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Edward McKnight Kauffer collection

Topic:
Brighton warp and weft
Seventeen
Advertiser's weekly
Australasian
Creator:
Kauffer, E. McKnight (Edward McKnight), 1890-1954  Search this
Names:
American Airlines  Search this
American Silk Mills  Search this
Brighton (Firm)  Search this
British Federation of Master Printers  Search this
British Institute of Industrial Art  Search this
British South American Airways  Search this
Container Corporation of America  Search this
Cooper-Hewitt Design Archive  Search this
Imperial Airways  Search this
London Underground Limited  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Aid Society  Search this
New York (State). Metropolitan Transportation Authority  Search this
Pan American World Airways, Inc.  Search this
Victoria and Albert Museum  Search this
Beddington, Jack  Search this
Dorn, Marion, 1896-1964  Search this
Ehrlich, Grace  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fry, Roger Eliot, 1866-1934  Search this
Haworth-Booth, Mark.  Search this
Huxley, Aldous, 1894-1963  Search this
Kauffer, E. McKnight (Edward McKnight), 1890-1954  Search this
Moore, Marianne, 1887-1972  Search this
Pick, Frank, 1878-1941  Search this
Symon, D. E. (David E.)  Search this
Waldman, Bernard.  Search this
Extent:
3 Cubic feet
Type:
Archival materials
Collection descriptions
Clippings
Awards
Correspondence
Writings
Posters
Drafts (documents)
Announcements
Obituaries
Calendars
Negatives
Photographs
Sketches
Reviews
Date:
1915-1954
Summary:
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.
Arrangement note:
Unprocessed; The archive material consists of sketches, posters, manuscript leaves, photographs, clippings, and other related items that document Mr. Kauffer's career from 1915-1954.
Biographical/Historical note:
Edward McKnight Kauffer (1891-1954) was born at Great Falls, Montana. He grew up in the small town of Evansville on the Ohio River in Indiana, where the Kauffer grandparents had settled. After the divorce of his parents, he spent two years in an orphanage. By the age of four or five he had begun to draw. His mother remarried in 1899. Kauffer left school at the age of 12 or 13 to be helper to the scene painter in the City Directory.

In the Elder Bookshop and Art Rooms in San Francisco Kauffer acquired not only a speaking voice of marked attractiveness and distinction but also a life-long passion for books. He continued his studies as a painter by receiving his first formal training at evening sessions at the Mark Hopkins Institute. He met Professor McKnight, who became his patron; in homage to him Kauffer adopted the name of McKnight. A small exhibition of Kauffer's paintings was held at the Elder Art Rooms. He also studied at the Chicago Art Institute, and in Munich and Paris, and started his career as a theatrical scene painter. He was returning from Germany to this country in 1914 and was in London when World War I broke out.

In 1914 Kauffer would marry American Pianist, Grace Ehrlich and they would have a daughter. In 1921 Kauffer would move to New York City leaving his wife and daughter. In the spring of 1922 Kauffer returned to London with Marion Dorn, American textile designer. They would stay in London just prior to the beginning of World War II when they would return once again to New York. They would eventually marry in 1950.

In the Twenties in London, he went to work in a soldiers' canteen and began designing posters for the London Underground Railway in his spare time. His posters were so strikingly successful that he soon got further orders, and built up a reputation in his field. The posters would indicate to the war-weary British the normal resumption of public transportation. The posters made history in art circles and have been regarded ever since as revolutionary concepts of art-cum industry. A 1926 exhibition given at the Ashmolean Museum at Oxford furthered Kauffers notoriety.

His recognition in America began in 1937, when the Museum of Modern Art presented his work in its first one-man show ever given to an American poster designer. He returned to this country to live in 1940. While Kauffer was widely recognized abroad and the MOMA show brought attention, very few Americans knew of him and fewer advertisers were willing to accept the poster as an art form. His clients, since his return to America have included the National Red Cross, American Airlines, the New York Subways, Ringling Brothers Circus, the Container Corporation of America, the American Silk Mills and many others.

Kauffer was among the first in the early Twenties to respond to the impact of modern art, particularly the work of the cubist painters Picasso and Braque. The influence of cubism can be seen in his posters and was the basis of his dynamic geometrical style. The emphatic angular forms of Kauffer's posters shocked the public into attention. His artistry, and in particular his color sense, held that attention and, in a few short years just after the First World War, laid the foundations of his reputation as a designer, not only among the leading business men of the time, but particularly among critics and art students. T.S. Eliot, a friend of Kauffer's, describes his marriage of the public and modern art, "He did something for modern art with the public as well as doing something for the public with modern art."

