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Bertha Jacques [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_60632

Roi Partridge papers, 1909-2003, bulk 1909-1984

Creator:
Partridge, Roi, 1888-1984  Search this
Subject:
Adams, Ansel Easton  Search this
Hunter, Dard  Search this
Partridge, Roi  Search this
Neuhaus, Eugen  Search this
Arms, John Taylor  Search this
Cunningham, Imogen  Search this
Anderson, Sherwood  Search this
Jacques, Bertha  Search this
Linsky, Elizabeth  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
Type:
Scrapbooks
Photographs
Travelogs
Christmas cards
Topic:
Printmakers  Search this
Etchers  Search this
Record number:
(DSI-AAA_CollID)10831
(DSI-AAA_SIRISBib)214574
AAA_collcode_partroi
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214574
Additional Online Media:

Roi Partridge papers

Creator:
Partridge, Roi, 1888-1984  Search this
Names:
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
Adams, Ansel, 1902-1984  Search this
Anderson, Sherwood, 1876-1941  Search this
Arms, John Taylor, 1887-1953  Search this
Cunningham, Imogen, 1883-1976  Search this
Hunter, Dard, 1883-1966  Search this
Jacques, Bertha  Search this
Linsky, Elizabeth  Search this
Neuhaus, Eugen, 1879-1963  Search this
Partridge, Roi, 1888-1984  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Travelogs
Scrapbooks
Christmas cards
Drafts (documents)
Photographs
Notes
Date:
1909-2003
bulk 1909-1984
Summary:
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.
Scope and Content Note:
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.

General and family correspondence consists largely of incoming letters with some copies and drafts of outgoing letters. General correspondence is mainly professional in nature and documents exhibitions, commissions, teaching, memberships in artists' organizations, and participation in the WPA Public Works of Art Project. A small number of letters from friends concerning personal and social matters are scattered throughout. Among the correspondents are Ansel Adams, Sherwood Anderson, John Taylor Arms, Hollywood Riviera Galleries, Dard Hunter, the Estate of Bertha Jacques [Elizabeth Linsky, executor], National Academy of Design, and Print Makers Society of California. Family correspondence includes letters to Roi Partridge from family members. Letters to Gryffyd's family are from Imogen Cunningham and Roi Partridge; letters from others about family members are also included.

Among the notes and writings are a travel log that documents car camping trips through California and New Mexico taken by Roi Partridge, Imogen Cunningham, and their three sons between 1924 and 1926. The volume also includes Roi's account of a 1926 sketching trip taken with Eugen Neuhaus along the California coast.

A scrapbook contains clippings and feature articles about Roi Partridge, along with exhibition announcements and reproductions. Additional printed material is about or mentions Roi Partridge and his family, Ansel Adams, and Imogen Cunningham. There are also family Christmas cards with reproductions of etchings and drawings by Roi Partridge.

Photographs are of people and art work, including photographs of Roi and May Ellen Partridge, and Donald Bear, the first Director of the Santa Barbara Museum of Art (Janet Lineberger - later Mrs. Gryffyd Partridge - served as his assistant in the early 1940s). There are numerous photographs and negatives of art work by Roi Partridge (with appraisal and catalog information), and a photograph of Peter Blos' portrait of Partridge.
Arrangement:
The collection is arranged into 5 series:

Series 1: Correspondence, circa 1909-1993 (Box 1; 0.3 linear ft.; reel 5028)

Series 2: Notes and Writings, 1924-1964 (Box 1; 5 folders.; reel 5028)

Series 3: Scrapbook, 1922-1977 (Box 1; 0.1 linear ft.)

Series 4: Printed Material, 1913-2003 (Box 1; 0.25 linear ft.; reel 5028)

Series 5: Photographs, 1940-1987 (Box 1; 0.3 linear ft.; reel 5028)
Biographical Note:
Roy George Partridge (later known as Roi) was born in Centralia, Washington, in 1888, the son of a newspaper publisher and a pianist mother who accompanied silent films in Seattle movie houses. His mother enrolled him in a drawing and painting course at age 10. By 1907, the family had moved to Kansas where Partridge enrolled in studio courses at the newly established Fine Arts Institute of Kansas City. From there he then went to New York City to study at the school of the National Academy of Design during 1909 and 1910.

