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Oral history interviews with I. Michael Heyman

Creator::
Heyman, Ira Michael, 1930-2011 interviewee  Search this
Extent:
4 audiotapes (reference copies).
Type:
Archival materials
Collection descriptions
Interviews
Audiotapes
Oral history
Transcripts
Date:
1999, 2001, 2004
Introduction:
The Oral History Program is part of the Smithsonian Institution Archives. The purpose of the program is to conduct interviews with current and retired members of the Smithsonian staff who have made significant contributions, administrative and scholarly, to the Institution. The project's goal is to supplement the published record and manuscript collections in the Archives, focusing on the history of the Institution and contributions to the increase and diffusion of knowledge made by its scholars.

The I. Michael Heyman interviews were conducted as part of the Smithsonian Institution Archives Oral History Program because of his role as a member of the Smithsonian Board of Regents and then as Secretary of the Smithsonian from 1994 to 1999.
Descriptive Entry:
The I. Michael Heyman Interviews were conducted in 1999, 2001, 2004 and 2007 by Smithsonian Archives Historian Pamela M. Henson. The first interview in 1999 was conducted by historian Marc Pachter. This collection consists of six interview sessions, totaling approximately 10 hours of recordings, 331 pages of transcript, and occupies 0.5 cubic feet of shelf space. There are three generations of recordings for the first three sessions: original audiotapes, preservation digital .wav files and reference audiocassette tapes and .mp3 audio files. Sessions 4 to 6 were recorded in digital audio, with original digital .wav files, preservation digital .wav files, and reference .mp3 audio files. In total, this collection is comprised of 1 original audio cassette, 6 original 7" reel-to-reel audiotapes, 4 reference copy audio cassette tapes, 13 digital .wav files, and 13 digital .mp3 files. The original audiotapes and .wav files are reserved in preservation storage. Box 1 contains transcripts of the interviews and cassette and digital copies of the original recordings.

Additional documentation pertaining to Heyman can be found in the Records of the Office of the Secretary.
Historical Note:
I. Michael Heyman (1930-2011), law professor and tenth Secretary of the Smithsonian Institution, received his A.B. in government from Dartmouth College in 1951, and his J.D. from Yale Law School in 1956. Heyman was a professor of Law at the University of California at Berkeley from 1959 to 1990 and also served as Vice Chancellor (1974-1980) and Chancellor (1980-1990). He served on the Smithsonian Institution Board of Regents from 1990 to 1994 and as the tenth Secretary of the Smithsonian Institution from 1994 to 1999. These interviews of Heyman complement a set of interviews at the Regional Oral History Office, University of California at Berkeley, which document his youth, education, and career at the University of California. Conducted by Smithsonian historian Pamela M. Henson, the Smithsonian interviews cover his role as a member of the Smithsonian Board of Regents, 1990-1994, especially his work on the Commission on the Future of the Smithsonian, and his tenure as Secretary from 1994 to 1999, especially the Enola Gay controversy. It also includes an interview of Heyman by Marc Pachter in 1999.
Restrictions:
The transcripts are available for research use, but the recordings of the interviews of I. Michael Heyman do not have prefaces. Researchers may submit a written request to interviewee's heirs or assigns for written permission to use the recordings.
Topic:
Museum exhibits  Search this
Genre/Form:
Interviews
Audiotapes
Oral history
Transcripts
Citation:
Smithsonian Institution Archives, Record Unit 9607, Oral history interviews with I. Michael Heyman
Identifier:
Record Unit 9607
See more items in:
Oral history interviews with I. Michael Heyman
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9607

