Skip to main content Smithsonian Institution

Search Results

Collections Search Center
39 documents - page 1 of 2

Nicholas Wilder Gallery records

Creator:
Nicholas Wilder Gallery  Search this
Names:
James Corcoran Gallery  Search this
Altoon, John, 1925-  Search this
Avedisian, Edward, 1936-2007  Search this
Bengston, Billy Al  Search this
Davis, Ron, 1937-  Search this
Francis, Sam, 1923-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Goode, Joe, 1937-  Search this
Graham, Robert, 1938-  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Holland, Tom, 1936-  Search this
Martin, Agnes, 1912-2004  Search this
McCracken, John, 1934-2011  Search this
Moses, Ed, 1926-  Search this
Nauman, Bruce, 1941-  Search this
Noland, Kenneth, 1924-  Search this
Olitski, Jules, 1922-  Search this
Price, Kenneth, 1935-2012  Search this
Twombly, Cy, 1928-  Search this
Wilder, Nicholas  Search this
Yokomi, Richard  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1944-1984
bulk 1968-1979
Summary:
The records of the Nicholas Wilder Gallery of Los Angeles measure 2.4 linear feet and date from 1944 through 1984, with the bulk of materials dating from 1968-1979. Scattered documentation of the contemporary art gallery's fourteen years of operation include artists' inventory cards, photographic transparencies, letters and correspondence, invitations, notes, business and financial documents, and printed materials.
Scope and Content Note:
The records of the Nicholas Wilder Gallery of Los Angeles measure 2.4 linear feet and date from 1944 through 1984, with the bulk of materials dating from 1968 to 1979. Scattered documentation of the contemporary art gallery's fourteen years of operation include artists' inventory cards (the bulk of the collection), photographic transparencies, letters and correspondence, invitations, notes, business and financial documents, and printed materials.

The majority of records date from the period after the gallery moved to La Cienega Boulevard to Santa Monica Boulevard in Los Angeles, California. Very few records pertaining to specific exhibitions or openings are included in this collection. However, there is one exhibition catalog and scattered gallery invitations which were used as scrap paper. Other materials include business records that contain financial materials and notes. Printed Materials contain popular newspapers and magazines that reflect Wilder's interests, invitations to other galleries, auction catalogs, and business cards. Correspondence includes scattered gallery correspondence, Wilder's personal correspondence and documents, and holiday cards.

The bulk of the collection consists of artist files which include inventory cards and transparencies of works of art. Information on the inventory cards and transparencies may specify: date of creation, date of accession, potential collectors, purchase records, and titles. Notable artists include: Joe Goode, Tom Holland, Robert Graham, Billy Al Bengston, Cy Twombly, Ken Price, Ed Moses, Ron Davis, John McCracken, Kenneth Noland, Helen Frankenthaler, Jules Olitski, Agnes Martin, Edward Avedisian, John Altoon, Richard Yokomi, Sam Francis, Bruce Nauman, Hans Hofmann, and David Hockney. The majority of inventory cards reflect business at the gallery in the mid-late 1970s.

Financial records originating from the James Corcoran Gallery are included in this collection. The relationship between the two establishments is unclear although it seems that the James Corcoran Gallery moved into the space previously occupied by the Nicholas Wilder Gallery.
Arrangement:
The collection is arranged into four series:

Series 1: Business Records, 1968-1978, 1980-1984, circa 1970s (Box 1; 5 folders)

Series 2: Correspondence, 1974-1981, circa 1970s (Box 1; 4 folders)

Series 3: Printed Material, 1976-1980, circa 1970s (Box 1; 9 folders)

Series 4: Artist Files, 1944-1984, circa 1960s-1970s (Box 1-3; 2 linear feet)
Historical Note:
In April 1965, Nicholas Wilder (1937-1989) founded his contemporary art gallery at 814 North La Cienega Boulevard in Los Angeles, California. His interest in art started at Amherst College where he worked for the art department as a slide technician. While in graduate school at Stanford University, he worked at the Lanyon Gallery in Palo Alto, California. An initial offer of financial backing to open a gallery inspired a move to Los Angeles. Although that offer fell through, Wilder remained determined. In late 1964, Wilder sold shares of his future gallery to friends in order to secure funds. He bought the shares back shortly after opening.

