Skip to main content Smithsonian Institution

Search Results

Collections Search Center
193071 documents - page 1 of 500Result pages are truncated to 500.

To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Extent:
13.04 Linear feet (18 boxes)
Type:
Archival materials
Collection descriptions
Exhibit scripts
Exhibition records
Brochures
Photographic prints
Correspondence
Place:
Washington (D.C.)
Date:
1992-01 - 1992-07
Summary:
An exhibition on 187 years of civil rights activism in Washington, DC. The show was created by the Anacostia Neighborhood Museum and exhibited there from January 1992 to July 1992. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Museum exhibits  Search this
Civil rights  Search this
Genre/Form:
Exhibit scripts
Exhibition records -- 1990-2004
Brochures
Photographic prints
Correspondence
Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-033
Additional Online Media:

Captain Max E. Malan USN Pilot Logs

Creator:
Malan, Max E.  Search this
Extent:
0.13 Cubic feet (one shoebox)
Type:
Archival materials
Collection descriptions
Date:
1945-1963
Summary:
This collection consists of Captain Max E. Malan's Navy pilot logs, 1945-1963.
Scope and Contents:
This collection consists of Captain Max E. Malan's Navy pilot logs, that span his career from 1945 to 1963.
Arrangement:
Three logbooks, arranged chronologically.
Biographical / Historical:
Captain Max E. Malan, USN (1922-2018) joined the United States Navy in 1944. Malan was a career Naval Officer and served his country for 31 years as a naval aviator.
Provenance:
Tammy Malan, Gift, 2019, NASM.2019.0014
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Korean War, 1950-1953 -- Aerial operations  Search this
logs  Search this
Naval aviation  Search this
Citation:
Captain Max E. Malan USN Pilot Logs, NASM.2019.0014, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2019.0014
See more items in:
Captain Max E. Malan USN Pilot Logs
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-2019-0014

To Achieve These Rights Exhibition Display 2: Frederick Douglass narration

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Douglass, Frederick, 1817?-1895  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 sound recordings (cartridge, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Narration
Place:
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Narration that weaves together excerpts from a speech by Frederick Douglass from April 1883 on the anniversary of Emancipation in Washington, D.C. Douglass speaks about Emancipation, status and future of the negro, and prejudice despite freedom. He also states that negroes should be American citizens to the fullest extent, including the right to a fair trial, vote, serve on a jury, and attend public schools.
Local Numbers:
ACMA AV003340
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
African American abolitionists  Search this
Abolitionists  Search this
Slavery  Search this
Slave trade  Search this
Antislavery movements  Search this
Slavery -- Law and legislation  Search this
Civil rights  Search this
Civil rights leaders  Search this
Activists  Search this
Genre/Form:
Sound recordings
Narration
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV003339
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref506

Response to Segregation: Building the Community

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1991
Scope and Contents:
Focusing on Washington, D.C., Dr. Sharon Harley spoke of about the period in the United States following the Civil War known as Reconstruction. Specifically, she talked about the migration of Blacks to Washington, D.C.; the deterioration of racial relations beginning in 1880s and 1890s; increased discrimination in the federal government; community building in response to segregation; and the many organizations formed by Blacks. This lecture was part of docent training for the exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.'
Lecture. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Dated 19911106.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Reconstruction, U.S. history, 1865-1877  Search this
Communities  Search this
Associations, institutions, etc.  Search this
Slavery  Search this
Segregation  Search this
Race relations  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002126
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref510

To Achieve These Rights: Self Guided Audio Tour

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (audio cassette)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1992
Scope and Contents:
Recording of the self guided audio tour for the exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978' which was held at the Anacostia Museum from January 1992 to November 1992. People, organizations, and laws which have made their mark on racial equality in the District of Columbia featured in the audio tour.
Local Numbers:
ACMA AV001051_B
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Slavery  Search this
Antislavery movements  Search this
Segregation  Search this
Civil rights  Search this
Civil rights leaders  Search this
Civil rights movements  Search this
Activists  Search this
Abolitionists  Search this
Home rule  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV001051_A
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref511

To Achieve These Rights: Self Guided Audio Tour in Spanish

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (audio cassette)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Place:
Washington (D.C.)
United States
Date:
circa 1992
Scope and Contents:
Recording of the self guided audio tour for the exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978' which was held at the Anacostia Museum from January 1992 to November 1992. People, organizations, and laws which have made their mark on racial equality in the District of Columbia featured in the audio tour. This recording is in Spanish.
Local Numbers:
ACMA AV001052_B
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Slavery  Search this
Antislavery movements  Search this
Segregation  Search this
Civil rights  Search this
Civil rights leaders  Search this
Civil rights movements  Search this
Activists  Search this
Abolitionists  Search this
Home rule  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV001052_A
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref512

