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Surf Through Newly Digitized Images to See Rome’s Ever-Changing History

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 07 Jul 2017 16:04:29 +0000
Topic:
Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_75f62ec6a412cd066a753d1ab356332b

ONE DC -Organizing Neighborhood Equity Records

Creator:
ONE DC (Organizing Neighborhood Equity)  Search this
Extent:
23.35 Linear feet (45 boxes, 21.1 GB)
Type:
Archival materials
Collection descriptions
Correspondence
Digital images
Electronic records (digital records)
Brochures
Annual reports
Administrative records
Financial records
Minutes
Petitions
Place:
United States of America -- District of Columbia -- Washington
Date:
1987-2014
Summary:
This collection, which dates from 1987-2014, documents the work and activities of the non-profit organization ONE DC (an acronym that stands for Organizing Neighborhood Equity), as well as the records when it operated under the name Manna CDC (1997-2006). The collection includes correspondence, meeting minutes, newsletters, annual reports, tenant petitions, brochures, Articles of Incorporation, and community mapping initatives.
Historical note:
ONE DC was founded in 1997 as Manna CDC, a community development corporation and subsidiary of Manna Inc. (a non-profit affordable housing developer) in the midst of neighborhood change in the Shaw area of Washington, DC. In 2006, Manna CDC separated from its parent company, Manna, Inc., to become an independent organization know as ONE DC. Over the past two decades, ONE DC has done extensive work supporting tenants' rights, cultivating neighborhood leadership, and pushing for equitable development across the District of Columbia.
Provenance:
Donated by One DC on February 01, 2017.
Restrictions:
Use of the materials require an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Nonprofit organizations  Search this
Housing  Search this
Urban planning and environment  Search this
Community development  Search this
Community activists  Search this
Gentrification  Search this
Genre/Form:
Correspondence
Digital images
Electronic records (digital records)
Brochures -- 20th century
Annual reports -- 20th century
Administrative records
Financial records
Minutes -- 20th century
Petitions
Citation:
ONE DC Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of ONE DC.
Identifier:
ACMA.06-090
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-090

Frank Espada Photographs

Donor:
Espada, Jason  Search this
Photographer:
Espada, Frank, 1930-  Search this
Extent:
17 Cubic feet (52 boxes)
Type:
Archival materials
Collection descriptions
Posters
Newsletters
Awards
Catalogs
Digital images
Contact sheets
Interviews
Notebooks
Negatives
Photographs
Date:
1962-2008
Summary:
Collection consists of photographic materials taken by Frank Espada, mostly images from the Puerto Rican Diaspora Documentary Project, which documents these communities across the Unites States. In addition, there are materials relating to his earlier work documenting civil rights activities, also in the United States during the 1960s and 1970s.
Scope and Contents:
Photographs and negatives taken by Frank Espada, mostly images from his most well-known body of work, The Puerto Rican Diaspora Documentary Project, which consists of several hundred prints and thousands of negatives of Puerto Rican communities across the Unites States. The purpose the project was to establish the national presence of Puerto Ricans in the United States, to celebrate Puerto Rican culture and Latinidad, and to make a political statement.
Arrangement:
Collection is arranged into three series.

Series 1: Puerto Rican Diaspora Documentary Project, 1962-2008

Sub-Series 1.1: Photographic and Digital Prints, 1962-1986

Sub-Series 1.2: Proofs, 1979-1986

Sub-Series 1.3: Contact Sheets and Negatives, 1964-1987

Sub-Series 1.4: Interviews, 1980-1982

Sub-Series 1.5: Site Notebooks, 1981-1985

Sub-Series 1.6: Exhibition Materials, 1967-2008

Sub-Series 1.7: Newspaper Clippings, 1983-2007

Series 2: Civil Rights Era Materials, 1963-1974

Sub-Series 2.1: Black and White Prints, 1963-1974

Sub-Series 2.2: Proofs, Negatives, and Contact Sheets, 1963-1968

Sub-Series 2.3: Slides, 1969

Sub-Series 3: Personal Papers, 1966-2007
Biographical / Historical:
Francisco Luis Espada Roig, commonly known as Frank Espada, was born in Utuado, Puerto Rico in December of 1930. Espada and his family migrated to New York City in 1939. He attended public school and after high school briefly attended City College of New York. In 1949 he joined the Air Force. After serving in the Air Force, he began his career in documentary photography.

In 1951 or 1952 he began attending the New York Institute of Photography on the GI Bill. Influenced by important New York-based photographers Dave Heath and Gene Smith, Espada became intent on pursuing what he called his "first love"- documentary photography. He specialized in photographing the Puerto Rican diaspora.

In 1952 he married his wife, Marilyn. They had three children, Lisa, Jason, and Martin. Espada began working for an electrical contractor to provide for his family, a job he would have for ten years. During this time, Espada became heavily involved in the New York community and the Civil Rights Movement, organizing voter registration drives, rent strikes, and marches for civil rights.

In the 1970s, he was a Fellow with the Ford Foundation working with the Drug Abuse Council, where he created a large body of work. In 1979 he received a grant from the National Endowment for the Humanities, which allowed him to pursue his "life-long dream of shooting a major documentary." He began working on his book, The Puerto Rican Diaspora: Themes in the Survival of a People, where he documented Puerto Rican communities and the Puerto Rican experience around the United States, including Hawaii and Guam.

In 1985 he moved to San Francisco and was given the opportunity to teach at the UC Berkeley Extension Program. He discovered that he loved to teach, which resulted in what he referred to as "eighteen of the best years of my life."

In 1989 he joined forces with the Youth Environment Studies (YES), documenting the growing HIV/AIDS epidemic. In 2005 he retired from teaching and continued working on his book. In 2007, his book, The Puerto Rican Diaspora: Themes in the Survival of a People, was published.

In his later years, he turned to color photography and landscapes. He passed away in February of 2014 from a heart problem.
Materials at Other Organizations:
Duke University Libraries

Frank Espada papers and photographs, 1946-2010 and undated, bulk 1975-2010

The Frank Espada Papers and Photographs collection consists largely of photographic prints, contact sheets, proofs, and negatives, chiefly dating from the mid-1970s through 2010, relating to Espada's Puerto Rican Diaspora Documentary Project, his project work on indigenous Chamorro communities in Micronesia, primarily in Guam, Tinian, and Saipan, and his work documenting HIV/AIDS outreach and education in San Francisco. The largest body of materials, which includes photographs as well as manuscripts and recorded interviews, derives from Espada's work with the Puerto Rican communities which spanned several decades. A smaller group of materials, nineteen prints, associated contacts and negatives and several folders of documents, were created through Espada's activism in the Civil Rights Movement for voter registration and school desegregation in New York City from 1962-1970.

