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Book/Booklet

Culture/People:
Non-Indian  Search this
Artist/Maker:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Publisher:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Object Name:
Book/Booklet
Media/Materials:
Paper, plastic, ink
Techniques:
Commercially produced/manufactured
Dimensions:
10.1 x 6.8 x 0.6 cm
Object Type:
Painting/Drawing/Print
Place:
New York City; New York; USA (inferred)
Date created:
1965
Catalog Number:
26/9314
Barcode:
269314.000
See related items:
Non-Indian
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws69d7d97b6-84fc-4f08-883e-ecc2ee0e38c7
EDAN-URL:
edanmdm:NMAI_410451
Online Media:

Trowel

Culture/People:
Non-Indian  Search this
Previous owner:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Object Name:
Trowel
Media/Materials:
Wood, brass, metal, velvet, plaster
Techniques:
Screwed, glued, commercially produced/manufactured
Dimensions:
42.5 x 17.2 x 9.5 cm
Object Type:
Tools and Equipment (General)
Place:
West 155th Street and Broadway; New York City, Manhattan; New York County; New York; USA
Island Name:
Manhattan Island
Date created:
1916
Catalog Number:
27/231
Barcode:
270231.000
See related items:
Non-Indian
Tools and Equipment (General)
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws66f805996-74f6-47df-b62a-700711503980
EDAN-URL:
edanmdm:NMAI_415707

Artists and Writers

Collection Creator:
Blaine, Nell, 1922-1996  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1970-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nell Blaine papers, 1879, 1940-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Nell Blaine papers
Nell Blaine papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90bf9cfc8-1e3f-4042-9e03-daf4d322f74d
EDAN-URL:
ead_component:sova-aaa-blainell-ref56
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Foolish Bear

Creator:
Burdick, Eugene  Search this
Extent:
1 Photograph (8x10 in)
Culture:
Indians of North America -- Great Plains  Search this
Minitari (Hidatsa)  Search this
Type:
Archival materials
Photographs
Date:
ca. 1931
Scope and Contents:
Foolish Bear was a tribal leader and member of the 1938 Hidatsa Delegation for the repatriation of a medicine bundle from the Museum of the American Indian, Heye Foundation.
Local Numbers:
OPPS NEG.1358 G
Local Note:
Black and white copy negative
Genre/Form:
Photographs
See more items in:
Bureau of American Ethnology negatives
Bureau of American Ethnology negatives / Additional Materials / Burdick, Eugene
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3130f1563-48b1-4b74-9375-ee5728b2a4eb
EDAN-URL:
ead_component:sova-naa-photolot-176-ref6607

The American Indian in graduate studies : a bibliography of theses and dissertations / compiled by Frederick J. Dockstader

Author:
Dockstader, Frederick J  Search this
Dockstader, Alice W  Search this
Museum of the American Indian, Heye Foundation  Search this
Physical description:
2 v. ; 23 cm
Type:
Bibliography
Place:
United States
Canada
Mexico
Date:
1973
1974
1973-1974
Topic:
Dissertations, Academic  Search this
Call number:
E51 .N42Z v. 25
Z1209.D62X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_72059

William F. Stiles collection of photographs and films

Creator:
Stiles, William F., 1912-1980  Search this
Former owner:
Museum of the American Indian, Heye Foundation  Search this
Extent:
82 Photographic prints
242 Negatives (photographic)
211 Slides (photographs)
2 Film reels (8mm)
Culture:
Seminole  Search this
Eastern Band of Cherokee  Search this
Innu [Ekuanitshit (Mingan)]  Search this
Innu [Pakuashipi (Saint Augustin)]  Search this
Seneca [Tonawanda]  Search this
Innu [Uashat-Maliotenam (Seven Islands)]  Search this
Innu [Moisie]  Search this
Innu [Unaman Shipit (Romaine)]  Search this
Mushuaunnuat (Barren Ground Naskapi) [Utshimassit (Davis Inlet)]  Search this
Attikamekw (Tete De Boule Cree)  Search this
Seneca [Allegany]  Search this
Seneca [Cattaraugus]  Search this
Niantic  Search this
Narragansett  Search this
Onondaga  Search this
Miccosukee Seminole (Mikasuki)  Search this
Attikamekw (Tete De Boule Cree) [Weymontachie Band, Saint Maurice River, Quebec] Cree  Search this
Mohawk [Kahnawake (Caughnawaga)]  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Slides (photographs)
Film reels
Negatives
Color slides
Photographs
Date:
1938-1974
Summary:
This collection consists of photographic views made by William Stiles in New York, Rhode Island, Florida, Mississippi, South Carolina, Newfoundland and Quebec, among the Attikamekw (Tete De Boule Cree), Eastern Band of Cherokee, Innu, Miccosukee Seminole (Mikasuki), Mohawk [Kahnawake (Caughnawaga)], Mushuaunnuat (Barren Ground Naskapi) [Utshimassit (Davis Inlet)], Narragansett, Niantic, Onondaga, Seminole, and Seneca communities. These were made while Stiles was a staff member of the Museum of the American Indian, Heye Foundation from 1938-1974.
Scope and Contents:
The Stiles collection consists of photographs and films made by William Stiles on behalf of the Museum of the American Indian, Heye Foundation from 1938 to 1974. More than half of these document the life of Innu peoples of Quebec, Canada, in the years 1952, 1958, 1959, and 1964. They depict Innu men, women, and children, and food preparation, dwellings, fishing, canoes, settlements, the preparation of animal skins, and ceremonials. Stiles photographed among the Seminole and Miccosukee peoples of Florida in 1939, 1940, 1941, 1966, and 1974. He also variously photographed the Narragansett and Niantic peoples of Rhode Island, the Onondaga on the Onondaga Reservation, the Eastern Band of Cherokee in North Carolina, the Seneca of New York, the Attikamekw (Tete De Boule Cree) and the Mohawk of Quebec, and the Mushuaunnuat of Labrador. He also photographed various archaeological sites in New York State, Mississippi, and South Carolina. There are also two 8mm film reels titled "Nascapi Indians at Davis Inlet, Labrador, New Foundland" that were made in the summer of 1965.
Negtatives include: N21703-N21711, N21792-N21802, N22300-N22310, N22481-N22484, N22594-N22597, N22630, N22705-N22710, N22722, N23504, N23581-N23585, N23675-N23684, N26086-N23585, N23675-N23684, N26086-N26100, N26109-N26126, N26186-N26188, N29562-N29604, N32844-N32867, N33295-N33343, N41162-N41186.

Photographic prints include: P13375-P13385, P13431-P13438, P15331-P15346, P15770-P15773, P15885-P15889, P16102, P17154, P17212-P17217, P17282-P17284, P18537-P18551, P18586, P19991-P20002)

Slides include: S02005-S02178, S02389, S04518-S04519, S04559-S04575, S04675-S04678, S04694-S04702, S04753-S04760.
Arrangement note:
This collection has been intelectually arranged into four series and subseries geographically and then chronologically within each subseries.

Series 1: Expedtions in New York, 1938-1973; Series 2: Expeditions in Canada, 1940-1965; Series 3: Expeditions in the Southeastern, United States, 1939-1974; Series 4: Nebraska, Rhode Island and Other Locations, 1939-1942, undated.

Physically arranged by negative "N", print "P" or slide "S" number.
Biographical/Historical note:
Before joining the staff of the Museum of the American Indian, Heye Foundation in May 1938, William F. Stiles was George G. Heye's personal driver. An employee of the Museum for almost forty years, Stiles retired in March 1978 as the Curator of Collections. Although Stiles published very little, he was an active field collector and participated in numerous archaeological expeditions. As is evident from his photographs of the Innu and Seminole peoples, he often visited individual communities more than once and over the course of several years.

Stiles Expeditions for the Museum of the American Indian, Heye Foundation

1938 Summer -- Cayuga County Expedition.

1939 October -- Expedition to Pennsylvania and New York.

1939 November – 1940 January -- F. K. Seward and William F. Stiles Florida Expedition.

1941 -- Trip to North Carolina and Florida.

1942 -- Trip to Putnam County, New York.

