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122: University of Baghdad, master plan with TAC

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 19, Folder 24
Type:
Archival materials
Date:
1955-1957
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref690

Reginald R. Isaacs papers, circa 1842-1991, (bulk 1883-1985)

Creator:
Isaacs, Reginald R., 1911-1986  Search this
Subject:
Pollock, Jackson  Search this
Davis, Charles H. (Charles Harold)  Search this
Gropius, Walter  Search this
Bauhaus  Search this
Topic:
Architects and community  Search this
Exhibition catalogs  Search this
Sketches  Search this
International style (Architecture)  Search this
Architects in government  Search this
Scrapbooks  Search this
Architectural writing  Search this
Architects and housing developers  Search this
Architects  Search this
City planning  Search this
Photographs  Search this
Industrial designers  Search this
Writings  Search this
Architecture, Modern  Search this
Schools of architecture  Search this
Educators  Search this
City planners  Search this
Architecture and society  Search this
Record number:
(DSI-AAA_CollID)6425
(DSI-AAA_SIRISBib)215547
AAA_collcode_isaaregi
Theme:
American Art and Artists in a Global Context
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215547
Additional Online Media:

Reginald R. Isaacs papers

Creator:
Isaacs, Reginald R., 1911-  Search this
Names:
Bauhaus  Search this
Gropius, Walter, 1883-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Extent:
22.54 Linear feet
Type:
Archival materials
Collection descriptions
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Date:
circa 1842-1991
bulk 1928-1991
Summary:
The papers of Reginald R. Isaacs measure 22.54 linear feet and date from 1842 to 1991, with the bulk of the material from 1928 to 1991. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two-volume biography, Walter Gropius: The Man and His Work.
Scope and Content Note:
The papers of of architect, instructor, writer, and city planner Reginald R. Isaacs (1911-1986) measure 22.54 linear feet and date from 1842 to 1991 with the bulk of the material dating from 1883 to 1985. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two volume two-volume biography of Bauhaus architect, Walter Gropius: Walter Gropius: The Man and His Work. The bulk of Walter Gropius' papers are housed at the Busch Reisinger Museum at Harvard University, and the Bauhaus Archiv in Germany.

Series 1 to 12 contain contain biographical, legal, and financial material; personal and professional correspondence; project and subject files; writings and publications; teaching files; works of art; scrapbooks; printed material; and photographs relating to Isaacs' personal and professional career.

Series 13 forms the bulk of the collection and pertains specifically to the writing and publication of Isaacs' biography of Gropius. It contains research material, correspondence (much of it with Gropius), drafts of the manuscript, publication correspondence, photographs and illustrations, and printed material. Some of the research material, including some of the photographs and illustrations that were used in the biography, appear to have been original documents of Walter Gropius, while large portions of the material are photocopies of the originals, many of them in German.
Arrangement:
The collection is arranged into fourteen series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1935-1986, undated (Boxes 1, 22; 8 folders)

Series 2: Legal Material, 1976-1984, undated (Box 1; 3 folders)

Series 3: Financial Material, 1945-1969 (Box 1; 2 folders)

Series 4: Correspondence, circa 1891, 1936-1986 (Boxes 1-2; 1.5 linear feet)

Series 5: Project Files, 1948-1980, undated (Box 2, OV 23; 0.5 linear feet)

Series 6: Subject Files, 1961-circa 1982, undated (Box 3; 2 folders)

Series 7: Writings, 1940-1986, undated (Boxes 3-4, 22; 2.0 linear feet)

Series 8: Teaching Files, 1954-1973 (Boxes 4-5; 1.0 linear foot)

Series 9: Works of Art, 1965-1967, undated (Box 5, OV 23; 3 folders)

Series 10: Scrapbooks, 1929-1969 (Box 5; 2 folders)

Series 11: Printed Material, 1842-1844, 1913-1986, undated (Box 5; 0.5 linear feet)

Series 12: Photographs, 1959-1981, undated (Boxes 5, 22; 7 folders)

Series 13: Walter Gropius Biography, circa 1880s-1991, undated (Boxes 6-22, OV 23, MGP 1, MGP 2, MGP 4; 16.0 linear feet)

Series 14: Unprocessed Addition, 1974-1985 (Box 24; 1.0 linear foot)
Biographical Note:
Born in Canada in 1911, Reginald R. Isaacs began working in architectural offices at age 14, later coming under the influence of "Beaux-Arts diplomes" at the University of Minnesota and Harvard and subsequently under that of Walter Gropius at Harvard University. He later studied sociology and planning at the University of Chicago under Louis Wirth and Rexford Guy Tugwell.

