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Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999

Creator:
Leo Castelli Gallery  Search this
Subject:
Nauman, Bruce  Search this
Namuth, Hans  Search this
Johns, Jasper  Search this
Power, Alan  Search this
Parker, Raymond  Search this
Panza, Giuseppe  Search this
Paik, Nam June  Search this
Landsman, Stanley  Search this
Koons, Jeff  Search this
Klapheck, Konrad  Search this
Kiesler, Frederick  Search this
Morris, Robert  Search this
Marisol  Search this
Gorgoni, Gianfranco  Search this
Heller, Ben  Search this
Flavin, Dan  Search this
Judd, Donald  Search this
Daphnis, Nassos  Search this
Epstein, Ethel Steuer  Search this
Darboven, Hanne  Search this
Barry, Robert  Search this
Artschwager, Richard  Search this
Castelli, Leo  Search this
Bloom, Barbara  Search this
Chryssa  Search this
Christo  Search this
Lichtenstein, Roy  Search this
Tworkov, Jack  Search this
Warhol, Andy  Search this
Weiner, Lawrence  Search this
Stella, Frank  Search this
Tremaine, Burton  Search this
Tremaine, Emily Hall  Search this
Twombly, Cy  Search this
Rowan, Carolyn  Search this
Ruscha, Edward  Search this
Rowan, Robert  Search this
Powers, Kimiko  Search this
Powers, John  Search this
Rosenquist, James  Search this
Rauschenberg, Robert  Search this
Starn, Doug  Search this
Starn, Mike  Search this
Scull, Ethel  Search this
Scarpitta, Salvatore  Search this
Serra, Richard  Search this
Scull, Robert C.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Multiples, Inc.  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Ileana Sonnabend (Gallery)  Search this
Jewish Museum (New York, N.Y.)  Search this
Castelli-Sonnabend Tapes and Films, Inc.  Search this
Dwan Gallery (New York, N.Y.)  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Castelli Graphics (Firm)  Search this
Whitney Museum of American Art  Search this
Sidney Janis Gallery  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Type:
Interviews
Video recordings
Sketches
Transcripts
Sound recordings
Notes
Visitors' books
Photographs
Notebooks
Awards
Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- History -- New York (State)New York  Search this
Painting, Modern -- 20th century -- History -- New York (State)New York  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)7351
(DSI-AAA_SIRISBib)209504
AAA_collcode_leocast
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209504
Online Media:

Dwan Gallery records, 1959-circa 1982, bulk 1959-1971

Creator:
Dwan, Virginia, 1931-  Search this
Subject:
Parker, Raymond  Search this
Reinhardt, Ad  Search this
Weber, John  Search this
Snelson, Kenneth  Search this
Flavin, Dan  Search this
Andre, Carl  Search this
Guston, Philip  Search this
Saint-Phalle, Niki de  Search this
Kienholz, Edward  Search this
Mitchell, Joan  Search this
Klein, Yves  Search this
Rauschenberg, Robert  Search this
Morris, Robert  Search this
Scarpitta, Salvatore  Search this
Smithson, Robert  Search this
LeWitt, Sol  Search this
Richenburg, Robert  Search this
Raysse, Martial  Search this
Rivers, Larry  Search this
Oldenburg, Claes  Search this
Kline, Franz  Search this
Arman  Search this
Arakawa, Shusaku  Search this
Goodnough, Robert  Search this
Anastasi, William  Search this
Dwan Gallery (New York, N.Y.)  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Type:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6056
(DSI-AAA_SIRISBib)216037
AAA_collcode_dwangall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216037
Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
88.9 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 88.9 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 35.4 linear foot unprocessed addition to this collection donated in 2015, 2021 and 2023 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley numerous notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence." Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 35.4 linear foot unprocessed addition to this collection donated in 2015, 2021 and 2023 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley numerous notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-113; 35.4 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015, 2021 and 2023.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Dwan Gallery records

