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Dorothy and Herbert Vogel papers

Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Names:
Kunsthalle Bielefeld  Search this
Andre, Carl, 1935-  Search this
Antonakos, Stephen, 1926-2013  Search this
Artschwager, Richard, 1923-  Search this
Aycock, Alice  Search this
Barnet, Will, 1911-2012  Search this
Bochner, Mel, 1940-  Search this
Cadere, AndrĂ©, 1934-1978  Search this
Chernow, Ann, 1936-  Search this
Christo, 1935-  Search this
Cyphers, Peggy, 1954-  Search this
DeMonte, Claudia, 1947-  Search this
Francisco, Richard, 1942-  Search this
Graham, Dan, 1942-  Search this
Groth, Jan, 1938-  Search this
Hazlitt, Don, 1948-  Search this
Highstein, Jene, 1942-2013  Search this
Jean-Claude, Martha, 1919-2001  Search this
Kawara, On  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Mangold, Sylvia Plimack, 1938-  Search this
Pozzi, Lucio, 1935-  Search this
Renouf, Edda  Search this
Ryman, Robert, 1930-  Search this
Schultz, Barbara  Search this
Seawright, Sandy  Search this
Tabler, Bernadine  Search this
Taschler, Lori, 1959-  Search this
Tuttle, Richard, 1941-  Search this
Umlauf, Lynn  Search this
Extent:
47.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960s-2009
Summary:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
Scope and Contents:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

Scattered general correspondence is with friends, acquaintances, and corporate entities.

Files for artists represented in the Vogel Collection include Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Will Barnet, Mel Bochner, Andre Cadere, Ann Chernow, Christo and Jeanne-Claude, Peggy Cyphers, Claudia DeMonte, Richard Francisco, Dan Graham, Jan Groth, Don Hazlitt, Jene Highstein, On Kawara, Sol Lewitt, Sylvia and Robert Mangold, Lucio Pozzi, Edda Renouf, Robert Ryman, Barbara Schultz, Lori Taschler, Richard Tuttle, and Lynn Umlauf among many others. Materials within artists' files may include printed material, correspondence, writings and notes, and scattered business records.

Subject files are found for Dorothy and Herbert Vogel's friends and colleagues within the art world including art historians, writers, gallerists, dealers, and collectors. Extensive letters are from Sandy Seawright and Bernadine Tabler. Exhibition related materials are found among the files.

Scattered business records of the Vogel Collection document exhibitions of the collection at U.S. institutions and at the Kunsthalle Bielefeld Museum in Germany.

Printed materials include clippings, posters, and exhibition catalogs and announcements.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1971-1987 (0.3 linear feet; Box 1)

Series 2: Artists' Files, 1963-2009 (30.4 linear feet; Boxes 1-31)

Series 3: Subject Files, 1969-2008 (9.8 linear feet; Boxes 31-41)

Series 4: Vogel Collection Business Records, 1974-1988 (0.3 linear feet; Box 41)

Series 5: Printed Material, 1960s-2000s (6.7 linear feet; Boxes 41-47, OV48-58)
Biographical / Historical:
Dorothy (1935- ) and Herbert Vogel (1922-2012) were contemporary art collectors in New York City, New York. The middle-class couple bought and collected art for forty-five years and amassed an extensive collection.

A life-long New Yorker, Herbert Vogel was born in 1922 and dropped out of school to work in a garment factory. After joining the U.S. Army, Vogel became a postal clerk and began to frequent Greenwich Village's Cedar Bar, a popular bar of the arts crowd. Vogel developed a deep appreciation for art and for the artists themselves.

In 1960, he met librarian Dorothy Faye Hoffman and they quickly fell in love. During their honeymoon, they visited the National Gallery of Art in Washington, D.C. Dorothy and Herb's first purchase was a sculpture by John Chamberlain. On their civil servant salary, the Vogels continued to collect and purchase art, beginning with young artists of the 1960s and 1970s while bypassing the dealer system of the New York City art scene. The result was a collection of 5,000 pieces which had to fit in their one-bedroom apartment.

