Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Monthly Narrative Reports of Operations and Conditions
Type:
Archival materials
Date:
May–Sept. 1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Monthly Narrative Reports of Operations and Conditions
Type:
Archival materials
Date:
Oct. 1867–Apr. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Monthly Narrative Reports of Operations and Conditions
Type:
Archival materials
Date:
May–Dec. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
[Miscellaneous Sites in the Lake District near Hawkshead, Cumbria]: the old Hawkshead Grammar School, looking up toward the church of St. Michael and All Angels.
American Society of Landscape Architects Search this
Extent:
1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)
Type:
Archival materials
Negatives (photographic)
Negatives
Reproductions
Place:
England -- Cumbria -- Hawkshead
Lake District (England)
United Kingdom -- England -- Cumbria -- Hawkshead
Date:
1906 Jul.
General:
Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7449.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Received and Retained Reports Relating to Rations, Lands, and Bureau Personnel
Type:
Archival materials
Date:
1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
undated
Scope and Contents:
Photographs of Carlisle by J. N. Choate, three Rosebud Agency photographs by J. A. Anderson, the rest unidentified as to photographer. The photographs probably date between 1880 and 1895.
Catalog Number 4574: Letter of 3/21/58 from Richard A. Pohrt (donor): "...eleven photographs from the Indian School at Carlisle. Pa. These I am certain were all taken by J. N. Choates [Choate], a photographer who had a studio at 21 West Main St., Carlisle, Pa." (1) Carlisle Indian School "The dining hall, Indian Training School" (Original Number 45) Photographer: J. H. Choate, Carlisle, Pa. (2) Carlisle Indian School "Sheldon Jackson, John Shields and Harvey Townsend, Pueblos." (Original Number 70) J. N. Choate, Carlisle, Pa. (3) Carlisle Indian School "Pine Ridge Boys" (Original Number 155) (caption written by hand) J. N. Choate, Carlisle, Pa. (4) Carlisle Indian School "After School; Indian Training School, Carlisle, Pa." (written by hand). (Original Number 163) J. N. Choate, Carlisle, Pa. (5) Carlisle Indian School Group of students, presumably of Carlisle School. Labeled on back (by hand) as follows: "No. 1 White Horse Little Bull "No. 2 Calls Horse Looking "No. 3 Brule Iron Eagle Feather "No 4 Stella Berht "No. 5 Rosa White Thunder "No 6 Irene Horse Looking "No 7 Laura Good Nation Compliments of Capt. Pratt, E." J. N. Choate, Carlisle, Pa. (?) (6) Carlisle Indian School Group of girls, presumably students at Carlisle School. Labled by hand as follows; left to right, row 1 (kneeling) Emma Hand, Rosa White Bear (dead), Isabella Two Dogs, Louisa Galiego (Pine Ridge). Row 2, (sitting) Carrie Black Bear, Susan Wilson (S sister [?]), Charlotte Four Horn, Esther Side [?] Bear. Row 3 (standing) Katie White Birch, Adelia Low, Victoria Standing Bear, Martha Bordeaux [?], Mose Dion [?]. J. N. Choate, Carlisle, Pa. (?). (7) Carlisle Indian School Group of boys, presumably students at Carlisle School. J. N. Choate, Carlisle, Pa. (?). (8) "Girl's Quarters, Carlisle Barracks" [Choate Broadside, No 78?] J. N. Choate, Carlisle, Pa. (?). (9) "School Rooms, Carlisle Barracks." [Choate broadside, No. 80 ?].
