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Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Jan Butterfield papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- California  Search this
Authors -- California -- San Francisco  Search this
Art critics -- California -- San Francisco  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buttjan
Additional Online Media:

Untitled, (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Enamel on steel
Type:
Sculptures
Owner/Location:
Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 1984.525
Date:
1983
Topic:
Abstract  Search this
Control number:
IAS 20490002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_296708

Dorothy Goldeen Gallery records

Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Names:
Abakanowicz, Magdalena  Search this
Altoon, John, 1925-  Search this
Ben Tré, Howard, 1949-  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Carnwath, Squeak, 1947-  Search this
Chihuly, Dale, 1941-  Search this
Cho, Tŏk-hyŏn, 1957-  Search this
De Forest, Roy, 1930-2007  Search this
Fasnacht, Heide, 1951-  Search this
Hudson, Robert, 1938-  Search this
La Noue, Terence  Search this
Lipski, Donald, 1947-  Search this
Paik, Nam June, 1932-2006  Search this
Paschke, Ed  Search this
Rath, Alan, 1959-  Search this
Raymond, Zizi, 1960-  Search this
Reinoso, Pablo, 1955-  Search this
Extent:
16.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Sound recordings
Video recordings
Date:
1960-circa 2014
bulk 1987-1996
Summary:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed materials, and photographic materials.
Scope and Contents:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed materials, and photographic materials.

Correspondence is with artists, museums, galleries, and collectors regarding exhibitions, sales, and acquisitions of artwork. Administration records include appraisals, mailing lists, materials related to gallery events, a rolodex, and a list of artist contracts. Exhibition files are found for only a few of the gallery's exhibitions, including American Artists in Jewelry (1987), Private Reserve (1988), Fresh Visions 1 (1989), Fresh Visions 2 (1989), and Multiple Parts (1994).

There are extensive artists' files containing correspondence, printed material, resumes, slides, and photographs documenting the gallery's relationship with and exhibitions of many prominent artists. This files also contain numerous audio and video recordings of interviews with artists, exhibitions, documentaries, and video art.

Financial and legal records mostly consist of sales records of artwork by various artists, in addition to materials on a lawsuit, a sublease for exhibition space, and a few invoices.

Printed materials include Dorothy Goldeen Gallery press releases, exhibition announcements, press reviews, newsletters, clippings, and one videocassette of a broadcast news program.

Photographic materials mostly consist of slides and transparencies of artwork by artists represented by the gallery. There are a few images of the gallery building.
Arrangement:
This collection is arranged as 7 series.

Series 1: Correspondence, 1979-2012 (1.1 linear feet; Box 1-2)

Series 2: Administration Records, circa 1987-circa 2010 (0.6 linear feet; Box 2)

Series 3: Exhibition Files, 1987-1995 (0.4 linear feet; Boxes 2-3)

Series 4: Artists' Files, 1961-2007 (12.1 linear feet; Boxes 3-14, OV 17-18)

Series 5: Financial and Legal Records, 1987-2005 (0.8 linear feet; Box 15)

Series 6: Printed Material, 1986-2014 (0.4 linear feet; Boxes 15-16)

Series 7: Photographic Material, 1960-2005 (0.8 linear feet; Box 16)
Biographical / Historical:
The Dorothy Goldeen Gallery (1987-1996) was an art gallery in Santa Monica, California, founded by Dorothy Goldeen.

Dorothy Goldeen graduated from the University of California, Berkeley, where she studied sculpture and textile design. In 1973, Goldeen began her career in the arts working in San Francisco, California at the Hansen Fuller Gallery which later became Fuller Goldeen Gallery.

In 1987, Goldeen moved to Los Angeles and founded the Dorothy Goldeen Gallery. Historically significant artists such as Magdalena Abakanowicz and Nam June Paik were represented by her gallery as well as influential, emerging Los Angeles artists. Other notable artists include Robert Arneson, Paul Kos, Ed Paschke, and Alan Rath.