1946 -- Expedition to Mississippi.

1952 June -- Expedition to Québec, Canada.

1953 June-July -- Expedition to Québec, Canada.

1957 July -- Expedition along St. Lawrence River, Canada.

1959 August -- Expedition to Québec, Canada.

1960-1967 -- William F. Stiles Southeast Expedition. Stiles began expeditions to the Southeastern U.S. in Spring and Fall of 1960. He returned to the Southeast each Oct - Nov. through 1966 conducting investigations and excavations in South Carolina, Tennessee, Alabama, Mississippi, Georgia, and North Carolina and Florida returning to some sites multiple times.

1961-1965 -- William F. Stiles Savannah Farms Expedition. Preliminary investigation began in Nov 1961 and work continued each year during the fall until 1965.

1964 May-June -- Expedition to Québec, Canada.

1965 June-July -- Stanley R. Grant Naskapi Expedition to Davis Inlet, Labrador, Canada.

1966 June-July -- Expedition to Labrador, Newfoundland, and Québec, Canada

1972 October -- Expedition to Seneca Reservations, New York.

1972 October-December -- Expedition to Tennessee.

1973 April -- Expedition to Seneca Reservations, New York.

1974 November -- Expedition to the Southeast: North Carolina and Florida.
Separated Materials:
Correspondence and field notes from William Stiles can be found in the Museum of the American Indian, Heye Foundation records in Box 200.13, Box 201.7, Box 274.3-275.9, Box 305.1-305.2, Box 307.21, Box 312.11-312.17.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Restricted: Cultural Sensitivity
Topic:
Indians of North America -- Canada  Search this
Indians of North America -- Florida  Search this
Excavations (Archaeology) -- Mississippi  Search this
Indians of North America -- New York (State)  Search this
Indians of North America -- Rhode Island  Search this
Excavations (Archaeology) -- New York (State)  Search this
Excavations (Archaeology) -- South Carolina  Search this
Genre/Form:
Negatives
Photographic prints
Color slides
Photographs
Citation:
Identification of specific item; Date (if known); William F. Stiles collection of photographs and films, NMAI.AC.001.014, item #; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.014
See more items in:
William F. Stiles collection of photographs and films
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4ebf62231-9761-49fa-b7b5-22d6ab5be5cf
EDAN-URL:
ead_collection:sova-nmai-ac-001-014
Online Media:

Luther Douglas Diné (Navajo) slides

Photographer:
Douglas, Luther A., 1919-1976  Search this
Extent:
195 Color slides
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Place:
New Mexico
Arizona
Date:
April 1964
Summary:
This collection contains 195 slides that were taken by photographer Luther A. Douglas on the Navajo (Diné) Reservation in April of 1964.
Scope and Contents:
Catalog numbers: S03663 - S03686 and S07774 - S07945

This collection contains 195 color slides which were taken in April of 1964 on the Navajo Reservation in New Mexico by photographer Luther A. Douglas. The photographs depict Diné (Navajo) everyday scenes (portraits/ landscapes) including images of trading posts, Hogans or Diné (Navajo) houses, schools, hospitals, churches, sheep corrals, performances for tourists, and ceremonies. Douglas used both a Yashica and a Rollei, which worked best for his field expeditions. He may have used these cameras during this visit to the Navajo Reservation.
Arrangement note:
This collection is arranged according to catalog number.
Biographical/Historical note:
Luther A. Douglas was born in Idaho in 1919 and died in 1976. Douglas had a rough childhood and at the age of 8 was left without parents. His father passed away before he was born, and his mother was on the run with her then boyfriend after robbing a bank. Douglas was abandoned by his mother on the Navajo reservation and he walked to the nearest trading post where he was then noticed by a Diné (Navajo) family who took him home and cared for him. He lived with this family for just under a year until a social worker visited and took him back to Idaho where he was put into foster care. Since then he had an admiration for Diné (Navajo) culture, as he experienced daily life and some ceremonies while living with the Diné (Navajo) family. This was the first time he was able to experience being part of a family and he believed that they saved his life in many ways.

In his adult life, Douglas pursued independent studies for more than four decades traveling to the Navajo reservation many times and recording knowledge of the Navajo culture, focusing on the preservation of sand paintings. He was a craftsman and an ethnographer with lifelong interests in the Diné (Navajo) culture, and even experimented and mimicked sand paintings but it was noted by his wife they were altered in various and minimal ways in order to alter the ceremonial paintings. His wife, Conda Elisabeth (Betsy) Douglas worked closely with him and often accompanied him during lectures and slide programs.

In 1954 Douglas was elected as a Fellow of the International Explorers Clubs in recognition of his studies of Diné (Navajo) culture. In 1960s Douglas worked as a Research Associate or Field Agent for the Museum of the American Indian and traveled out to the Diné (Navajo) Reservation during this time. In 1976 he received recognition as an outstanding Idaho citizen since the time of Idaho's formation as a Territory at the Idaho Bicentennial celebration.
Separated Materials:
NMAI also holds the following reports written by Luther Douglas: Storytelling Among the Navajo , 1965 and Survey Report on Navajo Ceremonial Practices , undated. These are held in the Museum of the American Indian/Heye Foundation Records, NMAI.AC.001, Box 213, folders 15 and 16.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Some materials in this collection are restricted due to cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Genre/Form:
Color slides -- 20th century
Citation:
Identification of specific item; Date (if known); Luther Douglas Diné (Navajo) slides, image #, Collection NMAI.AC.393; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.393
See more items in:
Luther Douglas Diné (Navajo) slides
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv45fc580e0-b1b0-4855-880d-b332bb96478a
EDAN-URL:
ead_collection:sova-nmai-ac-393
Online Media:

Timothy H. O'Sullivan and William Bell photographs from the U.S. Geographical Surveys West of the 100th Meridian

Photographer:
O'Sullivan, Timothy H., 1840-1882  Search this
Bell, William, 1830-1910  Search this
Creator:
Geographical Surveys West of the 100th Meridian (U.S.)  Search this
Extent:
54 Albumen prints
7 Copy negatives
Culture:
A:shiwi (Zuni)  Search this
Diné (Navajo)  Search this
Cochiti Pueblo  Search this
Hopi Pueblo  Search this
Isleta Pueblo  Search this
Jicarilla Apache  Search this
Laguna Pueblo  Search this
Mojave (Mohave)  Search this
San Felipe Pueblo  Search this
Taos Pueblo  Search this
Ute  Search this
Type:
Collection descriptions
Archival materials
Albumen prints
Copy negatives
Place:
Chelly, Canyon de (Ariz.)
Arizona
Colorado
New Mexico
Idaho
Date:
1871-1874
Summary:
This collection contains photographs documenting American Indian communities and landscape scenes in the Southwest photographed by Timothy O'Sullivan and William Bell for U.S. geographical surveys circa 1871-1874.
Scope and Contents:
P01730, P01731, P01733, P01735, P01743-P01792 (copy negatives: N34849-N34851, N34853- N34855, N35051)

This collection contains 54 photographs (plus 7 copy negatives) that were shot by photographer Timothy O'Sullivan 1871, 1873, and 1874 and William Bell in 1872 for the U.S. Geographical Surveys West of the 100th Meridian, under Lieutenant George M. Wheeler, War Department, Corps of Engineers, U.S.A. The survey was commonly referred to as the "Wheeler Surveys."

The photographs depict American Indian Pueblos in the Southwest including Apache; A:shiwi (Zuni); Diné (Navajo); Hopi; Jicarilla Apache; Laguna Pueblo; Mohave; San Felipe Pueblo; Taos Pueblo; and Ute, among other communities. In addition, the collection contains landscape and scenic shot in the same region.

