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Ladd, Anna Coleman, 1878-1939

Collection Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
32 Photographs
Container:
Box 30
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Open to researchers by appointment. Contact Photograph Archives, Smithsonian American Art Museum by email: sapa@si.edu.
Collection Rights:
The photographs are owned by the Smithsonian American Art Museum and requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Metropolitan Museum of Art Study Collection of American Sculpture Photographs, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Metropolitan Museum of Art study collection of American sculpture photographs
Metropolitan Museum of Art study collection of American sculpture photographs / Series 1: Photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-met-ref405

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Vose Galleries of Boston records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art galleries, Commercial -- Rhode Island -- Providence  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vosegall

Anna Coleman Ladd papers

Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Names:
American Red Cross. Studio for Portrait Masks (Paris, France)  Search this
Aldrich, William  Search this
Fabbricotti, Gabriella  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Hammond, Natalie Hays, 1905-  Search this
Southwick, Jessie Eldridge  Search this
Extent:
4.26 Linear feet
Type:
Archival materials
Collection descriptions
Diaries
Drawings
Sketchbooks
Photographs
Sketches
Scrapbooks
Date:
1881-1950
Summary:
The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.
Scope and Contents note:
The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.

Biographical materials are scattered and include calling cards, biographical sketches notes, and certificates.

Correspondence includes letters written to Anna Coleman Ladd from various family members, friends, and colleagues. Notable correspodents include William Aldrich, Gabriella Fabbricotti, Isabella Stewart Gardner, Natalie Hays Hammond, and Jessie Eldridge Southwick.

Diaries are daily diaries dating from 1903-1905 and from 1911-1912. Each diary includes short descriptions of Ladd's days.

Financial materials include receipts, stock certificates, travel materials, lists, and an account book for Dr. Maynard Ladd.

Writings and notes consists of notebooks, lists of works of art, inventories, manuscripts by Ladd and by others.

Artworks include two sketchbooks, loose drawings, and a plaster relief by Ladd as well as several sketches by others.

American Red Cross Studio for Portrait-Masks files include correspondence, writings, a scrapbook, printed materials, and photographs. Materials concern portrait masks used to disguise the disfigured faces of World War I veterans.

Scrapbooks consists of three scrapbooks containing photographs, printed materials, and writings.

Printed materials include clippings, exhibition announcements and catalogs for Ladd's works, books and booklets, and posters, some of which are French World War I propaganda.

Photographs include photographs of Anna Coleman Ladd with her works of art and in the studio, Dr. Maynard Ladd, friends, family, colleagues, and works of sculpture.
Arrangement note:
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1910-1950 (Box 1; 4 folders)

Series 2: Correspondence, 1895-1937 (Box 1-2; 1.1 linear feet)

Series 3: Diaries, 1903-1912 (Box 2; 2 folders)

Series 4: Financial Material, 1899-1934 (Box 2; 6 folders)

Series 5: Writings and Notes, 1888-1949 (Box 2, 6, OV 7; 0.6 linear feet)

Series 6: Artwork, 1901-1928 (Box 2, 6, OV 7; 0.2 linear feet)

Series 7: American Red Cross Studio for Portrait-Masks File, 1914-1925 (Box 2-3, 6; 0.4 linear feet)

Series 8: Scrapbooks, 1900-1940 (Box 3; 0.3 linear feet)

Series 9: Printed Material, 1889-1942 (Box 3, 6, OV 7; 0.5 linear feet)

Series 10: Photographs, 1881-1932 (Box 4-6, MGP 1; 0.8 linear feet)
Biographical/Historical note:
Born in 1878 in Philadelphia to John and Mary Watts, Anna Coleman Ladd (née Watts) was educated in private schools and Europe. She also studied in America under Charles Grafly.

She moved to Boston in 1905 and married Boston pediatrician Maynard Ladd with whom she had two daughters, Gabriella May Ladd and Vernon Abbott Ladd . Working in her studio on Clarendon Street, Ladd became one of the city's most prolific sculptors, creating fountain pieces, portrait busts, memorials, and reliefs in addition to authoring two novels, Hieronymus Rides in 1912, and The Candid Adventurer in 1913.

Between 1907 and 1915, Ladd had solo exhibitions at the Gorham Gallery in New York, the Corcoran Gallery in Washington, D.C., and the Pennsylvania Academy in Philadelphia. She was also invited to exhibit her bronzes at the Panama Pacific Exposition in San Francisco. In 1914 she executed a bronze statuette of Eleanora Duse for which the actress posed, and later completed portrait busts of Anna Pavlova and Ethel Barrimore.