Isaacs served on the staffs of city planning commissions in Minneapolis, Syracuse, and Chicago, and in the federal government in the National Youth Agency, Public Housing Authority, and Housing and Home Finance Agency. His architectural practice in Minneapolis, Washington, D.C., Chicago, and other cities included the design of housing, colleges, and hospitals. He was director of planning and development for Michael Reese Hospital in Chicago, 1945-1953, where Walter Gropius, planner Walter Blucher, and sociologist Louis Wirth collaborated with him as consultants. He was a United Nations expert on regional planning in South America, and a planning consultant for the Ford Foundation, the U.S. State Department, Puerto Rico, and the Virgin Islands.

Recommended by Walter Gropius, Isaacs served as the Charles Dyer Norton Professor of Regional Planning at Harvard University from 1953-1978. He was also Chairman of the Graduate School of Design's Departments of City and Regional Planning as well as Landscape Architecture. Throughout his career he lectured at universities throughout the United States and in almost every country of Central and South America and in the Caribbean.

In 1962 Isaacs and Gropius began their collaboration on Walter Gropius: The Man and his Work, until the death of Gropius in 1969. The first volume of the biography was published in German in 1983, with the second volume following in 1984. Isaacs died of a massive heart attack in 1986, never realizing his goal to see an English-language edition which was published posthumously in 1991 by the Estate of Reginald Isaacs.

1911 -- Born in Winnipeg, Manitoba, Canada

1935 -- Received Bachelor of Architecture degree from the University of Minnesota

1939 -- Received Masters of Architecture degree from Harvard University, Graduate School of Design

1947-1950 -- Studied sociology and planning with Louis Wirth and Rexford Guy Tugwell at the University of Chicago

1945-1953 -- Director of planning at Michael Reese Hospital, Chicago, Illinois

1951-1953 -- Guest lecturer at Harvard University's Graduate School of Design with Walter Gropius and also served a two-year term as a member of the Board of Overseers Committee to Visit the Graduate School of Design

1953-1978 -- Named the Charles Dyer Norton Professor of Regional Planning

1953-1964 -- Chairman of the Department of City and Regional Planning

1953-1958 -- Chairman of the Department of Landscape Architecture

1962 -- Began collaboration with Walter Gropius on the biography Walter Gropius - The Man and his Work

1969 -- Walter Gropius dies

1983 -- Walter Gropius, Der Mensch und Sein Werk, Volume 1 published by Gebr. Mann Nerlag, Berlin

1984 -- Walter Gropius, Der Mensch und Sein Werk, Volume 2, published by Gebr. Mann Nerlag, Berlin

1986 -- Isaacs dies

1991 -- Walter Gropius: An Illustrated Biography of the Creator of the Bauhaus, published by the Estate of Reginald Isaacs. The Papers of Reginald R. Isaacs donated to the Archives of American Art by his son, Henry Isaacs.
Provenance:
The collection was donated to the Archives of American Art by Henry Isaacs, son of Reginald Isaacs, in January 1991. An additional 1.0 linear foot was donated by Merry White, daughter of Reginald Isaacs, in 1997.
Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture and society  Search this
Schools of architecture  Search this
Architectural writing  Search this
Architecture, Modern  Search this
Architects and community  Search this
Architects and housing developers  Search this
Architects in government  Search this
Architects  Search this
International style (Architecture)  Search this
Authors  Search this
Industrial designers  Search this
City planning  Search this
Architecture, Modern -- 20th century  Search this
City planners  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.isaaregi
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-isaaregi
Additional Online Media:

Jackson Pollock and Lee Krasner papers

Creator:
Pollock, Jackson, 1912-1956  Search this
Names:
Betty Parsons Gallery  Search this
Martha Jackson Gallery  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brooks, James, 1906-1992  Search this
Burkhardt, Rudy  Search this
Cavaliere, Barbara  Search this
Davis, Bill  Search this
De Kooning, Willem, 1904-  Search this
Dehner, Dorothy, 1901-1994  Search this
Eames, Ray  Search this
Forge, Andrew  Search this
Friedman, B. H. (Bernard Harper), 1926-  Search this
Glaser, Jane R.  Search this
Gray, Cleve  Search this
Greenberg, Clement, 1909-1994  Search this
Gruen, John  Search this
Holmes, Doloris  Search this
Isaacs, Reginald R., 1911-  Search this
Janis, Sidney, 1896-  Search this
Johnson, Philip, 1906-2005  Search this
Kadish, Reuben, 1913-1992  Search this
Krasner, Lee, 1908-1984  Search this
Maddox, Charles  Search this
Matter, Mercedes  Search this
McCoy, Sanford, Mrs.  Search this
Miller, Daniel  Search this
Miller, Robert, 1932 Apr. 17-  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rose, Barbara  Search this
Rouche, Burton  Search this
Smith, Tony, 1912-  Search this
Still, Clyfford, 1904-  Search this
Valliere, James  Search this
Wasserman, Tamara E.  Search this
Wright, William  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
16.1 Linear feet
Type:
Archival materials
Collection descriptions
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Date:
circa 1914-1984
bulk 1942-1984
Summary:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.
Scope and Content Note:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.

The collection is divided into two series, the first of which focuses on Pollock and includes his scattered papers dating from circa 1914 to his death in 1956, as well as Krasner's papers dating from his death to 1984 about managing Pollock's legacy. This series includes biographical materials, including transcripts and audio recordings of an interview with William Wright in 1949; Pollock's and Krasner's correspondence with Thomas Hart Benton, Betty Parsons Gallery, Bill Davis, B. H. Friedman, Reginald Isaacs, Sidney Janis, Violet De Lazlo, Martha Jackson Gallery, Alfonso Ossorio, Tony Smith, and Clyfford Still, and with one another; Krasner's correspondence concerning Pollock's estate and artwork after his death; numerous writings about Pollock, including an original draft of Bryan Robertson's biography and an essay by Clement Greenberg.

James Valliere extensive research files on Pollock for a never-published biography were given to Krasner and filed in Series 1. These include scattered correspondence with Lee Krasner, and Pollock's family and friends, including Charles Pollock, Thomas Hart Benton, and Robert Motherwell. There are also transcripts of interviews Valliere conducted with Pollock's friends and colleagues, including James Brooks, Dorothy Dehner, Clement Greenberg, Reuben Kadish, Lee Krasner, Charles Maddox, Mrs. Sanford McCoy, Daniel T. Miller, Robert Miller, and Tony Smith. The original audio reels and duplicates exist for many and are filed here. Additional interviews were conducted with Willem de Kooning, Alfonso Ossorio, and Burton Rouche, but not transcribed - these are filed in Series 1.10, Audio Recordings and Motion Picture Film.

Also found in Series 1 are scattered business records documenting Krasner's handling of Pollock's estate and legacy; printed materials relating to Pollock, including published biographies, exhibition catalogs, and clippings; two scrapbooks; and a sketchbook by an unidentified artist. Numerous photographs of Pollock include childhood and family photographs, photographs of Pollock in his studio by Hans Namuth, Rudy Burckhardt, and Herbert Matter, photographs of Pollock with Lee Krasner, and exhibition photographs. Audio recordings and motion film in Series 1 include a 1964 16mm film about Pollock (VHS copies are available) and reel-to-reel recordings of untranscribed interviews of Pollock's friends and colleagues by James Valliere, including interviews with Willem de Kooning and Alfonso Ossorio. Additional transcribed interviews are filed in subseries 1.4.

Lee Krasner's papers documenting her own career are arranged in Series 2 and date from 1927-1984. Biographical materials include resumes and awards, school documents, family documentation, and exhibition lists. Her correspondence with artist friends and art colleagues is extensive and includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also maintained correspondence with many art historians and critics, curators, gallery owners, collectors, arts-related and social organizations, admirers, and family members.