In 1992, the Vogels donated the bulk of their collection to the National Gallery of Art, with fifty pieces intended to go to a museum or institution in each of the United States. Herbert Vogel died in 2012 in Manhattan and is survived by Dorothy.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 2435) including three notebooks containing clippings, articles, press releases, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Dorothy and Herbert Vogel donated their papers in several accretions from 1980 to 2009 and lent three notebooks for microfilming in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Collectors and collecting -- New York (State) -- New York  Search this
Women art dealers  Search this
Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7c1f7cf-7464-4427-b5f2-c93ec076f7ab
EDAN-URL:
ead_collection:sova-aaa-vogedoro
Online Media:

Fischbach Gallery records

Creator:
Fischbach Gallery  Search this
Names:
Thiabaut Galley  Search this
Altoon, John, 1925-  Search this
Antonakos, Stephen, 1926-2013  Search this
Bladen, Ronald, 1918-1988  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan, 1930-  Search this
Davis, Gene, 1920-1985  Search this
Dunn, Anne  Search this
Gilardi, Piero, 1942-  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
Krushenick, Nicholas, 1929-1999  Search this
Levine, Les, 1935-  Search this
Mangold, Robert, 1937-  Search this
Ohlson, Douglas Dean, 1936-  Search this
Ryan, Anne, 1889-1954  Search this
Ryman, Robert, 1930-  Search this
Slavin, Arlene, 1942-  Search this
Smith, Tony, 1912-  Search this
Sugarman, George, 1912-1999  Search this
Swain, Robert, 1940-  Search this
Extent:
39.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Photographs
Date:
1937-2015
bulk 1963-1977
Summary:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.
Scope and Content Note:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials.

Artists and Exhibition Files contain information on over one hundred Fischbach Gallery artists and measure 18 linear feet. The contents of each file varies, but typically may include biographical information; correspondence between the artist, museums, and other galleries; scattered consignment information; printed materials including articles, clippings, exhibition announcements and catalogs, and press releases; photographs of the artist, installations, constructions, and works of art; and negatives, slides, and transparencies. Substantial files are found for John Altoon, Stephen Antonakos, Ronald Bladen, Wynn Chamberlain, Allan D'Arcangelo, Gene Davis, Anne Dunn, Piero Gilardi, Eva Hesse, Alex Katz, Nicholas Krushenick, Les Levine, Robert Mangold, Doug Ohlson, Anne Ryan, Robert Ryman, Arlene Slavin, Tony Smith, George Sugarman, and Robert Swain, among others. Also included are files pertaining to group exhibitions including "According to the Letter" (1963), "Hard Center" (1963), "Six Women" (1965), "Game Without Rules" (1966), "Direct Representation" (1969), and "Eccentric Abstraction" (1966) which was organized by Lucy Lippard.

General gallery correspondence is business correspondence between the gallery and companies, individuals, museums, galleries, dealers, new or non-Fischbach artists, and institutions. Additional business records consist of an address book, lists of Fischbach artists, gallery plans, a notebook, as well as guest lists, mailing lists, and press lists.

Financial records are access restricted and require written permission from the donor's representative for use. The files document financial transactions for many of the artists represented in the artists files and includes sales records, invoices, artists' payments, and correspondence about sales and possible sales. The alphabetical financial files document routine gallery business, such as framing, shipping, insurance, messenger, publicity, etc. and are organized by name of business. General financial files consist of accounting ledgers, banking documents, insurance claims, and travel accounts.

Printed materials consist of various business cards, clippings concerning the Fischbach Gallery, and a pamphlet by Ron Williams as a guide to New York galleries. The bulk of printed materials are found in the Artists and Exhibition Files.

A small series of photographs include those from the Thiabaut Gallery, and unidentified photos of landscapes. It is likely that Fischbach Gallery occupied the space previously used by the Thiabaut Gallery and some materials were included in the collection for that reason. The bulk of photographic materials are found in the Artists and Exhibition Files.