To Achieve These Rights: Discussion with Brookland Elementary School Students

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Museum educator Joanna Banks discussed the meaning of prejudice and marching for justice with Brookland Elementary School students. The students visited the museum to view the exhibition 'To Achieve These Rights: The Struggle for Equality and Self Determination in D.C., 1791-1978'
Discussion. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self Determination in D.C., 1791-1978.' Dated 19920410.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Prejudices  Search this
Civil rights  Search this
Museum exhibits  Search this
Students  Search this
African American students  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002134
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref513

To Achieve These Rights Exhibition Display 1: Charles Miner narration

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Miner, Charles, 1780-1865  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (cartridge, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Narration
Place:
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Narration that weaves together excerpts of a speech by Charles Miner to U.S. House of Representatives on January 6 and 7, 1829. Miner spoke of the neglect of slave laws in Washington, D.C. and consequences of the neglect. Despite Miner's plea for the House to remedy the situation, slave trade continued to exist in Washington, D.C. until 1850.
Narration for one of four displays used in exhibition: To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978. Part of To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978 Audiovisual Records. Dated 19920101.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Slavery  Search this
Slave trade  Search this
Antislavery movements  Search this
Slavery -- Law and legislation  Search this
Civil rights  Search this
Civil rights leaders  Search this
Activists  Search this
Abolitionists  Search this
Genre/Form:
Sound recordings
Narration
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV003331
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref505

To Achieve These Rights Exhibition Display 3: Clips of Marian Anderson's Lincoln Memorial concert

Creator:
Anacostia Museum  Search this
National Broadcasting Company  Search this
Howard University  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Daughters of the American Revolution  Search this
Anderson, Marian, 1897-1993  Search this
Ickes, Harold L. (Harold LeClair), 1874-1952  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (cartridge, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Narration
Place:
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Clips of Marian Anderson's outdoor concert on the steps of the Lincoln Memorial in Washington, D.C. on April 9, 1939. Howard L. Ickes introduced Marian Anderson's performance. Narration between clips of radio broadcast provides context for historical event, including its significance in sparking D.C.'s modern civil rights movements.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
African American singers  Search this
Singers  Search this
Race discrimination  Search this
Civil rights movements  Search this
Civil rights  Search this
Civil rights leaders  Search this
Lincoln Memorial (Washington, D.C.)  Search this
Genre/Form:
Sound recordings
Narration
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV003343
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref507

To Achieve These Rights Exhibition Display 4: Clip of Mary Church Terrell on Americans All radio program

Creator:
Anacostia Museum  Search this
Whitehead, Henry P., 1917-2002  Search this
Institute on Race Relations (Washington, D.C.)  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Douglass, Frederick, 1817?-1895  Search this
Terrell, Mary Church, 1863-1954  Search this
Todd, Tomlinson  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 sound recordings (cartridge, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Narration
Place:
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
A clip from "Americans All" radio program broadcasted on February 12, 1950 in celebration of Frederick Douglass' birthday. Tomlinson Todd, leader of Institute on Race Relations, interviewed Mary Church Terrell, civil rights activist and friend of Douglass. Terrell spoke of her friendship with Douglass - how they met and visiting World's Fair in Chicago with Douglass. She proposed February 14 as Frederick Douglass day. Narration and radio program provides brief description of Todd, Terrell, Institute on Race Relations, and "Americans All."
Narration and radio broadcast clip for one of four displays used in exhibition: To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978. Part of To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978 Audiovisual Records. Dated 19920101.
Local Numbers:
ACMA AV003342
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
African American abolitionists  Search this
Abolitionists  Search this
Civil rights  Search this
Civil rights leaders  Search this
Activists  Search this
Genre/Form:
Sound recordings
Narration
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV003341
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref508

Around Town: To Achieve These Rights

Creator:
WETA-TV (Television station : Washington, D.C.)  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Around Town, which presented video segments of events happening around Washington, D.C. on public television station WETA, profiled the Anacostia Museum's exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Other topics included in this episode: new feature film 'Daughters of the Dust,' new adaption of 'Frankenstein' by the Washington Shakespeare Company, and an international art exhibition and auction at the 'Very Special Arts' gallery. After brief clips or description of each topic, there was a short roundtable discussion.
News program with roundtable discussion. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Dated 19920227.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Slavery  Search this
Slave trade  Search this
Antislavery movements  Search this
Slaves -- Emancipation  Search this
Slavery -- Law and legislation  Search this
Civil rights  Search this
Home rule  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Citation:
Around Town: To Achieve These Rights, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-033, Item ACMA AV002641
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref509

To Achieve These Rights: Video Epilogue

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Video recordings
Place:
United States -- Politics and government
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Brief description of Washington, D.C. residents' fight for statehood and Congressional representatives during the 1980s. Local politics and rising crime in the district are also addressed.
Short film. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Part of To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978 Audiovisual Records. Dated 19920103.
Biographical / Historical:
'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978' showcased 187 years of civil rights activism in Washington, D.C. by examining the African American journey toward racial equality in the nation's capital--from slavery and emancipation to voting rights, desegregation, and home rule. The exhibition was created by the Anacostia Museum and exhibited there from January 1992 to November 1992.
General:
Title transcribed from physical asset.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Home rule  Search this
Politicians  Search this
Political science  Search this
Crime  Search this
African American neighborhoods  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002127
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref514

