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Walt Kuhn Family papers and Armory Show records

Creator:
Kuhn, Walt, 1877-1949  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
International Exhibition of Modern Art  Search this
Kit Kat Club (New York, N.Y.)  Search this
Penguin Club (New York, N.Y.)  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Vera, d. 1961  Search this
Oldfield, Otis, 1890-1969  Search this
Pach, Walter, 1883-1958  Search this
Quinn, John, 1870-1924  Search this
Sheeler, Charles, 1883-1965  Search this
Photographer:
Rainford, Percy  Search this
Weston, Edward, 1886-1958  Search this
Extent:
31 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Scrapbooks
Sound recordings
Date:
1859-1984
bulk 1900-1949
Summary:
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
Scope and Contents note:
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

As Secretary for the AAPS, Kuhn retained the bulk of existing records of that organization and of the Armory Show. Minutes and correspondence make up most of the AAPS records (Series 2), as well as documents related to John Quinn's legal brief against a tariff on imported works of living artists. Armory Show Records (Series 1) include personal letters, voluminous business correspondence, a record book, miscellaneous notes, inventories and shipping records, two large scrapbooks, printed materials, a small number of photographs, and retrospective accounts of the show. The printed materials and photographs in Kit Kat Club and Penguin Club Records reflect Kuhn's deep involvement in those clubs.

The Walt Kuhn Family Papers (Series 4) contain records of his artwork, career, travels, personal and professional associations, family members, and work in vaudeville, film, and interior design. Notable among the family papers are illustrated letters and other cartoons; sketches, drawings, watercolors, and prints; candid letters from Walt to Vera Kuhn discussing art scene politics and personalities in New York, Paris, Chicago, Los Angeles, San Francisco, Florida, and the Midwest; general correspondence with artists, dealers, collectors, journalists, writers, models, and fans; notes in index card files containing biographical anecdotes of the Kuhns' many contacts; provenance files that document the origin and fate of Kuhn's paintings, sculptures, and prints; papers relating to Kuhn's exhibitions and his relationships with the Marie Harriman Gallery and Durand-Ruel Gallery; and photographs and drawings depicting Kuhn's early years in Munich, Germany and Fort Lee, New Jersey; trips to Nova Scotia, New England, the Western United States, and Europe; New York and summer studios, among other subjects.
Arrangement:
This collection has been arranged into 4 series, with multiple subseries in Series 1 and 4.

Series 1: Armory Show Records, 1912-1963 (Boxes 1-2, 27-31, 56, OV 36; 3.6 linear feet)

Series 2: Association of American Painters and Sculptors (AAPS) Records, 1911-1914, undated (Box 3; 0.2 linear feet)

Series 3: Kit Kat Club and Penguin Club Records, 1909-1923, undated (Box 3, 32, 56, OVs 37-38; 0.5 linear feet)

Series 4: Walt Kuhn Family Papers, 1859-1984, undated (Box 3-26, 32-35, 56-57, OVs 39-55, 58; 26.7 linear feet)

In general, documents are arranged chronologically, alphabetically, or by type of material. Copy negatives and copy prints made from documents in this collection have been filed separately from originals, in a folder marked "copy." Duplicates of original records made or obtained by the Kuhns have been filed separately as well.

Existing envelopes are filed in front of correspondence and enclosures directly after. Correspondence in the Armory Show Records and AAPS Records is arranged alphabetically, and correspondents are listed in the box inventory following series descriptions below.
Biographical/Historical note:
Walt Kuhn (1877-1949) was an etcher, lithographer, and watercolorist, as well as being a teacher, an advisor to art collectors, an organizer, and a promoter of modern art. He played a key role in the art scene of New York City in the early 20th century, and was among the small group that organized the infamous Armory Show of 1913, officially known as the International Exhibition of Modern Art, held at the 69th Regiment Armory building in New York City. After the Armory Show, Kuhn went on to a distinguished career as a painter. He was best known for his sober oil portraits of show people, clowns, acrobats, and circus performers, but was equally prolific in landscapes, still lifes, and figure and genre drawings.