W. Royal Stokes Collection of Music Photoprints and Interviews

Interviewee:
Sun Ra  Search this
Gaskin, Leonard, 1920-  Search this
Taylor, Billy  Search this
Sullivan, Maxine, 1911-1987  Search this
Wells, Ronnie  Search this
Whiting, Margaret  Search this
Towers, Jack  Search this
Venuti, Joe, 1903-1978  Search this
Pullen, Don, 1941-  Search this
Roney, Wallace  Search this
Pizzarelli, Bucky, 1926-  Search this
Pizzarelli, John, 1960-  Search this
Shaw, Artie, 1910-2004  Search this
Shepp, Archie, 1937-  Search this
Sanders, Pharaoh  Search this
Grant, Felix, 1918-1993  Search this
Scott, Jimmy  Search this
McPhail, Jimmy  Search this
McPartland, Marian  Search this
McFerrin, Bobby  Search this
Krall, Diana  Search this
O'Connell, Helen  Search this
Mulligan, Gerry  Search this
Metheny, Pat  Search this
McShann, Jay  Search this
Horn, Shirley, 1934-  Search this
Hinton, Milt, 1910-  Search this
Hill, Andrew, 1937-  Search this
Hendricks, Jon, 1921-  Search this
Keane, Helen  Search this
Kaminsky, Max, 1908-  Search this
Jordan, Sheila, 1928-  Search this
Humes, Helen, 1913-1981  Search this
Hampton, Lionel  Search this
Harris, Eddie, 1934-  Search this
Heath, Jimmy, 1926-  Search this
Frishberg, Dave  Search this
Ennis, Ethel  Search this
Farmer, Art, 1928-  Search this
Flanagan, Tommy, 1930-  Search this
Hampton, Slide  Search this
D'Rivera, Paquito, 1948-  Search this
Daniels, Billy  Search this
Davison, Bill  Search this
Donegan, Dorothy, 1922-  Search this
Crouch, Stanley, 1945-  Search this
Conyers, John, 1929-  Search this
Cruz, Celia, 1920-  Search this
Byard, Jaki  Search this
Brown, Ruth  Search this
Carter, Betty, 1930-  Search this
Byron, Don  Search this
Betts, Keter, 1928-  Search this
Bellson, Louis  Search this
Bowie, Lester, 1941-  Search this
Blakey, Art, 1919-1990  Search this
Allen, Steve, 1921-2000  Search this
Adderly, Nat, 1931-  Search this
Bailey, Benny, 1925-  Search this
Collector:
Stokes, W. Royal, Dr., 1930-  Search this
Names:
Armstrong, Louis, 1900-1971  Search this
Davis, Miles  Search this
Ellington, Duke, 1899-1974  Search this
Gillespie, Dizzy, 1917-  Search this
Extent:
9.65 Cubic feet (12 boxes)
Type:
Archival materials
Collection descriptions
Audiotapes
Photographs
Publicity photographs
Date:
ca. 1970-2000.
Summary:
Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.
Scope and Contents:
This collection was formed by W. Royal Stokes in the course of his professional work as a music and arts critic. It is composed primarily of publicity portraits of musical performers, both single acts and groups. The emphasis is on jazz musicians and singers, although many rock stars and groups, and other popular musical performers are included. Even a few classical musicians are represented. The pictures are primarily mass-produced black and white publicity photographs distributed to newspapers, writers, etc., by agents for entertainment personalities. Some prints were made from the original negatives, while others clearly were made from copy negatives after typography was stripped together with a print and re-photographed. However, there are some rarer original photographs included in the collection, such as personal color snapshots, higher quality prints by art photographers, etc. Nearly all the prints are unmounted, and are 8 x 10 inches or smaller in size. The bulk of the photographs date from circa 1970 to 2000, however, a number of the earlier photographs are included as well as slightly later examples.
Arrangement:
The collection is divided into nine series.

Series 1, Photographs of Musicians and Ensembles, circa 1970-2000; undated

Subseries 1.1, Musicians and Ensembles

Subseries 1.2, Recording Company Photographs

Subseries 1.3, Unidentified Musicians

Series 2, Photographs of Performances, 1987-2002; undated

Subseries 2.1, Music Festivals, 1987-2002; undated

Subseries 2.2, Concerts, Music Clubs and Other Venues, 1920s-1940s and circa 1980s-1990s; undated

Series 3, Formal and Informal Groups, circa 1980s-2000; undated

Series 4, Photographs of Musicians in Films, Radio, Television and Theater, 1940s-2000; undated Series 5, Photographs of Subjects and Products related to Musicians and Music, 1970-2000; undated

Series 6, Photographs of Non-Musicians, circa 1980s-2000; undated

Series 7, Interviews with Musicians, 1970-2003

Series 8, Audiovisual Materials, 1970-2003

Subseries 8.1, Audio Recordings - Audiocassettes

Subseries 8.2, Audio Recordings-Audiotapes

Series 9, Posters, 1976-1990; undated
Biographical / Historical:
Born in Washington, D.C., W. Royal Stokes served in the Army and then embarked on an academic career, teaching at the University of Pittsburgh, Tufts University, Brock University and the University of Colorado. He left the academic profession in 1969 and become a writer, broadcaster and lecturer, journalist, and critic and authority on jazz music. A follower of jazz since his teens in the 1940s, Stokes has written about music for such publications as Down Beat, Jazz Times, and the Washington Post, and hosted the public radio shows "I Thought I Heard Buddy Bolden Say . . ." and "Since Minton's". Today he is the editor of the quarterly Jazz Notes, and is the author of The Jazz Scene: An Informal History From New Orleans to 1990 and Swing Era New York: The Jazz Photographs of Charles Peterson.. He is also the author of Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz (Oxford; New York: Oxford University Press, 2000). Dr. Stokes lives in Silver Spring, Maryland.
Materials in the Archives Center, National Museum of Ameican History:
Duke Ellington Collection, 1928-1988 (AC0301)

