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Study for Education Building: Modeled decorations, (sculpture)

Title:
Three Fates, (sculpture)
Modeled decorations, (sculpture)
Sculptor:
Jennewein, C. Paul 1890-1978  Search this
Assistant:
Kreis, Henry 1899-1963  Search this
Medium:
Plaster
Type:
Sculptures-Relief
Sculptures
Owner/Location:
Tampa Museum of Art 120 West Gasparilla Plaza Tampa Florida 33602
Date:
1929-31
Topic:
Mythology--Classical--Fates  Search this
Study  Search this
Control number:
IAS 65020093
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30469

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lilian Swann Saarinen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
Additional Online Media:

Henry Kreis papers, 1920-1963

Creator:
Kreis, Henry, 1899-1963  Search this
Topic:
Photographs  Search this
Sculptors  Search this
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)9168
(DSI-AAA_SIRISBib)211363
AAA_collcode_kreihenr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211363

Mother and Son [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1937
Topic:
Figure group--Family--Mother & Child  Search this
Image number:
JUL J0091587
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91588

Youthful Lovers [sculpture] / (photographed by Peter A. Juley & Son)

Title:
Young Love [sculpture] / (photographed by Peter A. Juley & Son)
Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1936
Topic:
Figure group  Search this
Recreation--Courting  Search this
State of Being--Emotion--Love  Search this
Image number:
JUL J0091592
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91593

Polyhymnia (Classical Woman) [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1949
Topic:
Figure female--Full length  Search this
Mythology--Classical--Muse  Search this
Image number:
JUL J0091595
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91596

Descent from Calvary [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1950
Topic:
Figure group  Search this
Religion--New Testament--Christ  Search this
State of Being--Emotion--Sorrow  Search this
Image number:
JUL J0091596
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91597

Department of Justice Building: Law and Order Relief, (sculpture)

Title:
Law and Order Door, (sculpture)
Sculptor:
Jennewein, C. Paul 1890-1978  Search this
Assistant:
Kreis, Henry 1899-1963  Search this
Carver:
Donnelly, John 1867-1947  Search this
Architectural firm:
Zantzinger, Borie and Medary  Search this
Medium:
Relief: limestone
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States Department of General Services Washington District of Columbia
Located United States Department of Justice 10th Street & Constitution Avenue, N.W Above Constitution Avenue entrance Washington District of Columbia 20530
Date:
1934-1935. Installed 1935
Topic:
Allegory--Civic--Liberty  Search this
Allegory--Civic--Peace  Search this
Allegory--Civic--Law  Search this
Allegory--Quality--Faith  Search this
Allegory--Quality--Harmony  Search this
Allegory--Quality--Wealth  Search this
Control number:
IAS 65020096
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30472

Department of Justice Building: Ars Boni and Ars Aequi Pediments, (sculpture)

Title:
Good of the State, (sculpture)
Rights of Man, (sculpture)
Ars Boni and Ars Aequi Pediments, (sculpture)
Sculptor:
Jennewein, C. Paul 1890-1978  Search this
Assistant:
Kreis, Henry 1899-1963  Search this
Carver:
Donnelly, John 1867-1947  Search this
Architectural firm:
Zantzinger, Borie and Medary  Search this
Medium:
Limestone
Type:
Sculptures-Pediment
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
United States Department of Justice 10th Street & Constitution Avenue, N.W 10th & 9th Street facades Washington District of Columbia 20530
Date:
1932-1934
Topic:
Allegory--Civic--Unity  Search this
Figure female--Full length  Search this
Allegory--Quality--Justice  Search this
Control number:
IAS 65020097
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30473

Social Security: Growth of Social Security, (sculpture)

Title:
Growth of Social Security, (sculpture)
Sculptor:
Kreis, Henry 1899-1963  Search this
Medium:
Carnelian granite
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States General Services Administration Washington District of Columbia
Located United States Department of Health and Human Services Independence Avenue, between 3rd & 4th Streets, S.W., North Building, Wilbur Cohen Building Independence Avenue entrance Washington District of Columbia
Date:
Designed 1938. Modeled1940. Installed 1941
Topic:
Figure group--Male  Search this
Occupation--Domestic--Gardening  Search this
Object--Tool--Shovel  Search this
Landscape--Tree  Search this
Control number:
IAS 66400042
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_306168

Social Security: Benefits of Social Security, (sculpture)

Title:
Benefits of Social Security, (sculpture)
Sculptor:
Kreis, Henry 1899-1963  Search this
Medium:
Carnelian granite
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States General Services Administration Washington District of Columbia
Located United States Department of Health and Human Services Independence Avenue, between 3rd & 4th Streets, S.W., North Building, Wilbur Cohen Building Third Street entrance Washington District of Columbia
Date:
Designed 1938. Modeled 1940. Installed 1941
Topic:
Figure group  Search this
Allegory--Civic  Search this
Object--Fruit--Apple  Search this
Landscape--Tree--Apple Tree  Search this
Control number:
IAS 66400043
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_306169

Ellen Phillips Samuel Memorial: The Birth of a Nation, (sculpture)

