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Dubuffet Show

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 171, Folder 4
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 11: Consignment Records / 11.1: Consignments to Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d01f67af-7665-4c83-bd6d-f66698501367
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5007

Dubuffet, Jean: The Early 1980s, AEG, 1995 September 5-30

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 215, Folder 29
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 16: Photographic Materials / 16.3: Installations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91c4933c4-b5b6-4a3a-a31a-6380b173ff06
EDAN-URL:
ead_component:sova-aaa-andremmg-ref7380

Dubuffet, Jean: Color

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 244, Folder 9
Type:
Archival materials
Date:
circa 1946-1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 16: Photographic Materials / 16.10: Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw906bc8b1f-7fc0-4613-ab41-8556924cdf9a
EDAN-URL:
ead_component:sova-aaa-andremmg-ref8575

Limbour as a Crustacean

Artist:
Jean Dubuffet, French, b. Le Havre, 1901–1985  Search this
Medium:
Oil and sand on canvas
Dimensions:
45 3/4 × 35 in. (116.2 × 88.9 cm)
Type:
Painting
Date:
1946
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.100
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Postwar European
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2be4fba0e-10de-48d0-a164-d36b87f7398d
EDAN-URL:
edanmdm:hmsg_72.100

Half-Length Personage

Artist:
Jean Dubuffet, French, b. Le Havre, 1901–1985  Search this
Medium:
Watercolor and collage on paper
Dimensions:
27 1/8 X 18 5/16 IN. (68.9 X 46.4 CM.)
Type:
Collage
Date:
1958
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.102
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Postwar European
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py20b9c7d31-b151-43f6-b925-b97717772c8b
EDAN-URL:
edanmdm:hmsg_72.102

East Hampton -- Unidentified Garden in East Hampton, New York

Creator:
Korab, Balthazar  Search this
Dubuffet  Search this
Architect:
Franzen, Uirich  Search this
Acheson, David  Search this
Landscape architect:
Zion & Breen Associates  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Unidentified Garden (East Hampton, New York)
United States of America -- New York -- Suffolk County -- East Hampton
General:
Further sources of information include: House and Garden Magazine; Rosamond Bernier.
Related Materials:
Unidentified Garden in East Hampton, New York related holdings consist of 1 slide (col.)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Spring  Search this
Aerial views  Search this
Houses  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NY626
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New York
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6d2ff919d-5b4d-420a-a90a-cf418454c98e
EDAN-URL:
ead_component:sova-aag-gca-ref26771

Frank Perls papers and Frank Perls Gallery records

Creator:
Frank Perls Gallery  Search this
Names:
Curt Valentin Gallery (New York, N.Y.)  Search this
M. Knoedler & Co.  Search this
Amato, Sam, 1924-  Search this
Brice, William, 1921-  Search this
Chuey, Robert  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Matisse, Henri, 1869-1954  Search this
McGarrell, James, 1930-  Search this
Peake, Channing, 1910-  Search this
Perls, Frank, 1910-1975  Search this
Perls, Klaus  Search this
Picasso, Pablo, 1881-1973  Search this
Ray, Man, 1890-1976  Search this
Strombotne, James  Search this
Warsaw, Howard  Search this
Extent:
23.8 Linear feet
Type:
Collection descriptions
Archival materials
Short stories
Scrapbooks
Photographs
Sales records
Gallery records
Date:
circa 1920-1983
bulk 1949-1975
Summary:
The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.
Scope and Content Note:
The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

Personal papers contain biographical materials, including military records from Perls' service in the army during World War II, personal photographs, documentation on his estate settlement, and numerous short stories. Of particular interest are Perl's stories about his interactions with Pablo Picasso and his work to uncover fraud, fakes, and corruption in the art world. There are also many photographs of Picasso, photographs of family, the war, and Perls, including two original photographs of Perls by Man Ray.

Gallery sales, purchases, consignments, insurance appraisals, loans, provenance research, and general business expenses are well documented in the General Business and Financial Records. Perls jointly owned artwork with several galleries in New York, including the Curt Valentine Gallery and M. Knoedler Gallery, and these consignment and joint sales are documented in the invoices. A complete accounting of the Gallery's income and expense reports from 1950-1971 is also be found in this series. Artists extensively documented through financial transactions are William Brice, James Strombotne, and Howard Warsaw.