In 1996, Goldeen closed her gallery and launched the Dorothy Goldeen Art Advisory in Santa Monica. Goldeen often travels internationally as an art consultant for private and institutional clients, advising them on the acquisition and resale of art.
Related Materials:
The Archives of American Art also has an oral history interview with Dorothy Goldeen conducted by Hunter Drohojowska-Philp in 2014.
Provenance:
The Dorothy Goldeen Gallery records were donated by Dorothy Goldeen to the Archives of American Art in 2 installments in 2003 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Topic:
Art galleries, Commercial -- California -- Santa Monica  Search this
Jewelry  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Video recordings
Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dorogolg
See more items in:
Dorothy Goldeen Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dorogolg
Additional Online Media:

Maquette for Tlingit, (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Welded, assembled and painted steel
Type:
Sculptures-Model
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.49.18
Date:
1979
Topic:
Abstract  Search this
Study--Maquette  Search this
Control number:
IAS 08580741
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112697

Charm, (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Polychrome metal
Type:
Sculptures
Owner/Location:
Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles California 90036
Date:
1964
Topic:
Abstract  Search this
Figure  Search this
Control number:
IAS 76008633
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_19388

(Abstract Sculpture), (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Concrete
Type:
Sculptures-Relief
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Kansas State University Marianna Kistler Beach Museum of Art 701 Beach Lane Manhattan Kansas 66506
Located Kansas State University East of Seaton Hall Manhattan Kansas
Date:
Ca. 1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS KS000019
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_316744

Robert Hudson : 1985 / Robert Hudson

Author:
Hudson, Robert 1938-  Search this
Fuller Goldeen Gallery  Search this
Subject:
Hudson, Robert 1938-  Search this
Physical description:
[12] p. : col. ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1985
C1985
Call number:
NB237.H765 A4 1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831700

Robert Hudson : unique polychrome bronzes / Robert Hudson

Author:
Hudson, Robert 1938-  Search this
Allan Frumkin Gallery  Search this
Subject:
Hudson, Robert 1938-  Search this
Physical description:
[26] p. : col. ill. ; 26 cm
Type:
Books
Exhibitions
Date:
1986
[1986?]
Call number:
NB237.H765 A4 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831701

Robert Hudson : [exhibition] December 9, 1977 to January 27, 1978

Author:
Hudson, Robert 1938-  Search this
Schjeldahl, Peter  Search this
Moore College of Art  Search this
Subject:
Hudson, Robert 1938- Exhibitions  Search this
Physical description:
24 p. : ill. (some col.) ; 23 cm
Type:
Books
Date:
1977
Call number:
N6537.H74 A4 1977
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_634795

Robert Hudson / [text by Jan Butterfield]

Author:
Hudson, Robert 1938-  Search this
Butterfield, Jan  Search this
Allan Frumkin Gallery  Search this
Subject:
Hudson, Robert 1938-  Search this
Physical description:
[15] p. : ill. (some col.) ; 24 cm
Type:
Books
Date:
1976
[1976]
Call number:
N6537.H74 A4 1976
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_649234

Collaborations : William Allan, Robert Hudson, William Wiley / essays by Rosetta Brooks, Christine Giles, Katherine Plake Hough

Author:
Brooks, Rosetta  Search this
Giles, Christine 1949-  Search this
Hough, Katherine Plake  Search this
Palm Springs Desert Museum  Search this
Subject:
Allan, William 1936- Exhibitions  Search this
Hudson, Robert 1938- Exhibitions  Search this
Wiley, William T. 1937-  Search this
Physical description:
110 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
California
San Francisco Bay Area
Date:
1998
C1998
20th century
Topic:
Group work in art--Exhibitions  Search this
Art, American  Search this
Call number:
N40.1.A412 B7 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_539501

Robert Hudson and Richard Shaw : new ceramic sculpture : [exhibition] January 17 through April 12, 1998, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Title:
New ceramic sculpture
Author:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Oct. 9-  Search this
Reynolds, Jock  Search this
Addison Gallery of American Art  Search this
Subject:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Sept. 12-  Search this
Physical description:
65 p. : ill. (some col.) ; 21 x 26 cm
Type:
Exhibitions
Date:
1998
C1998]
Topic:
Porcelain, American  Search this
Call number:
NK4210.H82 R49 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_565366

Robert Hudson, sculpture, William T. Wiley, painting: patrons and friends, 14th annual exhibition, May 12-July 28, 1991