To Achieve These Rights: Docent Training with Dr. Paul Cook

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1991
Scope and Contents:
In preparation of the exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978,' Dr. Paul Cook spoke to docents about racial segregation, integration, and discrimination during the 1940s and 1950s in Washington, D.C., and the civil rights movement. He spoke about his personal experiences, and events he witnessed or participated. Cook began his lecture speaking about Anna J. Cooper, who was an educator at M Street School (later Dunbar High School) in southeast Washington, D.C.
Docent training - lecture. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Dated 19911127.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Segregation  Search this
Race discrimination  Search this
Racism  Search this
Civil rights  Search this
Civil rights leaders  Search this
Civil rights movements  Search this
Activists  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002125
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref515

AudioVisual Materials

Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
0.25 Linear feet
12 sound recordings (6 audio cassette sound recordings ; 6 cartridge 1/4" sound recordings)
2 video recordings (2 VHS 1/2" video recordings)
Type:
Archival materials
Sound recordings
Video recordings
Date:
1992
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Series 2
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref906

Aviators Flight Log

Collection Creator:
Malan, Max E.  Search this
Type:
Archival materials
Date:
1945-1951
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Captain Max E. Malan USN Pilot Logs, NASM.2019.0014, National Air and Space Museum, Smithsonian Institution.
See more items in:
Captain Max E. Malan USN Pilot Logs
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2019-0014-ref1

Figure of an entertainer

Medium:
Bronze
Dimensions:
H x W x D: 8.8 × 5.1 × 4.1 cm (3 7/16 × 2 × 1 5/8 in)
Type:
Sculpture
Metalwork
Origin:
China
Date:
5th century BCE
Period:
Eastern Zhou dynasty
Topic:
Eastern Zhou dynasty (770 - 221 BCE)  Search this
casting  Search this
man  Search this
China  Search this
Chinese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1951.7a
Restrictions & Rights:
Copyright with museum
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1951.7a

Qin tuning key (qin zhenyao) with crouching bear

Medium:
Bronze
Dimensions:
H x W x D: 9.3 × 3.9 × 2.1 cm (3 11/16 × 1 9/16 × 13/16 in)
Type:
Musical Instrument
Origin:
China
Date:
5th century BCE
Period:
Eastern Zhou dynasty
Topic:
bear  Search this
Eastern Zhou dynasty (770 - 221 BCE)  Search this
China  Search this
Chinese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1951.7b
Restrictions & Rights:
Copyright with museum
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1951.7b

Wooden tray covered with lacquer

Medium:
Lacquer
Dimensions:
Diam: 31.2 cm (12 5/16 in)
Type:
Lacquer
Container
Origin:
Changsha, Hunan province, China
Date:
4th-3rd century BCE
Period:
Eastern Zhou dynasty
Topic:
Eastern Zhou dynasty (770 - 221 BCE)  Search this
China  Search this
Chinese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1954.19
Restrictions & Rights:
Copyright with museum
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1954.19

Edward S. Curtis papers and photographs

Creator:
Curtis, Edward S., 1868-1952  Search this
Extent:
86 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1895-2001
bulk 1898-1951
Scope and Contents:
The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection was donated by Curtis's daughter Florence Graybill and appears to be part of the same body of materials that was maintained by Curtis, and after his death, by Florence. Occasionally a correspondence exchange or manuscript draft is divided between the National Anthropological Archives and UW. Also found in both collections are notes, mostly dated 1951, in Curtis's handwriting on slips of paper or the document itself that gives an explanation of the document.

The collection includes correspondence, research notes, NAI files and promotional material, writings and memoirs, a small amount of material relating to a complaint regarding his reporting in NAI of certain Pueblo ceremonies, and correspondence and other documents relating to his gold mining interests. Also included are papers of Florence Graybill, who published on Curtis after his death and maintained contacts with various individuals and entities involved in Curtis exhibits, publications, and sales.

The correspondence exchanges are almost exclusively NAI related and document the relationships Curtis had with various influential people, including Gifford Pinchot, Joseph Blethen, Jacob Riis, William Farabee, Smithsonian scholars Frederick Webb Hodge and Matilda Coxe Stevenson, and the immediate and extended family of Theodore Roosevelt. Included are letters of introduction for Curtis as he sought to promote his work.