Extensive exhibition files document the gallery's exhibitions and Perl's curatorial work. Files contain varied documentation, such as photographs, catalogs, announcements, and publicity for Frank Perls Gallery shows from 1939 through 1971. Artists represented in this series include Sam Amato, Robert Chuey, Jaques Lipchitz, Pablo Picasso, James McGarrell, and James Strombotne. Files are also found for the two major retrospective exhibitions Perls organized and curated, Matisse Retrospective at University of California, Los Angeles and Sixty Years of Picasso Prints at the Los Angeles County Museum of Art, both in 1966. Additional information about these exhibitions is also found in the Subject Files.

Subject Files are extensive and varied in name, content, and topic. They consist mostly of correspondence with friends, family, colleagues, artists, critics, galleries and dealers, clients, arts organizations and associations, publications, and others. There are also reference files and exhibition files for exhibitions held at other galleries and museums in which Perls was interested, guest curated, or loaned artwork. The contents of each file unit varies, but many include correspondence, photographs, appraisal records, sales records, invoices, reports, and membership records. The files highlight his close personal relationship with many artists, including William Brice, Rico Lebrun, James McGarrell, Channing Peake, Pablo Picasso, and James Strombotne. Subject Files also contain abundant correspondence with colleagues and family members, including his brother Klaus, who owned and operated the Perls Gallery in New York. Many of the files concern Perl's work with art documentation and authentication. Subject Files have been arranged according to Frank Perls original order.

Finally, scrapbooks contain newspaper articles, catalogs, and announcements about exhibitions at the Perls Gallery in New York during the late 1930s and the Frank Perls Gallery in Los Angeles during the 1950s.
Arrangement:
The collection is arranged into 5 series:

Missing Title

Series 1: Frank Perls papers, circa 1920-1981 (Box 1-2, 28; 1.1 linear feet)

Series 2: General Financial and Business Records, 1949-1975 (Box 2-4, 23-27; 3.4 linear feet)

Series 3: Exhibition Files, 1937-1975 (Box 5-6; 1.5 linear feet)

Series 4: Subject Files, circa 1939-1983 (Box 6-22; 16.5 linear feet)

Series 5. Scrapbooks, 1937-1957 (Box 28; 0.3 linear feet)
Historical Note:
Frank Perls (1910-1975) was founder and sole owner of the Frank Perls Gallery in Beverly Hills, California.

Frank Perls was born in Germany on October 23, 1910. His parents, Hugo and Kaethe Perls, owned one of the leading art galleries in Berlin, and sold the work of many well-known artists. Artists works included in the gallery inventory were pieces by Edvard Munch, Pablo Picasso, Claude Monet, Vincent van Gogh, and Paul Cézanne, among others. His parents enjoyed a close friendship with Picasso, a relationship Perls maintained until Picasso's death in 1973. After his parents divorce in 1931, his mother left Germany and eventually opened the Galerie Kaethe in Paris.Frank Perls studied art history at the Universities of Munich, Berlin, and Frankfurt and joined his mother at the Galerie Kaethe in 1932.

Frank Perls immigrated to the United States in 1937 and partnered with his brother, Klaus Perls, to open the Perls Galleries in New York. Two years later he moved to California and opened the Frank Perls Gallery on Sunset Boulevard in Hollywood. During those first years, the Gallery hosted exhibitions by Man Ray, Eugene Berman, and John Decker.

Perls closed his gallery in 1942 when he enlisted in the United States Army. Because he was fluent in both French and German, Perls served as an interpreter at the Military Intelligence Service, European Theater of Operations. He landed in Normandy with the 30th Infantry Division and was awarded the Bronze Star in 1944. In 1945, Perls was assigned to the Arts and Monuments Section of Allied Military Government in Germany. He was honorably discharged in September, 1945.

After the war, Perls returned to Los Angeles and managed the recently opened Associated American Artists Gallery in Beverly Hills. The gallery was organized in 1934 and marketed art to the middle classes with the opportunity to purchase prints at affordable prices. Perls made significant contacts during his tenure at the gallery and eventually opened his own Beverly Hills gallery in 1950.

The Frank Perls Gallery on Camden Drive was closely associated with the Pierre Matisse Gallery and the Curt Valentin Gallery in New York, both major sources of exhibition materials for the early years. Perls introduced southern California to artists he believed represented the best modern art of America and Europe - Henri Matisse, Georges Braque, Alexander Calder, Pablo Picasso, Ben Shahn, Georgia O'Keeffe, Marc Chagall, Paul Klee, and Jean Dubuffet. Between 1950 to 1954, Frank Perls Gallery organized the first West coast exhibitions of Joan Miro, Marino Marini, and Alberto Giacometti. Perls also gave exhibitions to newly emerging artists of Southern California artists, including William Brice, Robert Chuey, Rico Lebrun, James McGarrell, Channing Peake, and Howard Warsaw.

