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Clay-colored folders

Creator:
MacLeish, Archibald, 1892-1982  Search this
Collection Creator:
Hendricks, Gordon  Search this
Type:
Archival materials
Letterpress copybooks
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Letterpress copybooks -- 19th century
Collection Citation:
The Gordon Hendricks Motion Picture History Papers, 1895-1970, National Museum of American History.
Identifier:
NMAH.AC.0369, Series 4
See more items in:
Gordon Hendricks Motion Picture History Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0369-ref2114

Air Raid [sound recording]

Artist:
MacLeish, Archibald 1892-1982  Search this
Physical description:
1 phonograph record : analog, 78 rpm ; 10 in
Type:
Musical sound recordings
Local number:
FW-ASCH-78-3805
Columbia C-5
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_324275

Art education and the creative process

Author:
MacLeish, Archibald 1892-1982  Search this
Physical description:
11 p. 26 cm
Type:
Books
Date:
1954
[c1954]
Topic:
Art--Study and teaching  Search this
Call number:
N87 .M23
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_669371

Air raid, a verse for radio, by Archibald MacLeish

Author:
MacLeish, Archibald 1892-1982  Search this
Physical description:
5 preliminary leaves, 3-36 pages 24 cm
Type:
Drama
Date:
1939
[1939, ©1938]
Topic:
Aeronautics  Search this
Radio plays  Search this
Call number:
PS3525.A27 A7
PS3525.A27A7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_49761

Cranbrook-Life exhibition of contemporary American painting. May 17-June 2, 1940, Cranbrook academy of art, Bloomfield Hills, Michigan

Author:
Cranbrook Academy of Art  Search this
MacLeish, Archibald 1892-1982  Search this
Physical description:
[15] p. incl. 4 col. pl. 36 x 27 cm
Type:
Exhibitions
Date:
1940
C1940]
Topic:
Painting, American  Search this
Call number:
ND212 .C7X
ND212.C7X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_118691

Archibald MacLeish : an American life / Scott Donaldson ; in collaboration with R.H. Winnick

Author:
Donaldson, Scott  Search this
Winnick, R. H  Search this
Subject:
MacLeish, Archibald 1892-1982  Search this
Physical description:
xv, 622 p., [24] p. of plates : ill. ; 25 cm
Type:
Biography
Place:
United States
Date:
1992
20th century
Topic:
Poets, American  Search this
Statesmen  Search this
Call number:
CT275.M163 D6 1992
CT275.M163D6 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_428713

Land of the free [by] Archibald MacLeish

Author:
MacLeish, Archibald 1892-1982  Search this
Physical description:
1 p. l., 83 numb.l., 1l., 89-93 p. illus. 24 cm
Type:
Books
Place:
United States
Date:
1938
[c1938]
Topic:
Social conditions  Search this
Illustrations  Search this
Call number:
E169 .M16X
E169.M16X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_54633

The photographic eye of Ben Shahn / edited by Davis Pratt

Author:
Shahn, Ben 1898-1969  Search this
Pratt, Davis  Search this
MacLeish, Archibald 1892-1982  Search this
Subject:
Shahn, Ben 1898-1969  Search this
United States Farm Security Administration  Search this
Physical description:
xiii, 147 p. : chiefly ill. ; 25 x 27 cm
Type:
Books
Date:
1975
Topic:
Documentary photography  Search this
Call number:
TR647.S519 P9 1975
TR820.5 .S48 1975X
TR647.S519P9 1975
TR820.5.S48 1975X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_74871

Archibald MacLeish : reflections / edited by Bernard A. Drabeck and Helen E. Ellis ; foreword by Richard Wilbur

Author:
MacLeish, Archibald 1892-1982  Search this
Drabeck, Bernard A  Search this
Ellis, Helen E  Search this
Subject:
MacLeish, Archibald 1892-1982  Search this
Physical description:
291 pages : portraits ; 24 cm
Type:
Interviews
Poetry
Date:
1986
20th century
Topic:
Poets, American  Search this
Poetry--Authorship  Search this
Call number:
CT275.M163 A1
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_293986

