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Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Extent:
21.6 Cubic feet (consisting of 17 cartons, 2 oversized boxes.)
Type:
Collection descriptions
Archival materials
Transcripts
Color slides
Exhibition records
Exhibit scripts
Contact sheets
Photographic prints
Correspondence
Place:
Washington Metropolitan Area
Date:
1942-1998
Summary:
These records document the planning, organizing, execution, and promotion of an exhibition exploring the immigration of people of African descent from Central and South America and the Caribbean to the Washington Metropolitan Area. The show was organized and hosted by the Anacostia Museum from August 21, 1994 through August 7, 1995. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Scope and Contents:
The records of the Black Mosaic exhibition presented by the Anacostia Community Museum measure 21.6 cubic feet and date from 1942 to 1998, with the bulk of material dating from 1990 to 1995. The records include administrative records, publications, research files, floor plans, exhibit text drafts, oral history transcripts, and project files for programs coordinated for or tangentially with the Black Mosaic Exhibit.

Administrative records include advisory board member lists, meeting minutes, agendas, grant proposals, project reports and assessments, correspondence, training material for museum volunteers and docents, and assorted notes. Publications within the series directly relate to the Black Mosaic Exhibit and the Anacostia Community Museum. Correspondence includes both internal correspondence and those with local community members.

Writings and notes were previously scattered throughout the collection have been collocated within the Administrative Records series, and a majority are undated. The notes cover topics ranging from administrative activities to exhibit and research planning. Included are printed documents, scrap paper, and spiral-bound notebooks.

The research files contain background information about numerous immigrant communities within Washington D.C. The community research files were originally organized by country, continent, or region of origin, and then later by subjects that coordinated with the exhibit's designated themes. This organization method has largely been maintained. Research files include scholarly articles, news clippings, event programs, compiled bibliographies, and material related to the study of museology.

The exhibit files include floor plan layouts, photocopies of images, interview transcripts, exhibit literature, and extensive exhibit text drafts. Drafts of the exhibit's text include notes throughout multiple editing stages. Additionally, copies of flip books for different thematic sections of the Black Mosaic exhibit are included and are organized alphabetically by title. Other exhibit literature present is primarily in English with one French copy present.

The project files include training material for collecting oral histories and documenting community folklife, conference records, event records, and records pertaining to related projects at the Anacostia Community Museum. Concurrent projects supporting the exhibit include the Black Mosaic community newsletter and an educational curriculum project. Additional project records that thematically overlap with the Black Mosaic exhibit but extend beyond the timeframe of the formal exhibit are present also.
Arrangement:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D.C. exhibition records are arranged in four series:

Series 1: Administrative Records

Series 2: Research Files

Series 3: Exhibit Files

Series 4: Project Files
Historical Note:
The exhibit Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D.C. was curated by the Anacostia Community Museum's supervisory curator Portia James, and was open at the Anacostia Community Museum from August 1994 to August 1995. The exhibition explored the immigration of people of African descent from South America, Central America, and the Caribbean to the Washington Metropolitan Area.

Topics addressed in the exhibition include migration, situations faced by Black immigrants, the maintenance of relationships with places of origin, community events and cultural performances, public and private expressions of culture, commodification of culture for economic support, and the expression of multiple identities. Some intentions of the exhibit were to provide forums for discussing culture and identity, provide resources for people learning about communities in the Washington Metro area, and to be a model to other museums and cultural institutions for understanding and interpreting similar immigration and settlement patterns.

The exhibit was designed to be experienced with broader cultural concepts being introduced towards the external part of the exhibit, while personal stories could be experienced further in. Over 100 oral history interviews featured prominently in the exhibit where interviewed individuals explained their immigration experience and how they've adapted to life in the area. The exhibit also included mounted photographs, artifacts, music, and conversations. Artifacts included passport photos, tickets, family photographs, and letters. The exhibit's text displayed in three languages: English, Spanish, and Haitian Creole. There were additional exhibition guides provided in Brazilian Portuguese, French, and the Ghanaian languages of Ga, Twi, Akan, and Ewe.

Coupled with the exhibit, the museum coordinated an extensive series of programs to engage various communities in the exploration of issues and traditions. These programs included creating newsletters and a photograph exhibit to keep the community up to date about the progression of the exhibit, working with performance groups, creating multi-institutional partnerships in order to develop more effective methods of collecting oral histories, and collaborating and modeling for the CFPCS African Immigrant Communities project.
Provenance:
Records of Black Mosaic: Community, Race, and Ethnicity Among Black Immigrants in Washington, D.C. Exhibition were created by the Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Immigrants -- United States -- Exhibitions  Search this
Museum exhibits  Search this
Genre/Form:
Transcripts
Color slides
Exhibition records -- 1990-2004
Exhibit scripts
Contact sheets
Photographic prints
Correspondence
Citation:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-027
See more items in:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa769b48dcf-5b93-4db2-b89e-3e4819fb8f55
EDAN-URL:
ead_collection:sova-acma-03-027
Online Media:

Phil Jordan Collection

Topic:
Graphis (Serial)
Communication Arts (Serial)
Skylines (Newsletter)
Air & Space (Serial)
Smithsonian (Serial)
Creator:
Jordan, Phil  Search this
Names:
Art Directors Club of Metropolitan Washington  Search this
Baughman Company  Search this
Beveridge and Associates Inc.  Search this
Chamber of Commerce of the United States of America  Search this
East Carolina University  Search this
IBM (International Business Machines)  Search this
McGraw-Hill Book Company, Inc.  Search this
National Air and Space Museum  Search this
Richmond Times-Dispatch (Firm)  Search this
Robert Kline and Co. Inc.  Search this
Skyline Soaring Club  Search this
Society of Illustrators (New York, N.Y.)  Search this
United States Postal Service  Search this
United States Postal Service. Stamp Development Department  Search this
United States. Coast Guard  Search this
United States. Montgomery G.I. Bill  Search this
United States. National Aeronautics and Space Administration  Search this
Virginia Commonwealth University  Search this
Jordan, Phil  Search this
Extent:
7.18 Cubic feet (10 letter size document boxes, 3 legal size document boxes, one tall document box, and one oversize folder.)
Type:
Collection descriptions
Archival materials
Place:
New Bern (N.C.)
Fort Greely (Alaska)
United States -- History -- Civil War, 1861-1865
Date:
1992-2015
Summary:
Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps. The collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2014. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responisbile for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.
Scope and Contents:
The Phil Jordan collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2013. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responsible for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.

