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Wind circle memory sticks

Artist:
Long, Richard 1945-  Search this
Writer of added commentary:
Heidt Heller, Renate 1944-  Search this
Host institution:
Wilhelm Lehmbruck Museum Duisburg  Search this
Author:
Smithsonian Libraries Art and Artist Files Collection  Search this
Physical description:
14 unnumbered pages chiefly illustrations 13 x 25 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Artist files
Date:
1997
Topic:
Earthworks (Art)  Search this
Land art  Search this
Call number:
AAF--Long, Richard
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_726802

Oral history interview with Paula Colton Winokur

Interviewee:
Winokur, Paula, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Beaver College -- Faculty  Search this
Graphic Sketch Club (Philadelphia, Pa.)  Search this
Helen Drutt Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Council on Education for the Ceramic Arts (U.S.)  Search this
Philadelphia Museum of Art  Search this
Temple University. -- Students  Search this
Tyler School of Art -- Students  Search this
Andre, Carl, 1935-  Search this
Blai, Boris, 1893-1985  Search this
Bobrowicz, Yvonne  Search this
Cunningham, Imogen, 1883-1976  Search this
Cushing, Val M.  Search this
De Staebler, Stephen, 1933-2011  Search this
Ferguson, Ken, 1928-2004  Search this
Heizer, Michael, 1944-  Search this
Higby, Wayne  Search this
Leon, Dennis, 1933-  Search this
Long, Richard, 1945-  Search this
Love, Arlene, 1953-  Search this
Marks, Graham, 1951-  Search this
McKinnell, James  Search this
Mestre, Enrique, 1936-  Search this
Minter, Myrna  Search this
Moran, Lois  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nesbitt, Lowell, 1933-1993  Search this
Notkin, Richard  Search this
Randall, Theodore, 1914-1985  Search this
Schulman, Norman, 1924-  Search this
Sedestrom, Carol  Search this
Serra, Richard, 1938-  Search this
Shores, Kenneth, 1928-  Search this
Simon, Sandy  Search this
Slivka, Rose  Search this
Staffel, Rudolf, 1911-2002  Search this
Takaezu, Toshiko  Search this
Vavrek, Ken  Search this
Winokur, Robert, 1933-  Search this
Ólafur Elíasson, 1967-  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 24 min.))
171 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Alaska
Hungary
Iceland
Mesa Verde (Calif.)
Rocky Mountains
Stonehenge (England)
Date:
2011 July 21-22
Scope and Contents:
An interview of Paula Colton Winokur conducted 2011 July 21-22, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Winokur's home and studio, in Horsham, Pennsylvania.
Paula speaks of taking drawing and painting classes at the Graphic Sketch Club (now the Fleischer Art Memorial) in Philadelphia at age 11; her first experience handling clay at 13 or 14 when taking a class at the Philadelphia Museum of Art; when her family agreed to send her to college, providing she became a teacher, and she attended the Tyler School of Art at Temple University as a painting major; the influence of her teacher Rudolf Staffel in her sophomore year when she took a ceramics class and fell in love with working in clay; meeting her husband Robert Winokur when they were students at Tyler, getting married in 1958, eventually having two sons; glaze testing to find a palette of glazes to use; moving to Massachusetts and starting Cape Street Pottery for their production pottery; her involvement with NCECA [National Council on Education for the Ceramic Arts] and other professional organizations; when she began a 30-year teaching career at Beaver College in 1973 (more recently known as Arcadia University), building their ceramics department; changing from using stoneware to porcelain in 1970; making boxes and architectural forms; how she stopped making functional items when her first child was born and began creating the things she wanted to; the decision in 1982 to make landscapes and how geology, the Artic, and threats to the environment influence her work; the process she uses when creating texture; selling exclusively through the Helen Drutt Gallery beginning in 1973 until the gallery closed in 2011; the important influences in her work of artists such as Michael Heizer, Carl Andre, Richard Long, Richard Serra, Olafur Eliasson, and Steven De Staebler and others; the immense the geologic formations of Mesa Verde, the Rocky Mountains, Stonehenge, Alaska and Iceland are inspiring; various lecturing opportunities and exhibits through the years, as well as a working residency she took advantage of in Hungary in 1994; slowly moving away from glazes and instead using metallic sulfates for color; that her intention is to express the relationship between the internal part of herself and the external world for other people to experience and find something in common; the importance of a liberal arts education for art students; her gelatin and clay prints; the concern over collectors of clay art dying off and no new ones taking their places; that galleries are closing and Internet galleries are the norm; meeting photographer, Imogen Cunningham, and seeing her as a wonderful role model; and the feeling that the high cost of fuel and the invention of newer materials may end ceramic classes. Paula also recalls Lowell Nesbitt, Myrna Minter, Arlene Love, Dennis Leon, Boris Blai, Ted Randall, Val Cushing, Norm Schulman, Jim McKinnel, Gertrud Natzler, Otto Natzler, Ken Ferguson, Rose Slivka, Enrique Mestre, Sandy Simon, Wayne Higby, Richard Notkin, Graham Marks, Toshika Takaezu, Yvonne Bobrowicz, Ken Vavrek, Carol Sedestrom, Lois Moran, and Ken Shores and others.
Biographical / Historical:
Paula Colton Winokur (1935- ) is a ceramist in Horsham, Pennsylvania. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded as 9 sound files. Duration is 6 hr., 24 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- Pennsylvania  Search this
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Women artists  Search this
Women ceramicists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.winoku11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7e4adc1-c020-4368-b3ef-02243200b6aa
EDAN-URL:
ead_collection:sova-aaa-winoku11
Online Media:

The Historical Records of the Barnett-Aden Gallery

Creator:
Barnett-Aden Gallery  Search this
Names:
Anacostia Community Museum  Search this
Corcoran Gallery of Art  Search this
Howard University  Search this
Howard University. Gallery of Art  Search this
Aden, Alonzo J., 1906-1963  Search this
Asher, Lila Oliver  Search this
Driskell, David C.  Search this
Ealey, Adolphus  Search this
Greene, Carroll  Search this
Herring, James V. (James Vernon)  Search this
Johnson, Robert L., 1946 April 8-  Search this
Lazzari, Pietro, 1898-1979  Search this
Long, Richard, 1945-  Search this
Porter, James A. (James Amos), 1905-1970  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Spellman, Gladys Noon  Search this
Thomas, Alma  Search this
Wells, James Lesesne, 1902-1993  Search this
Extent:
.5 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Ephemera
Catalogues
Business records
Place:
Washington (D.C.)
South Carolina
Date:
1954-1989
bulk 1961-1977
Summary:
The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.
Scope and Contents:
The Historical Records of Barnett-Aden Gallery collection includes historical background materials on the gallery, its founders James V. Herring and Alonzo Aden as well as Adolphus Ealey, its steward after its closure in 1969. The materials include correspondence, business records, photographs, exhibition catalogues, and clippings.
Arrangement:
The materials in this collection have been kept at the folder level and separated into four series. The materials have been ordered and organized based on the content. Within each series and subseries, the folders are organized as close to the collection's original order as when it was acquired.
Historical Sketch:
The Barnett-Aden Gallery, suggested to be the first African American privately-owned gallery in the U.S, open its doors on October 16, 1943. The gallery was founded by artist and scholar James V. Herring alongside his protegee, curator Alonzo Aden. The gallery was housed in a private home that they shared, located on 127 Randolph Street NW in Washington, DC. These men aimed to create an art gallery that provided a venue for underrepresented artists of all races and genres. It was this partnership that laid the foundation for the shift in African American representation in modern art. Aden stated that the gallery's aims were to help foster new talent while also bringing "art of superior quality" to the community. Throughout its history, the gallery held almost 200 exhibitions and showcased the work of over 400 artists.

James Vernon Herring was born on January 7, 1887 in Clio, South Carolina to an African American mother, Alice Herring (1860-1942), and white father, William Culbreth. As a young man, he moved to Washington, DC for better educational opportunities. Herring was educated at the Howard Academy, a preparatory high school located at nearby Howard University campus. Herring received his undergraduate degree from Syracuse University and completed graduate studies at Columbia and Harvard Universities. Trained in art and classical studies with a focus on French impressionism, Herring was initially brought on Howard University's faculty as architecture instructor in 1920. This experience inspired Herring to create the Department of Art at the university where he convinced former home economics student and future prominent visual artist, Alma Thomas to be the art school's first graduate in 1924. Herring continued to mentor and discover young artists as was the case with Alonzo Aden.