In 1910, with an art student friend from Seattle and enough cash to last a month, Partridge traveled to Europe and through a severe economy and by selling his etchings, managed to stay for four years. Between 1910 and 1914, he studied etching with Brockhoff in Munich, and rented a studio in Paris from 1911-1914. Once he had produced a sufficient number of prints, his friends John Butler and Clare Shepard arranged for an exhibition of his work in Seattle. They were assisted by Imogen Cunningham who sent her photo to Partridge and began corresponding with him.

The outbreak of World War I forced Partridge's return to Seattle where he and Imogen Cunningham finally met face to face. They were married within a matter of months. In their early years together, Roi managed to earn a living selling his prints and Imogen worked for Edward S. Curtis, whose photographs of American Indians had not yet achieved recognition. The couple soon produced three sons, Gryffyd and twins Padraic and Rondal. The family soon moved to San Francisco where Partridge worked as an artist in an advertising agency that also employed Maynard Dixon. During this time, he became friendly with the young Dorothea Lange who worked at the shop where Partridge had his film developed. After their marriage, Dixon and Lange established a close, long term friendship with the Partridge family.

In 1920, Partridge joined the faculty of Mills College as an art instructor, teaching design, painting, printmaking, lettering, and photography for 26 years. Partridge was such a popular teacher that the number of art students rose sharply and, for a time, art became the institution's most popular major. He was named chairman of the Art Department in 1923, and served as the first director of the college's art gallery from 1925 through 1935.

While teaching, Partridge remained an active artist and participated in exhibitions throughout the country at venues such as the Honolulu Art Academy, de Young Museum, Smithsonian Institution, Toronto Art Gallery, and the Museum of Modern Art. Among the prizes and medals awarded him were: Alaska-Yukon-Pacific Exposition, Seattle (1909), National Academy of Design (1910), Panama Pacific Exposition (1915), Art Institute of Chicago (191), Brooklyn Museum (1921), San Francisco Museum (1921), Los Angeles Museum of Art (1922, 1925, 1929), California Society of Print Makers (1929), and Library of Congress (1943). Partridge is represented in the permanent collections of many museums, colleges, and libraries, among them: Walker Art Gallery, Honolulu Academy of Art, San Diego Fine Arts Society, Milwaukee Art Gallery, Mills College, Scripps College, New York Public Library, and Library of Congress. Partridge also illustrated several books, and The Graphic Art of Roi Partridge: a Catalogue Raisonné by Anthony R. White was published in 1988.

Imogen Cunningham and Roi Partridge, both strong-willed and not given to compromise, divorced in 1934. They reconciled in the 1960s and remained on friendly terms until her death in 1976. Partridge's second wife, Marian Lyman, died in 1940. The following year, he married May Ellen Fisher, a teacher, who survived him.

In addition to his professional activities, Partridge pursued a wide variety of other interests. During the 1920s, he, Imogen, and their boys took numerous camping trips throughout California and New Mexico. With his third wife, May Ellen, he became an avid folk dancer and enthusiastic gardener, raised chickens and chinchillas, and kept bees. They had the opportunity to travel to Hawaii and Japan. In Japan, Partridge expanded his Japanese print collection which was eventually donated to the Mills College Art Gallery.

