Search Results

Author:

Driessen, Chris  Search this

Mierlo, Heidi van  Search this

Physical description:

143 p.: ill. (some col.) ; 28 cm

Type:

Exhibitions

Place:

China

Date:

1997

C1997

20th century

Topic:

Conceptual art  Search this

Installations (Art)  Search this

Art, Chinese--Foreign influences  Search this

Call number:

N7345 .A56 1997

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_652771

Artist:

Miguel Luciano, born San Juan, Puerto Rico 1972  Search this

Medium:

1952 Schwinn Phantom bicycles, flags

Dimensions:

overall: 120 × 40 × 32 in. (304.8 × 101.6 × 81.3 cm)

Type:

Installation Art

Date:

2017

Topic:

Architecture\vehicle\bicycle  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase made possible by Marianna and Juan A. Sabater

Copyright:

© 2017, Miguel Luciano. photo: Jason Wyche

Object number:

2020.25.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

On View:

Smithsonian American Art Museum, 3rd Floor, East Wing

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7dd719d7a-f3e3-45d0-b589-5ae818f3a2d6

EDAN-URL:

edanmdm:saam_2020.25.1

Artist:

Miguel Luciano, born San Juan, Puerto Rico 1972  Search this

Medium:

neon

Dimensions:

overall: 120 × 24 in. (304.8 × 61 cm)

Type:

Installation Art

Date:

2017

Topic:

Object\letter  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase made possible by Marianna and Juan A. Sabater

Copyright:

© 2017, Miguel Luciano. photo: Jason Wyche

Object number:

2020.25.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

On View:

Smithsonian American Art Museum, 3rd Floor, East Wing

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7db68276b-5831-43ba-ad7a-1d178ccab9bd

EDAN-URL:

edanmdm:saam_2020.25.2

Creator:

Kozloff, Joyce  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1969-circa 2010

Scope and Contents:

Photographs, slides, transparencies, and printed material includes announcements, brochures, and maps that feature or document the work of Joyce Kozloff, including her public space installations.

Biographical / Historical:

Joyce Kozloff is a painter and mosaic artist who was represented by the Gladstone Gallery in New York. Kozloff was born in 1942 in Somerville, New Jersey. She received a M.F.A. from Columbia University in 1967 and has taught at the School of Visual Arts in New York, the Art Institute of Chicago, Cooper Union (New York), and Rutgers University, and exhibited widely.

Provenance:

Donated 1996 by Barbara Gladstone, Barbara Gladstone Gallery, and in 2014 by Joyce Kozloff.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Mosaicists -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Topic:

Installations (Art)  Search this

Identifier:

AAA.barbglad

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw957d97cdc-5094-4c7d-bf50-bbd9db824f90

EDAN-URL:

ead_collection:sova-aaa-barbglad

Author:

Takeoka, Yuji 1946-  Search this

Württembergischer Kunstverein  Search this

Westfälischer Kunstverein  Search this

Subject:

Takeoka, Yuji 1946-  Search this

Physical description:

105 p. : ill. (some col.), ports. ; 24 x 29 cm

Type:

Exhibitions

Date:

1997

20th century

Topic:

Installations (Art)  Search this

Sculpture, Modern  Search this

Call number:

N7359.T34953 A4 1997

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_826376

Author:

Irvin, Sherri 1972-  Search this

Physical description:

1 online resource illustrations (black and white, and colour)

Type:

Electronic resources

Art criticism

Date:

2022

21st century

21e siècle

Topic:

Art, Modern--Themes, motives  Search this

Art, Modern--Philosophy  Search this

Art--Thèmes, motifs  Search this

Art--Philosophie  Search this

Call number:

N6497 .I78 2022 (Internet)

Restrictions & Rights:

1-user

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1163483

Collection Creator:

Allis-Chalmers  Search this

S. Morgan Smith Company  Search this

Container:

Box 73, Item UN 20

Type:

Archival materials

Negatives

Date:

undated

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

S. Morgan Smith Company Records, Archives Center, National Museum of American History

See more items in:

S. Morgan Smith Company Records

S. Morgan Smith Company Records / Series 3: Glass Plate Negatives

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88a4bbd2e-9960-4ea9-af6a-ac3a129bed78

EDAN-URL:

ead_component:sova-nmah-ac-1099-ref1864

Artist:

