The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection documents the artist's prolific painting career and his friendships and professional relationships with a variety of contemporary artist in the U.S. and Europe. The papers of Baruj Salinas are an important addition to the documentation of Cuban-American art and artists.
Scope and Content Note:
The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection primarily consists of letters from friends and artists. Also found are diary entries, scattered financial and business papers, printed material, and photographs. Of special interest in the last series are photographs taken of a visit to the home and art studio of Spanish artist Joan Miró.
The collection is arranged as six series.
Series 1: Diary Entries, 1982 (box 1; 1 folder)
Series 2: Letters Received, 1979-1996, undated (box 1; 21 folders)
Series 3: Financial Papers, 1993-1994 (box 1; 1 folder)
Series 4: Printed Material, 1976-1992, undated (box 1; 2 folders)
Series 5: Photographs, 1971-1992, undated (box 1; 3 folders)
Series 6: Miscellany, 1992 (box 1; 1 folder)
Born in Havana, painter Baruj Salinas' (b. 1938) career began in the field of architecture. He graduated from the University of Ohio with an architectural degree and left Cuba permanently in 1959. Salinas settled in Miami and later moved to Barcelona where he studied alongside artists Joan Miró and Antoni Tàpies.
Baruj Salinas donated his papers to the Archives of American Art in 1997.
The collection is open for research. Use requires an appointment.
The Baruj Salinas papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Includes letters from: Jeremy Paul Kagan, Allan Kaprow, Yoichi Kawakita, S. Joon Kim, Ute Klophaus, Gustav Knauer, Alison Knowles, Armin Köhler, Peter Kolb, Michael J. Kondrat, Norbert Kricke, Petra Kurse, and Udo Kultermann.
Also includes letters from the following organizations: Kunstahalle Basel, Kunsthochschule für Medien Köln and Kunstmseum Düsseldorf.
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
This collection was processed with support from the Smithsonian Collection Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries required written permission.
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Funding for the processing of this collection was provided by the Leon Levy Foundation.
Modelling anthropogenic impacts on the growth of tropical rain forests : using an individual-oriented forest growth model for analyses of logging and fragmentation in three case studies = Modellierung anthropogener Einflüsse auf das Wachstum tropischer Regenwälder / vorgelegt von Peter Köhler
Modellierung anthropogener Einflüsse auf das Wachstum tropischer Regenwälder