In late 1917 in Paris, Ladd founded the American Red Cross Studio for Portrait-Masks to provide cosmetic masks to be worn by men who had been badly disfigured in World War I. Her services earned her the Légion d'Honneur Crois de Chevalier and the Serbian Order of Saint Sava.

For many years, Ladd maintained a summer studio "Arden" at Beverly Farms in Manchester, Massachusetts. In 1923, she received an honorary degree of Master of Arts from Tufts College.

Anna Coleman Ladd died June 3, 1939 in Santa Barbara, California.
Provenance:
The Anna Coleman Ladd papers were donated in 1991 by William Terry on behalf of Robert Edwards, a friend of Anna Coleman Ladd.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Portrait sculpture  Search this
Artists' studios -- Photographs  Search this
Architectural sculpture  Search this
Sculptors -- Massachusetts -- Boston  Search this
Women sculptors -- Massachusetts -- Boston  Search this
World War, 1914-1918 -- France -- Paris Portrait sculpture  Search this
Women authors -- Massachusetts -- Boston  Search this
Works of art  Search this
Genre/Form:
Diaries
Drawings
Sketchbooks
Photographs
Sketches
Scrapbooks
Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.laddanna
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laddanna
Additional Online Media:

Glass Plate Negatives

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Extent:
3 glass negatives
Container:
Box MGP 1
Type:
Archival materials
Negatives
Glass negatives
Date:
circa 1910
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref273

Stock Certificates for the Alliance Oil Company

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 20
Type:
Archival materials
Date:
1924
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref100

Accounts Book for Dr. Maynard Ladd

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
1934
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref101

Notes and Writings

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Extent:
0.6 Linear feet (Box 2, 6, OV 7)
Type:
Archival materials
Date:
1888-1949
Scope and Contents note:
This series consists of notebooks and manuscripts written by Anna Coleman Ladd and by others, some of which are illustrated by Ladd. Notebook 1 primarily contains lists of mythological and allegorical characters. Notebook 2 contains historical notes, listings of Italian authors and painters, poems, clippings, three drawings, and an illustrated letter. Notebook 3 contains notes from a class in composition. Notebook 4 contains lists of friends' names and poetry.

The guest register contains autographs of William Aldrich, Senator Albert J. Beveridge, Gabriella Fabbricotti, Isabella Stewart Gardner, Philip Leslie Hale, John Hays Hammond, Marie Danforth Page, Agnes Repplier, John Singer Sargent, Frances Starr. There are two small hand-made books by Anna Coleman Watts and Gabriella Fabbricotta. Miscellaneous poems include the poem "Hymn for Easter" by Dorothy Grafly.
Arrangement note:
This series has been scanned in its entirety.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.laddanna, Series 5
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref104

Notebook 1

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 22
Type:
Archival materials
Date:
circa 1910
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref105

Notebook 2

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 23-24
Type:
Archival materials
Date:
circa 1910
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref106
Additional Online Media:

Notebook 3

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 25
Type:
Archival materials
Date:
1899
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref107

Notebook 4

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 26
Type:
Archival materials
Date:
1917
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref108

Guest Register

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 27
Type:
Archival materials
Date:
1912-1918
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
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Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref109

Lists of Guests

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 28
Type:
Archival materials
Date:
circa 1910-1929
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref110

Lists of Sculpture by Anna Coleman Ladd

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 29
Type:
Archival materials
Date:
circa 1920
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref111

List of Sitters for Portraits

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 30
Type:
Archival materials
Date:
1935
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref112

Lists of Photographs

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref113

Notes for Blue Prints and Blue Prints

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 32
Type:
Archival materials
Date:
1939
Scope and Contents note:
Oversized material housed in Box 6 and OV 7
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
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Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref114

Inventories of Art Work and Miscellaneous Possessions

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 33
Type:
Archival materials
Date:
1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref116

Lecture about Being a Sculptor

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 34
Type:
Archival materials
Date:
circa 1930
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref117

Act IV of an Unidentified Play

Collection Creator:
Ladd, Anna Coleman, 1878-1939  Search this
Container:
Box 2, Folder 35
Type:
Archival materials
Date:
circa 1910s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Anna Coleman Ladd papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-laddanna-ref118

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