Walt Kuhn was born in Brooklyn, NY in 1877. After a brief career as a bicycle shop owner in downtown Brooklyn, Kuhn traveled West in 1899 to San Francisco, CA and earned his living as a cartoonist for newspapers such as Wasp. After two years in California, he moved back East and then on to Europe to pursue further art training. He briefly attended the Académie Colarossi studio in Paris, but quickly moved to Munich where he joined the class of Heinrich von Zügel in the Royal Academy.

Kuhn returned to New York City in 1904 and took up an active role in the art scene there, participating in the Salmagundi Club and the Kit Kat Club, teaching at the New York School of Art, and cartooning for Life, Judge, Puck, and other publications. In 1910, he participated in an exhibition of Independent Artists on 35th St. with Robert Henri and met artist Arthur B. Davies.

In 1911, when the National Academy of Design opened their annual exhibition, Kuhn, Henry Fitch Taylor, Elmer MacRae, and Jerome Myers were exhibiting at Clara Potter Davidge's Madison Gallery. To these four young artists, the Academy exhibition was typically lackluster, and the attention it received was unwarranted. Sensing that they were not alone in their attitude, they decided to organize. They invited a dozen other artists to join them, thus forming the Association of American Painters and Sculptors (AAPS). The group elected Kuhn Secretary and Arthur B. Davies President, and with the help of attorney and art collector John Quinn, they incorporated and began raising funds for an independent exhibition the following year.

In September of 1912, at Davies' suggestion, Kuhn traveled to Cologne, Germany to view the Sonderbund Internationale Kunst-Austellung. There he saw presented, in overwhelming volume, the work of his European contemporaries and their modern antecedents, the post-impressionists. He immediately began selecting and securing artwork for the upcoming AAPS exhibition. Kuhn traveled through Germany, Holland, France, and England, visiting private collectors, dealers, and artists. In Paris, Kuhn was joined by Davies and American artist and art agent Walter Pach. Kuhn and Davies sailed for New York in November, leaving the details of European arrangements to Pach.

The resulting Armory Show exhibition opened in New York in February 1913, and a selection of the foreign works traveled to Chicago and Boston in March and April. It included approximately 1300 American and European works of art, arranged in the exhibition space to advance the notion that the roots of modernism could be seen in the works of the old masters, from which the dramatically new art of living artists had evolved. Savvy and sensational publicity, combined with strategic word-of-mouth, resulted in attendance figures over 200,000 and over $44 thousand in sales. The Armory Show had demonstrated that modern art had a place in the public taste, that there was a market for it and legitimate critical support as well.

During the first World War, Kuhn stayed in NY and was active in the Kit Kat Club, an artists' club founded in 1881, which provided its members with collective studio space, live models, exhibitions, and an annual costume ball. In 1917, Kuhn founded another group called the Penguin Club, which had similar objectives to the Kit Kat Club, but with Kuhn himself as the gatekeeper. In addition to exhibitions and costume balls, the Penguin Club held summer outings and stag dinners, and maintained collective studio and exhibition space on East 15th Street in Manhattan. Its members included Americans and European artists displaced by the war in Europe. In the 1920s, Kuhn expanded a few sketches he had written for Penguin Balls into full-blown vaudeville productions, some of which were incorporated into larger musical revues such as The Merry Go Round and The 49ers and traveled around the country. Kuhn's theater work continued until 1928, and his fascination with show business continued to influence him throughout his life.

In the 1920s and 1930s, Kuhn gradually achieved recognition for his artwork, with sales to private collectors and dealers including Edith Halpert, Merritt Cutler, Lillie Bliss, John Quinn, and Marie Harriman. Kuhn also promoted other young painters whose work he liked, including Otis Oldfield, Lily Emmet Cushing, John Laurent, Frank di Gioia, and the self-taught Vermont artist Patsy Santo. Sometimes artists would contact him by mail, asking for lessons or advice. His lengthy letters to students offer coaching in technique and subject matter, as well as in the overall problem of success in art.

