Search Results

Collection Creator:

Verville, Alfred V.  Search this

Verville Aircraft Company  Search this

Extent:

1 Shoebox

Container:

Box 96

Type:

Archival materials

Date:

1918-1922

Scope and Contents:

Originally kept together receipts, menus, correspondence, calling cards, hotel bills, train schedules, transportation requests, theatre programs, etc.

Probably collected during the travel for "Report of Inspection Trip to France, Italy, Germany, Holland and England Made During the Winter of 1921-1922 by Brigadier General William Mitchell, 1st Lt Clayton Bissell and Aeronautical Engineer Alfred Verville"

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Alfred Victor Verville Papers, Acc. XXXX-0173, National Air and Space Museum, Smithsonian Institution.

See more items in:

Alfred Victor Verville Papers

Alfred Victor Verville Papers / Series 8: Oversize & Odd Materials

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2dadff09a-bf06-413c-acde-1aef509db206

EDAN-URL:

ead_component:sova-nasm-xxxx-0173-ref259

Creator:

Smithsonian Institution  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2010-11-29T17:17:22.000Z

YouTube Category:

Education  Search this

See more by:

SmithsonianVideos

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianVideos

EDAN-URL:

edanmdm:yt_iDJJOaZ1myM

Creator:

National Museum of African American History and Culture  Search this

Type:

YouTube Videos

Uploaded:

2022-11-14T17:03:39.000Z

YouTube Category:

Education  Search this

Topic:

African Americans  Search this

See more by:

WatchNMAAHC

Data Source:

National Museum of African American History and Culture

YouTube Channel:

WatchNMAAHC

EDAN-URL:

edanmdm:yt_STLWJwsdZhM

Created by:

Unidentified  Search this

Medium:

ink on paper with linen backing

Dimensions:

H x W: 27 × 20 1/2 in. (68.6 × 52.1 cm)

Type:

posters

Place printed:

Saint Louis, Missouri, United States, North and Central America

Date:

ca. 1900

Topic:

African American  Search this

Caricature and cartoons  Search this

Instrumentalists (Musicians)  Search this

Minstrel (Music)  Search this

Minstrel shows  Search this

Stereotypes  Search this

Vaudeville  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2014.63.86

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera-Advertisements

Racist and Stereotypical Objects

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd54d067ff1-208d-464e-98a1-70f848c91906

EDAN-URL:

edanmdm:nmaahc_2014.63.86

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

516 Sound tape reels (approximate)

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Sound tape reels

Correspondence

Photographic prints

Audiotapes

Video recordings

Digital images

Business records

Slides (photographs)

Plans (drawings)

Notes

Videotapes

Negatives

Contracts

Sound recordings

Memorandums

Audiocassettes

Place:

Caribbean Area

Jamaica

Date:

June 25-July 6, 1975

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1975 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 9 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1975 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1975 Festival (June 25-29 and July 2-6) again took place in the western part of the National Mall to the south of the Reflecting Pool, between 17th and 23rd Streets (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Gary Everhardt, Director). Ralph Rinzler was Director of the Festival, and Robert Byington was Deputy Director of the Festival. Mack McCormick served as Consultant for Bicentennial Planning. The 1975 and 1976 Festivals were sponsored by American Airlines and General Foods.

The 1975 Festival included seven programs, with cross-Festival presentations on the Festival Stage. The 1975 Program Book provided information on each of the programs, as well as a schedule and participant lists.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk festivals  Search this

arts and crafts  Search this

World music  Search this

Food habits  Search this

Folk music  Search this

Folklore  Search this

Folk art  Search this

occupational folklore  Search this

African languages  Search this

Genre/Form:

Correspondence

Photographic prints

Audiotapes

Video recordings

Digital images

Business records

Slides (photographs)

Plans (drawings)

Notes

Videotapes

Negatives

Contracts

Sound recordings

Memorandums

Audiocassettes

Citation:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1975

See more items in:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59610f08b-de06-414e-a004-5d8ea1d40f19

EDAN-URL:

ead_collection:sova-cfch-sff-1975

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Date:

1975

General:

The 1976 Program Book was edited by Susanne Roschwalb, with Janet B. Stratton as Art Director. The Festival site was designed by Ken Dresser.