Creator:
Dwan, Virginia  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Anastasi, William, 1933-  Search this
Andre, Carl, 1935-  Search this
Arakawa, Shusaku, 1936-  Search this
Arman, 1928-2005  Search this
Flavin, Dan, 1933-  Search this
Goodnough, Robert, 1917-  Search this
Guston, Philip, 1913-1980  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Mitchell, Joan, 1926-1992  Search this
Morris, Robert, 1931-2018  Search this
Oldenburg, Claes, 1929-  Search this
Parker, Raymond, 1922-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Raysse, Martial, 1936-  Search this
Reinhardt, Ad, 1913-1967  Search this
Richenburg, Robert  Search this
Rivers, Larry, 1925-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Weber, John, 1932-2008  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Slides (photographs)
Date:
1959-circa 1982
bulk 1959-1971
Summary:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.
Scope and Contents:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.

Artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry Rivers, Philip Guston, Yves Klein, Salvatore Scarpitta, Arakawa, Martial Raysse, Ad Reinhardt, Arman, Franz Kline, Edward Kienholz, Claes Oldenburg, Niki de Sainte Phalle, Joan Mitchell, Robert Rauschenberg, Robert Morris, Dan Flavin, Raymond Parker, Kenneth Snelson, Carl Andre, Sol LeWitt, Robert Smithson, and Anastasi. Also, the exhibition files are nearly comprehensive and include: Language to be Looked at and/or Things to be Read annual series (1967-1970), Boxes (1964), Earth Works (1968), My Country 'tis of Thee (1962) and 10 (1967 and 1968). Many of the multiple artist shows were created and organized by gallery director John Weber and/or Virginia Dwan. Many of these exhibition files include full-sized posters and panoramic photos showing installations.

Also found are records created by a consulting firm hired by the Dwan Gallery to inventory the exhibition files prior to donation to the Archives of American Art. These guides appear at the beginning of each series and outline a chronology of exhibitions held at each branch.
Arrangement:
The collection is arranged into two series:

Missing Title

Series 1: Los Angeles Exhibition Files, 1959-1967, after 1981 (Box 1-2, 5, OV6, OV8; 1.3 linear feet)

Series 2: New York Exhibition Files, 1965-1971, after 1982 (Box 2-4, OV7; 1.0 linear feet)
Biographical / Historical:
In 1959, Virginia Dwan opened her first gallery on 1091 Broxton Avenue in the Westwood Village neighborhood of Los Angeles, California. Her independent wealth allowed her to open a gallery without worrying about business and sales. Three years after opening, the Dwan Gallery moved into a new Westwood Village space especially designed to express the gallery's contemporary aesthetic. In 1965, Virginia Dwan moved to New York City and founded an east coast branch of the Dwan Gallery at 29 West 57th Street.

Early exhibitions at the Dwan Gallery showed Abstract Expressionist artists and works of art from New York which Dwan consigned from other galleries. After traveling to New York and France, Virginia Dwan's interests and tastes manifested in exhibitions by 1961 with Yves Klein. Through Klein, Dwan made connections to other Nouveaux Réalistes artists that the gallery featured in solo and group shows. Later exhibitions featured Land and Minimilist artists. Dwan recognized that many of her shows were not considered salable but continued to show the avant-garde. She saw the gallery as an opportunity to expose the public to different styles of art.

Virginia Dwan maintained a close and personal relationship with many of her artists. She allowed large stipends to gallery artists and invited them to spend time at her home in Malibu, California. When working with artists concentrating on found objects, Dwan would accompany them on scavenger hunts and shopping trips. In the case of Robert Smithson and other Land Art artists, she traveled to offsite locations to visit works of art in progress. Dwan relied on her longtime gallery director, John Weber to interact with collectors as she preferred to maintain her connection with the artists.

The Dwan Gallery Los Angeles closed in mid-1967 but the New York branch remained open. By 1971, Virginia Dwan felt pressure to support her thirteen artists through a period of economic insecurity. She decided to close the gallery secretly and only informed her artists at the last minute. The final exhibition at Dwan Gallery New York closed in June of 1971.
Related Materials:
Also found within the Archives of American Art is an interview with Virginia Dwan conducted March 21 through June 1, 1984 by Charles Stuckey.
Separated Materials:
Dwan Gallery exhibition catalogs that were donated to the Archives in 1989 were transferred to the Smithsonian Institution American Art and National Portrait Gallery Library.