The bulk of the photos in this collection are one half of a stereoscope photograph that was never pasted onto a stereoscope card. The copy negatives in this collection were created by the Museum of the American Indian in the late 1960s.
Arrangement:
This collection is arranged by year and subject matter.
Biographical / Historical:
The geographical surveys west of the 100th meridian were operated under the United States Army Corps of Engineers and supervised by First Lieutenant (later Captain) George Montague Wheeler from 1869 through 1879. They were intended to document the geography in order to make accurate maps, record locations of American Indian tribes in the region, select possible sites for military installations and rail or common roads, and note resources in the area. In total, the surveys analyzed the region now covered by Texas, New Mexico, Arizona, California, Nevada, Utah, Colorado, Wyoming, Idaho, and Oregon, and the expeditions produced 164 maps, 41 publications, and a series of stereoviews. Timothy H. O'Sullivan began photographing geographical surveys in 1867-1869 when he was the official photographer for Clarence King's United States Geological Exploration of the 40th Parallel. He served as the official photographer for the Wheeler surveys in 1871, 1873, and 1874, with William Bell taking over in 1872. O'Sullivan later became the United States Geological Survey's first photographer in Washington, D.C.

[History note from the National Anthropological Archives collection record NAA.PhotoLot.167 with edits made by NMAI]
Provenance:
It is unclear when most of these photographs were obtained by the Museum of the American Indian, Heye Foundation.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Collection of Timothy H. O'Sullivan photographs, image #, NMAI.AC.229, National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.229
See more items in:
Timothy H. O'Sullivan and William Bell photographs from the U.S. Geographical Surveys West of the 100th Meridian
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a33124fa-9948-47bc-b2a5-62f0b6f77693
EDAN-URL:
ead_collection:sova-nmai-ac-229
Online Media:

June and Farrar Burn photographs from Alaska

Creator:
Burn, Farrar, 1888-1974  Search this
Burn, June, 1893-1969  Search this
Extent:
12 Glass plate negatives
13 Copy negatives
Culture:
Yuit (Siberian Yup'ik) [St. Lawrence Island]  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy negatives
Photographs
Place:
Alaska
Date:
1920-1921
Summary:
This collection includes negatives from June and Farrar Burn's time in Gambell, St. Lawrence Island, Alaska between 1920 and 1921. The Burns were granted teaching appointments from the Bureau of Education in the Alaska School Service and assigned to Gambell where they lived for a year, working closely with the Yuit (Siberian Yup'ik) community there.
Content Description:
This collection consists of 12 glass plate negatives and 13 copy negatives that depict June and Farrar Burns' year long teaching appointments in Gambell, St. Lawrence Island with the Alasksa School Service between 1920 and 1921. This primarily includes photographs of the Yuit (Siberian Yup'ik) community with whom they were living and working. The majority of the photographs were shot outdoors of men, women and children outside of their homes, with their sled dogs, and hunting. There are also several images of June Burn teaching her young students as well as group portraits of the children in her class. The glass plate negatives appear to be copies made sometime between 1921 and 1923 of originals that were likely nitrate negatives shot by Farrar Burn.
Biographical / Historical:
June Burn was born Inez Chandler Harris on June 19, 1893, in Anniston, Alabama. June met Farrar Burn (born September 22, 1888), a World War I veteran, while living in a cabin near Washington, D.C., and the two were wed in 1919. The couple began homesteading on the San Juan Islands in the Puget Sound before being granted teaching appointments from the Bureau of Education in the Alaska School Service and assigned to Gambell, St. Lawrence Island in Alaska in June, 1920. For a year they lived and worked closely with the Yuit (Siberian Yup'ik) population there. When June became pregnant with their first son North they returned to the San Juans.

The Burns continued to travel extensively with June writing for various periodicals and eventually publishing her own autobiography "Living High: An Unconventional Autobiography" in 1941. Later in their lives Farrar traveled the country lecturing on and June taught for a short while at the University of Washington. In 1967, June and Farrar moved to a small farm near Fort Smith, Arkansas – Farrar's home town. June died there in 1969, followed by Farrar in 1975.
Related Materials:
The June and Farrar Burn Papers, 1921-1969, can be found at Western Washington University, Center for Pacific Northwest Studies.
Separated Materials:
The Museum of the American Indian, Heye Foundation purchased 71 Alaskan ethnographic items from Farrar Burn which are now in NMAI Ethnology collection with catalog numbers 11/6726 - 11/6795.
Provenance:
Purchased by the Museum of the American Indian, Heye Foundation, along with 71 ehtnographic items, from Farrar Burn in 1923.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Alaska  Search this
Genre/Form:
Photographs
Citation:
Identification of specific item; Date (if known); June and Farrar Burn photographs from Alaska, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.131
See more items in:
June and Farrar Burn photographs from Alaska
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40d417a7b-e26f-4073-a021-cbb3a2d19fea
EDAN-URL:
ead_collection:sova-nmai-ac-131
Online Media:

Walter Garbe photographs from Brazil

Creator:
Garbe, Walter  Search this
Extent:
20 Photographic prints
19 Copy negatives
1 Lantern slide
Culture:
Aimoré (Aymore, Aimboré)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Copy negatives
Lantern slides
Place:
Brazil
Santa Leopoldina (Brazil)
Espírito Santo (Brazil : State)
Minas Gerais (Brazil)
Date:
1909
Summary:
This collection includes photographic prints, copy negatives, and one lantern slide made by Walter Garbe in 1909 among the Aimoré (Aymore, Aimboré) communities in the Doce River region of Espírito Santo and Minas Gerais, Brazil.
Scope and Contents:
Photographic prints include P00622-P00641. Copy negatives include N11683, N13496, N34443-N34459. The copy negatives are copies of photographic prints from the Museum of the American Indian, Heye Foundation (NMAI's predecessor museum). Lantern slides include L00081.

The photos produced in Espírito Santo were likely staged by Garbe, although do depict tasks that would've been part of daily routines, such as hunting and making fire.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
Walter Garbe, born circa 1882, was a German photographer who lived and worked in Brazil. He was the son of Ernest (Ernesto) Garbe (1853-1925), a German naturalist who worked for the Museu Paulista in São Paulo, Brazil from 1902 until his death in 1925. In 1906, Walter accompanied his father on an expedition to the region surrounding the Doce River. They began the journey at the Doce River's intersection with the border of Minas Gerais, followed it to Linhares, and then went on to Lagoa Juparanã. While the aims of this first expedition were exploration and collecting zoological specimen, Walter Garbe soon returned to the Doce River on his own. In 1909, he made multiple excursions to this region to take ethnographic photos and notes documenting the Aimoré (Aymore, Aimboré) communities in Espírito Santo and Minas Gerais. Garbe recorded information about the varying customs, clothing, food, and daily activities of these communities. Garbe also acquired several objects from the Aimoré, including flutes, weapons, and jewelry, to give to the Paulista Museum. In 1911, this collection of photographs was published with commentary in the Paulista Museum's magazine. The article, "Os botocudos do Rio Doce," was written by the Paulista Museum's director Herman von Ihering.

By the 1920s, Walter Garbe had become an established photographer. While Garbe was living in Santa Leopoldina in 1922, the city hired him to create cinematographic film of its waterfalls, rivers, city life, commercial endeavors (such as its transportation of coffee), and festivals. In 1923, Garbe continued to work as a photographer in Espírito Santo for the Secretary of Agriculture. From October 1932 to April 1933, Garbe joined Carlos Camargo and Olivério Pinto in an expedition to collect birds from Bahia and Madre de Deus. From 1928 to 1937, Garbe worked and possibly lived in São Paulo.