The Nicholas Wilder Gallery's first show featured Edward Avedisian. The gallery expanded and featured artists from New York and California, including: Joe Goode, John McCracken, Kenneth Noland, Helen Frankenthaler, Jules Olitski, Cy Twombly, Ed Moses, Ken Price, Agnes Martin, John Altoon, Sam Francis, Billy Al Bengston, and Hans Hofmann. The gallery helped start the careers of American artists such as Robert Graham, Tom Holland, Ron Davis, and Bruce Nauman. In 1970, the gallery moved to 8225 ½ Santa Monica Boulevard. Through its fourteen years of operation, the gallery held a new show every month. Wilder's openings represented a large source of pride and he ensured that every opening reception included a stocked bar for his clients.

Initially, the gallery succeeded through Wilder's talents and passion for art. At its peak, the Nicholas Wilder Gallery sold two million dollars worth of art per year. However, in the mid-1970s a change in attitude within the art world affected sales. According to Wilder, many artists no longer painted for expression but as a viable business venture. Furthermore, he claimed that buyers would not risk collecting works from a younger or less well-known artist. In addition to these factors, Wilder attributed the decline of his gallery to his extravagance and lack of business sensibilities. Eventually, the gallery faced financial problems and Wilder recognized the need to leave the business.

The Nicholas Wilder Gallery closed on December 31, 1979. Wilder informed his employees that he would close a year in advance and ensured that all of his artists found a new gallery for representation. He moved to New York after leaving his gallery and became an artist. Nicholas Wilder passed away in 1989 from AIDS-related causes.
Related Material:
Also found in the Archives of American Art is an oral history interview with Nicholas Wilder conducted by Ruth Bowman on July 18, 1988.

Nicholas Wilder Gallery records, 1927-1980, are also located at the Getty Research Institute.
Provenance:
The Nicholas Wilder Gallery records were donated to the Archives of American Art in 1998 by Matthew Curtis Klebaum, a friend of Wilder's and a former employee of the James Corcoran Gallery.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Nicholas Wilder Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- California -- Los Angeles  Search this
Art dealers -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Citation:
Nicholas Wilder Gallery records, 1944-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nichwild
See more items in:
Nicholas Wilder Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nichwild
Additional Online Media:

Oral history interview with John McCracken, 2010 Apr. 19-Aug. 4

Interviewee:
McCracken, John, 1934-2011  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Interviews
Sound recordings
Topic:
Sculptors  Search this
Record number:
(DSI-AAA_CollID)15849
(DSI-AAA_SIRISBib)292692
AAA_collcode_mccrac10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_292692

Barbara Rose papers

Creator:
Rose, Barbara  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Andre, Carl, 1935-  Search this
Bannard, Walter Darby, 1934-  Search this
Bellamy, Richard  Search this
Bierman, A. K., 1923- (Arthur Kalme)  Search this
Bladen, Ronald, 1918-1988  Search this
Bowles, John  Search this
Castelli, Leo  Search this
Davis, Jim, 1901-1974  Search this
Davis, Ron, 1937-  Search this
De Forest, Roy, 1930-2007  Search this
Di Suvero, Mark, 1933-  Search this
Dzubas, Friedel, 1915-  Search this
Flavin, Dan, 1933-  Search this
Frazier, Charles  Search this
Geldzahler, Henry  Search this
Hare, David, 1917-1992  Search this
Hopps, Walter  Search this
Judd, Donald, 1928-  Search this
Karp, Ivan C., 1926-2012  Search this
Kauffman, Craig, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
LeWitt, Sol, 1928-2007  Search this
Lefebre, John  Search this
Lichtenstein, Roy, 1923-1997  Search this
Locks, Seymour, 1919-  Search this
Lye, Len, 1901-1980  Search this
Mack, Heinz, 1931-  Search this
McCracken, John, 1934-2011  Search this
McShine, Kynaston  Search this
Meier, Richard, 1934-  Search this
Morris, Robert, 1931-  Search this
Motherwell, Robert  Search this
Mundt, Ernest Karl, 1905-  Search this
Murray, Robert, 1936-  Search this
Myers, John Bernard  Search this
Oldenburg, Claes, 1929-  Search this
Padovano, Anthony  Search this
Piene, Otto, 1928-  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rexroth, Kenneth, 1905-1982  Search this
Rose, Barbara  Search this
Rudolph, Paul, 1918-  Search this
Sandler, Irving, 1925-  Search this
Segal, George, 1924-2000  Search this
Stella, Frank  Search this
Taylor, Edward Silverstone  Search this
Wasserman, Tamara E.  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
1.4 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Transcripts
Sound recordings
Lectures
Date:
1962-circa 1969
Summary:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Scope and Contents:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, interviews with artists, panel discussions, lectures, writings, and printed material relating to Barbara Rose's work as an art historian and critic.

