Skip to main content Smithsonian Institution

Search Results

Collections Search Center
76 documents - page 1 of 4

Hans Christensen papers

Names:
American Craft Council  Search this
Rochester Area Chamber of Commerce. Women's Council (N.Y.)  Search this
Rochester Institute of Technology -- Faculty  Search this
University of Rochester. Memorial Art Gallery  Search this
Christensen, Hans, 1924-1983  Search this
Quinn, Eileen  Search this
Extent:
12.3 Linear Feet
Culture:
Artisans--New York (State)  Search this
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Video recordings
Date:
1924-1989
bulk 1955-1983
Summary:
The papers of designer, silversmith, and educator Hans Christensen measure 12.3 linear feet and date from 1924 to 1989 with the bulk of the collection dating from 1955 to 1983. The collection includes biographical materials, correspondence, writings and notes, personal business records, teaching files for the Rochester Institute of Technology, printed and broadcast materials, artwork, photographic materials, and sound and video recordings.
Scope and Contents:
The papers of designer, silversmith, and educator Hans Christensen measure 12.3 linear feet and date from 1924 to 1989 with the bulk of the collection dating from 1955 to 1983. The collection includes biographical materials, correspondence, writings and notes, personal business records, teaching files for the Rochester Institute of Technology, printed and broadcast materials, artwork, photographic materials, and sound and video recordings.

Biographical materials include address books, card files, 27 appointment books, awards and certificates, official documents from Denmark, interviews, legal records, and records of his memorial service. Correspondence is with Christensen's mother and wife, colleagues, the International Institute of Arts and Letters, the National Rochester Society, and others. Writings consist of Christensen's essays on hollow ware and RIT; lectures at the Memorial Art Galleries, Women's Council, and the American Craft Council; and notes and a notebook on an array of subjects. Writings by others are by Eileen Quinn and a student paper.

Personal business records are divided into general, activities, and commission files that pertain to Christensen's career outside of teaching. Teaching files include alumni files, contracts, correspondence, course outlines, records for the International Trade Fair of Rennes, grievance committee files, a financial ledger, meeting records, program information, reports, studio floor plan, and student files.

Printed materials include a broadcast recording, a scrapbook, booklets, business cards, clippings, and exhibition material that mainly feature Christensen and his work. Artwork consists of one sketchbook, a portfolio, and numerous sketches and templates. Photographic materials include photographs, negatives, and slides of Christensen, his first and second wives, Betten and Els, and home life, his family in Denmark, travel, students and colleagues, and works of art. Unidentified sound recordings consist of 17 sound cassettes.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Materials, 1924-1983 (1.2 linear feet; Boxes 1, 2, 13, OV 15)

Series 2: Correspondence, 1949-1986 (1.3 linear feet; Boxes 2-3)

Series 3: Writings and Notes, 1952-1982 (0.4 linear feet; Box 3)

Series 4: Personal Business Records, 1953-1983 (3.5 linear feet; Boxes 3-6, 13, OVs 16-17)

Series 5: Teaching Files, 1954-1983 (1.0 linear feet; Boxes 6-8, 13, OV 16)

Series 6: Printed and Broadcast Materials, 1950s-1989 (2.2 linear feet; Boxes 8-9, 14, OV 15)

Series 7: Artwork, circa 1970s (1.0 linear feet; Boxes 9, 13-14, OVs 15-24)

Series 8: Photographic Materials, circa 1940-1983 (1.3 linear feet; Boxes 9-11, 13, OV 25)

Series 9: Unidentified Sound Recordings, circa 1960s-1970s (0.4 linear feet; Box 12)
Biographical / Historical:
Hans Christensen (1924-1983) was a designer, silversmith, and educator in Rochester, N.Y.

Christensen was born to Holger and Valborg Christensen in Copenhagen, Denmark, where he also lived with his brother Per. Christensen attended the School for Arts and Crafts in Copenhagen and in Oslo, Norway. He began his career working for renowned Danish silversmith, Georg Jensen. In 1952, Christensen made his first visit to the United States representing Jensen's works at an exhibition at the Museum of Modern Art. He emigrated to the United States in 1954 and began his professorship of metalsmithing and jewelry at Rochester Institute of Technology (RIT). At RIT, he held the Charlotte Fredericks Mowris Professorship in Contemporary Crafts and was posthumously awarded the Eisenhart Award for Outstanding Teaching.

Over the span of his career, Christensen completed numerous commissions including works for the Vatican, royal families of Europe and Iran, RIT, Xerox, and others. He was a member of the International Institute of Arts and Letters in Switzerland, the College of Fellows of the American Crafts Council, the Society of North American Goldsmiths, and the Nathaniel Rochester Society.