For more information on Walter Garbe, see "Os índios sob as lentes de Walter Garbe, em 1909" on Brasiliana Fotografica.
Related Materials:
Additional photographs from this collection (including uncropped versions) exist online at Brasiliana Fotografica, Biblioteca Nacional (Brasil) under "Índios Botocudos."
Provenance:
Accession information currently unknown.
Restrictions:
Photographic prints P00626 and P00628 (and corresponding copy negatives N34447 and N34448) are restricted due to sensitive content.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; 1909; Walter Garbe photographs from Brazil, image #, NMAI.AC.137; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.137
See more items in:
Walter Garbe photographs from Brazil
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4fcd480f8-eaeb-4b65-9eec-2285f77faac2
EDAN-URL:
ead_collection:sova-nmai-ac-137
Online Media:

Museum of the American Indian/Heye Foundation records

Creator:
Museum of the American Indian, Heye Foundation  Search this
Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Dockstader, Frederick J.  Search this
Names:
Ford-Bartlett East Greenland Expedition 1930  Search this
Harriman Alaska Expedition (1899)  Search this
Hendricks-Hodge Expedition (1917-1923).  Search this
Huntington Free Library  Search this
Hyde Exploring Expedition (1902-1903)  Search this
Museum of the American Indian, Heye Foundation  Search this
Wenner-Gren Foundation for Anthropological Research  Search this
Collector:
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Churchill, Clara G.  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Harvey, Fred  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Johnson, Frederick, 1904-1994  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Skinner, Alanson, 1886-1925  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Wildschut, William  Search this
Former owner:
Burnett, Edwin K.  Search this
Force, Roland W.  Search this
Extent:
400 Linear feet
Culture:
Indians of North America  Search this
Type:
Collection descriptions
Archival materials
Administrative records
Photographs
Annual reports
Field notes
Correspondence
Ledgers (account books)
Minutes
Date:
1890-1998
Summary:
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Scope and Contents:
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Arrangement:
The MAI, Heye Foundation records have been arranged into 21 series and 50 subseries: Series 1: Directors, 1908-1990 (1.1: George Gustav Heye, 1863-1962, 1.2: Edwin K. Burnett, 1943-1960, 1.3: Frederick Dockstader, 1950-1976, 1.4: Alexander F. Draper, 1972-1977, 1.5:Roland W. Force, 1963-1990, 1.6: George Eager, Assistant Director, 1977-1990) Series 2: Board of Trustees, 1916-1990 (2.1: Board of Trustee Minutes, 1916-1990, 2.2: Individual Board Correspondence, 1943-1990, 2.3: Subject Files, 1917-1990) Series 3: Administrative, 1916-1989 (3.1: Subject Files, 1904-1991, 3.2: Personnel, 1956-1991, 3.3: Legal, 1900-1989, 3.4: Task Force, 1976-1986, 3.5: George Abrams, 1980-1991) Series 4: Financial, 1916-1990 (4.1: Ledgers, 1900-1962, 4.2: Correspondence, 1905-1985, 4.3: Subject Files, 1916-1990) Series 5: Expeditions, 1896-1973Series 6: Collectors, 1872-1981Series 7: Registration, 1856-1993Series 8: Collections Management, 1937-1988Series 9: Curatorial, 1963-1990 (9.1: Curatorial Council, 1973-1990, 9.2: Gary Galante, 1979-1991, 9.3: Mary Jane Lenz, 1974-1994, 9.4: James G. E. Smith, 1963-1990, 9.5: U. Vincent Wilcox, 1968-1984, 9.6: Anna C. Roosevelt, 1973-1988) Series 10: Exhibits, 1923-1991 (10.1: MAI Exhibits, 1923-1990, 10.2: Non-MAI Exhibits, 1937-1991) Series 11: Public Programs, 1935-1990Series 12: Publications, 1904-1994 (12.1: Annual Reports, 1917-1989, 12.2: Publications by MAI, 1904-1990, 12.3: Publications by Other Sources, 1881-1990, 12.4: Administration, 1920-1988, 12.5: Archival Set of Official Publications, 1907-1976) Series 13: Public Affairs, 1938-1991Series 14: Development, 1927-1991 (14.1: Administration, 1979-1990, 14.2: Donors, 1978-1990, 14.3: Fundraising, 1973-1990, 14.4: Grants, 1970-1990, 14.5: Subject Files, 1976-1990) Series 15: Other Departments, 1914-1990 (15.1: Archives, 1914-1990, 15.2: Conservation, 1972-1989, 15.3: Education, 1921-1990, 15.4: Indian Information Center, 1977-1989, 15.5: Museum Shop, 1947-1989, 15.6: Photography, 1918-1990, 15.7: Physical Anthropology, 1919-1956) Series 16: Huntington Free Library, 1926-1991Series 17: Museum Relocation, 1969-1992 (17.1: Subject Files, 1979-1990, 17.2: American Museum of Natural History, 1980-1987, 17.3: Dallas, Texas, 1984-1987, 17.4: Smithsonian Institution, 1979-1990, 17.5: U.S. Custom House, 1977-1990, 17.6: Other Locations, 1974-1987) Series 18: MediaSeries 19: PhotographsSeries 20: Miscellaneous, 1837-1990Series 21: Oversize, 1873-1972 (21.1: Maps, 1873-1975, 21.2: Miscellaneous, 1884-1982)
History of the Museum of the American Indian/Heye Foundation:
The Museum of the American Indian/Heye Foundation was established by wealthy collector George Gustav Heye in 1908. Heye began collecting American Indian artifacts as early as 1897 and his collection rapidly increased over the next several years. Based in New York, Heye bought collections and documentary photographs, sponsored expeditions, and traveled and collected items himself. In addition, once MAI was established he sponsored numerous expeditions across the Western Hemisphere, including North American, Canada, South America and Central America.

From 1908 to 1917 Heye housed his artifacts on temporary loan at the University of Pennsylvania's University Museum, Pennsylvania, in lofts on East 33rd Street in New York City, and at other depositories. In 1917, the collections moved from his apartment to their permanent museum location at Audubon Terrace, at 155th Street and Broadway in New York City. The museum, containing ethnographic and archaeological collections from North, Central and South America, opened to the public in 1922. Less than ten years later, Heye completed a storage facility in the Pelham Bay area of the Bronx, known as the Research Branch. Heye served as Chairman of the Board and Museum Director until his death in 1957. After growing concern about the financial and other management of the collections came to a head, the museum became part of the Smithsonian Institution in 1989 and in 1994 opened exhibit space in the U.S. Customs House at Bowling Green near New York City's Battery Park. The Cultural Resources Center in Suitland, Maryland later opened in 1999 and the main Washington, DC museum opened in 2004.

Please visit the following links for more information about the history of the museum; History of the Collection, Collections Overview, and Significance of the Collection. Moreover, for information about how the museum currently cares for and exhibits the collection, please see the Conservation department and recent entries regarding Exhibitions and Conservation on the NMAI Blog. In addition, see portions of the NMAI Archive Center's collections highlighted in the SIRIS Blog.
Related Materials:
In 2004, the Huntington Fee Library, once part of the MAI/Heye Foundation, was transferred to the Cornell University Library Rare Book and Manuscript Collection. While this collection mainly contained books, it also contained a significant amount of archival materials. The Huntington Free Library's Native American Collection contains outstanding materials documenting the history, culture, languages, and arts of the native tribes of both North and South America, as well as contemporary politics and human rights issues are also important components of the collection. Further information about the collection and links to finding aids can be found here: rmc.library.cornell.edu/collections/HFL_old.html.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Excavations (Archaeology) -- Peru  Search this
Excavations (Archaeology) -- Tennessee  Search this
Excavations (Archaeology) -- New York (State)  Search this
Excavations (Archaeology) -- Panama  Search this
Excavations (Archaeology) -- New Jersey  Search this
Excavations (Archaeology) -- New Mexico  Search this
Excavations (Archaeology) -- Missouri  Search this
Excavations (Archaeology) -- Nevada  Search this
Excavations (Archaeology) -- California  Search this
Indians of South America  Search this
Indians of Central America  Search this
Pre-Columbian objects  Search this
Museum exhibits  Search this
Excavations (Archaeology) -- Texas  Search this
Museums -- Collection management  Search this
Archaeological expeditions  Search this
Ethnological expeditions  Search this
Excavations (Archaeology)  Search this
Museums -- Acquisitions  Search this
Museums -- Curatorship  Search this
Excavations (Archaeology) -- Cuba  Search this
Excavations (Archaeology) -- Ecuador  Search this
Excavations (Archaeology) -- Arkansas  Search this
Excavations (Archaeology) -- Canada  Search this
Excavations (Archaeology) -- Guatemala  Search this
Excavations (Archaeology) -- Haiti  Search this
Genre/Form:
Administrative records
Photographs
Annual reports
Field notes
Correspondence
Ledgers (account books)
Minutes
Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001
See more items in:
Museum of the American Indian/Heye Foundation records
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv412df8cf1-44c0-41fd-9101-eefb477e5aef
EDAN-URL:
ead_collection:sova-nmai-ac-001
Online Media:

Leo Frachtenberg

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Type:
Archival materials
Biographical / Historical:
Leo Joachim Frachtenberg (1883-1930) was born in Austria. He moved to the United States and became well respected as an anthropologist, publishing articles in scholarly journals including the American Anthropologist and Bureau of American Ethnology Bulletin. Frachtenberg worked mainly among the native peoples of Oregon. His interests were primarily linguistic. In 1907, Frachtenberg was working under the auspices of the Bureau of American Ethnology among the Tutelo on the Grand River Reservation in Ontario. Following in the footsteps of Edward Sapir, he collected what he could of Tutelo vocabulary. In 1909 Frachtenberg was the Assistant United States Commissioner of Immigration and in 1910 he was chief of the foreign population census of New York City. In 1911 Frachtenberg was again working under the auspices of the Bureau of American Ethnology and also of Columbia University. He was conducting a study of the Siuslawan language on Siletz reservation in Oregon. In the summer of 1915 and fall of 1916, Frachtenberg conducted ethnological and linguistic studies among the Quileute on the Quileute reservation at Lapush, Washington. During the latter part of the 1920s Frachtenberg was the national field director for the Palestinian Foundation Fund (later known as the United Jewish Appeal). The Palestinian Foundation Fund was an arm of the World Zionist Fund, whose purpose was to help build and develop a Jewish homeland. Frachtenberg died in Waterloo, Iowa at the age of 47.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 6: Collectors
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4fad2bf13-a547-4627-abf1-19c1b53b0598
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15737

McKenney and Hall's History of the Indian Tribes of North America folios and lithographs

Creator:
McKenney, Thomas L. (Thomas Loraine), 1785-1859  Search this
Hall, James, 1793-1868  Search this
Former owner:
Biddle, Edward C., 1808-1893  Search this
King, Charles Bird, 1785-1862  Search this
Extent:
20 Volumes
120 Lithographs
Culture:
Sauk  Search this
Meskwaki (Fox)  Search this
Shawnee  Search this
Osage  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Mississippi Choctaw  Search this
Mdewakantonwan Dakota (Mdewakanton Sioux)  Search this
Eastern Band of Cherokee  Search this
Ho-Chunk (Winnebago)  Search this
Oto  Search this
Seneca  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Muskogee (Creek)  Search this
Omaha  Search this
Iowa  Search this
Sac and Fox  Search this
Oklahoma Cherokee  Search this
Lenape (Delaware)  Search this
Numakiki (Mandan)  Search this
Euchee (Yuchi)  Search this
Potawatomi  Search this
Seminole  Search this
Mohawk  Search this
Menominee (Menomini)  Search this
Quatsino Kwakwaka'wakw  Search this
Odawa (Ottawa)  Search this
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
Powhatan  Search this
Kaw (Kansa)  Search this
Type:
Collection descriptions
Archival materials
Volumes
Lithographs
Date:
1836-1844
Summary:
This collection contains all 20 original folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. The folios were published and sent to subscribers between 1836-1844 and include 120 hand-colored lithographic plates. As Superintendent of Indian Affairs from 1824-1830, McKenney commissioned and collected portraits of Native American leaders, the majority painted by Charles Bird King. These portraits, along with biographical text by James Hall, form the basis of History of the Indian Tribes of North America.
Scope and Contents:
This collection includes all 20 folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs in their original wrappers. Each folio includes six hand-colored lithographic plates along with biographical essays on Native American leaders, both men and women, from the early 19th century.

Native Communities represented in these volumes include—Sauk, Meskwaki (Fox), Shawnee, Osage, Anishinaabe (Chippewa/Ojibwa), Mississippi Choctaw, Mdewakantonwan Dakota (Mdewakanton Sioux), Eastern Band of Cherokee, Ho-Chunk (Winnebago), Oto, Seneca, Chaticks Si Chaticks (Pawnee), Yanktonnai Nakota, Muskogee (Creek), Omaha, Iowa, Sac and Fox (Sauk and Fox), Oklahoma Cherokee, Lenape (Delaware), Numakiki (Mandan), Euchee (Yuchi), Potawatomi, Seminole, Mohawk, Menominee (Menomini), Quatsino Kwakwaka'wakw, Odawa (Ottawa), Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Powhatan, Kaw (Kansa).

The lithographs were cataloged individually with P (print) numbers P27694-P27813, though not physically separated from their volumes.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
Arranged by foilio number.
Biographical / Historical:
Thomas Loraine McKenney was born in 1785 to a family of Quakers in Hopewell, Maryland. Following the abolition of the U.S. Indian Trade program in 1822, McKenney (1785-1859) was appointed to the new position of Superintendent of Indian Affairs, which he held from 1824-1830. During his time as Superintendent of Indian trade in Georgetown, McKenney hired the painter Charles Bird King and began developing a governmental collection of portraits of prominent Native chiefs and elders who visited Washington. Between 1821-1842, King painted over 100 portraits with some assistance from friend and student George Cook.

Following his dismissal from the War Department by President Andrew Jackson in 1830, McKenney moved to Philadelphia to begin the process of getting his collection of portraits reproduced as lithographs with original hand coloring. The publication would document the extensive collection of King paints, many of which were later lost in a fire that destroyed part of the Smithsonian castle in January 1865.

This process was aided by Edward C. Biddle, a Philadelphia printer, who published the first volume (parts 1-6) in 1836 of what would be a three-volume set of 20 folios. James Hall (1793-1868), a judge and known writer, was hired to write text based on McKenney's research. Later parts were published between 1836-1844 by Frederick W. Greenough (parts 7-13), J.T. Bowen (part 14), and by Daniel Rice and James G. Clark (15-20). Several octavo editions were later published.
Provenance:
Provenance is unknown, part of the Museum of the American Indian, Heye Foundation collection when the MAI became the NMAI in 1989.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America  Search this
Genre/Form:
Lithographs -- 19th century
Citation:
Identification of specific item; Date (if known); McKenney and Hall's History of the Indian Tribes of North America folios and lithographs image #, NMAI.AC.115; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.115
See more items in:
McKenney and Hall's History of the Indian Tribes of North America folios and lithographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv49af79ce9-3723-4fb9-80b6-18ecfc5fb97a
EDAN-URL:
ead_collection:sova-nmai-ac-115
Online Media:

Ritual in Pueblo art; Hopi life in Hopi painting

Author:
Harvey, Byron  Search this
Museum of the American Indian, Heye Foundation  Search this
Physical description:
vii, 81 pages, [112] pages of plates illustrations (some color) 26 cm
Type:
Pictorial works
Date:
1970
Topic:
Hopi Indians--Social life and customs  Search this
Hopi art  Search this
Call number:
E99.H7 H34 1970
E51 .N42Z v. 24
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_471951