Of the some 300 stamps Jordan was responsible for, some that are represented in this collection include stamps related to hospice care (Jordan consider his work on this stamp to be amongst the most rewarding); legends of baseball; the Civil War Sesquicentennial; legends of Hollywood; the Indianapolis 500; literary arts; Owney the postal dog; the Washington, D.C. cherry blossom centennial; bicycling; ʻĪd al-Fiṭr; Grand Central Terminal in New York City; the USS Arizona Memorial; Wilt Chamberlain; the 225th anniversary of the U.S. Coast Guard; and the 50th anniversary of supersonic flight.

In addition, there are portfolios that provide visual documentation of Jordan's work on stamps, correspondence related to stamp design inquiries, and some biographical information.

Materials in the collection include correspondence, drawings, illustrations, color photographs, color transparencies, maps, news releases, notes, research materials, brochures, and clippings. Some materials are in electronic format.

Many of the stamps that Jordan worked on as Stamp Art Director can be found at the National Postal Museum.
Arrangement:
This collection is arranged into five series.

Series

Series 1: Issued Stamps Issued Stamps, 1999-2011

Series 2: Unissued Stamps, 1998-2006

Series 3: Portfolios, 1993-2015

Series 4: General Files, 1992-2013

Series 5: Oversize, 1994-2015
Biographical / Historical:
Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps.

Jordan grew up in New Bern, North Carolina and attended East Carolina University. After a period of service with the Army Arctic Indoctrination School in Fort Greely, Alaska, Jordan graduated from Virginia Commonwealth University with a degree in visual communications. Early in his career he worked as an artist for the Richmond Times-Dispatch and the Baughman Company offset lithographers while attending school on the GI Bill.

Later he worked at the advertising agency Robert Kline and Co. Inc. as their art supervisor before serving as the assistant art director the United States Chamber of Commerce. Next, he joined Beveridge and Associates, Inc. guiding art direction for corporate, institutional and government design projects. Eventually becoming a partner at the firm, Jordan left after 18 years to form his own communications consulting firm where he managed projects for USAir, NASA, McGraw-Hill, IBM, the National Air and Space Museum, and Smithsonian Books.

Jordan was responsible for the formats of the Air and Space and Smithsonian magazines and was their Design Director for fifteen years. From there his work as consulting art director for the United States Postal Service's Stamp Development Department saw him art direct and produce 300 postage stamps as well as other stamp collateral publications for 23 years. Among some of the stamps he worked on include the 2011 Neon! Celebrate stamp, the 2012 Major League Baseball All-Stars stamps, the 2013 Civil War stamps; the 2012 Cherry Blossom Centennial stamps; the 1997 Classic American Aircraft stamps; and the 2003 First Flight stamp.

Jordan's work has been featured in a number of exhibitions and in publications such as Graphis, Society of Illustrators, and Communication Arts. A recipient of professional awards from these organizations over the years, he was also the recipient of the NASA Group Achievement Award. He is a past president of the Art Directors Club of Metropolitan Washington and was an avid glider pilot, being a founding member of the Skyline Soaring Club and the former long-time editor of Skylines newsletter.
Provenance:
Donated by Phil Jordan, 2015. This collection was initially part of the museum collections (Accession 2015.2015), but was released to the NPM Archives in December 2023.
Restrictions:
Collection is open for research. Access to original archival materials is by appointment only. Researchers must submit request for appointment in writing. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.
Rights:
The National Postal Museum Archives makes its archival collections available for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. Please refer to the Smithsonian's Terms of Use and the NPM Rights and Reproductions for additional information. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.
Occupation:
Art directors  Search this
Graphic designers -- United States  Search this
Topic:
Postage stamps  Search this
Baseball  Search this
Cherry blossoms  Search this
Bicycling  Search this
Supersonic planes  Search this
Hospice care  Search this
Owney (Dog)  Search this
Glider pilots  Search this
USS Arizona Memorial (Hawaii)  Search this
ʻĪd al-Fiṭr  Search this
Citation:
Phil Jordan Collection, NPMA.2023.2, National Postal Museum, Smithsonian Institution
Identifier:
NPMA.2023.2
See more items in:
Phil Jordan Collection
Archival Repository:
National Postal Museum Archives
GUID:
https://n2t.net/ark:/65665/zn80a463026-5019-4c9c-95c2-cd698cf84f5a
EDAN-URL:
ead_collection:sova-npma-2023-2
Online Media:

Jan Matulka papers

Creator:
Matulka, Jan, 1890-1972  Search this
Extent:
0.01 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1920
Summary:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Scope and Contents:
The papers of New York painter Jan Matulka measure 0.01 linear feet and date from circa 1920. The collection is comprised of three photographs of Matulka, including one studio portrait by M. Vu Kovic, and one double-exposed portrait.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Czech-born painter, printmaker, and educator Jan Matulka (1890-1972) was one of the pioneers of American modernist painting during the 1920s and 1930s.

Matulka emigrated to the United States from Bohemia in 1907 and studied at the National Academy of Design from 1911-1916. He subsequently taught at the Art Students League and passed on his understanding of avant garde developments in progressive painting to a generation of important artists including Francis Criss, Dorothy Dehner, Burgoyne Diller, I. Rice Pereira, and David Smith.
Separated Materials:
The Archives of American Art also holds microfilm of material that was part of Matulka's donation including clippings, exhibition notices, and miscellany. This material was microfilmed on Reel D251 and was transferred to the Smithsonian American Art Museum for the museum's vertical files and is not described in the collection container inventory.
Provenance:
The collection was donated by Jan Matulka in 1966.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Jan Matulka papers, circa 1920. Smithsonian Institution, Archives of American Art.
Identifier:
AAA.matujan
See more items in:
Jan Matulka papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c99c7bc-25db-42e8-a950-f99a46082b04
EDAN-URL:
ead_collection:sova-aaa-matujan

Division of Work and Industry Lantern Slide Collection

Creator:
Missionary Catechists of Divine Providence.  Search this
Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this
Underwood and Underwood  Search this
Compiler:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
41 Cubic feet (125 boxes)
Type:
Collection descriptions
Archival materials
Blueprints
Drawings
Lantern slides
Photographs
Date:
1758-1934, undated
Summary:
A collection of 19th and early 20th century lantern slides collected by the Division of Work and Industry, National Museum of American History, Smithsonian Institution.
Scope and Contents:
A collection of 19th and early 20th century silver gelatin dry plate lantern slides acquired by the staff of the Division of Work and Industry, National Museum of American History, Smithsonian Institution. These materials were collected for research purposes and relate to various engineering and mining subjects. The photographs document engineering activities, equipment, facilities, and projects. Activities include engineering inspection; moving an obelisk; rock drilling and riveting; tunneling; V drive ratio testing; and weighing. Photographs are also of objects including blueprints, boilers, bridges, canals, drawings, Egyptian temples, flywheel governors, and valves.