Bard College's Center for Curatorial Studies and Art in Contemporary Culture holds Dwan Gallery materials related to exhibitions in the Library and Archives.
Provenance:
The Dwan Gallery records were donated in 1996 by Virginia Dwan, the former owner of the gallery.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- California
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwangall
See more items in:
Dwan Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e337be1-1336-40b7-a8a2-03c8589bab03
EDAN-URL:
ead_collection:sova-aaa-dwangall
Online Media:

Guggenheim international exhibition, 1971

Author:
Solomon R. Guggenheim Museum  Search this
Physical description:
1 case (43 pages, 21 folded sheets) illustrations (part color), ports 29 x 23 cm
Type:
Exhibitions
Expositions
Black-and-white photography
Exhibition catalogues
Art photography
Exhibition catalogs
Relief halftones (prints)
Place:
United States
Massachusetts
Date:
1971
20th century
20e siècle
Topic:
Minimal sculpture  Search this
Sculpture minimale  Search this
Minimal Art  Search this
Call number:
NB198.5.M5 S68
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_8421

Lucy R. Lippard papers, 1930s-2010, bulk 1960-1990

Creator:
Lippard, Lucy R.  Search this
Subject:
Chicago, Judy  Search this
Andre, Carl  Search this
Stevens, May  Search this
Pearson, Henry  Search this
Darboven, Hanne  Search this
Henes, Donna  Search this
Hammond, Harmony  Search this
LeWitt, Sol  Search this
Edelson, Mary Beth  Search this
Judd, Donald  Search this
Johnson, Ray  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Alliance for Cultural Democracy  Search this
Studio International (Firm)  Search this
University of Colorado  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Addison Gallery of American Art  Search this
Women's Caucus for Art  Search this
Heresies Collective, Inc.  Search this
Type:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2010, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7895
(DSI-AAA_SIRISBib)210062
AAA_collcode_lipplucy
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210062
Online Media:

Fischbach Gallery records, 1937-2015, bulk 1963-1977

Creator:
Fischbach Gallery  Search this
Subject:
Swain, Robert  Search this
Sugarman, George  Search this
Altoon, John  Search this
Bladen, Ronald  Search this
Antonakos, Stephen  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan  Search this
Davis, Gene  Search this
Dunn, Anne  Search this
Gilardi, Piero  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
Krushenick, Nicholas  Search this
Levine, Les  Search this
Mangold, Robert  Search this
Ohlson, Douglas Dean  Search this
Ryan, Anne  Search this
Ryman, Robert  Search this
Slavin, Arlene  Search this
Smith, Tony  Search this
Thiabaut Galley  Search this
Type:
Gallery records
Photographs
Citation:
Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)8173
(DSI-AAA_SIRISBib)210344
AAA_collcode_fiscgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210344
Online Media:

Fischbach Gallery records

Creator:
Fischbach Gallery  Search this
Names:
Thiabaut Galley  Search this
Altoon, John, 1925-  Search this
Antonakos, Stephen, 1926-2013  Search this
Bladen, Ronald, 1918-1988  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan, 1930-  Search this
Davis, Gene, 1920-1985  Search this
Dunn, Anne  Search this
Gilardi, Piero, 1942-  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
Krushenick, Nicholas, 1929-1999  Search this
Levine, Les, 1935-  Search this
Mangold, Robert, 1937-  Search this
Ohlson, Douglas Dean, 1936-  Search this
Ryan, Anne, 1889-1954  Search this
Ryman, Robert, 1930-  Search this
Slavin, Arlene, 1942-  Search this
Smith, Tony, 1912-  Search this
Sugarman, George, 1912-1999  Search this
Swain, Robert, 1940-  Search this
Extent:
39.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Photographs
Date:
1937-2015
bulk 1963-1977
Summary:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.
Scope and Content Note:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials.