Herman Leonard Photoprints, 1948-1993

Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copyprints], 1923-1972

Jazz Oral History Collection, 1988-1990

Ernie Smith Jazz Film Collection, 1910s-1970s (mostly 1930s-1960s)

Jeffrey Kliman Photographs

Stephanie Myers Jazz Photographs, 1984-1987, 2005

Chico O'Farrill Papers

Paquito D'Rivera Papers, 1989-2000.

Louis Armstrong Music Manuscripts, undated

Tito Puente Papers, 1962-1965.

Audrey Wells "Women in Jazz Radio Series, 1981-1982

Mongo Santamaria Papers, 1965-2001

Ramsey Lewis Collection, 1950-2007

Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009

James Arkatov Collection of Jazz Photographs, 1995-2003

Francis Wolff Jazz Photoprints, 1953-1966

Floyd Levin Jazz Reference Collection, circa 1920s-2006

Jazz Oral History Program Collection, 1992-2009

Leslie Schinella Collection of Gene Krupa Materials
Provenance:
Donated by W. Royal Stokes to the Archives Center in 2001.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1950-2000 -- United States  Search this
Musicians  Search this
Publicity  Search this
Portraits -- Musicians  Search this
Popular music -- 20th century -- United States  Search this
Entertainers  Search this
Rock music  Search this
Genre/Form:
Audiotapes
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Publicity photographs
Citation:
W. Royal Stokes Collection of Jazz Musicians' Photographs, ca. 1970-2000, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0766
See more items in:
W. Royal Stokes Collection of Music Photoprints and Interviews
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0766
Additional Online Media:

Interviews

Collection Creator:
Zackheim, Michele  Search this
Extent:
0.1 Linear Feet (Box 1)
Type:
Archival materials
Date:
circa 1980s
Scope and Contents:
The interview dates from the 1980s and is one sound cassette of a radio broadcast aired in KKED.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Michele Zackheim papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich, Series 2
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zackmich-ref12

Interviews

Collection Creator:
Castleman, Riva  Search this
Extent:
0.2 Linear feet (Box 8)
7.82 Gigabytes (ER05)
Type:
Archival materials
Gigabytes
Date:
1980s-1990s
Scope and Contents:
Material here includes fifteen sound recordings of interviews Castleman conducted with artists and printmakers including Jasper Johns, Robert Rauschenberg, Jim Dine, Ken Tyler, David Hockney, Bill Goldston, Frank Stella, and James Rosenquist. Also included are recordings of Tatyana Grosman speaking about her life with Donna Stein, Diane Brintzenhofg, and others. These conversations were recorded in 1978-1981, reformatted to optical disks in 1994, and are available as digital audio files. One oral history transcript and one interview transcript with and about Riva Castleman are filed in the Biographical Material series.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Riva Castleman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.castriva, Series 5
See more items in:
Riva Castleman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-castriva-ref5

Lynn Schmidt interviews with Isamu Noguchi and Tom Nakashima, 1980-1990

Creator:
Schmidt, Lynn, 1949-  Search this
Noguchi, Isamu, 1904-1988  Search this
Subject:
Nakashima, Tom  Search this
Topic:
Sculptors  Search this
Interviews  Search this
Asian American artists  Search this
Furniture designers  Search this
Printmakers  Search this
Sound recordings  Search this
Landscape architects  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)13451
(DSI-AAA_SIRISBib)267468
AAA_collcode_schmlynn
Theme:
Asian American
Architecture & Design
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_267468