Images of corporate facilities documented include American Locomotive Company; Cooper-Bessemer Corporation; Fairbanks Morse and Company; Hamiliton; Ingersoll-Rand, Incorporated; and Nordberg Manufacturing Company. In addition, there are images of equipment such as diesels, marine diesel generator set, diesel models, and marine diesel engines. Images were created by photographers and photographic studios including L. C. Handy Photo, Washington, DC; W. H. Lawrence and B. S. Turpin; Underwood & Underwood; and the Massachusetts Institute of Technology (MIT) Civil Engineering Department. Locations include various parts of the United States, Cuba, Jamaica, Mexico, Brazil, and Africa.

Condition of the material varies widely with some fragile or broken negatives. Poor quality images also exist probably due to unstable storage environments or the processing of the slides. All slides have been digitized and moved to off-site storage to minimize handling and at the same time increase accessibility.

Collection is arranged in six series: series 1, engineering; series 2, extractive industries; series 3, chemical; series 4, equipment; series 5, railroads; series 6, locations; subseries 7, agriculture; and miscellaneous materials.
Arrangement:
Collection is arranged in eight series.

Series 1: Engineering, undated

Subseries 1.1: Architecture and Structures, undated

Subseries 1.2: Bridges, Cantilever, undated

Subseries 1.3: Bridges, Concrete Arch and Beam, undated

Subseries 1.4: Bridges, Masonry Aqueducts, undated

Subseries 1.5: Bridges, Metal Arc, undated

Subseries 1.6: Bridges, Metal Truss, undated

Subseries 1.7: Bridges, Movable, undated

Subseries 1.8: Bridges, Suspension, undated

Subseries 1.9: Canals, undated

Subseries 1.10: Hydraulic Engineering, undated

Subseries 1.11: Machine Tools, undated

Subseries 1.12: Materials Handling, undated

Subseries 1.13: Power, undated

Subseries 1.14: Railroad Mileage Maps, undated

Subseries 1.15: Steam Boilers, undated

Subseries 1.16: Steam Turbines, undated

Subseries 1.17: Tunneling Machine Tools, undated

Series 2: Extractive Industries, undated

Subseries 2.1: Coal, undated

Subseries 2.2: Iron, undated

Subseries 2.3: Mining, undated

Subseries 2.4: Oil, undated

Subseries 2.5, Rubber, undated

Subseries 2.6, Steel, undated

Subseries 2.7, Timber, undated

Series 3: Chemical, undated

Subseries 3.1: Massachusetts Institute of Technology, undated

Subseries 3.2: Processes, undated

Subseries 3.3: Visual Aids in Chemical Education, undated

Series 4: Equipment and Machinery, undated

Subseries 4.1: Companies, undated

Subseries 4.2: Equipment, undated

Series 5: Railroads, undated

Subseries 5.1: Charts, undated

Subseries 5.2: Equipment, undated

Subseries 5.3: Locomotives, undated

Subseries 5.4: Parts, undated

Subseries 5.5: Railroad Cars, undated

Subseries 5.6: Repair Report Forms, undated

Subseries 5.7: Shop Scenes, undated

Subseries 5.8: Toppling Over, undated

Subseries 5.9: Yard Scenes, undated

Subseries 5.10: Unidentified, undated

Series 6: Locations, undated

Subseries 6.1: California, undated

Subseries 6.2: Canada, undated

Subseries 6.3: General, undated

Subseries 6.4: New York, undated

Subseries 6.5: United States National Parks, undated

Subseries 6.6: Washington, DC, undated

Series 7: Agriculture, undated

Subseries 7.1: Butter, undated

Subseries 7.2: Coffee, undated

Subseries 7.3: Corn, undated

Subseries 7.4: Cotton, undated

Subseries 7.5: Potatoes, undated

Subseries 7.7: Poultry, undated

Subseries 7.8: Sugar, undated

Subseries 7.9: Tea, undated

Subseries, 7.10: Tobacco, undated

Subseries 7.11: Turpentine, undated

Series 8, Miscellaneous, undated
Related Materials:
Archives Center, National Museum of American History

For related material on Canals, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Canals, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Roland A. McCrady Photograph Collection, NMAH.AC.0710

Division of Cultural History Lantern Slides and Stereographs, NMAH.AC.0945

Niagara Falls Power Company Records, NMAH.AC.0949

Modjeski and Masters Company Records, NMAH.AC.0976

George Morison Collection, NMAH.AC.0978

Uriah A. Boyden Papers, NMAH.AC.0982

James Forgie Papers, NMAH.AC.0986

William R. Hutton Papers, NMAH.AC.0987

Snake River Irrigation Project Photograph Album, NMAH.AC.1031

Silas H. Woodard Papers, NMAH.AC.1038

Delaware, Lackawanna, and Western Railroad Records, NMAH.AC.1074

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

New York State Barge Canal Photographs, NMAH.AC.1536

Lackawaxen Canal Survey Profiles, NMAH.AC.1546

Nicaragua Canal Collection, NMAH.AC.1550

For related material on Cantilever Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

George Morison Collection, NMAH.AC.0978

John A. Roebling Collection, NMAH.AC.0981

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Concrete Arch and Beam Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

For related material on Hydraulic Engineering, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Engineering, NMAH.AC0060

Charles Richardson Pratt Papers, NMAH.AC.0958

Rudolph Hering Collection, NMAH.AC.0989

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Machine Tools, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Tools, NMAH.AC.0060