In 1929, Kuhn moved into the 18th St. studio that he would keep until the end of his life. He kept a rack of costumes in the studio, mostly made by Vera Kuhn, and his models, many of them stage and circus performers, would come and sit for Kuhn's portraits. The same year his painting The White Clown was exhibited at the newly established Museum of Modern Art in New York, bringing intense publicity and sales interest. Around this time, Kuhn began to receive the support of collector Duncan Phillips and curator Juliana Force of the Whitney Museum of American Art, both of whom made purchases and consistently exhibited his work.

Marie Norton Whitney Harriman, second wife of railroad magnate and diplomat W. Averell Harriman, shared a professional liaison with Kuhn that would take many forms and last until his death. Soon after the success of The White Clown, Kuhn established a relationship with the Marie Harriman Gallery, where he participated in group and solo shows during the height of his career. Kuhn also traveled with the Harrimans to Europe in 1931, where the three visited important private collections and acquired many valuable modern paintings for the Harrimans. Their collection, so heavily influenced by Kuhn's ideas about art, would eventually go to the National Gallery of Art.

Kuhn was an artist who understood the art business and never shied away from it. For Kuhn, promoting the ideas and practitioners of a certain brand of modernism was an expression of both aesthetic ideology and pragmatic self-interest. His contribution to the public discourse on modernism situated his own work at the heart of art history and the marketplace. Regardless of his motivations, he was indisputably a key player at a pivotal time in American art, when academic art was riotoulsy overturned to make way for modernism. His paintings are now held in major museum collections around the country, where most of them arrived with bequests from the collectors Kuhn had cultivated so carefully in his lifetime.

Sources consulted for this biography include The Story of the Armory Show (1988) by Milton W. Brown, Walt Kuhn, Painter: His Life and Work (1978) by Philip Rhys Adams, and "Walt Kuhn" by Frank Getlein, in the 1967 catalog of the Kennedy Galleries, Inc.
Related Archival Materials note:
The Archives of American Art holds the papers of Walter Pach, the European representative of the Armory Show.
Provenance:
The Walt Kuhn Family papers and Armory Show records were loaned for microfilming and later donated to the Archives of American Art by Walt Kuhn's daughter Brenda Kuhn in several installments between 1962 and 1979. An additional accession of letters, photographs, and an artifact was purchased by the Archives in 2000. Another addition was donated by Terry DeLapp, Kuhn's dealer, in 2015.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Watercolorists -- New York (State) -- New York  Search this
Lithographers -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
New York school of art  Search this
Modernism (Art)  Search this
Genre/Form:
Drawings
Diaries
Scrapbooks
Sound recordings
Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhnwalt
See more items in:
Walt Kuhn Family papers and Armory Show records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhnwalt
Additional Online Media:

Meissen plate: one of a pair

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 10 1/8 in; 25.7175 cm
overall: 1 1/2 in x 10 1/4 in; 3.81 cm x 26.035 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1763-1764
1763-1764
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.78.428A
Catalog number:
78.428A
Collector/donor number:
5A
Accession number:
1978.2185
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_579865

Meissen plate: one of a pair

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 10 1/8 in; 25.7175 cm
overall: 1 9/16 in x 10 1/4 in; 3.96875 cm x 26.035 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1763-1764
1763-1764
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.78.428B
Catalog number:
78.428B
Collector/donor number:
5B
Accession number:
1978.2185
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_579873

Meissen mug

Maker:
Meissen Manufactory  Search this
Physical Description:
porcelain (overall material)
polychrome (overall color)
chinoiserie (overall style)
Measurements:
overall: 3 in; 7.62 cm
overall: 3 1/8 in x 3 5/8 in x 2 5/8 in; 7.9375 cm x 9.2075 cm x 6.6675 cm
Object Name:
mug
Place made:
Germany: Saxony, Meissen
Date made:
ca 1725-1735
1725-1735
Subject:
Manufacturing  Search this
ID Number:
CE.76.367
Catalog number:
76.367
Accession number:
1977.0166
Collector/donor number:
537
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1405644
Additional Online Media:

Meissen chinoiserie coffeepot and cover

Maker:
Meissen Manufactory  Search this
Physical Description:
gold (cover color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
chinoiserie (joint piece style)
"gold" (overall color)
black (overall color)
blue (overall color)
Measurements:
overall: 7 in; 17.78 cm
overall: 7 in x 5 5/16 in x 3 25/32 in; 17.78 cm x 13.5255 cm x 9.6139 cm
Object Name:
coffeepot
Place made:
Germany: Saxony, Meissen
Date made:
ca 1725-1730
1725-1730
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.76.363ab
Catalog number:
76.363ab
Collector/donor number:
563ab
Accession number:
1977.0166
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
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The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_572979
Additional Online Media:

Meissen chinoiserie coffeepot and cover

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
chinoiserie (joint piece style)
Measurements:
overall: 6 7/8 in; 17.4625 cm
overall: 6 7/8 in x 4 7/8 in x 3 5/8 in; 17.4625 cm x 12.3825 cm x 9.2075 cm
Object Name:
coffeepot
Place made:
Germany: Saxony, Meissen
Date made:
1725-1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.76.364ab
Catalog number:
76.364ab
Accession number:
1977.0166
Collector/donor number:
282ab
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_572985
Additional Online Media:

Meissen chinoiserie teapot and cover

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
metal, silver (overall material)
chinoiserie (joint piece style)
Measurements:
overall: 5 in; 12.7 cm
overall: 5 in x 6 7/8 in x 4 1/4 in; 12.7 cm x 17.4625 cm x 10.795 cm
Object Name:
teapot
Place made:
Germany: Saxony, Meissen
Date made:
ca 1725-1735
1725-1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.76.366ab
Catalog number:
76.366ab
Accession number:
1977.0166
Collector/donor number:
321ab
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_572986
Additional Online Media:

Meissen tea bowl and saucer

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (saucer color)
blue (tea bowl color)
polychrome (component surface decoration color name)
garden scenes with figures (joint piece description of decoration)
garden scenes with figures (overall description of decoration)
ceramic, porcelain, hard-paste (saucer material)
ceramic, porcelain, hard-paste (tea bowl material)
Measurements:
overall: bowl: 1 3/4 in; 4.445 cm
overall: saucer: 4 5/8 in; 11.7475 cm
overall tea bowl: 1 7/8 in x 3 in; 4.7625 cm x 7.62 cm
overall saucer: 1 in x 4 5/8 in; 2.54 cm x 11.7475 cm
Object Name:
bowl, tea
saucer
Place made:
Germany: Saxony, Meissen
Date made:
1725-1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.76.365ab
Catalog number:
76.365ab
Accession number:
1977.0166
Collector/donor number:
283ab
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_573251
Additional Online Media:

Meissen chinoiserie rinsing bowl

Maker:
Meissen Manufactory  Search this
Physical Description:
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
chinoiserie (joint piece style)
Measurements:
overall: 3 3/8 in x 7 in; 8.5725 cm x 17.78 cm
overall: 3 3/8 in x 7 in; 8.5725 cm x 17.78 cm
Object Name:
bowl
Date made:
ca 1723-1724
1723-1724
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.74.131
Catalog number:
74.131
Collector/donor number:
688
Accession number:
315259
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_572975
Additional Online Media:

Meissen Böttger porcelain tankard

Maker:
Meissen Manufactory  Search this
Physical Description:
monochrome, (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 6 7/8 in; 17.4625 cm
Object Name:
tankard
Place made:
Germany: Saxony, Meissen
Date made:
1713-1720
Credit Line:
Hans C. Syz Collection
ID Number:
CE.75.185
Catalog number:
75.185
Collector/donor number:
958
Accession number:
319073
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_574976