Roi Partridge died in Walnut Creek, California, on January 25, 1984.
Related Material:
The Archives of American Art holds the papers of Imogen Cunningham, Partridge's first wife, which contain additional Partridge family correspondence and photographs. An untranscribed oral history interview of Roi Partridge conducted by Steve Steinberg in 1980 is also available.
Separated Material:
A portion of the gifts received from Gryffyd Partridge were separated and filed with the Imogen Cunningham papers, some of which had been earlier donated by Gryffyd.
Provenance:
Gryffyd Partridge donated his father's papers to the Archives of American art in 1992 and 1995. A final gift was received from Janet [Mrs. Gryffyd] Partridge in 2003.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment.
Rights:
The Roi Partridge papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- California -- San Francisco  Search this
Etchers -- California -- San Francisco  Search this
Genre/Form:
Travelogs
Scrapbooks
Christmas cards
Drafts (documents)
Photographs
Notes
Citation:
Roi Partridge papers, 1909-2003 (bulk 1909-1984). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.partroi
See more items in:
Roi Partridge papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-partroi

Morris Henry Hobbs papers, circa 1901-2014

Creator:
Hobbs, Morris Henry, 1892-1967  Search this
Subject:
Jacques, Bertha  Search this
Arms, John Taylor  Search this
Smith, Lyman B.  Search this
Chicago Society of Etchers  Search this
Bromeliad Society  Search this
Louisiana Society of Etchers  Search this
New Orleans Art League  Search this
Type:
Photographs
Scrapbooks
Architectural drawings
Prints
Diaries
Sketchbooks
Sketches
Topic:
World War, 1914-1918  Search this
Etchers  Search this
Gardening  Search this
Record number:
(DSI-AAA_CollID)16237
(DSI-AAA_SIRISBib)370425
AAA_collcode_hobbmorr
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370425

Morris Henry Hobbs papers

Creator:
Hobbs, Morris Henry, 1892-1967  Search this
Names:
Bromeliad Society  Search this
Chicago Society of Etchers  Search this
Louisiana Society of Etchers  Search this
New Orleans Art League  Search this
Arms, John Taylor, 1887-1953  Search this
Jacques, Bertha  Search this
Smith, Lyman B.  Search this
Extent:
4.7 Linear feet
Type:
Archival materials
Collection descriptions
Architectural drawings
Prints
Scrapbooks
Diaries
Photographs
Sketchbooks
Sketches
Date:
circa 1901-2014
Summary:
The papers of etcher Morris Henry Hobbs measure 4.7 linear feet and date from circa 1901-2014. His career as an artist in Chicago and New Orleans is documented through biographical material, correspondence, writings, professional files, printed material, photographs, artwork, and four sketchbooks.
Scope and Contents:
The papers of etcher Morris Henry Hobbs measure 4.7 linear feet and date from circa 1901-2014. His career as an artist in Chicago and New Orleans is documented through biographical material, correspondence, writings, professional files, printed material, photographs, artwork, and four sketchbooks.

Biographical material includes chronologies, biographical statements, and documentation on his home and studio. Correspondence includes letters to friends and family regarding art, travel, and botany. Of note are letters from the etchers John Taylor Arms and Bertha Jaques and botanist Lyman Smith. Writings consist of Hobbs' diary kept during World War I while serving in the U.S. Army, journal pages documenting his move to New Orleans, and garden notebooks. Professional files include documents relating to Hobbs' memberships and activities in the Bromeliad Society, Chicago Society of Etchers, Louisiana Society of Etchers, New Orleans Art League, and other organizations. Also included are exhibition records, price lists, and sales records.

Printed material includes clippings and exhibition announcements documenting his career as well as published versions of his etchings. Photographs and slides are of Hobbs, family and friends, trips abroad, and his properties in New Orleans and Mandeville, Louisiana. Artwork includes architectural renderings, sketches of Chicago, France, and New Orleans, and an annotated scrapbook containing original etchings. Four sketchbooks include figure drawings and landscapes in pencil and ink.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1918-2014 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1921-1993 (0.7 linear feet; Boxes 1 and 5)

Series 3: Writings, 1918-2014 (0.3 linear feet; Boxes 1-2)

Series 4: Professional Files, 1922-2014 (1.0 linear foot; Boxes 2-3)