Frank Gouldsmith Speck photograph collection

Creator:
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Former owner:
Museum of the American Indian, Heye Foundation  Search this
Extent:
1428 Negatives (photographic)
40 Photographic prints (black & white)
Culture:
Mushuaunnuat (Barren Ground Naskapi)  Search this
Mistassini Cree  Search this
Lorette Huron  Search this
Mohawk  Search this
Montagnais Innu  Search this
Kitigan Zibi Anishinabeg (Maniwaki Algonquin) [River Desert]  Search this
Maliseet (Malecite)  Search this
Mi'kmaq (Micmac)  Search this
Iroquois [Six Nations/Grand River (Brantford, Ontario)]  Search this
Penobscot  Search this
Passamaquoddy  Search this
Abenaki (Abnaki)  Search this
Wampanoag  Search this
Nauset  Search this
Mohegan  Search this
Niantic  Search this
Pequot  Search this
Nanticoke  Search this
Rappahannock  Search this
Chickahominy  Search this
Pamunkey  Search this
Mattaponi  Search this
Nansemond  Search this
Catawba  Search this
Eastern Band of Cherokee  Search this
Machapunga (Pungo River)  Search this
Innu  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Place:
Massachusetts
Maine
Maryland
Virginia
Canada
Delaware
North Carolina
Date:
1909-1937
Summary:
The Frank Gouldsmith Speck photograph collection includes portraits of individuals and families, as well as scenic shots and landscape views made between 1909 and 1937. Speck was an anthropologist and ethnographer, a professor at the University of Pennsylvania, and worked on behalf of the Museum of the American Indian, Heye Foundation collecting ethnographic materials across the Eastern United States and Canada. His collection of photographs includes materials from native communities ranging from Newfoundland to Ontario in Canada and from Maine to South Carolina in the United States.
Scope and Contents:
The Frank Gouldsmith Speck photograph collection includes negatives and a small amount of prints made by Speck throughout the course of his career as an anthropologist and ethnographer. The majority of the photographs in this collection were made while Speck conducted field trips on behalf of the Museum of the American Indian, Heye Foundation between 1924 and 1932, though there are photographs from before and after this time. This collection has been arranged into Series by geographical location and then into subseries by culture group or community. Series 1: Newfoundland and Labrador: Innu, Mushuaunnuat, 1916-1935; Series 2: Quebec: Innu, Mistassini Cree, Lorette Huron, Wawenock, Mohawk, Kitigan Zibi Anishinabeg, 1910-1937; Series 3: New Brunswick and Nova Scotia: Maliseet, Mi'kmaq, 1909-1917; Series 4: Ontario: Six Nations/Grand River (Naticoke, Mohawk, Cayuga, Mahican, Tutelo), Oneida Nation, 1914-1937; Series 5: Maine and New Hampshire: Penobscot, Passamaquoddy, Abenaki, 1910-1924; Series 6: Massachussets and Rhode Island: Wampanoag, Nauset, 1914-1931; Series 7: Connecticut: Mohegan, Niantic, Schaghticoke, Pequot, 1912-1931; Series 8: Delaware: Nanticoke and Rappahanock, 1911-1925; Series 9: Virginia and Maryland: Rappahanock, Chickahominy, Pamunkey, Mattaponi, Nansemond, Potomac, Accomac, Powhatan, 1915-1924; Series 10: North Carolina and South Carolina: Catawba, Eastern Band of Cherokee, 1915-1930.

Many of Frank Speck's photographs are individual and family portraits of community members, many identified, posed outdoors in front of homes and community buildings. There are also landscape views as well as photographs taken during community events. There are a small amount of photographs that have now been restricted due to cultural sensitivity though for the most part Speck did not photograph culturally sensitive activities.
Arrangement:
The collection is intellectually arranged in 10 Series by geographic region and within each series by culture group. The negatives are physically arranged by catalog number.
Biographical / Historical:
Frank Gouldsmith Speck was born on November 8, 1881 in Brooklyn, New York. He studied under the prominent linguist John Dyneley Prince and anthropologist Franz Boas at Columbia University, receiving his BA in 1904 and MA in 1905. He received his Ph.D. in 1908 from the University of Pennsylvania. His doctoral dissertation on the ethnography of the Yuchi became a basis for an article which later appeared in the Handbook of American Indians. That same year Speck became an assistant in the University of Pennsylvania Museum and an instructor in anthropology at the University. He was made assistant professor in 1911, and professor and chairperson of the department in 1925, a position which he held until his death in 1950. Speck was the founder of the Philadelphia Anthropological Society, and was vice-president of the American Anthropological Association from 1945-46. Speck's research concentration was on the Algonkian speaking peoples. Speck studied every aspect of a culture: language, ethnobiology, technology, decorative art, myths, religion, ceremonialism, social organization, and music. Collecting material culture was also an integral part of Speck's fieldwork. His collections can be found in museums around the world, one of which is the National Museum of the American Indian. He is the author of numerous books and articles. Frank G. Speck died February 6, 1950. (A. Irving Hallowell, American Anthropologist, Vol. 53, No. 1, 1951)
Related Materials:
The Frank G. Speck Papers can be found at the American Philosophical Society (Mss.Ms.Coll.126) along with additional photographic materials by Speck.
Frank Speck published extensively in the Museum of the American Indian, Heye Foundation publications; "Indian Notes" and "Indian Notes and Monographs." These publications are avialable through the Smithsonian Institution Libraries or online on the Internet Archive.
Separated Materials:
A small amount of notes from Speck's field work can be found in the Museum of the American Indian/Heye Foundation records (NMAI.AC.001) in Box 273, Folder 18 through Box 274 Folder 2.

Close to 4000 ethnographic and archeological items were collected by Speck for the Museum of the American Indian, Heye Foundation (MAI) and are now in the National Museum of the American Indian (NMAI) collection. For more information about these objects contact the NMAI Collections Department.
Provenance:
The majority of the negatives were gifted to the Museum of the American Indian, Heye Foundation (MAI) by Frank Speck in 1927. The group of Nanticoke photographs were purchased by the MAI in 1915 and smaller amounts of photographs were gifted and purchased by the MAI between 1923 and 1942.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Maine  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Maryland  Search this
Indians of North America -- Massachusetts  Search this
Indians of North America -- Canada  Search this
Indians of North America -- Delaware  Search this
Indians of North America -- Midwest  Search this
Indians of North America -- Virginia  Search this
Indians of North America -- North Carolina  Search this
Indians of North America -- Southeast  Search this
Genre/Form:
Negatives
Photographic prints
Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.032
See more items in:
Frank Gouldsmith Speck photograph collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a7ad21af-6cc2-49e2-a636-bcf01e1c4dc6
EDAN-URL:
ead_collection:sova-nmai-ac-001-032
Online Media:

William C. Sturtevant papers

Topic:
Handbook of North American Indians
Creator:
Sturtevant, William C.  Search this
Names:
National Museum of Natural History (U.S.)  Search this
Six Nations  Search this
Extent:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Culture:
Indians of North America -- Southeast  Search this
Indians of North America  Search this
Iroquois  Search this
Seminole  Search this
Type:
Collection descriptions
Archival materials
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Date:
1952-2007
Summary:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Scope and Contents:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the Smithsonian Institution's National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and his involvement in various professional activities. The collection is comprised of research and field notes, sound recordings, realia, clippings, negatives, slides, prints, published and unpublished writings, correspondence, memorandums, conference papers and meeting notes, card files, exhibition catalogs, articles, bibliographies, student files such as class notes and papers from Sturtevant's years as an anthropology student, teaching materials including lecture notes and exams, daily planners, passports, military records, artwork including prints and lithographs, maps, and computer files.

The materials in this collection document Sturtevant's career as a preeminent North American ethnologist, museum curator, university professor, his role as General Editor of the Handbook of North American Indians, and his contributions to the field of Anthropology. From his early work with the Seminole Indians of Florida to his forays into Burma, and his decades-long study of how Native Americans have been depicted in artistic and popular culture, Sturtevant's diverse intellectual interests are represented in his research files. A copious note taker, Sturtevant captured his observations and opinions of everything from meetings with colleagues to museum exhibits. Sturtevant's commitment to the anthropological profession can be found in the notes and programs of the many conferences, symposiums, and lecture series he attended and at which he presented. He also held numerous leadership positions in various professional associations and sat on the board of directors/trustees for several cultural organizations including Survival International and the Museum of the American Indian-Heye Foundation. Sturtevant was respected for his vast knowledge of indigenous peoples and he received a voluminous amount of correspondence from colleagues who often included copies of their papers and grant proposals. He kept many of these works, which, it appears he used as reference material. Sturtevant's own work is reflected in his writings; he published over 200 scholarly papers, articles, and books.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is organized in 14 series: 1. Correspondence, 1951-2008; 2. Research Files, 1851, 1860s, 1880s, 1890, 1939-2006; 3. Writings, 1952-2006; 4. Professional Activities, 1952-2006; 5. Smithsonian, 1954-2008; 6. Handbook of North American Indians, 1971-2007; 7. Biographical Files, 1933-2007; 8. Student Files, 1944-1985; 9. Subject Files, 1902-2002; 10. Photographs, 1927-2004; 11. Artwork, 1699-1998; 12. Maps, 1949-1975; 13. Sound Recordings, 1950-2000; 14. Computer Files, 1987-2006.
Biographical/Historical note:
William C. Sturtevant (1926-2007), preeminent North American ethnologist, museum curator, and university professor, was best known for his contributions to Seminole ethnology, as curator of North American Ethnology in the Department of Anthropology at the Smithsonian Institution's National Museum of Natural History, and for his work as the general editor of the Handbook of North American Indians.