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
hard-paste porcelain (overall material)
polychrome enamels and gold (overall color)
European flowers (overall style)
Measurements:
overall: 9 1/2 in; 24.13 cm
overall: 1 3/4 in x 9 9/16 in; 4.445 cm x 24.28875 cm
Object Name:
plate, soup
Place made:
Germany: Saxony, Meissen
Date made:
ca 1760
1760
Subject:
Manufacturing  Search this
ID Number:
CE.63.247
Accession number:
250446
Catalog number:
63.247
Collector/donor number:
955
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1420085
Additional Online Media:

Meissen chinoiserie vase

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
ceramic, porcelain, hard-paste (overall material)
chinoiserie (joint piece style)
Measurements:
overall: 10 7/8 in; 27.6225 cm
overall: 10 3/4 in x 6 1/8 in x 6 1/8 in; 27.305 cm x 15.5575 cm x 15.5575 cm
Object Name:
vase
Place made:
Germany: Saxony, Meissen
Date made:
1730-1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.64.429
Catalog number:
64.429
Collector/donor number:
788
Accession number:
257835
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_574763
Additional Online Media:

Meissen chinoiserie tureen and cover

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
chinoiserie (joint piece style)
Measurements:
overall: 13 1/8 in x 15 in; 33.3375 cm x 38.1 cm
overall: 13 1/8 in x 14 5/8 in x 9 in; 33.3375 cm x 37.1475 cm x 22.86 cm
Object Name:
tureen
Place made:
Germany: Saxony, Meissen
Date made:
ca 1735-1736
1735-1736
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.65.390ab
Catalog number:
65.390ab
Collector/donor number:
734ab
Accession number:
262623
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Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_574960
Additional Online Media:

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 in; 22.86 cm
overall: 22.9 cm; 9 1/32 in
overall: 1 1/8 in x 9 1/8 in; 2.8575 cm x 23.1775 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
c.1750
1750
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.63.248
Catalog number:
63.248
Accession number:
250446
Collector/donor number:
214a
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_575012

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 3/8 in; 23.8125 cm
overall: 1 5/16 in x 9 7/16 in; 3.33375 cm x 23.97125 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
mid 18th century
1760
Credit Line:
Dr. Hans Syz
ID Number:
CE.63.245
Catalog number:
63.245
Collector/donor number:
440
Accession number:
250446
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_575013

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 1/4 in; 23.495 cm
overall: 1 1/8 in x 9 3/8 in; 2.8575 cm x 23.8125 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1763-1764
1763-1764
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.63.249
Catalog number:
63.249
Collector/donor number:
438
438a
Accession number:
250446
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_575022

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 1/4 in; 23.495 cm
overall: 1 1/2 in x 9 3/16 in; 3.81 cm x 23.33625 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
1740-1745
1750-1760
Subject:
Manufacturing  Search this
ID Number:
CE.63.243
Catalog number:
63.243
Accession number:
250446
Collector/donor number:
211
211a
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_575031

Meissen vase

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 8 5/8 in; 21.9075 cm
overall: 8 3/4 in x 5 in; 22.225 cm x 12.7 cm
Object Name:
vase
Place made:
Germany: Saxony, Meissen
Date made:
ca 1735
1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.64.427
Catalog number:
64.427
Accession number:
257835
Collector/donor number:
407
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_575382
Additional Online Media:

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 1/2 in; 24.13 cm
overall: 1 1/4 in x 9 1/2 in; 3.175 cm x 24.13 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1750
1750
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.63.242
Catalog number:
63.242
Accession number:
250446
Collector/donor number:
8
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_579870

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
blue (overall color)
polychrome (overall surface decoration color name)
ceramic, porcelain, hard-paste (overall material)
Measurements:
overall: 9 1/4 in; 23.495 cm
overall: 1 1/2 in x 9 3/8 in; 3.81 cm x 23.8125 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1740-1745
1740-1745
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
CE.245497.12
Catalog number:
245497.12
Accession number:
245497
Collector/donor number:
373
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_572908

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