Artists and Exhibition Files contain information on over one hundred Fischbach Gallery artists and measure 18 linear feet. The contents of each file varies, but typically may include biographical information; correspondence between the artist, museums, and other galleries; scattered consignment information; printed materials including articles, clippings, exhibition announcements and catalogs, and press releases; photographs of the artist, installations, constructions, and works of art; and negatives, slides, and transparencies. Substantial files are found for John Altoon, Stephen Antonakos, Ronald Bladen, Wynn Chamberlain, Allan D'Arcangelo, Gene Davis, Anne Dunn, Piero Gilardi, Eva Hesse, Alex Katz, Nicholas Krushenick, Les Levine, Robert Mangold, Doug Ohlson, Anne Ryan, Robert Ryman, Arlene Slavin, Tony Smith, George Sugarman, and Robert Swain, among others. Also included are files pertaining to group exhibitions including "According to the Letter" (1963), "Hard Center" (1963), "Six Women" (1965), "Game Without Rules" (1966), "Direct Representation" (1969), and "Eccentric Abstraction" (1966) which was organized by Lucy Lippard.

General gallery correspondence is business correspondence between the gallery and companies, individuals, museums, galleries, dealers, new or non-Fischbach artists, and institutions. Additional business records consist of an address book, lists of Fischbach artists, gallery plans, a notebook, as well as guest lists, mailing lists, and press lists.

Financial records are access restricted and require written permission from the donor's representative for use. The files document financial transactions for many of the artists represented in the artists files and includes sales records, invoices, artists' payments, and correspondence about sales and possible sales. The alphabetical financial files document routine gallery business, such as framing, shipping, insurance, messenger, publicity, etc. and are organized by name of business. General financial files consist of accounting ledgers, banking documents, insurance claims, and travel accounts.

Printed materials consist of various business cards, clippings concerning the Fischbach Gallery, and a pamphlet by Ron Williams as a guide to New York galleries. The bulk of printed materials are found in the Artists and Exhibition Files.

A small series of photographs include those from the Thiabaut Gallery, and unidentified photos of landscapes. It is likely that Fischbach Gallery occupied the space previously used by the Thiabaut Gallery and some materials were included in the collection for that reason. The bulk of photographic materials are found in the Artists and Exhibition Files.

In 2015, 14 feet of records were added to the collection. The addition consists of inventory and client sales records in the form of card indexes. The addition is access-restricted until 2065.

A 2019 addition of 0.2 linear feet, consisting of material related to Marilyn Fischbach's art collection, was processed in 2020.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Artists and Exhibitions Files, 1937-1977 (Boxes 1-18, 28; 18 linear feet)

Series 2: Gallery Correspondence, 1962-1974 (Boxes 18-19; 1.75 linear feet)

Series 3: Business Records, 1969-1971 (Box 27; 0.3 linear feet)

Series 4: Financial Records, 1963-1975 (Boxes 20-25; 4.5 linear feet)

Series 5: Printed Material, 1963-1972 (Box 26; 6 folders)

Series 6: Photographs, circa 1960s (Box 26; 2 folders)

Series 7: Inventory Card Indexes, circa 1960s-2015 (12.1 linear feet; Box 29-41)

Series 8: Client Sales Card Index, circa 1970s-2000s (1.9 linear feet; Box 41-42)

Series 9: Marilyn Fischbach Collection Records, circa 1975-2000 (0.2 linear feet; Box 43)
Historical Note:
The Fischbach Gallery was founded in 1960 by Marilyn Cole Fischbach at 799 Madison Avenue in New York City. The gallery was noted for its stable of minimalist young artists in the 1960s, and the work of the painterly realists in the 1970s. The gallery remains open today.

During its early years, the gallery was among the first to focus on 1960s avant-garde and minimalist artists. Marilyn possessed a talent for discovering young artists and for helping them advance their careers. Many of these young artists became well-known, including Ronald Bladen, Eva Hesse, and Alex Katz. Other artists represented by the gallery include Allan D'Arcangelo, Les Levine, Robert Mangold, Robert Ryman, George Sugarman, and Robert Swain.

