studios. The photographs also include award ceremonies, bar scenes and concert appearances. The materials are arranged in chronological order.

Series 2, Music Manuscripts, 1958-1985; undated, includes music created by Santamaria and music performed by him but written by other composers. Escena Afro-Cubanas composed and arranged by Valerie Capers (1985), Just Say Good-by by Rodgers Grant, Mambo Olga Pachanga by Nicolas Martinez (1961) and Peace by Horace Silver are included among these materials. The materials are arranged in alphabetical order by title.

Series 3, Personal and Background Information, 1945-1996; undated, include a profile of Santamaria and other musicians written in Japanese. There are also magazine articles documenting the development of Santamaria's career and his public appearances. Articles from the Miami Herald and the Chicago Tribune are also included among the materials. Personal items consist of Santamaria's Cuban and American passports. The materials are arranged in alphabetical order by type.

Series 4, Performance Materials, 1977-1996; undated, includes the National Academy of Recording Arts and Sciences Certificate to Mongo Santamaria and his Latin-Jazz Orchestra in recognition of nomination for the Best Tropical Latin Performance for Free Spirit, Espirito Libre, 1985. There are also flyers and an entertainment guide, some in Spanish, advertising public appearances for concert performances. A program in French for a jazz festival in Vienna includes profiles of the performers. There are posters including a black and white drawing of jazz musicians by Robert Leonard (1985) and appearances at the Miami Jazz and Heritage Festival, Apollo Theatre, Oberlin College and the Blue Note. Materials are arranged in alphabetical order by type.
Arrangement:
The collection is divided into 4 series.

Series 1: Photographs, circa 1950s-1990

Series 2, Music Manuscripts, 1958-1985 and undated

Series 3, Personal and Background Information, 1945-1996 and undated

Series 4, Performance Materials, 1977-1996 and undated
Biographical / Historical:
Cuban-born percussionist, composer, arranger, and bandleader.
Related Materials:
The materials in this collection complement the Latino Music Collection, Tito Puente Papers, Chico O'Farrill Papers, Dizzy Gillespie Collection and Paquito d'Rivera Music Manuscripts and Photograph.
Provenance:
Donated to the Archives Center by Mongo Santamaria's daughter, Nancy Anderson.
Restrictions:
Collection is open for research.
Rights:
Fees for commercial reproduction. Reproduction restricted due to copyright or trademark.
Topic:
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Jazz  Search this
Drummers (Musicians)  Search this
Musicians -- United States  Search this
Genre/Form:
Articles
Passports
Photographs -- 1950-2000
Manuscripts -- Music -- 20th century
Concert programs
Citation:
Mongo Santamaria Papers, 1965-2001, Archives Center, National Museum of American History. Gift of Nancy Anderson.
Identifier:
NMAH.AC.0893
See more items in:
Mongo Santamaria Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0893
Additional Online Media:

Tom Whaley Collection

Composer:
Whaley, Thomas L.  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
1.5 Cubic feet (4 boxes)
Type:
Archival materials
Collection descriptions
Articles
Music
Programs
Photographs
Correspondence
Business records
Date:
1941-1979
Scope and Contents:
Papers documenting Whaley's association with Duke Ellington and his career as a copyist, pianist, composer and arranger. The collection includes letters, photographs, music manuscripts, business records, writings, and printed materials including magazine and newspapers articles, concert programs, and catalogs.
Arrangement:
The collection is divided into eight series.

Series 1: Music Materials, 1942-1968

Series 2: Performances and Programs, 1948-1972

Series 3: Business records, 1951-1968

Series 4: Scripts, ca. 1944-1970

Series 5: Correspondence, ca. 1956-1967

Series 6: Photographs, undated

Series 7: Publications, ca. 1944-1972

Series 8: Miscellaneous Material, 1960-1969.
Biographical / Historical:
Composer, pianist and arranger, best remembered as Duke Ellington's chief copyist from 1941-1971.
Provenance:
The collection was donated by Mercer Ellington on XXXX.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz -- 20th century -- United States  Search this
Musicians -- 20th century  Search this
Composers -- 20th century  Search this
Pianists  Search this
Genre/Form:
Articles -- 1940-1980
Music -- Manuscripts
Programs -- Concerts
Photographs -- 20th century
Correspondence -- 1950-2000
Business records -- 1950-2000
Citation:
Tom Whaley Collection, ca. 1941-1979, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0652
See more items in:
Tom Whaley Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0652
Additional Online Media:

James Lithgow Ewin Patents

Creator:
Ewin, James Lithgow (inventor)  Search this
Extent:
1 Cubic foot (1 box)
Type:
Archival materials
Collection descriptions
Articles
Correspondence
Newsletters
Notes
Patents
Press releases
Date:
1873, 1874, 1879.
Scope and Contents note:
This collection includes an English patent paper #2126 for improved vulcanizable water-proof gum, 1873, to Benjamin Joseph Barnard Mills; a U.S. patent paper #151,109 for improvement in the art of manufacturing horseshoes, 1874; and an English patent paper #1194 for improvement in street-lighting apparatus.
Provenance:
Collection donated by James Lithgow Ewin, March 13, 1894.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Vulcanization  Search this
Street-lighting apparatus  Search this
Rhythm and blues music  Search this
African American music -- 20th century  Search this
African American musicians  Search this
Blues musicians  Search this
Horseshoeing  Search this
Inventions -- 1870-1880  Search this
Inventors -- 1870-1880  Search this
Popular music -- Publishing and writing  Search this
Genre/Form:
Articles -- 1950-2000
Correspondence -- 1970-2000
Newsletters -- 20th century
Notes
Patents -- 1870-1880
Press releases
Citation:
James Lithgow Ewin Patents, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0051
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0051

Joel Dorn Papers

Creator:
Dorn, Joel, 1942-2007  Search this
Names:
Atlantic Records.  Search this
Extent:
8 Cubic feet (17 boxes)
Type:
Archival materials
Collection descriptions
Clippings
Account books
Photographs
Correspondence
Date:
1966-1987
Summary:
Recording session logs, correspondence, newsclippings, photographs, and accounting sheets and ledger documenting Dorn's career as a producer for Atlantic Records.
Scope and Contents:
The Dorn Papers consist of correspondence, publicity files, and session reports. The correspondence includes letters, memoranda, contracts, lyrics, and demo records/tapes documenting the personal and business interactions between Dorn and the artists. The publicity files include press packets, black and white photos, and newspaper and magazine articles. The session reports include receipts for studio and equipment rental. Also included in the collection are the financial records, accounting ledgers, royalty statements, and bills from Dorn's two production companies, The Masked Announcer and Please and Thank You Music. The papers are arranged alphabetically by either the performers last name or the name of the music group. Oversized materials have been placed at the end of the collection but are listed alphabetically.

The papers document Joel Dorn's career as a producer between 1966 and 1982. During this period his work with several important artists stands out: Roberta Flack, Eddie Harris, Rahsaan Roland Kirk, Yusef Lateef, Les McCann, Bette Midler, Charlie Mingus, David "Fathead" Newman, Leon Redbone, and Max Roach.

Of special interest are Dorn's production files for the soundtrack to the film "Boardwalk" and for the play "The Me Nobody Knows". The Best of Series Notes contains song lists and memos regarding several "Best of..." albums, including Rahsaan Roland Kirk, David Newman, and Yusef Lateef. In addition there is the Commodore Series containing information on various compilations of classic artists on the Commodore label, and a catalog of Rahsaan Roland Kirk recordings that survived the Longbranch fire of 1979.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Joel Dorn began his career in 1961 as a disc jockey for WHAT FM, a Philadelphia jazz station. His tenure at WHAT FM lasted until 1967 when he joined Atlantic Records as an assistant for Nesuhi Ertegun, one of the founders of Atlantic. Dorn remained at Atlantic until 1974, eventually rising to the position of Vice President His accomplishments at Atlantic included the discovery and signing of Roberta Flack and Bette Midler, and the production of their early recordings. Dorn produced many other records for Atlantic, including recordings from notable artists such as Les McCann, Eddie Harris, Rahsaan Roland Kirk, Max Roach, Herbie Mann, Yusef Lateef, and David (Fathead) Newman.

Joel Dorn won four Grammy's while at Atlantic: two Records Of The Year for "First Time Ever I Saw Your Face" and "Killing Me Softly" by Roberta Flack, Jazz Record Of The Year for AKeith Jarrett and Gary Burton", and Best Original Cast Album for "The Me Nobody Knows." Dorn left Atlantic Records in 1974 and continued to produce recordings through his two production companies, The Masked Announcer and Please And Thank You Music. Over the next eight years Dorn produced recordings for Leon Redbone, Peter Allen, and the group Asleep At The Wheel. During this period Dorn was awarded Best Country and Western Instrumental for, "One O'clock Jump" by Asleep At The Wheel and two Gold albums for his Leon Redbone recordings.

In 1982 Dorn took a two-year sabbatical from the recording industry. After this sabbatical he briefly promoted music for the World Wrestling Federation. In 1986 Dorn began work on a compilation of unreleased live recordings from various American musicians. In 1989 he established Night Records, a label dedicated to live jazz, and released albums by Rahsaan Roland Kirk, Les McCann, and Eddie Harris. Dorn is currently a full time consultant for Rhino Records, and has been working on re-releasing the classic Atlantic Records jazz catalog. Dorn's other recent projects include: a seven CD history of John Coltrane's Atlantic years and a series devoted to Coltrane's live European performances, a series of five CD's and five videos from the Montreux Jazz Festival archives, a three CD history of classic performances at the Newport Jazz Festival, a four CD history of Ella Fitzgerald's Decca years, a new album by Charles Lloyd ,an album by Cuban guitarist Rene Toledo, and releases of rare performances by Horace Silver with Joe Henderson, and Mose Allison.
Provenance:
Mr. Joel Dorn, Gift, 9/8/1995.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- Publishing  Search this
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Jazz musicians  Search this
African American musicians  Search this
Musicians  Search this
Musicians -- Salaries, etc  Search this
Genre/Form:
Clippings
Account books -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Correspondence -- 1930-1950
Citation:
Joel Dorn Papers, 1967-1982, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0536
See more items in:
Joel Dorn Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0536
Additional Online Media:

Earl Newman Collection of Monterey Jazz Festival Posters

Donor:
Newman, Earl  Search this
Names:
Monterey Jazz Festival  Search this
Extent:
0.6 Cubic feet (12 folders)
Type:
Archival materials
Collection descriptions
Posters
Screen prints
Date:
1963-2009
Summary:
Collection contains sixty-two posters commemorating the Monterey Jazz Festival, created, designed, and signed by Earl Newman.
Scope and Contents:
The collection consists of a set of sixty-two posters designed and created by Earl Newman to publicize the Monterey Jazz Festival. The prints are numbered and signed by Mr. Newman and feature Ray Charles, BB King, Etta James, Dizzy Gillespie, Duke Ellington, Louis Armstrong and others. They are arranged in chronological order by date. Folders one through eleven contain the prints. Advertising and the cloth-covered portfolio to hold the poster collection are in folder twelve.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
add
Provenance:
The collection was donated to the Archives Center by Earl Newman, 1992 and 2010.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Art and music  Search this
Jazz  Search this
Music -- 20th century  Search this
Genre/Form:
Posters -- 1950-2000
Screen prints
Citation:
Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1207
See more items in:
Earl Newman Collection of Monterey Jazz Festival Posters
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1207

Naomi Huber Brown Papers (Documenting Duke Ellington's Concert Tour of Asia)

Creator:
Brown, Naomi Huber  Search this
Names:
Armstrong, Louis, 1900-1971  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Notes
Business records
Photographs
Place:
Asia -- Concerts -- 1960-1970
Date:
1960-1963.
Summary:
Records document the preparation and management of Duke Ellington's 1963 tour of Asia.
Scope and Contents:
The Naomi Huber Brown Papers contain black and white photographs, correspondence, business contracts, travel itineraries, list of band members, newspaper reviews, a concert program and Brown's personal diary documenting Duke Ellington's 1963 State Department tour of the Middle East and Asia. The material is arranged alphabetically. Of particular interest is a program from a November 1 and 3 Karachi, Pakistan concert, and photographs autographed by Ellington, Louis Armstrong, and Isaac Stern.
Arrangement:
Collection is arranged into one series.
Biographical/Historical note:
Naomi Huber Brown was the United States Foreign Service officer that was responsible for the administration of Duke Ellington's State Department tour of the Middle East and Asia in 1963. Her duties included scheduling travel and making arrangements for the members of the Ellington Orchestra, and the distribution of appropriate currencies to the band members as they toured each country.
Provenance:
Collection donated by Naomi Huber Brown, July 15, 1991.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1960-1970 -- United States  Search this
Jazz -- 1960-1970 -- United States  Search this
Music -- 20th century -- United States  Search this
Genre/Form:
Notes -- 1960-1970
Business records -- 1950-2000
Photographs -- 1960-1970
Citation:
Naomi H. Brown Papers Documenting Duke Ellington's Concert Tour of Asia, 1963, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0429
See more items in:
Naomi Huber Brown Papers (Documenting Duke Ellington's Concert Tour of Asia)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0429

William Claxton Photographs

Creator:
Claxton, William  Search this
Names:
George Williams Brass Band.  Search this
Stan Kenton Band.  Search this
Armstrong, Louis, 1900-1971  Search this
Baker, Chet  Search this
Baker, Halima  Search this
Charles, Ray, 1930-  Search this
Charles, Roosevelt  Search this
Coleman, Ornette  Search this
Coltrane, John, 1926-1967  Search this
Davis, Miles  Search this
Ellington, Duke, 1899-1974  Search this
Evans, Bill, 1929-1980  Search this
Gillespie, Dizzy, 1917-1993  Search this
Jones, Elvin  Search this
Kenton, Stan  Search this
Monk, Thelonious  Search this
Mulligan, Gerry  Search this
Parker, Charlie, 1920-1955  Search this
Rollins, Sonny  Search this
Sinatra, Frank, 1915-1998  Search this
Washington, Dinah, 1924-1963  Search this
Webster, Ben  Search this
Williams, Cootie  Search this
Williams, Joe, 1918-  Search this
Extent:
1 Cubic foot (28 items)
Type:
Archival materials
Collection descriptions
Photographs
Date:
1955-1960.
Summary:
Photographs consist of 16 x 20 inch silver gelatin; selenium-toned archival photographic prints of jazz musicians performing and recording music throughout the United States.
Scope and Contents:
The collection consists of 16 x 20-inch silver gelatin; selenium- toned archival photographic prints. It is divided into two series.