Sid Bernstein Oral History Collection

Creator:
Flaherty, Stacy A.  Search this
Crain Communications.  Search this
Bernstein, Sid  Search this
Names:
Advertising Age (magazine)  Search this
Crain, Gertrude  Search this
Crain, Rance  Search this
Extent:
3 Cubic feet (7 boxes )
Type:
Archival materials
Collection descriptions
Audiotapes
Audio cassettes
Oral history
Interviews
Date:
1989-1991.
Scope and Contents note:
Audiotapes, Series 1: Interviews with Bernstein and others, conducted by Stacy A. Flaherty, coodinator and historian of the Center for Advertising History (an Archives Center program). Subseries 1.1 Audiocassette masters; Subseries 1.2: Reel-to-reel masters; Subseries 1.3: Audiocassettes for researcher use (2 copies).
Arrangement:
Collection is arranged into five series

Series 1: Oral history interviews (audiotapes)

Series 2: Interviewee files

Series 3: Bernstein article

Series 4: Bernstein on advertising

Series 5: Adminstrative
Biographical/Historical note:
Sid Bernstein was a noted advertising critic and columnist for Ad Age Magazine, a prominent trade publication for the advertising industry. This oral history project was supported by a grant from Crain Communications, Inc., New York.
Provenance:
Collection donated by Sid Bernstein of Crain Communications.
Restrictions:
Collection is open for research. Only Subseries 1.3 (audiotapes) may be used by researchers.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising  Search this
Genre/Form:
Audiotapes -- 1980-1990
Audio cassettes -- 1980-1990
Audiotapes -- Open reel
Oral history -- 1980-1990
Interviews -- 1980-1990
Citation:
Sid Bernstein Oral History Collection, 1989-1991, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0434
See more items in:
Sid Bernstein Oral History Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0434

Margie Hughto : ceramics, 1980-1990

Author:
Hughto, Margie 1944-  Search this
Everson Museum of Art  Search this
Subject:
Hughto, Margie 1944- Exhibitions  Search this
Hughto, Margie 1944- Interviews  Search this
Physical description:
64 p. : ill. (some col.) ; 22 x 26 cm
Type:
Exhibitions
Place:
United States
Date:
1991
C1991
20th century
Topic:
Ceramic sculpture  Search this
Call number:
NK4210.H828 E8 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_459680

Interviews with Kevin MacDonald

Collection Creator:
MacDonald, Kevin John, 1946-2006  Search this
Extent:
1 videocassettes (vhs)
Container:
Box 7, Folder 20
Type:
Archival materials
Videocassettes (vhs)
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Kevin MacDonald papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Kevin MacDonald papers, 1958-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kevin MacDonald papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macdkevi-ref176

The Best on Earth. / The Best on Mars. [Black-and-white advertisement]

Advertiser:
Nike, Inc.  Search this
Names:
Jordan, Michael  Search this
Lee, Spike  Search this
Collection Interviewer:
Center for Advertising History, Archives Center  Search this
Ellsworth, Scott, Dr.  Search this
Collection Creator:
Nike, Inc.  Search this
Extent:
1 Item (11" x 17".)
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Advertisements
Date:
[ca. 1980-1990.]
Scope and Contents:
Reproductions of two photographs of Michael Jordan and Spike Lee, each with a basketball, advertising Air Jordan shoes. Photographer unidentified.
Local Numbers:
03044801.tif (AC Scan)
General:
In Box 27, Folder: Print Ads.
Restrictions:
Unrestricted research use on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Shoes  Search this
Athletic shoes  Search this
African American men  Search this
Genre/Form:
Photographs -- 1980-1990 -- Black-and-white reproductions
Advertisements -- 1980-1990
Collection Citation:
Nike Advertising Oral History and Documentation Collection, 1958-1992, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Nike Advertising Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0448-ref790

Assorted Interviews, Sound Recordings

Collection Creator:
Castleman, Riva  Search this
Extent:
15 sound recordings
Container:
Box 8, Folder 23
Type:
Archival materials
Audio
Sound recordings
Date:
1980s-1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Riva Castleman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Riva Castleman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-castriva-ref170

Statements and Interviews

Collection Creator:
Rosenthal, Nan  Search this
Container:
Box 17, Folder 5
Type:
Archival materials
Date:
1980s-1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Nan Rosenthal papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Nan Rosenthal papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rosenan-ref233