Ben Shahn papers

Creator:
Shahn, Ben, 1898-1969  Search this
Names:
Baskin, Leonard, 1922-2000  Search this
Delano, Jack  Search this
Dugan, Alan  Search this
Evans, Walker, 1903-1975  Search this
Ferry, W. Hawkins  Search this
Francis, Arlene  Search this
Friendly, Fred W.  Search this
Gusten, Theodore, 1899-1978  Search this
Hirsch, Joseph, 1910-1981  Search this
Kingman, Dong, 1911-  Search this
Lange, Dorothea  Search this
Lee, Russell, 1903-1986  Search this
Lionni, Leo, 1910-  Search this
MacLeish, Archibald, 1892-1982  Search this
Martin, John Bartlow, 1915-1987  Search this
Mydans, Carl  Search this
Nakashima, George, 1905-  Search this
Nakashima, Marian  Search this
Odets, Clifford, 1906-1963  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Rivera, Diego, 1886-1957  Search this
Robbins, Jerome  Search this
Rodman, Selden, 1909-  Search this
Rothstein, Arthur, 1915-1985  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Soby, James Thrall, 1906-1979  Search this
Soyer, Raphael, 1899-1987  Search this
Vachon, John, 1914-1975  Search this
Williams, William Carlos, 1883-1963  Search this
Wolcott, Marion Post, 1910-1990  Search this
Zorach, William, 1887-1966  Search this
Extent:
25 Linear feet
Type:
Archival materials
Collection descriptions
Awards
Sketches
Transcripts
Motion pictures (visual works)
Sketchbooks
Video recordings
Drawings
Photographs
Prints
Sound recordings
Interviews
Date:
1879-1990
bulk 1933-1970
Summary:
The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 25.0 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.
Scope and Contents note:
The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 25.0 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

Biographical material and family records include a 1924 passport for Shahn and his first wife, Tillie, biographical sketches of Shahn, and award certificates received by him.

Letters are primarily written to Shahn from family members, artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Notable correspondents include Leonard Baskin, Alexander Calder, Dorothea Lange, Walker Evans, Joseph Hirsch, Leo Lionni, John Bartlow Martin, George and Marian Nakashima, Clifford Odets, Charles Olson, Robert Osborn, Diego Rivera, Jerome Robbins, Selden Rodman, James Thrall Soby, Raphael Soyer, and William Carlos Williams. A small number of scattered letters from Shahn can also be found throughout the series.

Project files document approximately twenty-one of Shahn's commissions, including murals for the community center at Jersey Homesteads, the Bronx Central Annex Post Office, the Social Security Building in Washington D.C. , and the William E. Grady Vocational High School. The files also document his involvement in the Franklin Delano Roosevelt Memorial in Roosevelt, in addition to projects for schools, temples and private homes.

Financial and legal records include consignment records, loan agreements, royalty statements and receipts for artwork sold.

Notes and writings are by Shahn and others including Alan Dugan, W. H. Ferry, Theodore Gusten, and John Bartlow Martin. They include lists of artwork, many of which are annotated.

Artwork includes a sketchbook and several unbound sketches and lettering by Shahn, in addition to drawings and prints by others including Shahn's children, Mario Casetta and Stefan Martin.

Source files contain printed material and photographs relating to topics depicted by Shahn in his artwork such as children, dams, farming, houses, industry, mines and miners, slums, war and workers. These files also contain scattered photographic prints by FSA and OWI photographers including Shahn, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Carl Mydans, Marion Post Wolcott, Arthur Rothstein, and John Vachon.

Printed material includes news clippings covering Shahn and his career as well as subjects of interest to Shahn. Also found are exhibition catalogs and announcements for exhibitions for Shahn and others, and reproductions of Shahn's artwork including publications illustrated by him.

Photographs are of Shahn, his family and friends and colleagues including Alexander Calder, Jerome Robbins, Charles Sheeler, David Smith and William Zorach. Also included are photographs taken by Shahn of New York City and for the FSA in the 1930s, as well as photographs of artwork by Shahn. Photographs by others include one photo each by Walker Evans, Dorothea Lange, Russell Lee and Arthur Rothstein.

The collection also contains transcripts of eight radio, television and motion picture interviews of Shahn and a reel of 16mm motion picture film from the BBC-TV program "Monitor," in addition to sound recordings of interviews of Shahn by Tony Schwartz and Arlene Francis. Artifacts include a Christmas greeting in the form of a sock.
Arrangement note:
The collection is arranged as 12 series:

Series 1: Biographical and Family Records, 1879-1984 (Box 1, OV 36; 0.2 linear ft.)

Series 2: Letters, 1929-1990 (Boxes 1-25, 35, OVs 36-38; 14.4 linear ft.)

Series 3: Project Files, 1933-1975 (Boxes 25-26; OVs 36-37; 1.03 linear ft.)

Series 4: Financial and Legal Records, 1934-1988 (Boxes 26-27, 35; 0.81 linear ft.)

Series 5: Notes and Writings, circa 1933-1988 (Boxes 27-28; 1.62 linear ft.)

Series 6: Artwork, circa 1930s-1965 (Boxes 28, 35; 11 folders)

Series 7: Source Files, circa 1900s-1960s (Boxes 28-30, 35; 1.81 linear ft.)