Other materials include research files on documentary topics he was currently investigating; materials used in preparation for his many photography project exhibits, large and small; teaching syllabi and notes from his photography courses; awards and memorabilia; and other manuscript and printed materials from his career in photography.

Library of Congress, Prints & Photographs

The Puerto Rican diaspora, between 1979 and 1981

83 photographic prints

Detroit Institute of Arts Research Library and Archives

[Frank Espada: artist file]

1 folder. Folder may contain clippings, press releases, brochures, reviews, small exhibition catalogs, resumés, other ephemera.
Provenance:
Donated to the Archives Center in 2016, by Frank Espada's son, Jason Espada.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. See repository for details. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Photography of immigrants  Search this
Documentary photography  Search this
Immigrant communities  Search this
Photographers  Search this
Immigrants -- Puerto Rican -- 20th century  Search this
Genre/Form:
Posters -- 20th century
Newsletters -- 20th century
Awards
Catalogs -- 20th century
Digital images -- 20th century
Contact sheets -- 20th cenury
Interviews -- 20th century
Notebooks -- 20th century
Negatives -- 20th century
Photographs -- 20th century
Citation:
Frank Espada Photographs, circa 1950-2012, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1395
See more items in:
Frank Espada Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1395
Additional Online Media:

[Two guitars:] Gibson ES-5, 1951, SN AS7321, 3 P-90 pickups; Gibson Es-5 Switchmaster, 1959, SN A27764, 3 PAF pickups [digital color photoprint

Photographer:
Singer, Jonathan, Dr.  Search this
Donor:
Singer, Jonathan, Dr.  Search this
Collection Donor:
Singer, Jonathan, Dr.  Search this
Extent:
1 Item
Type:
Archival materials
Digital images
Still lifes
Date:
[2011]
Local Numbers:
AC1243-0000001.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Jonathan Singer retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Guitars  Search this
Musical instruments -- 20th century  Search this
Genre/Form:
Digital images
Still lifes
Collection Citation:
Photograph by Jonathan Singer, 2011, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
Jonathan Singer Photographs:,digital photographic prints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1243-ref515

Poster for Lethal Art: The End of Hunger

Artist:
Mike McNeilly  Search this
Medium:
Offset lithography
Type:
graphic design
Poster
Object Name:
Poster
Date:
late 20th century
Credit Line:
Gift of Unknown Donor
Accession Number:
1994-114-31
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1994-114-31

Poster for Lethal Art : The End of Hunger

Artist:
Mike McNeilly  Search this
Medium:
Offset lithography
Type:
graphic design
Poster
Object Name:
Poster
Date:
late 20th century
Credit Line:
Gift of Unknown Donor
Accession Number:
1994-114-40
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1994-114-40

Krainik Ballooning Collection

Creator:
Krainik, Cliff  Search this
Names:
Brady, Mathew B., 1823 (ca.)-1896  Search this
Lowe, Thaddeus S. C.  Search this
Myers, Carl, 1842-1925  Search this
Myers, Mary, "Carlotta Queen of the Air"  Search this
Stevens, Albert Leo, 1873-1944  Search this
Extent:
3.19 Cubic feet (2 shoeboxes; 3 flatboxes)
Type:
Archival materials
Collection descriptions
Stereoscopic photographs
Postcards
Photographs
Woodcuts
Date:
1859-1934
Summary:
This 19th and 20th century ballooning memorabilia collection contains the following items, which have been meticulously inventoried: 112 stereoscopic photographs; 107 photographs; 84 postcards, trade cards, valentines, and similar items; 80 prints; and 23 miscellaneous items.
Scope and Contents:
The Krainik Ballooning Collection contains 112 stereoscopic photographs; 107 photographs; 84 postcards, trade cards, valentines, and similar items; 80 prints; and 23 miscellaneous items all pertaining to 19th and 20th century ballooning. Highlights of the stereoscopic photographs include: views of T.S.C. Lowe's balloons during the Civil War; views of the Nadar and Godard balloons; balloons during the Boer War, Russo-Japanese War, and WWI; and views of the airships Ganymede, Great Western, Phantom Balloons, Buffalo, Madame Carlotta, and The Aerial. The photographic portion of the collection features Matthew Brady's views of Lowe's balloons during the Civil War; views of the balloon Madam Carlotta before and during flights; smoke and gas balloon inflation and flights; and portraits of T.S.C. Lowe and other pioneers of ballooning.

The collection also contains lithographic cards printed in Germany, whimsical advertising trade cards incorporating popular ballooning motifs and events, and 19th century woodcut illustrations from various periodicals concerning all aspects of ballooning. Other items include a small broadside for the Grand Balloon Ascension of CARLOTTA and a contract for smoke balloon ascensions. A few non-archival items, such as medals for Lowe's balloon, City of New York, and Giffard's giant captive balloon, 1878, were accessioned with this collection and subsequently transferred to curatorial collections.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement note:
This collection has been arranged, first, in chronological order based on the Krainik inventory number that was assigned by the donor (K#), and then by size.
Biographical / Historical:
The Krainik Ballooning Collection was amassed by Clifford and Michele Krainik, experts in 19th and early 20th century historical photographs, negatives, and ephemera. This collection of 19th and 20th century ballooning memorabilia contains 112 stereoscopic photographs; 107 photographs; 84 postcards, trade cards, valentines, and similar items; 80 prints; and 23 miscellaneous items.
Provenance:
Clifford Krainik, Purchase, 1989, 1990-0009, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Great Western (Airship)  Search this
Phantom Balloons (Airships)  Search this
Airships  Search this
World War, 1914-1918  Search this
Aeronautics  Search this
Madame Carlotta (Airship)  Search this
The Aerial (Airship)  Search this
Works of art  Search this
Russo-Japanese War, 1904-1905  Search this
South African War, 1899-1902  Search this
Buffalo (Airship)  Search this
Aeronautics -- 1903-1916  Search this
Aeronautics -- pre-1903  Search this
Ganymede (Airship)  Search this
Balloons  Search this
Civil War, 1861-1865 -- Communications  Search this
Balloons -- History  Search this
Balloons -- pre-1900  Search this
Spanish-American War, 1898  Search this
Genre/Form:
Stereoscopic photographs
Postcards
Photographs
Woodcuts
Citation:
Krainik Ballooning Collection, Acc. 1990-0009, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1990.0009
See more items in:
Krainik Ballooning Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1990-0009
Additional Online Media:

Exhibition Records, c. 1988-2012

Creator:
Smithsonian Institution Office of Exhibits Central  Search this
Subject:
Dorn, Ellen  Search this
Gassett, Anne R  Search this
Robinson, Betsy Burstein  Search this
Waite, Seth  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Smithsonian International Gallery  Search this
Arts and Industries Building (Washington, D.C.)  Search this
Arts and Industries Building Office of Exhibitions  Search this
Smithsonian Institution Office of Exhibits Central Special Exhibitions Division  Search this
Amazon Voyage: Vicious Fishes and Other Riches (Exhibition) (2006: Washington, D.C.)  Search this
America's Smithsonian (Traveling exhibition) (1995-1998)  Search this
American Heroes of the Olympic Spirit (Exhibition) (2008: Washington, D.C.)  Search this
American Sabor: Latinos in U.S. Popular Music (Exhibition) (2007-2008: Washington, D.C.)  Search this
Artists at Work (Exhibition) (2011: Washington, D.C.)  Search this
Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier (Exhibition) (2011: Washington, D.C.)  Search this
Camelot at Dawn: Jacqueline and John Kennedy in Georgetown, May 1954 (Exhibition) (2003-2004: Washington, D.C.)  Search this
Celebrating Scotland's Crafts (Exhibition) (2003: Washington, D.C.)  Search this
Changing the Face of Power: Women in the U.S. Senate (Exhibition) (2003: Washington, D.C.)  Search this
Cherokee Nation: A Portrait of a People (Exhibition) (2002: Washington, D.C.)  Search this
Chicano Visions: American Painters on the Verge (Exhibition) (2002: Washington, D.C.)  Search this
Chinese Script from Oracle Bones to Computer Bytes (Exhibition) (2004: Washington, D.C.)  Search this
Clash of Empires: The British, French and Indian Wars, 1754-1763 (Exhibition) (2006-2007: Washington, D.C.)  Search this
Classically Greek: Coins and Bank Notes from Antiquity to Today (Exhibition) (2008: Washington, D.C.)  Search this
Close Up in Black: African American Film Posters (Exhibition) (2005: Washington, D.C.)  Search this
Colombia at the Smithsonian: Colombian Presence in the Collections of the Smithsonian Institution (Exhibition) (2006-2007: Washington, D.C.)  Search this
Contemporary Argentinean Art (Exhibition) (2010-2011: Washington, D.C.)  Search this
Corridos Sin Fronteras: A New World Ballad Tradition (Exhibition) (2002: Washington, D.C.)  Search this
Cyprus: Crossroads of Civilization (Exhibition) (2010-2011: Washington, D.C.)  Search this
Dreams and Reality: Korean American Contemporary Art Celebrating 100 Years of Korean Immigration to America (Exhibition) (2003: Washington, D.C.)  Search this
Driven: A National Juried Exhibit for Young Artists with Disabilities, Age 16-25 (2007: Washington, D.C.)  Search this
Eight Wonders from the Salvador Dali Museum (Exhibition) (2004: Washington, D.C.)  Search this
El Rio: Culture and Environment in the Rio Grande/Rio Bravo Basin (Exhibition) (2003: Washington, D.C.)  Search this
Exit Saigon, Enter Little Saigon: Vietnamese America Since 1975 (Exhibition) (2007: Washington, D.C.)  Search this
Eyes on the World: Smithsonian Magazine Photo Contest (Exhibition) (2008-2009: Washington, D.C.)  Search this
Fabric of Survival: The Art of Esther Nisenthal Krinitz (Exhibition) (2011-2012: Washington, D.C.)  Search this
Game Face: What Does a Female Athlete Look Like? (Exhibition) (2001-2002: Washington, D.C.)  Search this
Genome: The Secret of How Life Works (Exhibition) (2003: Washington, D.C.)  Search this
Golden Threads: A Tapestry of Sephardic Experience (Exhibition) (1992: Washington, D.C.)  Search this
Heart and Hands: Musical Instrument Makers of America (Exhibition) (2002: Washington, D.C.)  Search this
History Through Deaf Eyes (Exhibition) (2002: Washington, D.C.)  Search this
In Stabiano: Exploring the Ancient Seaside Villas of the Roman Elite (Exhibition) (2004: Washington, D.C.)  Search this
In the Russian Tradition: A Historic Collection of 20th-Century Russian Paintings (Exhibition) (2004-2005: Washington, D.C.)  Search this
In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr. (Exhibition) (2003: Washington, D.C.)  Search this
International Joyce (Exhibition) (2005: Washington, D.C.)  Search this
Jamestown, Québec, Santa Fe: Three North American Beginnings (Exhibition) (2009: Washington, D.C.)  Search this
Jim Henson's Fantastic World (Exhibition) (2008: Washington, D.C.)  Search this
Journeys of the Spirit (Exhibition) (2003: Washington, D.C.)  Search this
Juke Joint (Exhibition) (2003: Washington, D.C.)  Search this
Kaho'olawe: Rebirth of a Sacred Hawaiian Island (Exhibition) (2002: Washington, D.C.)  Search this
Latin Jazz: La Combinacion Perfecta (Exhibition) (2002-2003: Washington, D.C.)  Search this
Legendary Coins and Currency (Exhibition) (2005-2008: Washington, D.C.)  Search this
Let Your Motto Be RESISTANCE: African American Portraits (Exhibition) (2007-2008: Washington, D.C.)  Search this
Lola Alvarez Bravo (Exhibition) (2007: Washington, D.C.)  Search this
Made in Northern Ireland: A Dynamic of Change (Exhibition) (2007: Washington, D.C.)  Search this
Main Event: The Ali/Foreman Extravaganza Through the Lens of Howard L. Bingham (Exhibition) (2002: Washington, D.C.)  Search this
MathAlive (Exhibition) (2012: Washington, D.C.)  Search this
Mexican Treasures of the Smithsonian (Exhibition) (2007-2008: Washington, D.C.)  Search this
Miracles Under the Waves: Photographic Art of Akiyoshi Ito (Exhibition) (2005: Washington, D.C.)  Search this
Momentum: A National Juried Exhibition for Emerging Artists with Disabilities, Ages 16-25 (2011-2012: Washington, D.C.)  Search this
My Story . . . Gordon Snidow Retrospective Exhibition (2003: Washington, D.C.)  Search this
Myth, Mortals, and Immortality: Works from Museo Soumaya de Mexico (Exhibition) (2003: Washington, D.C.)  Search this
New York, September 11 by Magnum Photographers (Exhibition) (2002: Washington, D.C.)  Search this
Night at the Museum: Battle of the Smithsonian (Exhibition) (2009: Washington, D.C.)  Search this
On Gold Mountain: A Chinese American Experience (Exhibition) (2001: Washington, D.C.)  Search this
Our Priceless Heritage: Snapshots in Time From America's Public Lands (Exhibition) (2006: Washington, D.C.)  Search this
Panamanian Passages (Exhibition) (2010: Washington, D.C.)  Search this
Photo du Jour: David Hume Kennerly's Picture-a-Day Journey Through the First Year of the Millennium (Exhibition) (2002: Washington, D.C.)  Search this
Porcelains from the Collections of the Correale Museum of Sorento, Italy (Exhibition) (2005: Washington, D.C.)  Search this
Posters from the Division of Community Education (DIVEDCO) of Puerto Rico, 1949-1989 (Exhibition) (2008-2009: Washington, D.C.)  Search this
Read My Pins: The Madeline Albright Collection (Exhibition) (2010: Washington, D.C.)  Search this
Retratos: 2,000 Years of Latin American Portraits (Exhibition) (2005-2006: Washington, D.C.)  Search this
Revealing Culture (Exhibition) (2010: Washington, D.C.)  Search this
Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (Exhibition) (2008-2009: Washington, D.C.)  Search this
Santos: Substance and Soul (Exhibition) (2000-2001: Washington, D.C.)  Search this
Singgalot: Ties that Bind - From Colonial Subjects and 'National' to Citizens, A Century of Filipino (Exhibition) (2006: Washington, D.C.)  Search this
Southern Identity: Contemporary Argentine Art (Exhibition) (2010-2011: Washington, D.C.)  Search this
Spiritual Visions: The Religious Images of Borikň, Puerto Rico (Proposed exhibition)  Search this
Stamps of Approval (Exhibition) (2011: Washington, D.C.)  Search this
The AIDS Memorial Quilt - The Names Project Foundation (Exhibition) (2012: Washington, D.C.)  Search this
The Beatles: Backstage and Behind the Scenes (Exhibition) (2004-2005: Washington, D.C.)  Search this
The Brain: The World Inside Your Head (Exhibition) (2001-2002: Washington, D.C.)  Search this
The Egypt Story: Photographs by Fred J. Maroon (Exhibition) (1993: Washington, D.C.)  Search this
The Healer Within (Exhibition) (2003: Washington, D.C.)  Search this
The Healing Power of Art: Works of Art by Haitian Children after the Earthquake (Exhibition) (2010-2011: Washington, D.C.)  Search this
The Invisible Industry: Journey Down the Upper Mississippi (Exhibition) (2003: Washington, D.C.)  Search this
The Lost World of James Smithson (Exhibition) (2007-2008: Washington, D.C.)  Search this
The Patents and Trademarks of Steve Jobs: Art and Technology that Changed the World (Exhibition) (2012: Washington, D.C.)  Search this
The Silk Road Ensemble: Portraits and Places (Exhibition) (2002: Washington, D.C.)  Search this
The Third Worldwide Exhibition of Fine Art in Miniature of the World Federation of Miniatures (Exhibition) (2004: Washington, D.C.)  Search this
The Welsh Table (Exhibition) (2009: Washington, D.C.)  Search this
Theatre in Revolution: Russian Avant-Garde Stage Design, 1913-1935 (Proposed exhibition)  Search this
Time Magazine: Person of the Year at 75 (Exhibition) (2002: Washington, D.C.)  Search this
Walter Inglis Anderson: Everything I See is New and Strange (Exhibition) (2003-2004: Washington, D.C.)  Search this
Within the Emperor's Garden, the Ten Thousand Springs Pavilion (Exhibition) (2007: Washington, D.C.)  Search this
Women and Spirit: Catholic Sisters in America (Exhibition) (2010: Washington, D.C.)  Search this
Worthy of the Nation: Planning America's Capital (Exhibition) (2007-2008: Washington, D.C.)  Search this
Physical description:
11 cu. ft. (11 record storage boxes)
Type:
Books
Collection descriptions
Brochures
Clippings
Exhibition catalogs
Manuscripts
Pamphlets
Picture postcards
Compact discs
Digital versatile discs
Digital images
Electronic records
Floppy disks
Architectural drawings
Floor plans
Color photographs
Color transparencies
Audiotapes
Videotapes
Date:
1988
1988-2012
c 1988-2012
Topic:
Exhibitions  Search this
Local number:
SIA Acc. 13-079
See more items in:
Exhibition Records 1948-2016 [Smithsonian Exhibits]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_361545