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1975, Series 1

See more items in:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk592b6bfc5-3137-47e7-bd1c-1b0e4d294c3b

EDAN-URL:

ead_component:sova-cfch-sff-1975-ref16

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Date:

June 30-July 8, 1973

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1973 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Regional America: Kentucky

Series 3: Native Americans: Northern Plains Indians

Series 4: Old Ways in the New World

Series 5: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1973 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In 1973, the Smithsonian Institution began preparing its multi-year commemoration of the Bicentennial of the American Revolution in 1976. Beginning with this year's Festival, the National Park Service of the U.S. Department of the Interior became co-sponsor of the Festival with the Smithsonian, and it was moved to the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). As explained by Secretary S. Dillon Ripley, "Themes and presentations for this Festival are a trial run for the themes around which our own celebration of America's 200th birthday will be organized."

The 1973 Festival ran from June 30 to July 8 and included four programs that initiated the Bicentennial preparations: Regional America featured the Commonwealth of Kentucky; Native Americans featured Northern Plains tribes; Working Americans featured the building trades; and Old Ways in the New World was inaugurated with two programs: Tribute to the Tamburashi presented Yugoslavian and Yugoslavian American traditions, and British Isles Music, Song, and Dance Traditions included participants from England, Scotland, Ireland and the U.S. Of these programs, Native Americans and Working Americans extended throughout the nine-day Festival, with the British Isles program running the first four days, the Tamburashi program running the first five days, and Kentucky featured for the last five days. During the Festival, evening concerts were presented on a stage at the base of the Lincoln Memorial; documentation of those concerts is found within each of the relevant programs whose musicians were featured.

The 1973 Festival was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of Folklife Programs, with Gerald L. Davis serving as Associate Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1973 Program Book provided information on all of the programs, including a schedule and participant lists.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

arts and crafts  Search this

Folklore  Search this

Folk art  Search this

Folk festivals  Search this

World music  Search this

Food habits  Search this

occupational folklore  Search this

Genre/Form:

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Citation:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1973

See more items in:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk57d4b15d8-799d-49a4-a5d1-ef3b37c9cb80

EDAN-URL:

ead_collection:sova-cfch-sff-1973

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Video recordings

Photographic prints

Notes

Audiocassettes

Digital images

Business records

Sound recordings

Negatives

Videotapes

Plans (drawings)

Slides (photographs)

Correspondence

Contracts

Audiotapes

Memorandums

Date:

July 3-7, 1968

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1968 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 4 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Crafts

Series 3: Performances

Series 4: Texas

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1968 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.

Introduction:

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

Crafts

Performances

Texas

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

Festival speakers and consultants:

Bruce Jackson, 1936-, New York

Guthrie (Gus) Meade, 1932-1991, Washington D.C.

Mack McCormick, Texas

Robert Messinger, New York

Sandy Paton, Connecticut

Caroline Paton, Connecticut

Jean Ritchie, New York

Mike Seeger, 1933-2009, Washington, D.C.

Dick Waterman, Massachusetts

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

World music  Search this

Folklore  Search this

Food habits  Search this

Folk music  Search this

Folk festivals  Search this

arts and crafts  Search this

Folk art  Search this

Genre/Form:

Video recordings

Photographic prints

Notes

Audiocassettes

Digital images

Business records

Sound recordings

Negatives

Videotapes

Plans (drawings)

Slides (photographs)

Correspondence

Contracts

Audiotapes

Memorandums

Citation:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.

Identifier:

CFCH.SFF.1968

See more items in:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5af0b0c02-8cc8-4f62-b882-906b0a61f2f9

EDAN-URL:

ead_collection:sova-cfch-sff-1968

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Date:

1968

Scope and Contents:

Photographs in this series depict general Festival scenes.

General:

The 1968 Festival of American Folklife Program Book was edited by Ruri Sakai and designed by Janet Stratton. The 1968 Festival site was designed by Richard Lusher.

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.

Identifier:

CFCH.SFF.1968, Series 1

See more items in:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5b2a9cbe9-7c2a-44b8-925b-08f96ac4a1b7

EDAN-URL:

ead_component:sova-cfch-sff-1968-ref16

Created by:

Unidentified  Search this

Subject of:

Susan Bell, Bermudian American, 1836 - 1894  Search this

Medium:

ink on pasteboard

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

memorial cards

Place used:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

March 5, 1894

Topic:

African American  Search this

Christianity  Search this

Funeral customs and rites  Search this

Religion  Search this

Religious rituals and ceremonies  Search this

The Black Church  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.9

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd54c1811e4-2d80-4a64-b92f-db933baa1e74