Alonzo Aden was born on May 6, 1906 in Spartanburg, South Carolina to Naomi Barnett (1883-1956) and Ephraim Aden (1859-1917). His working-class parents wanting more for their eldest son, decided to send him to live with relatives in Washington, DC for greater educational opportunities. Aden did well academically and completed some studies at Hampton Institute (now Hampton University) before finally entering Howard University in 1927. The following year, Herring opened the Howard University Gallery of Art and installed Aden as its first curator. Aden initially pursued a career as an educator but became more interested in art history and after his graduation from Howard in 1933, he pursued studies in museum and curatorial work.

Recent scholarship has suggested that Herring and Aden were in a romantic as well as working relationship. Working together in the Howard Gallery of Art, they sought to provide a space for art students, local artists and other relatively unknown artists from around the world. Living together since 1929, Herring supported Aden's post-graduate pursuits including his studies of African arts and crafts in galleries across Europe as well as his curatorial work at the American Negro Exposition in Chicago in 1940. Aden returned to Washington to great acclaim and continued his work with Herring at the Howard Gallery of Art.

The Gallery was housed in a Victorian townhouse located in the then middle-class African American neighborhoods of LeDroit Park and Logan Circle (present-day Bloomingdale). Research notes that the house was purchased during the late 1920s by Herring with some assistance of artist Alma Thomas (or vice versa). Both were listed as owners of the property until 1933 when Aden was listed as the co-owner. In 1943, Aden resigned as head of the Howard Gallery for unknown reasons which led Herring and Aden to open a gallery in their home. The gallery was named after Aden's mother Naomi, who also served as an early benefactor of the gallery giving $1,000 in support. It was the support of various benefactors alongside Herring's salary as a Howard professor and Aden's several "government jobs" that kept the gallery afloat during its time in the home. The first floor of the gallery consisted entirely of exhibition space with the second-floor space interchanged between exhibition, study, and living spaces over the years. Herring's library, also located on the upper floors, was used for research by students and local scholars. Herring and Aden never saw the gallery as a truly profitable venture but instead wanted to offer avenues for the artists to showcase their work. As policy, each artist retained all money earned from sales but were required to donate at least one work of art to the Barnett-Aden collection.

The gallery, the first of its kind in Washington at the time, exhibited works of artists regardless of race; African American artists displayed alongside their more notable white peers. Notable artists featured in the gallery include Henri Matisse, Paul Cezanne, Pablo Picasso, Marc Chagall, and M.C. Escher were exhibited alongside notable African American artists Richmond Barthé, Romare Bearden, Elizabeth Catlett, Charles White, Selma Burke as well as many others. Several Howard professors who went on to have notable art careers also exhibited their work at the gallery including James Porter, Lois Mailou Jones, and James Lesesne Wells. Many of the artists featured in the gallery were also greatly involved in the operations. Alma Thomas served gallery's vice president before she began exhibiting her work there in 1950s. Artist and scholar, David Driskell served as the associate director of the gallery after Aden's death.

The gallery held five to eight exhibitions every year including a special annual anniversary exhibition. In 1944, the gallery opened a show featuring Brazilian modern artist, Candido Portinari, who had previously completed a mural at the Library of Congress, that sparked great interest at the gallery. The exhibition opening brought in visitors from all over Washington including members of the president's cabinet, foreign ambassadors and First Lady Eleanor Roosevelt. This renewed interest created a somewhat hectic pace in keeping up with the work of the gallery. This pace coupled with the full-time jobs and other ventures including a gift shop enabled the gallery to act as a luminary of the African American and local arts community in Washington.

In 1961, while preparing for the annual anniversary exhibition, Alonzo Aden died suddenly. Herring with aid of his friends and students took on the management of the gallery after his partner's death but was unable to keep the pace of Aden's work and the attendance declined. In 1969, Herring died in the home leaving behind a formidable legacy. The home and its contents including the gallery's art collection was sold in order to settle the debts of Herring's estate. The collection was divided amongst three individuals. Artist and former Herring student, Adolphus Ealey inherited the bulk of the collection that featured 250 significant works. Herring's books, graphic drawings, and prints were given to Herring associate and friend, Dr. Felton J. Earls, while the sculptures went to art collectors and friends Dr. and Mrs. Cecil Marquez.

