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Edwin Walter Dickinson postcard to Ross E. Moffett

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Moffett, Ross E., 1888-1971  Search this
Type:
Correspondence
Date:
9 August 1963
Record number:
(DSI-AAA)15474
See more items in:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15474
Additional Online Media:

Edwin Walter Dickinson postcard to Ross E. Moffett

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Moffett, Ross E., 1888-1971  Search this
Type:
Correspondence
Date:
8 August 1963
Record number:
(DSI-AAA)15475
See more items in:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15475
Additional Online Media:

Edwin Walter Dickinson postcard to Ross E. Moffett

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Moffett, Ross E., 1888-1971  Search this
Type:
Correspondence
Date:
1959 February 10
Record number:
(DSI-AAA)15476
See more items in:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15476
Additional Online Media:

Oral history interview with Edwin W. Dickinson, 1962 August 22

Interviewee:
Dickinson, Edwin Walter, 1891-1978  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Interviews  Search this
Art, American  Search this
Painters  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)11644
(DSI-AAA_SIRISBib)212618
AAA_collcode_dickin62
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212618

Oral history interview with Edwin Dickinson, 1968 August 29

Interviewee:
Dickinson, Edwin Walter, 1891-1978  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Painters  Search this
Sound recordings  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)11838
(DSI-AAA_SIRISBib)229520
AAA_collcode_dickin68
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_229520

Isabel Bishop papers

Creator:
Bishop, Isabel, 1902-1988  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Bacon, Peggy, 1895-1987  Search this
Blume, Peter, 1906-1992  Search this
Brooks, Van Wyck, 1886-1963  Search this
Canaday, John, 1907-1985  Search this
Chappell, Warren, 1904-  Search this
Ciardi, John, 1916-  Search this
Cunningham, Merce  Search this
Delevante, Sidney, 1894-  Search this
Deutsch, Babette, 1895-1982  Search this
Dickinson, Edwin Walter, 1891-  Search this
Evergood, Philip, 1901-1973  Search this
Ferber, Edna, 1887-1968  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Force, Juliana, 1876-1948  Search this
Hoffman, Malvina  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Johnson, Una E.  Search this
Kearns, James  Search this
Kitaj, R. B.  Search this
Kroll, Leon, 1884-1974  Search this
Laning, Edward, 1906-  Search this
Lattimore, Richmond Alexander, 1906-1984  Search this
Leighton, Clare, 1899-  Search this
Marsh, Reginald, 1898-1954  Search this
Moore, Marianne, 1887-1972  Search this
Mumford, Lewis, 1895-1990  Search this
Neel, Alice, 1900-1984  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Schmidt, Katherine, 1898-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Tooker, George  Search this
Van Veen, Stuyvesant  Search this
Vonnegut, Kurt  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Westcott, Glenway  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.6 Linear feet
Type:
Archival materials
Collection descriptions
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Date:
1914-1983
Summary:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
Scope and Content Note:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. Scattered biographical documents include awards and a file on her participation in art juries.

Bishop was friends with many artists and cultural figures and her correspondence includes letters to and from artists such as John Taylor Arms, Peggy Bacon, Peter Blume, Warren Chappell (many letters from Chappell are illustrated), Sidney Delevante, Edwin Dickinson, Philip Evergood, John Folinsbee, Malvina Hoffman, Jo Hopper, James Kearns, Leon Kroll, Clare Leighton, Jack Levine, Alice Neel, Hobson Pittman, Fairfield Porter, Abraham Rattner, Katherine Schmidt, Henry Schnakenberg, Raphael Soyer, George Tooker, Stuyvesant Van Veen, Franklin Watkins, Mahonri Young, and William Zorach. Bishop not only corresponded with artists but also many poets, authors, historians, and dancers, such as Van Wyck Brooks, John Canaday, John Ciardi, Merce Cunningham, Babette Deutsch, Edna Ferber, Richmond Lattimore, Marianne Moore, Lewis Mumford, Kurt Vonnegut, and Glenway Westcott. Also found are letters from many galleries, museums, and schools which exhibited or purchased her work, including curators Juliana Force and Una Johnson.