Roy Soltoff Collection

Interviewer:
Eklund, Jon B.  Search this
Interviewee:
Soltoff, Roy  Search this
Extent:
0.1 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Oral history
Interviews
Date:
1978-1984
Scope and Contents:
The collection includes four 90 minute audio tapes of interviews with Mr. Soltoff covering biographical information, education, work experience and professional career. Also included are: The interviewer's handwritten notes summarizing the interviews; and copies "Notes from Misosys", a publication on computer software edited by Mr. Soltoff.
Arrangement:
Divided into 3 series: 1) Audio tapes (four) of Roy Soltoff interviews by Jon Eklund, 1983; 2) Notes by Jon Eklund summarizing Soltoff interviews; 3) Publication, "Notes from Misosys", 1983 (six issues) edited by Soltoff.
Biographical / Historical:
This collection is primarily the product of four interviews with Roy Soltoff, a noted microcomputer programmer, conducted and taped in 1983 by Dr. Jon B. Eklund, Curator of Physical Sciences, NMAH.
Provenance:
Collection donated by Roy Soltoff.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Computers  Search this
Computer programming  Search this
Genre/Form:
Oral history -- 1980-1990
Interviews -- 1980-2000
Citation:
Roy Soltoff Collection, 1978-1984, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0275
See more items in:
Roy Soltoff Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0275

Gregg Herken Papers

Topic:
Cardinal Choices: Presidential Science Advising From the Atomic Bomb to SDI (Monograph : 1980)
Counsels of War (Monograph : 1987)
Winning Weapon: The Atomic Bomb in the Cold War, 1945-1950 (Monograph : 1992)
Creator::
Herken, Gregg, 1947-  Search this
Extent:
2 cu. ft. (2 record storage boxes)
Type:
Archival materials
Collection descriptions
Brochures
Clippings
Manuscripts
Date:
circa 1980-1990
Descriptive Entry:
This accession consists personal papers created by military historian Gregg Herken, Chairman of the Department of Space History, National Air and Space Museum. These papers contain research notes for his three books, Cardinal Choices: Presidential Science Advising From the Atomic Bomb to SDI, The Winning Weapon: The Atomic Bomb in the Cold War, 1945-1950, and Counsels of War. Included are notes from telephone interviews, background material for oral history interviews, articles, and other notes.
Restrictions:
Donor permission required, Transferring office; 2/8/1996 Agreement of Transfer; Contact reference staff for details.
Topic:
Astronautics  Search this
Genre/Form:
Brochures
Clippings
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 96-060, Gregg Herken Papers
Identifier:
Accession 96-060
See more items in:
Gregg Herken Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa96-060

Concerts, Music Clubs and Other Venues, circa 1980s-1990s; undated

Collection Interviewee:
Sun Ra  Search this
Gaskin, Leonard, 1920-  Search this
Taylor, Billy  Search this
Sullivan, Maxine, 1911-1987  Search this
Wells, Ronnie  Search this
Whiting, Margaret  Search this
Towers, Jack  Search this
Venuti, Joe, 1903-1978  Search this
Pullen, Don, 1941-  Search this
Roney, Wallace  Search this
Pizzarelli, Bucky, 1926-  Search this
Pizzarelli, John, 1960-  Search this
Shaw, Artie, 1910-2004  Search this
Shepp, Archie, 1937-  Search this
Sanders, Pharaoh  Search this
Grant, Felix, 1918-1993  Search this
Scott, Jimmy  Search this
McPhail, Jimmy  Search this
McPartland, Marian  Search this
McFerrin, Bobby  Search this
Krall, Diana  Search this
O'Connell, Helen  Search this
Mulligan, Gerry  Search this
Metheny, Pat  Search this
McShann, Jay  Search this
Horn, Shirley, 1934-  Search this
Hinton, Milt, 1910-  Search this
Hill, Andrew, 1937-  Search this
Hendricks, Jon, 1921-  Search this
Keane, Helen  Search this
Kaminsky, Max, 1908-  Search this
Jordan, Sheila, 1928-  Search this
Humes, Helen, 1913-1981  Search this
Hampton, Lionel  Search this
Harris, Eddie, 1934-  Search this
Heath, Jimmy, 1926-  Search this
Frishberg, Dave  Search this
Ennis, Ethel  Search this
Farmer, Art, 1928-  Search this
Flanagan, Tommy, 1930-  Search this
Hampton, Slide  Search this
D'Rivera, Paquito, 1948-  Search this
Daniels, Billy  Search this
Davison, Bill  Search this
Donegan, Dorothy, 1922-  Search this
Crouch, Stanley, 1945-  Search this
Conyers, John, 1929-  Search this
Cruz, Celia, 1920-  Search this
Byard, Jaki  Search this
Brown, Ruth  Search this
Carter, Betty, 1930-  Search this
Byron, Don  Search this
Betts, Keter, 1928-  Search this
Bellson, Louis  Search this
Bowie, Lester, 1941-  Search this
Blakey, Art, 1919-1990  Search this
Allen, Steve, 1921-2000  Search this
Adderly, Nat, 1931-  Search this
Bailey, Benny, 1925-  Search this
Collection Collector:
Stokes, W. Royal, Dr., 1930-  Search this
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
W. Royal Stokes Collection of Jazz Musicians' Photographs, ca. 1970-2000, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0766, Subseries 2.2
See more items in:
W. Royal Stokes Collection of Music Photoprints and Interviews
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0766-ref139