There are thirteen transcripts of interviews with Krasner by Bruce Glaser, Barbara Cavaliere, Andrew Forge, Emily Wasserman, Barbara Rose, and others. The original audio recordings for these transcripts are filed in series 2.10, along with other audio recordings for which there are no transcripts, including interviews by John Gruen, Delores Holmes, Mercedes Matter, the Martha Dean Radio Show, NBC Today Show, and WQXR radio. There are also audio recordings of Krasner's lectures in series 2.10.

Krasner's papers also include writings and reminiscences by Krasner; writings about Krasner; printed materials such as exhibition catalogs and clippings; and one scrapbook containing clippings and photographs. Numerous photographs are of Krasner, including portrait photographs taken by Hans Namuth; of Krasner with Jackson Pollock and family and friends, and of her exhibitions and artwork.

Users should note that Pollock's and Krasner's papers contain similar types of material that often overlap in subject matter, especially among the correspondence and photographs.
Arrangement:
The collection is arranged into 2 series:

Series 1: Jackson Pollock papers and Lee Krasner papers about Jackson Pollock, circa 1914-1984 (Box 1-7, 16, OV 18, FC 19-22; 7.4 linear feet)

Series 2: Lee Krasner papers, circa 1927-1984 (Box 7-15, 17; 8.6 linear feet)
Biographical Note:
Jackson Pollock was born in 1912, in Cody, Wyoming, the youngest of five sons. His family moved several times during his childhood, finally settling in Los Angeles. In 1930 he joined his older brother, Charles, in New York City, and studied with Regionalist painter Thomas Hart Benton at the Art Students League of New York. Pollock worked during the 1930s for the Works Progress Administration's Federal Art Project. During 1936 he worked in artist David Alfaro Siqueiros's Experimental Workshop. In 1938 he began psychiatric treatment for alcoholism, and his artwork was greatly influenced by Jungian analysis and the exploration of unconscious symbolism.

In 1943 Pollock had his first one-man exhibition at Peggy Guggenheim's New York gallery, Art of this Century, and continued to exhibit there over the next several years. A major turning point in Pollock's life and art was in 1945 when he married fellow artist Lee Krasner and moved to East Hampton, Long Island. There he developed his mature painting style, and became famous for his abstract pouring technique on large canvases. The height of his creativity spanned from 1947 to 1952, and his work was promoted by art critic Clement Greenberg. Along with other abstract expressionists including Hans Hofmann, Alfonso Ossorio, and Barnett Newman, he joined the Betty Parsons Gallery in 1947. He had his most successful one-man show in 1950 which was widely publicized and praised. This exhibition, combined with a 1949 feature article in LIFE magazine, made Pollock an American celebrity.

In 1952 Pollock moved his work to Sidney Janis Gallery and returned to earlier motifs in a search for new breakthroughs. The last few years of his life he suffered from mental and physical health problems, and in August, 1956 he died in a car accident. His wife, Lee Krasner, oversaw his estate and worked with many museums, including the Museum of Modern Art, on Pollock retrospective exhibitions.

Lee Krasner was born Lenore Krassner in 1908 in Brooklyn, New York to Russian immigrant parents. In 1926 she was admitted to the Women's Art School of The Cooper Union, and in 1928 she attended the Art Students League. After graduating from The Cooper Union in 1929, she attended the National Academy of Design until 1932. After briefly attending City College and Greenwich House, she worked for the Public Works of Art Project and the Temporary Emergency Relief Administration, and finally became an assistant in 1935 on the WPA Federal Art Project, Mural Division. From 1937 to 1940 she studied at the Hans Hofmann School of Fine Arts and began exhibiting with the American Abstract Artists group.

In 1942 Krasner met Pollock as they were both preparing to exhibit work in the same show. Although they married and she became immersed in his career, she continued to exhibit her own work with other abstract artists and from 1946 to 1949 worked on the Little Image painting series. In 1953 she began working on collages, a medium she would come back to again later in her career. After Pollock's death her work was greatly influence by her sadness and anger, creating a visible evolution of her style.