Sturtevant's passion for studying Native peoples began at a young age. In third grade "after a class on American Indians, he asked his father what kind of people study Indians, and his father replied, 'Anthropologists.' Sturtevant decided then that he would make anthropology his career" (Merrill 11). After graduating with honors from the University of California at Berkeley in 1949, Sturtevant went on to Yale University to complete his graduate work in anthropology. When it came time to decide on what area of North America he should focus his research, one of his faculty members at Yale, Irving Rouse, "suggested he consider the Seminoles of south Florida. By the end of his first fieldwork season, Sturtevant was convinced that the dearth of ethnographic information about these Seminoles and their status as one of the least acculturated of all North American Indian societies justified ethnographic research among them and offered the possibility of making an important contribution to North American ethnology" (Merrill 13). Sturtevant spent the summers of 1950 and 1951 conducting preliminary fieldwork among the Mikasuki-speaking Seminole and in 1952 he took up temporary residence at Big Cypress Reservation to undertake research for his dissertation, "The Mikasuki Seminole: Medical Beliefs and Practices." This work focused on Seminole medicine, but also included Sturtevant's analysis of Seminole worldview, religion, history, inter-ethnic relations, material culture, economy, kinship, language, and social organization.

In 1954, while he was finishing his dissertation, Sturtevant made the transition from student of anthropology to professional anthropologist. He was hired as an instructor in Yale's Anthropology Department and began his career in museum work as an assistant curator of anthropology at the Yale Peabody Museum. After receiving his PhD from Yale in 1955, Sturtevant moved on to the Smithsonian Institution, where he accepted a position as a research anthropologist at the Bureau of American Ethnology (BAE). This position afforded Sturtevant the chance to continue to explore his many research interests in ways that a full time professorship or museum curatorship could not. Over the next ten years he studied the Catawba in South Carolina; the Seneca and Cayuga nations of the Iroquois League in New York, Oklahoma, and Ontario; continued his work with the Seminole; visited European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture; and spent a year in Burma. In 1963, Sturtevant and his wife, Theda Maw, the daughter of a prominent Burmese family, took their three young children to Burma so that they could visit with Maw's family. Sturtevant took this as an opportunity to branch out from his Native American research and spent the year visiting neighborhoods in Rangoon and villages in the surrounding countryside, examining archival materials, studying the Burmese language, learning about Burmese clothing and other aspects of the culture, and taking photographs. He also collected 386 items of clothing and other objects for the Smithsonian.

When Sturtevant returned from Burma, he found the BAE had been dissolved. In 1965, he was transferred from the now-defunct BAE to the Department of Anthropology at the National Museum of Natural History (NMNH), where he became curator of North American Ethnology, a position he held for the next forty-two years. During his tenure at NMNH Sturtevant oversaw all the North American ethnology collections, planned exhibitions, served on committees, and sponsored interns and fellows. One of Sturtevant's primary duties at NMNH was serving as the General Editor of the Handbook of North American Indians, "a major multi-volume reference work summarizing anthropological, linguistic, and historical knowledge about native peoples north of Mexico" (Jackson). Each volume was designed to represent a geographic or topical area of Americanist study. As General Editor, Sturtevant selected volume editors, chapter authors, oversaw office staff, and proofread manuscripts over the course of production.

Besides focusing on the Handbook, much of Sturtevant's time was taken up by responsibilities he held outside the Institution. Sturtevant was extremely involved in professional anthropological associations and held many leadership positions. Fresh out of graduate school, he began a three-year term on the Board of Governors of the Anthropological Society of Washington in 1957. He later became a member of the executive committee of the Florida Anthropological Society, served as book-review editor and associate editor of the American Anthropologist from 1962-1968, was a member of the American Anthropological Association's Committee on Anthropological Research in Museums and was both vice president and president of the committee once it became the Council for Museum Anthropology, was on the American Anthropological Association's Committee on Archives, served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation from 1976-1982 and was appointed to a fourth term between 1984 and 1986, and sat on the Board of Directors of Survival International from 1982-1988. He was President of the American Society for Ethnohistory, the American Ethnological Society, the American Anthropological Association, and the Anthropological Society of Washington. Sturtevant also taught classes at Johns Hopkins University as an adjunct professor in the Department of Anthropology, served as a consultant on exhibits at other museums, and reviewed manuscripts for scholarly publications.

Sturtevant remained active in the profession throughout his later years. After divorcing Theda Maw in 1986, he married Sally McLendon, a fellow anthropologist, in 1990 and they undertook several research projects together. Sturtevant was recognized for his dedication and contributions to the field of anthropology in 1996 when he was awarded an honorary doctorate in humane letters by Brown University, and in 2002 when his colleagues published a festschrift in his honor, Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant.

Sturtevant died on March 2, 2007 at the Collingswood Nursing and Rehabilitation Center in Rockville, MD after suffering from emphysema.

Sources Consulted

Estrada, Louie. 2007. William C. Sturtevant; Expert on Indians. Washington Post, March 17. http://www.washingtonpost.com/wp-dyn/content/article/2007/03/16/AR2007031602273.html, accessed August 31, 2012.

Jackson, Jason Baird. 2007. William C. Sturtevant (1926-2007). http://museumanthropology.blogspot.com/2007/03/william-c-sturtevant-1926-2007.html, accessed August 31, 2012.

Merrill, William L. 2002. William Curtis Sturtevant, Anthropologist. In Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant. William L. Merrill and Ives Goddard, eds. Pp. 11-36. Washington D.C.: Smithsonian Institution Press.

1926 -- Born July 26 in Morristown, NJ

1944 -- Entered the University of California at Berkeley as a second-semester freshman

1944 -- Attended summer school at the Universidad Nacional Autonoma de Mexico in Mexico City where he took courses on Mexican archaeology and South American ethnology

1945 -- Drafted into the United States Navy

1946 -- Received an honorable discharge from the Navy with the rank of pharmacist's mate third class and returned to UC Berkeley

1947 -- Attended the University of New Mexico's summer field school in Chaco Canyon, New Mexico

1949 -- January: Received his Bachelor's degree with honors in anthropology from UC Berkeley

1949 -- Began graduate studies at Yale University

1950-1951 -- Spent the summers of 1950 and 1951 in Florida conducting fieldwork among the Mikasuki-speaking Seminole

1951 -- Conducted his first research study of the Iroquois, a classification of Seneca musical instruments, their construction and use, with Harold Conklin

1952 -- May: Moved to Big Cypress Reservation in Florida to conduct research for his dissertation. He focused on Seminole medicine, but also collected physical anthropological data such as blood-type frequencies, handedness, and color blindness

1952 -- July 26: Married Theda Maw

1954 -- Hired by Yale University as an instructor in the Department of Anthropology and as an assistant curator of anthropology in the Yale Peabody Museum

1955 -- Received PhD in anthropology from Yale University

1956 -- Joined the staff of the Smithsonian Institution's Bureau of American Ethnology (BAE) as a research anthropologist

1957 -- Began a three-year term on the Board of Governors of the Anthropological Society of Washington

1957 -- Traveled to Rock Hill, South Carolina to collect linguistic data from Sam Blue, the last member of the Catawba tribe to have maintained some proficiency in the Catawba language. While there, he made a small collection of Catawba pottery for the United States National Museum

1957-1958 -- Spent seven weeks continuing his research among the New York Seneca

1959 -- Returned to Florida to study Seminole ethnobotany. He also collected ethnographic materials, especially objects made for the tourist market, which he deposited in the United States National Museum

1959-1960 -- Member of the executive committee of the Florida Anthropological Society

1960 -- July and August: Visited 17 European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture

1961-1962 -- Spent the summers of these years conducting ethnographic fieldwork among the Seneca-Cayuga in Oklahoma

1962 -- October: Visited the Six Nations Reserve in Ontario, Canada to conduct fieldwork among the Seneca and Cayuga there

1962-1968 -- Book-review editor and associate editor of the American Anthropologist