Series 1, Duke Ellington, 1955-1960, consists of Duke Ellington performing and recording music in Hollywood and Monterey, California and Las Vegas, Nevada, between 1955 and 1960. The photographs are arranged chronologically by date.

Series 2, Other Jazz Musicians and Singers, 1955-1970, consists of photographs of musicians and singers such as Charlie Parker, Sonny Rollins, John Coltrane, Chet Baker, Stan Kenton, Miles Davis, Dinah Washington, Cootie Williams, Thelonious Monk, Dizzy Gilliespie and Ray Charles. The performers are all photographed with their instruments. Photographs are arranged in chronological order.
Arrangement:
The collection is divided into two series.

Series 1: Duke Ellington, 1955-1960

Series 2: Other Jazz Musicians and Singers, 1955-1970
Biographical / Historical:
add
Materials in the Archives Center, National Museum of American History:
Duke Ellington Collection, 1928-1988 (AC0301)

Herman Leonard Photoprints, 1948-1993 (AC0445)

Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints], 1923-1972 (AC389)

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews and Posters circa 1970-2003 (AC0766)

Charismic Productions Records of Dizzy Gillespie, 1940s-1993 (AC0979)
Provenance:
Collection purchased on March 31, 1999.
Restrictions:
Collection is open for research. Gloves required with unprotected photographs.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Musicians -- 1950-1960 -- United States  Search this
Music -- West coast -- 1950-1960  Search this
Jazz  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Citation:
William Claxton Photographs, 1951-1971, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0695
See more items in:
William Claxton Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0695
Additional Online Media:

John Gensel Collection of Duke Ellington Materials

Creator:
Gensel, John  Search this
Morgen, Joe  Search this
Ellington, Duke, 1899-1974  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Extent:
1.5 Cubic feet (5 boxes)
Type:
Archival materials
Collection descriptions
Clippings
Photographs
Theater programs
Correspondence
Music
Programs
Press releases
Date:
1950-1979
Summary:
Papers relating to Duke Ellington, once owned by Ellington's publicist Joe Morgen: Morgen's correspondence, much of it relating to appearances by Ellington; photographs; some financial records; some music manuscripts of Ellington's; concert and theater programs; a film of Ellington at the White House in 1969 when he was awarded the Presidential Medal of Freedom by President Nixon; and press releases and newspaper and magazine articles.
Scope and Contents note:
The collection consists of material compiled by Joe Morgen as an employee of Duke Ellington from 1957 to 1979. This includes correspondence, some of Morgen=s personal financial records, photographs, magazine articles, and newspaper clippings about Ellington. In addition there are public relations and biographical sketches about Ellington, a 35mm film of Ellington at the White House when he was awarded the Presidential Medal of Freedom by President Nixon, and an acetate reference recording of AAfro-Bossa.@ There are also materials not related to Ellington that include miscellaneous sheet music from the AJudy Garland Show,@ documents for the 1960s program AYouth Wants to Know,@ some 45 rpm commercial and test sound recordings of Mary Lou Williams performing some of her music, broadsides of various jazz musicians printed on black cloth, and other unidentified documents.
Arrangement:
The collection is organized into eleven series:

Series 1: Joe Morgen Correspondence and Personal Papers

Series 2: Photographs, Slides, and Negatives

Series 3: Judy Garland Show Sheet Music

Series 4: Ellington Materials

Series 5: Sound Recordings

Series 6: Biographical and Press Related Materials

Series 7: Programs, Invitations, and Flyers

Series 8: Publications

Series 9: Magazine and Newspaper Clippings

Series 10: Film Reel, Duke Ellington at the White House

Series 11: Miscellaneous
Biographical/Historical note:
Rev. John Garcia Gensel, a Lutheran minister at St. Peter's church in New York City, 1956-1993, was a close confidant and spiritual presence within the New York jazz community. Conducting evening jazz vespers from 1965 until 1993, Gensel was able to develop close ties with New York's jazz musicians and their families. He believed that jazz was the best music for worship because it spoke to the existential nature of the person playing it. Along with conducting his jazz vespers, Gensel also officiated at weddings, baptisms, and funerals for much of the jazz community, including those of Duke Ellington, Thelonious Monk, John Coltrane, Miles Davis, and Dizzy Gillespie. Duke Ellington, a close friend and confidant, dedicated part of his Second Sacred Concert, The Shepard (Who Watches Over the Night Flock) to Gensel.

Joe Morgen, described as a fast talking Broadway-beat publicist, was hired by Ellington in 1957 to manage his public relations. Although he was disliked by Billy Strayhorn and perceived by others as graceless and aggressive, Ellington nonetheless overlooked Morgen's weaknesses. In his memoir Music Is My Mistress Ellington wrote, "I think he does a great job. He is an extraordinary individual, and I always say he is a man who doesn't have the tiniest facet of the devious in his makeup". Regardless of his reputation, Morgen proved highly adept at regaining media attention for Duke Ellington's music through features published in publications such as Look, the New York Times, and Newsweek. Phoebe Jacobs, head of promotion for the Basin Street Nightclub, said, "Joe Morgen made all of that happen. He sold everybody on Ellington." Morgen remained loyal to Ellington long after his death by working with his foundation to produce a benefit show and tribute to Duke to help raise money for the Ellington Cancer Foundation.