In 2015, 14 feet of records were added to the collection. The addition consists of inventory and client sales records in the form of card indexes. The addition is access-restricted until 2065.

A 2019 addition of 0.2 linear feet, consisting of material related to Marilyn Fischbach's art collection, was processed in 2020.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Artists and Exhibitions Files, 1937-1977 (Boxes 1-18, 28; 18 linear feet)

Series 2: Gallery Correspondence, 1962-1974 (Boxes 18-19; 1.75 linear feet)

Series 3: Business Records, 1969-1971 (Box 27; 0.3 linear feet)

Series 4: Financial Records, 1963-1975 (Boxes 20-25; 4.5 linear feet)

Series 5: Printed Material, 1963-1972 (Box 26; 6 folders)

Series 6: Photographs, circa 1960s (Box 26; 2 folders)

Series 7: Inventory Card Indexes, circa 1960s-2015 (12.1 linear feet; Box 29-41)

Series 8: Client Sales Card Index, circa 1970s-2000s (1.9 linear feet; Box 41-42)

Series 9: Marilyn Fischbach Collection Records, circa 1975-2000 (0.2 linear feet; Box 43)
Historical Note:
The Fischbach Gallery was founded in 1960 by Marilyn Cole Fischbach at 799 Madison Avenue in New York City. The gallery was noted for its stable of minimalist young artists in the 1960s, and the work of the painterly realists in the 1970s. The gallery remains open today.

During its early years, the gallery was among the first to focus on 1960s avant-garde and minimalist artists. Marilyn possessed a talent for discovering young artists and for helping them advance their careers. Many of these young artists became well-known, including Ronald Bladen, Eva Hesse, and Alex Katz. Other artists represented by the gallery include Allan D'Arcangelo, Les Levine, Robert Mangold, Robert Ryman, George Sugarman, and Robert Swain.

The gallery also had an active exhibition schedule and organized and hosted group exhibitions of modern art, including "According to the Letter" (1963), "Hard Center" (1963), and "Direct Representation" (1969). Additionally, the Fishbach Gallery hosted "Eccentric Abstraction" in 1966, an exhibition organized by Lucy Lippard.

Later, the gallery moved to W. 57th Street in Manhattan. Fischbach hired A. Aladar Marberger as director of the gallery. Under his direction, the Fischbach Gallery shifted from the avant-garde to contemporary American realism and minimalist sculpture. In the 1980s, Marilyn Fischbach brought three investors into the gallery. She remined a co-owner, but lived in Paris, France for many years prior to her death at the age of seventy-two. The Fischbach Gallery remains open at 210 West 11th Street at 25th Street in New York City.
Provenance:
Gallery founder Marilyn C. Fischbach and director A. Aladar Marberger donated the majority of the Fischbach Gallery records in 1978. Additional records were donated in 2001 by Maureen Dawley on behalf of the Carnegie Mellon University and in 2015 and in 2019 by John Fischbach, Marilyn C. Fischbach's son.
Restrictions:
Use of original papers requires an appointment. Written permission from the donor is also required to view the series of financial records and the 2015 addition of card indexes. Contact the Reference Services Department for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Gallery records
Photographs
Citation:
The Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fiscgall
See more items in:
Fischbach Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9250bd192-6986-4fdd-bec0-08a93a98e4ed
EDAN-URL:
ead_collection:sova-aaa-fiscgall
Online Media:

Interview with Robert Mangold

Creator:
Mangold, Robert, 1937-  Search this
Gruen, John Jonas  Search this
Subject:
ARTnews  Search this
Type:
Sound Recording
Date:
1986 February 13
Citation:
Robert Mangold and John Jonas Gruen. Interview with Robert Mangold, 1986 February 13. John Gruen and Jane Wilson papers, 1909-2016. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)19442
See more items in:
John Gruen and Jane Wilson papers, 1909-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19442

Oral history interview with Robert Mangold, 1994 June 3

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Weiss, William L.  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Mangold, 1994 June 3. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12934
(DSI-AAA_SIRISBib)215693
AAA_collcode_mangol94
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215693
Online Media:

Oral history interview with Robert Mangold, 2017 November 16

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
LeWitt, Sol  Search this
Lippard, Lucy R.  Search this
Marden, Brice  Search this
Nice, Don  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Cleveland Institute of Art  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.)  Search this
Yale/Norfolk Summer School of Art  Search this
Type:
Interviews
Sound recordings
Place:
Italy -- description and travel
New York (N.Y.) -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Mangold, 2017 November 16. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Record number:
(DSI-AAA_CollID)17524
(DSI-AAA_SIRISBib)391130
AAA_collcode_mangol17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391130
Online Media:

Nancy Drysdale Gallery records

Creator:
Nancy Drysdale Gallery  Search this
Names:
Brook Alexander Editions  Search this
Crown Point Press  Search this
Tyler Graphics, Ltd.  Search this
Bartlett, Jennifer, 1941-  Search this
Burton, Scott  Search this
Christenberry, William, 1936-2016  Search this
Clapsaddle, Jerry, 1941-  Search this
Drysdale, Nancy McIntosh, 1931-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilliam, Sam, 1933-2022  Search this
Kainen, Jacob  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Puryear, Martin, 1941-  Search this
Scully, Sean, 1945-  Search this
Sonfist, Alan  Search this
Tracy, Michael, 1943-  Search this
Truitt, Anne, 1921-2004  Search this
Wegman, William  Search this
Zakanitch, Robert, 1935-  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Drawings
Interviews
Date:
1971-1996
Summary:
The records of the Nancy Drysdale Gallery measure 9.0 linear feet and span the years 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relations with 67 artists, many of whom were represented by the gallery.
Scope and Content Note:
This collection measures 9.0 linear feet and dates from 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relationships with 67 artists, many of whom were represented, or whose work was handled by, the gallery. In addition to artist files, the collection contains exhibition files, printed material, and publishers files.
Arrangement:
The collection is arranged as four series reflecting the original arrangement imposed by the Gallery.

Missing Title

Series 1: Group Exhibition Files, 1978-1994 (Box 1, 0.5 linear ft.)

Series 2: Fine Art Publishers Files, 1972-1995 (Boxes 1-2, 1.5 linear ft.)

Series 3: Artist Files, 1971-1996 (Boxes 2-9, 7 linear ft.)

Series 4: Miscellaneous Printed Material, 1993-1994 (Box 9, 1 folder)
Historical Note:
When colleague Max Protetch moved to New York City in 1976, his gallery at 2151 P Street, N.W., Washington, D.C., became the Protetch-McIntosh Gallery under his successor, Cincinnati dealer, Nancy McIntosh Drysdale. Drysdale then moved the gallery to 406 7th Street, N.W., and changed the name to the McIntosh/Drysdale Gallery. Several years later, Drysdale vacated the 7th Street address and operated as a private dealer before opening the Nancy Drysdale Gallery at 2103 O Street, N.W., in 1991.
Provenance:
The records of the Nancy Drysdale Gallery were donated to the Archives of American Art by Nancy Drysdale in 1997.
Restrictions:
The collection is open for resesarch. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Slides (photographs)
Photographs
Drawings
Interviews
Citation:
Nancy Drysdale Gallery records, 1971-1996 Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nancdryg
See more items in:
Nancy Drysdale Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94d447496-6e05-47a8-b1a1-dfeb24920bf9
EDAN-URL:
ead_collection:sova-aaa-nancdryg
Online Media:

Oral history interview with Robert Mangold

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Cleveland Institute of Art -- Students  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.) -- Faculty  Search this
Yale/Norfolk Summer School of Art -- Students  Search this
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Marden, Brice, 1938-  Search this
Nice, Don, 1932-  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Extent:
3 Items (sound files (2 hr., 43 min.) Audio, digital, wav)
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 November 16
Scope and Contents:
An interview with Robert Mangold conducted 2017 November 16, by Christopher Lyon, for the Archives of American Art, at Mangold's studio in Washingtonville, New York.
Mangold speaks of his childhood in the North Tonawanda, New York; early experiences of drawing; attending the Cleveland Institute of Art, a summer program at Yale Norfolk, and graduate school at Yale; his first encounter and experiments with Abstract Expressionism in the late 1950s; the influence of Pop art and New York City's built environment on his work; moving to New York in 1962; the art world social scene of the early 1960s; his teaching career at SVA; his investigative approach to art-making; his approach to making series of works; the influence of living in the countryside on his work; his investigations of drawn lines in paintings beginning in the late '60s; his recent decision to hire an assistant; his formative summer of 1974 in Italy; his 2017 retrospective survey at Mnuchin Gallery; and his comments on certain pieces reproduced in the Pace Gallery catalogue of his work. Mangold also recalls Bernard Chaet, Alex Katz, Josef Albers, Brice Marden, Neil Welliver, Lucy Lippard, Robert Ryman, Sol LeWitt, Eva Hesse, Don Nice, and others.
Biographical / Historical:
Robert Mangold (1937- ) is a minimalist artist in New York, New York. Christopher Lyon (1949- ) is an author and publisher in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mangol17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a93be78-7919-4ee0-ae2c-da5abaef8c18
EDAN-URL:
ead_collection:sova-aaa-mangol17
Online Media:

Oral history interview with Robert Mangold

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Weiss, William L.  Search this
Extent:
2 Items (Sound recording: 2 sound files (1 hr., 32 min.), digital, wav)
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 June 3
Scope and Contents:
An interview of Robert Mangold conducted 1994 June 3, by William Weiss, for the Archives of American Art.
Robert Mangold, one of the more notable American artists of the 1960's and 70's, contributed significantly to the development of the post Abstract Expressionist and as well as the Minimalist painting. The dialogue between the interviewer and Mangold is comprised of a series of questions and answers that chronologically trace and reveal the origins of Mangold's desire in the arts as well as how and where he began to receive instruction in and study the arts at an institutional level. Mangold later shared about his early career as a painter, particularly how his instructors as well as his close friends helped shape his artistic practice and his unique expression of painting. Towards the end of the interview, Mangold reflects on his work and concludes that his work is as fluid, dynamic, and transitional as much of his life experience had been both within and outside of the art world.
Biographical / Historical:
Robert Mangold (1937- ) is a painter from New York, New York.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Horace Goldsmith Foundation.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mangol94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9987dc4ff-4a07-42fe-947e-461d395719e7
EDAN-URL:
ead_collection:sova-aaa-mangol94
Online Media:

Robert Mangold : paintings and works on paper 2013-2017 / [essay by Marla Prather]

Artist:
Mangold, Robert 1937-  Search this
Contributor:
Prather, Marla  Search this
Host institution:
Pace Gallery  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
32 pages : color illustrations ; 23 x 31 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1079102

(No Title Given) [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Mangold, Robert 1937-  Search this
Type:
Photograph
Topic:
Figure male  Search this
Dress--Costume  Search this
Image number:
JUL J0071184
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_71185

Interview with Bob Mangold

Creator:
Lippard, Lucy R.  Search this
Mangold, Robert, 1937-  Search this
Type:
Sound Recording
Date:
1965 December 8
Citation:
Lucy R. Lippard and Robert Mangold. Interview with Bob Mangold, 1965 December 8. Lucy R. Lippard papers, 1930s-2010. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)17821
See more items in:
Lucy R. Lippard papers, 1930s-2010, bulk 1960-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17821

Robert Mangold : paintings, 1990-2002 / Dean Sobel ; with an essay by Richard Shiff

Author:
Sobel, Dean  Search this
Mangold, Robert 1937-  Search this
Shiff, Richard  Search this
Aspen Art Museum (Aspen, Colo.)  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
80 p. : col. ill., port. ; 28 cm
Type:
Books
Exhibitions
Date:
2003
C2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_740499

Automotive Tower B-2, (sculpture)