Catalog Number 4574: (10) Carlisle Indian School "Cap't Pratt's House and Chapel." [Choate broadside, No. 82 ?] Captain Pratt near steps. J. N. Choate, Carlisle, Pa. (11) Carlisle Indian School (?) "Band of Indian Boys at the Government School, Washington, D. C." ("Popular Series"). Stereoscopic view. Probably copy of Choate No. 76, erroneously labeled. [See Choate broadside, B.A.E. Catalog Number 4241.] J. N. Choate, Carlisle, Pa (?) (See R. A. Pohrt correspondence, 9/24/59). (12) Tribe: Dakota (Oglalla ?) "High Hawk." Resembles closely the man identified as High Hawk in Signal Corps Photograph at National Archives (No. 101549). Only slight resemblance to S. I. Negative 42,827. He must have been considerably older when the latter was taken if they are the same person. J. N. Choate, Carlisle, Pa. (13) Dakota:Agency Personnel, various agencies Seated left to right: Reverend William J. Cleveland (Episcopal missionary and sometime agent at Rosebud-- See Bureau of American Ethnology Bulletin 5, page 20 for biography), Captain Richard Henry Pratt (Chairman), and Judge John V. Wright of Tennessee, -- the three composed the 2nd commission to the Sioux, 1888. (For account of the commission see Eastman, "Pratt, the Redman's Moses," University of Oklahoma Press, 1935). (Identified from BAE Negative Number "Portraits 13-b"). No date, but because of the 3 main figures, suggests ca. 1888. Standing. left to right: , (appears third from left in S. I. Negative 43,563-- identified more clearly in original prints of same group National Archives-- N. A. Numbers 86-1, 86-2, 87), Col. H. D. Gallagher, Agent Pine Ridge (same ident. source), Major W. W. Anderson, agent at Crow Creek and Lower Brule; for a Mark Wells see Negative 3307-c, Dr C. E. McChesney, agent at Cheyenne River Agency (Number 14, in row 5.), Major James McLaughlin, Agent Standing Rock Reservation, Col. L. F. Spence, Agent Rosebud Agency (identified from S. I. Negative 43,563). No date, but because of the 3 main figures, suggests ca. 1888.
Catalog Number 4574: (14) Dakota: Agency Personnel Seated: Col. L. F. Spence, Agent at Rosebud, (identified from S. I. Negative 43,563) Standing: unidentified, but compare with 4574: (28), below. (15) Dakota: Pine Ridge Agency Labeled in pencil, "Agent's Dwelling, Pine Ridge Agency, D. T." (Verified by numerous views of the Agency in the National Archives). Two Indian Policemen on porch. Water tower behind house. (16) Dakota: Pine Ridge Agency ? Distant view of Agency, almost certainly Pine Ridge (compare with original prints catalog Number 4464. "Pine Ridge Agency from the North in 1891"). Print marked in pencil, "Fort Niobrara, Nebraska Territory"-- erroneous ? Northwestern Photographic Co, Chadron, Nebraska (17) Dakota: Rosebud Agency "No. 4 St Francis' Mission, Rosebud Agency, S. D., West Side." Church and school, one wing in process of being built. Print not marked. Received in package marked by donor, "J. A. Anderson." (18) Dakota: Rosebud Agency "No 7. Birds-eye view of St Francis Mission. Rosebud Agency, S. D." Print not marked. Received in package marked by donor,"J. A. Anderson." (19) Dakota: Rosebud Agency "No 8. Fathers and Brothers of St Francis Mission. Rosebud Agency, S. D." J. A. Anderson, Rosebud Agency, S. D. (20) Dakota: Rosebud Agency View of Rosebud Agency, and garden, from the South (if 17 above correct). Must have been taken prior to the Anderson photograph, since the new wing is not in evidence. (Identified from 17 and 18.) (21) Dakota: Rosebud Agency Nuns with large group of students in school uniforms, (St Francis Mission, Rosebud Agency ?) Little white girl in front row looks like one in 4574: (32) below, and possibly same as in 4574: (31).
Catalog Number 4574 (22) Dakota: Rosebud Agency "View at Rosebud Agency. May 8th 1892." This series of "row" houses corresponds, perhaps, to ones in J. A. Anderson's Among the Sioux, "A typical Indian Agency" (BAE temporary 77). Note "Police Station " sign. 1892. (23) Dakota: Rosebud Agency Agent's house, Rosebud Agency (identified from Negative Number 43,791-B). Standing in front, left to right: , , Col. L. F. Spence, Agent (identified from S, I, Negative 43,563 and National Archives' prints of same group), , , . (24) Boy on horse in front of agent's dwelling, Rosebud Agency. (House, and thus agency, identified from S. I. Negative 43,791-B and others). (25) Dakota: Rosebud Agency Group of Indian Police, civilian men, women, and children around flag pole in front of agent's house (identified from S. I. Negative 43,791-B), Rosebud Agency. Reverend William J. Cleveland (with whiskers and derby) in back row, 2nd to right of flagpole. (Indentified from BAE Negative Number "Portraits 13-b.") (26) Dakota: Rosebud Agency Distant view of agent's dwelling and unidentified home and/or school to the left of it. Copy in negative catalog made from another original print. See Negative Number 43,791-C.