Emile Waagenaar Photoprints of Cajun Musicians : digital prints

Photographer:
Waagenaar, Emile  Search this
Extent:
0.5 Cubic feet (64 items)
Type:
Archival materials
Collection descriptions
Inkjet prints
Photographs
Digital images
Place:
Louisiana
Date:
1980-2008
Summary:
Environmental portraits of Cajun musicians: 64 inkjet photographic prints, 1980-2008, some in black-and-white and others in color.
Scope and Contents:
Environmental portraits of Cajun musicians, often taken in their homes, usually showing them with their instruments, typically accordions, violins, and guitars. Exterior images sometimes include automobiles. The collection consists of 64 inkjet photographic prints, 297 x 420 mm. (12" x 16-3/4"), some in black-and-white and others in color. They are beautifully crafted and include a wealth of detail. They are basically straightforward environmental portraits, and although the subjects are rendered with dignity, sometimes unusual, quirky aspects of some subjects' personalities, including seemingly incongruous details, also are on display in whimsical pictures imbued with gentle humor. This group of prints is in excellent, new condition. Waagenaar's pictures are sharp, clear, and demonstrate a sympathetic, warm attitude toward his subjects.bPrints are signed in pencil on verso. Printed on Hahnemule Fine Art Inkjet Paper.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Emile Waagenaar lives in the Netherlands, where he works as a commercial photographer. He is an enthusiastic aficionado of Cajun music and because he loves the music, which he discovered in the 1970s, in 1982 he began photographing musicians who play this regional style in New Orleans and elsewhere in Louisiana, Texas, etc. Over the years, at his own expense, he has made many trips from his home to the United States in order to seek out, befriend, and photograph Cajun musicians with their instruments—in their homes, businesses, and concert environments in the United States. Since he fears that this music is always at risk of disappearing as older musicians die and other popular music styles of the moment attract audiences away from traditional forms and styles, he has a missionary spirit in engaging in this project. He hopes not only to preserve visual records of some of the most important musicians and their environments, but to engender interest in Cajun music on the part of those who view his photographs. This project seems is one to which he devotes considerable time and passion and is the most personal of his photographic projects because it is self-assigned rather than deriving from economic necessity. His enthusiasm for this style of music led him to form his own Cajun band in the Netherlands. Many of his images can be viewed on his web site at http://www.emilecajun.web-log.nl/.

Waagenaar has had a number of exhibitions of his work on Cajun musicians in Europe and the United States, including the solo exhibit, "La Joie de la Musique," Sept. 9-Nov. 25, 2006 (La Musées de Lafayette, Louisiana). His work is discussed and critiqued by Johan von Gurp in the catalog Schatten van Breda's Museum (Breda, Netherlands, 2003).