Christensen was married to Astrid Elizabeth Sandum, called "Betten," from 1953 to 1965. In 1968, Christensen married Elisabeth "Els" Christensen, née Meijer. He died in a car accident in 1983 in Rochester, N.Y.
Related Materials:
Also found in the Archives of American Art is an oral history interview and slide presentation with Hans Christensen conducted by Robert Brown for the Archives of American Art from December 11, 1981 to December 3, 1982.
Provenance:
The Hans Christensen papers were donated in 1982 by Christensen and in 1984, 1988-1992 by his widow, Elisabeth Christensen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Occupation:
Art teachers -- New York (State)  Search this
Topic:
Art -- Study and teaching  Search this
Decorative arts  Search this
Designers -- New York (State)  Search this
Jewelers--New York (State)  Search this
Metal-work--Study and teaching--New York (State)  Search this
Metal-workers--New York (State)  Search this
Silversmiths--New York (State)  Search this
Silverware  Search this
Silverwork--New York (State)  Search this
Genre/Form:
Interviews
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Video recordings
Citation:
Hans Christensen papers, 1924-1989, bulk 1955-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrihans
See more items in:
Hans Christensen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chrihans

National Arts Club records

Creator:
National Arts Club  Search this
Names:
Arts Realty  Search this
De Kay, Charles  Search this
Extent:
32.1 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Photograph albums
Date:
1898-1960
Summary:
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Scope and Content Note:
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."

Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.

Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.

A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.

Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.

More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.

General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.

In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the Bulletin, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.

Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.

Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.

See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960
Arrangement:
The records are arranged into the following series:

Series 1: Board of Governors, 1898-1960, undated

Series 2: Administration, 1898-1960, undated

Series 3: Financial Records, 1917-1952

Series 4: Membership, circa 1900-1962

Series 5: Arts Realty Co., 1909-1913, 1945-1956, undated

Series 6: Miscellaneous, 1890-1961, undated

Series 7: Photographs, 1899-1957, undated

Series 8: Printed Matter, 1893-1960, undated

Series 9: Scrapbooks, 1898-1940
Historical Note:
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.

As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.

During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.

A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.

In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.

Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.

The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.

1898 -- Founding; occupied temporary office at 156 Fifth Ave.

1899 -- Incorporation; leased clubhouse at 37 West 34th St.; opened first exhibition, American Gold and Silver Work

1900 -- Constitution adopted

1901 -- First donations to permanent collection; Arts Realty Co. formed for the purpose of acquiring and financing the adjacent property (39 West 34th St.)

1905 -- Arts Realty Co. purchased Gramercy Park property (Tilden Mansion) on behalf of NAC; remodeling of clubhouse and construction of studio tower begun

1906 -- Plan for financing new clubhouse approved; second Mortgage Bonds issued; clubhouse and studio tower occupied; First Annual Books of the Year Exhibition

1907 -- Annual Members' Exhibition initiated; Bulletin began publication

1910 -- First meeting of Men's Open Table (established 1909)

1914 -- Essay contest, "A Critical Estimate of the Altman Collection"

1917 -- American Artists War Emergency Fund Committee issues art stamp

1923 -- Junior Artist membership category created

1930-1931 -- Essay contest, "Soul of America"

1940 -- Works by deceased artist life members deaccessioned from permanent collection; fund for refugee artists established

1962 -- Clubhouse designated New York City Landmark

1976 -- Clubhouse designated National Historic Landmark

1987 -- NAC records donated to Archives of American Art
Appendix A: Annotated List of National Arts Club Exhibitions, 1899-1960:
* = photographs included with records of NAC (See pp. 22-23 for reel and frame numbers)

+ = photograph in NAC album (See pp. 24 for reel and frame numbers)

x = catalog, checklist, or printed announcement included with NAC printed matter

s = copy of catalog in NAC scrapbook (volume number noted, see pp. 27-32 for reel and frame numbers of each volume)

Microfilm reel and frame numbers (e.g.: N134:416-419) are cited below for NAC catalogs appearing in other collections within the Archives of American Art.

DateExhibitionOct. 30 *, 1899 -- House Warming, Exhibition of American Gold and Silver Work

Nov. 13-18, 1899 -- Tenth Exhibition of the Woman's Art Club; Reception to Miss Cecilia Beaux (N134:416-419)

Nov. 27-Dec. 10, 1899 -- Art Pottery, American, Oriental, and European (N134:407-415)

Dec. 23-Jan. 8, 1899 -- Exhibition of Small Bronzes (N134:437-443)

Jan. 13, 1900 -- Exhibition of Photographs, works by members of the Society of Mural Painters

Jan. 29, 1900 -- Design for Street Refuge, shown by New York Municipal Art Society

Feb. 5-22, 1900 -- Exhibition of Embroideries and Native Rugs (N134:420-425)

Feb. 24-Mar. 10, 1900 -- John Leslie Breck Memorial Exhibition (N443:703-708; N551:719-724)

Mar. 24-Apr. 14, 1900 -- Pastel Exhibition, American Work

Apr., 1900 -- Old and Modern Japanese Prints

Apr. 14-21, 1900 -- Ernest Tarleton Memorial Exhibition

Apr. 21-May 3, 1900 -- Exhibition of Color Reproductions, American and European

May 10-21, 1900 -- American Art Leatherwork (N134:432-426)

May 24-30, 1900 -- Small Exhibition of Japanese Water Colors

May 31-June 14, 1900 -- William Hamilton Gibson Memorial Exhibition

June, 1900 -- New York Municipal Art Society Competition

Nov. 28-Dec. 19 x, 1900 -- Arts and Crafts (N134:421-431)

Jan., 1901 -- Birds and Beasts in Art

Feb., 1901 -- Art Leatherwork and Objects Relating to the Hearth

Mar., 1901 -- Works by the Society of Mural Painters

Apr., 1901 -- Books and Bookmaking

Apr., 1901 -- Howard Walter, Water Colors Taken in Europe

May, 1901 -- Glass in the Arts

May, 1901 -- Memorial to John A. Fraser, His Paintings

May-Nov., 1901 -- Arts and Crafts in the Liberal Arts Building, Pan-American Pacific Exhibition, Buffalo, N.Y.