Catalog Number 4574: (27) Dakota: Rosebud Agency Unidentified home and/or school to left of agent's dwelling (see 4574:(26) above, then 43,791-B), large group of men in front of building. Possibly Reverend William J. Cleveland, (note whiskers) on porch, 3rd from right. (28) Dakota: Rosebud Agency (?) Agency personnel (?), including Indian police. 4th from left, front row: Col. L. F. Spence, Agent at Rosebud (identified from S. I. Negative 43,563). 5th from left, front row: same as man on right in 4574: (14) (?). 2nd from left, 2nd row: same as man on left in 4574: (14) (?). 2nd from right, 2nd row: Thomas Flood, Interpreter (identified from S. I. Negative 43,563). Indentification as Rosebud Agency rests primarily upon the presence of Spence. See Negative Number 45,793-B. (29) Dakota: Rosebud Agency (?) Large building, with chapel, set in open area. Built 1885 (date on front gable). In front are 5 women (one on horse) 3 children, three men; Rev. William J. Cleveland at extreme left (identified from BAE Negative Number "Portraits" 13-b). May be Saint Mary's Mission Boarding School for Sioux Boys and Girls, 12 miles from Rosebud Agency, on Antelope Creek, Dakota Territory, for the following reasons: 1. The building is a self-contained unit--including a chapel--and there are no other buildings in view. 2. The building is dated 1885. Pilling, in Bureau of American Ethnology Bulletin 5, 1887 states that Cleveland had at that time been principal of Saint Mary's for 2 years, which fits neatly with the 1885 date. (30) Dakota: Rosebud Agency (?) Side view of same building as in 4574: (29). Several women and children in foreground. Reverend William J. Cleveland holding horses (identified from BAE Negative Number "Portraits" 13-b), and one other man. See 4574:(29) above.
Catalog Number 4574: The following photographs (4574: (31-39)), along with a group of similar photographs in the National Archives, seem to establish a consistent pattern in the location and structure of agency school facilities. In general, the schools were small frame buildings, apparently widely scattered over the agencies, each with a small frame house for the teaching couple and family. (31) Dakota: Agency Unidentified Frame school (?) building. In foreground, group of students with teachers (man and woman--and their little girl ?), and Indian police. (32) Dakota: Agency Unidentified Group of students with teachers (man and woman--and their child) in front of frame school (?) house. Also an Indian Policeman. (33) Dakota: Agency unidentified Group of students with teachers (man and woman) and Indian Police in front of frame school (?) house. White man on right appears to be identical with the first man on left in S. I. Negative 43,563, Sioux delegation to Washington, 1888. (34) Dakota: Agency unidentified Group of students with teachers (man and woman) in front of frame school (?) house. Also an Indian Policeman. (35) Dakota: Agency unidentified Frame school (?) building. In foreground a group of students with teacher(s). (36) Dakota: Agency unidentified Frame school (?) with group of students and teacher in the foreground. The teacher is the same as in 4574:(36), as are many of the pupils. (37) Dakota: Agency unidentified Teachers (and their child) with group of students in front of frame school building. (See 4574: (38) for identity as school.) (38) Dakota: Agency unidentified School building (and teachers' dwelling ?) with man, woman, and child (same ones as in 4574: (37) above) in front, and two Indian men at side. 2 duplicate prints.