For the rest of her career, Krasner consistently exhibited her work in both group and solo exhibitions. She had her first retrospective at Whitechapel Gallery, London, in 1965, and in 1966, she joined Marlborough Gallery, New York which represented Pollock's work as well. In the 1970s and early 1980s Krasner won many awards for her achievement in the visual arts, including the Augustus St. Gaudens Medal and the Chevalier de l'Ordre des Arts et des Lettres. She returned to the medium of collage, and in 1976 joined the Pace Gallery, New York. In 1981 she joined the Robert Miller Gallery, New York. Lee Krasner continued creating art until her death in 1984.
Related Material:
Found in the Archives of American Art are the Charles Pollock Papers, 1902-1990, which includes correspondence, photographs, and other files relating to his brother, Jackson Pollock. Other resources in the Archives are oral history interviews with Lee Krasner, including a series of interviews conducted by Dorothy Seckler between 1964 and 1968, and interviews conducted by Barbara Rose in 1966 and Doloris Holmes in 1972.
Provenance:
The papers of Jackson Pollock were donated in 1983 by Lee Krasner through Eugene V. Thaw shortly before her death. Additional material about Pollock and the papers of Lee Krasner were donated in 1985 by Eugene V. Thaw, executor of Lee Krasner's estate.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Jackson Pollock and Lee Krasner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Painters -- New York (State)  Search this
Genre/Form:
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack
See more items in:
Jackson Pollock and Lee Krasner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-polljack
Additional Online Media:

Gropius : an illustrated biography of the creator of the Bauhaus / by Reginald Isaacs

Author:
Isaacs, Reginald R. 1911-1986  Search this
Subject:
Gropius, Walter 1883-1969  Search this
Physical description:
xix, 344 p. : ill. ; 29 cm
Type:
Books
Place:
Germany
Date:
1991
Topic:
Architects--Biography  Search this
Call number:
NA1088.G85 I79 1991X
NA1088.G85I79 1991X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_406197

123: University of Baghdad, master plan with TAC

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 19, Folder 25
Type:
Archival materials
Date:
1955-1957
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref1367

Glass Plate Negatives and Lantern Slide

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Extent:
2 glass negatives
1 lantern slide
Container:
Box MGP 2
Type:
Archival materials
Negatives
Glass negatives
Lantern slides
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref855

Glass Plate Negatives

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Extent:
3 glass negatives
Container:
Box MGP 1
Type:
Archival materials
Negatives
Glass negatives
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref856

Glass Plate Negative

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Extent:
1 glass negative
Container:
Box MGP 4
Type:
Archival materials
Negatives
Glass negatives
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref857

"A Tribute to Louis Wirth," South Side Planning Board, Annual Meeting, Chicago

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 15
Type:
Archival materials
Date:
1952
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref100

"Administrative Aspects of Rehabilitation," Discussion, New England Conference on Neighborhood Improvement

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 16
Type:
Archival materials
Date:
1954 February
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref101

"Inter-professional Relations," Report, A.I.A. 86th Annual Convention

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 17
Type:
Archival materials
Date:
1954 June
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref102

"Planners in History"

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 18
Type:
Archival materials
Date:
1954 December
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref103

"Careers in Planning," Harvard University Career Conference

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 19
Type:
Archival materials
Date:
1955 March
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref104

"Providing for Future Urban Growth," Ohio State University Conference on Slum Prevention and Neighborhood Rehabilitation

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 20
Type:
Archival materials
Date:
1955 March
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref105

"Training for the Planning Profession," University of San Juan

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 21
Type:
Archival materials
Date:
1956 April
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref106

The Core of the City: A Pilot Study of Changing Land Uses in Central Business Districts, by John Rannells, Reviewed by Isaacs

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 22
Type:
Archival materials
Date:
1956
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref107

"Obligations of Good Practice," The Standards of Professional Practice, A.I.A. Document 330

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 23
Type:
Archival materials
Date:
1957 March
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref108

"Geography and Natural Resources Administration in the United States," by Meredith F. Burrill, Reviewed by Isaacs

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 24
Type:
Archival materials
Date:
1957 July
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref109

"Observations on Being a Slave in the Market - A Report from an Ex-job Seeker," American Society of Planning Officials, comments by Isaacs

Collection Creator:
Isaacs, Reginald R., 1911-  Search this
Container:
Box 3, Folder 25
Type:
Archival materials
Date:
1957 July
Collection Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Collection Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-isaaregi-ref110

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