Gates, Theaster 1973-  Search this

Contributor:

Cahill, Zachary 1973-  Search this

Host institution:

Richard Gray Gallery  Search this

Physical description:

115 pages illustrations (chiefly color) 31 cm

Type:

Exhibitions

Catalogs

Expositions

Exhibition catalogs

catalogs (documents)

Catalogues d'exposition

Catalogues

Place:

United States

États-Unis

Date:

2019

21st century

21e siècle

Topic:

African American artists  Search this

African American painters  Search this

African American sculptors  Search this

Sculpture, Abstract  Search this

Painting, Abstract  Search this

Installations (Art)  Search this

African American art  Search this

Art, American  Search this

Art, Modern  Search this

Art and society  Search this

Artistes noirs américains  Search this

Peintres noirs américains  Search this

Sculpteurs noirs américains  Search this

Sculpture abstraite  Search this

Peinture abstraite  Search this

Art noir américain  Search this

Art américain  Search this

Art  Search this

Art et société  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1155265

Author:

Musée d'art moderne de la ville de Paris  Search this

Physical description:

144 p. : ill. (some col.) ; 22 cm

Type:

Exhibitions

Place:

United States

Date:

1995

C1995

20th century

Topic:

Art, American  Search this

Conceptual art  Search this

Installations (Art)  Search this

Call number:

N6512 .B39 1995

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_652313

Artist:

Nkanga, Otobong 1974-  Search this

Editor:

Trummer, Thomas 1967-  Search this

Issuing body:

Kunsthaus Bregenz  Search this

Physical description:

165 pages (some folded) color illustrations 31 cm

Type:

Exhibitions

Exhibition catalogs

Date:

2022

Topic:

Women artists, Black  Search this

Earthworks (Art)  Search this

Installations (Art)  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161316

Artist:

Christina Fernandez, born Los Angeles, CA 1965  Search this

Medium:

five gelatin silver prints, one chromogenic print, one inkjet print, and bilingual narrative

Dimensions:

dimensions variable

Type:

Installation Art

Date:

1995-1996

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Copyright:

© 1996, Christina Fernandez

Object number:

2012.11A-H

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk78cf538e1-a938-42b8-8ab3-51c5182687e8

EDAN-URL:

edanmdm:saam_2012.11A-H

Creator:

Berman, Eugene, 1899-1972  Search this

Names:

Berman, Leonid, 1896-1976  Search this

Lynes, Russell, 1910-1991  Search this

Ray, Man, 1890-1976  Search this

Photographer:

Galdi, Vincenzo  Search this

Gloeden, Wilhelm von, Baron, 1856-1931  Search this

Extent:

6.7 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Postcards

Notes

Place:

Italy -- Description and travel, Photographs

Mexico -- Description and travel, Photographs

Date:

1926-1975

Summary:

The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

Scope and Content Note:

The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

Notes include a booklet of photocopies of notes in Italian conerning miscellaneous art work, including prices. There are also scattered notes in French concerning miscellaneous topics.

Art work consists of miscellaneous sketches, primarily on the reverse sides of postcards, depicting human figures and architectural details, sometimes annotated in Russian and Italian.

Printed material includes clippings concerning Eugene and Leonid Berman's art work, exhibition announcements and catalogs, reproductions of art work by Berman, picture postcards, a ballet program, and a guide book for Grado, Italy.

Photographs comprise the largest series in this collection. Photographs of Eugene Berman include two by Russell Lynes. Photographs are also of Berman's wife, Ona Munson, unidentified colleagues, exhibition installations, art work executed by Berman between 1937 and 1948, and miscellaneous photographs of Italy including images by Vincenzo Galdi and Wilhelm von Gloeden. There are ten portfolios of photographs of Mexico, primarily taken by Berman, but Portfolios 1, 6, 9, and 10 include images photographed by Hugo Brehme. There are also commercially produced photographs of various scenes and art work primarily in Italy and Mexico, publicity photographs of ballet and opera performers, and two stereographs of novelty subjects.

Arrangement:

The collection is arranged as 5 series:

Missing Title

Series 1: Letters, 1926-1970 (Box 1, 8; 12 folders)

Series 2: Notes, 1944 (Box 1; 2 folders)

Series 3: Art Work, 1947 (Box 1; 2 folders)

Series 4: Printed Material, 1941-1975 (Box 1, 8; 1.5 linear feet)

Series 5: Photographs, 1933-1956 (Box, 2-9; 4.9 linear feet)

Biographical Note:

Eugene Berman (1899-1972) worked in New York City, Los Angeles, California, and Rome, Italy as a Neo-Romantic painter and designer of theatrical sets and costumes for opera and ballet productions.