Letters consist of responses to queries and questionnaires Rose and Irving Sandler sent to contemporary artists as research for writing projects. Questionnaires were sesnt in preparation for an article in Art in America on artists' sensibility of the 1960s, with responses from Robert Motherwell, Robert Craig Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. A separate query asked sculptors for their assessment of contemporary sculptor's needs and the potential for patronage, and responses are found from Carl Andre, Charles Frazier, Robert Murray, Anthony Padovano, Ron Bladen, Roy Lichtenstein, Len Lye, Sol LeWitt, Heinz Mack, Otto Peine, Dan Flavin, and Donald Judd.

Interviews conducted by Rose between 1965 and circa 1969 are found with Richard Bellamy, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner, John Lefebre, John Myers, Donald Judd with Frank Stella, and Tom Wesselmann. All interviews include original sound recordings, and the Judd and Stella, Krasner, and Myers interviews include transcripts. Panel discussions and lectures include sound recordings and transcripts of seven events on a variety of contemporary art and architecture subjects held between 1962 and 1968. Sound recordings are present for five of the events on 10 sound tape reels, and transcripts are present for all events. Participants in the panel discussions and lectures include Barbara Rose, Ronald Davis, Dan Flavin, Robert Kauffman, John Harvey McCracken, Friedel Dzubas, Ansel Adams, Arthur Bierman, Kenneth Rexroth, Edward Taylor, Ernst Karl Mundt, John Bowles, Roy Dean De Forest, Seymour Locks, Walter Hopps, Mark Di Suvero, Donald Judd, Robert Morris, Kynaston McShine, Walter Darby Bannard, Donald Judd, Larry Poons, Robert Rauschenberg, Richard Meier, Paul Rudolph, Claes Oldenburg, and Robert Murray.

Writings include photocopied typescripts of "Myth, Symbol, or Me," by Emily Wasserman and "Excerpts from a Work Journal on Flying Sculpture," by Charles Frazier. Printed material consists of two copies of the premiere issue of the 57th Street Review, from Nov. 15, 1966.
Arrangement:
This collection is arranged as 4 series.

Series 1: Letters (0.2 linear feet; Box 1)

Series 2: Interviews (0.6 linear feet; Box 1)

Series 3: Panel Discussions and Lectures (0.5 linear feet; Boxes 1-2)

Series 4: Writings and Printed Material (0.1 linear feet; Box 2)
Biographical / Historical:
Barbara Rose is an American art historian and critic who has published widely in the field of modern American art. Born in 1938 in Washington, DC, Rose studied at the Sorbonne, Smith College, Barnard, and finally, Columbia University under Meyer Shapiro. Rose became immersed in the New York-based circle of modernist artists and curators in the late 1950s and early 1960s, and made her substantial contribution to the discourse on contemporary art with the insider's perspective this afforded her. In 1961, she married the painter Frank Stella and they had two children before their divorce in 1969.