The research notes consist of a small mixture of writings on field experiences as well as maps used during his fieldwork (the bulk of Curtis's fieldnotes and NAI manuscripts are at the Seaver Center in the Los Angeles County Museum of Natural History). The NAI files chiefly contain material promoting the work, such as published reviews, articles, and ephemera, but there are a few North American Indian Inc. business records (the bulk of the business records are maintained at the Pierpont Morgan Library). Of note is a lengthy annual report for the North American Indian, Inc., in which Curtis explains difficulties encountered in the fieldwork and volume publication. Related to his NAI work are letters and other materials documenting a 1934 complaint from Harold Ickes, Secretary of the Interior on Curtis's reporting of certain Pueblo ceremonies, as well as Curtis's response.

The writings comprise manuscript drafts on various topics. Most are short, stand-alone stories relating to his NAI work, often relaying a story about his own experiences. Similar stories can be found in Florence Graybill's papers, as she published some of them after his death. Also part of the writings are drafts for several chapters of Curtis's unpublished memoir, "As it Was."

Curtis's interest in gold mining is represented in correspondence and other material dating from 1938-1950. Most of the letters are between Curtis and his son Harold. Curtis's invention of a concentrator for separating fine gold from placer tailings is also documented in photographs and drawings.

Florence Graybill's papers pertain to writings, talks, and projects relating to Curtis after his death. Included are publication files for Graybill's biography of Curtis written with Victor Boesen, Visions of a Vanishing Race, as well as other of her articles and book reviews. Graybill's correspondence reveals her commitment to assist scholars and others interested in researching and exhibiting Curtis material, as well as her communication with individuals having a commercial interest in Curtis. Also present are Graybill's lecture notes for talks given, and articles and newspaper features on Curtis written by others.

The photographs in this collection primarily relate to Curtis's NAI work (1898-1927) and are a mix of original and working copy negatives, prints, and transparencies. The original negatives are remarkable in that they reveal some of Curtis's working methods in crafting his images through pencil and other enhancements, as well as showing removal of unwanted items from the image. Also of note are two original logbooks used for recording negatives from approximately 1895-1916. The majority of the prints appear to be silver gelatin prints made for reference; however, there are a fair number of platinum prints as well as several blue-toned silver prints in the collection. There are only a few cyanotypes.

Among the photographs is a deerskin-bound photograph album containing Harriman Alaska Expedition and NAI photographs, representing some of Curtis's earliest Native American subjects. These include images of people from the Puget Sound area as well as from his 1900 trip to the Blackfoot reservation. There are no annotations in the album; however, tucked among the pages are a few small notes of identification in Curtis's handwriting.

Photographs documenting other subjects are also present to a lesser degree. Among these are photographs of Curtis's Seattle photography studio, a 1915 Grand Canyon trip, hop field workers in the Puget Sound area, and Curtis's illustrations for Marah Ryan's book Flute of the Gods. Additionally, the collection contains a number of photographs of Curtis, his children, and portraits of various individuals including Theodore Roosevelt and actor Anna May Wong.
Arrangement:
The Edward S. Curtis papers and photographs are arranged into the following 10 series:

Series 1: Biographical information, 1919-1952

Series 2: Correspondence, 1904-1951

Series 3: Research notes, 1900-1930, undated

Series 4: North American Indian, circa 1906-1920

Series 5: Writings, 1906, 1948, undated

Series 6: Complaint regarding Curtis's reporting of Pueblo ceremonies, 1924-1935

Series 7: Gold mining, 1938-1950

Series 8. Florence Curtis Graybill papers, 1948-2001

Series 9: Photographs, circa 1896-1927

Series 10: Duplicate material, undated
Biographical / Historical:
Edward Sherriff Curtis (1868-1952) was an American photographer famous for his photographs of the indigenous peoples of North America. His work was highly influential in shaping a sympathetic yet romantic view of cultures that he and many others believed to be "vanishing." Over the course of 30 years, Curtis visited more than 80 Native American communities and published his photographs and ethnographies in the twenty-volume North American Indian (NAI) (1907-1930).

Curtis was born in Whitewater, Wisconsin, to Ellen and Johnson Curtis in 1868. In about 1874, his family moved to a farm in Cordova, Minnesota. At a young age, Curtis built a camera, and it is possible that he may have worked in a Minneapolis photography studio for a time. In 1887, Curtis and his father moved West and settled on a plot near what is now Port Orchard, Washington, with the rest of the family joining them the following year. When Johnson Curtis died within a month of the family's arrival, 20-year-old Curtis became the head of the family.