Eugene Berman was born on November 4, 1899 in St. Petersburg, Russia, the son of Lydia and Gustav Berman, who died when Eugene was seven years old. His stepfather was a wealthy banker who paid for his education in Germany, Switzerland, and France. In 1918, the family fled to Paris to escape the Bolshevik Revolution.

While in Paris, Berman studied at the Academie Ranson from 1920 to 1922, under Pierre Bonnard, Edouard Vuillard, and Félix Valloton. With his brother Leonid, Berman joined a group of painters who became known as Neo-Romantics whose paintings were of melancholy dreamlike scenes with mournful figures, defying the prevalent abstract movements in art. By the late 1920s, Berman was beginning to successfully sell his paintings and after meeting American gallery owner Julian Levy, he was offered an exhibition in New York. Berman continued to exhibit at the Julian Levy Gallery from 1929 to 1947.

In 1935, Eugene and Leonid Berman became war refugees and came to New York City. Eugene Berman designed covers for fashionable publications and by 1937, he was painting murals in private residences and designing sets and costumes for opera and ballet performances including those at the Metropolitan Opera.

Berman moved to California in 1938, settling in Los Angeles, and continued to paint murals and design for the theater. He became an American citizen in 1944. Between 1947 and 1949, he received Guggenheim Fellowships to obtain background images from the Southwest United States and Mexico for use in his art work. Berman married actress Ona Munson in 1949.

Two years after his wife's suicide in 1955, Berman moved to Rome, Italy where he continued to paint and design sets for the theater.

Eugene Berman died on December 14, 1972 in Rome, Italy.

Provenance:

The Eugene Berman papers were donated by the artist's sister-in-law, Sylvia Marlowe Berman, in 1978.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- Los Angeles  Search this

Topic:

Painters -- Italy -- Rome  Search this

Painters -- New York (State) -- New York  Search this

Set Designers  Search this

Graphic artists  Search this

Genre/Form:

Sketches

Postcards

Notes

Citation:

Eugene Berman papers, 1926-1975. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bermeuge

See more items in:

Eugene Berman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw946e567d0-f447-484c-a3c1-689ae12ff3d9

EDAN-URL:

ead_collection:sova-aaa-bermeuge

Interviewee:

Wangechi Mutu  Search this

Báez, Firelei 1980-  Search this

Williams, Kandis 1985-  Search this

Williams, Kiyan  Search this

Writer of foreword:

Phillips, Lisa 1954-  Search this

Writer of supplementary textual content:

Mahon, Maureen  Search this

Owuor, Yvonne Adhiambo  Search this

Campt, Tina 1964-  Search this

Moderator:

Adusei-Poku, Nana  Search this

Interviewer:

Norton, Margot  Search this

Crockett, Vivian  Search this

Editor:

Stephenson, Sarah (Editor),)  Search this

Host institution:

Museum of Modern Art (New York, N.Y.),.)  Search this

Physical description:

247 pages illustrations 31 cm

Type:

Exhibitions

Interviews

Exhibition catalogs

Date:

2023

20th century

21st century

Topic:

Sculpture  Search this

Collage  Search this

Feminism in art  Search this

Afrofuturism--In art  Search this

Site-specific installations (Art)  Search this

African American women artists  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161086

Author:

Koh, Terence 1977-  Search this

Ruf, Beatrix  Search this

Momin, Shamim 1973-  Search this

Kunsthalle Zürich  Search this

Whitney Museum of American Art  Search this

Subject:

Koh, Terence 1977-  Search this

Physical description:

1 v. (unpaged) : ill ; 28 cm

Type:

Exhibitions

Place:

United States

Date:

2007

C2007

Topic:

Installations (Art)  Search this

Death in art  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_826971

Interviewee:

Booker, Chakaia 1953-  Search this

Interviewer:

Gartenfeld, Alex  Search this

Contributor:

Seidel, Stephanie  Search this

Gilbert, Erin Jenoa  Search this

D'Souza, Aruna  Search this

Host institution:

Institute of Contemporary Art, Miami  Search this

Physical description:

191 pages illustrations (chiefly color), portraits 31 cm

Type:

Books

Exhibitions

Exhibition catalogs

Date:

2022

21st century

Topic:

Sculpture, Modern  Search this

Installations (Art)  Search this

Rubber--In art  Search this

Ecology in art  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160274

Collection Creator:

Berman, Eugene, 1899-1972  Search this

Extent:

4.9 Linear feet (Box, 2-9)

(Box, 2-9; 4.9 linear feet)

Type:

Archival materials

Date:

1933-1956

Scope and Contents note:

Photographs are of Eugene Berman (including ones taken by Russell Lynes), his wife, colleagues, exhibition installations, art work, and various travel locations. There are also commercially produced photographs of various scenes and art work primarily in Italy and Mexico, publicity photographs of ballet and opera performers, and stereographs of novelty subjects.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Eugene Berman papers, 1926-1975. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bermeuge, Series 5

See more items in:

Eugene Berman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bbaaf28c-c506-4ad2-b5ee-0f77b337cd12

EDAN-URL:

ead_component:sova-aaa-bermeuge-ref63

Creator:

Bliss, Anna Campbell  Search this

Extent:

3.8 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

circa 1948-2015

Summary:

The papers of Anna Campbell Bliss measure 3.8 linear feet and date from circa 1948-2015. The papers document Bliss' career as an artist and architect along with Bliss' involvement with several professional organizations and time spent giving color theory lectures. Materials in this collection include biographical material, correspondence, exhibition files, and personal business files which document Bliss' financial, project and studio files. Also found are printed materials, and photographic materials.

Scope and Contents:

The papers of Anna Campbell Bliss measure 3.8 linear feet and date from circa 1948-2015. The papers document Bliss' career as an architect and artist along with Bliss' involvement with several professional organizations and time spent giving color theory lectures. Materials in this collection include biographical material, correspondence, exhibition files, and personal business files which document Bliss' financial, project and studio files. Also found are printed materials, and photographic materials. Biographical material contains curriculum vitaes, a student ID from the University of Studies in Florence and interviews with Bliss. Correspondence is both personal and professional in nature and documents Bliss' relationships with friends, other artists, museums, universities, and organizations such as the National Endowment for the Arts. Notable correspondence includes Jan van der Marck, Jo Hansen, Gyorgy Kepes and Anni and Josef Albers. The writings series documents Bliss' career through narrative statements on her career, notes and outlines for color theory lectures and workshops as well as an essay on color for Utah Architect magazine, 1967. Exhibition Files document several exhibitions that Bliss participated in, namely in Salt Lake City and Utah at large.

Personal Business document financial, studio and project records. Financial records include price lists, grant and fellowship proposals and Bliss' involvement in supporting professional organizations. Projects document Bliss' career outside of exhibitions including documentary DVD on Bliss titled Arc of Light: A Portrait of Anna Campbell Bliss and the studio records contain an administrative file Bliss compiled as a comprehensive snapshot of her career. Also found are compiled materials on paint colors, framing schematics and software registration records. Printed material includes exhibition announcements, flyers, catalogs and postcards of her digital artwork. Also included are news clippings, and magazine articles about Bliss as well as the Utah art and architecture scene and compiled exhibition material related to Joseph Albers. Of note is a copy of Labyrinths of The Mind, an editioned accordion book with a wooden cover containing mixed media art. Photographic material consists of professional photographs and snap shots of Bliss, her husband and their friends over the years a long with snapshots of travel and the building Bliss transformed into her studio. Also found are photographs, slides and negative of Bliss' artwork and exhibitions along with a small amount of slides that show travel and home interiors.

Arrangement:

The collection is arranged as seven series.