1963 -- October: Spent the year in Burma; visited neighborhoods in Rangoon and villages in the surrounding countryside, examined photographs in several archives, studied the Burmese language, and read extensively about the country's history and culture. Assembled notes on Burmese clothing and other aspects of the culture, took hundreds of photographs, and made a collection of 386 items of clothing and other objects for the Smithsonian

1964 -- Visited Inle Lake in the Southern Shan States southeast of Mandalay, where he examined local approaches to artificial island agriculture

1964-1981 -- Became a member of the American Anthropological Association's Committee on Anthropological Research in Museums, which became the Council for Museum Anthropology in 1974. Sturtevant was the Council's first vice president, serving two terms between 1974 and 1978, and was its president from 1978 to 1981

1965 -- Became curator of North American Ethnology in the Department of Anthropology at the National Museum of Natural History after the dissolution of the BAE

1965-1966 -- President of the American Society for Ethnohistory

1966 -- Named the editor of the Handbook of North American Indians

1967-1968 -- Fulbright scholar and lecturer at Oxford University's Institute of Social Anthropology

1969 -- Began serving on the American Anthropological Association's Committee on Archives

1974-1989 -- Adjunct Professor in the Department of Anthropology at Johns Hopkins University

1976-1982 -- Served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation and was appointed to a fourth term between 1984 and 1986

1977 -- President of the American Ethnological Society

1980-1981 -- President of the American Anthropological Association

1981 -- Spent part of the spring semester at the University of California Berkeley as a Regents Lecturer

1982-1988 -- Board of Directors of Survival International

1986 -- Divorced Theda Maw

1986-1987 -- Smithsonian Fellow at Oxford University's Worcester College

1990 -- Married Sally McLendon

1992 -- President of the Anthropological Society of Washington

1996 -- Awarded an honorary doctorate in humane letters at Brown University

2007 -- Died March 2 in Rockville, MD
Related Materials:
Other materials relating to William C. Sturtevant at the National Anthropological Archives are included in the following collections:

Manuscript 4504

Manuscript 4595

Manuscript 4806

Manuscript 4821

Manuscript 4972

Manuscript 7045

Photo Lot 59

Photo Lot 79-51

Photo Lot 80-3

Photo Lot 81R

Photo Lot 86-68 (6)

Photo Lot 86-68 (7)

American Society for Ethnohistory records

Committee on Anthropological Research in Museum Records

Handbook of North American Indians records

Records of the Department of Anthropology, National Museum of Natural History

Gordon Davis Gibson Papers, Sound Recordings

SPC Se Powhatan Confederacy Mattapony BAE No # 01790700

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913800

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913900

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04914000

Negative MNH 1530

Negative MNH 1530 B

Sturtevant is listed as a correspondent in the following NAA collections:

Administrative file, 1949-1965, Records of the Bureau of American Ethnology

John Lawrence Angel Papers

James Henri Howard Papers

Donald Jayne Lehmer Papers

John Victor Murra Papers

Records of the Society for American Archaeology

Albert Clanton Spaulding Papers

Waldo Rudolph Wedel and Mildred Mott Wedel Papers

Copies of sound recordings made by William C. Sturtevant can be found at The California Language Archive at UC Berkeley in two collections, The William Sturtevant collection of Creek/Seminole sound recordings, which includes 31 minutes of Northern Muskogean linguistic field recordings from 1951, and The William Sturtevant collection of Mikasuki sound recordings, which includes 33 minutes of Mikasuki linguistic field recordings from 1951. Two sound tape reels of Seminole music Sturtevant recorded in Florida in 1951 can be found at Wesleyan University's World Music Archives. Folk songs on these recordings include "Scalping Sickness," "Bear Sickness with blowing," "Bear sickness without blowing," "Lullaby," "Feather Dance," "Snake Dance," and "Crazy Dance." Performers include Josie Billie, Lee Cypress, Harvey Jumper, Boy Jim, Charlie (Johnny?) Cypress, Little Tiger Tail, Billy Ossiola, and Charlie Billy Boy.
Separated Materials:
One video tape, "Seminole History and Tradition", was transferred to the Human Studies Film Archives. Series 2.2, Tukabahchee Plate: Glass negative of spectrogram from FBI (Box 135), removed for storage with other glass plate negatives.
Provenance:
These papers were transferred to the National Anthropological Archives by the Department of Anthropology at the National Museum of Natural History.
Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Rights:
Contact the repository for terms of use.
Topic:
Ethnology  Search this
Botany  Search this
Anthropology  Search this
Archaeology  Search this
Indians of North America -- Northeast  Search this
History  Search this
Linguistics  Search this
Genre/Form:
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2008-24
See more items in:
William C. Sturtevant papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b2223e72-e872-41c5-ae7b-abd0b27eaf6a
EDAN-URL:
ead_collection:sova-naa-2008-24
Online Media:

Blanket, Wool

Names:
Museum of the American Indian, Heye Foundation  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photomechanical print (005 in x 007 in mounted on 009 in x 011 in)
Container:
Box XV:29, Folder 13-17
Culture:
Diné (Navajo)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
undated
Local Numbers:
NAA INV.02280600
Local Note:
Color photomechanical print on paper mount
Topic:
Navaho  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Sw Navaho No # Crafts 02280600, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Southwest / Navaho
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3241a48cd-3886-48a5-b9bc-64830022fa2a
EDAN-URL:
ead_component:sova-naa-photolot-24-ref20060

Blanket, Wool

Names:
Museum of the American Indian, Heye Foundation  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photomechanical print (006 in x 009 in mounted on 009 in x 011 in)
Container:
Box XV:29, Folder 13-17
Culture:
Diné (Navajo)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
undated
Local Numbers:
NAA INV.02285000
Local Note:
Black and white photomechanical print on paper mount
Topic:
Navaho  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Sw Navaho No # Crafts 02285000, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Southwest / Navaho
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a79f1bc7-5e2f-4ac3-b124-7ae7d6d40f61
EDAN-URL:
ead_component:sova-naa-photolot-24-ref20112

Tile

Culture/People:
Hopi Pueblo  Search this
Possible owner:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Museum Shop, Museum of the American Indian (MAI museum shop/Book Counter), 1956-1989  Search this
Previous owner:
Helen Pep Grodka (Helen Groz Pep/A Tehom Win/Mrs. Frederick B. Grodka), Non-Indian, 1898-1982  Search this
Donor:
Sonia Grodka Blumenthal (Sonia Dorothy Grodka), Non-Indian  Search this
Harry W. Blumenthal, Non-Indian, 1924-2013  Search this
Object Name:
Tile
Media/Materials:
Pottery
Techniques:
Painted
Dimensions:
8.6 cm
Object Type:
Made-for-Sale items and Souvenirs
Place:
Hopi Reservation; Navajo County; Arizona; USA
Catalog Number:
25/1375
Barcode:
251375.000
See related items:
Hopi Pueblo
Made-for-Sale items and Souvenirs
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws68006b6b6-000a-4c83-8473-9c283d189346
EDAN-URL:
edanmdm:NMAI_266903
Online Media:

Bowl

Culture/People:
possibly Shipibo (attributed)  Search this
Possible owner:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Museum Shop, Museum of the American Indian (MAI museum shop/Book Counter), 1956-1989  Search this
Previous owner:
Helen Pep Grodka (Helen Groz Pep/A Tehom Win/Mrs. Frederick B. Grodka), Non-Indian, 1898-1982  Search this
Donor:
Sonia Grodka Blumenthal (Sonia Dorothy Grodka), Non-Indian  Search this
Harry W. Blumenthal, Non-Indian, 1924-2013  Search this
Object Name:
Bowl
Media/Materials:
Pottery
Techniques:
Painted
Dimensions:
15.2 x 6.4 cm
Object Type:
Containers and Vessels
Place:
Río Ucayali; Loreto Region, Ucayali Region; Peru (inferred)
Catalog Number:
25/1376
Barcode:
251376.000
See related items:
Shipibo
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws65984c9cd-7fb5-40d5-b688-a5cdab081694
EDAN-URL:
edanmdm:NMAI_266904
Online Media:

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