Bishop kept files from her affiliations with the American Society of Painters, Sculptors, and Gravers and the New Society of Artists, containing mostly membership and financial records, and a file on a UNESCO conference. Unfortunately, files documenting her membership and vice presidency of the National Institute of Arts & Letters are not found here.

A small amount of Bishop's writings and notes include essays about friends and artists Reginald Marsh and Warren Chappell. Printed material consists of exhibition catalogs and announcements, news clippings, magazines, and a design by G. Alan Chidsey for a book about Bishop. Photographs depict Bishop with her husband and in her studio, her artwork, and also include three photographs of her friend, Reginald Marsh.

Original artwork includes eight small sketchbooks, loose pen and ink sketches, intaglio prints, watercolor figure studies, and a drawing of Bishop by Aaron Bohrod.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Material, 1943-1975 (Box 1; 4 folders)

Series 2: Correspondence, 1939-1983 (Box 1; 0.6 linear feet)

Series 3: Organization Files, 1924-1937, 1951-1952 (Box 1; 0.2 linear feet)

Series 4: Writings & Notes, 1937-1960s (Box 1; 4 folders)

Series 5: Printed Material, 1930-1979 (Box 2; 0.6 linear feet)

Series 6: Photographs, 1914, circa 1920s-1975 (Box 2, OV 5; 0.2 linear feet)

Series 7: Artwork, circa 1940s-1970s (Box 2-4, OV 5; 0.4 linear feet)
Biographical Note:
Isabel Bishop (1902-1988) was born in Cincinnati, Ohio to John Remsen Bishop and Anna Bartram Newbold Bishop. Shortly after her birth the family moved to Detroit, Michigan. As a child Bishop took art classes and had a growing interest in drawing. In 1918 at the age of 16 she left home and moved to New York City where she enrolled in the School of Applied Design for Women to be an illustrator. However, her real interest was in painting, not the graphic arts, and she enrolled in the Art Students League in 1920. There she studied with Kenneth Hayes Miller and Guy Pene du Bois and met many young artists, including Reginald Marsh and Edwin Dickinson, both of whom became close friends. She took classes until 1924 and rented a studio and living space on 14th Street in a neighborhood where many artists maintained studios at the time.

Bishop began exhibiting her work and participated in artist groups, including the Whitney Studio Club and the New Society of Artists. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932 Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career.

In 1934 she married Harold Wolff, a neurologist, and moved with him to Riverdale, New York. Bishop kept her studio in Manhattan, moving from 14th Street to Union Square. She remained in her Union Square studio for fifty years (1934-1984). From 1936 to 1937 she taught at the Art Students League and in 1940 her son Remsen was born. In 1941 she was named a member of the National Academy of Design and from 1944 to 1946 she was the Vice President of the National Institute of Arts & Letters, the first woman to hold an executive position with that organization. She wrote articles and joined other artists in speaking out in support of realist painting and against the abstract style that was dominating the New York art scene.

During her long career which lasted into the 1980s, Bishop exhibited in numerous group and solo exhibitions, traveled throughout the U. S. as an exhibition juror, and won many awards for her work, including the award for Outstanding Achievement in the Arts presented by President Jimmy Carter in 1979.
Related Material:
Also found at the Archives of American Art are three oral history interviews with Isabel Bishop, April 15, 1959, May 29, 1959, and November 12-December 11, 1987.

The Whitney Museum of American Art and Midtown Galleries loaned additional Bishop papers to the Archives for microfilming on reels NY59-4 and NY59-5. These items were returned to the lenders after microfilming and are not described in the container listing of this finding aid.
Provenance:
The collection was donated in several installments by Isabel Bishop from 1959 to 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Isabel Bishop papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Realism in art  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Citation:
Isabel Bishop papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bishisab
See more items in:
Isabel Bishop papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bishisab
Additional Online Media:

Interview with Edwin Dickinson

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1973 August 28
Record number:
(DSI-AAA)14334
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14334