Sources

Fuller Up: The Dead Musicians Directory. Rev. John Gensel, 80, Pastor of Jazz Community' www.geocities.com/SoHo/Lofts/7219/revjohngensel.html.

Ellington, Edward Kennedy Duke. Music is My Mistress. New York: Double Day, 1978. 435. Hajdu, David. Lush Life, A Biography of Billy Strayhorn. New York: Farrar, Strauss,& Giroux, 1996. 166-169.
Provenance:
The collection was donated to the Smithsonian Institution in 1993 by John Gensel. The collection was turned over to the Archives Center in October 2000, with the Deed of Gift being signed in January 2001 by Gensel's widow. It is unknown clear how the materials came into the possession of Father Gensel from Joe Morgen.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Clippings
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Theater programs -- 1950-1990
Correspondence -- 1950-2000
Music -- Manuscripts
Programs -- Concerts
Programs
Press releases
Citation:
John Gensel Collection of Duke Ellington Materials, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0763
See more items in:
John Gensel Collection of Duke Ellington Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0763

Jonas Bernholm Rhythm and Blues Collection

Creator:
Bernholm, Jonas, 1946-  Search this
Extent:
8 Cubic feet
Type:
Archival materials
Collection descriptions
Articles
Notes
Correspondence
Newsletters
Press releases
Date:
1976-1991.
Summary:
Collection documents Jonas Bernholm's interest and work promoting African American Music, specifically rhythm and blues.
Scope and Contents note:
Series 1, Correspondence, 1972-1994, undated

This series is divided into four subseries: Subseries 1.1 (Artists), Subseries 1.2 (Collaborators), Subseries 1.3 (Douglas Seroff), and Subseries 1.4 (Record Companies). Subseries 1.1 (1972-1993) consists mostly of correspondence exchanged between Bernholm and recording artists, as well as letters about the artists from their agents, family members, etc. Other types of materials included in this subseries are: copies of newspaper clippings, death certificates, contracts, and receipts. This subseries is, mostly, in alphabetical order by the artist's last name. Subseries 1.2 (1978-1985) is largely a collection of letters between Bernholm and those helping him create his albums. Topics include: photos, financial transactions and technical information about creating an album. Bills and receipts are also found in the subseries. Two folders deal specifically with correspondence Bernholm exchanged between Felix Prochaska and Lou Doggett. Subseries 1.3 (1979-1986) documents the correspondence between Bernholm and independent music scholar, music producer and businessman Douglas Seroff. It includes an exchange of letters regarding the start of a new record label for gospel music and the creation and reissue of gospel LPs. It also includes auction results, bills, postage labels, and information on a 1985 Grammy nomination. Subseries 1.4 (1977-1990) consists of correspondence between Bernholm and such recording companies as Clanka Lanka, Rounder Records, Big J Records, Blues King Records, Bogus Records, J.D. Productions, Fleetville Records, La Val Records and Relic Records. Also included are contracts/agreements, statements, artist promotion, as well as information on taping sessions and royalties.

Series 2, Promotional/Publicity Materials, 1971-1991, undated

This series is divided into two subseries: Subseries A (Promotion and Collaborator Correspondence) and Subseries 2.2 (Fan Club Materials). Subseries 2.1 (1976-1991) consists mostly of correspondence about artist or album promotion; including published articles, photographs, and information about concerts, tours, and radio stations throughout the US and Europe. Subseries B contains artist biographies, newsletters, promotional material, and information regarding contemporary artist-related events from record companies, talent agencies and official fan clubs.

Series 3, Research Materials, undated

This series is divided into four subseries: Subseries 3.1 (Artists), Subseries 3.2 (Record Company), Subseries 3.3 (Ray Funk), and Subseries 3.4 (Record Labels). Subseries A is composed of album liner notes for individual artists, as well as photocopies of magazine/newspaper articles that detail biography and album information for several artists. Other information includes correspondence about artists, and album song listings. Subseries 3.2 is an alphabetical listing, by record company name, of their discographies. Subseries C includes music related articles and correspondence from and by Alaskan writer, music aficionado and radio host Ray Funk. Copies of artist photos from Norbert Hess are also available. Subseries 3.4 contains listings of songs from specific artists and the labels they can be found on.