In addition to his involvement in advertising, Kauffer was a book illustrator as well illustrating editions of many classics, including Burton's "Anatomy of Melancholy," Cervantes' "Don Quixote," Carl Van Vechten's "Nigger Heaven," and works by Herman Melville, T.S. Eliot, Arnold Bennett, Lord Birkenhead and others.

His work is represented in the South Kensington Museum in London and in the Corcoran Art Gallery in Washington, and there are examples of it also in the Victoria and Albert Museum, London, and in Milan. He edited a survey, The Art of the Poster, in 1934. He was a Fellow of the British Institute of Industrial Art and a member of the Council for Art and Industry. When the Royal Society of Arts established its high diploma of R.D.I. (Designer for Industry) in 1937 he was ineligible as a foreigner, but was granted honorary status. He was asked to be Honorary Advisor to the Department of Public Information for the United Nations. He was Advisory Council for the Victoria and Albert Museum. His biography appears in the English "Who's Who" and in the American "Who's Who", as well as in the Columbia Encyclopedia.

Kauffer began to lose interest in the New York advertising scene. A friend of his said that he chose to kill himself with drink. He continued to work to the end, almost obsessively. Kauffer died on 22 October 1954.
Provenance:
All materials were donated to the museum by Grace Schulman in 1997.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Theater designers -- United States  Search this
Illustrators -- Great Britain  Search this
Illustrators -- United States  Search this
Draftsmen (artists) -- Great Britain  Search this
Draftsmen (artists) -- United States  Search this
Topic:
Theaters -- Stage-setting and scenery -- History -- 20th century -- Sources  Search this
Graphic arts -- History -- 20th century -- Sources  Search this
Illustration of books -- 20th century -- Sources  Search this
Genre/Form:
Clippings
Awards
Correspondence
Writings
Posters
Drafts (documents)
Announcements
Obituaries
Calendars
Negatives
Photographs
Sketches
Reviews
Identifier:
SIL-CH.1997-134-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1997-134-1

Posters by E. McKnight Kauffer; with notes by E. McKnight Kauffer and a foreword by Aldous Huxley

Event place:
Museum of Modern Art (New York, N.Y.)  Search this
Compiler:
Kauffer, E. McKnight (Edward McKnight) 1890-1954  Search this
Director:
Fantl, Ernestine Mary 1907-  Search this
Writer of preface:
Huxley, Aldous 1894-1963  Search this
Printer:
Spiral Press  Search this
Subject:
Kauffer, E. McKnight (Edward McKnight) 1890-1954  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Physical description:
[24] pages illustrations 26 cm, in envelope 27 cm
Type:
Catalogs
Exhibitions
Exhibition catalogs
Date:
1937
Topic:
Posters  Search this
Call number:
NC1850.K3 N4X 1937
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095760

Institute of Contemporary Arts records

Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Names:
Meridian House Foundation  Search this
People-to-People (Organization)  Search this
United States. Veterans Administration  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Copland, Aaron, 1900-1990  Search this
Cummings, E. E. (Edward Estlin), 1894-1962  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fangor, Wojciech, 1922-  Search this
Gabo, Naum, 1890-1977  Search this
Giampietro, Alexander  Search this
Gordimer, Nadine  Search this
Graves, Robert, 1895-1985  Search this
Gropius, Walter, 1883-1969  Search this
Hawkins, Erick  Search this
Huxley, Aldous, 1894-1963  Search this
Jahn, Janheinz  Search this
Phillips, Duncan, 1886-1966  Search this
Raine, Kathleen, 1908-2003  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richman, Robert  Search this
Richter, Hans, 1888-1976  Search this
Sage, Kay  Search this
Tanguy, Yves, 1900-1955  Search this
Williams, William Carlos, 1883-1963  Search this
Extent:
36 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
School records
Date:
1927-circa 1985
bulk 1947-1967
Summary:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Scope and Contents:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

Robert Richman's professional and personal relationships with numerous artists and writers which the ICA hosted in D.C. are documented in Correspondence and Artists' Files. Correspondence files include letters from Joseph and Anni Albers, Alfred Barr, e.e. cummings, Alexander Giampietro, Naum Gabo, Walter Gropius, Erick Hawkins, Duncan Phillips, Hans Richter, Kay Sage and Yves Tanguy, and William Carlos Williams. Also found is correspondence with benefactors, board members, and arts organizations regarding exhibitions and administrative details; and with teachers and the Veteran's Administration regarding school issues.