Series 8: Printed Material, 1912-1988 (Boxes 30-33, 35, OV 39; 3.22 linear ft.)

Series 9: Photographs, circa 1900-1969 (Boxes 33-35; 0.86 linear ft.)

Series 10: Interview Transcripts, 1943-1968 (Box 34; 0.25 linear ft.)

Series 11: Audio and Video Recordings, 1959-1968 (Box 34; 0.25 linear ft.)

Series 12: Artifacts, circa 1930s-circa 1960s (Box 34; 2 items)
Biographical/Historical note:
Ben Shahn (1898-1969) was a social realist painter, muralist, printmaker, photographer, illustrator, and teacher who worked primarily in Brooklyn, New York and New Jersey. He was most active in the 1930s through the 1950s and worked on several federally funded arts projects, including the Farm Security Administration's photographic documentation project of rural America during the Depression.

Ben Shahn was born in Kovno, Lithuania and immigrated with his family to the United States in 1906 where he settled in Brooklyn, and later Roosevelt, New Jersey, after becoming a naturalized citizen in 1918.

Following an apprenticeship as a lithographer from 1913-1917, Shahn studied at New York University, the City College of New York, and the National Academy of Design from 1919-1922. He married Tillie Goldstein in 1922 and they had two children, Judith and Ezra.

Two years after Shahn's first solo exhibition at the Downtown Gallery in 1930, his Passion of Sacco and Vanzetti, a series of 23 gouaches about the Sacco and Vanzetti trial of the 1920s, was exhibited at the Downtown Gallery to critical and public acclaim. The exhibition marked the beginning of Shahn's reputation as one of the most important social realist painters in America. Shahn's commitment to social and political justice found a natural outlet in mural painting when, in 1933, he was hired to assist Diego Rivera on the labor and industry mural Man at the Crossroads, for New York City's Rockefeller Center. The mural was destroyed amid controversy in 1933 before it was completed, but Shahn had learned much about the art of fresco painting during the project and was inspired by the potential of the mural as a unique art form for presenting life's struggles and stories to a large public audience. Between 1933 and 1937 Shahn worked on various murals for other buildings, including New York's Central Park Casino (circa 1934) and Riker's Island Prison (1934), none of which saw completion. In 1937, however, the Farm Security Administration (FSA) commissioned Shahn to execute a mural for the Community Center in the town of Jersey Homesteads, later Roosevelt, New Jersey, which Shahn completed in 1938. Shahn settled in Jersey Homesteads the following year and remained there for the rest of his life. Other important mural commissions followed for the Bronx Central Post office (1939) and the Social Security Building in Washington DC (1942).

One of Shahn's assistants on the Jersey Homesteads mural was Bernarda Bryson, whom he had met in 1933 when she came to New York to interview Rivera about the Rockefeller Center mural controversy for an Ohio newspaper. Shahn and Bryson became lifetime companions and had three children, Susanna, Jonathan and Abigail, although they did not marry until shortly before Shahn's death in 1969. Shahn and Tillie Goldstein were divorced in 1944.

Shahn had enrolled with the federal Public Works of Art Project in 1934, and between 1935 and 1938 he and Bryson travelled across country as Shahn photographed poverty-stricken areas and documented rural life for the Farm Security Administration (FSA) and the Resettlement Agency. Shahn's interest in photography developed in the early 1930s when, encouraged by his friendship with Walker Evans, he began photographing street scenes and people in New York City. He later used the images as the basis for many of his prints and paintings.

In 1942 Shahn began working for the Office of War Information (OWI) and was instructed to produce posters and pamphlets explaining to citizens the necessities of wartime, such as the need for secrecy and food rationing. Ultimately, only two of Shahn's posters were ever used; the rest were rejected as being too harsh for their intended audience. Shahn later worked for the Congress of Industrial Organization Political Action Committee (CIO-PAC), producing posters for the 1944 campaign to re-elect Roosevelt, who he believed in deeply. He was promoted to director of the CIO's Graphic Arts Division for the 1946 congressional campaign following Roosevelt's death, but that job ended when the election went poorly for the Democratic party.

Shahn returned increasingly to painting and a retrospective of his work was held at the Museum of Modern Art in 1947. He also became more active in academia as an accomplished writer, teacher and lecturer. He received honorary doctorates from Princeton University and Harvard University, and become the Charles Eliot Norton professor at Harvard in 1956. Shahn's Norton lectures were collected and published as the influential The Shape of Content in 1957. He also began to work as a commercial artist for a variety of companies and publications including CBS, Time, Harper's, and the Container Corporation of America. Shahn believed, however, that the artist's ideas and integrity must always be reflected in his commercial art. He refused to compromise on this point and was very selective in his choice of commercial commissions. Shahn illustrated many books and articles, designed sets for stage productions such as New York Export: Opus Jazz, choreographed by Jerome Robbins, and designed mural mosaics for synagogues, universities and private homes.

