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Katharine Kuh papers, 1875-1994, bulk, 1930-1994

Creator:
Kuh, Katharine, 1904-1994  Search this
Subject:
Rothko, Mark  Search this
Feitelson, Lorser  Search this
Seligmann, Kurt  Search this
Sandburg, Carl  Search this
Burger, Warren E.  Search this
Knox, Seymour H.  Search this
Nutting, Muriel Leone Tyler  Search this
Giacometti, Alberto  Search this
Millier, Arthur Henry Thomas  Search this
LÔeger, Fernand  Search this
Goto, Joseph  Search this
Ray, Man  Search this
Shahn, Ben  Search this
Young, Victor  Search this
Arp, Jean  Search this
Woolf, Olga  Search this
Tobey, Mark  Search this
O'Higgins, Pablo  Search this
Biddle, George  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Chermayeff, Serge  Search this
Hirshhorn, Joseph H.  Search this
Graves, Robert  Search this
Mérida, Carlos  Search this
Le Corbusier  Search this
Stevenson, Adlai E. (Adlai Ewing),  Search this
Arensberg, Louis  Search this
Hofmann, Hans  Search this
Day, Worden  Search this
Perkins, Frances  Search this
Kandinsky, Wassily  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Motherwell, Robert Burns  Search this
Grabe, Klaus  Search this
Moholy-Nagy, László  Search this
Ozbekhan, Hasan  Search this
Mies van der Rohe, Ludwig  Search this
Lundeberg, Helen  Search this
Falkenstein, Claire  Search this
Thiel, Philip  Search this
Friendly, Fred W.  Search this
Shackelford, Shelby  Search this
Barr, Alfred H.  Search this
Pollack, Peter  Search this
Johnson, Ray  Search this
Breuer, Marcel  Search this
Picasso, Pablo  Search this
Hare, Denise Browne  Search this
Johnson, Philip  Search this
Archipenko, Alexander  Search this
Chagall, Marc  Search this
Hélion, Jean  Search this
Guggenheim, Peggy  Search this
Dickinson, Edwin Walter  Search this
Calder, Alexander  Search this
Cox, Richard  Search this
Ernst, Jimmy  Search this
Hare, David  Search this
Albright, Ivan  Search this
Lye, Len  Search this
Johns, Jasper  Search this
Inverarity, Robert Bruce  Search this
Klee, Paul  Search this
Tanning, Dorothea  Search this
Adams, Ansel Easton  Search this
Campoli, Cosmo  Search this
Chavez Morado, José  Search this
Albers, Josef  Search this
Guston, Philip  Search this
Kline, Franz  Search this
Orozco, José Clemente  Search this
Wiston, Harry Lewis  Search this
Kepes, Juliet  Search this
Dubuffet, Jean  Search this
Arensberg, Walter  Search this
Barnet, Will  Search this
Golub, Leon  Search this
Rich, Daniel Catton  Search this
Still, Clyfford E.  Search this
Sterne, Hedda  Search this
Hayter, Stanley William  Search this
Cornell, Joseph  Search this
Putnam, Wallace  Search this
Spaeth, Otto  Search this
Nutting, Myron Chester  Search this
Art Institute of Chicago  Search this
Albright-Knox Art Gallery  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Biennale di Venezia  Search this
Type:
Lithographs
Resumes
Awards
Illustrated letters
Drawings
Poetry
Lectures
Sound recordings
Calendars
Travel diaries
Visitors' books
Minutes
Watercolors
Scrapbooks
Collages
Photographs
Lecture notes
Sales records
Prints
Wills
Topic:
Women art dealers  Search this
Authors  Search this
Art, Abstract  Search this
Art, American  Search this
Art critics  Search this
Women museum curators  Search this
Art festivals  Search this
Art, Modern  Search this
Women art historians  Search this
Art galleries, Commercial  Search this
Women art critics  Search this
Record number:
(DSI-AAA_CollID)9951
(DSI-AAA_SIRISBib)212503
AAA_collcode_kuhkath
Theme:
Art Theory and Historiography
Women
Art Gallery Records
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212503

YM/YWHA Arts Council records, 1962-2006, bulk 1967-1981

Creator:
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Subject:
Golden, Judith  Search this
Type:
Drafts (documents)
Minutes
Topic:
Associations, institutions, etc  Search this
Art  Search this
Art centers  Search this
Record number:
(DSI-AAA_CollID)9559
(DSI-AAA_SIRISBib)211760
AAA_collcode_younmens
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211760
Additional Online Media:

Steinway & Sons Records and Family Papers

Creator:
Steinway, William  Search this
Steinway, Henry Ziegler  Search this
Steinway family  Search this
Steinway & Sons  Search this
Krüsi, Bartholomew, Rev.  Search this
Source:
Musical History, Division of (NMAH, SI)  Search this
Names:
CBS  Search this
German Presbyterian Church (New York, N.Y.)  Search this
Lehman, Lilly  Search this
Steinway, Fred T., 1860-1927  Search this
Steinway, Henry (Heinrich Engelhard Steinweg), 1797-1871  Search this
Steinway, John  Search this
Steinway, Theodore (C.F. Theodore Steinweg), 1825-1889  Search this
Former owner:
Musical History, Division of (NMAH, SI)  Search this
Extent:
6 Cubic feet (12 boxes, including photographs and microfilm)
Type:
Archival materials
Collection descriptions
Business records
Diaries
Catalogs
Correspondence
Microfilms
Photographs
Minute books
Business letters
Love letters
Letters
Letter books
Date:
1857-1919
Summary:
Records of the Steinway & Sons piano company and a daily diary of William Steinway, a key figure in the rise of the company to international prominence in the nineteenth century. The records document overall operations of the company, individual piano serial numbers, and the business and personal life of William Steinway, a prominent figure in New York business, politics, and musical life.
Scope and Contents:
The collection consists of an original diary (and microfilm copies) kept by William Steinway and microfilm copies of nineteenth century business records of Steinway & Sons. There also are business and family photographs and some miscellaneous documents.
Arrangement:
Series 1, William Steinway Diary, 1861-1896

Series 2, Steinway Business Records, 1858-1910

Series 3, Steinway Family Materials, 1877-1882

Series 4, Rev. Bartholomew Krüsi Materials, 1857-1919
Biographical / Historical:
Heinrich Engelhard Steinway (Steinweg) (born 1797, Wolfshagen, Germany; died 1871, New York City) made his first piano in 1836. In 1850 he immigrated to America and settled in New York City with his wife, three daughters, and four of his five sons. He and his sons Charles, Henry, Jr., and William at first worked for various New York piano makers until 1853 when they formed the partnership of Steinway & Sons. One year later Steinway & Sons' square pianos won first prize at the Metropolitan Mechanics Institute Exhibition (held at the Smithsonian Institution in Washington, D.C.) and in 1855 won the Gold medal for the best piano (an over-strung iron-frame square piano) in the American Institute Fair at the Crystal Palace in New York City. In 1859, Henry, Jr. patented (patent no. 26,532, December 20, 1859) a design for a one-piece over-strung iron frame for the grand piano that won praise, a gold medal, and international recognition at the 1867 Paris Exposition.

The firm faced a crisis in 1865 when two of Heinrich's sons died: Henry (born 1831), who was responsible for the first seven patents, and Charles (born 1829). The family prevailed on the eldest son, C. F. Theodor (1825 1889), to sell his partnership as a piano manufacturer in Braunschweig, Germany, and to join his family in New York City. Not eager to sever all his ties in Germany, Theodor spent time in both countries until his death, contributing technical innovations that resulted in forty-one patents. One of these patents was for the duplex scale in 1872. Several of the following generation worked with the firm, including Fred T. Steinway (1860-1927), son of Charles, who served in London, Hamburg, and New York City.

C. F. Theodor Steinway's technical skills were matched by the entrepreneurial skills of his brother William (1835 1896). William was a creative businessman who played the piano, sang tenor, and supported the musical life of New York City. His promotional and marketing techniques, and his cultivation of eminent musicians and association with aristocratic patrons, helped to make Steinway & Sons so successful. William Steinway was prominent in New York City social and political life.

In 1880, Steinway & Sons opened a Hamburg branch. The firm was sold in 1972 to CBS. Subsequent owners include the Birmingham Brothers (Steinway Musical Properties, 1985-1995) and Steinway Musical Instruments, Inc. (1995-).
Related Materials:
The LaGuardia and Wagner Archives at LaGuardia Community College/CUNY is the largest repository of Steinway materials. It holds extensive business records as well as personal papers and photographs. The Steinway family loaned seventy folders of Steinway family correspondence to the National Museum of American History in October, 1984, and a program of transcription and translation was begun by the Steinway Diary Project. The original correspondence was transferred to the Archives Center in August 1985 and, at the request of Henry Z. Steinway, transferred to the LaGuardia and Wagner Archives in March, 1990. Additional Steinway materials are at the New York Historical Society, the University of Maryland Performing Arts Library, and other repositories. The control file for this collection has further information on the location of Steinway materials.