Artists' Files contains mostly incoming and outgoing correspondence, but also found are biographies, exhibition printed materials, handwritten notes, newspaper clippings and scattered portrait photographs. Of interest are files on Aaron Copland, e.e. cummings, T.S. Eliot, Wojciech Fangor, Nadine Gordimer, Robert Graves, Aldous Huxley, Janheinz Jahn, Kathleen Raine, and Sir Herbert Read.

In addition to Correspondence and Artists' Files, materials regarding ICA's programming, such as correspondence with artists and galleries, press releases, shipping records, financial records, printed materials, photographs, inventory and price lists, are found in ICA Program Files.

The ICA and Robert Richman collaborated with numerous arts and international exchange organizations to organize exhibitions, performances, symposium, and to host visiting artists. Materials regarding such collaborations are found in Organizations and includes correspondence, scattered financial records, notes, and printed materials such as bulletins, brochures, schedules, reports, and press releases. This series also includes substantial material related to the Fine Arts Committee of the People-to-People Program, an international exchange initiative of President Dwight D. Eisenhower begun in 1956.

The school's records include correspondence, notebooks (attendance books), teacher files documenting classes and grades, extensive student files and student enrollment cards, mailing lists, class cards, and notes for classes taught by Robert Richman.

Administrative and Financial Files include accounting and banking records, budgets, founding documents, fundraising records, grants records, mailing lists, membership lists, and Meridian House Foundation records.

ICA's programs are also documented by comprehensive printed materials arranged by ICA seasons, 1947-1967. Printed materials include program calendars, exhibition announcements, invitations, membership forms, and press releases. Also found are newspaper clippings and three oversized clippings scrapbooks.

Photographs include black and white photographs and negatives of people, most of whom are unidentified. Robert Richman's personal papers includes personal correspondence, correspondence related to "New Republic," handwritten and typed writings, some bills, and his curriculum vitae.

Unrepresented in this collection are records of ICA's ICONART Collection (Contemporary Arts Archives), an archive of films and tapes of artists' performances, lectures and events held by ICA.
Arrangement:
The collection is arranged as 9 series.

Series 1: Correspondence, 1937, 1944-1980 (2.7 linear feet; Boxes 1-3)

Series 2: Artists' Files, 1943-1967, 1970-1979 (4.9 linear feet; Boxes 3-8)

Series 3: ICA Program Files, circa 1947-1968 (5.2 linear feet; Boxes 8-13, 27)

Series 4: Organizations, 1927, 1940s-1967 (7.3 linear feet; Boxes 13-20, OV 39)

Series 5: ICA School Files, 1945-1953 (7.0 linear feet; Boxes 21-27)

Series 6: Administrative and Financial Files, 1945-1979, 1983 (5.2 linear feet; Boxes 28-33, 38)

Series 7: Printed Materials, 1945-1970 (2.9 linear feet; Boxes 33-35, 38)

Series 8: Photographs, circa 1930s-1960s, circa 1985 (0.4 linear feet; Boxes 35-36)

Series 9: Personal Papers of Robert Richman, 1940s-1980 (0.4 linear feet; Boxes 36-37)
Biographical / Historical:
The Washington, D.C. arts and educational organization, Institute of Contemporary Arts (ICA), was founded by poet Robert Richman in 1947 to bring arts and culture to the nation's capital. The school, originally named the King-Smith School of Creative Arts, was redesigned and renamed Institute of Contemporary Arts by Richman in 1948. The school's philosophy was based on Sir Herbert Read's Education Through Art, and provided professional training in painting, sculpture, literature, music, and theater. In addition, the ICA operated an evening school and brought prominent artists and literary figures to the nation's capital for exhibitions, concerts, workshops, lectures, readings, and performances. Teachers at the school included potter Alexander Giampietro, sculptor David Aaron, designers Beatrice Takeuchi and Hubert Leckie, and painter Kenneth Noland.