Series 4, Production Materials, undated

This series is composed of production notes used in the assembly of albums. This includes artist biographies and discographies, as well as song listings for specific albums. This subseries is organized alphabetically by artist.
Arrangement:
Series 1, Correspondence, 1972-1994, undated

Series 2, Promotional/Publicity Materials, 1965-1991, undated

Series 3, Research Materials, undated

Series 4, Production Materials, undated
Biographical/Historical note:
Jonas Bernholm (1946-) is a music executive, and African-American music aficionado from Sweden. He is best known for reissuing works of jazz, blues, and R&B artists on his own labels; the most well-recognized being Route 66, and Mr. R&B. His passion was ignited by the energy and charisma seen in the likes of Elvis Presley and Little Richard. He began collecting music from abroad and eventually visited the United States during the summer of 1968. During his trip Bernholm realized that many recording artists from the 40s and 50s were out of work and their music was no longer in circulation. Upon his return to Sweden he resolved to reissue the work of many artists on his own labels. His labels included: Route 66, MR R&B, Jukebox Lil, Whiskey Women, Earth Angel , Dr. Horse, Crown Prince, Gospel Jubilee, and Blues Boy.
Related Materials:
The Division of Music, Sports and Entertainment holds artifacts related to this collection including: posters and sound recordings. See Accession #1996.0153.
Provenance:
Jonas Bernholm.,Blekingegatan 25 N.B., Stockholm, Sweden 11856.,Purchase.,ACNMAH 551; Acc. No. 1996.0153.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Blues musicians  Search this
African American music -- 20th century  Search this
African American musicians  Search this
Popular music -- Publishing and writing  Search this
Rhythm and blues music  Search this
Genre/Form:
Articles -- 1950-2000
Notes
Correspondence -- 1970-2000
Newsletters -- 20th century
Press releases
Citation:
Jonas Bernholm Rhythm and Blues Collection, 1976-1991, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0551
See more items in:
Jonas Bernholm Rhythm and Blues Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0551

C.L. Stong Papers

Author:
Stong, C.L., 1902-1975 (electrical engineer)  Search this
Collector:
Electricity and Modern Physics, Division of, NMAH, SI.  Search this
Electricity and Modern Physics, Division of, NMAH, SI.  Search this
Extent:
12.6 Cubic feet (38 boxes)
Type:
Archival materials
Collection descriptions
Date:
1952-1976
Scope and Contents:
These papers are the files of the editor of "The Amateur Scientist" section of the Scientific American from 1952 to 1976. They are arranged chronologically by date of article. The feature was started in 1952 as an expansion of "The Amateur Astronomer" section of the periodical. The papers include files of Stong's predecessor and files for articles prepared but not published before his death. The files contain correspondence with authors and readers, original illustrations, and reprints of articles.
Arrangement:
Divided into 69 series, including: (1) Aerodynamics; (2) Analogue; (3) Antibubbles; (4) Antitwister; (5) Archeology; (6) Astronomical Instruments other than telescopes & photographs; (7) Birds; (8) Cavendish; (9) Clocks; (10) Collagen; (11) Color; (12) Cooling; (13) Coriolis; (14) Crystals; (15) Differentials; (16) Electrical Discharge; (17) Electrochemistry; (18) Electronics; (19) Electrostatics; (20) Experiments; (21) Fish; (22) Gibberellins; (23) Glass; (24) Gravitation; (25) Hall effect; (26) Hekeshaw; (27) Hilsch; (28) Holograms; (29) Hydrophone; (39) Interferometer; (31) Isotension; (32) Laser; (33) Liesegang; (34) Liquids; (35) Magnetics; (36) Mathematical Machines; (37) Mead; (38) Meteorology; (39) Micron; (40) Microscopy; etc.
Biographical / Historical:
C. L. Stong (1902 1975), an electrical engineer with the Western Electric Company from 1926 to 1962, became editor of "The Amateur Scientist" feature of the Scientific American in 1957 and held that position until his death.
Provenance:
Collection donated by Mildred Stong, 1976.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ornithologists -- 1950-1980  Search this
Paleontologists -- 1950-1980  Search this
Mathematicians -- 1950-1980  Search this
Meteorologists -- 1950-1980  Search this
Mineralogists -- 1950-1980  Search this
Musicians -- 1950-2000  Search this
Astronomers -- 1950-1980  Search this
Biologists -- 1950-1980  Search this
Botanists -- 1950-1980  Search this
Ichthyologists -- 1950-1980  Search this
Photographers -- 1950-1980  Search this
Publishing, scientific  Search this
Electrical engineers -- 1950-1980  Search this
Aerodynamics -- 1950-1980  Search this
Science -- 1950-1980  Search this
Zoologists -- 1950-1980  Search this
Archeologists -- 1950-1980  Search this
Physicists -- 1950-1980  Search this
Citation:
C. L. Stong Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0012
See more items in:
C.L. Stong Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0012
Additional Online Media:

Ramsey Lewis Collection

Creator:
Lewis, Ramsey  Search this
Ramsey Lewis Trio  Search this
Names:
Bennett, Tony, 1926-  Search this
Cole, Nat King, 1917-1965  Search this
Lewis, Jerry, 1926-  Search this
Poitier, Sidney  Search this
Robinson, Jackie  Search this
Taylor, Billy  Search this
Wilson, Nancy, 1937-  Search this
Wonder, Stevie  Search this
Extent:
3.45 Cubic feet (9 boxes i)
Type:
Archival materials
Collection descriptions
Photographs
Menus
Programs
Clippings
Correspondence
Compact discs
Diplomas
Awards
Medals
Date:
1950 - 2007
Summary:
The collection includes press clippings, awards, honorary degrees, and personal and professional photographs of Ramsey Lewis Jr., renowned jazz pianist. The majority of the collection is press clippings relating to Lewis's social appearances, performances, and CD releases from the early 1990s-2007.
Scope and Contents:
The collection documents the life and career of Ramsey Lewis Jr., famous jazz pianist, and later, host of a popular syndicated radio talk show. Though the majority of the collection consists of press clippings relating to Lewis's social appearances, performances, and CD releases from the early 1990s to the present, it also includes photographs from his early life and career, as well as selected correspondence tied heavily to events mentioned in the press clippings and a very small amount of personal materials. The collection contains programs and menus from social and fundraising galas, newspaper clippings, magazine articles, photographs, slides, awards, honorary degrees and diplomas, and a medal. Those interested in Ramsey Lewis, as well as the social scene of Chicago in the 1990s, will find this collection useful.

Series 1, Press Clippings and Career Ephemera, 1950-2007; undated, includes event programs, fliers, mailings, newspaper and magazine articles, and other publicity materials relating to events or jobs (such as his radio show or the PBS television series Legends of Jazz). There is a small amount of sheet music for the theme song to the Legends of Jazz, PBS miniseries. A very small amount of correspondence closely tied to a specific event or media article is also included among these materials. Personal materials include a birthday card from Lewis's sister and a church program about his father, Ramsey Lewis Sr. The materials are arranged in chronological order. Materials from the 1980s are an addendum to the collection and are located in box eight.

Series 2, Awards, Honors, and Honorary Degrees, 1993-2000, presented to Ramsey Lewis from the early 1990s to the present are found among these materials. The materials are arranged first by type and then in alphabetical order.

Series 3, Photographic Materials, 1945-2007; undated, includes photographs, slides, and reproductions of photographic prints of Lewis's life and career, mostly from the early 1990s to the present, with some from his childhood and earlier life. There are a number of images of Lewis with actors and musicians including Sidney Poitier, Jerry Lewis, Stevie Wonder, Nat King Cole, Nancy Wilson and Billy Taylor. Photographs of Lewis's performances, social events, award and fundraising galas are also included among the materials. The materials are arranged in chronological order to the extent possible; many are undated.

Subseries 4, Scrapbooks, 1972-1982; undated, consists of two albums including news clippings, advertisements, announcements, programs, articles and reviews, and other ephemera related to Lewis's performances and career. The scrapbooks are arranged in chronological order.
Arrangement:
The collection is divided into three series.

Series 1, Press Clippings and Career Ephemera, 1950-2007; undated

Series 2, Awards and Honorary Degrees, 1993-2007

Subseries 1, Awards, 1996-2007

Subseries 2, Honorary Degrees, 1993-2000

Series 3, Photographic Materials, 1945-2007; undated

Subseries 1, Personal Photographs, 1945-1971; undated

Subseries 2, Professional Photographs, 1959, 1966-1967, 1975, 2005-2007; undated

Subseries 4, Scrapbooks, 1972-1982; undated
Biographical / Historical:
Ramsey Emmanuel Lewis Jr., an American jazz composer and pianist, was born in Chicago, Illinois to Ramsey Lewis Sr. and Pauline Lewis on May 27, 1935. His musical training began at the age of four with piano lessons. Lewis has achieved much success as a musician, as well as, a radio and television talk show host. In addition, he has organized and served for a number of educational programs in an effort to promote jazz. He has received recognition and numerous awards for his work.
Ramsey Emmanuel Lewis Jr., an American jazz composer and pianist, was born in Chicago, Illinois to Ramsey Lewis Sr. and Pauline Lewis on May 27, 1935. His musical training began at the age of four with piano lessons. Lewis has achieved much success as a musician, as well as, a radio and television talk show host. In addition, he has served for and organized a number of educational programs promoting jazz.
Related Materials:
Materials in the Archives Center

John Levy Papers, circa 1940s-2001

W. Royal Stokes Collection, of Music Publicity Photoprints, Interviews and Posters, 1970-2000
Provenance:
This collection was donated by Ramsey Lewis Jr. in March 2008.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz -- 20th century -- United States  Search this
African American entertainers -- 20th century  Search this
Musicians -- 20th century  Search this
Music -- 20th century -- United States  Search this
Pianists  Search this
Popular music -- 20th century -- United States  Search this
African American musicians  Search this
Genre/Form:
Photographs -- 2000-2010
Menus
Programs
Photographs -- 1950-2000
Clippings -- 20th century
Correspondence -- 20th century
Compact discs
Diplomas
Awards
Medals
Citation:
Ramsey Lewis Collection, 1950-2007, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1126
See more items in:
Ramsey Lewis Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1126
Additional Online Media:

Louis Armstrong [black-and-white photoprint]