Waagenaar's aims are both aesthetic and historical. He has tried to document the most important and innovative musicians, first among the generation of musicians who were the founders of Cajun music in the beginning of the 20th century. He writes, "After that I think it is important to have the second, third and fourth generation of these musicians. Every generation gives…Cajun music another drive, but the people I want to photograph must…respect the old traditional style and stay close to that. These days I use the Internet to find new musicians, but the best [way to] locate these people is talking with the musicians I already know…when I am in Louisiana. Mostly I give them a phone call and explain my intentions."
Provenance:
Donated by Emile Waagenaar.The photographer had these prints made specifically for this gift.
Restrictions:
Collection is open for research.
Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobiles  Search this
Dwellings -- Louisiana  Search this
Guitars  Search this
Musicians  Search this
Cajun music -- Louisiana  Search this
Violin  Search this
Accordion  Search this
Genre/Form:
Inkjet prints
Photographs -- Digital prints -- 20th century
Photographs -- Digital prints -- 21st century
Digital images
Citation:
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Identifier:
NMAH.AC.1150
See more items in:
Emile Waagenaar Photoprints of Cajun Musicians : digital prints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1150
Additional Online Media:

Harold Raskin World War II Diary and Images [Ground Controlled Approach (GCA) Landings on Iwo Jima]

Creator:
Raskin, Harold.  Search this
Extent:
0.05 Cubic Feet (1 box)
Container:
Box 1
Type:
Archival materials
Collection descriptions
Digital images
Diaries
Place:
Iwo Jima (Japan)
Date:
bulk 1945-1946
Summary:
This collection consists of a copy of Harold Raskin's typewritten diary "Blind Landing on Iwo Jima," kept during his time as part of the Army Airways Communications System, 7th AACS Wing Ground Control Approach (GCA) unit, and covering the dates January 2 to August 20, 1945. The collection also includes digital image scans of 34 photographs depicting daily life and U.S. Army Air Forces operations in Iwo Jima during the period of 1945-1946, and an operational log for the GCA unit dated April 3, 1945.
Scope and Contents:
This collection consists of a bound copy of Harold Raskin's typewritten diary kept during his time as part of the Army Airways Communications System, 7th AACS Wing Ground Control Approach (GCA) unit. The diary, entitled "Blind Landing on Iwo Jima," covers the dates January 2, 1945 to August 20, 1945. The collection also includes digital image scans of 34 photographs and one document loaned to the Archives for copying by Harold Raskin's son, Donald Raskin. The images depict daily life and U.S. Army Air Forces operations in Iwo Jima during the period of 1945-1946 and include aerial views of Iwo Jima. Aircraft depicted in the images include the Boeing B-29 Superfortress Family (Model 345). The scanned document is an operational log for the Army Airways Communications System, 7th AACS Wing Ground Control Approach (GCA) unit, dated April 3, 1945.
Arrangement:
Collection is grouped by media type.
Biographical / Historical:
Harold Raskin was born on June 20, 1922 in Brooklyn, New York. Raskin was attending Brooklyn College when the United States entered World War II and Raskin enlisted in the Army Air Corps. Raskin was sent to Iwo Jima in March 1945 as part of the Army Airways Communications System, 7th AACS Wing Ground Control Approach (GCA) unit . As a part of this unit, Raskin assisted pilots in making Ground Controlled Approach (GCA) landings in times of zero visibility. During his time in Iwo Jima, Raskin kept a diary which he entitled, "Blind Landing on Iwo Jima." After the war, Raskin returned to Brooklyn College to complete his education and then he worked as a furniture salesman in his family's furniture store until his retirement in 1990. Harold Raskin died on June 12, 1996.
Provenance:
Don Raskin, Gift, 2010, NASM.2010.0029
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics  Search this
Aeronautics, Military  Search this
World War, 1939-1945 -- Aerial operations  Search this
Boeing B-29 Superfortress  Search this
Genre/Form:
Digital images
Diaries -- 20th century
Citation:
Harold Raskin World War II Diary and Images [Ground Controlled Approach (GCA) Landings on Iwo Jima], Acc. 2010.0029, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2010.0029
See more items in:
Harold Raskin World War II Diary and Images [Ground Controlled Approach (GCA) Landings on Iwo Jima]
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-2010-0029
Additional Online Media:

Warshaw Collection of Business Americana Geographical Categories: Mexico

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
0.49 Cubic feet (consisting of 1 box, 2 folders, plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Business ephemera
Ephemera
Date:
circa 1846-1942
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Mexico forms part of the Warshaw Collection of Business Americana, Subseries 1.2: Geographical Categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Content:
This collections deals mainly with United States relations with Mexico. The tourism files are primarily from the early 20th century.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Warshaw Collection of Business Americana

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Mexico is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Geographical Categories: Mexico, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.02.Mexico
See more items in:
Warshaw Collection of Business Americana Geographical Categories: Mexico
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-02-mexico
Additional Online Media:

David Hoffman/Boaz Postcard Collection

Creator:
Hoffman, David  Search this
Boaz, Joyce  Search this
Hoffman, Iris  Search this
Extent:
0.66 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Postcards
Picture postcards
Date:
1900-1933
Summary:
The collection consists of 932 postcards with images of African Americans. Most of the postcards are illustrated with stereotypical images of Blacks depicted in drawings, cartoons, and similar forms.
Scope and Contents:
add
Biographical / Historical:
The Hoffman/Boaz African-American Postcard Collection was assembled between 1946 and 1970 by David and Iris Hoffman and Iris's sister Joyce Boaz. Most of the cards were purchased in antique shops during the early days of the Civil Rights Movement. The donors created the collection as a way to visually document the historical changes in the way African Americans were treated and perceived in the United Statesart.
Provenance:
The collection was donated by David and Iris Hoffman, in December 1987.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Postcards -- 1900-1950
Picture postcards -- 20th century -- United States
Citation:
David Hoffman/Boaz Postcard Collection, 1900-1933, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
Identifier:
NMAH.AC.0281
See more items in:
David Hoffman/Boaz Postcard Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0281
Additional Online Media:

Southwest

Collection Creator:
Jenkins, Dale  Search this
Extent:
45 Postcards
6 Photographic prints
Container:
Photo-folder 15
Photo-folder 16
Photo-folder 17
Photo-folder 18
Photo-folder 19
Photo-folder 20
Photo-folder 21
Photo-folder 22
Photo-folder 23
Photo-folder 24
Oversize 1
Type:
Archival materials
Photographs
Postcards
Photographic prints
Date:
1890-1939
Scope and Contents:
This series contains 45 postcards and 6 photographic prints. The images include depictions of activities such as weaving, basket making, pottery making, bread-baking, and selling crafts. Communities represented include Acoma Pueblo, Akimel O'odham (Pima), A:shiwi (Zuni), Chimayo, Cochiti Pueblo, Diné (Navajo), Havasupai (Coconino), Hopi Pueblo, Hualapai (Walapai), K'apovi (Santa Clara Pueblo), Laguna Pueblo, Mojave (Mohave), Tesuque Pueblo, and Tohono O'odham (Papago). The only individual specifically identified is Elle of Ganado [Diné (Navajo)], a well-known and celebrated weaver of the time. A large number of these postcards were produced by the Fred Harvey Company which partnered with the Santa Fe Railroad in the early 20th century to generate tourism in the American Southwest.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Dale Jenkins postcard and photograph collection, NMAI.AC.069, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.069, Series 6
See more items in:
Dale Jenkins postcard and photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-069-ref506