Series 5: Printed Material, 1929-2014 (0.6 linear feet; Box 3)

Series 6: Photographs, circa 1901-1991 (0.6 linear feet; Boxes 3-4)

Series 7: Artwork, circa 1919-1950s (0.3 linear feet; Boxes 4-5)

Series 8: Sketchbooks, 1930s-1950s (0.2 linear feet; Box 4)
Biographical / Historical:
Morris Henry Hobbs (1892-1967) was an etcher in Chicago and New Orleans. Hobbs was born in Rockford, Illinois, and raised in Chicago. As a teenager he took classes at the Art Institute of Chicago and at the age of 17 was hired as a draftsman at an architectural firm. From 1918-1919, he served in France with the Allied Expeditionary Force. While there he contracted influenza which resulted in the loss of his hearing. After the war he lived in Toledo, Ohio, with his wife and two daughters and worked at an architectural firm. He also learned printmaking techniques from etcher J. Ernest Dean and began exhibiting his work. In 1927, he returned to Chicago with his family and in 1930 became director of the Chicago Society of Etchers. During his career he was active in many arts and printmaking organizations.

In 1938, Hobbs traveled to New Orleans for an extended visit, opened a studio space, and began a ten-year project of etching French Quarter scenes. A year later he moved to New Orleans permanently and became the first president of the Louisiana Society of Etchers. In 1942, he married Alice "Judy" Seddon. In 1948, he was hired as a designer for the architectural firm Favrot, Reed, Mathes and Bergman, and was employed there until his death. Also at this time, he and his wife establish a country home in Mandeville, Louisiana, where he built a greenhouse and cultivated tropical bromeliads. They kept an apartment in the French Quarter as a weekday residence.

In 1960, Hobbs began a series of watercolors depicting bromeliads and in the subsequent years traveled to Costa Rica, Guatemala, and Trinidad to collect specimens for a potential book project. He died in 1967 at the age of 75 and that year the Reinike Gallery held a retrospective of his work. His wife Alice Seddon Hobbs died in 1993 at the age of 95.
Provenance:
Donated in 2014 by Reed Isbell-Hobbs, widow of Morris Henry Hobbs' son William Hobbs.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Morris Henry Hobbs papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Etchers -- Illinois -- Chicago  Search this
Etchers -- Louisiana -- New Orleans  Search this
Topic:
Gardening  Search this
World War, 1914-1918  Search this
Genre/Form:
Architectural drawings
Prints
Scrapbooks
Diaries
Photographs
Sketchbooks
Sketches
Citation:
Morris Henry Hobbs papers, circa 1901-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hobbmorr
See more items in:
Morris Henry Hobbs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hobbmorr

Jacques, Bertha E.

Collection Creator:
Bulliet, C.J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 14, Folder 13
Type:
Archival materials
Date:
1935-1941
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The C. J. Bulliet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bullclar-ref1602

Indiana Artists Club, Biographical Directory of Indiana Artists (1937); Jacques, Bertha E., Concerning Etchings (1927); Kahn, Otto, About Art (1927)

Collection Creator:
Bulliet, C.J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 28, Folder 26
Type:
Archival materials
Date:
1927-1937
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The C. J. Bulliet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bullclar-ref3731

Oversized Artwork

Collection Creator:
Bulliet, C.J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 38, Folder 3-7
Type:
Archival materials
Date:
1925-1947
Scope and Contents note:
Angel, Rifka

Berger, D.

Cassody, Edithe Jane

Evans, Dulah Llan

Foy, Frances Geller, Todros

Glaman, Eugenie

Heller, Helen West

Hobbs, Morris Henry

Hoeckner, Carl

Jacobs, William

Jacques, Bertha E.

Maje

Orloff, Gregory

Overall, Charles

Page, Grover

Pescheret, Leon R.

Plascshke, Paul A.

Prusheck, Harvey George

Thoglum, Jean

Wiralt, Edward

Unsigned
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The C. J. Bulliet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bullclar-ref3829

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