Rose taught at Yale University, Sarah Lawrence, University of California at Irvine and San Diego, and the American University Art in Italy program, and was senior curator at the Museum of Fine Arts, Houston, from 1981-1985. A prolific writer, Rose is the author of American Art Since 1900 (1967), The Golden Age of Dutch Painting (1969), American Painting: The 20th Century (Skira, 1969), and monographs on the artists Magdalena Abankawicz, Helen Frankenthaler, Robert Rauschenberg, Alexander Liberman, Larry Rivers, and others, as well as dozens of exhibition catalog essays. She held editorial positions at Art in America, Vogue, Artforum, Partisan Review, and Journal of Art, and her writing has also appeared in Art International, Studio International, Arts Magazine, and ARTnews, among many others.
Separated Materials:
Additional papers of Barbara Rose are held by The Getty Research Institute.
Provenance:
Donated 1971-1977 by Barbara Rose.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Barbara Rose papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- New York (State) -- New York  Search this
Art, American  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Transcripts
Sound recordings
Lectures
Citation:
Barbara Rose papers, 1962-circa 1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosebarb
See more items in:
Barbara Rose papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosebarb

Tony DeLap papers

Creator:
DeLap, Tony, 1927-  Search this
Names:
Janus Gallery (Venice, Los Angeles, Calif.)  Search this
University of California, Irvine -- Faculty  Search this
Conner, Bruce  Search this
Darrow, Paul, 1921-  Search this
Hafif, Marcia, 1929-  Search this
Kauffman, Craig, 1932-  Search this
Landau, Felix, 1924-2003  Search this
McCracken, John, 1934-2011  Search this
McLaughlin, John, 1898-  Search this
Nauman, Bruce, 1941-  Search this
Rhinelander, Clare H.  Search this
Solomon, Alan R., 1920-1970  Search this
Stinton,, Nell  Search this
Thiebaud, Wayne  Search this
Wortz, Melinda  Search this
Extent:
1.4 Linear feet
Type:
Archival materials
Collection descriptions
Greeting cards
Photographs
Postcards
Scrapbooks
Date:
circa 1950-2015
Summary:
The papers of artist Tony DeLap measure 1.4 linear feet and date from circa 1950 to 2015. The collection includes correspondence, writings, materials related to professional and teaching activities, printed material, a scrapbook, and photographic material.
Scope and Contents:
The papers of artist Tony DeLap measure 1.4 linear feet and date from circa 1950 to 2015. The collection includes correspondence, writings, materials related to professional and teaching activities, printed material, a scrapbook, and photographic material.

Correspondence includes greeting and holiday cards, postcards, and letters with family, friends, other artists, and museums and other arts institutions. Notable correspondents include Alan Solomon, Melinda Wortz, Marcia Hafif, Bruce Conner, John McCracken, Paul Darrow, Bruce Nauman, Craig Kauffman, Nell Stinton, Felix Landau, Wayne Thiebaud, and John McLaughlin.

Writings include autobiographical notes, DeLap's notes on art and magic, and notes and writings on John McLaughlin. Also included is a paper on DeLap's 1983 exhibition at Janus Gallery by Clare H. Rhinelander.

The professional activities series contains DeLap's resume and bibliography, as well as materials related to his teaching appointments and promotion, including letters of recommendation, course lists, and a graduate trip itinerary.

Printed Material includes exhibition materials including announcements, calendars, and catalogs; newsletters, newspapers, journals, and newspaper clippings. This series makes up the bulk of the collection.

One scrapbook in the collection contains clippings, exhibition announcements, posters, and catalogs, and award ribbons.

Photographic material includes slides of DeLap's work, as well as photographs of DeLap, his studio, exhibitions and installations, snapshots of family, friends, and travel.
Arrangement:
The collection is arranged in six series.