Perls moved his gallery to Wilshire Boulevard in 1965 and stopped representing California artists at that time to focus primarily on major exhibitions of Henri Matisse and Picasso. In 1966, he helped organize an extensive traveling Henri Matisse exhibition at UCLA called Matisse Retrospective. Perls worked with Matisse's children, Pierre, Jean, and Marguerite Duthuit, to identify 345 prints and sculptures and attach family inventory numbers to them.

Frank Perls also organized several large Picasso exhibitions, including the Bonne Fete Monsieur Picasso exhibit at UCLA in 1961 and the 45 Selected Picasso Graphics exhibition at Frank Perls Gallery in 1971. For his work in preparing these major exhibitions in California of Matisse and Picasso, Perls was made a life fellow of the Los Angeles County Museum.

Perls was a member of the Art Dealers of America, serving for several years on the Board of Directors and as director. He was also dedicated to exposing art fakes and forgeries, earning a reputation for discovering, exposing, and pursuing disreputable art appraisers and dealers. Perls wrote extensively about modern art and artists, as well as his experiences in short stories that often appeared in print.

Frank Perls died on February 8, 1975 from complications following open-heart surgery. The Gallery remained open until 1981 while his executor and family distributed the gallery inventory.
Provenance:
The Frank Perls papers and Frank Perls Gallery records were donated by Joan Hazlitt, one of the executors of the Perls' estate, from 1976-1988.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery owners -- California  Search this
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting -- California -- Beverly Hills  Search this
World War, 1939-1945  Search this
Curators -- California  Search this
Art -- Forgeries  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Short stories
Scrapbooks
Photographs
Sales records
Gallery records
Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.perlfran
See more items in:
Frank Perls papers and Frank Perls Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9163380a7-6151-44d0-b553-a17e8aae42a0
EDAN-URL:
ead_collection:sova-aaa-perlfran
Online Media:

Jean Dubuffet

Collection Creator:
Frank Perls Gallery  Search this
Container:
Box 10, Folder 53
Type:
Archival materials
Date:
1958-1960, 1969, 1973
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c5e5bf9f-d51f-44cd-b094-8aa6ef11d330
EDAN-URL:
ead_component:sova-aaa-perlfran-ref270

Jean Dubuffet

Collection Creator:
Frank Perls Gallery  Search this
Container:
Box 10, Folder 54
Type:
Archival materials
Date:
1964
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb6d7f91-61a4-4bcc-9260-00bcb6af0a49
EDAN-URL:
ead_component:sova-aaa-perlfran-ref271

Jean Dubuffet

Collection Creator:
Frank Perls Gallery  Search this
Container:
Box 11, Folder 1
Type:
Archival materials
Date:
1973
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank Perls papers and Frank Perls Gallery records, circa 1920-1983, bulk 1949-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Perls papers and Frank Perls Gallery records
Frank Perls papers and Frank Perls Gallery records / Series 4: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw949b88876-aec6-49a2-9ff9-49cf32dbd452
EDAN-URL:
ead_component:sova-aaa-perlfran-ref272

Dubuffet, Jean

Collection Creator:
Kootz Gallery  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1946-1961
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.
See more items in:
Kootz Gallery records
Kootz Gallery records / Series 3: Artists Photograph Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90e27eb76-951f-4fe8-af1f-e16f56fd2d1d
EDAN-URL:
ead_component:sova-aaa-kootgall-ref35

Printed Material

Collection Creator:
Kootz Gallery  Search this
Extent:
1.5 Linear feet (Boxes 2, 5)
Type:
Archival materials
Date:
circa 1944-1966
Scope and Contents note:
Printed Material consists of exhibition announcements and catalogs, advertisements and proofs, magazine and newspaper clippings, and miscellany.

