The collection primarily contains prints, engravings, and books. The majority of the collection highlights the Indian subcontinent from the 16th to the 20th centuries through the lens of Europeans. It contains depiction of the subcontinent's peoples, cultures, monuments, religious sites, and religious practices as seen in Dutch, English, French, German, and Italian publications. Among this collection are also some representations of people from other parts of the world.
Arrangement:
The collection is arranged into seven series, beginning with the initial gift in support of the 2014 exhibition, Strange and Wondrous: Prints of India from the Robert J. Del Bontà Collection. Each series represents a grouping selected by the donor and follows the donor's original curation of the material. E or engraving numbers reflect the donor's numbering system.
Series 1: Original gift supporting the exhibition, Strange and Wondrous: Prints of India from the Robert J. Del Bontà Collection in 2014 focusing on ascetics and mendicants.
Series 2: Prints and Engravings relating to the rulers including Timurid and Mughal rulers
Series 3: 16th-17th century prints
Series 4: Engravings and prints from around the world
Series 5: English engravings depicting India
Series 6: Dutch and French engravings of voyages across the world
Series 7: French engravings depicting monuments of India
Biographical / Historical:
Dr. Robert J. Del Bontà was born in 1949. He received his Ph.D. from the University of Michigan in 1978. From 1993 to 2000 he was a research associate and guest curator at the Asian Art Museum of San Francisco. He also curated major exhibitions for the Berkeley Art Museum; the University of Michigan Museum of Art; the Portland Art Museum; and the New Orleans Museum of Art. He writes and lectures on a wide range of subjects relating to South Asian art including paintings, prints, photographs, popular art, sculptures, and architecture. More recently, he also writes about European prints pertaining to Europe's perception of India and Indo-Portuguese art.
Del Bontà began to collect prints related to South Asia while completing his doctorate in South Asian art history at the University of Michigan in the 1970s. The Robert J. Del Bontà collection contains prints and books depicting people, cultures, religious customs, gods and goddesses, and architecture of Asia, with a specific emphasis on South Asian art.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Indiaanische pagodem en schrikkelyke boetdoeningen of lichaams kwellingen der fakirs, from Tegenwoordige staat van de koninkryken Pegu, Ava, Arrakan, Acham. Als mede van het eigentlyke India, of het ryk van den Groten Mogol, en van Malabar, Kormandel,e...
Printed book folio. Dutch version of the original English publication.
Local Numbers:
FSA A2014.06 03
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
151 commercial stereographs depicting scenes of South Asia. Sources include Underwood and Underwood Publishers; Ricalton; H.C. White Co.; American Stereoscopic Co. and Keystone View Co. Collectively this is a nearly complete complement of photographs of India taken by James Ricalton.
Local Numbers:
E591
FSA A2014.06 2.S
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Genre/Form:
Stereoscopic photographs
Stereographs
Collection Citation:
Robert J. Del Bonta Collection, FSA A2014.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Includes prints, detached book pages, books, and engravings from 16th through 20th century depicting religious sites, rituals, and people. This series focuses particularly on different ascetic types in India such as portraying yogis and, fakirs, and was the basis of the 2014 exhibition.
Arrangement:
Arranged in an order provided by the donor. E or engraving numbers reflect Del Bonta's numbering system.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
Robert J. Del Bonta Collection, FSA A2014.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.