The portion of the collection owned by Ealey was described as the preeminent selection from the gallery's collection. The size and ongoing upkeep of the collection was significant which caused the collection to be moved several times over the years. The collection which out of necessity was originally stored in Ealey's Southwest Washington apartment then moved a to a house in LeDroit Park and then to another space in the Washington neighborhood of Fort Lincoln. Ealey collaborated with colleagues and institutions to have it exhibited in various locations but also bid to find the collection a permanent home. During the 1970s, the collection was featured at the Museum of Afro-American Culture and History in Philadelphia, the Anacostia Neighborhood Museum (now the Smithsonian Anacostia Community Museum) and the Corcoran Gallery of Art.

Unable to find an institutional home for the collection, Ealey was forced to sell the collection in 1989 to the Florida Endowment Fund for Higher Education. Ealey stipulated that collection must remain intact but also that the new owners had to develop educational and outreach programs focused on African Americans in the arts. Failing to find consistent opportunities to exhibit the collection, the owners were forced to sell the collection. In 1998, Robert L. Johnson, then chairman and founder of the television channel, Black Entertainment Television (BET), purchased the collection. The collection went on a national tour then was displayed for some time at the BET headquarters in Washington. In 2015, Johnson donated selections from the gallery collection to the Smithsonian National Museum of African American History and Culture in an effort to preserve the legacy of the Barnett-Aden Gallery and the tireless work of James V. Herring and Alonzo Aden for generations to come.

Historical Timeline

1897 -- James Vernon Herring was born January 7 in Clio, South Carolina.

1906 -- Alonzo James Aden was born May 6 in Spartanburg, South Carolina.

1914-1916 -- While attending Syracuse University, Herring taught summer classes at Wilberforce University in Ohio for two summers.

1917 -- Herring graduated from Syracuse University with a Bachelors of Pedagogy in Art degree.

1917-1920 -- Herring served as YMCA secretary for the YMCA in Muscle Shoals, Alabama, and then Camp Lee, Virginia. Herring also held teaching positions at Straight College in New Orleans and Bennett College in North Carolina

1920 -- Alonzo was sent to Washington, D.C. to live with his uncle, James Aden, and his wife Laura.

1921 -- Herring was initially hired as architectural drawing instructor at Howard University and after negotiations established Department of Art later that same year.

1927 -- Herring organized an exhibition of Howard U. students' artwork that toured the Deep South U.S. Aden enrolled in Howard University in pursuit of an education degree.

1930 -- The Howard University Gallery of Art formally opened on April 7. Aden was hired as gallery assistant.

1933 -- Aden received his Bachelor of Arts in Education; Herring added Aden's name as co-owner of the 127 Randolph Place home.

1934-1939 -- Aden engaged in post-graduate study and museum curatorial work around the U.S. and Europe.

1940 -- Aden served as art curator for the American Negro Exposition (the "Negro's World Fair") in Chicago

1943 -- Aden resigned his position at the Howard University Gallery of Art for undisclosed reasons. The Barnett-Aden Gallery was founded by James V. Herring and Alonzo Aden. The first exhibition, "American Paintings for the Home" featured Elizabeth Catlett, Lois Mailou Jones, Malvin Gray Johnson, James Lesesne Wells, Jacob Lawrence, and many others.

1944 -- First anniversary exhibition featuring artist Candido Portinari, Brazilian artist who was already known in Washington from his mural for the Library of Congress. It was attended by the First Lady, Eleanor Roosevelt. Exhibition, "The Negro in Art" and "American Paintings for the Home" featuring Catlett, James A. Porter, Wells, Jones, Richmond Barthé, Hale Woodruff, Betsy Graves Reyneau and others.

1946 -- Exhibition, "Paintings by Lois Mailou Jones" and featured paintings of Jacob Lawrence for Third Anniversary exhibition.

1947 -- Fourth Anniversary Exhibition, "Recent Paintings by Charles White". Exhibition of Elizabeth Catlett, "Paintings, Sculpture, and Prints of The Negro Woman".

1948 -- Exhibition, "Paintings and Drawings by James A. Porter".

1949 -- Exhibition, "Sylvia Carewe".