There are catalogs for the individual artists Fritz Bultman, Jean Dubuffet, Conrad Marca-Relli, Pablo Picasso, Jaroslav Serpan, and Pierre Soulages, and for the Kootz Gallery group exhibitions, "The Intrasubjectives" (1949) and "Art for a Synagogue" (1951, 1953).
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kootgall, Series 4
See more items in:
Kootz Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw919735c16-4ecd-47f4-aaca-4cbaa5bfca61
EDAN-URL:
ead_component:sova-aaa-kootgall-ref98

Curatorial Projects

Collection Creator:
Cone, Michèle C., 1932-  Search this
Extent:
1.2 Linear feet (Boxes 5-6, OV 10-11)
Type:
Archival materials
Date:
1990-2014
Scope and Contents:
Planned, proposed, and executed curatorial projects include files of research, correspondence with artists and requesting arts institutions, coordinated panel discussions and lectures, slides and digital images, exhibition checklists, and reviews. Extensive files are found for the exhibition "Allegories of Displacement" at the Westport Arts Center in 2006; exhibitions on Dubuffet in American Collections, including "Jean Dubuffet" at the Newberger Museum of Art in 2002; and exhibition "Homage to Max Jacob" at La Maison Franҫaise of NYU in 1994.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.conemich, Series 7
See more items in:
Michèle Cone papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d6c173dd-6716-4436-a469-197dea057024
EDAN-URL:
ead_component:sova-aaa-conemich-ref17

Dubuffet in American Collections

Collection Creator:
Cone, Michèle C., 1932-  Search this
Type:
Archival materials
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Michèle Cone papers
Michèle Cone papers / Series 7: Curatorial Projects
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9105f8508-9bac-4012-8c02-3c63f1a2275a
EDAN-URL:
ead_component:sova-aaa-conemich-ref187

"Jean Dubuffet," Newberger Museum of Art (Sept. 29-Dec. 29, 2002)

Collection Creator:
Cone, Michèle C., 1932-  Search this
Container:
Box 5, Folder 33-35
Type:
Archival materials
Date:
2000-2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Michèle Cone papers
Michèle Cone papers / Series 7: Curatorial Projects / Dubuffet in American Collections
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3228e73-108c-49fa-b449-bf132882d521
EDAN-URL:
ead_component:sova-aaa-conemich-ref188

Dubuffet at The Morgan Library

Collection Creator:
Cone, Michèle C., 1932-  Search this
Container:
Box 5, Folder 36-37
Type:
Archival materials
Date:
2000-2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Michèle Cone papers
Michèle Cone papers / Series 7: Curatorial Projects / Dubuffet in American Collections
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984500918-5d4c-4340-9ce1-a55df085d468
EDAN-URL:
ead_component:sova-aaa-conemich-ref189

Dubuffet Research and Clippings

Collection Creator:
Cone, Michèle C., 1932-  Search this
Container:
Box 5, Folder 38
Type:
Archival materials
Date:
2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Michèle Cone papers
Michèle Cone papers / Series 7: Curatorial Projects / Dubuffet in American Collections
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98dd5e8d9-aac2-4c9d-847f-d873c681c737
EDAN-URL:
ead_component:sova-aaa-conemich-ref190

"The Dubuffet/Ossorio/Pollock Connection"

Collection Creator:
Cone, Michèle C., 1932-  Search this
Container:
Box 5, Folder 39
Type:
Archival materials
Date:
2004-2005
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Michèle Cone papers, 1959-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Michèle Cone papers
Michèle Cone papers / Series 7: Curatorial Projects / Dubuffet in American Collections
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ac65a5b-3cdd-4b66-83a5-c677dea6e684
EDAN-URL:
ead_component:sova-aaa-conemich-ref191

Interview with Colette Roberts

Collection Creator:
Parsons, Betty  Search this
Container:
Box 39, Folder 8
Type:
Archival materials
Date:
1968
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.2: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3bcced5-9132-4eff-9f02-136aaa759807
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1483
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Interview with Colette Roberts digital asset number 1

B

Collection Creator:
Parsons, Betty  Search this
Container:
Box 39, Folder 48
Type:
Archival materials
Date:
1944-1982
Scope and Contents note:
Barcley, Jo

Barker, Margaret

Bakwa, C?©lestin,

Beal, John

Bedell, Eleanor

Bess, Forrest

Biero, Ellen

Blume, Mary

Bochoo, Jac[kki]

Bove, Louise

Box, Eden (Eden Fleming)

Braddock, Barrie

Bradley, Harvey

Breckenridge, Edith (Mrs. Gerald)

Brett, D.E.

Brotherton, Joe

Buchanan, Beverly

Budd, [David]

Burnhome, Clement M.
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.3: Correspondence / 7.3.1: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d0fb79a6-faa2-4e04-8093-361df35111a0
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1521
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View B digital asset number 1

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