June-Sept., 1901 -- Sculpture, Oil Paintings, Pastels, Water Colors, and Objects of Industrial Art by Members of the Club

Oct., 1901 -- Memorial Window for the Ames Family by John La Farge

Nov., 1901 -- Annual Exhibition of Paintings and Sculpture by the Woman's Art Club

Dec., 1901 -- Objects Shown at the Pan-American Pacific Exposition

Jan., 1902 -- Ecclesiastical Art

Feb., 1902 -- Art Objects Relating to Civic Art, under the auspices of the Municipal Art Society

Mar., 1902 -- American Pictorial Photographs, shown by the Photo-Secession

Mar. 26-Apr. 21, 1902 -- Fourth Annual Exhibition of the National Sculpture Society (N551:725-729; N134:446-451)

May, 1902 -- Pictures of "Womanhood"

May, 1902 -- Memorial Window for Baltimore by D. Maitland Armstrong; Memorial Window for Wells College by Mrs. Ella Condie Lamb June Window in Stained Glass, Memorial to Julia Doane, Chicago, by John La Farge

Oct., 1902 -- Collection of Objects in Metal; Artistic Bird Cages lent by A. W. Drake, Esq.

Nov., 1902 -- Annual Exhibition by the Woman's Art Club

Nov., 1902 -- Paintings by Four Western Artists, Messrs. Duveneck, Steele, Meakin and Sharp, through the courtesy of the Cincinnati Museum Association

Dec., 1902 -- Designs Submitted for Competition for the Emblem of the Louisiana Purchase Exposition

Jan. s, 1903 -- Portraits of Napoleon, lent by John Leonard Dudley, Jr., Esq. (volume 4)

Jan., 1903 -- "Autumn," Stained Glass Window for the country residence of William C. Whitney, by John La Farge

Feb., 1903 -- Eskimo and Arctic Objects, with Paintings from the Arctic and Antarctic Circles by Frank Wilbert Stokes

Mar., 1903 -- Objects of Municipal Art

Apr., 1903 -- Examples of Ideal Art by American Artists

May, 1903 -- Sculptures by Rodin, Roche, and Rivere, belonging to Miss Lois Fuller

May, 1903 -- Portraits and other Paintings by American Artists of the Colonial and Early Periods

June-Oct., 1903 -- Summer Exhibition of Paintings, Water Colors, and Sculpture by Members of the Club

Nov., 1903 -- Jewelry and Precious Stones, Modern, Old and Oriental

Dec. 1-14, 1903 -- Thirteenth Annual Exhibition of the Woman's Art Club (N134:452-456)

Dec., 1903 -- Stained Glass Window, designed by Miss Mary E. Tillinghast

Dec., 1903 -- Sketches for the Sculpture at the Louisiana Purchase Exposition, shown by the National Sculpture Society

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Eminent American Painters (N134:426-464, and volume 4)

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (volume 4)

Feb., 1904 -- Pictures by Contemporary American Artists

Mar. 2-15, 1904 -- Loan Exhibition of Pictures by American Figure Painters (N50:471-472; N134:460-461)

Mar., 1904 -- Annual Exhibition of Objects of Municipal Art

Apr. 5-15 s, 1904 -- Loan Exhibition of Pictures by Some Boston Artists (N443:713-715, and volume 4)

Apr. 19-30 s, 1904 -- Loan Exhibition of Pictures by Old Masters, lent by the Messrs. Durand-Ruel (N443:711-712; N134:462-464, and volume 4)

May 3-14 s, 1904 -- Oil Paintings, Water Colors, and Drawings by John La Farge, N.A. (volume 4)

May, 1904 -- Photographs of Paintings by Old Italian Masters, under the auspices of the Library Committee

Oct., 1904 -- Work of Holders of the Lazarus and Reinhart Scholarships executed while at the American Academy in Rome

Nov., 1904 -- "The Moral and Divine Law," painting by John La Farge

Nov., 1904 -- Exhibition by Members of the Nippon-Bijitsuin (Japanese Art Academy)

Jan., 1905 -- Exhibition by the Lyme Group of Painters

Feb., 1905 -- "Old Masters" and Aphrodite

Feb., 1905 -- Pictures by Some Boston Artists

Mar., 1905 -- Annual Exhibition of the Municipal Art Society of New York

Apr., 1905 -- Artistic and Commercial Posters, under the Auspices of the Municipal Art Society