EDAN-URL:

edanmdm:nmaahc_2009.31.9

Created by:

Voter Education Project, American, 1962 - 1968  Search this

Subject of:

Muhammad Ali, American, 1942 - 2016  Search this

Medium:

printing ink and ink on paper

Dimensions:

H x W: 22 3/4 × 15 1/2 in. (57.8 × 39.4 cm)

Type:

political posters

Place used:

Atlanta, Fulton County, Georgia, United States, North and Central America

Date:

1960s

Topic:

African American  Search this

Athletes  Search this

Boxing  Search this

Politics  Search this

Sports  Search this

Suffrage  Search this

U.S. History, 1961-1969  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2014.63.42

Restrictions & Rights:

Unknown - Restrictions Possible

Rights assessment and proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5fd3056f7-6372-47ca-a0e2-fd09a2626abd

EDAN-URL:

edanmdm:nmaahc_2014.63.42

Manufactured by:

The Upper Deck Company, LLC, American, founded 1988  Search this

Subject of:

Briana Scurry, born 1971  Search this

United States Women's National Soccer Team, American, founded 1985  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W (2015.58.11.1): 4 1/2 × 3 1/2 in. (11.4 × 8.9 cm)

H x W (2015.58.11.2): 4 1/2 × 3 1/2 in. (11.4 × 8.9 cm)

Type:

collecting cards

Date:

2000

Topic:

African American  Search this

Athletes  Search this

Soccer  Search this

Sports  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Briana Scurry

Object number:

2015.58.11.1-.2

Restrictions & Rights:

© The Upper Deck Company

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd518116140-899a-40d8-920a-92b657362484

EDAN-URL:

edanmdm:nmaahc_2015.58.11.1-.2

Printed by:

Ofoto, American, 1999 - 2005  Search this

Photograph by:

Sideline Sports Photography, LLC., American, founded 1993  Search this

Owned by:

Briana Scurry, born 1971  Search this

Subject of:

United States Women's National Soccer Team, American, founded 1985  Search this

Medium:

ink on paper (fiber product) , synthetic fiber on cardboard

Dimensions:

H x W x D (Closed): 10 5/16 × 9 1/16 × 1/2 in. (26.2 × 23 × 1.3 cm)

Type:

photograph albums

Place depicted:

Athens, Greece, Europe

Date:

ca. 2004

Topic:

African American  Search this

Athletes  Search this

Soccer  Search this

Sports  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Briana Scurry

Object number:

2015.58.7

Restrictions & Rights:

Slideline Sports Photography, LLC

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5067f8e03-95dc-4f38-8da4-4c321fa6ccf9

EDAN-URL:

edanmdm:nmaahc_2015.58.7

Created by:

Unidentified  Search this

Used by:

Briana Scurry, born 1971  Search this

Subject of:

United States Women's National Soccer Team, American, founded 1985  Search this

Medium:

plastic with Velcro (TM)

Dimensions:

H x W: 3 × 14 7/8 in. (7.6 × 37.8 cm)

Type:

name tapes

Date:

1994-2008

Topic:

African American  Search this

Athletes  Search this

Soccer  Search this

Sports  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Briana Scurry

Object number:

2015.58.8

Restrictions & Rights:

Unknown - Restrictions Possible

Rights assessment and proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd59fa788f9-3caa-4f31-9923-6af0dabfb6f4

EDAN-URL:

edanmdm:nmaahc_2015.58.8

Manufactured by:

General Mills Inc., American, founded 1866  Search this

Subject of:

Briana Scurry, born 1971  Search this

United States Women's National Soccer Team, American, founded 1985  Search this

Medium:

ink on cardboard

Dimensions:

H x W x D (Closed): 14 1/4 × 10 1/2 × 1/8 in. (36.2 × 26.7 × 0.3 cm)

H x W x D (Open): 14 1/4 × 21 1/4 × 1/8 in. (36.2 × 54 × 0.3 cm)

Type:

boxes (containers)

Place made:

General Mills, Minneapolis, Hennepin County, Minnesota, United States, North and Central America

Date:

1999

Topic:

African American  Search this

Athletes  Search this

Soccer  Search this

Sports  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Briana Scurry

Object number:

2015.58.9

Restrictions & Rights:

© General Mills, Inc

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd58b3ff90d-cfed-4c80-8993-5169182bd0fa

EDAN-URL:

edanmdm:nmaahc_2015.58.9

Created by:

Unidentified  Search this

Owned by:

Mary Church Terrell, American, 1863 - 1954  Search this

Medium:

metal, string

Dimensions:

H x W x D: 5 3/4 × 5 15/16 × 5 15/16 in. (14.6 × 15.1 × 15.1 cm)

Type:

commemoratives

bells (idiophones)

Place used:

Zurich, Zurich, Switzerland, Europe

Place collected:

Highland Beach, Anne Arundel County, Maryland, United States, North and Central America

Date:

1883

Topic:

African American  Search this

Education  Search this

Government  Search this

International affairs  Search this

Travel  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Ray and Jean Langston in memory of Mary Church and Robert Terrell

Object number:

A2017.13.1.4

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Mary Church Terrell Family Archive

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd53677e1bb-5bb7-4b0d-ac54-0b21eb33e103

EDAN-URL:

edanmdm:nmaahc_A2017.13.1.4

Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Names:

Penland School of Crafts  Search this

Extent:

14.5 Linear feet

7.85 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sketchbooks

Video recordings

Date:

1940-2013

Summary:

The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 Gigabytes and date from 1940 to 2013. The papers document Davis' career and personal life more heavily than that of Helwig, however, material related to both individuals are present. Included is biographical information; correspondence; exhibition and business files; research and printed material; artwork and sketches; photographs; and papers and digital material related to both Helwig and Davis' teaching endeavors.

Scope and Contents:

The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 Gigabytes and contains correspondence, video recordings, some in digital format, photographs and slides, exhibition ephemera, clippings and various other printed material, and artwork.

Biographical material includes resumes, school papers, artist inventories, and contacts lists. The collection's correspondence is both personal and business related, and includes a series of letters from Davis' mother, Mary Shope Davis, to her brother and sister-in-law from the 1940s. Other material found in this collection documents Helwig's and Davis' involvement in exhibitions; national and local craft-related guilds and associations, education; sale of artwork and services; research material; and printed ephemera. The collection's photographs include the personal and professional side of Helwig and Davis' life.

Arrangement:

The collection is arranged as 11 series.

Series 1: Biographical Material, 1952-2012 (.08 linear feet; Box 1)

Series 2: Correspondence, 1940-2009 (2.5 linear feet; Box 1-4)

Series 3: Writings, 1970-1994 (7 folders; Box 4)

Series 4: Exhibitions, 1969-2007 (10 folders; Box 4, 3.73 GB; ER01-ER02)

Series 5: Professional Files, 1971-2012 (1.0 linear feet; Box 4-5)

Series 6: Research Material, 1953-2012 (9 folders; box 5-6)

Series 7: Teaching Files, 1973-2012 (2.8 linear feet; Box 6-9, 4.12 GB; ER03)

Series 8: Personal Business Files, 1977-2003 (.5 linear feet; Box 9-10)

Series 9: Printed Material, 1955-2013 (1.0 linear feet; Box 10-11)

Series 10: Artwork, circa 1958-1995 (2.0 linear feet; Box 11-13, shoebox 15)

Series 11: Photographs, 1940-2000 (1.5 linear feet; Box 13-14)

Biographical / Historical:

Harold Helwig (1938-2012) and Lenore Davis (1936-1995) were a craft artist couple as well as craft educators living primarily in Newport Kentucky.

Harold "Bill" Helwig (1938-2012) was an enamel artist and educator born in Wellington, Kansas in 1938. Helwig received his MS in watercolor from Fort Hayes Kansas State College in 1961. After a short stint in the military, Helwig became the assistant director of the Creative Craft Center at the State University of New York, Buffalo (he served as an assistant professor in the design department there as well). In 1977, Helwig took the position of director at Vitrearc, a division of Ceramic Coating Co., in Newport, Kentucky. After Vitrearc, Helwig's primary focus shifted towards creating enamel art and teaching its process. Included in Helwig's artistic accomplishments was a selection in the international exhibition Objects: USA(1969), exhibitions in the Ornamental Metals Museum in Memphis, Museum of Contemporary Crafts in New York City, and the CCA Galleries in Cambridge, England. Helwig was an active member of the American Craft Council as co-founder and editor of Glass On Metal. He received the Enamellist Society's Creative Arts Award in 2001.