The Archives Center's N W Ayer Advertising Agency Records contains advertising proof sheets for Steinway & Sons from 1900 through 1963. The Piano series of the Warshaw Collection of Business Americana contains five folders of material on Steinway. The Industry on Parade Film Collection has a short, 1953 film (reel #156) on Steinway's manufacture of pianos in its Long Island plant. The Sohmer & Company Records contain three folders of trade literature from Steinway. These include catalogs, pamphlets, and booklets on the Steinway family genealogy and on the Steinway piano used at the White House. Sohmer, also a New York City piano manufacturer, collected copies of competitors' sales catalogs and other publications.
Separated Materials:
The Division of Culture and the Arts holds several Steinway and Sons pianos.
Provenance:
Henry Z. Steinway donated the William Steinway diary on April 2, 1996.
Restrictions:
The collection is open for research use. Researchers must use positive microfilm copy of diary. Researchers must handle unprotected photographs with gloves.
Rights:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Keyboard instruments -- Manufacturing  Search this
Travel  Search this
United States -- History -- Civil War, 1861-1865  Search this
Politics -- New York (N.Y.)  Search this
Church Interiors  Search this
Piano  Search this
Piano makers  Search this
Genre/Form:
Business records
Diaries
Catalogs
Correspondence -- 1930-1950
Microfilms -- Negative
Photographs -- 1850-1900
Minute books
Business letters
Love letters
Letters
Letter books
Photographs -- Black-and-white photoprints -- 1900-1910
Citation:
Steinway and Sons Piano Company Collection, 1857-1919, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0178
See more items in:
Steinway & Sons Records and Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0178
Additional Online Media:

Minutes of the Session of the First Syrian Presbyterian Church, Brooklyn, N.Y. No. 1. Minute book

Compiler:
Presbyterian Board of Publication and Sabbath School Work  Search this
Creator:
Haberstich, David E., 1941- (microfilmer)  Search this
Collector:
Naff, Alixa, 1919-2013  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
0.1 Cubic feet (2 reels)
Culture:
Arab Americans  Search this
Syrian Americans  Search this
Type:
Archival materials
Microfilm master negative
Microfilm positive
Photonegatives
Minute books
Date:
1908-1950
Scope and Contents:
Microfilm copy of a bound, hand-written book owned by the First Syrian Presbyterian Church, Brooklyn, N.Y.
Arrangement:
Microfilm from a series in Collection 78. Filmed in sequential page number order.
Reproduction Note:
Microfilm. Washington, D.C.: Archives Center, NMAH, 1990. 2 microfilm reels (camera negative and master positive), 35 mm.
Restrictions:
Unrestricted research use on site; copies may be purchased. The Archives Center's service positive microfilm may be removed from the Archives Center for viewing in the NMAH Library's microfilm readers. Contact NMAH Library for access. Master negative not available to researchers.
Rights:
Authorization to publish must be obtained from the First Syrian Presbyterian Church, Brooklyn, New York.
Topic:
Church history -- 20th century  Search this
Immigrants -- 20th century  Search this
Genre/Form:
Microfilm master negative
Microfilm positive
Photonegatives -- Microfilm
Minute books
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4310

History of Young Men of Deir-El-Kamar and Suburbs: account book

Compiler:
American Lebanese Awareness Association  Search this
Creator:
Haberstich, David E., 1941- (microfilmer)  Search this
Collector:
Naff, Alixa, 1919-2013  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
0.1 Cubic feet (2 reels, Silver gelatin microfilm, 35mm.)
Culture:
Arab Americans  Search this
Lebanese Americans  Search this
Type:
Archival materials
Account books
Microfilm master negative
Microfilm positive
Photonegatives
Minutes
Place:
Deir-El-Kamar [Lebanon]
Lawrence (Mass.)
Date:
1926-1950
Scope and Contents:
Microfilm copy of a bound, hand-written book compiled by the American Lebanese Awareness Association, Lawrence, Massachusetts (later Salem, New Hampshire.?); includes minutes of meetings and biographies of men killed in World War II.
Arrangement:
Microfilm is an item from a series in Collection 78. Filmed in sequential page number order.
General:
Forms part of: Faris and Yamna Naff Arab American Collection, but is housed with other microforms.
Reproduction Note:
Microfilm. Washington, D.C.: Archives Center, NMAH, 1991. 2 microfilm reels (camera negative and master positive), 35 mm.
Restrictions:
Unrestricted research use on site by appointment; copies may be purchased. The Archives Center's service positive microfilm may be removed for viewing in the NMAH Library microfilm readers; contact NMAH Library for access. Master negative not available to researchers.
Rights:
Authorization to publish must be obtained from the American Lebanese Awareness Association, 315 So. Broadway, Salem, New Hampshire.
Topic:
World War, 1939-1945  Search this
Biography  Search this
Immigrants -- 20th century  Search this
Genre/Form:
Account books -- 20th century
Microfilm master negative
Microfilm positive
Photonegatives -- Microfilm
Minutes
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4311