Apr., 1905 -- Textiles and Ceramics

Oct., 1905 -- "Out of Doors" as Seen by Various Artists

Nov., 1905 -- Color Prints by S. Arlent-Edwards

Dec., 1905 -- American Indians as Seen by the Artist and the Artist Photographer

Jan., 1906 -- Birds and Beasts in Art

Feb., 1906 -- Miniatures

Mar., 1906 -- Fifth Annual Exhibition of the Municipal Art Society

Mar., 1906 -- Exhibition by the Alumni of Cooper Institute

Apr. 2-14 s, 1906 -- Municipal Art Society Exhibit of Poster Designs (volume 4)

Apr.-May, 1906 -- Exhibition by the Women's Art Club of New York

Nov. 8-18 s, 1906 -- Opening Exhibition [first exhibition in new quarters]: American Paintings from the Collection of Mr. William T. Evans (D45:29-34, and volume 4)

Dec., 1906 -- Books of the Year

Dec. 8-Jan. 1 s, 1906 -- Pictures by Some American Painters (volume 4)

Jan. 12-Feb. 1 s, 1907 -- Modern German Paintings from the Collection of Mr. Hugo Reisinger (N443:716-717, and volume 4)

Feb. s, 1907 -- Exhibition of Wood Engravings by Timothy Cole made for Century Magazine

Feb., 1907 -- Longfellow Memorial

Mar. 13-31, 1907 -- Sixth Annual Exhibition of the Municipal Art Society of New York

Apr., 1907 -- New York Society of Ceramic Artists

Apr., 1907 -- Paintings and Sculpture by Members

May s, 1907 -- Exhibition of Artists' Preliminary Sketches

May-Nov., 1907 -- Sketches by Members

Oct. 16-Nov. 16 s, 1907 -- Fall Exhibition of Sketches by Members (volume 4)

Nov. 20-Dec. 11, 1907 -- Arts and Crafts Exhibition (N29:1001-1026)

Dec., 1907 -- Second Annual Exhibition of the New Books of the Year

Jan. 4-25 s, 1908 -- Contemporary Art (N443:744-746, and volume 5)

Feb., 1908 -- First Annual Exhibition of Advertising Art

Feb. 1-15 s, 1908 -- Contemporary Paintings (volume 5)

Mar., 1908 -- Exhibition of the Municipal Art Society of New York

Apr. 2-25 * s, 1908 -- Special Exhibition of Members' Work (volume 5)

Apr. 15-May 8 s, 1908 -- Members' Spring Exhibition (volume 5)

Apr. 25-May 15 s, 1908 -- Paintings Loaned by C. C. Ruthrauff (volume 5)

May *, 1908 -- Exhibition of Painting, Sculpture, and Illustration under the auspices of the Art Students League of New York

Oct. 21-Nov. 7 s, 1908 -- Members' Fall Sketch Exhibition (volume 5)

Nov. *, 1908 -- Third Annual Exhibition of Books of the Year

Dec., 1908 -- Arts and Crafts Exhibition

Jan., 1909 -- Second Annual Exhibition of Advertising Art

Jan., 1909 -- Small Exhibition of Paintings and Drawings by Contemporary Artists

Feb. 2-20 s, 1909 -- International Exhibition of Pictorial Photography (volume 1)

Feb. 23-Mar. 17 s, 1909 -- John W. Alexander Retrospective Exhibition (volume 5)

Apr., 1909 -- Exhibition of the New York Society of Keramic Arts

May, 1909 -- Spring Exhibition of Members' Work

July, 1909 -- Paintings from the Collection of Mr. and Mrs. William T. Evans

Sept.-Oct., 1909 -- Three Centuries of New York, under the auspices of the Hudson-Fulton Celebration

Nov. 3-26 s, 1909 -- Fourth Annual Exhibition of Books of the Year (volume 5)

Dec., 1909 -- Third Annual Exhibition of Arts and Crafts

Jan., 1910 -- William M. Chase Retrospective Exhibition

Feb., 1910 -- Exhibition of American Landscape Painting

Mar. 2-28 s, 1910 -- Exhibition of Paintings by Louis Mark, of Budapest (volume 5)

Apr. 6-30 s, 1910 -- Exhibition of Paintings by Alfred East, of London (N134:465-469, and volume 5)

May, 1910 -- Exhibition of Household Art, under the auspices of the Domestic Training Department of the Public Schools

May 4-Oct. s, 1910 -- Third Annual Exhibition of the Former Students of the Art Students League (volume 5)

Oct. 20-Nov. 1 s +, 1910 -- Third Annual Exhibition of Advertising Art (volume 5)

Nov.-Dec., 1910 -- Fifth Annual Exhibition of Books of the Year

Dec. * +, 1910 -- Fourth Annual Arts and Crafts Exhibition

Jan. 5-Feb. 3 s +, 1911 -- First Annual Artist Life Members' Exhibition (volume 5)

Feb. +, 1911 -- Exhibition of the New York Society of Keramic Arts

Feb. 11-Mar. 10, 1911 -- Circuit Exhibition of Contemporary Art (D12:437-439; N52:105-107)

Mar. 8-Apr. 5 * s +, 1911 -- Paintings and Drawings by Walter Shirlaw, N.A. (N52:967-973, and volume 5)

Apr., 1911 -- Exhibition of the Municipal Art Society of New York

Apr. 26-May * s +, 1911 -- Group Exhibition of Paintings: William R. Derrick, Reynolds Beal, Frederick J. Waugh (volume 5)