Sculptor:
Mangold, Robert 1937-  Search this
Medium:
Welded metal
Type:
Sculptures
Owner/Location:
Denver Art Museum 100 West 14th Avenue Parkway Denver Colorado 80204 Accession Number: 1969.64
Date:
1968
Topic:
Architecture--Detail--Tower  Search this
Architecture--Vehicle--Automobile  Search this
Control number:
IAS 76007133
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_17940

Robert Mangold : studies for the attic series

Title:
Studies for the attic series
Author:
Mangold, Robert 1937-  Search this
Daniel Weinberg Gallery  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
1 portfolio (8 leaves of plates : col. ill. ; 12 x 16 cm
Type:
Books
Exhibitions
Date:
1992
[1991]
Call number:
ND237.M234 A4 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_906928

Robert Mangold / Christel Sauer, Urs Raussmùˆller, Robert Mangold

Author:
Sauer, Christel  Search this
Mangold, Robert 1937-  Search this
Raussmùˆller, Urs  Search this
Hallen fùˆr Neue Kunst (Schaffhausen, Switzerland)  Search this
Espace d'art contemporain  Search this
Subject:
Mangold, Robert 1937-  Search this
Mangold, Robert 1937- Interviews  Search this
Physical description:
203 p. : ill. (chiefly col.) ; 31 cm
Type:
Books
Exhibitions
Date:
1993
C1993
Call number:
N40.1.M273 R2 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_465468

Robert Mangold; an exhibition organized by the La Jolla Museum of Contemporary Art, La Jolla, California, March 23-May 12, 1974

Author:
La Jolla Museum of Contemporary Art  Search this
Mangold, Robert 1937-  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
[32] p. illus. (part col.) 19 x 26 cm
Type:
Books
Exhibitions
Date:
1974
1974]
Topic:
Line (Art)  Search this
Call number:
N40.1.M273 L2
N40.1.M273 L2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_43086

Robert Mangold : Gemàˆlde 1964-1987 = paintings 1964-1987

Artist:
Mangold, Robert 1937-  Search this
Contributor:
Jolles, Claudia  Search this
Host institution:
Hallen fùˆr Neue Kunst (Schaffhausen, Switzerland)  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
41 leaves : illustrations ; 30 cm
Type:
Books
Exhibitions
Date:
1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_794274

Between image and object : the prints of Robert Mangold, January 22 to April 2, 2000

Title:
Prints of Robert Mangold
Author:
Mangold, Robert 1937-  Search this
Addison Gallery of American Art  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
[20] p. : col. ill. ; 26 x 16 cm
Type:
Books
Exhibitions
Date:
2000
Call number:
NE539.M226 A4 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_787665

Jenseits des Bildes : Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy & Herbert Vogel, New York = Beyond the picture : works by Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle from the collection Dorothy & Herbert Vogel, New York / [Konzeption und Bearbeitung, Erich Franz ; Ausstellungssekretariat, Michaela Franz]

Author:
Franz, Erich  Search this
Franz, Michaela  Search this
Kunsthalle Bielefeld  Search this
Subject:
Barry, Robert Exhibitions  Search this
LeWitt, Sol 1928-2007  Search this
Mangold, Robert 1937-  Search this
Tuttle, Richard 1941-  Search this
Vogel, Dorothy Art collections  Search this
Vogel, Herbert Art collection  Search this
Physical description:
264 p. : ill. (some col.) ; 23 cm
Type:
Exhibitions
Place:
New York (State)
Date:
1987
C1987
Topic:
Art, American  Search this
Art--Private collections  Search this
Call number:
N6512 .J54 1987
N6512.J54 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_350420

Robert Mangold : paintings, 1971-84, Akron Art Museum, 18 November 1984-6 January 1985

Author:
Mangold, Robert 1937-  Search this
Danoff, I. Michael  Search this
Akron Art Museum  Search this
Subject:
Mangold, Robert 1937-  Search this
Physical description:
24 p. : ill. (some col.) ; 28 cm
Type:
Books
Exhibitions
Date:
1984
C1984
Call number:
N40.1.M273 A3
N40.1.M273A3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_326147

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