Lenore Davis (1936-1995) was a fiber artist and educator born in Missoula Montana in 1936. She received her BS from the University of Michigan, Ann Arbor, Michigan in 1958. After college, Davis taught high school art, and held a position as a craft director with the US Army Special Services in Germany. After these jobs, Davis received her MFA in ceramics from Cranbrook Academy of Art, Bloomfield Hills, Michigan, in 1965, and was awarded a Fulbright scholarship to study ceramics in Portugal in 1966. After her scholarship, Davis began her career as a full-time artist showcasing her work individually and as part of group exhibitions at craft shows, galleries, and museums across the United States. She also led workshops, made instructional videos, and worked for commissions. Davis was a member of the Surface Design Association, National Institute of American Doll Artists, American Craft Council, Kentucky Guild of Craftsmen, and Greater Cincinnati Guild of Craftsmen.

Harold Helwig and Lenore Davis married in 1968. As a couple they worked collaboratively on two-person shows as well as part of larger group exhibitions. In addition to conducting various workshops and lectures, both Davis and Helwig taught classes at Penland School of Craft between the late-1970s and mid-1990s.

Provenance:

This collection was donated in 2017 by Arnelle Dow, executor of Harold Helwig's estate.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- Kentucky -- Newport  Search this

Enamel artists -- Kentucky -- Newport  Search this

Fiber artists -- Kentucky -- Newport  Search this

Topic:

Enamel and enameling  Search this

Textile design  Search this

Genre/Form:

Sketchbooks

Video recordings

Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.helwharo

See more items in:

Harold Helwig and Lenore Davis papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9635f8e84-08e2-43b6-8ab0-34b86e1a38d8

EDAN-URL:

ead_collection:sova-aaa-helwharo

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Extent:

1 Linear foot (Box 10-11)

Type:

Archival materials

Date:

1955-2013

Scope and Contents:

Clippings and articles about Lenore Davis and Harold Helwig; published writings and artwork by Davis and Helwig; exhibition ephemera and artist cards from Davis, Helwig, and their contemporaries; and collection catalogs. Also included is the book, Finding Joy: 101 Ways to Free Your Sprit and Dance with Life (1994) written by Lenore's sister, Charlotte Davis Kasl, and illustrated by Lenore.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.helwharo, Series 9

See more items in:

Harold Helwig and Lenore Davis papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fa14ce26-f459-4adb-9edb-2d1da5eb8864

EDAN-URL:

ead_component:sova-aaa-helwharo-ref178

Creator:

Coe, Ralph T., 1929-2010  Search this

Extent:

12.5 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Video recordings

Date:

1928-2010, bulk 1950s-2010

Summary:

The papers of museum director, curator, writer, art historian, and collector Ralph T. Coe measure 12.5 linear feet and date from 1928 to 2010, with the bulk of the records dating from the 1950s to 2010. The papers consist of some biographical material; writings by Coe for essays, articles, and book chapters; exhibition material, most notably from Lost and Found Traditions: Native American Art 1965-1985 (1985-1986); records from Coe's tenure at the Nelson-Atkins Museum of Art (1959-1982); Coe's association and membership records; files related to Coe's personal collection of Native American and European art; personal business records; printed material, photographs, and audiovisual material.

Scope and Contents:

The papers of museum director, curator, writer, art historian, and collector Ralph T. Coe measure 12.5 linear feet and date from 1928 to 2010, with the bulk of the records dating from the 1950s to 2010. Biographical material includes resumes, contact and address information, and some ephemera. Writings consist of notes, essays, articles, and book chapters written by Coe on collecting, Native American art, European art, and museology. Exhibition material, most notably from Lost and Found Traditions: Native American Art 1965-1985 (1985-1986), document Coe's involvement with various exhibitions as curator, consultant, and catalogue contributor. Records from Coe's time at the Nelson-Atkins Museum of Art (1959-1982) include administrative papers and correspondence, some exhibition material, and papers related to Coe's resignation as director in 1982. Coe's association and membership records document his affiliation with various collections, government institutions, professional societies, and non-profit organizations. Coe's collector files consist of papers related to the purchase of Native American and European art for both himself and on behalf of Henry Bloch, as well as art loans from Coe's personal collection and tours held at his home. Personal business records consist of correspondence, receipts, bills, and tax information documenting Coe's various endeavors as an art consultant and valuator, guest speaker, and writer. Printed material includes clippings on a variety of topics, and ephemera from his travels to different communities, museums, galleries, and historic sites.

Arrangement:

This collection is arranged as 11 series.

