This collection consists of material collected and organized by Doris L. Rich during research in preparation for her 1989 book, Amelia Earhart: A Biography. Materials include reproductions of newspapers, books, periodicals, correspondence, and typed/handwritten notes by Rich.
Scope and Contents:
This collection consists of material collected and organized by Doris L. Rich during research in preparation for her 1989 book, Amelia Earhart: A Biography. Materials include reproductions of newspapers, books, periodicals, correspondence, and typed/handwritten notes by Rich.
Arrangement:
The collection is divided into 5 series, based upon the original order provided by Doris L. Rich.
Series 1: Biographical Files
Series 2: Amelia Earhart Chronology
Series 3: Historical Chronology
Series 4: Book Correspondence
Series 5: Subject Files and Bibliography
Information added by processing archivist is in brackets. Most notably, Doris L. Rich maintained a very formal tone in her correspondence, frequently addressing women by their married name only, ex. Mollison, Mrs. James. The processing archivist has added additonal name information in brackets when possible, ex. [Amy Johnson].
Biographical / Historical:
Amelia Earhart (1897-1937) in 1928 was the first woman to fly (as a passenger) across the Atlantic, and in 1932 the first woman (and second person, after Charles Lindbergh) to fly solo and nonstop across that ocean. She flew many record flights, published several books, and accomplished much for women in aviation before attempting, on June 1, 1937, an around-the-world flight from Miami, Florida, in a twin-engine Lockheed Electra. She and navigator Frederick J. Noonan were flying from Lae, New Guinea, to Howland Island when they disappeared over the Pacific Ocean on July 2, 1937. An exhaustive sea and air search, ordered by President Franklin Roosevelt, was unsuccessful in locating Earhart and Noonan.
Doris L. Rich (1920-2009) was a freelance journalist and photographer in Hong Kong from 1949 to 1967. She taught English in Bangladesh and Ghana before moving to Washington, DC in the late 1970s. Her first book, Amelia Earhart: A Biography, was published by the Smithsonian Press in 1989. In the book, Rich downplays Earhart's disappearance and instead focuses on Earhart's many contributions to the aviation field and her championing of women's rights. The book was proclaimed one of the Notable Books of the Year by the New York Times in 1990 and served as the basis for Amelia Earhart: The Final Flight, a made-for-television movie in 1994.
Provenance:
Doris L. Rich, Gift, 1990, NASM.1991.0003
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Arden Collection, 1884-1950, Archives Center, National Museum of American History
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Wurlitzer Company Records, 1860-1984, Archives Center, National Museum of American History
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Wurlitzer Company Records, 1860-1984, Archives Center, National Museum of American History
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Arden Collection, 1884-1950, Archives Center, National Museum of American History
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
This collection consists of the photographs used in the book.
Biographical / Historical:
David DeVorkin, a Space History Curator at the National Air and Space Museum, completed Science With A Vengeance in 1992. This book traces the exploration of the upper atmosphere with ballistic missiles systems, particularly the V-2. The first part of the book deals with the military context of upper atmospheric research: the military interest in seeing that such work was being done, the formation of appropriate groups in military labs capable of doing the work, and the development of the technical and managerial infrastructure required to get the work done. The later half of the book examines the specific problems each scientific group addressed, including the technical, professional and managerial obstacles they faced as they explored the use of rockets for studying the sun, cosmic rays, the upper atmosphere, and the ionosphere.
General:
NASMrev
Provenance:
David H. DeVorkin, Transfer, 1994, 1994-0054, NASM/David DeVorkin
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
This collection consists both of photographs that appear in the book as well as additional research materials, including: correspondence, printed materials, photographs, and negatives.
Biographical / Historical:
Thom Hook's book, Shenandoah Saga was published in 1973. It was written to commemorate the fiftieth anniversary of the creation of the USS Shenandoah--the first American-built, helium-filled rigid airship. This book traces the history of the naval airship from its preplanning stages to its tragic crash on September 3, 1925.
General:
NASMrev
Provenance:
Thomas Hook, Gift, 1985, 1985-0021, varies (including public domain)
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
This collection contains a manuscript (94 unnumbered pages) detailing the history of the 1st Aero Squadron, a folder containing official documents relating to Pendleton's service and another containing an observer's notation board and a single photograph.
Biographical / Historical:
Littleton Flippo Pendleton served as an observer with the 1st Aero Squadron during 1917-1919.
General:
This material is in brittle and fragile condition. To facilitate access to it, a copy of the manuscript has been made onto acid-free paper and it is requested that researchers review this copy instead of the original.
NASMrev
Provenance:
Warren Pendleton, transfer, 1975, XXXX-0591, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
This collection consists of 524 b&w copy negatives and four color transparencies documenting Levy and the 509th Composite Group. The images cover the following: personnel at work and play; aircraft -- mostly B-29s; base buildings at Tinian; and native populations. Copy prints were also made of the 509th newspaper, Daily Mission, and the route maps which were used for practice and actual bombing missions. There are also four oversized prints of the bombing sites.
Biographical / Historical:
Charles Levy (509th Composite Group) was the bombardier for Bocks Car, the B-29 that dropped the atomic bomb on Nagasaki on August 9, 1945.
General:
NASMrev
Provenance:
Charles Levy, gift, 1994, 1994-0033, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
This scrapbook chronicles the experiences of Nelson Coon and depicts mostly unit personnel, with little coverage of aircraft.
Biographical / Historical:
The 58th Aero Squadron was organized at Kelly Field in August 1918; sent to Camp Morrison, VA in October; Brest, France in January 1918; and finally Lopcomb Corner Air Field in February 1918. The group was renamed the 470th Aero Construction Squadron, and departed Europe as soon as the war ended. One of the squadron's members was Nelson Coon.
General:
NASMrev
Provenance:
Nelson Coon, Gift, unknown, XXXX-0275, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Families of Anita Williams Christopher and David Owen Williams
Object number:
2013.79.23
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
![view "Amelia Earhart: A Biography" [Rich] Collection digital asset: Finding aid](https://ids.si.edu/ids/deliveryService?max=170&id=https://sirismm.si.edu/siris/findingaid.gif "Finding aid")