Author:
Hudson, Robert 1938-  Search this
Wiley, William T. 1937-  Search this
Rose Art Museum  Search this
Subject:
Hudson, Robert 1938- Exhibitions  Search this
Wiley, William T. 1937-  Search this
Physical description:
50 p. : col. ill. ; 28 cm
Type:
Exhibitions
Date:
1991
C1991
20th century
Topic:
Art, American  Search this
Call number:
N40.1.H8774 R7 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_422967

Robert Hudson, a survey : exhibition San Francisco Museum of Modern Art, 27 June-18 August 1985 / essays by Graham W.J. Beal, Jan Butterfield, Michael Schwager

Author:
Hudson, Robert 1938-  Search this
Beal, Graham William John  Search this
Butterfield, Jan  Search this
Schwager, Michael 1953-  Search this
San Francisco Museum of Modern Art  Search this
Subject:
Hudson, Robert 1938- Exhibitions  Search this
Physical description:
80 p. : chiefly ill. (some col.) ; 31 cm
Type:
Books
Date:
1985
C1985
Call number:
N40.1.H8774 S19
N40.1.H8774S19
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_265908

Robert Hudson/Richard Shaw, work in porcelain. [Catalogue of an exhibition] May 11-July 1, 1973, San Francisco Museum of Art

Author:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Sept. 12-  Search this
San Francisco Museum of Art  Search this
Subject:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Sept. 12-  Search this
Physical description:
35 p. illus. 26 cm
Type:
Books
Exhibitions
Date:
1973
1973]
Topic:
Porcelain, American  Search this
Call number:
NK4210.H82 R62X
NK4210.H82R62X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_34143

Robert Hudson : December 1-December 31, 1982

Author:
Hudson, Robert 1938-  Search this
Fuller Goldeen Gallery  Search this
Subject:
Hudson, Robert 1938-  Search this
Physical description:
[12] p. of plates : all col. ill. ; 25 cm
Type:
Exhibitions
Date:
1983
C1983
Topic:
Steel sculpture, American  Search this
Call number:
NB237.H765 A4 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_903941

Collaborations : Robert Hudson, Richard Shaw

Title:
Robert Hudson, Richard Shaw
Robert Hudson and Richard Shaw: collaboration
Author:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Sept. 12-  Search this
Foley, Suzanne  Search this
Reynolds, Jock  Search this
American University (Washington, D.C.) Museum  Search this
Subject:
Hudson, Robert 1938-  Search this
Shaw, Richard 1941 Sept. 12-  Search this
Physical description:
63 p. : ill. (chiefly col.), ports. ; 24 cm
Type:
Books
Exhibitions
Date:
2009
C2009
Call number:
NK4210.H82 A4 2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_927462

The years at White Gate Ranch, Stinson Beach, California 1963-1976 : Robert Hudson, Cornelia Schulz, Martha Shaw, Richard Shaw, April 21-June 18, 1995 / Suzanne Royce, curator ; George Neubert, consulting curator ; Linda Samuels, introduction

Author:
Royce, Suzanne  Search this
Neubert, George W  Search this
Samuels, Linda  Search this
Bolinas Museum for the Art and History of Coastal Marin  Search this
Subject:
Hudson, Robert 1938-  Search this
Schulz, Cornelia 1936-  Search this
Shaw, Martha  Search this
Shaw, Richard 1941 Sept. 12-  Search this
Physical description:
24 p. : ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1995
[1995]
Call number:
N6487.B95 B95 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_930948

Untitled, (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Painted metal
Type:
Sculptures
Owner/Location:
University of New Mexico University Art Museum Albuquerque New Mexico 87131 Accession Number: 76.262
Date:
1962
Topic:
Abstract  Search this
Control number:
IAS 32610009
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_422120

Plumb Bob, (sculpture)

Sculptor:
Hudson, Robert 1938-  Search this
Medium:
Steel with enamel paint, antlers, and mirror
Type:
Sculptures
Owner/Location:
Stanford University Anderson Collection at Stanford University Stanford California 94305 Accession Number: 1983.008
Date:
1982
Topic:
Abstract  Search this
Control number:
IAS 04920072
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_465840

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