Pratt & Whitney Company Scrapbook, NMAH.AC.0093

Max Holland Numerical Control Collection, NMAH.AC.0537

Southwark Foundry and Machine Company Records, NMAH.AC.1107

For related material on Materials Handling, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Materials Handling, NMAH.AC.0060

James J. Childs Numerical Control Collection, NMAH.AC.0420

World War Two Bomb Damage Photographs, NMAH.AC.1535

Norton Grinding Machine Company Photograph Collection, NMAH.AC.1551

Paul Steam-Heating System Company Records, NMAH.AC.1554

For related material on Metal Arch Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.A.C0060

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Movable Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Henry Grattan Tyrrell and Mary Maude Knox Tyrrell Papers, NMAH.AC.0948

Nathan W. Morgan Papers, NMAH.AC.0965

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Panama Canal, see the following collections:

John Frances Little Panama Canal Scrapbook, NMAH.AC.0708

A.R. Van Tassell Photograph Album, NMAH.AC.1015

W. A. Fishbaugh Panama Canal Photograph Album, NMAH.AC.1021

W. P. Stine Panama Canal Papers, NMAH.AC.1039

Katherine Kingsford Panama Canal Photograph Album, NMAH.AC.1040

Richard Fisher Collection of Panama Canal Materials, NMAH.AC.1045

Robert Dearborn Panama Canal Glass Negatives, NMAH.AC.1111

Charles Edwards Wood Panama Canal Photograph Album, NMAH.AC.1114

Panama Canal Commission Photonegatives, 1903-circa 1939, NMAH.AC.1116

Division of Mechanical and Civil Engineering Panama Canal Collection, NMAH.AC.1569

For related material on Steam Boilers, see the following collections:

Frick Company Collection, NMAH.AC.293

Erasmus D. Leavitt Collection, NMAH.AC.0966

Edwin Rust Papers, NMAH.AC.1070

Hartford Steam Boiler Inspection and Insurance Company Records, NMAH.AC.1541

For related material on Steam Turbines, see the following collections:

Parke, Davis Research Laboratory Records, NMAH.AC.0001

Westinghouse Electric and Manufacturing Company Records, NMAH.AC.0977

Skinner Engine Company Records, NMAH.AC.1087

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

For related material on Suspension Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

Modjeski and Masters Company Records, NMAH.AC.0976

Niagara Falls Bridge Commission Records, NMAH.AC.1060

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Robinson & Steinman Collection, NMAH.AC.1562

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American women  Search this
Agriculture -- Corn  Search this
Agricultural crops -- Fields  Search this
Agricultural laborers  Search this
Agricultural machinery  Search this
Agricultural products  Search this
Architecture  Search this
Bananas -- Costa Rica  Search this
Bananas -- Jamaica  Search this
Bearings (Machinery)  Search this
Bridges  Search this
Butter  Search this
Butter -- New York  Search this
Canals  Search this
Children -- 20th century  Search this
Coal mines and mining  Search this
Coffee  Search this
Coffee industry -- Brazil  Search this
Coffee -- Jamaica  Search this
Coffee -- Mexico  Search this
Engineering  Search this
Hydraulic engineering  Search this
Laborers  Search this
Machine-tools  Search this
Maple sugar  Search this
Materials handling  Search this
Mining engineering  Search this
Poultry industry  Search this
Power  Search this
Railroads  Search this
Railroads -- 19th century  Search this
Railroads -- 20th century  Search this
Rubber -- Ceylon  Search this
Rubber -- Congo  Search this
Rubber plantations  Search this
Steam-boilers  Search this
Sugar  Search this
Tires  Search this
Tobacco  Search this
Tunnels  Search this
Turbines  Search this
Turpentine -- North Carolina  Search this
Water-supply  Search this
Genre/Form:
Blueprints
Drawings -- 20th century
Lantern slides
Photographs -- Lantern slides -- 19th century
Photographs -- Lantern slides -- 1900-1950
Citation:
Division of Work and Industry Lantern Slide Collection, 1886-1931, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1013
See more items in:
Division of Work and Industry Lantern Slide Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep864c4320f-954c-462f-8434-2b79c0ed7159
EDAN-URL:
ead_collection:sova-nmah-ac-1013

Parke, Davis Research Laboratory Records.

Author:
Parke, Davis Company  Search this
Collector:
National Museum of American History (U.S.). Division of Medical Sciences  Search this
Names:
Pfizer Inc.  Search this
Warner-Lambert/Parke-Davis  Search this
Warner-Lambert/Parke-Davis. Pharmaceutical Research Division  Search this
Davis, George S.  Search this
Duffield, Samuel P., Dr. (physician, pharmacist)  Search this
Parke, Hervey Coke , 1827-1899  Search this
Extent:
365 Cubic feet (510 boxes, 43 map folders)
Type:
Collection descriptions
Archival materials
Annual reports
Blueprints
Brochures
Catalogs
Correspondence
Employee records
Formulae, chemical
Lantern slides
Newsletters
Newspaper clippings
Notebooks
Price lists
16mm films
Sound recordings
Tracings
Trade literature
Date:
1866-1992
Summary:
The collection documents Parke, Davis and Company, one of the largest and oldest pharmaceutical firms in America.
Scope and Contents:
The collection documents Parke, Davis and Company, one of America's oldest and largest drug makers. Parke, Davis had the first research laboratory in the American pharmaceutical industry. The company played a major role in the development of some of the principle new drugs of the twentieth century and pioneered the field of drug standardization. They were one of the first American firms to produce antitoxins, hormones, and other biologicals. They introduced new and important drugs such as adrenalin, dilantin, chlorenpleniol, and other antibiotics. They also did important research on vitamins, disinfectants, and pencillin.

The collection contains complete documentaion of all the research activities done, including research laboratory notes, correspondence, and published papers. The collection also contains corporate, financial, advertising and sales materials, photographs, and audiovisual materials. The collection is important for those researchers interested in the history of public health, the history of biologicals, pharmaceutical manufacturing and business history.
Arrangement:
Collection is divided into 13 series.