In 1891, Curtis moved to Seattle and bought into a photo studio with Rasmus Rothi. Less than a year later, he and Thomas Guptill formed "Curtis and Guptill, Photographers and Photoengravers." The endeavor became a premier portrait studio for Seattle society and found success in photoengraving for many local publications. In 1892, Curtis married Clara Phillips (1874-1932) and in 1893 their son Harold was born (1893-1988), followed by Elizabeth (Beth) (1896-1973), Florence (1899-1987) and Katherine (Billy) (1909-?). Around 1895, Curtis made his first photographs of local Native people, including the daughter of Duwamish chief Seattle: Kickisomlo or "Princess Angeline." Curtis submitted a series of his Native American photographs to the National Photographic Convention, and received an award in the category of "genre studies" for Homeward (later published in volume 9 of the NAI). In 1896, the entire Curtis family moved to Seattle, which included Curtis's mother, his siblings Eva and Asahel, Clara's sisters Susie and Nellie Phillips, and their cousin William Phillips. Most of the household worked in Curtis's studio along with other employees. Curtis became sole proprietor of the studio in 1897, which remained a popular portrait studio but also sold his scenic landscapes and views of the Seattle Area. Curtis also sent his brother Asahel to Alaska and the Yukon to photograph the Klondike Gold Rush, and sold those views as well. Asahel went on to become a well-known photographer in his own right, primarily working in the American Northwest.

Curtis was an avid outdoorsman and joined the Mazamas Club after his first of many climbs of Mount Rainier. On a climb in 1898, Curtis met a group of scientists, including C. Hart Merriam, George Bird Grinnell, and Gifford Pinchot, who had lost their way on the mountain, and led them to safety. This encounter led to an invitation from Merriam for Curtis to accompany a group of over 30 well-known scientists, naturalists, and artists as the official photographer on a maritime expedition to the Alaskan coast. Funded by railroad magnate Edward Harriman, the Harriman Alaska Expedition left Seattle in May of 1899, and returned at the end of July. Curtis made around 5000 photographs during the trip, including photographs of the indigenous peoples they met as well as views of mountains, glaciers, and other natural features. Many of the photographs appeared in the expedition's 14 published volumes of their findings.

In 1900, Curtis accompanied Grinnell to Montana for a Blackfoot Sundance. Here, Curtis made numerous photographs and became interested in the idea of a larger project to document the Native peoples of North America. Almost immediately upon returning from the Sundance, Curtis set off for the Southwest to photograph Puebloan communities. By 1904, Curtis had already held at least one exhibit of his "Indian pictures" and his project to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, the NAI) had taken shape and already received some press coverage. With his fieldwork now increasing his absences from home, Curtis hired Adolph Muhr, former assistant to Omaha photographer Frank Rinehart, to help manage the Seattle studio.

In 1904, Curtis was a winner in the Ladies Home Journal "Prettiest Children In America" portrait contest. His photograph of Marie Fischer was selected as one of 112 that would be published and Fischer was one of 12 children selected from the photographs who would have their portrait painted by Walter Russell. Russell and Curtis made an acquaintance while Russell was in Seattle to paint Fischer's portrait, and not long afterwards, Russell contacted Curtis to make photographic studies of Theodore Roosevelt's children for portraits he would paint. Curtis subsequently photographed the entire Roosevelt family, and developed a social connection with the President. Several important outcomes came of this new friendship, including Roosevelt eventually writing the foreword to the NAI, as well as making introductions to influential people.

Key among these introductions was one to wealthy financier John Pierpont Morgan, in 1906. After a brief meeting with Curtis during which he viewed several of Curtis's photographs of Native Americans, Morgan agreed to finance the fieldwork for the NAI project for five years, at $15,000.00 per year. It was up to Curtis to cover publishing and promotion costs, with the publication being sold as a subscription. In return, Morgan would receive 25 sets of the 20-volume publication. The ambitious publication plan outlined 20 volumes of ethnological text, each to be illustrated with 75 photogravure prints made from acid-etched copper plates. Each volume would be accompanied by a companion portfolio of 35 large photogravures. With high-quality papers and fine binding, a set would cost $3000.00. 500 sets were planned. Under Morgan, the North American Indian, Inc. formed as body to administer the monies. Also around this time, Frederick Webb Hodge, Director of the Smithsonian Institution's Bureau of American Ethnology, agreed to edit the publications.

Curtis then began more systematic fieldwork, accompanied by a team of research assistants and Native interpreters. In 1906, Curtis hired William E. Myers, a former journalist, as a field assistant and stenographer. Over the years, Myers became the lead researcher on the project, making enormous contributions in collecting data and possibly doing the bulk of the writing for the first 18 volumes. Upon meeting a new community, Curtis and his team would work on gathering data dealing with all aspects of the community's life, including language, social and political organization, religion, food ways, measures and values, and many other topics. (See box 2 folder 1 in this collection for Curtis's list of topics.) Curtis and his assistants, especially Myers, brought books and papers to the field relating to the tribes they were currently concerned with, and often wrote from the field to anthropologists at the Bureau of American Ethnology and other institutions for information or publications. In addition to fieldnotes and photographs, the team also employed sound recording equipment, making thousands of recordings on wax cylinders. Curtis also often brought a motion picture camera, although few of his films have survived.

The first volume of the NAI was published towards the end of 1907. Already, Curtis was encountering difficulty in finding subscribers to the publication despite great praise in the press and among those who could afford the volumes. Curtis spent progressively more of his time outside the field season promoting the project through lectures and in 1911, presenting his "Picture Musicale"—a lecture illustrated with lantern slides and accompanied by an original musical score—in major cities. After the initial five funded years, only eight of the twenty volumes had been completed. However, Morgan agreed to continue support for the fieldwork and publication continued.

