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Basket hat

Culture/People:
Non-Indian  Search this
Donor:
Elaine Dee Barker (Elaine Dee Barker Dismuke), Non-Indian, 1948-2012  Search this
Previous owner:
Elaine Dee Barker (Elaine Dee Barker Dismuke), Non-Indian, 1948-2012  Search this
Object Name:
Basket hat
Media/Materials:
Vegetal Fiber, dye/dyes
Techniques:
Twined
Dimensions:
41.0 x 28.5 cm
Object Type:
Clothing/Garments: Headwear and Headdresses
Date created:
1950-1980
Catalog Number:
26/8873
Barcode:
268873.000
See related items:
Non-Indian
Clothing/Garments: Headwear and Headdresses
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_402371
Additional Online Media:

Masked performers with pair of male and female Chi wara headdresses, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-4, 35A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 35A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01595
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28683

Masked performers with pair of male and female Chi wara headdresses, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-4, 36A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 36A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01596
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28684

Masked performers wearing pair of male and female vertical Chi wara headdresses, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
E 1 BMB 27 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 12.
Slide No. E 1 BMB 27 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Dance  Search this
Cultural landscapes  Search this
Vernacular architecture  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3412
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19789

Masked performers wearing pair of male and female Chi wara headdresses, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-4, 22A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 22A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01588
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28676

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"Convergence," organized and held by Morgan State University on view from December 14, 2002 thru April 13, 2003. LL03-0015
Local Note:
Caption: Bamana Chi-wara (antelope) headdress dancers, near Bamako, Mali. Photograph by Eliot Elisofon, April, 1971. Image no. EEPA 3366. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
48
Frame value is 33.
Slide No. E 1 BMB 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3366
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19738

Masked performers wearing pair of male and female vertical Chi wara headdresses, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
E 1 BMB 26.1 EE 70
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 13.
Slide No. E 1 BMB 26.1 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Dance  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Cultural landscapes  Search this
Vernacular architecture  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3411
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19787

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 4.1 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
Contexual image in "African Masks from the Noel Collection" held by the Tubman African American Museum in Macon, Georgia, 2003. LL03-0069
Local Note:
48
Frame value is 32.
Slide No. E 1 BMB 4.1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3367
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19739

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 5 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
49
Frame value is 8.
Slide No. E 1 BMB 5 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3368
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19740

Drummers accompanying masked performers with male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 6 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"The World Journey: Art in African Art," held by the Speed Art Museum, Louisville, KY, , beginning August, 20, 2002. LL01-0212.
"African Art from the Permanent Collection," exhibited by the Neuberger Museum of Art, beginning in November, 2001. LL02-0040.
Local Note:
48
Frame value is 6.
Slide No. E 1 BMB 6 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Musical instruments  Search this
Music  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3369
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19741

Drummers accompanying masked performers with male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 6.1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
48
Frame value is 32.
Slide No. E 1 BMB 6.1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Musical instruments  Search this
Music  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3370
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19742

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 7 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Local Note:
49
Frame value is 11.
Slide No. E 1 BMB 7 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3372
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19745

Young woman with elaborate headdress, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
A 1 MAL 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
N7 3
Frame value is 16.
Slide No. A 1 MAL 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 67
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref23462

Kwilu Pende chief wearing bicorn headdress, Gungu, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Pende (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
C 3 PND 4 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
80
Frame value is 17.
Slide No. C 3 PND 4 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Beadwork  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2250
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref14467

Kwilu Pende chief wearing bicorn headdress, Gungu, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Pende (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
C 3 PND 9 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
80
Frame value is 21.
Slide No. C 3 PND 9 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Beadwork  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2255
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref14522

Kwilu Pende chief wearing bicorn headdress, Gungu, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Pende (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-I-38a, 26.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "C 3 Pnd. Pende. Zaire, Gungu. Chief. 4/1970. EE. neg.no. I-38A, 26." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Beadwork  Search this
Weapons  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01200
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28293

Masked performer wearing vertical Chi wara headdress, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-3, 36.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 36." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Rites and ceremonies -- Africa  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Wood-carving  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01586
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28674

Masked performer wearing vertical Chi wara headdress, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdress always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-3, 37.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 34." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Wood-carving  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01587
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28675

Masked performer wearing vertical Chi wara headdress, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-4, 23A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 23A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01589
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28677

Masked performer wearing vertical Chi wara headdress, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 negatives (photographic) (b&w, 35mm.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Mali
Date:
1970
Scope and Contents:
"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
EENG-III-4, 24A.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 24A." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01590
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28678

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