Thomas Cole. Thomas Cole letter to George W. Greene, 1842 Aug. 29. Thomas Cole letters, [undated] and 1840-1842. Archives of American Art, Smithsonian Institution.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Ronald Reagan Building and International Trade Center (Washington, D.C.) Search this
United States. Public Buildings Service. Art-in-Architecture Program. Search this
Citation:
Papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, 1992-1998. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts -- United States Search this
Art -- Commissioning -- Washington (D.C.) Search this
REEL D6: Letters, manuscript poems, catalogs and a sketchbook dated March 10, 1832.
REEL D39: 2 v. of notebooks; 1825, and 18 v. of sketchbooks, 1827-1847. Cole sketches mainly in New York State, The White Mountains, England, Italy, and Catskill, N.Y.
REELS ALC 1- ALC 4: Correspondence with Cole, including letters from friends, family, artists, and others; journals; notes; essays; lectures; poetry; clippings; and financial records.
Correspondents include: William Althorpe Adams, Samuel James Ainsley, Francis Alexander, Theodore Allen, Washington Allston, Thomas B. Ashton, Edwin T. Bennet, Simeon D. Bloodgood, William C. Bryant, Edward L. Carey, Cephas G. Childs, Lewis G. Clark, Thomas S. Cummings, Franklin Dexter, William Dunlap, Asher B. Durand, Robert Gilmor, George W. Greene, Charles C. Ingham, Charles R. Leslie, Jonathan Mason, Samuel F. B. Morse, John L. Morton, Henry C. Pratt, Luman Reed, John P. Ridner, Jonathan Sturges, Ithiel Town, Isaiah Townsend, Charles B. Trego, William P. Van Rensselaer, Cornelius Ver Bryck, Daniel Wadsworth, Samuel Ward, Robert W. Weir, Ambrose Wright, and others.
Biographical / Historical:
Painter; Catskill, N.Y. Cole lived most of his life in New York City even though he studied abroad. He was elected member of National Academy in 1826.
Provenance:
Material on reels D6, D39, D40 lent for microfilming 1961 by the Detroit Institute of Art. Material on reels ALC 1-ALC 4 lent for microfilming 1964 by the New York State Library. Paintbrushes were discovered 1964 by S.J. Fishburne, Albany Institute restorer, in basement of Cole's house. He turned them over to the Institute's director, Janet MacFarlane, who donated them to AAA, 1965.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.