Starting in 1910, Curtis and his team worked among the Kwakwaka'wakw First Nation on Vancouver Island, and in 1913 began to develop a documentary film project featuring the community in Alert Bay. In 1914, Curtis produced the feature-length film, In the Land of the Headhunters. The film showcased an all-indigenous cast and included an original musical score. Screened in New York and Seattle, it received high praise. However after this initial success, it did not receive the attention Curtis had hoped for, and resulted in financial loss.

Meanwhile, Curtis's prolonged absences from home had taken a toll on his marriage and in 1919 Clara and Edward divorced. The Seattle studio was awarded to Clara, and Curtis moved to Los Angeles, opening a photography studio with his daughter Beth and her husband Manford "Mag" Magnuson. Daughters Florence and Katherine came to Los Angeles sometime later. Curtis continued with fieldwork and promotion of the project, and in 1922 volume 12 of the NAI was published. Also in 1922, Curtis was accompanied during the field season in California by his daughter Florence Curtis Graybill, the first time a family member had gone to the field with him since the Curtis children were very small.

Curtis continued to push the project and publications along, yet never without financial struggle and he picked up work in Hollywood as both a still and motion picture photographer. John Pierpont Morgan, Jr., continued to provide funding for the fieldwork in memory of his father, but with the various financial upsets of the 1910s and 1920s, Curtis had a difficult time getting subscribers on board. In 1926, Myers, feeling the strain, regretfully resigned after the completion of volume 18. Anthropologist Frank Speck recommended Stewart Eastwood, a recent graduate from the University of Pennsylvania, to replace Myers as ethnologist for the final two volumes.

In 1927, Curtis and his team, along with his daughter Beth Curtis Magnuson, headed north from Seattle to Alaska and Canada on a final field season. Harsh weather and a hip injury made the trip difficult for Curtis, but he was very satisfied with the season's work. The party returned to Seattle, and upon arrival Curtis was arrested for unpaid alimony. He returned exhausted to Los Angeles, and in 1930 the final two volumes of NAI were published without fanfare. Curtis spent the next two years recovering from physical and mental exhaustion. Beth and Mag continued to run the Curtis studio in LA, but for the most part, Curtis had set down his camera for good. With the NAI behind him and his health recovered, Curtis pursued various interests and employment; he continued to do some work in Hollywood, including working on The Plainsman, starring Gary Cooper.

In 1933 Curtis was publicly criticized by John Collier, the Commissioner for Indian Affairs for some of the statements he had made on certain Pueblo ceremonies in the NAI volume 16, published in 1924. In September of 1934 Curtis received a letter from Harold Ickes, Secretary of the Interior regarding the claims published in volume 16, demanding a printed apology to be distributed among the text of the book as well as removal of the offending text from any undistributed copies of the publication. Curtis spent months writing and compiling supporting documentation in his defense, which he submitted to Ickes in January 1935. Also in 1935, the Morgan estate liquidated the North American Indian, Inc. and sold the remaining sets of the NAI volumes and unbound pages, photogravures, and copper printing plates along with the rights to the material to Boston bookseller Charles Lauriat for $1000.00.

Curtis's interest in gold prospecting took a front seat in the mid-1930s. While he scouted for potentially profitable mines in Northern California, his friend Ted Shell and possibly his son Harold sought investors. However, nothing ever fully panned out, though Curtis did design and build a concentrator for separating fine gold from placer tailings. He later sold the patent for ten dollars. Eventually, Curtis settled down on a farm outside Los Angeles, moving later to live with Beth and Mag, where he stayed until his death. In the mid to late 1940s Curtis began to write his memoirs. His daughter Florence visited him regularly and typed as Curtis dictated his recollections, and at some point he completed a draft of a memoir titled "As it Was." He also went through his papers and annotated or tucked notes among the correspondence and other material giving a brief explanation of the item or its context. Curtis died at home in 1952.

Prior to his death, Curtis had been out of the public eye for some years, and the NAI had slipped into relative obscurity. The Curtis studio in Los Angeles continued to sell Curtis's Native American photographs, and Florence gave occasional talks on her father, but it wasn't until the early 1970s that Curtis's work saw a renewed interest. This renaissance took place largely in the art photography market, but Curtis's biography and the NAI were also getting treatment in publications. Florence Curtis Graybill partnered with Victor Boesen to produce two narrative histories of Curtis and his work, and these were followed by many others. Florence continued to publish short works on her father for many years, and stayed in touch with numerous people involved in projects both scholarly and commercial that related to Curtis's work.

Sources Cited

Davis, Barbara. Edward S. Curtis: the life and times of a shadowcatcher. San Francisco: Chronicle Books, 1984.