The gallery also had an active exhibition schedule and organized and hosted group exhibitions of modern art, including "According to the Letter" (1963), "Hard Center" (1963), and "Direct Representation" (1969). Additionally, the Fishbach Gallery hosted "Eccentric Abstraction" in 1966, an exhibition organized by Lucy Lippard.

Later, the gallery moved to W. 57th Street in Manhattan. Fischbach hired A. Aladar Marberger as director of the gallery. Under his direction, the Fischbach Gallery shifted from the avant-garde to contemporary American realism and minimalist sculpture. In the 1980s, Marilyn Fischbach brought three investors into the gallery. She remined a co-owner, but lived in Paris, France for many years prior to her death at the age of seventy-two. The Fischbach Gallery remains open at 210 West 11th Street at 25th Street in New York City.
Provenance:
Gallery founder Marilyn C. Fischbach and director A. Aladar Marberger donated the majority of the Fischbach Gallery records in 1978. Additional records were donated in 2001 by Maureen Dawley on behalf of the Carnegie Mellon University and in 2015 and in 2019 by John Fischbach, Marilyn C. Fischbach's son.
Restrictions:
Use of original papers requires an appointment. Written permission from the donor is also required to view the series of financial records and the 2015 addition of card indexes. Contact the Reference Services Department for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Gallery records
Photographs
Citation:
The Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fiscgall
See more items in:
Fischbach Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9250bd192-6986-4fdd-bec0-08a93a98e4ed
EDAN-URL:
ead_collection:sova-aaa-fiscgall
Online Media:

Monumental art

Author:
Contemporary Arts Center (Cincinnati, Ohio)  Search this
Leonard, William Albers  Search this
Physical description:
[14] p illus 46 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
United States
États-Unis
Date:
1970
Topic:
Minimal art  Search this
Art minimal  Search this
Call number:
N6512.5.M5 C6X
N6512.5.M5C6X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_6990

The direct image in contemporary American painting exhibition and catalogue ... Worcester Art Museum, October 16 to November 30, 1969

Author:
Shulman, Leon  Search this
Author:
Worcester Art Museum  Search this
Physical description:
[48] p illus 23 cm
Type:
Exhibitions
Expositions
Exhibition catalogues
Exhibition catalogs
Place:
United States
États-Unis
Date:
1969
20th century
20e siècle
Topic:
Art, American  Search this
Minimal art  Search this
Art américain  Search this
Art minimal  Search this
Call number:
N6512.5.M5 S38
N6512.5.M5 S38
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7833

Oral history interview with Sol LeWitt, 1974 July 15

Interviewee:
LeWitt, Sol, 1928-2007  Search this
Interviewer:
Cummings, Paul  Search this
Subject:
Candido, Anthony  Search this
Flavin, Dan  Search this
Kerkam, Earl  Search this
Muybridge, Eadweard  Search this
Syracuse University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Sol LeWitt, 1974 July 15. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Minimal sculpture -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Graphic artists -- Interviews  Search this
Sculptors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12701
(DSI-AAA_SIRISBib)211968
AAA_collcode_lewitt74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211968
Online Media:

Gregory Battcock papers, 1952-circa 1980

Creator:
Battcock, Gregory, 1937-1980  Search this
Subject:
Livingston, Braniff  Search this
Partch, Harry  Search this
Levine, Les  Search this
Frank, Peter  Search this
Hess, Emil  Search this
Dalí, Salvador  Search this
Dreva, Jerry  Search this
Nakagawa, Naoto  Search this
Whyte, Ron  Search this
Brown, Cee  Search this
Christo  Search this
McGeehan, Robert  Search this
Warhol, Andy  Search this
Morley, Malcolm  Search this
Beker, Gisela  Search this
Varble, Stephen  Search this
Van Baron, Judith  Search this
Battcock, Elizabeth  Search this
Wechter, Vivienne Thaul  Search this
Halbert, Jacques  Search this
Neri, Julio  Search this
Paik, Nam June  Search this
Pocock, Philip  Search this
Glusberg, Jorge  Search this
Calder, Alexander  Search this
Burton, Scott  Search this
Schult, Ha  Search this
Carsman, Jon  Search this
George, John  Search this
Picard, Lil  Search this
Peña, Rolando  Search this
Goldstein, Al  Search this
William Paterson College of New Jersey  Search this
Bronx Museum of the Arts  Search this
International Association of Art Critics  Search this
Trylon & perisphere  Search this
Type:
Video recordings
Scrapbooks
Diaries
Photographs
Interviews
Citation:
Gregory Battcock papers, 1952-circa 1980. Archives of American Art, Smithsonian Institution.
Topic:
Constructivism (Art)  Search this
Educators -- New York (State) -- New York  Search this
Minimal art  Search this
Painters -- New York (State) -- New York  Search this
Art -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art thefts  Search this
Theme:
Sketches & Sketchbooks  Search this
Diaries  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10960
(DSI-AAA_SIRISBib)214742
AAA_collcode_battgreg
Theme:
Sketches & Sketchbooks
Diaries
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214742
Online Media:

Robert Scull papers, 1955-circa 1984, bulk 1965-1970

Creator:
Scull, Robert, 1917-1986  Search this
Subject:
Heizer, Michael  Search this
Johns, Jasper  Search this
De Maria, Walter  Search this
Di Suvero, Mark  Search this
Samaras, Lucas  Search this
Rauschenberg, Robert  Search this
Warhol, Andy  Search this
Kuehn, Gary  Search this
Oldenburg, Claes  Search this
Tweddle, John  Search this
Calder, Alexander  Search this
Type:
Sketches
Citation:
Robert Scull papers, 1955-circa 1984, bulk 1965-1970. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- Connecticut  Search this
Pop art  Search this
Art, Abstract  Search this
Minimal art  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)6406
(DSI-AAA_SIRISBib)215378
AAA_collcode_sculrobe
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215378
Online Media:

Hal Glicksman papers relating to California artists, 1936-2010, bulk 1960-1974

Creator:
Glicksman, Hal, 1937-  Search this
Subject:
Hefferton, Phillip C. (Phillip Conrad)  Search this
Herms, George  Search this
Talbert, Ben  Search this
Berman, Wallace  Search this
Cameron, Marjorie  Search this
Temple of Man (Venice, Calif.)  Search this
Type:
Sound recordings
Video recordings
Citation:
Hal Glicksman papers relating to California artists, 1936-2010, bulk 1960-1974. Archives of American Art, Smithsonian Institution.
Topic:
Conceptual art  Search this
Minimal art  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)17539
(DSI-AAA_SIRISBib)392291
AAA_collcode_glichal
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_392291

Oral history interview with Robert Richenburg, 1968 August 27

Interviewee:
Richenburg, Robert, 1917-2006  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Cornell University  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Richenburg, 1968 August 27. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art -- Political aspects  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- Ithaca -- Interviews  Search this
Pop art  Search this
Sculptors -- New York (State) -- Ithaca -- Interviews  Search this
Vietnam War, 1961-1975  Search this
Record number:
(DSI-AAA_CollID)12559
(DSI-AAA_SIRISBib)214131
AAA_collcode_richen68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214131
Online Media:

Oral history interview with Faith Ringgold, 1972

Interviewee:
Ringgold, Faith, 1930-  Search this
Interviewer:
Holmes, Doloris  Search this
Subject:
Savage, Augusta  Search this
Crump, Iris  Search this
Browne, Vivian E.  Search this
Women Students and Artists for Black Liberation  Search this
Biennale di Venezia (34th : 1968 : Venice, Italy)  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Faith Ringgold, 1972. Archives of American Art, Smithsonian Institution.
Topic:
Surrealism  Search this
Minimal art  Search this
Art, African  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women performance artists  Search this
Women sculptors  Search this
African American painters  Search this
African American sculptors  Search this
African American art -- African influences  Search this
Theme:
African American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11488
(DSI-AAA_SIRISBib)214194
AAA_collcode_ringgo72
Theme:
African American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214194