Interview with Edwin Dickinson conducted by Louis Finkelstein

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Finkelstein, Louis, 1923-2000  Search this
Type:
Sound Recording
Date:
1963 November 13
Record number:
(DSI-AAA)14727
See more items in:
Louis Finkelstein papers, [ca. 1944-2000]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14727

Edwin W. Dickinson interview, 1970 Aug. 12

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Weeden, Dorothea  Search this
Topic:
Painters  Search this
Interviews  Search this
Art, American  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)10663
(DSI-AAA_SIRISBib)214255
AAA_collcode_dickin70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214255

Edwin W. Dickinson interview, 1972 June 13

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Del Deo, Josephine Couch, 1925-  Search this
Subject:
Del Deo, Salvatore  Search this
Topic:
Art, American  Search this
Interviews  Search this
Sound recordings  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)10668
(DSI-AAA_SIRISBib)214263
AAA_collcode_dickin72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214263

Howard Wise Gallery records

Creator:
Howard Wise Gallery  Search this
Names:
Burger, Warren E., 1907-1995  Search this
Chermayeff, Serge, 1900-  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dubuffet, Jean, 1901-  Search this
MacAgy, Douglas, 1913-  Search this
Sturken, Marita, 1957-  Search this
Tworkov, Jack  Search this
Wise, Howard  Search this
Extent:
11.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Interviews
Video recordings
Date:
1943-1989
Summary:
The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.
Scope and Content Note:
The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

Correspondence documents the operations of Wise's galleries in Cleveland and New York. A few subject files and a small amount of Howard Wise's personal correspondence (some pre-dating and post-dating the galleries) are also included in this series.

Artist files contain varying combinations of correspondence, printed material, notes and writings, and photographs. Most artists represented in this series were affiliated with Howard Wise Gallery either in Cleveland or New York City, but some files are for individuals of potential interest to the gallery, and those of continued interest to Wise after the closing of the gallery. Exhibition files contain correspondence, printed material, guest lists, and notes. Exhibition files are not a comprehensive record of exhibitions held in Wise's galleries.

Business records include records of cash disbursements that are primarily for Howard Wise's travel and entertainment expenses. Business memoranda and correspondence between the Cleveland and New York galleries document sales, inventory, shipments and financial information. Also among the business records are photographs of the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, a set of slides of artworks and installation views dating to the late 1950s, and inventories and loan documentation related to Howard Wise's personal art collection. Writings consist of essays and speeches by Howard Wise, writings on Howard Wise and the Howard Wise Gallery artists by Douglas MacAgy and Marita Sturken, and a typescript recollection of a dinner party conversation with Supreme Court Justice Warren Burger from 1973.

Video recordings include 41 videoreels and videocassettes, a log book of video shot by Wise in the early 1970s, and a program for a screening of his videos held in Wellfleet, Mass. Recordings are mainly unedited footage of interviews with artists and community figures, gallery openings, and other community events in Wellfleet, Mass. and the greater Cape Cod region. A log book and detailed labels on videos provide details about their content. Three edited works made by Wise from the raw footage include "video portraits" of Serge Chermayeff, Edwin Dickinson, and Jack Tworkov. Also found is footage from the premiere performance of Jean Dubuffet's Coucou Bazaar at the Guggenheim Museum, and a dinner party attended by Dubuffet. Video of works by other artists include footage from media and kinetic artworks shown in the Howard Wise Gallery from 1964-1967, as well as a video performance by Hannah Wilke from 1974.
Arrangement:
The collection is arranged as 5 series:

Series 1: Correspondence, 1943-1984 (Boxes 1-2; 2.0 linear ft.)

Series 2: Artist Files, 1950-1984 (Boxes 3-6; 3.4 linear ft.)

Series 3: Exhibition Files, 1957-1968 (Boxes 6-7; 0.9 linear ft.)

Series 4: Business Records, 1957-1989 (Boxes 7-9; 2.6 linear ft.)