The school closed in August 1951, but the ICA continued to provide an impressive roster of programs and performances held at the Corcoran Gallery of Art and other D.C. institutions, such as exhibitions by Naum Gabo, Bernard Leach, Isamu Noguchi, and Hans Richter; readings by W.H. Auden, T.S. Eliot, Katherine Anne Porter, and Dylan Thomas; lectures by Charles Eames, Aldous Huxley, Octavio Paz, and Frank Lloyd Wright; and performances by Aaron Copland, Paul Hindemith, José Limón Dance Company, and Ravi Shankar. The organization also sponsored visiting professorships for international artists and writers, such as Nadine Gordimer, and hosted an annual Congress of Artists and Writers from 1959-1964.

In the late 1950s and early 1960s, the ICA was successful in securing some large grants to continue and expand its programming and to secure permanent space at the Meridian House Foundation. However, by the late 1960s the organization's programming declined.

ICA founder Robert Richman was a poet and literary editor at New Republic magazine in the early 1950s. He was active in the arts community in D.C. and in international exchange organizations, including the Fine Arts Committee of the People-to-People Project, an initiative started by President Dwight D. Eisenhower in the late 1950s. Robert Richman passed away in 1987.
Provenance:
The Institute of Contemporary Arts records were donated by Maida Richman, the wife of the ICA's founder, Robert Richman, in 1986.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Societies, etc. -- Washington (D.C.)  Search this
Genre/Form:
Scrapbooks
Photographs
School records
Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-instcona
Additional Online Media:

Two or three graces : and other stories / by Aldous Huxley

Title:
2 or 3 graces
Author:
Huxley, Aldous 1894-1963  Search this
Physical description:
301 pages ; 20 cm
Type:
Books
Date:
1926
[©1926]
20th century
Topic:
Short stories, English  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1078171

William H. Sheldon Papers 1920s-1980s

Creator:
Sheldon, William Herbert  Search this
Elderkin, Roland D  Search this
Paschal, Dorothy  Search this
Hartl, Emil  Search this
Monnelly, Edward P  Search this
University of California Institute of Child Development  Search this
Institute of Child Development University of California, Berkeley Photographs  Search this
Gesell Institute  Search this
Correspondent:
Alpert, Sherry L  Search this
Ames, Louise Bates  Search this
Ansley, Hudson  Search this
Bischof, L.J  Search this
Barnhouse, Ruth  Search this
Beach, Priscilla Alden  Search this
Bowerman, W.G  Search this
Bradley, Stanley E  Search this
Brandon, Mary  Search this
Breen, Walter  Search this
Burgess, E.W  Search this
Butterfield, Victor L  Search this
Carter, J.E. Lindsay  Search this
Chaplin, Stephen  Search this
Child, Irvin L  Search this
Clarke, H. Harrison  Search this
Clausen, John A  Search this
Coffin, Thomas E  Search this
Cortes, John B  Search this
Craddick, Ray A  Search this
Cressman, Luther Sheeleigh  Search this
Damon, Albert  Search this
Dobzhansky, Theodosius  Search this
Dalrymple, Willard  Search this
DeBoer, Lawrence P  Search this
Darnall, Eric  Search this
Dupertuis, C. Wesley  Search this
Ellenberger, Henri F  Search this
Eaton, Joseph W  Search this
Fletcher, Joseph  Search this
Glueck, Eleanor T  Search this
Haronian, Frank  Search this
Heston, W.E  Search this
Hoge, Dean R  Search this
Hopkins, Carl E  Search this
Howells, W.W  Search this
Heath, Barbara Honeyman  Search this
Humphreys, Edward J  Search this
Huxley, Aldous 1894-1963  Search this
Huxley, Laura  Search this
Ilg, Francis  Search this
Kretschmer, Ernst  Search this
Krogman, Wilton Marion  Search this
Kline, Nathan S  Search this
Keleman, Stanley  Search this
Kent, Ian  Search this
Inna, Ida  Search this
Lagey, Joseph C  Search this
Lewis, Ned  Search this
Larson, Leonard A  Search this
Lindsey, Gardner  Search this
Lo-Piccolo, Joseph  Search this
Louis, Howard P  Search this
Martin, John B  Search this
Maslow, Abraham  Search this
Maslow, Bertha  Search this
McCloy, C.H  Search this
McKusak, Victor A  Search this
Merriman, J.E  Search this
Morris, Charles  Search this
Morse, Wayne  Search this
Mumford, Lewis  Search this
Niederman, James Corson  Search this
O'Connor, Lim  Search this
Oka, Seishi  Search this
Olds, Glenn A  Search this
Olson, E.D  Search this
Osborne, Richard H (Richard Hazelet)  Search this
Osmond, Humphrey  Search this
Packard, Vance  Search this
Page, Melvin E  Search this
Paschal, Guy  Search this
Pearl, Raymond  Search this
Pearson, Tony  Search this
Porter, Ann Humber  Search this
Ross, William D  Search this
Rogers, Frederick Rand  Search this
Saltus, Carol  Search this
Schlegel, Richard  Search this
Shore, James H  Search this
Stevens, Didi  Search this
Swengle, E.M  Search this
Steele, Henry  Search this
Sheldon, Israel  Search this
Stevens, Stanley Smith  Search this
Tanner, James L. 1941-  Search this
Tenney, Ashton Munroe  Search this
Thompson, Warren H  Search this
Trotter, Francille  Search this
Tucker, William B  Search this
Walker, Richard N  Search this
Wallace, Henry A  Search this
Weitzman, Ellis  Search this
Wyland, Hugh C  Search this
Yochelson, Samuel  Search this
Physical description:
ca. 120 feet
Type:
Photographs
Collection descriptions
Date:
1920s-1980s
Topic:
Physical anthropology--growth studies  Search this
Physical anthropology--constitutional studies  Search this
Restrictions & Rights:
The collection has restrictions. Contact the repository for terms of use and access
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_2247