PTE Fine Arts records, 1953-2007, bulk 1980s-1990s

Creator:
PTE Fine Arts  Search this
Subject:
Bauer, Rudolf  Search this
Stamos, Theodoros  Search this
Ericson Gallery  Search this
Topic:
Photographs  Search this
Interviews  Search this
Video recordings  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)15644
(DSI-AAA_SIRISBib)282168
AAA_collcode_ptefinea
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_282168

Reisman, Philip, Interview

Collection Creator:
New York Artists Equity Association  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Date:
circa 1980-1990s
Scope and Contents note:
Includes one videocassette.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nyarteqa-ref67

Riva Castleman papers

Creator:
Castleman, Riva  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Grosman, Tatyana, 1904-1982  Search this
Extent:
10.6 Linear feet
7.83 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Sound recordings
Interviews
Date:
1871
1930-2013
Summary:
The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.
Scope and Contents:
The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1930-2011 (Boxes 1-3; 3 linear feet)

Series 2: Correspondence, circa 1950-2012 (Boxes 4-5, OV 12, 1.5 linear feet; ER01, 0.001 GB)

Series 3: Writing Project Files, circa 1950-2013 (Boxes 5-8, 3.1 linear feet; ER02-ER04, 0.007 GB)

Series 4: Notebooks, 1950-2005 (Box 8; 0.3 linear feet)

Series 5: Interviews, 1980s-1990s (Box 8, 0.2 linear feet; ER05, 7.82 GB)

Series 6: Project Files, 1871, 1977-2003 (Box 9; 0.2 linear feet)

Series 7: Printed Material, 1950-2012 (Boxes 9-10; 1.4 linear feet)

Series 8: Photographic Material, 1960-2011 (Box 10, OV 13; 0.5 linear feet)

Series 9: Artwork, circa 1970-2010 (Box 11, OV 14-15; 0.4 linear feet)
Biographical / Historical:
Riva Castleman (1930-2014) was the Director of Prints and Illustrated Books at the Museum of Modern Art in New York City from 1976-1995. Born in Chicago, Castleman received her B.A. from the University of Iowa in 1951. After graduating, she worked at the Art Institute of Chicago and the California Historical Society. She was hired as a print cataloger at MoMA in 1963 before becoming department head in 1976. Her tenure coincided with the renaissance in American printmaking propelled by Andy Warhol, Robert Rauschenberg, and Jasper Johns, and her exhibitions and publications celebrated these artists along with master printmakers, including Tatyana Grosman of Universal Limited Art Editions.
Provenance:
Donated to the Archives of American Art in 2018 by Kristen Skedgell, Riva Castleman's niece.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Rights:
The Riva Castleman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.castriva
See more items in:
Riva Castleman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castriva

Matt Mullican papers

Creator:
Mullican, Matt, 1951-  Search this
Names:
König, Kasper  Search this
Mullican, Lee, 1919-1998  Search this
Weiner, Lawrence.  Search this
Extent:
27.8 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Date:
circa 1968-2017
Summary:
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.
Scope and Contents:
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.

Biographical material includes address books, high school and college ephemera, papers and photographs relating to Mullican's family, identification cards, interview transcripts, a resume, and a few writings.

The small amount of correspondence arranged in Series 2 is with friends, artists, colleagues, fans, and museum professionals. Notable correspondents include artist Lawrence Weiner and museum director Kasper König. Additional professional correspondence is located in the Gallery and Exhibition Files, as well as the Project and Commission Files.

Over 100 notebooks document nearly five decades of Mullican's work process and artistic explorations from the time he was a student up to the present.

A large sequence of gallery and exhibition files encompass a variety of material documenting Mullican's extensive solo and group exhibition history throughout the United States, Europe, and Japan.

Extensive project and commission files contain documentation of international public and corporate commissions, academic engagements, performances, publishing projects, print editions, illustrations, grants, residencies, and other project based artwork. Public and corporate commissions include artworks and installations for banks, airports, office complexes, university buildings, public transit stations, and other spaces.