Series 1: Corporate Materials, 1887-1951

Series 2: Financial Materials, 1880-1970

Series 3: Employee/Personnel Materials, 1900-1989

Series 4: Advertising/Sales Materials, 1868-1980

Series 5: Photographs, 1866-1992

Series 6: Notebooks, 1908-1968

Series 7: Control Department Records, 1884-1931

Series 8: Formulas, 1882-1967

Series 9: Equipment Data Files, 1922-1978

Series 10: Publications, 1968-1988

Series 11: Research Materials, 1920-1978

Series 12: Drawings, 1911-1971

Series 13: Addenda, 1867-1970

Series 14: Audio Materials, 1956-1957
Historical:
Parke, Davis and Company traces it's origins to Samuel Pearce Duffield (1833-1916), a physician and pharmacist. Duffield was born in Carlisle, Pennsylvania and his family moved to Detroit when he was an infant. Duffield graduated from the University of Michigan in 1854 and he attended medical school at the University of Pennsylvania, latter leaving for Germany where he studied chemistry and sought treatment for his eyesight. He subsequently earned a Doctor of Philosophy from Ludwig University at Giessen in Germany. Duffield returned to Detroit in 1858 and established a retail drugstore with a strong interest in manufacturing pharmaceuticals. Duffield sought financial partners for his retail and manufacturing venture with A.L. Patrick and Francis C. Conant. Both men retracted their investments and Duffield met Hervey Coke Parke (1927-1899), a native of Bloomfield Hills, Michigan.

Duffield and Parke formed a formal partnership in 1866. George S. Davis, a third partner and traveling salesman previously with Farrand, Sheley and Company, was added 1867. Augustus F. Jennings joined the company as a partner to head manufacturing. The company became known as Duffield, Parke, Davis, & Jennings Company. Duffield withdrew in 1869 and the name Parke, Davis & Company was adopted in 1871. The company incorporated in 1875 and began planning world-wide scientific expeditions to discover new vegetable drugs such as Guarana, Bearsfoot, Eucalyptus Globulus, and Coca. The company first showed a profit in 1876, and the first dividend paid to shareholders in 1878 and dividends paid until mid-1960s. Research was a major activity of the company.

In 1907, Parke, Davis and Company bought 340 acres in northeast Avon Township, Michigan, and called it Parkedale Farm. The farm was dedicated on October 8, 1908, and included sterilization rooms and a vaccine propagating building. By 1909 the farm included 200 horses, 25 to 50 cattle, 150 sheep, and employed 20 men. The horses produced the antitoxin for diphtheria and tetanus, the cattle produced a vaccine for smallpox preventatives, and the sheep made serum. Only the healthiest animals were used and all were well cared for. Exotic plants were also grown on the site and used for drugs. Parke-Davis' chief products were antitoxins and vaccines as well as farm crops for feeding the animals. The farm continued to produce vaccines for diphtheria, scarlet fever, tetanus, smallpox, anthrax, and in the 1950s, the Salk polio vaccine.

Due to a weakening financial position, the company became susceptible to take-over, and was purchased by Warner-Lambert in 1970. Warner Lambert, was then acquired by Pfizer in 2000. In 2007, Pfizer closed its research facilities in Ann Arbor, Michigan.

Source

Rochester Hills Museum at Voon Hoosen Farm (last accessed on September 29, 2021 https://www.rochesterhills.org/Museum/LocalHistory/ParkeDavisFarm.pdf)

Parke, Davis and Company. Parke-Davis At 100...progress in the past...promise for the future. Detroit, Michigan, 1966.
Related Materials:
Materials in the Archives Center, National Museum of American History

Alka-Seltzer Documentation and Oral History Project (NMAH.AC.0184)

N W Ayer Advertising Agency Records (NMAH.AC.0059)

Cover Girl Advertising Oral History Documentation Project (NMAH.AC.0374)

Garfield and Company Records (NMAH.AC.0820)

Albert W. Hampson Commercial Artwork Collection (NMAH.AC.0561)

Ivory Soap Advertising Collection (NMAH.AC.0791)

Kiehl's Pharmacy Records (NMAH.AC.0819)

Alan and Elaine Levitt Advertisement Collection (NMAH.AC.0303)

Medical Sciences Film Collection (NMAH.AC.0222)

Norwich Eaton Pharmaceutical, Inc. Collection (NMAH.AC.0395)

Procter & Gamble Company Product Packaging Collection (NMAH.AC.0836)

Sterling Drug Company Records (NMAH.AC.772)

Syntex Collection of Pharmaceutical Advertising (NMAH.AC.0821)

Warshaw Collection of Business Americana Subject Categories: Medicine (NMAH.AC.0060.S01.01.Medicine)

Warshaw Collection of Business Americana Subject Categories: Patent Medicines (NMAH.AC.0060.S01.01.PatentMedicines)

Materials at the Smithsonian Institution Libraries

Smithsonian Libraries Trade Literature Collection

Trade catalogs related to Parke, Davis & Co.; Warner-Lambert; Pfizer Pharmaceuticals; and Pfizer, Inc.

Materials at Other Organizations

Detroit Public Library, Special Collections

Parke, Davis & Company records, 1892-1959

Scrapbook of clippings, 1929-44; Excursions & Announcements, 1892-1902; and company newsletters.

University of California San Francisco

Drug Industry Documents was created by the University of California San Francisco Library in collaboration with faculty members C. Seth Landefeld, MD and Michael Steinman, MD. Originally established to house documents from an off-label marketing lawsuit against Parke-Davis (United States of America ex rel. David Franklin vs. Parke-Davis), the archive has grown to include documents from additional sources illustrating how the pharmaceutical industry, academic journals and institutions, continuing medical education organizations and regulatory/funding agencies operate in ways that are detrimental to public health.
Separated Materials:
Division of Medicine and Science, National Museum of American History

The division holds objects related to Parke, Davis that primarily include containers (boxes and glass bottles) that held phamrmaceuticals, biologicals (vaccines), crude drugs, and herb packages. See accessions: 1978.0882; 1982.0043; 1982.0043; 1984.0351; 1985.0475; 1988.3152; 1991.0415; 1992.3127; 2001.3066; 2012.0165; and 2018.5001.
Provenance:
The initial collection of approximately 185 cubic feet was donated by the Warner-Lambert Company, through Jerry A. Weisbach, Vice-President and President of the Pharmaceutical Research Division, on February 3, 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising  Search this
Antibiotics  Search this
Architectural Blueprints  Search this
Biologicals  Search this
Chemistry  Search this
Diseases  Search this
Drugs -- 1900-1950  Search this
Drug factories  Search this
Influenza Epidemic, 1918-1919  Search this
Laboratories  Search this
Medical scientists -- 1900-1950  Search this
Patents  Search this
Pharmaceutical industry -- 1900-1950  Search this
Pharmacology -- 1900-1950  Search this
Photographs  Search this
Vaccines  Search this
Genre/Form:
Annual reports -- 20th century
Blueprints -- 20th century
Brochures -- 20th century
Catalogs
Correspondence -- 19th-20th century
Employee records
Formulae, chemical
Lantern slides -- 1900-1950
Newsletters -- 20th century
Newspaper clippings
Notebooks -- 1900-1950
Price lists
16mm films
Sound recordings -- Audiotapes -- Open reel
Tracings
Trade literature
Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0001
See more items in:
Parke, Davis Research Laboratory Records.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8869c518d-5cbd-42cf-b508-e688de3bf14d
EDAN-URL:
ead_collection:sova-nmah-ac-0001
Online Media:

Don Raymond David and Andrée Golbin papers

Creator:
David, Don Raymond, 1906-2006  Search this
Golbin, Andrée, 1923-2006  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Diaries
Date:
circa 1920-1980
Summary:
The papers of painters Don Raymond David and Andrée Golbin measure 3.6 linear feet, date from circa 1920-1980, and illustrate their lives and careers through biographical material, correspondence, writings, personal business records, printed and photographic material, and artwork.
Scope and Contents:
The papers of Don Raymond David and Andrée Golbin measure 3.6 linear feet and date from circa 1920-1980. Biographical materials include membership cards to various organizations for both David and Golbin, a graduation certificate for Golbin from the Parsons School of Design, and Andrée Golbin's Who's Who in American Art biographical information. Correspondence is to and from various artists, family members, and organizations and between Golbin and David. Writings consist of various travel diaries, as well as notebooks and lectures for classes taught by David. Personal business records include materials regarding the Creative Artists Public Service Program, dealer contracts, various weekly planners, and price lists for artwork. Printed material consists of exhibition catalogs and announcements, illustrations by Golbin for published works, and prints of sketches. Photographic material includes photographs, slides, and transparencies of Golbin, David, and both artists' artwork. Artwork consists of drawings, sketches, and sketchbooks by both David and Golbin.
Arrangement:
This collection consists of seven series.

Series 1: Biographical Material, circa 1940-1975 (.1 Linear feet: Box 1)

Series 2: Correspondence, circa 1946-1980 (.3 Linear feet: Box 1)

Series 3: Writings, circa 1920-1978 (.7 Linear feet: Boxes 1-2)

Series 4: Personal Business Records, circa 1951-1977 (.7 Linear feet: Box 2)

Series 5: Printed Material, circa 1938-1979 (.2 Linear feet: Box 2)

Series 6: Photographic Material, circa 1920-1980 (.3 Linear feet: Box 3)

Series 7: Artwork, circa 1920-1980 (1.3 Linear feet: Boxes 3-4, OV 5, and OV 6)
Biographical / Historical:
Don Raymond David (1906-2006) and Andrée Golbin (1923-2006) were husband and wife artists based in New York, NY.

Andrée Golbin was a painter, graphic artist, and illustrator and was born in Germany to her parents Owsey Golbin and Elsa Rimathe, before immigrating to the United States when she was sixteen. She graduated from the Parsons School of Design in 1943 and served as director for Mademoiselle magazine in the early 1950s. Golbin created artwork for many different clients, including several dance companies, Henri Bendel, and American Cyanamid. Golbin was based in New York City and was a member of the Artists Equity Association of New York, the American Newspaper Guild, which she withdrew from in 1948, and the Museum of Modern Art in New York. In her later years, Golbin taught at the Parsons School of Design.

Don Raymond David was a painter and instructor and was born in Springbrook, Yamhill County, Oregon. In 1927, David began studying at Fresno State College with Alexandra Bradshaw and by the late 1930s was in Los Angeles where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. In the late 1950s, he relocated to New York where he attended the Hans Hofmann School and had frequent solo shows at the Camino Gallery through the 1960s to early 1970s. David was an instructor at the Newark School of Fine and Industrial Arts in New Jersey and continued as a teacher beside his wife at the New York Parsons School of Design. He was a member of the California Watercolor Society and the National Society of Art Directors.

Golbin and David died in 2006 in Newburg, Yamhill County, Oregon at the ages of eighty-three and ninety-nine.
Provenance:
Papers were donated in 1977 by Don Raymond David and in 1981 by Don Raymond David and Andrée Golbin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Sketchbooks
Diaries
Citation:
Don Raymond David and Andrée Golbin papers, circa 1920-1980, Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davidon
See more items in:
Don Raymond David and Andrée Golbin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99086f3c9-0410-48d2-9b7a-7a69ee46ad67
EDAN-URL:
ead_collection:sova-aaa-davidon

Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

Stefan Hirsch and Elsa Rogo papers

Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Names:
Bard College -- Faculty  Search this
Bennington College -- Faculty  Search this
Downtown Gallery (New York, N.Y.)  Search this
United States. Office of the Coordinator of Inter-American Affairs  Search this
Albers, Josef  Search this
Anguiano, Raúl, 1915-2006  Search this
Bier, Justus, 1899-1990  Search this
Field, Hamilton Easter  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mumford, Lewis, 1895-1990  Search this
Mérida, Carlos, 1891-1984  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
19.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Place:
Mexico -- Photographs
Date:
1851-1986
bulk 1920-1960
Summary:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.
Scope and Contents:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

Biographical materials include address lists, resumes and biographical sketches, identification cards, material relating to Hirsch's military service, and legal documents. Two sound recordings, one personal and another of Rogo on Spanish National Radio, are also found here.

Correspondence is both professional and personal. Professional correspondence concerns commissions, exhibitions, travel, and teaching. Notable correspondents include Josef Albers, Justus Bier, Downtown Gallery (Edith Halpert), Carlos Mérida, Lewis Mumford, Ben Shahn, and many others. Personal correspondence is largely between Hirsch and Rogo. Writings are found for both Hirsch and Rogo and include notebooks, diary fragments and transcripts, lectures, essays on art, articles, and notes. A manuscript by Hamilton Easter Field is also found and a writing by an unknown author. Professional files document teaching positions, projects, commissions, memberships, and other professional activities undertaken by Hirsch and Rogo. They document Hirsch's teaching career at Bard College, Bennington College, and his mural work in South Carolina and Mississippi. Files concerning Rogo's work with the Office of the Coordinator of Inter-American Affairs are found here, as well as files documenting their professional and personal travel. These contain a wide variety of materials, such as correspondence, printed material, meeting minutes, photographs, and writings. Also found are scattered files relating to general areas of interest.

