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Faith Loy Plaut : a tribute

Author:
Plaut, Faith Loy  Search this
Irma Stern Museum  Search this
Subject:
Plaut, Faith Loy  Search this
Physical description:
44 p. : col. ill. ; 22 cm
Type:
Exhibitions
Place:
South Africa
Cape Town
Date:
1999
Topic:
Fiberwork  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1015207

4. internationale Betonac-prijs 1996 = 4. prix international Betonac 1996 = 4. international Betonac prize 1996 / [teksten, Sleypen Sylvain, Anne Kraatz, Konstantina Hlavackova]

Title:
Vierde internationale Betonac-prijs 1996
4. prix international Betonac 1996
4. international Betonac prize 1996
Internationale Betonac-prijs 1996
Prix international Betonac 1996
International Betonac prize 1996
Author:
Sylvain, Sleypen  Search this
Kraatz, Anne  Search this
Hlavackova, Konstantina  Search this
Limburg (Belgium : Province) Provinciaal Museum voor Religieuze Kunst  Search this
Textilmuseum St. Gallen  Search this
Uměleckoprůmyslové muzeum v Praze  Search this
Physical description:
132 p. : ill. (some col.), ports. ; 21 cm
Type:
Exhibitions
Date:
1996
1996]
Topic:
Fiberwork  Search this
Call number:
N7433.9 .S95 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_560225

Survey fiber 2002 / curated by Bruce Hoffman

Author:
Hoffman, Bruce (Bruce D.)  Search this
Works Gallery  Search this
Physical description:
41 p. : col. ill. ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
2002
[2002]
20th century
Topic:
Fiberwork--History  Search this
Call number:
N6512.5.F48 S87 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_684835

Second skins : sculptural soundsuits and tondos by Nick Cave : Museum of Contemporary Art, Jacksonville

Title:
Sculptural soundsuits and tondos by Nick Cave
Author:
Cave, Nick 1959-  Search this
Bailey, Jennifer  Search this
Jacksonville Museum of Contemporary Art  Search this
Subject:
Cave, Nick 1959-  Search this
Physical description:
[12] p. (incl. covers) : col. ill. ; 28 cm
Type:
Exhibitions
Date:
2006
[2006?]
Topic:
Wearable art  Search this
Performance art  Search this
Fiberwork  Search this
Call number:
N6537.C384 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_987205

Art textiles of the world : Korea / [editor, Mi-Kyoung Lee]

Title:
Korea
Author:
Lee, Mi-Kyoung  Search this
Physical description:
v. : col. ill. ; 29 cm
Type:
Books
Place:
Korea
Date:
2005
C2005-
20th century
Topic:
Textile crafts  Search this
Textile artists  Search this
Fiberwork  Search this
Art, Korean  Search this
Call number:
NK8884.6.A1 A78 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_794810

Bob Stocksdale and Kay Sekimachi papers

Source:
Stocksdale, Kay Sekimachi  Search this
Creator:
Stocksdale, Bob  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Bob Stocksdale and Kay Sekimachi papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Woodworkers -- California  Search this
Topic:
Fiber artists -- California  Search this
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Japanese American artists  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stockbob

Fiberworks--The Americans and Japan, National Museum of Modern Art (Kyoto, Japan)

Collection Source:
Stocksdale, Kay Sekimachi  Search this
Collection Creator:
Stocksdale, Bob  Search this
Container:
Box 12, Folder 21
Type:
Archival materials
Date:
1976-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Bob Stocksdale and Kay Sekimachi papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Bob Stocksdale and Kay Sekimachi papers / Series 5: Exhibition Files / 5.4: General
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-stockbob-ref384

Claire Zeisler : a retrospective exhibition / organized by Christa C. Mayer-Thurman ; essays by Erika Billeter, Sheila Hicks...[et.al.] ; introduction and catalogue by Christa C. Mayer-Thurman

Author:
Mayer-Thurman, Christa C  Search this
Billeter, Erika 1927-  Search this
Art Institute of Chicago  Search this
Subject:
Zeisler, Claire 1903-1991  Search this
Physical description:
87 pages : illustrations ; 26 cm
Type:
Exhibitions
Place:
United States
Date:
1979
Topic:
Fiberwork  Search this
Soft sculpture  Search this
Weavers  Search this
Call number:
NK8998.Z47 C5
NK8998.Z47C5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_123384

Official Book of Minutes - Fiberworks Center for the Textile Arts

Creator:
Fiberworks, Center for the Textile Arts  Search this
Subject:
Fiberworks, Center for the Textile Arts  Search this
Type:
Writings
Date:
1974 - 1978
Record number:
(DSI-AAA)7934
See more items in:
Fiberworks, Center for the Textile Arts records, 1973-2005, bulk 1974-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7934
Additional Online Media:

Fiberworks Retrospective Exhibition Proposal

Collection Creator:
Museum of Craft and Folk Art  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
circa 2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Museum of Craft and Folk Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Museum of Craft and Folk Art records, 1970-2012. Archives of American Art, Smithsonian Institution.
See more items in:
Museum of Craft and Folk Art records
Museum of Craft and Folk Art records / Series 1: Administration Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-musecraf-ref18

From tapestry to fiber art : the Lausanne Biennials, 1962-1995 / Giselle Eberhard Cotton, Magali Junet ; with contributions from Eric Rochat [and five others]

Author:
Eberhard Cotton, Giselle  Search this
Junet, Magali  Search this
Contributor:
Rochat, Eric  Search this
Subject:
International Centre of Ancient and Modern Tapestry History  Search this
International Biennial of Tapestry History  Search this
Physical description:
221 pages : illustrations (chiefly color) ; 26 cm
Type:
Exhibitions
Exhibition catalogs
History
Date:
2017
20th century
Topic:
Tapestry--History  Search this
Fiberwork--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1104959