The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Kilkelly, Ann  Search this
Extent:
1 Cubic foot (2 boxes )
Type:
Archival materials
Collection descriptions
Photographs
Transcripts
Compact discs
Digital images
Oral history
Interviews
Place:
Appalachian Region
West Virginia -- 1990-2000
Bluefield (W.Va.)
Date:
1997-2003
Summary:
The collection documents a working class "gay" bar, the Shamrock Bar, Bluefield, West Virginia, 1997-2000, through photographs and oral history interviews.
Scope and Contents:
The collection consists of Carol Burch-Brown's photographs (200 photoprints, mostly silver gelatin on fiber-base paper, but including more than a dozen digital prints), copies of tape-recorded interviews (on 26 compact discs), and transcripts of interviews (3 volumes plus a compact disc containing Word files) made at the Shamrock Bar, Bluefield, West Virginia, 1997-2002, documenting a working-class gay bar. The photographs include "drag" performances, pageants, and other activities at the bar. Many show performers applying makeup and donning costumes, including the use of prosthetic breasts. Pictures taken in the bar are often in a soft-focus, slightly blurred, high-contrast, impressionistic style. There are a number of sharp-focus portraits, however, and exterior views of the building, its neighborhood, and the town are sharply focused, detailed documentary images.

Names (usually pseudonyms or stage names) which turn up in the interviews include: Natasha Michaels, Nikki Eaves, Shea West, Cortney Collins, Taylor Made, India Dream, Clinton, Tiffany Aver, Terba Devero, Roxie Morehead, and Dorothy. The performer "Bunny" is actually the photographer's friend and colleague, Ann Kilkelly. Many of these persons are also shown in the photographs, as is Helen Compton.

Note: The audio compact disks are not original recordings, and may be played by researchers directly.
Arrangement:
The collection is divided into three series.

Series 1: Photoprints

Series 2: Text (including transcripts of interviews)

Series 3: Compact discs
Biography:
Carol Burch-Brown is Professor of Art and Humanities at Virginia Tech, Blacksburg, Virginia, and is a photographer, painter, and musician. Photographer and co-author with David Rigsbee, Trailers, University Press of Virginia, 1996.
Historical:
During its heyday, the Shamrock Bar in Bluefield, West Virginia was a gathering place for gays and lesbians. The photographer reported in March 2003, before donating this collection, that Miss Helen Compton, proprietor of the Shamrock, had died and the establishment had been closed.
Other Title:
It's Reigning Queens in Appalachia
Provenance:
Colection donated by Carol Burch-Brown, December 2003.
Restrictions:
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Bisexuality  Search this
Working class  Search this
Homosexuality  Search this
Bars (Drinking establishments)  Search this
Gay artists -- Interviews  Search this
Lesbian and gay experience  Search this
Transvestism  Search this
Transvestites  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Transcripts
Compact discs
Photographs -- Digital prints -- 20th century
Digital images
Oral history -- 1990-2000
Interviews -- 1980-2000
Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0857
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0857
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Sales letters
Recipes
Ephemera
Commercial catalogs
Caricatures
Illustrations
Labels
Advertising
Menus
Business records
Advertisements
Beverage labels
Instructional materials
Manuals
Trade cards
Publications
Sales records
Commercial correspondence
Trade catalogs
Advertising fliers
Trade literature
Manufacturers' catalogs
Printed ephemera
Advertising cards
Sales catalogs
Letterheads
Business letters
Mail order catalogs
Catalogues
Invoices
Periodicals
Receipts
Print advertising
Advertising mail
Business cards
Signs (declaratory or advertising artifacts)
Legislation (legal concepts)
Business ephemera
Legal documents
Correspondence
Date:
1743-1963
bulk 1846-1962
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
In 1953, Warshaw launched a year-long collecting campaign, soliciting material on whiskey and wine. He expanded this effort to also include items related to the drinking habit of notable persons. This category was originally labeled "whiskey" but has been retitled as the content covers a wide variety of distilled beverages, spirits, liquors, liqueurs, and hard alcohol.

The bulk of the content is print material in the form of advertising, circulars, price lists, marketing and promotional items with also a sampling of business records consisting of transactional documents such as receipts, invoices, correspondence, and import/export paperwork. Some bottle labels and a couple of packaging examples are present, as are drink recipe booklets and entertainment/pairing guides. Only a small portion of this series covers regulatory aspects such as licensing and taxation, including a Prohibitionists' Text-Book from 1880. The rich volume of advertising provides much in the way of visuals regarding the culture of drinking and entertainment through several 19th and 20th Century eras.

The Warshaw Survey Campaign Records series provides insight to his collection building strategy. Samples of his outbound solicitations exist and to a greater extent, the inbound replies help demonstrate his process and some of the relationships he had with institutions, businesses, and individuals. Of particular note are some of the anecdotal responses, plus several essays and memoir pieces related to the effects of alcohol consumption; not always positive, not always negative.

See also Warshaw Collection of Business Americana, Series 2: Other Collection Divisions, Liquor & Wine Labels and Advertisements, 1893-1905, which contains two additional boxes of scrapbooks filled with printed advertisements, dealers' receipts, labels and drink recipe books.
Arrangement note:
Whiskey, Liquor, and Spirits is arranged in five subseries.