Personal business records relate to bookkeeping and sales, donations, inventories, publication, copyright, supplies, invoicing, recommendations, residences, storage of works, and studio administration.

Printed material includes announcements, posters, articles, reviews, exhibition catalogs, and periodicals related to Mullican's career.

One folder of photographs documents Mullican, his family, and installations of his work at various venues and exhibitions.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, 1968-2002 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1986-2000s (0.2 linear feet; Box 1)

Series 3: Notebooks, circa 1968-2017 (7.2 linear feet; Box 1-8)

Series 4: Gallery and Exhibition Files, 1985-2000s (6.1 linear feet; Box 9-13, OV and RD 23-25)

Series 5: Project and Commission Files, 1980-2000s (10.3 linear feet; Box 14-19, OV and RD 26-43)

Series 6: Personal Business Records, 1978-2000s (1.7 linear feet; Box 19-21)

Series 7: Printed Material, 1971-2000s (1.5 linear foot; Box 21-22, RD 44)

Series 8: Photographs, 1980s-1990s (1 folder; Box 22)
Biographical / Historical:
Matt Mullican (1951- ) is a multi-media and conceptual artist working in New York City and Berlin, Germany. Born in Santa Monica, he is the son of abstract surrealist painters Lee Mullican and Luchita Hurtado Mullican. Educated at the California Institute of the Arts (CalArts) in the early 1970s, and mentored by John Baldessari, Mullican moved to New York City after earning his BFA and became associated with the "Pictures Generation" artists, including friends Troy Brauntuch, Jack Goldstein, James Welling, and Robert Longo. His multi-disciplinary practice encompasses drawing, painting, collage, video, installation, and performance under hypnosis as his alter ego, 'That Person.' Through these media, Mullican explores systems of knowledge, the construction of reality, as well as meaning, language, and signs. Throughout his career, Mullican has participated in international solo and group exhibitions, and has undertaken dozens of public and corporate commissions.
Provenance:
Donated to the Archives of American Art in 2014-2017 by Matt Mullican.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Rights:
The Matt Mullican papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Conceptual artists--Germany--Berlin--Interviews  Search this
Conceptual artists--New York (State)--New York--Interviews  Search this
Multimedia (Art)  Search this
Genre/Form:
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mullmatt
See more items in:
Matt Mullican papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mullmatt
Additional Online Media:

Interview

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Extent:
1 videocassettes (vhs)
Container:
Box 10, Folder 1
Type:
Archival materials
Videocassettes (vhs)
Date:
circa 1980-circa 1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Collection Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref493

Marlboro Oral History and Documentation Project

Topic:
Marlboro (cigarette brand)
Creator:
Ellsworth, Scott, Dr.  Search this
Zinn, Manfredo  Search this
Marx, Dick  Search this
Nunez, Raul  Search this
Winfield, Darrel  Search this
Kwan, William  Search this
Kwong, Goddard  Search this
Adams, Hall  Search this
Landry, Jack  Search this
Arguelles, Rafael  Search this
Fockler, Knut  Search this
Philip Morris, Inc.  Search this
Gil, Felipe  Search this
Jarrard, Tom  Search this
Names:
Leo Burnett, Inc.  Search this
Extent:
17.4 Cubic feet (86 boxes)
Type:
Archival materials
Collection descriptions
Color slides
Commercials
Audiotapes
Videotapes
Posters
Proofs (printed matter)
Newsletters
Articles
Slides (photographs)
Place:
Brazil -- Advertising
Argentina -- Advertising
China -- Advertising
Hong Kong -- Advertising
Switzerland -- Advertising
West Germany -- Advertising
Dominican Republic -- Advertising
Date:
1926-1988
Scope and Contents:
The Marlboro Oral History and Documentation Project is the result of a two-year effort supported in part by a gift from Philip Morris, Inc. Sixty oral history interviews and a variety of television commercials, print advertising, promotional materials, packaging, and industry publications were gathered to document Marlboro cigarette advertising. The bulk of the collection focuses on the period between 1954 and 1986, and examines the "Marlboro man", "Settle Back" and "Marlboro Country" campaigns. The collection is a rich source of information for researchers interested in advertising and marketing history, issues of smoking and health, and the export of both tobacco and American cultural symbols abroad. The core of the collection is a series of interviews conducted during 1985-1987 by Dr. Scott Ellsworth, an independent scholar and oral historian. The broad range of interviewees included executives of Philip Morris, advertising agency personnel from Leo Burnett, photographers, production staff, sales and marketing personnel, and Marlboro cowboys. Twenty-seven interviews were conducted overseas, in Argentina, Brazil, the Dominican Republic, Hong Kong, Switzerland, and West Germany. Conducted primarily with Marlboro licensee and affiliate staff, the interviews focus on the marketing and advertising history of Marlboro in the six nations. These interviews and others conducted with executives of Philip Morris International in New York City also address the history of Marlboro advertising in Africa, the Middle East, China, Eastern Europe and elsewhere in Europe and Latin America. The interviews cover events from the 1930s through the 1980s. They focus on the theory and development of Marlboro advertising, its content and creation, and its modifications over the years. The foreign interviews also discuss the structure of the local cigarette marketplace, marketing and advertising techniques, and the use and modification of Marlboro advertising for different cultures. Finding aids to the oral histories include abstracts of each interview indicating the major topic discussed, a cumulative index to personal names and topics in the interviews, and brief biographical and scope notes.
Arrangement:
Dthe collection is divided into seven series.