Oct. 25-Nov. 4 * +, 1911 -- Exhibition of Color Schemes and Model Rooms in Miniature

Nov. 8-30 * +, 1911 -- Sixth Annual Exhibition of Books of the Year

Dec. 7-28 * +, 1911 -- Fifth Annual Arts and Crafts Exhibition

Jan. 3-28 s +, 1912 -- First Prize Exhibition of Artist Life Members (N443:754-756, and volume 6)

Jan. 31-Feb. 18 * s +, 1912 -- Otto Walter Beck Exhibition (volume 6)

Feb. 21-Mar. 10 s +, 1912 -- Etchings of E. T. Hurley (volume 6)

Mar. 13-20 s +, 1912 -- National Park Pictures Collected and Exhibited by the Department of the Interior (volume 3)

Apr. 4-21 s +, 1912 -- Paintings, Embroideries, and Tapestries from the Collection of Mr. Emerson McMillan (D45:462-468; N443:757-762, and volume 6)

Apr. 4-Mar. 12 s, 1912 -- Exhibition of Original Dickens and Thackeray Drawings by Harry Furniss (volume 3)

May 8-June 1 * s +, 1912 -- Sculpture Exhibition (volume 6)

June 4-8 +, 1912 -- Exhibition of Industrial Art, under the auspices of The School Art League and the Art Departments of the City High Schools

June-Oct., 1912 -- Summer Exhibition of Painting and Sculpture

Oct. 16-Nov. 12 +, 1912 -- Third Special Exhibition of the Society of Illustrators

Nov. 13-29, 1912 -- Seventh Annual Exhibition of Books of the Year

Dec. 4-28 +, 1912 -- Sixth Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 9 +, 1913 -- Work of the Painter, Sculptor, and Architect Members (N443:763-767; N50:126-130)

Feb. 12-Mar. 9 * +, 1913 -- Exhibition of Works by the Late Frederick Warren Freer

Mar. 12-31 +, 1913 -- The Applied Arts of Germany

Apr. 2-27 +, 1913 -- Small Works by Six Painters: Richard E. Miller, Frederick Carl Frieseke, Charles W. Hawthorne, William Wendt, William Ritschel, and Elise Dodge Pattee

Apr. 30-June 1 +, 1913 -- Small Marbles and Bronzes (N551:732-737)

May-June, 1913 -- Summer Exhibition of Paintings and Sculpture

Oct. 15-Nov. 9, 1913 -- Society of Illustrators

Nov. 12-28, 1913 -- Eighth Annual Exhibition of Books of the Year

Dec. 3-28 * +, 1913 -- Seventh Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 1 +, 1914 -- Work of Painter, Sculptor, and Architect Members

Feb. 4-21, 1914 -- The Pastellists

Feb. 5-Mar. 21 x +, 1914 -- Contemporary Art

Mar. 11-29 * +, 1914 -- Hungarian Peasant Art (N134:470-479)

Apr. 1-May 2 +, 1914 -- Paintings by Eleven Western Artists

May 6-31 * +, 1914 -- Exhibition of Small Sculpture (N551:738-743)

June-Sept., 1914 -- Paintings

Nov. 4-27, 1914 -- Ninth Annual Exhibition of Books of the Year

Dec. 3-28 +, 1914 -- Eighth Annual Exhibition of National Society of Craftsmen

Jan. 7-31 +, 1915 -- Work of Painter Members (N551:744-746)

Feb. 4-25 +, 1915 -- Forty-eighth Annual Exhibition of American Water Color Society

Mar. 3-24 +, 1915 -- Portraits (N551:747-748)

Apr. 7-13 +, 1915 -- Sculpture

May 5-21, 1915 -- Exhibition of Municipal Art Society

June-Oct. *, 1915 -- Work of Painter Members

Oct. 13-30 +, 1915 -- Fifth Special Exhibition of the Society of Illustrators

Nov. 5-13 +, 1915 -- American Wood Engraving, under the auspices of the American Institute of Graphic Arts

Nov. 17-Dec. 3, 1915 -- Tenth Anniversary Exhibition of Books of the Year

Dec. 8-30 +, 1915 -- Ninth Annual Exhibition of the National Society of Craftsmen

Jan. 6-28 +, 1916 -- Work of Painter Members

Feb. 3-27 +, 1916 -- Forty-ninth Annual Exhibition of American Water Color Society

Mar. 2-25 * +, 1916 -- Loan Exhibition of Portraits of Academicians and Associates Selected from the Permanent Collection of the National Academy of Design (N551:749-752; N134:480-483)

Mar. 28-Apr. 14 +, 1916 -- One Hundred American Paintings by the American Institute of Graphic Arts (N443:768-770)

Mar. 28-Apr. 14 +, 1916 -- Exhibition of American Printing

Apr. 19-May 6, 1916 -- Exhibition of the Municipal Art Society

May 10-26, 1916 -- English Posters

June-Aug. +, 1916 -- Members' Summer Sketch Exhibition

Oct. 5-Nov. 3, 1916 -- Photography, under the auspices of the American Institute of Graphic Arts