Aldous Huxley presents Madrigals of Gesualdo [sound recording]

Performer:
Huxley, Aldous 1894-1963  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Type:
Musical sound recordings
Date:
1956
Topic:
Music  Search this
Local number:
FW-ASCH-LP-2162
Sunset 600
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_315704

Words and their meanings

Author:
Huxley, Aldous 1894-1963  Search this
Physical description:
28 p. 24 cm
Type:
Books
Date:
1940
[c1940]
Topic:
Meaning (Psychology)  Search this
Psycholinguistics  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_813805

They still draw pictures! A collection of 60 drawings made by Spanish children during the war; introduction by Aldous Huxley

Author:
Huxley, Aldous 1894-1963  Search this
Physical description:
2 p. l., 4-71 numb. l., 1 l. incl. 60 pl. 23 cm
Type:
Books
Pictorial works
Place:
Spain
Date:
1938
Civil War, 1936-1939
Topic:
Child artists  Search this
History  Search this
Call number:
N352 .T5 1938X
N352.T5 1938X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_401030

Between the wars : essays and letters / Aldous Huxley ; edited by David Bradshaw

Author:
Huxley, Aldous 1894-1963  Search this
Bradshaw, David 1955-  Search this
Subject:
Huxley, Aldous 1894-1963 Correspondence  Search this
Physical description:
xxvi, 255 p. ; 22 cm
Type:
Books
Place:
Great Britain
Date:
1994
20th century
George V, 1910-1936
George VI, 1936-1952
Topic:
Authors, English--Correspondence  Search this
History  Search this
Sources  Search this
Call number:
CT275.H9875 A1 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_468058

The elder Peter Bruegel, 1528(?)-1569, with an essay by Aldous Huxley and a note by Jean Videpoche [pseud.]

Author:
Huxley, Aldous 1894-1963  Search this
Alexander, Herbert Mortimer 1910-  Search this
Subject:
Bruegel, Pieter approximately 1525-1569  Search this
Physical description:
55 p. plates (part col.) 24 cm
Type:
Books
Date:
1938
Call number:
N40.1.B88 H9
N40.1.B88H9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_258845

Collected essays / by Aldous Huxley

Author:
Huxley, Aldous 1894-1963  Search this
Physical description:
xiii, 399 p. ; 18 cm
Type:
Books
Date:
1960
Call number:
PR6015.U9 A16 1960
PR6015.U9A16 1960
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_187946

The complete etchings of Goya, with a foreword by Aldous Huxley

Author:
Goya, Francisco 1746-1828  Search this
Huxley, Aldous 1894-1963  Search this
Physical description:
16, [23] p. 234 pl. on 118 l. 31 x 24 cm
Type:
Books
Date:
1943
[1943]
Call number:
N40.1.G72y H9
N40.1.G72yH9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_34182

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