1950 -- "Exhibition of Six Washington Artists" featuring Romare Bearden, Samuel Bookatz, Bernice Cross, Robert Gates, Norma Mazo, and James A. Porter. "Exhibition "Paintings and Prints by James Lesesne Wells."

1951 -- Exhibition, "Three Washington Artists" featuring Richard Dempsey, Sam Herman, and Jack Perlmutter Exhibition, "Herman Maril: Paintings in Retrospect, 1931-1951"

1953 -- Tenth Anniversary Exhibition, "Eighteen Washington Artists" featuring Sarah Baker, Samuel Bookatz, William Calfee, Bernice Cross, Robert Franklin Gates, Jacob Kainen, Marjorie Phillips, James Porter, and James Lesesne Wells.

1954 -- Exhibition "Six Washington Painters" featuring Theresa Abbott, Gabriel Cherin, Gloria Besser Green, Alma W. Thomas, and Anita Wertheim.

1955 -- Twelfth anniversary exhibition focused on "Jack Perlmutter".

1957 -- Exhibition, "David C. Driskell: Exhibition of Paintings"

1958 -- Exhibition "Norman Lewis: Paintings"

1959 -- Sixteenth Anniversary Exhibition of "Paintings by Pietro Lazzari, Helen Rennie, Alma Thomas, Andrea De Zerega". Exhibition of "Religious Paintings and Prints by James L. Wells and Sculpture by Selma Burke"

1962 -- Alonzo Aden died suddenly at the age of 56 on October 13 in Washington D.C. Herring solely inherits the Gallery collection.

1969 -- Herring dies at age 84 in Washington, DC. on May 29. Artist Adolphus Ealey inherits the bulk of the gallery collection along with Dr. Felton J. Earls and Dr. and Mrs. Cecil Marquez.

1974 -- Two exhibitions of the collection at the Anacostia Neighborhood Museum and the Corcoran Gallery of Art.

1989 -- Collection sold to Florida Endowment Fund for Higher Education.

1998 -- Robert Johnson, founder and former CEO of Black Entertainment Television (BET) purchased the entire collection and serves as administrators over the collection.
Provenance:
Acquired through a purchase by the Smithsonian National Museum of African American History and Culture.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Photographs  Search this
Art  Search this
Business  Search this
LGBTQ+  Search this
Museums  Search this
African American artists  Search this
Painting, American  Search this
Galleries  Search this
Education  Search this
finance  Search this
Local and Regional  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Genre/Form:
Correspondence
Ephemera
Catalogues
Business records
Citation:
Historical Records of the Barnett-Aden Gallery, Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.A2014.63.32
See more items in:
The Historical Records of the Barnett-Aden Gallery
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ab33c70c-0c97-4ae6-b532-0055f1a78617
EDAN-URL:
ead_collection:sova-nmaahc-a2014-63-32

Richādo Rongu : sangyō suigyō / kikaku/kanshū Setagaya Bijutsukan, Kyōto Kokuritsu Kindai Bijutsukan ; [chosha Richādo Rongu hoka]

Title:
リチャ-トロンク : 山行水行 / 企画/監修世田谷美術館, 京都国立近代美術館 ; [著者リチャ-トロンクほか]
Author:
Long, Richard 1945-  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
109 p. : chiefly ill. (some col.), maps ; 22 cm
Type:
Exhibitions
Date:
1996
20th century
Topic:
Art, Modern  Search this
Nature (Aesthetics)  Search this
Earthworks (Art)  Search this
Stone in art  Search this
Call number:
N6797.L65 A4 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_726806

Richard Long Skulptures England, Germany, Africa, America, 1966-1970

Title:
Richard Long : 4 Skulpturen
Richard Long sculptures
Skulptures
Author:
Long, Richard 1945-  Search this
Author:
Cladders, Johannes  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Städtisches Museum Mönchengladbach  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
[14] pages all illustrations 14 x 20 cm, in container 22 x 17 cm. + 1 card (8 x 22 cm., folded to 8 x 11 cm.)
Type:
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
1970
Topic:
Earthworks (Art)  Search this
Nature (Aesthetics)  Search this
Call number:
N40.1.L846 S77 1970
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_469904

Richard Long : walking in circles / [texts by Anne Seymour and Hamish Fulton ; interviews with the artist by Anne Seymour and Richard Cork.]