Names:
Jazz Photographs: Composed and Improvised (Archives Center display cases, National Museum of American History, March 28-May 10, 2005).  Search this
Armstrong, Louis, 1900-1971  Search this
Collection Creator:
Armstrong, Lucille  Search this
Bechet, Sidney, 1897-1959  Search this
Armstrong, Louis, 1900-1971  Search this
Condon, Eddie, 1905-1973  Search this
Calloway, Cab, 1907-  Search this
Commodore Records.  Search this
Feather, Leonard  Search this
Gabler, Milt  Search this
Davis, Sammy, 1925-  Search this
Decca (recording company).  Search this
Granz, Norman  Search this
Hawkins, Coleman  Search this
Kaempfert, Bert, 1923-1980  Search this
Ives, Burl, 1909-  Search this
Holiday, Billie, 1915-1959  Search this
Norvo, Red, 1908-1999  Search this
Mills Brothers.  Search this
Krupa, Gene, 1909-1973  Search this
Kelly, Peck, 1898-  Search this
Williams, Cootie  Search this
United Hot Clubs of America.  Search this
Stewart, Rex (William), Jr., 1907-1967 (cornetist)  Search this
Jordan, Louis, 1908-1975  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Extent:
1 Photograph (Silver gelatin on paper, 8-1/16" x 10")
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Publicity photographs
Date:
1947
Scope and Contents:
Publicity photograph for United Artists Corp. Front contains handwritten note and autograph; note: "From Louis Armstong, to [Milt Gabler?], Commodore Music Shop." Photographer unidentified.
Local Numbers:
AC0849.0000004.tif (AC Scan, Front)
Exhibitions Note:
Shown in exhibition "Jazz Photographs: Composed and Improvised," Archives Center display cases, National Museum of American History, March 28-May 10, 2005.
Collection Restrictions:
The collection is open for research use. Some materials restricted; but most are available for unrestricted research access on site by appointment.

Several items of personal correspondence contained private medical information about living individuals. The originals were removed and will remain sealed until 2030. Copies with the sensitive information redacted are available for research use in the collection.

Access to audio recordings for which no reference copy exists requires special arrangements with the audiovisual archivist. Please ask the reference archivist for additional information.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians  Search this
Genre/Form:
Publicity photographs
Photographs -- 1950-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Milt Gabler Papers, 1927-2001, Archives Center, National Museum of American History.
See more items in:
Milt Gabler Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0849-ref2239

Chick Webb, Artie Shaw, and Duke Ellington [photoprint]

Names:
Jazz Photographs: Composed and Improvised (Archives Center display cases, National Museum of American History, March 28-May 10, 2005).  Search this
Ellington, Duke, 1899-1974  Search this
Shaw, Artie, 1910-2004  Search this
Webb, Chick, 1909-1939  Search this
Collection Creator:
Armstrong, Lucille  Search this
Bechet, Sidney, 1897-1959  Search this
Armstrong, Louis, 1900-1971  Search this
Condon, Eddie, 1905-1973  Search this
Calloway, Cab, 1907-  Search this
Commodore Records.  Search this
Feather, Leonard  Search this
Gabler, Milt  Search this
Davis, Sammy, 1925-  Search this
Decca (recording company).  Search this
Granz, Norman  Search this
Hawkins, Coleman  Search this
Kaempfert, Bert, 1923-1980  Search this
Ives, Burl, 1909-  Search this
Holiday, Billie, 1915-1959  Search this
Norvo, Red, 1908-1999  Search this
Mills Brothers.  Search this
Krupa, Gene, 1909-1973  Search this
Kelly, Peck, 1898-  Search this
Williams, Cootie  Search this
United Hot Clubs of America.  Search this
Stewart, Rex (William), Jr., 1907-1967 (cornetist)  Search this
Jordan, Louis, 1908-1975  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Extent:
1 Photograph (Silver gelatin on paper, 4-13/16" x 3-1/4")
Type:
Archival materials
Photographs
Date:
1937
Scope and Contents:
Photograph taken at Brunswick Studio in connection with jam session for Milt Gabler's Commodore Records. Photographer unidentified.
Local Numbers:
AC0849.0000002.tif (AC Scan, Front)
Exhibitions Note:
Shown in exhibition "Jazz Photographs: Composed and Improvised," Archives Center display cases, National Museum of American History, March 28-May 10, 2005.
Collection Restrictions:
The collection is open for research use. Some materials restricted; but most are available for unrestricted research access on site by appointment.

Several items of personal correspondence contained private medical information about living individuals. The originals were removed and will remain sealed until 2030. Copies with the sensitive information redacted are available for research use in the collection.

Access to audio recordings for which no reference copy exists requires special arrangements with the audiovisual archivist. Please ask the reference archivist for additional information.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians  Search this
African American composers  Search this
Genre/Form:
Photographs -- 1950-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Milt Gabler Papers, 1927-2001, Archives Center, National Museum of American History.
See more items in:
Milt Gabler Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0849-ref2241

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