Series 1: Correspondence, circa 1967-2015 (Box 1; 2 folders)

Series 2: Writings, circa 1960-2013 (Box 1; 4 folders)

Series 3: Professional Activities, circa 1964-1983, circa 2015 (Box 1; 2 folders)

Series 4: Printed Material, 1955-2015 (Boxes 1 and 2, OV 3, 0.6 linear feet)

Series 5: Scrapbook, 1955-1967 (Box 2, 0.3 linear feet)

Series 6: Photographic Material, circa 1950-2012 (Box 1, 0.2 linear feet)
Biographical / Historical:
Tony DeLap is an artist and professor emeritus of art in Orange County, California. He is a pioneer of West Coast minimalism with a special interest in visual illusion including performed magic.

DeLap was born in 1927 in Oakland, California and grew up in the Bay Area. He studied art, illustration, and graphic design at colleges in the Bay Area and taught at institutions including the California College of Arts and at the University of California, Davis. In 1965 he was offered a position at the newly founded University of California, Irvine, where he taught until 1991.

DeLap has exhibited widely and his work is held in collections at the Museum of Modern Art, the Whitney Museum of Art, the Solomon R. Guggenheim Museum, the Albright-Knox Gallery in Buffalo, the Los Angeles County Museum of Art, the Tate Gallery in London, and le Musée Cantonal des Beaux-Arts in Lausanne, Switzerland.
Provenance:
The papers were donated by Tony DeLap in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Greeting cards
Photographs
Postcards
Scrapbooks
Citation:
Tony DeLap papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delatony
See more items in:
Tony DeLap papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delatony

Untitled, 1967, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Fiberglass, plywood, and lacquer
Type:
Sculptures
Owner/Location:
Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles California 90036
Date:
1967
Topic:
Undetermined  Search this
Control number:
IAS 75000581
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_1041

Don't Tell Me When to Stop, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Fiberglass, plywood, and lacquer
Type:
Sculptures
Owner/Location:
Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles California 90036 Accession Number: M.73.38.13
Date:
1966-1967
Topic:
Abstract--Geometric  Search this
Control number:
IAS 75000582
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_1042

Plank I, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Black polyester resin on plywood
Type:
Sculptures
Owner/Location:
Orange County Museum of Art 850 San Clemente Drive Newport Beach California 92660 Accession Number: PC.82.31
Date:
1974
Topic:
Abstract--Geometric  Search this
Control number:
IAS 64330029
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26241

Untitled, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Polyester resin, fiberglass, plywood
Type:
Sculptures
Owner/Location:
Orange County Museum of Art 850 San Clemente Drive Newport Beach California 92660 Accession Number: PC.83.23.2
Topic:
Abstract  Search this
Control number:
IAS 64330030
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26242

Pyramid, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Polyester resin on wood
Type:
Sculptures
Owner/Location:
Orange County Museum of Art 850 San Clemente Drive Newport Beach California 92660 Accession Number: PC.83.23.3
Topic:
Abstract  Search this
Control number:
IAS 64330031
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26243

Mykonos, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Lacquer on fiberglass and plywood
Type:
Sculptures
Owner/Location:
Orange County Museum of Art 850 San Clemente Drive Newport Beach California 92660 Accession Number: PC.87.15
Date:
1965
Topic:
Landscape--Greece--Mykonos  Search this
Control number:
IAS 64330067
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26279

Plank, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Resin over plywood
Type:
Sculptures
Owner/Location:
Administered by Virlane Foundation 1055 St. Charles Avenue New Orleans Louisiana 70130
Located K & B Corporation New Orleans Louisiana
Date:
1980
Topic:
Abstract--Geometric  Search this
Control number:
IAS 64820038
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_31357

John McCracken: artist file, [photographs]

Artist:
McCracken, John 1934-2011  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001948
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140529

Early sculpture : John McCracken

Author:
McCracken, John 1934-2011  Search this
Higgs, Matthew  Search this
Zwirner & Wirth  Search this
Subject:
McCracken, John 1934-2011  Search this
McCracken, John 1934-2011  Search this
Physical description:
58 p. : chiefly col. ill. ; 27 cm
Type:
Books
Exhibitions
Interviews
Date:
2005
Call number:
NB237.M254 A4 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_822912