Author:
Long, Richard 1945-  Search this
Seymour, Anne  Search this
Fulton, Hamish  Search this
Cork, Richard  Search this
Hayward Gallery  Search this
South Bank Centre  Search this
Subject:
Long, Richard 1945-  Search this
Long, Richard 1945- Interviews  Search this
Physical description:
263 p. : ill. (some col.) ; 27 x 31 cm
Type:
Books
Exhibitions
Date:
1991
Call number:
N40.1.L846 S7 1991
N40.1.L846S7 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_422983

Richard Long

Author:
Long, Richard 1945-  Search this
Kunstsammlung Nordrhein-Westfalen (Germany)  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
1 v. (unpaged) : chiefly col. ill. ; 24 x 30 cm
Type:
Books
Exhibitions
Date:
1994
Call number:
N40.1.L846 K96 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_464793

Surf roar : Richard Long, [exhibition] La Jolla Museum of Contemporary Art, August 19-October 15, 1989

Author:
Long, Richard 1945-  Search this
Davies, Hugh Marlais 1948-  Search this
La Jolla Museum of Contemporary Art  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
1 v. (unpaged) : chiefly ill. (some col.) ; 21 x 28 cm
Type:
Books
Exhibitions
Date:
1989
[1989]
Call number:
N40.1.L846 D2 1989
N40.1.L846D2 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408303

Richard Long : mountains and waters

Author:
Long, Richard 1945-  Search this
Anthony d'Offay (Firm)  Search this
Subject:
Long, Richard 1945- Themes, motives  Search this
Physical description:
1 v. (unpaged) : ill. ; 22 x 31 cm
Type:
Books
Date:
1993
Topic:
Earthworks (Art)  Search this
Photography of mountains  Search this
Call number:
N40.1.L846 A6m 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_461186

Stone water miles / Richard Long

Author:
Long, Richard 1945-  Search this
Musée Rath  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
[82] p. : ill. ; 18 x 25 cm
Type:
Books
Exhibitions
Date:
1987
C1987
Call number:
N40.1.L846 M98 1987
N40.1.L846M98 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408302

Richard Long / [cura della mostra, Maria Grazia Tolomeo, Mario Codognato.]

Author:
Long, Richard 1945-  Search this
Tolomeo, Maria Grazia  Search this
Codognato, Mario  Search this
Palazzo delle esposizioni (Rome, Italy)  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
151 p. : ill. (some col.) ; 25 x 28 cm
Type:
Exhibitions
Date:
1994
C1994
20th century
Topic:
Earthworks (Art)  Search this
Conceptual art  Search this
Sculpture, Modern  Search this
Call number:
N40.1.L846 P3 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_496003

Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol Lewitt, Richard Long, N.E. Thing Co. Ltd., Robert Smithson, Lawrence Weiner : July, August, September 1969/juillet, août, septembre 1969/Juli, August, September 1969

Author:
Seth Siegelaub (Art Gallery)  Search this
Subject:
Andre, Carl 1935-  Search this
Barry, Robert  Search this
Buren, Daniel  Search this
Dibbets, Jan 1941-  Search this
Huebler, Douglas  Search this
Kosuth, Joseph  Search this
LeWitt, Sol 1928-2007  Search this
Long, Richard 1945-  Search this
Smithson, Robert  Search this
Weiner, Lawrence  Search this
N.E. Thing Company  Search this
Physical description:
26 p. illus. 28 cm
Type:
Exhibitions
Date:
1969
20th century
Topic:
Conceptual art  Search this
Art, Modern  Search this
Call number:
N6494.C63 C27 1969
N6494.C63C27 1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_423296

Dialog : Richard Long, Jivya Soma Mashe / Kurator, Hervé Perdriolle ; Generaldirektor, Jean-Hubert Martin

Title:
Richard Long, Jivya Soma Mashe
Author:
Long, Richard 1945-  Search this
Mashe, Jivya Soma  Search this
Perdriolle, Hervé  Search this
Martin, Jean-Hubert, 1944-  Search this
Museum Kunst Palast (Düsseldorf, Germany)  Search this
Subject:
Long, Richard 1945-  Search this
Mashe, Jivya Soma  Search this
Physical description:
128 p. : ill. ; 24 cm
Type:
Books
Exhibitions
Date:
2003
C2003
Call number:
N6797.L65 A4 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_796974