Catalog Number 4574: (39) Dakota: Agency unidentified Teacher's dwelling-schoolhouse complex with one or two scattered cabins in the foreground. Follows what appears to be the typical pattern of small, widely scattered schools. (40) Dakota: Agency unidentified Frame building. Function ? Odd door on back and man standing in doorway suggest this might be an exterior view of 4574: (41). (41) Dakota: Agency Unidentified Pine Ridge (?) or Rosebud (?) Slaughter house (?), interior view, with three men, one an Indian. One man looks like Col. H. D. Gallagher, Pine Ridge Agent. But the print was among a group of views mainly from Rosebud Agency. (42) Dakota: Agency Unidentified Large group of uniformed Indian Police on horseback in front of frame buildings. Agency might be: 1. Standing Rock ? Man front row, left looks like Red Tomahawk. 2. Pine Ridge ? But the men aren't posed in same area of agency where other PR Police pictures were taken. Also the men in this picture have more uniform uniforms than are shown in PR pictures. (See Original Prints, "temporary" Number 29, and Catalog Number 4544: (59, 60).) 3. Rosebud ? (43) Dakota: Agency Unidentified Indian Police, same uniform, same agency, same building, as 4574: (42). Also additional evidence for identifying Agency as Standing Rock: compare officers to those in BAE Negative Number 3711-e. See Negative Number 45,793. (44) Dakota Badlands scenery. "In general it seems to resemble the badlands of southwestern South Dakota not far distant from Pine Ridge and Rosebud Reservations."--Information from John C. Ewers, 4/5/60.
Biographical / Historical:
Pohrt states, "I believe they were taken about 1890. Some are identified and many are not, but I have reason to believe that the majority were taken on the Rosebud and Pine Ridge Reservations in South Dakota. They are of school children, Indian Police, Agency buildings, etc." See correspondence in Smithsonian Institution-Bureau of American Ethnology files.
Local Numbers:
NAA MS 4574
Local Note:
Filed: Original Prints: Carlisle Indian School; Dakota.
An interview of Flora Mace and Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artists' home and studio, in Seattle, Washington.
They discuss their first meeting at Pilchuck Glass School in Stanwood, Washington, in 1979; the structure of classes and teaching philosophies at Pilchuck in the late '70s and early '80s; the change in equipment and the growth of the Pilchuck campus through the years; their first projects together, which were wire drawings made by Flora and based on Joey's sketches; leaving Pilchuck after the summer session and moving together to Waterville, New Hampshire, where they worked in a studio at the Rhode Island School of Design with Dale Chihuly; building up a body of work and then having to decide whose work it was, at a time when collaborating and co-signing was not standard practice; going back to Pilchuck every summer for 14 years after first meeting there in 1979; beginning to teach as a collaborative team at Pilchuck in 1981, the first women to teach glass blowing at that school; building their house together on the grounds of Pilchuck, a design which was then emulated for dormitories at the school; convincing Dale Chihuly to lower the class size at Pilchuck to 10, down from 20, to allow teachers to work more closely with the students; early shows of their work at Habatat Galleries in Royal Oak, Michigan, Ivor Kurland Gallery in Los Angeles, California, and Foster-White Galleries in Seattle, Washington; the support of their sisters and families throughout the years, mostly in providing them a place to stay as they traveled cross country; their relationships with collectors; what each artist brings to the partnership, including vision, inspiration, and technique; the influence of water on their work, as both artists are drawn to the sea and the tides; the purpose of their work, and what they feel it can bring to the viewer; the challenge given to the artists by Joan Borenstein to make 30 glass goblets, all with different fruits and vegetables; having their work cast at the Walla Walla Foundry; and the ideas behind various bodies of work, including the "Bird Pages" and the large latticino fruit. A more in-depth discussion of each artist's childhood, education, and artistic experiences prior to their meeting at Pilchuck can be found in the individual artist's interviews. They recall Italo Scanga, Bill Morris, Ben Moore, Rich Royal, Howard Ben Tre, Toots Zynsky, Therman Statom, Harvey Littleton, Lino Tagliapetra, Chris Wilmarth, Judy Pfaff, Lynda Benglis, Alice Rooney, Bertil Vallien, Ann Wolff, Betsy Rosenfield, George and Dorothy Saxe, Doug and Dale Anderson, Jon and Mary Shirley, Sarah and Bill Dehoff, Francine and Benson Pilloff, George Stroemple, Ann Welch, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) and Flora Mace (1949- ) are glass artists from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington. Mace and Kirkpatrick have been working collaboratively on glass since the late 1970s.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number Nile 1947 C-11, 21.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "S 6 Sud. Sudan. near Meroe. School. 6/1947. EE. neg.no. Nile 1947 C-11, 21." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