Series 1: Research Files, 1943-1987

Series 2, Interviewee Files, 1986

Series 3; Oral History Interviews, 1986

Series 4: Advertising Materials, 1926-1986

Series 5: Promotional items and packaging, 1926-1986

Series 6: Publications and Research Material, 1960-1988

Series 7: Travel Slides Generated by Project Team, 1926-1986
Biographical / Historical:
The history of Marlboro cigarettes offers insight into one of the great advertising and marketing success stories of the 20th century. Marlboro cigarettes were marketed from the Victorian era through the first half of this century as a women's cigarette, with tag-lines that aimed to appeal to female smokers, such as "Marlboro - Mild As May." In 1955, two transformations occurred which would affect both profitability and brand recognition: the addition of an integrated filter and the re-invention of the market through the debut of the "Marlboro Man" advertising campaign. The original Marlboro Man campaign featured close-up images of all kinds of men using the product -- the cowboy was one, along with lifeguards, sailors, drill sergeants, construction workers, gamblers and other types suggestive of a masculine spirit and rugged independence. By 1963, the "Marlboro Country" campaign began. This campaign focused on the cowboy and his symbolic canon: boots, hats, horses, and western landscapes. By the mid-1980s, Marlboro was the best-selling brand in the United States and the world, and the Marlboro cowboy was among the most widely recognized of American cultural symbols. Sold in over 180 nations, both the cigarettes and the ad campaign had become a global phenomena.
Provenance:
The collection was donated to the Archives Center by Philip Morris, Inc. in 1986.
Restrictions:
The materials in the Marlboro Collection are made available for research according to the established practices and principles of the Archives Center and the National Museum of American History.
Rights:
In making these materials available for research, the Smithsonian Institution makes no claims of ownership of the copyrights or related rights. All responsibility for infringement of legal authorship rights and or copyright is assumed by the user of the materials. In addition, the user indemnifies and holds harmless the Smithsonian Institution for all claims, actions, damages, judgments and expenses that may result from use of these materials. In addition, the donor has imposed restrictions on reproduction or broadcast of collection materials by third parties. The reproduction or broadcast of print ads and television commercials in the collection is subject to prior written consent from: Nancy Lund, Vice President, Marketing,Philip Morris International, 120 Park Avenue, New York, NY 10017;(917) 663-5000
Topic:
T.V. commercial producers  Search this
Photographers  Search this
Cinematographers  Search this
Accountants  Search this
advertising -- Cigarettes -- 20th century  Search this
Cowboys -- 20th century  Search this
Advertising, Newspaper -- 20th century  Search this
Smoking -- 1940-1990  Search this
Travel photography -- 1940-1990  Search this
Photography, Advertising -- 20th century  Search this
Advertising photography  Search this
Advertising campaigns -- 20th century  Search this
Cigarette industry -- 20th century  Search this
Cigarettes -- advertising -- 20th century  Search this
Advertising agencies -- 20th century  Search this
Television advertising -- Cigarettes -- 1940-1990  Search this
Advertising, magazine -- 20th century  Search this
Art directors  Search this
Copy writers  Search this
Genre/Form:
Color slides -- 1960-1990
Commercials
Audiotapes -- 1980-1990
Videotapes
Posters
Proofs (printed matter)
Newsletters
Articles
Slides (photographs) -- 1950-2000
Citation:
Marlboro Oral History and Documentation Project, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0198
See more items in:
Marlboro Oral History and Documentation Project
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0198
Additional Online Media:

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