Oral history interview with Hal Glicksman, 2023 January 27-February 8

Interviewee:
Glicksman, Hal, 1937-  Search this
Interviewer:
Simms, Matthew Thomas, 1967-  Search this
Subject:
California State University, Long Beach  Search this
Pasadena Art Museum  Search this
Temple of Man (Venice, Calif.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Hal Glicksman, 2023 January 27-February 8. Archives of American Art, Smithsonian Institution.
Topic:
Conceptual art  Search this
Minimal art  Search this
Record number:
(DSI-AAA_CollID)22255
AAA_collcode_glicks23
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22255

Oral history interview with William Douglas Carlson, 2009 June 24-25

Interviewee:
Carlson, William Douglas, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Billeci, Andre  Search this
Carpenter, James  Search this
Chihuly, Dale  Search this
Dailey, Dan  Search this
Daley, William  Search this
Fereighi, Christine  Search this
Heizer, Michael  Search this
Heller, Doug  Search this
Hilton, Eric  Search this
Marquis, Richard  Search this
Marx, Bonnie  Search this
Matta-Clark, Gordon  Search this
Serra, Richard  Search this
Smith, Terry  Search this
Stella, Frank  Search this
Young, Brent  Search this
Alfred University  Search this
Art Students League (New York, N.Y.)  Search this
Cleveland Institute of Art  Search this
Lowe Art Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
University of Illinois at Urbana-Champaign  Search this
University of Miami  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William Douglas Carlson, 2009 June 24-25. Archives of American Art, Smithsonian Institution.
Topic:
Constructivism (Art)  Search this
Glass artists -- Florida -- Interviews  Search this
Minimal art  Search this
Glass art  Search this
Record number:
(DSI-AAA_CollID)15696
(DSI-AAA_SIRISBib)283444
AAA_collcode_carlso09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283444
Online Media:

Oral history interview with Raquel Rabinovich, 2012 September 25 and October 9

Interviewee:
Rabinovich, Raquel, 1929-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Beethoven, Ludwig van  Search this
Borges, Jorge Luis  Search this
Braque, Georges  Search this
Cézanne, Paul  Search this
Del Giocondo, Lisa  Search this
Denes, Agnes  Search this
Farina, Ernesto  Search this
Herzberg, Julia P.  Search this
Johns, Jasper  Search this
Kelly, Robert  Search this
Lenin, Vladimir Il?ich  Search this
Lhote, André  Search this
Maggi, Marco  Search this
Martin, Agnes  Search this
Mondolfo, Rodolfo  Search this
Mondrian, Piet  Search this
Pavia, Philip  Search this
Perón, Juan Domingo  Search this
Picasso, Pablo  Search this
Quasha, George  Search this
Rockburne, Dorothea  Search this
Schwabsky, Barry  Search this
Stein, Charles  Search this
Strauss, David Levi  Search this
Velázquez, Diego  Search this
Weintraub, Linda  Search this
Zimmer, William  Search this
Hispanic American Arts Center (New York, N.Y.)  Search this
Station Hill Press  Search this
Type:
Interviews
Sound recordings
Place:
Argentina -- Description and travel
Denmark -- Copenhagen -- Description and travel
Egypt -- description and travel
France -- Paris -- description and travel
India -- description and travel
Machu Picchu Site (Peru)
Nepal -- description and travel
New York (N.Y.) -- Description and travel
Thailand -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Raquel Rabinovich, 2012 September 25 and October 9. Archives of American Art, Smithsonian Institution.
Topic:
Buddhism  Search this
Minimal art  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Record number:
(DSI-AAA_CollID)16067
(DSI-AAA_SIRISBib)338396
AAA_collcode_rabino12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_338396
Online Media:

Oral history interview with Robert Mangold, 2017 November 16

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
LeWitt, Sol  Search this
Lippard, Lucy R.  Search this
Marden, Brice  Search this
Nice, Don  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Cleveland Institute of Art  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.)  Search this
Yale/Norfolk Summer School of Art  Search this
Type:
Interviews
Sound recordings
Place:
Italy -- description and travel
New York (N.Y.) -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Mangold, 2017 November 16. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Record number:
(DSI-AAA_CollID)17524
(DSI-AAA_SIRISBib)391130
AAA_collcode_mangol17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391130
Online Media:

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