Business Records and Marketing Material

Genre

Subject

Warshaw's Whiskey and Wine Survey and Collecting Campaign Records

Oversize Material
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Whiskey, Liquor, and Spirits is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Restaurants  Search this
Labels -- Design  Search this
Restaurants -- United States  Search this
Dining  Search this
Taverns (Inns)  Search this
Beverages  Search this
advertising -- Beverages  Search this
Labels -- Alcoholic beverages  Search this
Food  Search this
Drinking behavior  Search this
Beverages -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Distilleries  Search this
Bars (Drinking establishments)  Search this
Consumer goods -- Catalogs  Search this
Retail trade  Search this
Trade associations  Search this
Alcohol  Search this
advertising -- Alcoholic beverages  Search this
Alcoholism  Search this
Medicine  Search this
Drinking of alcoholic beverages -- Law and legislation  Search this
Genre/Form:
Sales letters
Recipes
Ephemera
Commercial catalogs
Caricatures
Illustrations
Labels
Advertising
Menus -- 21st century
Business records
Menus -- 20th century
Advertisements
Beverage labels
Instructional materials
Manuals
Trade cards
Publications -- Business
Publications
Sales records
Commercial correspondence
Trade catalogs
Advertising fliers
Trade literature
Menus -- 1940-1950
Menus
Manufacturers' catalogs
Printed ephemera
Advertising cards
Sales catalogs
Letterheads
Business letters
Mail order catalogs
Catalogues
Invoices
Periodicals
Receipts
Print advertising
Advertising mail
Business cards
Signs (declaratory or advertising artifacts)
Legislation (legal concepts)
Business ephemera
Legal documents
Correspondence
Citation:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Whiskey
See more items in:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-whiskey
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Women

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Speeches
Monographs
Newsclippings
Fliers (printed matter)
Clippings
Newspaper clippings
Books
Realia
Magazines (periodicals)
Plates (illustrations)
Programs
Application forms
Illustrations
Concert programs
Signs (declaratory or advertising artifacts)
Booklets
Publications
Transcriptions
Certificates
Pamphlets
Date:
1787-1964
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Women documents the Suffrage Movement within the United States, as well as aspects of women's lives and societal contributions. This includes information about women's social lives, fashion, health, occupations, as well as commentary about the roles and expectations of many women in society. There is a notable shortage of material related to women of color.

Women includes newslippings, and material related to pro and anti-Suffrage efforts such as fliers, speeches, monographs, and realia. Outside of Suffrage-related topics, Women also includes artistic prints and images of women, poems about women, and serial publications related to women's issues or oriented towards an audience of women.

Women includes a span of subject materials related to more specfic aspects of women's lives and social commentary. This includes historical overviews of notable women's lives, guides to aspects of womanhood, fashion documentation, literature to promote good health, and background about the role of women in varied trades.

No single subtopic is explored in particular depth, though Women offers general information about various aspects of women's lives and varied social and political environments.
Arrangement:
Women is arranged in three subseries.

Suffrage Movement

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Women is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, and it was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published since Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fashion -- United States -- History -- 20th century  Search this
Women iron and steel workers  Search this
Fashion -- 20th century  Search this
Women laborers  Search this
United States-Social life and customs  Search this
Health  Search this
Suffragists  Search this
Religion  Search this
Women musicians  Search this
Composers  Search this
Women -- Social life and customs -- 19th century  Search this
Children  Search this
Industry  Search this
Labor  Search this
Childbirth  Search this
Dress  Search this
Fashion design  Search this
Marriages  Search this
Steel industry and trade  Search this
Women -- Political activity  Search this
Journalism  Search this
Social interaction  Search this
Industry -- U.S.  Search this
Women -- Employment  Search this
Women -- Civil rights  Search this
Women -- Health and hygiene  Search this
Children and childbirth  Search this
Clubs  Search this
Women's music  Search this
Social norms  Search this
Women -- Organizations  Search this
Clothing and dress  Search this
Women  Search this
Women's suffrage -- United States  Search this
Composers -- 20th century  Search this
Women's rights  Search this
Child rearing  Search this
Musical performances  Search this
Women employees  Search this
Women's rights -- United States  Search this
Marriage and family -- women, status of  Search this
Marriage  Search this
Women -- Suffrage  Search this
Mental health  Search this
Banking  Search this
Women in music  Search this
Marriage and family  Search this
Women -- Societies and clubs  Search this
Hygiene  Search this
Fashion  Search this
War  Search this
Banks and banking, American -- 19th century  Search this
Music  Search this
Health education  Search this
Women -- Education  Search this
Journalists  Search this
Genre/Form:
Speeches
Monographs
Newsclippings
Fliers (printed matter)
Clippings
Newspaper clippings
Books
Realia
Magazines (periodicals)
Plates (illustrations)
Programs
Application forms
Illustrations
Concert programs
Signs (declaratory or advertising artifacts)
Booklets
Publications
Transcriptions
Certificates
Pamphlets
Citation:
Warshaw Collection of Business Americana Subject Categories: Women, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0060.S01.01.Women
See more items in:
Warshaw Collection of Business Americana Subject Categories: Women
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-women
Additional Online Media:

Jake Jacobson "Heart & Hands" Color Iris Photoprints

Creator:
Northlight of Colorado, Inc.  Search this
Jacobson, Jake  Search this
Extent:
8 framed print
3.42 Cubic feet (2 boxes, 1 oversize folder)
Type:
Archival materials
Collection descriptions
Framed print
Photographs
Sound recordings
Inkjet prints
Iris prints
Ink jet printing
Compact discs
Digital images
CD-ROMs
Color prints (photographs)
Date:
1996-2000
Summary:
Collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004.
Scope and Contents:
The collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004. The materials are arranged into two series.

Series 1: Iris (Inkjet) Digital Photoprints, dates, consists of eighty six color Iris (inkjet) items. The subjects are primarily individual musicians and craftsmen, although several instrument companies are included, notably the venerable Selmer Company of Elkhart, Indiana, which has manufactured band instruments for many decades. These digital prints were made from Jacobson's 35mm color transparencies (although print number one is monochrome, rather than full color). The prints are from a limited edition of 350, and are signed by the photographer in the lower right beneath the image, and numbered on the lower left. Some prints bears Northlight Atelier blind stamp in the margin and an identifying label with the print number and subject's name is affixed to each print on the verso at the bottom. Most of the prints have an image size of 20" in the long dimension and from approximately 13-1/4" to 14-1/4" on the short side; on heavy, textured archival paper, ranging in size from about 16"x 23" to 19"x 24". Eight larger prints, with image sizes of approximately 21-22" x 31-32" in size, were received matted and in 28" x 40" frames. Some representative image and print sizes are included. Most prints are in one large flat box; prints in the "folder" are stored separately because the paper is slightly too large for the box. The large framed prints are necessarily stored separately and are less accessible.

Series 2: Other Materials, dates, includes a loose-leaf notebook containing inventory of the Smithsonian Institution Traveling Exhibition Services (SITES) exhibit prints with titles and thumbnail images for identification (except item 55, which is omitted), plus a CD-ROM containing the images in pocket. Note that the images for numbers 81 and 85 in the notebook are reversed. There is also a compact disk in plastic jewel case of the same name ("Heart & Hands: Musical Instrument Makers of America"), which contains sixty tracks of instrument makers playing their instruments and interviews with some of them. Compact disk in plastic jewel case, "Heart & Hands: Musical Instrument Makers of America; Music and Interviews Recorded Live; Taken from the Book..." (produced by Northlight). Containing music and selected interviews with instrument makers, produced for commercial distribution by Northlight Atelier; 60 tracks. Compact disk in plastic jewel case, "Heart & Hands: Musical Instrument Makers of America; Music and Interviews Recorded Live; Taken from the Book..." (produced by Northlight). Containing music and selected interviews with instrument makers, produced for commercial distribution by Northlight Atelier; 60 tracks.
Arrangement:
The collection is divided into two series.