Series 5: Writings, 1957-1984 (Box 9; 4 folders)

Series 6: Video Recordings, 1973-1985 (2.5 linear feet)
Historical Note:
After twenty-five years as president of Arco Company, his family's industrial paint and varnish manufacturing business in Cleveland, Howard Wise (1903-1989) sold his interest in the business and began to pursue his own artistic interests. The Howard Wise Gallery of Present Day Painting and Sculpture opened in Cleveland in 1957 and operated for the next five years. It first showed School of Paris and New York painters and also sold prints. With the exception of a few collectors and loyal customers, Clevelanders did not appreciate Wise's efforts to bring the best new art from all over the world to the city. The Cleveland Plain Dealer ran several editorials ridiculing modern art in general and Howard Wise and his gallery in particular. Attendance was poor and Wise decided to relocate to New York.

After a year of searching for a suitable location and renovating the space, Howard Wise Gallery opened at 50 West 57th Street in 1960. The gallery generated excitement among visitors and artists, and sales and attendance were much better than in Cleveland. After closing the Cleveland gallery in 1961 Wise never again returned to his native city. Despite being well received and conducting significantly more business in New York, the gallery was not a great financial success. Between 1962 and 1965, art consultant Douglas MacAgy, a friend and the former director of the Dallas Museum of Art, worked with Wise in running the gallery. Although the critics were not always favorably impressed, Howard Wise Gallery had a significant following and made important contributions through its support of the use of technology in art, specifically kinetic and light sculpture and the video art movement.

By the late 1960s, Wise recognized that a gallery setting was not suitable for many of the new art forms. He closed Howard Wise Gallery in 1970 so that he could focus his energy and resources on exploring the best way to support environmental sculpture, political work, and video art. Wise founded Electronic Arts Intermix in 1971. Originally an artist-run umbrella organization, today Electronic Arts Intermix is a non-profit videotape distribution service and editing facility, that has amassed an important and highly regarded video art collection.
Related Material:
Also found in the Archives of American Art is an oral history interview with Howard Wise conducted by Paul Cummings on February 22, 1971. The Harvard Art Museum Archives also holds archival records of the Howard Wise Gallery.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-77) including publicity materials, correspondence, exhibition plans, text of an exhibition catalog, and photographs relating to Howard Kiesler. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1979, the Howard Wise Gallery lent material to the Archives of American Art for microfilming. The rest of the collection was donated by Howard Wise in 1971 and by Barbara Wise, Howard Wise's widow via Dana Kasarsky, Wise's daughter-in-law in 2011.
Restrictions:
The collection is open for research. Use requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Howard Wise Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Video art  Search this
Art, Modern  Search this
Art galleries, Commercial -- Ohio -- Cleveland  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Kinetic sculpture  Search this
Genre/Form:
Photographs
Interviews
Video recordings
Citation:
Howard Wise Gallery records, 1943-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howawisg
See more items in:
Howard Wise Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-howawisg
Additional Online Media:

Tony Vevers papers

Creator:
Vevers, Tony  Search this
Names:
Long Point Gallery (Provincetown, Mass.)  Search this
Provincetown Art Association  Search this
Purdue University -- Faculty  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Andersen, Yvonne  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Falcone, Dominic  Search this
Grooms, Red  Search this
Halvorsen, Elspeth  Search this
Hofmann, Hans, 1880-1966  Search this
L'Engle, Lucy, 1889-1978  Search this
L'Engle, William, 1884-1957  Search this
Motherwell, Robert  Search this
Smith, Houghton Cranford, 1887-1983  Search this
Stout, Myron, 1908-1987  Search this
Tworkov, Jack  Search this
Vevers, Tabitha  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Yamamoto, Gwen  Search this
Yamamoto, Taro  Search this
Extent:
3.4 Linear feet
Type:
Archival materials
Collection descriptions
Prints
Photographs
Portraits
Watercolor paintings
Place:
Provincetown (Mass.) -- description and travel
Date:
1947-2008
bulk 1960-1999
Summary:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.
Scope and Contents:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.

Among the biographical materials are résumés, a personal statement, the transcript of Tabitha Vevers's 1986 "Conversation with My Father," and applications for grants to study Provincetown artists and the history of the Provincetown art community from the 1920s to the 1950s. Personal and professional includes some letters to his wife Elspeth.