Madagascar - Tananarive Femme Filant la Soie

Creator:
Collection M. T.  Search this
Phototypie Guende (Marseille)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (b&w, 14 x 9 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Madagascar
Madagascar, -- Antananarivo province, -- Antananarivo (Tananarive)
Date:
ca. 1906
Scope and Contents:
Original caption reads, "Madagascar - Tananarive Woman Spinning Silk."
Additional printed text on recto reads: "Collection - M. T."
Printed text on verso reads: "Ateliers de Phototypie Guende Marseille France."
Local Numbers:
EEPA MG-04-07
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Artists  Search this
Fiberwork  Search this
Women  Search this
Children  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA MG 2012-001-0312
See more items in:
African Postcard Collection
African Postcard Collection / Series 26: Madagascar (MG)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref5613

[Morocco]

Creator:
Compagnie Generale Transatlantique  Search this
Devambez (Paris)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (col., 9 x 14 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Illustrations
Picture postcards
Place:
Africa
Morocco
Date:
circa 1910
Scope and Contents:
Printed text on verso reads: "Édité par la Cie. Gle. Transatlantique. - Auto-Circuits Nord-Africains."
Translated text reads: "Published by the Compagnie Generale Transatlantique. - North African Driving Tours."
Additional printed text on verso reads: "Devambez. Paris."
Artist's signature on recto: "Sandoz[?]."
Local Numbers:
EEPA MR-12-02
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Households -- Africa  Search this
Domestic scenes  Search this
Fiberwork  Search this
Genre/Form:
Illustrations
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA MR 2012-001-0522
See more items in:
African Postcard Collection
African Postcard Collection / Series 30: Morocco (MR)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref6229

Fiberworks, Center for the Textile Arts records, 1973-2005, bulk 1974-1987

Creator:
Fiberworks, Center for the Textile Arts  Search this
Subject:
Laky, Gyöngy  Search this
Topic:
Decorative arts  Search this
Textile crafts  Search this
Fiberwork  Search this
Interviews  Search this
Photographs  Search this
Video recordings  Search this
Fiber artists  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)13453
(DSI-AAA_SIRISBib)260407
AAA_collcode_fibecenf
Theme:
Communities, Organizations, Museums
Craft
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_260407

Fiberworks, Berkley, CA

Collection Creator:
National Endowment for the Arts, Visual Arts Program  Search this
Container:
Box 7, Folder 19
Type:
Archival materials
Date:
1980
Scope and Contents:
Contains inventory of slides. Slides are in Series 2, Box 2.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Endowment for the Arts, Visual Arts Program selected records, 1970-1980. Archives of American Art, Smithsonian Institution.
See more items in:
National Endowment for the Arts, Visual Arts Program selected records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiendo-ref207

Alphabetically Sorted Slides 9

Collection Creator:
National Endowment for the Arts, Visual Arts Program  Search this
Container:
Box 17, Folder 9
Type:
Archival materials
Slides
Date:
1981
Scope and Contents:
Fiberworks, Berkley, CA
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Endowment for the Arts, Visual Arts Program selected records, 1970-1980. Archives of American Art, Smithsonian Institution.
See more items in:
National Endowment for the Arts, Visual Arts Program selected records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiendo-ref307

Alphabetically Sorted Slides 10

Collection Creator:
National Endowment for the Arts, Visual Arts Program  Search this
Container:
Box 17, Folder 10
Type:
Archival materials
Slides
Date:
1981
Scope and Contents:
Fiberworks, Berkley, CA
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Endowment for the Arts, Visual Arts Program selected records, 1970-1980. Archives of American Art, Smithsonian Institution.
See more items in:
National Endowment for the Arts, Visual Arts Program selected records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiendo-ref308

Claire Zeisler papers, 1941-1992

Creator:
Zeisler, Claire, 1903-1991  Search this
Topic:
Fiber artists  Search this
Art  Search this
Weavers  Search this
Fiberwork  Search this
Women artists  Search this
Textile designers  Search this
Textile crafts  Search this
Collectors  Search this
Record number:
(DSI-AAA_CollID)6928
(DSI-AAA_SIRISBib)209057
AAA_collcode_zeisclai
Theme:
Women
Lives of American Artists
Craft
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209057
Additional Online Media:

Oral History interviews with Ed Rossbach and Katherine Westphal, 1997

Creator:
Smith, Paul J., 1931-  Search this
Rossbach, Ed, 1914-2002  Search this
Subject:
Westphal, Katherine  Search this
Rhode Island School of Design. Museum of Art  Search this
Topic:
Sound recordings  Search this
Decorative arts  Search this
Weavers  Search this
Fiberwork  Search this
Interviews  Search this
Textile fabrics  Search this
Fiber artists  Search this
Record number:
(DSI-AAA_CollID)6147
(DSI-AAA_SIRISBib)216369
AAA_collcode_smitpaul
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216369

Dolly Curtis [videorecording] : fiber artist / produced by Victor Cromwell, c1985

Creator:
Curtis, Dolly Powers, 1942-  Search this
Subject:
Curtis, Dolly Powers  Search this
Topic:
Video recordings  Search this
Wall hangings  Search this
Fiber artists  Search this
Decorative arts  Search this
Decoration and ornament, Architectural  Search this
Fiberwork  Search this
Women artists  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)6234
(DSI-AAA_SIRISBib)216542
AAA_collcode_curtdoll
Theme:
Women
Audio - Visual
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216542

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