Giovanni Anselmo, Richard Long, Per Kirkeby : Castello di Rivoli, Torino

Author:
Anselmo, Giovanni 1934-  Search this
Long, Richard 1945-  Search this
Kirkeby, Per  Search this
Castello di Rivoli (Museum : Rivoli, Italy)  Search this
Subject:
Anselmo, Giovanni 1934-  Search this
Long, Richard 1945-  Search this
Kirkeby, Per  Search this
Physical description:
1 v. (unpaged) : ill. ; 25 cm
Type:
Books
Exhibitions
Date:
1984
1994
[198-?]
Call number:
N6923.A577 A4 1980z
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_818187

Dartmoor an eight day walk, 2005 Richard Long

Author:
Long, Richard 1945-  Search this
Author:
Lelie, Herman  Search this
Moorhouse, Paul  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Tate Gallery St Ives  Search this
Physical description:
78 pages all color illustrations 24 cm
Type:
Two-dimensional graphics
Pictorial works
Artists' books (books).)
Artists' books
Place:
England
Dartmoor (England)
Dartmoor
Date:
2006
Topic:
Nature (Aesthetics)  Search this
Site-specific art  Search this
Walking in art  Search this
Artists' books  Search this
Call number:
N6797.L65 L66 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_797728

Richard Long : Sangyo suigyo : exhibition 1996

Title:
Sangyo suigyo
Author:
Setagaya Bijutsukan  Search this
Kyōto Kokuritsu Kindai Bijutsukan  Search this
Subject:
Long, Richard 1945- Exhibitions  Search this
Physical description:
15 p
Type:
Books
Date:
1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1027774

A Quiet revolution, British sculpture since 1965 / essays by Graham Beal [and others] ; Terry A. Neff, editor

Author:
Neff, Terry Ann R  Search this
Beal, Graham W. J (Graham William John) 1947-  Search this
Subject:
Cragg, Tony 1949-  Search this
Deacon, Richard 1949-  Search this
Flanagan, Barry 1941-2009  Search this
Long, Richard 1945-  Search this
Nash, David 1945-  Search this
Woodrow, Bill 1948-  Search this
Physical description:
188 pages : illustrations (some color) ; 29 cm
Type:
Exhibitions
Exhibition catalogs
Date:
1987
20th century
Topic:
Sculpture, British  Search this
Call number:
NB468.Q54 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_310033

Richard Long : mud drawings and other new works made at Sperone Westwater

Title:
Mud drawings and other new works made at Sperone Westwater
Author:
Long, Richard 1945-  Search this
Sperone Westwater (Gallery)  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
44 pages : illustrations (chiefly color) ; 20 x 26 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1044219

Richard Long : selected statements & interviews / edited by Ben Tufnell

Author:
Long, Richard 1945-  Search this
Tufnell, Ben  Search this
Subject:
Long, Richard 1945-  Search this
Physical description:
126 pages : illustrations ; 20 x 29 cm
Type:
Books
Interviews
Place:
England
Date:
2007
©2007
Topic:
Earthworks (Art)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1027393

Artists' walks : the persistence of peripateticism / curated by Earl Miller

Author:
Miller, Earl 1963-  Search this
Dorsky Gallery Curatorial Programs  Search this
Subject:
Abramović, Marina  Search this
Cardiff, Janet 1957-  Search this
Miller, George Bures 1960-  Search this
Fulton, Hamish  Search this
Goldberg, Neil  Search this
Gunning, Lucy  Search this
Long, Richard 1945-  Search this
MacGregor, Gwen  Search this
Rechico, Sandra  Search this
Phelps, Danica 1971-  Search this
Rowlett, Samuel  Search this
Thompson, Jessica  Search this
Antin, Eleanor  Search this
General Idea (Firm)  Search this
Physical description:
1 folded sheet ([6] p.) : col. ill. ; 28 x 65 cm., folded to 28 x 22 cm
Type:
Exhibitions
Date:
2013
[2013]
20th century
Topic:
Art, Modern  Search this
Video art  Search this
Conceptual art  Search this
Call number:
N6487.L665 D67 2013
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1031462

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