The collection as a whole—and especially Vevers's writings and subject files–focuses on the Provincetown art community, its history and significance. Vevers's writings include many lectures prepared for classes he taught at Purdue University and the Provincetown Art Association and Museum, catalog essays, and notes. There are notes and research materials about artists Houghton Cranford Smith, E. Ambrose Webster, Edwin Dickinson, and Lucy and William L'Engle, and subject files about the Provincetown Art Association and Museum, Long Point Gallery, and other galleries in the area, as well as a file of Provincetown-related obituaries and eulogies for Hans Hofmann, Robert Motherwell, and Jack Tworkov, with Vevers's eulogies for Tworkov and Myron Stout.

Printed materials consist mainly of clippings, exhibition catalogs and announcements relating to Vevers and his art interests. Artwork consists of a small print and watercolor, probably by Vevers, as well as a pen-and-ink portrait by an unidentified artist.

Photographs are mainly of artwork by Vevers. The two images of Vevers show him as a young boy and in 1984 at work in his studio. There are several photographs of exhibition installations at the Sun Gallery in Provincetown, 1958-1959, identified artists are: Yvonne Andersen, Dominic Falcone, Red Grooms, Taro and Gwen Yamamoto.
Arrangement:
The collection is arranged in 7 series:

Series 1: Biographical Materials, 1962-2000 (Box 1; 1 folder)

Series 2: Correspondence, 1950s-2006 (Box 1; 0.1 linear foot)

Series 3: Writings, 1947-2008 (Boxes 1-2; 1.9 linear feet)

Series 4: Subject Files, 1954-2006 (Boxes 2-3; 0.7 linear foot)

Series 5: Printed Material, 1960s-2008 (Boxes 3-4; 0.7 linear foot)

Series 6: Artwork, circa 1950s-circa 2005 (Box 4; 2 folders)

Series 7: Photographs, circa 1950s-1984 (Box 4; 0.1 linear foot)
Biographical / Historical:
Painter and art historian, Tony Vevers (1926-2008) and his artist wife Elspeth Halvorsen (b. 1929) lived and worked in Provincetown, Massachusetts, as year-round or summer residents from 1955 to 2006. From 1964 to 1988, Vevers taught art and art history at Purdue University in Indiana. An active participant in the Provincetown art community, he was also an historian of the Provincetown art scene.

Vevers was born in London, England and immigrated to the United States in 1940, graduating from the Hotchkiss School in Lakeville, Connecticut and Yale University. Following college he studied in Florence, Italy, and with Hans Hofmann in New York City, where he met his wife Elspeth Halvorsen. The couple had two daughters, one of whom, Tabitha is also an artist.

Vevers, active in the Abstract Expressionist movement, had several one-man exhibitions and participated in over one hundred group exhibitions. His works are in the Hirshhorn Museum in Washington, DC, the Delgardo Museum in New Orleans and many universities, corporate, and private collections in the United States and abroad.

Tony Vevers died in Chatham, Massachusetts on March 2, 2008 following complications from pneumonia.
Related Materials:
Also found in the Archives of American Arts are two oral history interviews with Tony Vevers, one conducted by Dorothy Seckler 1965 September 9, the second conducted by Robert F. Brown in 1998 July 9 and August 25.
Provenance:
The papers were donated to the Archives of American Art in 2013 by Elspeth Halvorsen-Vevers the widow of Vevers.
Restrictions:
Use of original materials requires an appointment.
Rights:
The Tony Vevers papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Transcripts  Search this
Artists' studios -- Photographs  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 19th century  Search this
Art -- Study and teaching  Search this
Abstract expressionism  Search this
Painters -- Massachusetts -- Provincetown  Search this
Educators -- Massachusetts  Search this
Art historians -- Massachusetts  Search this
Genre/Form:
Prints
Photographs
Portraits
Watercolor paintings
Citation:
Tony Vevers papers, 1947-2008, bulk 1960-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vevetony
See more items in:
Tony Vevers papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vevetony

A visit with Edwin Dickinson [videorecording] / produced by Dorothea Weeden ; filmed and edited by Don Kendall, 1970