Nov. 9-30, 1916 -- Eleventh Annual Exhibition of Books of the Year

Dec. 7-29, 1916 -- Tenth Annual Exhibition of the National Society of Craftsmen

Jan. 3-28 +, 1917 -- Annual Exhibition of the Work of Artist Members

Feb. 1-24 +, 1917 -- Fiftieth Annual Exhibition of the American Water Color Society

Feb. 28-Mar. 23 +, 1917 -- Etchings, under the auspices of the American Institute of Graphic Arts

Mar. 29-Apr. 27, 1917 -- Paintings by Boston Artists

May 2-Sept. +, 1917 -- Members' Sketch Exhibition

Oct. 3-31 +, 1917 -- Paintings from the Netherlands Section of the Panama-Pacific Exposition

Oct. 4-31, 1917 -- Illustrations of the Catskill Aqueduct

Nov. 8-30 +, 1917 -- Annual Exhibition of Books of the Year

Dec. 6-29, 1917 -- Eleventh Annual Exhibition of the National Society of Craftsmen

Jan. 3-Feb. 1 +, 1918 -- Annual Exhibition of Paintings by Members

Feb. 7-Mar. 1 +, 1918 -- Fifty-first Annual Exhibition of the American Water Color Society

Mar. 20-Apr. 26, 1918 -- Life Membership Pictures from the Permanent Collection

May, 1918 -- War Posters, under the auspices of the American Society of Graphic Arts

June 2-Oct. 1 +, 1918 -- Sketch Exhibition by Members

Dec. 5-28 +, 1918 -- Twelfth Annual Exhibition of Books of the Year

Jan. 8-31 +, 1919 -- Retrospective Exhibition of the Work of the Artist Life Members

Feb., 1919 -- Fifty-second Annual Exhibition of the American Water Color Society

Mar., 1919 -- Exhibition of War Housing

Apr. 2-May 3 +, 1919 -- Special Exhibition of the Society of Illustrators (N29:873-875)

May-Oct. +, 1919 -- Annual Exhibition of Sketches by Members

Nov., 1919 -- Annual Exhibition of Books of the Year

Jan. 7-30 +, 1920 -- Annual Exhibition of Painter and Sculptor Members (N29:864-866)

Feb., 1920 -- Fifty-third Annual Exhibition of the American Water Color Society

Mar., 1920 -- Drawings from Artists' Portfolios

Mar. 3-27 x +, 1920 -- American Drawings and Sculpture Sketches

Mar. 31-Apr. 16 +, 1920 -- Special Exhibition of the Society of Illustrators (N29:867-869)

May, 1920 -- Printing by the American Institute of Graphic Arts

June-Oct. +, 1920 -- Sketches and Small Sculpture by Members

Nov., 1920 -- Annual Exhibition of Books of the Year

Dec. 1-29 +, 1920 -- Exhibition of Art Expression by Club Members

Jan. 5-27 +, 1921 -- Members' Annual Prize Exhibition

Mar. 2-31 +, 1921 -- Art Directors Club First Annual Exhibition of Drawings and Paintings Used in American Advertising

Apr. 7-30, 1921 -- Exhibition of Old Prints, under the auspices of the American Institute of Graphic Arts (N443:775-778)

May-Oct., 1921 -- Pictures from the Club's Permanent Collection

Nov., 1921 -- Annual Exhibition of Books of the Year

Dec. 7-30 +, 1921 -- Humorists Exhibition

Jan. 5-28 +, 1922 -- Members' Annual Prize Exhibition

Feb., 1922 -- Seventh Annual Exhibition of Contemporary Bookplates, held by the American Bookplate Society

Feb. 15-Mar. 5 +, 1922 -- Exhibition of Paintings by Charles C.Curran, Franklin de Haven, George Glenn Newell, Harry W. Watrous

Mar., 1922 -- Lithographs

Apr. 5-30 +, 1922 -- Loan Exhibition of American Painting and Sculpture Owned by Club Members

May-Oct. +, 1922 -- Summer Exhibition of Artist Members

Nov., 1922 -- Annual Exhibition of Books of the Year

Dec. 6-29 +, 1922 -- Work by Members

Jan. 10-Feb. 10 +, 1923 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 14-Mar. 3 +, 1923 -- Humorists Exhibition

Mar., 1923 -- Craftwork from Berea College, Kentucky

Mar., 1923 -- Group Exhibition: Roy Brown, Oscar Fehrer, Edmund Greacen, Eugene Higgins, Lee Laurie, F. Luis Mora, Carl Rungius, Edward C. Volkert.

