Hierin̄ sind begriffen vier Bücher von menschlicher Proportion durch Albrechten Dürer von Nürenberg erfunden und beschriben, zu Nutz allen denen, so zu diser Lunst Lieb tragen
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
Prints are of line drawings of the human form as a whole and in parts, some with measurements, to be used as a guide to drawing the human body.
Publication, Distribution, Etc. (Imprint):
London : Printed for Laurie & Whittle, [175-].
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
A video composed of five segments on Bauer and his body cast sculptures and shows. The segments are titled on the cassette label: Exhibition tape; "Body Casts" Solo @ Gregory Ghent; 1st Photo Session, Model- Albert; Making of Mold for CRUCIFORM V; and Making of Mold for CRUCIFORM IV. Also included is a duplicate video cassette "The Cave of Making". "Exhibition tape" is footage from the television program "Eye on Hollywood," and is filmed at the Ankrum Gallery in Los Angeles during Bauer's exhibition [1984], and shows a body cast on the program's host. "'Body Casts', Solo" is of Bauer's one man show at the Gregory Ghent Gallery in San Francisco [1984]. The remainder are of Bauer preparing and working on molds in his studio, ca. 1984.
0.4 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1914-1961
Scope and Contents:
Writings, photographs, sketches, printed material, and letters.
REEL 98: Autobiographical sketch; exhibition catalogs; clippings about Sanders; pencil sketches, photographs of Sanders and his work; and three printed essays by Sanders, COSMOGONY, THE PRINCIPLE OF ALTOFORM, and THE THEORY OF ALTOFORM.
REEL 284: Letters from Fred Hovey Allen, art commissioner of the Hotel Majestic in New York City arranging for a hotel sculpture studio for Sanders; letters from an early art patron, Harriet Bishop Lanier; copies of THE THEORY OF ALTOFORM and THE PRINCIPLES OF ALTOFORM; sketches; photographs; and clippings.
UNMICROFILMED: Photographs of Sanders's works; sketches; pamphlets on the theory of altoform; clippings; and miscellaneous printed materials.
Biographical / Historical:
Sculptor, writer; New York City. Sanders's theory of altoform explains the reason for elongation of the human figure in art, particularly American.
Provenance:
Donated 1971-1972 by Sanders.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York Search this
Sculptors -- New York (State) -- New York -- Interviews Search this
Use of the original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raphael Soyer papers, 1933-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation; funding for the digitization of the collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation; funding for the digitization of the collection was provided by the Terra Foundation for American Art.
La figura umana nell'arte dei primitivi : collezioni del Museo nazionale preistorico-etnografico Luigi Pigorini, Roma / [introduzione e catalogo a cura di Vinigi L. Grottanelli]