Title:
Birth of a Nation, (sculpture)
Sculptor:
Kreis, Henry 1899-1963  Search this
Medium:
Relief: limestone; Base: granite
Type:
Sculptures-Outdoor Sculpture
Sculptures-Relief
Sculptures
Owner/Location:
Coadministered by City of Philadelphia Fairmount Park Commission Memorial Hall, West Park, P. O. Box 21601 Philadelphia Pennsylvania 19131
Coadministered by Fairmount Park Art Association 1616 Walnut Street, Suite 2012 Philadelphia Pennsylvania 19103
Located Fairmount Park South Terrace, Kelly Drive below Girard Avenue Bridge Philadelphia Pennsylvania
Date:
Ca. 1943
Topic:
Figure group--Male  Search this
History--United States--Declaration of Independence  Search this
Dress--Historic--Pioneer Dress  Search this
Object--Weapon--Cannon  Search this
Control number:
IAS 88320074
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_307269

Untitled, (sculpture)

Sculptor:
Kreis, Henry 1899-1963  Search this
Medium:
Reliefs: Alabama limestone
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of New York Department of General Services One Centre Street New York New York 10007
Located Supreme Court Court Street & Montague Street Brooklyn New York
Topic:
Figure group--Family  Search this
Allegory--Civic--Law  Search this
Allegory--Quality--Justice  Search this
Control number:
IAS NY000102
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_319173

The Letter, (sculpture)

Sculptor:
Kreis, Henry 1899-1963  Search this
Architect:
Ellett, Thomas Harlan 1880-1951  Search this
Simon, Louis A.  Search this
Medium:
Relief: limestone
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States General Services Administration Regional Historic Preservation Office 6 Griffin Road Windsor Connecticut 06006
Located Bronx Central Post Office 558 Grand Concourse Bronx New York
Date:
1935. 1938
Topic:
Figure group--Female & Child  Search this
Object--Written Matter--Letter  Search this
Control number:
IAS NY000173
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_320092

Hearst Magazine Building Sculptures, (sculpture)

Sculptor:
Kreis, Henry 1899-1963  Search this
Architect:
Urban, Joseph  Search this
Medium:
Figures: limestone
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by William A. White/Tishman East Grubb & Ellis Company 55 East 59th Street New York New York
Located Heart Magazine Building 951-69 Eighth Avenue New York New York
Date:
1928
Topic:
Allegory--Arts & Sciences--Music  Search this
Allegory--Arts & Sciences--Art  Search this
Allegory--Arts & Sciences--Drama  Search this
Allegory--Arts & Sciences--Industry  Search this
Allegory--Arts & Sciences--Science  Search this
Allegory--Arts & Sciences--Technology  Search this
Architecture--Machine--Printing Press  Search this
Occupation--Industry--Printing  Search this
Object--Musical Instrument--Lyre  Search this
Animal--Bird--Owl  Search this
Performing Arts--Theater--Performer  Search this
Performing Arts--Music  Search this
Occupation--Sport  Search this
Control number:
IAS NY000178
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_320097

Fort Moore Pioneer Monument, (sculpture)

Sculptor:
Kreis, Henry 1899-1963  Search this
Stewart, Albert 1900-1965  Search this
Architect:
Adachi, Kazumi  Search this
Nagano, Dike  Search this
Fabricator:
Kadel, Ernest  Search this
Dohm, Howard  Search this
Gladding, McBean & Company  Search this
Medium:
Terra cotta, brick, concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures-Relief
Sculptures-Fountain
Sculptures-Architectural component
Sculptures-Flagstaff
Sculptures
Owner/Location:
Administered by County of Los Angeles Internal Services Department Los Angeles California
Located Hill Street, near Highway 101 overpass Los Angeles California
Date:
1954-1956. Dedicated July 3, 1957
Topic:
Figure group--Male  Search this
Figure group--Family  Search this
Occupation--Military--Soldier  Search this
Dress--Uniform--Military Uniform  Search this
History--United States--California  Search this
History--United States--Westward Expansion  Search this
Occupation--Other--Pioneer  Search this
Architecture--Vehicle--Wagon  Search this
Animal--Bird--Eagle  Search this
Allegory--Arts & Sciences--Agriculture  Search this
Animal--Cattle  Search this
Landscape--Tree--Orange Tree  Search this
Architecture--Farm  Search this
Occupation--Farm  Search this
Architecture--Vehicle--Carriage  Search this
Architecture--Vehicle--Train  Search this
Animal--Horse  Search this
Allegory--Arts & Sciences--Transportation  Search this
Allegory--Arts & Sciences--Industry  Search this
Landscape--Mountain  Search this
Cityscape  Search this
Landscape--Weather--Rain  Search this
Equestrian  Search this
Object--Other--Flag  Search this
Object--Musical Instrument--Horn  Search this
Control number:
IAS CA001332
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_337165

Henry Kreis: artist file, [photographs]

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001709
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140251

Model for National Sculpture Society Medal [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1940
Topic:
Mythology--Classical--Pegasus  Search this
Figure male--Full length  Search this
Occupation--Art--Sculptor  Search this
Object--Art Object--Sculpture  Search this
Image number:
JUL J0091585
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91586

Mrs. William J. Mackey, Jr. [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Subject:
Mackey, William J., Jr  Search this
Type:
Photograph
Date:
1930s
Topic:
Portrait female  Search this
Image number:
JUL J0091586
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91587

Girl with Violin [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Kreis, Henry 1899-1963  Search this
Type:
Photograph
Date:
1931
Topic:
Figure female--Full length  Search this
Object--Musical Instrument--Violin  Search this
Image number:
JUL J0091588
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91589

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