Gidley, Mick. The North American Indian, Incorporated. New York: Cambridge University Press, 1998.

Chronology

1868 -- Curtis is born in Whitewater, Wisconsin

circa 1874 -- Curtis family moves to Cordova, Minnesota

1887 -- Moves with his father to Washington territory to be joined by his mother and siblings in 1888

1891 -- With Rasmus Rothi forms Rothi & Curtis photography studio in Seattle

1892 -- Marries Clara Phillips With Thomas Guptill forms Curtis & Guptill Photographers and Photoengravers in Seattle

circa 1895 -- Becomes interested in photographing the indigenous people of the area

1897 -- Guptill leaves, Curtis establishes himself as Edward S. Curtis, Photographer and Photoengraver

1898 -- Meets C. Hart Merriam, George Bird Grinnell, and Gifford Pinchot during climb on Mount Rainier Receives first place award from the National Photographic Convention in the "Genre Studies" for his photographs of Native Americans

1899 -- Joins Harriman Alaska Expedition as official photographer at request of C. Hart Merriam and George Bird Grinnell

1900 -- Accompanies George Bird Grinnell to Blackfoot reservation in Montana for Sundance Becomes interested in a major project to document Native American tribes Travels to Arizona to photograph Hopi communities

circa 1902 -- Travels again to the southwest to photograph Native communities

1903 -- Holds first formal exhibit of Native American photographs in his studio

1904 -- Publicly announces intention to produce major publication on Native Americans Portrait entered in the Ladies Home Journal "Prettiest Children in America" contest is selected for publication and as a result, Curtis is asked to photograph President Theodore Roosevelt's family

circa 1904-1906 -- Conducts fieldwork among Native communities of the southwest

1906 -- Meets with J. P. Morgan, who agrees to finance the fieldwork for Curtis's project Hires William E. Myers as researcher and writer for the project

1907 -- Volume 1 of NAI is published

1908 -- Volumes 2 and 3 of NAI are published

1909 -- Volumes 4 and 5 of NAI are published

1911 -- Volumes 6, 7, and 8 of NAI are published Presents and tours the "Picture Musicale"

1913 -- J. P. Morgan dies, but his son agrees to continue to provide support for NAI Volume 9 of NAI is published

1914 -- Releases film In the Land of the Headhunters

1915 -- Volume 10 of NAI is published

1916 -- Volume 11 of NAI is published

1919 -- Edward and Clara Curtis divorce and the Seattle studio is awarded to Clara Moves to Los Angeles and opens new studio with daughter Beth and her husband, Manford Magnuson

1922 -- Volume 12 of NAI is published Conducts fieldwork in California with daughter Florence Curtis Graybill

1924 -- Volumes 13 and 14 of NAI are published

1926 -- Volumes 15, 16, and 17 of NAI are published William E. Myers resigns as chief writer and ethnologist of NAI

1927 -- Conducts fieldwork in Alaska and Canada for final NAI volume with daughter Beth Curtis Magnuson

1928 -- Volume 18 of NAI is published

1930 -- Volumes 19 and 20 of NAI are published

circa 1930-1950 -- Applies himself to various interests, especially gold mining

1952 -- Dies in Los Angeles at the home of Beth and Manford Magnuson
Related Materials:
The National Anthropological Archives holds additional Curtis papers and photographs in MS 2000-18, the Edward Curtis investigation of the battle of Little Bighorn and Photo Lot 59, the Library of Congress copyright prints collection.

The Archives of Traditional Music at Indiana University holds Curtis's wax cylinder audio recordings from 1907-1913.

The Braun Research Library at the Autry Museum of the American West holds the Frederick Webb Hodge papers (1888-1931), which contain substantial correspondence from Curtis. The Braun also holds a small amount of Curtis papers and photographs, including some of Curtis's cyanotypes.

The Getty Research Institute holds the Edward S. Curtis papers (1900-1978), which include the original manuscript scores for the Curtis Picture Musicale and film In the Land of the Headhunters.

The Palace of the Governors at the New Mexico History Museum holds original Curtis negatives pertaining to the southwest.

The Pierpont Morgan Library holds the Edward S. Curtis papers (1906-1947), which contain the records of the North American Indian, Inc., as well as Curtis's correspondence to librarian, and later library director, Belle Da Costa Greene. The library also holds a large collection of Curtis's lantern slides, used in his Picture Musicale.

The Seattle Public Library holds correspondence of Curtis to Librarian Harriet Leitch (1948-1951), pertaining to his career.

The Seaver Center for Western History Research at the Los Angeles County Museum of Natural History holds collection GC 1143, which contains Curtis's field notes as well as manuscript drafts for the North American Indian.

The Smithsonian's National Museum of the American Indian holds NMAI.AC.080, the Edward S. Curtis photogravure plates and proofs, as well as NMAI.AC.053, the Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs.