Hirsch's and Rogo's business records include contracts concerning Elsa Rogo's book agreements, records settling the estate of the Hirsch family in Nürnberg (Nuremberg), Germany, insurance records, a lease, price lists, and general receipts and invoices. Also found are personal art collection records including a sales agreement and a list of Latin American art owned by Hirsch and Rogo. Printed materials include books, brochures, clippings, exhibition announcements and catalogs for Stefan Hirsch and others, issues of magazines and other periodicals, copies of published writings by Hirsch and Rogo, and a dismantled printed materials scrapbook.

Photographs are extensive and include personal photos of Stefan Hirsch and Elsa Rogo, their family, friends, and colleagues. Numerous travel photos were taken by Rogo in her role as a journalist in Latin American and the United States. The bulk of the professional travel photos were taken in Mexico in the 1930s to the 1960s and show events, cities, and cultural activities. Also found are glass plate negatives, photographs of works of art, and sixteen reels of motion picture film taken in Mexico, Bard College, and Oqunquit, Maine.

Eighteen sketchbooks are largely unsigned but are likely by Stefan Hirsch. Additional artwork includes sketches and etchings by Hirsch, sketches by Elsa Rogo, and works by others including Raul Anquiano and Efren Villalobos.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1899-1986 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1920s-1960s (3.2 linear feet; Boxes 1-4)

Series 3: Writings and Notes, circa 1920-1960s (1.2 linear feet: Boxes 4-5)

Series 4: Professional Files, 1912-1966 (2.8 linear feet; Boxes 6-8)

Series 5: Personal Business Records, 1927-1957 (0.5 linear feet; Boxes 8-9)

Series 6: Printed Material, 1851-1964 (2.9 linear feet; Boxes 9-12, 19)

Series 7: Photographs and Motion Picture Film, circa 1870-1960s (6.9 linear feet; Boxes 12-17, 20, FC 21-29)

Series 8: Sketchbooks, circa 1930s-circa 1940s (0.6 linear feet; Box 18)

Series 9: Artwork and Artifacts, 1916-1982 (0.5 linear feet; Boxes 18-19)
Biographical / Historical:
German-born Stefan Hirsch (1899-1964) was a painter and educator. Elsa Rogo (1901-1966) was married to Hirsch and was an artist, educator and journalist. They were active in Annandale-on-Hudson, New York, and Vermont, and traveled extensively throughout Mexico and Latin America where they documented local arts and crafts, village life, and befriended prominent Mexican artists.

Born in Nurnberg, Germany, Stefan Hirsch grew up in Europe and studied art at the University of Zurich. After settling in the United States in 1919, he took summer courses under Hamilton Easter Field in Ogunquit, Maine. Hirsch developed a Precisionist style combined with Social Realism but much of his work was difficult to restrict to one specific style. Hirsch was a founder and exhibitor at the avant-garde Salons of America which served as an alternative to the Society of Independent Artists. During the 1930s and 1940s, Hirsch participated in the U.S. government's Federal Art Project and painted murals in Aiken, South Carolina and Booneville, Mississippi. Hirsch began his teaching career in 1937 at Bennington College in Vermont, and later accepted a position at Bard College where he served as the chairman of the art department until he retired in 1961.

In 1930, Hirsch married Elsa Rogo. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. They befriended prominent Mexican artists like Diego Rivera and David Siqueiros. As a journalist, Rogo documented Mexican life, events, and art extensively through photographs. Rogo also served in the U.S. Office of the Coordinator of Inter-American Affairs, established in 1940 to promote cultural diplomacy and solidarity primarily in Latin America. In Taxaco, Mexico, she taught art to school children. Her book, Walls and Volcanos: The Creative Impulse of the Mexican People, was published in 1937.

Stefan Hirsch died in 1964. Elsa Rogo died in 1966.
Provenance:
Portions of the Stefan Hirsch and Elsa Rogo papers were donated in 1996 by the Elsa Rogo estate, via Sylvia Siskin, executrix. Additions were donated 2002, 2014, and 2019 by professor James Oles, Art Department, Wellesley College, Wellesley, Massachusetts on behalf of Sylvia Siskin.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Art teachers  Search this
Journalists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Mural painting and decoration, Mexican -- Photographs  Search this
Mural painting and decoration -- South Carolina  Search this
Mural painting and decoration -- Mississippi  Search this
Latino and Latin American artists  Search this
Genre/Form:
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hirsstef
See more items in:
Stefan Hirsch and Elsa Rogo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ab444b5-7fc2-4e6b-ad62-a18f38f904f9
EDAN-URL:
ead_collection:sova-aaa-hirsstef
Online Media:

Who has got mail?

Title:
History of mail in America
Author:
Osborne, Linda Barrett 1949-  Search this
Subject:
United States Postal Service History  Search this
United States Postal Service History  Search this
Physical description:
236 pages illustrations (some color) 22 cm
Type:
Juvenile literature
Instructional and educational works
Illustrated works
History
Juvenile works
Matériel d'éducation et de formation
Ouvrages illustrés
Place:
United States
Date:
2023
Topic:
Postal service--History  Search this
JUVENILE NONFICTION / History / United States  Search this
JUVENILE NONFICTION / People & Places / United States  Search this
JUVENILE NONFICTION / Social Science / Politics & Government  Search this
Postal service  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161061

Room 28 in Pueblo Bonito, Chaco Canyon

Editor:
Crown, Patricia L.,  Search this
Physical description:
xiv, 222 pages illustrations, maps, charts 29 cm
Type:
Books
Instructional and educational works
Matériel d'éducation et de formation
Place:
New Mexico
Pueblo Bonito Site
Nouveau-Mexique
Pueblo Bonito (Site archéologique)
Pueblo Bonito Site (N.M.)
Pueblo Bonito (N.-M. : Site archéologique)
Date:
2020
Topic:
Excavations (Archaeology)  Search this
Fouilles (Archéologie)  Search this
Antiquities  Search this
Antiquités  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161080

Bob Bilyeu Camblin papers, 1951-1985

Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Subject:
Staley, Earl  Search this
Tate, Joe  Search this
Type:
Sketchbooks
Drawings
Moving images
Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9268
(DSI-AAA_SIRISBib)211463
AAA_collcode_cambbob
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211463

Black Journal: 22; The Black G.I.