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Subject:
Weeden, Dorothea  Search this
Kendall, Don  Search this
Dickinson, Edwin Walter  Search this
Topic:
Interviews  Search this
Video recordings  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)7285
(DSI-AAA_SIRISBib)209436
AAA_collcode_dickin70a
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209436

Edwin Dickinson in Provincetown : 1912-1937 / Mary Ellen Abell, curator of exhibition ; Helen Dickinson, author of Edwin Dickinson catalogue raisonné

Author:
Dickinson, Edwin Walter 1891-1978  Search this
Abell, Mary Ellen 1949-  Search this
Dickinson, Helen  Search this
Provincetown Art Association & Museum  Search this
Subject:
Dickinson, Edwin Walter 1891-1978  Search this
Dickinson, Edwin Walter 1891-1978  Search this
Physical description:
176 p. : ill. (some col.) ; 28 cm
Type:
Books
Exhibitions
Catalogues raisonnés
Date:
2007
C2007
Call number:
N6537.D44694 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_906022

Edwin Walter Dickinson papers, 1909-1971

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Subject:
Gammell, R. H. Ives (Robert Hale Ives)  Search this
Hawthorne, Charles Webster  Search this
Halsall, William Formby  Search this
Waugh, Coulton  Search this
Eastwood, Raymond James  Search this
Vytlacil, Vaclav  Search this
Bouchard, Thomas O.  Search this
Moffett, Ross E.  Search this
Heinz, Charles  Search this
Topic:
Painting, American  Search this
Diaries  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)9310
(DSI-AAA_SIRISBib)211505
AAA_collcode_dickedwi
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211505

Edwin Dickinson 1891-1978 : [exhibition] November 3-30, 1983

Author:
Dickinson, Edwin Walter 1891-1978  Search this
Hirschl & Adler Modern  Search this
Subject:
Dickinson, Edwin Walter 1891-1978  Search this
Physical description:
39 p. : ill. (some col.), ports. ; 27 cm
Type:
Books
Exhibitions
Date:
1983
[1983]
Call number:
N40.1.D55 H6
N40.1.D55H6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_202083

Edwin Walter Dickinson : an iconological interpretation of the major symbolical paintings / by John Paul Driscoll

Author:
Driscoll, John Paul  Search this
Subject:
Dickinson, Edwin Walter 1891-1978 Symbolism  Search this
Dickinson, Edwin Walter 1891-1978 Themes, motives  Search this
Physical description:
x, 196 leaves : ill
Type:
Books
Date:
1986
1985
Call number:
N40.1.D55 D78 1985a
N40.1.D55D78 1985a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_305590

Edwin Dickinson : [exhibition] August 14-September 7, 1976

Author:
Dickinson, Edwin Walter 1891-1978  Search this
Provincetown Art Association  Search this
Subject:
Dickinson, Edwin Walter 1891-1978  Search this
Physical description:
[36] : ill. ; 23 cm
Type:
Books
Exhibitions
Date:
1976
[1976]
Call number:
N40.1.D55 P96 1976
N40.1.D55P96 1976
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_409087

Edwin Dickinson : a vision of coast and sea / Norman Geske

Author:
Dickinson, Edwin Walter 1891-1978  Search this
Geske, Norman A  Search this
Babcock Galleries  Search this
Subject:
Dickinson, Edwin Walter 1891-1978  Search this
Physical description:
48 p. : ill. (some col.) ; 19 cm
Type:
Books
Exhibitions
Date:
1990
C1990
Call number:
N40.1.D55 G38 1990
N40.1.D55G38 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_422711

Edwin Dickinson, 1891-1978, rare perspectives : October 29-December 20, 1986 ...

Author:
Dickinson, Edwin Walter 1891-1978  Search this
Graham Gallery  Search this
Subject:
Dickinson, Edwin Walter 1891-1978  Search this
Physical description:
[12] p. : ill. (some col.) ; 24 cm
Type:
Books
Exhibitions
Date:
1986
[1986]
Call number:
ND237.D46 A4 1986a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643984

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