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-  Search this
Dickinson, Edwin Walter, 1891-  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Archival materials
Collection descriptions
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Katharine Kuh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhkath

YM/YWHA Arts Council records

Creator:
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Names:
Golden, Judith  Search this
Extent:
1.2 Linear Feet
Type:
Archival materials
Collection descriptions
Minutes
Drafts (documents)
Date:
1962-2006
bulk 1967-1981
Summary:
The records of the YM/YWHA Arts Council measure 1.2 linear feet and date from 1962 to 2006, with the bulk of the records dating from 1967 to 1981. This collection documents the activities of the Philadelphia-based arts organization, primarily during the period that Judith Golden was the council chair. Included are administrative records, scattered correspondence, exhibition and program files, and printed material.
Scope and Content Note:
The records of the YM/YWHA Arts Council measure 1.2 linear feet and date from 1962 to 2006, with the bulk of the records dating from 1967 to 1981. This collection documents the activities of the Philadelphia-based arts organization, primarily during the period that Judith Golden was the council chair. Included are administrative records, scattered correspondence, exhibition and program files, and printed material.

Administrative records include documentation on the Arts Council history, the council manual belonging to Judith Golden, committee member lists, meeting minutes and agendas, and documentation on grants and program funding. Also found are draft letters to members, draft press releases, scattered printed material and correspondence, meeting records, notes, reports, and proposed budgets. Correspondence is from 1969 to 1972 and includes Judith Golden's outgoing and incoming correspondence as Chairman of the Arts Council. Additionally, there is one letter addressed to Golden from 2004.

The exhibition and program files document art exhibitions, theater and dance performances, lectures, and patron events organized by the YM/YWHA Arts Council. Files may include performance agreements, planning documents, correspondence, printed announcements, press releases, and press clippings.

Printed Material consists of numerous brochures and program announcements for events at the YM/YWHA. Also found are magazines and newpaper clippings documenting arts events, scattered press releases, and The Review newsletter, published by the Jewis Ys and Centers of Greater Philadelphia.
Arrangement:
The collection is arranged as # series:

Series 1: Administrative Records, circa 1966-1981 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1969-1972, 2004 (Box 1; 3 folders)

Series 3: Exhibition and Program Files, 1962-1970s, 2006 (Box 1; 0.4 linear feet)

Series 4: Printed Material, 1967-1987 (Box 1-2; 0.4 linear feet)
Historical Note:
The YM/YWHA Arts Council was established in 1958 as a volunteer organization dedicated to bringing the visual and performing arts to Philadelpha. Judith Golden was Arts Council Chairman from 1969-1971 and Advisory Co-Chair from 1974-1976.
Related Material:
Additional YM/YWHA records were donated in 1986 by Acey Wolgin, an early member of the Association. These records were transferred to the vertical file of Smithsonian American Art Museum Library after microfilming, and are available on microfilm reel 4340. Also at the Archives of American Art are the Joan Kron papers, 1959-1971, and the Audrey Sabol papers, 1962-1967. Both collections document their work with the YM/YWHA Arts Council of Philadelphia.
Provenance:
The YM/YWHA Arts Council records were lent for microfilming in 1986 and subsequently donated with additional unmicrofilmed material in 2010 by Judith Golden, former chairman of the YM/YWHA Arts Council of Philadelphia.
Restrictions:
Use of original papers requires an appointment.
Rights:
The YM/YWHA Arts Council records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Exhibitions -- Pennsylvania -- Philadelphia  Search this
Art centers -- Pennsylvania -- Philadelphia  Search this
Associations, institutions, etc. -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Minutes
Drafts (documents)
Citation:
YM/YWHA Arts Council records, 1962-2006, bulk 1967-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.younmens
See more items in:
YM/YWHA Arts Council records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-younmens

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