Directed by:
Kent Garrett, American, born 1941  Search this
Produced by:
William Greaves, American, 1926 - 2014  Search this
National Educational Television, American, 1954 - 1970  Search this
Subject of:
L. Howard Bennett, American, 1913 - 1993  Search this
Sylvester Bracey Sr., American, ca. 1949 - 2019  Search this
Owned by:
Pearl Bowser, American, 1931 - 2023  Search this
Medium:
acetate film
Dimensions:
Duration: 50 Minutes
Length (Film): 1,800 Feet
Type:
sound films
color films (visual works)
16mm (photographic film size)
Place filmed:
H? Chí Minh, Viet Nam, Asia
Camp Hansen, Okinawa, Japan, Asia
Arlington County, Virginia, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Documentary films  Search this
Film  Search this
Gesture  Search this
Mass media  Search this
Military  Search this
Public television  Search this
Race discrimination  Search this
Race relations  Search this
Vietnam War, 1961-1975  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.51.1a
Restrictions & Rights:
© National Educational Television
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Portfolio/Series:
Black Journal
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52bd1f8e2-5401-4dc0-9984-bb011645927b
EDAN-URL:
edanmdm:nmaahc_2012.79.1.51.1a

School Printing Block Set

Physical Description:
metal (overall material)
yellow; green; black (lid color)
green (outside color)
hinged (lid connector/connecting technique)
Measurements:
overall: 2.6 cm x 15 cm x 7.2 cm; 1 1/32 in x 5 29/32 in x 2 27/32 in
Object Name:
printing blocks
Place made:
United States: New York, Syracuse
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.016
Accession number:
2017.0095
Catalog number:
2017.0095.016
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-6c2f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1844185

Toy Money Currency and Coins for playing Merchant or Banker and Many Other Games

Maker:
Whitman Publishing, LLC  Search this
Physical Description:
cardboard (overall material)
ink (overall material)
Measurements:
overall: 6 3/4 in x 6 3/4 in x 1 in; 17.145 cm x 17.145 cm x 2.54 cm
Object Name:
toy money set
Object Type:
educational toys
Place made:
United States: Wisconsin, Racine
Associated Place:
United States: Wisconsin, Racine
Date made:
ca 1943
Credit Line:
Gift of Richard F. Clothier
ID Number:
2018.0180.04
Maker number:
3943
Catalog number:
2018.0180.04
Accession number:
2018.0180
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-a157-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1941742
Online Media:

1798 Letter from David Onion to Silas Plimpton about wood to heat school in Medfield, Massachusetts

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 4 in x 6 3/16 in; 10.16 cm x 15.7226 cm
Object Name:
letter
Place made:
United States: Massachusetts, Medfield
Date made:
February 1798
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.338.a
Accession number:
2017.0095
Catalog number:
2017.0095.338.a
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-a772-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1943527
Online Media:

1798 Letter from the Town of Medfield to George W. Adams listing payment for teaching at North School

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 4 3/16 in x 7 11/16 in; 10.6426 cm x 19.5326 cm
Object Name:
letter
Place made:
United States: Massachusetts, Medfield
Date made:
April 2, 1798
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.338.b
Accession number:
2017.0095
Catalog number:
2017.0095.338.b
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-a773-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1943528
Online Media:

1807 Letter from Town of Medfield assessors to select men of Medfield about money for schools

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 6 1/16 in x 7 3/8 in; 15.3924 cm x 18.7452 cm
Object Name:
letter
Place made:
United States: Massachusetts, Medfield
Date made:
December 22, 1807
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.338.c
Accession number:
2017.0095
Catalog number:
2017.0095.338.c
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-aa14-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1943529
Online Media:

1842 Teacher Job Search Letter

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 14 7/16 in x 9 1/2 in; 36.6776 cm x 24.13 cm
Object Name:
letter
Addressor of letter:
United States: Ohio, Columbiana
Addressee of letter:
United States: Ohio, Newton Falls
Date made:
1842-10-08
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.344
Accession number:
2017.0095
Catalog number:
2017.0095.344
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-a84a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1943543

Louisiana Purchase Exposition Souvenir Tumbler

Physical Description:
ceramic, porcelain (overall material)
white (overall color)
gray (overall color)
black (overall color)
gold (overall color)
Measurements:
average spatial: 3 3/4 in x 2 5/8 in; 9.525 cm x 6.6675 cm
Object Name:
Tumbler
Other Terms:
Tumbler; Commemorative; Drinking Vessel
Place made:
United States: Missouri, St. Louis
Associated Place:
United States: Missouri, Saint Louis
Date made:
1904
Associated dates:
1904 04 30 / 1904 04 30, 1904 12 01 / 1904 12 01
Subject:
Expositions and Fairs  Search this
Related event:
Louisiana Purchase Exposition  Search this
Credit Line:
The Larry Zim World's Fair Collection
ID Number:
1989.0438.0993A
Catalog number:
1989.0438.0993A
1904C14A
Accession number:
1989.0438
See more items in:
Culture and the Arts: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-d8ab-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1066306

Louisiana Purchase Exposition Souvenir Tumbler

Physical Description:
ceramic, porcelain (overall material)
white (overall color)
gray (overall color)
black (overall color)
gold (overall color)
Measurements:
average spatial: 3 3/4 in x 2 5/8 in; 9.525 cm x 6.6675 cm
Object Name:
Tumbler
Other Terms:
Tumbler; Commemorative; Drinking Vessel
Place made:
United States: Missouri, St. Louis
Associated Place:
United States: Missouri, Saint Louis
Date made:
1904
Associated dates:
1904 04 30 / 1904 04 30, 1904 12 01 / 1904 12 01
Subject:
Expositions and Fairs  Search this
Related event:
Louisiana Purchase Exposition  Search this
Credit Line:
The Larry Zim World's Fair Collection
ID Number:
1989.0438.0993B
Catalog number:
1989.0438.0993B
1904C14B
Accession number:
1989.0438
See more items in:
Culture and the Arts: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-243b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1066307

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