The University of Washington Libraries Special Collections holds the Edward S. Curtis papers (1893-1983). Additionally, the Burke Museum holds papers and photographs of Edmund Schwinke, which relate to Curtis's work with the Kwakwaka'wakw community.
Separated Materials:
Artifacts collected by Curtis that were a part of this donation comprise Accession No. 2058745 in the collections of the Department of Anthropology in the National Museum of Natural History.
Provenance:
The papers and photographs were donated to the National Anthropological Archives by Jim Graybill, grandson of Edward S. Curtis, in 2010 and 2011.
Restrictions:
Viewing of the photographic negatives and transparencies requires advance notice and the permission of the Photo Archivist.

Access to the Edward S. Curtis papers and photographs requires an appointment.
Rights:
Contact the repository for terms of use.
Identifier:
NAA.2010-28
See more items in:
Edward S. Curtis papers and photographs
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2010-28
Additional Online Media:

Harold E. Morehouse Flying Pioneers Biographies collection

Creator:
Morehouse, Harold E., 1894-1973  Search this
Names:
Early Birds of Aviation (Organization).  Search this
Morehouse, Harold E., 1894-1973  Search this
Extent:
4.36 Cubic feet (4 records center boxes)
4.16 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Date:
circa 1960s-1970s
Summary:
This collection consists of 355 biographies written by Harold E. Morehouse and intended for publication. These biographies discuss Morehouse's fellow early aviation pioneers, many of whom belong to the Early Birds, an organization open to those who soloed before December 17, 1916. Each biography discusses the subject's life and the majority of biographies include a photograph of the individual.
Contents note:
The Harold E. Morehouse Flying Pioneers Biographies Collection (accession XXXX-0450) contains approximately four cubic feet of material. It is also known as The Harold and Marvel Morehouse Aviation Pioneers Collection. The collection includes photographs, negatives, and typewritten material.
Arrangement note:
Container List: Series I: Biographies of Flying Pioneers; Series II: Miscellaneous related materials; Series III: Oversized materials
Biographical note:
This collection consists of over 350 short biographies of early aviation's trailblazers written by Harold E. Morehouse (1894-1973). Conspicuous by its absence is a biography of the author, himself an innovator.

Born in Michigan, Morehouse channelled a youthful fascination with flight into training in the field of mechanical engineering. He began work in 1915 for the Van Blerck Motor Company and assisted in their development of aircraft engines. In 1917, Morehouse was working as a layout draftsman on the Standard J-1 Training Airplane for the Dayton-Wright Aeroplane Company. However, this assignment was quickly superseded by his placement on a secret project, supervised by C.F. Kettering and Orville Wright. Its aim was the production of a selfflying aerial torpedo which has since become known as the Kettering Bug. Morehouse contributed to all phases of this project, including its design, engine development and flight testing. The armistice arrived before the actual deployment of the Bug; Morehouse was to spend the next few years in engine design and development.

In 1925, Morehouse joined the Wright Aeronautical Corporation and both the Wright-Morehouse engine and the Wright-Whirlwind J-5 (a re-design of the J-4) were developed here under Morehouse. The latter engine was later to serve as the powerplant for the historic 1927 trans-Atlantic flight of the Spirit of St. Louis and this was a great source of satisfaction to Morehouse. He left Wright Aero in 1929 and in subsequent years designed the inverted Rover for the Michigan Aero Engine Company, the A-50 for the Continental Motors Corporation and the Engineering and Research Corporation's Erco engine.

About ten years prior to his retirement in 1965, Harold Morehouse began work on a personal project. His aim was to gather information on significant contributors to early aviation and distill this data to produce a set of brief biographies of these innovative men and women. He was assisted in this by his wife, Marvel Dyer. After Harold's death, Marvel worked in concert with Paul E. Garber of the National Air Museum to procure publication of the work. Sadly, the passing of Marvel Dyer and later of Paul Garber seemed to bring plans for publication to a halt.

This collection consists of hundreds of biographical narratives concerning the lives of the "Flying Pioneers." Many of those featured were members of the Early Birds of Aviation, Inc., a group whose members had the distinction of having soloed prior to 1916. Most of the biographies are accompanied by one or more photographs of their subject and comprise an invaluable resource on the accomplishments and sacrifices of those intrepid individuals who forged the history of American aviation. However, it should be borne in mind that the biographies are based in large measure on personal interviews and are concerned primarily with their subjects' careers in aviation.

Other sources should be consulted to obtain a complete portrait.
Provenance:
Mr. and Mrs. Harold E. Morehouse, gift, 1960-1972, XXXX-0450, NASM
Restrictions:
No restrictions on access
Rights:
Permissions Requests
Topic:
Aeronautics -- 1903-1916  Search this
Aeronautics  Search this
Genre/Form:
Photographs
Manuscripts
Citation:
Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0450
See more items in:
Harold E. Morehouse Flying Pioneers Biographies collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0450
Additional Online Media:

Modify Your Search






or


Narrow By