McCracken / Thomas Kellein

Author:
Kellein, Thomas  Search this
McCracken, John 1934-2011  Search this
Kunsthalle Basel  Search this
Subject:
McCracken, John 1934-2011  Search this
Physical description:
70 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
1995
C1995
Topic:
Minimal sculpture  Search this
Call number:
NB237.M254 A4 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_724089

McCracken : heroic stance, the sculpture of John McCracken, 1965-1986 / organized by P.S. 1, the Institute for Art and Urban Resources, Inc., Edward Leffingwell, curator ; essays by Anne Ayres ... [et al.]

Author:
McCracken, John 1934-2011  Search this
Leffingwell, Edward G  Search this
Ayres, Anne 1936-  Search this
P.S. 1 Museum  Search this
Newport Harbor Art Museum  Search this
Subject:
McCracken, John 1934-2011  Search this
Physical description:
64 p. : ill. (some col.) ; 28 cm
Type:
Books
Exhibitions
Place:
United States
Date:
1987
C1987
Topic:
Minimal sculpture--Exhibitions  Search this
Idealism in art--Exhibitions  Search this
Call number:
N40.1.M72963 L4
N40.1.M12963L4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_346651

John McCracken : works from 1963-2011

Author:
Clark, Robin (Robin Lee) John McCracken  Search this
McCracken, John 1934-2011 Works Selections  Search this
Editor:
Schouwink, Hanna  Search this
Schwartz, Jaime  Search this
Issuing body:
David Zwirner (Gallery)  Search this
Subject:
McCracken, John 1934-2011  Search this
McCracken, John 1934-2011  Search this
Physical description:
193 pages : color illustrations ; 33 cm
Type:
Books
Exhibitions
Interviews
Exhibition catalogs
Date:
2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1036975

John McCracken / [catalogo a cura di Andrea Bellini, Marianna Vecellio ; traduzioni, Sabine Delafon ... [et al.]]

Author:
McCracken, John 1934-2011  Search this
Bellini, Andrea  Search this
Vecellio, Marianna  Search this
Castello di Rivoli (Museum : Rivoli, Italy)  Search this
Subject:
McCracken, John 1934-2011  Search this
Physical description:
263 p. : ill. (chiefly col.) ; 29 cm
Type:
Books
Exhibitions
Date:
2011
C2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_975483

Uchū no tabi : Mito Geijutsukan kaikan 10-shūnen kinen jigyō = Space odyssey / [henshū Ōsaka Eriko]

Title:
Space odyssey
Author:
Ōsaka, Eriko  Search this
Mito Geijutsukan Gendai Bijutsu Gyararī  Search this
JAC Project  Search this
Subject:
McCracken, John 1934-2011  Search this
Ruff, Thomas 1958-  Search this
Wenyon, Michael  Search this
Wenyon, Ganmblem 1957-  Search this
Light, Michael  Search this
Malin, David 1941-  Search this
Moriwaki, Hiroyuki 1964-  Search this
Shannon, Thomas 1947-  Search this
Kanayama, Akira 1924-  Search this
Hirano, Jiro 1963-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Physical description:
101 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
In art
Place:
Outer space
Date:
2001
C2001
20th century
Topic:
Art, Modern  Search this
Call number:
N8234.O8 S67 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_993211

Untitled, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Silver
Type:
Sculptures
Owner/Location:
Stanford University Anderson Collection at Stanford University Stanford California 94305 Accession Number: 1972.064
Date:
1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS 04920058
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_465806

Painting, (sculpture)

Sculptor:
McCracken, John 1934-2011  Search this
Medium:
Polyester resin, fiberglass, and wood
Type:
Sculptures
Owner/Location:
San Diego Museum of Contemporary Art 700 Prospect Street La Jolla California 92037 Accession Number: 80.33
Date:
1974
Topic:
Abstract--Geometric  Search this
Control number:
IAS 02660040
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_300304

Modify Your Search






or


Narrow By