Mar. 28-Apr. 20 +, 1923 -- Group Exhibition: Leon Dabo, William R. Derrick, Charles P. Gruppe, Hayley Lever, Charles R. Patterson

Apr., 1923 -- Miniature Garden Exhibition, by the Garden Club of America

May-July, 1923 -- Exhibition Selected from the Permanent Collection

June 5-28 +, 1923 -- Annual Prize Exhibition of Painter and Sculptor Members

Nov., 1923 -- Annual Exhibition of Books of the Year

Dec. 12-29 +, 1923 -- Work of Living American Etchers

Jan. 9-Feb. 2 +, 1924 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 5-29 +, 1924 -- Exhibition of Sculpture

Apr., 1924 -- Selected Paintings from the Permanent Collection

Apr. 30-May 15 +, 1924 -- Exhibition of Books Illustrating the History of Printing

June, 1924 -- Adirondack Mountain Club Exhibition of Photographs

Nov. *, 1924 -- Annual Exhibition of Books of the Year

Dec. 10-27 +, 1924 -- Second Annual Exhibition of Living American Etchers

Jan. 7-31 +, 1925 -- Members' Annual Exhibition of Painting and Sculpture (N552:122-159)

Feb. 23-Mar. 7 +, 1925 -- Autograph Letters with Accompanying Portraits of Authors, Statesmen, Artists, etc.

Apr. 8-May 9 +, 1925 -- Exhibition of Lithographs, Wood Blocks, and Linoleum Cuts

Nov., 1925 -- Twentieth Annual Exhibition of Books of the Year

Dec. 3-20, 1925 -- Work of Living American Etchers (N552:1-7)

Jan. 13-Feb. 6 +, 1926 -- Members' Annual Exhibition of Painting and Sculpture (N552:19-21)

Feb. 10-27 +, 1926 -- Group Exhibiton by Members of the National Arts Club

Mar. 3-27 +, 1926 -- Copies of Old Masters

Apr., 1926 -- Architecture, Sculpture, and Decorative Painting

May +, 1926 -- Fifth International Exhibition of the Brooklyn Society of Etchers (N552:34-48)

Summer +, 1926 -- Summer Exhibition

Aug.-Oct. x, 1926 -- The Vollbehr Incunabula Exhibition

Nov., 1926 -- Twenty-first Annual Exhibition of Books of the Year

Dec. 2-22 +, 1926 -- Fourth Annual Exhibition of Works of Living American Etchers (N552:8-12)

Jan. 5-29 +, 1927 -- Annual Exhibition of Painting and Sculpture by Members

Feb. 11-27 +, 1927 -- Exhibition and Auction of Works of Art by Artist Members

Mar. 2-21 +, 1927 -- Invited Exhibition by Distinguished American Painters (NHS4:693-695)

Apr. 6-29 +, 1927 -- Norse Pictorial Weaving--Mrs. Berthea Aske Bergh (N552:66-68)

Nov., 1927 -- Twenty-second Annual Exhibition of Books of the Year

Dec. 7-24 +, 1927 -- Fifth Annual Exhibition of Works of Living American Etchers (N552:13-18)

Jan., 1928 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 8-29 +, 1928 -- Small Paintings

Mar. 8-31 x, 1928 -- Exhibition of Decorative Arts

Apr. 4-20 +, 1928 -- Exhibition by Junior Artist Members of the Club

Nov., 1928 -- Twenty-third Annual Exhibition of Books of the Year

Dec., 1928 -- Small Paintings

Jan. 8-Feb. 8 + -- Members' Annual Exhibition of Painting and Sculpture

Feb. 13-Mar. 8 -- Sixth Annual Exhibition by Living American Etchers

Mar. + -- Richard M. Hurd Loan Exhibition of Italian Primitives

Apr. 3-26 + -- Exhibition by Junior Artist Members of the Club

May 1-Oct. 1 + -- Summer Exhibition by Painter Life Members

Nov. -- Twenty-fourth Annual Exhibition of Books of the Year

Dec. 4-26 * + -- Exhibition of the Decorative Arts

Jan. 8-Feb. 1 +, 1930 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 5-28 x +, 1930 -- Seventh Annual Exhibition of Living American Etchers

Mar. 5-28 +, 1930 -- Junior Artist Members' Exhibition

Apr. 16-Sept. 30 +, 1930 -- Members' Exhibition of Small Paintings (N134:484-490)

Nov., 1930 -- Silver Anniversary Exhibition of Books of the Year

Dec. 3-26 * +, 1930 -- Eighth Annual Exhibition by Living American Etchers

Jan. 7-Feb. 6 +, 1931 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 4-27 +, 1931 -- Exhibition by the Junior Artist Members

Mar. 13-Apr. 15 x, 1931 -- Auction Exhibition and Sale by Artist Members

Apr. 1-25 +, 1931 -- Members' Work of the New York Water Color Club

May 2-24 +, 1931 -- The Story of Gramercy Park in Portraits and Historical Objects of the Period, in connection with Gramercy Park Centenary Celebration

June 3-Oct. 1 +, 1931 -- Members' Exhibition of Small Paintings

Oct. 21-Nov. 20, 1931 -- Twenty-sixth Annual Exhibition of Books of the Year

Nov. 26-Dec. 26, 1931 -- Sixteenth Annual Exhibition by the Society of American Etchers (formerly The Brooklyn Society of Etchers)

Jan. 6-13 +, 1932 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 3-27 +, 1932 -- Exhibition of Drawings by Artist Members

Mar. 2-26 +, 1932 -- Paintings by Junior Artist Members

Mar. 13-Apr. 15 +, 1932 -- Auction Exhibition and Sale by Artist Members

Apr. 20-30 +, 1932 -- Exhibition by a Group of New York Art Schools

May 4-Oct. 1 +, 1932 -- Members' Annual Exhibition of Small Paintings

Jan. 4-27 +, 1933 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 1-31 +, 1933 -- Junior Artist Members