Series 1: Biographical Material, 1951-2012 (4 Folders: Box 1)

Series 2: Correspondence, 1962-2012 (1.4 Linear feet: Box 1-2)

Series 3: Writings, circa 1951-2015 (7 Folders: Box 2)

Series 4: Exhibition Files, 1951-2012 (0.4 Linear feet: Box 2)

Series 5: Personal Business, 1956-2013 (1 Linear foot: Box 2-4)

Series 6: Printed Material, 1951-2014 (0.4 Linear feet: Box 4)

Series 7: Photographic Material, circa 1948-2010 (0.4 Linear feet: Box 4-5)

Biographical / Historical:

Anna Campbell Bliss (1925-2015) was an architect, painter, printmaker, and installation artist in Salt Lake City, Utah. Originally from Morristown, New Jersey, Bliss graduated from Wellesley College with a bachelor's degree in art history and mathematics in 1946, followed by a master's degree in architecture from Harvard University in 1950. She also studied color theory and design with Gyorgy Kepes at M.I.T and Josef Albers in Minnesota. While in Minnesota, Bliss and her husband Robert Bliss established their own architectural firm: Bliss and Campbell Architects, a business they brought with them to Salt Lake City when Robert Bliss was hired as the dean of the Department of Architecture at the University of Utah. While in Salt Lake City, Anna Campbell Bliss continued to learn and incorporate new techniques including screen printing and computer programming into her practice. Bliss was also heavily influenced by the Bauhaus movement.

Blending color theory with her architectural and mathematics background, Bliss juxtaposed complementary colors to create optical vibrations and large architectural installations. Throughout her career Bliss displayed her work in several solo and group exhibitions across the country and her work can be found in many collections including that of the Metropolitan Museum of Art, New York; Utah Museum of Fine Arts, Salt Lake City; and the National Building Museum, Washington D.C.

Provenance:

Donated in 2016 by Robert Bliss, Bliss' husband.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architects -- Utah  Search this

Painters -- Utah  Search this

Printmakers -- Utah  Search this

Topic:

Installations (Art)  Search this

Genre/Form:

Scrapbooks

Citation:

Anna Campbell Bliss papers, circa 1948-2015. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.blisanna

See more items in:

Anna Campbell Bliss papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94f692f85-31d6-46c4-8c19-4c03f0731214

EDAN-URL:

ead_collection:sova-aaa-blisanna

Author:

Luong, Elise  Search this

Poucke, Bjørn van  Search this

Physical description:

272 pages color illustrations 28 cm

Type:

Books

Place:

21st century

Date:

2016

21st century

21e siècle

Topic:

Street art  Search this

Art, Modern  Search this

Mural painting and decoration  Search this

Art dans la rue  Search this

Art  Search this

street art  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160173

Artist:

María Magdalena Campos-Pons, born La Vega, Province of Matanzas, Cuba 1959  Search this

Medium:

marble, wood, glass, soil, and color prints of black and white film transferred to canvas

Dimensions:

dimensions variable

Type:

Installation Art

Date:

1991

Credit Line:

Smithsonian American Art Museum, Museum purchase in part through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 2022, María Magdalena Campos-Pons

Object number:

2022.62A-P

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70db98094-7b93-4f44-909d-07a579ee02a1

EDAN-URL:

edanmdm:saam_2022.62A-P

Creator:

Anacostia Community Museum  Search this

Names:

Anacostia Museum and Center for African American History and Culture  Search this

Willis, Deborah, 1948-  Search this

Extent:

1.25 Linear feet (3 boxes)

Type:

Collection descriptions

Archival materials

Photocopies

Exhibition records

Photographic prints

Slides (photographs)

Exhibit scripts

Correspondence

Brochures

Date:

1998

Summary:

An exhibition of sculpture and installation art featuring eight women artists, the show sought to decode the social imagery of black women's representation and experiences. Curated by Deborah Willis, the exhibit was organized by the Anacostia Museum and Center for African American History and Culture and held at the Smithsonian Arts and Industries Building, South Gallery from April 13, 1998 to September 30, 1998. Artist featured included: Denise Ward Brown, Beverly Buchanan, Carole Byard, Rashida Ferndinand, Kira Lynn Harris, Valerie Maynard, and Renée Stout, and Eve Sandler.

Scope and Contents note:

These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, exhibit scripts, research files, artist lists, administrative records, exhibit layouts and brochures.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Topic:

African American artists  Search this

African American women artists  Search this

Genre/Form:

Photocopies

Exhibition records -- 1990-2004

Photographic prints

Slides (photographs)

Exhibit scripts

Correspondence

Brochures

Citation:

Resonant Forms: Contemporary African American Women Sculptors exhibition records, Anacostia Community Museum Archives, Smithsonian Institution

Identifier:

ACMA.03-006

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa79d94d675-c764-4927-ad6e-a0100f70cff9

EDAN-URL:

ead_collection:sova-acma-03-006