Since the 1930s Shahn had been represented by Edith Halpert at the Downtown Gallery, but his relationship with her was always contentious on the subject of payments Shahn received for commercial work, and became increasingly so as his income from such sources increased. Finally, in 1968, Shahn wrote to Halpert telling her that after ten years of "an accumulation of ill-feeling, discomfort and recrimination between us" he felt compelled to end their dealer-artist relationship.

By the time of Shahn's break with Halpert his health had begun to fail. He died of a heart attack following surgery in a New York City hospital on March 14, 1969.
Related Archival Materials note:
The Archives of American Art holds four oral history interviews with Ben Shahn: 1964 Apr. 14 interview conducted by Richard K. Doud for the Archives of American Art New Deal and the Arts Project in which Shahn speaks of his travels and work for the Farm Security Administration (FSA) and the American image as portrayed by FSA; 1965 Jan. 17 interview; 1965 Oct. 3. interview conducted by Harlan Phillips for the Archives of American Art New Deal and the Arts Project; and 1968 Sept. 27 interview conducted by Forrest Selvig. Most of these interviews have transcripts available online.

The Archives also holds the Bernarda Bryson Shahn papers, circa 1947-2005, and two oral history interviews with Bernarda Bryson Shahn: 1983 Apr. 29 and 1995 July 3.
Separated Materials note:
In 1969, Bernarda Bryson Shahn loaned addresses and essays by Shahn, 7 royalty statements, and 3 letters from publishers for microfilming. After filming, the material was returned to the donor. The loaned material is available on 35 mm microfilm reel N70-6 at Archives of American Art offices and through interlibrary loan, which is not described in the container list of this finding aid. However, many of Shahn's writings on this microfilm were included in subsequent donations to the Archives of American Art.
Provenance:
The Ben Shahn papers were donated in several installments between 1967-1991 by Shahn's widow, Bernarda Bryson Shahn.
Restrictions:
Access to original papers requires an appointment. Access to audiovisual recording with no duplicate access copy requires advance notice.
Rights:
The Ben Shahn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- United States  Search this
Illustrators -- United States  Search this
Photographers -- United States  Search this
Painters -- United States  Search this
Genre/Form:
Awards
Sketches
Transcripts
Motion pictures (visual works)
Sketchbooks
Video recordings
Drawings
Photographs
Prints
Sound recordings
Interviews
Citation:
Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shahben
See more items in:
Ben Shahn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shahben
Additional Online Media:

The American experience, by Archibald MacLeish, librarian of Congress. The Hispanic foundation in the Library of Congress, by Robert C. Smith, assistant director

Author:
MacLeish, Archibald 1892-1982  Search this
Smith, Robert Chester 1912-1976-  Search this
Subject:
Library of Congress Hispanic Foundation  Search this
Physical description:
1 p. l., 16 p. illus. (incl. facsims.) 26 cm
Type:
Books
Place:
America
United States
Latin America
Date:
1939
Topic:
Civilization  Search this
Call number:
Z733.U63H55X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_214988

Caedmon treasury of modern poets [sound recording]

Creator:
Wilbur, Richard 1921-  Search this
Performer:
Eliot, T. S (Thomas Stearns) 1888-1965  Search this
Yeats, W. B (William Butler) 1865-1939  Search this
Auden, W. H (Wystan Hugh) 1907-1973  Search this
Sitwell, Edith, Dame 1887-1964  Search this
Thomas, Dylan 1914-1953  Search this
Macniece, Louis  Search this
Graves, Robert 1895-1985  Search this
Stein, Gertrude 1874-1946  Search this
MacLeish, Archibald 1892-1982  Search this
Cummings, Ebenezer Edson 1800-1866  Search this
Moore, Marianne 1887-1972  Search this
Empson, William 1906-1984  Search this
Spender, Stephen 1909-1995  Search this
Aiken, Conrad 1889-1973  Search this
Frost, Robert 1874-1963  Search this
Williams, William Carlos 1883-1963  Search this
Stevens, Wallace 1879-1955  Search this
Eberhart, Richard 1904-2005  Search this
Bishop, Elizabeth 1911-1979  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Culture:
Irish  Search this
Americans  Search this
Type:
Musical sound recordings
Place:
United States
New York
Date:
1957
Topic:
Spoken word  Search this
Poetry  Search this
Local number:
FW-ASCH-LP-2269
Caedmon 2006
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_315734

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