Series 1: Biographical Material, 1944-2005 (11 folders, Box 1)

Series 2: Correspondence, 1928-2010, bulk 1955-2010 (1.5 linear feet, Box 1-2)

Series 3: Writings, 1982-2010 (0.5 linear feet, Box 2-3)

Series 4: Exhibition Material, 1973-2003 (2.4 linear feet, Box 3-5)

Series 5: The Nelson-Atkins Museum of Art, 1959-2010 (7 folder, Box 5-6)

Series 6: Association and Membership Records, 1977-2005 (0.8 linear feet, Box 6)

Series 7: Collector Files, 1953, bulk 1979-2010 (0.7 linear feet, Box 6-7)

Series 8: Personal Business Records, 1974-2006 (0.7 linear feet, Box 7-8)

Series 9: Printed Material, 1930, bulk 1950s-2000s (1.5 linear feet, Box 8-9)

Series 10: Photographs, circa 1960s-2000s (2.5 linear feet, Box 9-12, OV 14)

Series 11: Sound and Video Material, 1972-2007 (1.4 linear feet, Box 12-13)

Biographical / Historical:

Ralph T. Coe (1929-2010) was a museum director, art collector, writer, and art historian who primarily focused on contemporary Native American art, but also worked on European impressionism to some extent. He was born in Cleveland Ohio, received his bachelor's degree from Oberlin College in 1953, and then his M.A. from Yale University in 1957. His first position out of Yale was as an assistant curator for the National Gallery of Art, Washington, D.C. Coe then worked for the Nelson-Atkins Museum of Art, Kansas City, Missouri from 1959 to 1982.

In 1982 Coe was officially hired by the National Museum of American Art as a senior visiting scholar, working on an acquisition/exhibition project. This project ultimately produced the traveling exhibition, Lost and Found Traditions: Native American Art 1965-1985 (1985-1986), and established the largest collection of Native American contemporary art at the time. The project was funded by The American Federation of Arts (AFA) in conjunction with the American Can Corporation. It first opened at the American Museum of Natural History, New York City, in 1986, and then traveled for two years under the auspices of the AFA. The collection was showcased at the Renwick Gallery, Smithsonian Institution, Washington, D.C., the Los Angeles County Museum of Natural History, and the Kulturhuset, Stockholm, Sweden, among others. Coe also published a book-length catalogue for the exhibit.

As an independent art historian and writer, Coe published essays, articles, and book chapters. Coe worked closely with the collections of Eugene V. Thaw and Henry Bloch, and functioned as both a committee and trustee member for several organizations including the American Federation of Arts, Association of Art Museum Directors, the National Endowment for the Arts, the Art Advisory Panel, the American Council for Cultural Policy, the Archives of American Art, and the Southwestern Association on Indian Affairs.

As an art collector, Coe consistently traveled throughout North America meeting with Native American artists and cultural representatives. Coe established a wide range of relationships with Native American communities from coast to coast as he collected their art and engaged with their cultural practices.

Provenance:

This collection was donated by the Ralph T. Coe Estate in 2013.

Restrictions:

This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- New Mexico -- Santa Fe  Search this

Arts administrators -- New Mexico -- Santa Fe  Search this

Topic:

Art -- Collectors and collecting  Search this

Museum directors  Search this

Native American artists  Search this

Genre/Form:

Sound recordings

Video recordings

Citation:

Ralph T. Coe papers, 1928-2010, bulk 1950s-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.coeralp

See more items in:

Ralph T. Coe papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9366aa0e7-6880-43dc-a231-72620ac2db8a

EDAN-URL:

ead_collection:sova-aaa-coeralp

Collection Creator:

Coe, Ralph T., 1929-2010  Search this

Extent:

.7 Linear feet (Box 6-7)

Type:

Archival materials

Date:

1953, bulk 1979-2010

Scope and Contents:

Loan agreements, inventories, articles and essays on the topic of collecting, ephemera from galleries such as Sotheby's and Christie's, and other priced Native American and European art. Also included is correspondence with Henry Bloch, president of H&R Block. Coe, as a collector and art historian, aided Bloch in acquiring art for his own collection.

Some papers related to Coe's collecting of Native American art from 1979 to 1985 is also found in Series 4.1.

Collection Restrictions:

This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Ralph T. Coe papers, 1928-2010, bulk 1950s-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.coeralp, Series 7

See more items in:

Ralph T. Coe papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95495a729-f7c3-4cc9-a014-126105c42e2a

EDAN-URL:

ead_component:sova-aaa-coeralp-ref118