Series 1, Iris (Inkjet) Digital Photoprints

Series 2, Other Materials
Biographical / Historical:
"Heart & Hands: Musical Instrument Makers of America" was an exhibition of photographs by Jake Jacobson, circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004 to at least fourteen venues. The first site was April 8, 2000, at the Georgia Mountains History Museum, and the last venue for the show was the Elkhart County Historical Museum, Bristol, Indiana, ending April 6, 2004. Selections from the exhibition were on view from June 4 to 8, 2001, in the Rotunda of the Russell Senate Office Building, and it was shown in the Smithsonian's Arts and Industries building, March 2-April 28, 2002.

The field work for the project was begun in 1996, culminating in 1998. "Traveling coast to coast, in an extensive two-year journey across the United States, Jake Jacobson and research collaborator Trisja Malisoff recorded the images, words, and music of over 300 contemporary musical instrument makers. Documenting the diversity of American music, Jacobson's photographs reveal a complex, living tradition-a heritage that draws upon Latin, Native American, European, African and Asian music influences."

Following this project, Jacobson engaged in a related photographic documentation, "Heart & Hands: Musical Instrument Makers of China." He has established a "Heart & Hands Foundation." Music has been an important part of Jacobson's life throughout his career as a photographer, printmaker, and jazz musician. During the mid-1960s he operated a backyard print shop, producing rock concert posters. As an advertising and editorial photographer, he pioneered new techniques for special effects and printmaking. His continuing passion for photographing musical artists is evident in the portraits in the "Heart & Hands" project.

A graduate of Brooks Institute of Photography, Jacobson has taught photography at UCLA and Cypress College in Orange County. A longtime practitioner and teacher of Yoga, he is the owner of the Center for Yoga in Los Angeles. He operated a "state-of-the-art" photography, printmaking, and video production studio, Northlight of Colorado, in the mountains near Telluride, Colorado, before relocating the Northlight Atelier to Santa Barbara, California, in 2003.

Another project of Jacobson's is entitled, "Oh, Baby--Celebrating Birth Rites around the World."
Provenance:
Collection donated by Mr. Jacobson.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves.

Technical Access: Do not use original
Rights:
Jake Jocobson retains copyright. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments -- 20th century  Search this
Musical instrument makers  Search this
Genre/Form:
Photographs -- Inkjet prints -- 1990-2000
Sound recordings -- Compact disks
Inkjet prints
Photographs -- Digital prints -- 20th century
Iris prints
Ink jet printing
Compact discs
Digital images
CD-ROMs
Color prints (photographs)
Citation:
Jake Jacobson "Heart & Hands" Color Iris Photoprints, Archives Center, National Museum of American History,
Identifier:
NMAH.AC.0866
See more items in:
Jake Jacobson "Heart & Hands" Color Iris Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0866
Additional Online Media:

Early Aeronautical News Clippings (Alexander Graham Bell) Collection

Creator:
Bell, Alexander Graham, 1847-1922  Search this
Beals, Jessie Tarbox  Search this
Names:
Aerial Experiment Association  Search this
Bell, Alexander Graham, 1847-1922  Search this
Extent:
23.64 Cubic feet (18 records center boxes; 1 11x17x3 flatbox)
Type:
Archival materials
Collection descriptions
Clippings
Date:
1903-1974
Summary:
The Early Aeronautical Newsclippings (Alexander Graham Bell) Collection (NASM.XXXX.0086) consists of 19 boxes of material about early aviation and aeronautics collected by Alexander Graham Bell between 1906 and 1912.
Scope and Contents:
This collection consists of newspaper clippings gathered by Dr. Bell during the early years of aviation. The material, compiled from American, British, French, and German papers, as well as others, covers a variety of subjects from balloon and airship ascents, air shows, races, and record flights, to accidents, technological developments, and applications. The collection ends with an album of photographs of the aeronautical exhibit at the Automobile Show held in New York in 1907. Supplemental indexes were created for the collection at later times.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
The collection is arranged by in the following series:

1. Scrapbooks

2. Indexes

3. Photographs
Biographical / Historical:
Although best known as the inventor of the telephone, Dr. Alexander Graham Bell (1847-1922) expressed an interest in a wide range of activities, including aviation. By the turn of the 20th century he was experimenting with kites and kite structures, including his famous tetrahedral kite "Cygnus," which carried a man aloft in 1907 and was intended to be fitted with a motor. Bell supported the experiments of Samuel Langley from 1891 on, and had some influence in obtaining War Department funding for Langley's aeronautical work. After the successful flight of the Wright Brothers in 1903 he formed, with Glenn H. Curtiss, F. W. Baldwin, J. A. D. McCurdy, and Lt. T. Selfridge, the Aerial Experimental Association, which experimented with a number of flying machines before the founders dissolved the group in 1909. Bell's contributions to aeronautics are reflected in his being issued nine patents for various advances in "aerial vehicles" and "flying machines."
Provenance:
No donor information, NASM.XXXX.0086, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Aeronautics -- 1903-1916  Search this
Periodicals  Search this
Genre/Form:
Clippings
Citation:
Early Aeronautical Newsclippings (Alexander Graham Bell) Collection, Acc. NASM.XXXX.0086, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0086
See more items in:
Early Aeronautical News Clippings (Alexander Graham Bell) Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0086
Additional Online Media:

Warshaw Collection of Business Americana Subject Categories: Children

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
2.56 Cubic feet (consisting of 6 boxes, 1 folders, 2 oversize folders, plus digital images of some collection material. )
Type:
Archival materials
Collection descriptions
Business ephemera
Ephemera
Date:
1828-1961
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Children forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Consists primarily of publications, images, ephemera, and business memorabilia relating to children. Much of the material is geared for children, but there are also materials for parents and the general public. While there are items in the collection that are from the 20th century, the bulk of the materials are from the late 19th century.
Arrangement:
Children is arranged in four subseries.

Publications for Children

Images

Miscellaneous Materials

Companies
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Children is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Children
See more items in:
Warshaw Collection of Business Americana Subject Categories: Children
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-children
Additional Online Media:

Southern California Institute of Architecture

Designer:
April Greiman, American, b. 1948  Search this
Medium:
Offset lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
late 20th century
Credit Line:
Gift of April Greiman
Accession Number:
1995-167-2
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1995-167-2
Additional Online Media:

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