Apr. 5-22 +, 1933 -- Society of Illustrators

May 3-Oct. 1 +, 1933 -- Members' Exhibition of Small Paintings and Sculpture

Jan. 3-27 +, 1934 -- Members' Annual Exhibition

Jan. 31-Mar. 2 +, 1934 -- Memorial Exhibition of a Group of Former Painter and Sculptor Members: Max Bohm, Emil Carlsen, Charles Hawthorne, Robert Henri, Karl Bitter, Solon Borglum, Daniel Chester French, Edmund Quinn

Mar. 7-29 +, 1934 -- Junior Artist Members

Apr. 4-27 +, 1934 -- Society of Illustrators, Thirty-second Annual Exhibition

May 2-June 28 +, 1934 -- Members' Exhibition of Small Paintings and Sculpture (N552:69-71; N134:491-494)

Nov.-Dec., 1934 -- Seventeenth Annual Exhibition of the Society of American Etchers (formerly The Brooklyn Society of Etchers) (N552:49-65)

undated -- Twenty-ninth Annual Exhibition of Fifty Books of the Year

Jan. 9-Feb. 1 +, 1935 -- Members' Exhibition (N552:22-24)

Feb. 6-Mar. 2 +, 1935 -- Members' No Jury Exhibition of Painting and Sculpture (N552:72-74)

Mar. 6-29 +, 1935 -- Junior Artist Members (N552:75-77)

Apr. 3-27 +, 1935 -- Loan Exhibition of Works of Art owned by Artist Members (N552:84-96)

undated -- Thirtieth Annual Exhibition of Books of the Year

undated -- Twentieth Annual Exhibition of the Society of American Etchers

Jan. 8-31 +, 1936 -- Members' Annual Exhibition (M552:25-27)

Mar. 4-27 +, 1936 -- Junior Artist Members (N552:78-80)

Apr. 1-May 1 x +, 1936 -- Exhibition of Neighboring Art Organizations (N552:92-94)

Spring +, 1936 -- First Annual Exhibition of Pictorial Photography by the Pictorial Forum (N552:87-91)

1936 -- Thirty-first Annual Exhibition of Books of the Year

undated -- Twenty-first Annual Exhibition of the Society of American Etchers

Jan. 6-29 +, 1937 -- Members' Annual Exhibition

Mar. 3-26 +, 1937 -- Exhibition by the Younger Artists Group (N134:495-497)

Mar. 31-Apr. 27 +, 1937 -- Second Exhibition of Neighboring Art Organizations (N552:95-97)

Nov. *, 1937 -- Thirty-second Annual Exhibition of Books of the Year

Dec. 8-25 +, 1937 -- Members' Exhibition of Smaller Paintings and Black and Whites (N552:110-112)

Jan. 12-27, 1938 -- Exhibition of Former Painter and Sculptor Members (N552:113-115)

Mar. 14-Apr. 2 +, 1938 -- Third Exhibition of Neighboring Art Organizations (N552:98-100)

Apr. 6-20 +, 1938 -- Younger Artists Group Exhibition (N552:107-109)

Jan. 12-27 x +, 1939 -- Memorial Exhibition of the Work of a Group of Former Painter and Sculptor Members (N134:498-499)

Feb. 1-25 +, 1939 -- Members' Exhibition (N552:28-30)

Mar. 1-31 +, 1939 -- Exhibition of Flower Paintings (N552:116-118; N134:500-502)

Mar. 3-26, 1939 -- Younger Artists Group (N552:104-106)

Apr. 5-21 +, 1939 -- Fourth Annual Exhibition of Neighboring Art Organizations (N552:101-103)

May 10-24 +, 1939 -- Annual Junior Members' Exhibition (N552:81-83; N134:503-505)

June-Oct. +, 1939 -- Selected Works by Deceased Artists from the National Arts Club Permanent Collection (N552:119-121; N134:506-508)

Oct. 18-28 +, 1939 -- Special Exhibition of Paintings by Junior Members

Dec. 4-25 +, 1939 -- Christmas Sale of Paintings, Drawings, Photographs, and Sculpture by Junior Members

Jan. 3-19 +, 1940 -- Members' Annual Exhibition

Jan. 24-Feb. 9 +, 1940 -- Distinguished Exhibition of the Work of Living American Painters, Non-Members

Feb. 14-29 +, 1940 -- Exhibition and Sale of Ceramics (N134:511-513)

Mar. 19-29, 1940 -- Fontainebleau Alumni Exhibition

Apr. 3-19 +, 1940 -- Annual Junior Members' Exhibition

Apr. 24-May 3 +, 1940 -- Flower and Still Life Paintings

May 8-June 1, 1940 -- Special Exhibition of Water Colors, Architectural Renderings, Type Compositions, and Color Reproductions by Edwin Hooper Denby, A.I.A., S.A.D.G. (N443:779-780; N134:509-510)

Dec. +, 1940 -- Twenty-fifth Annual Exhibition of the Society of American Etchers

Feb. 4-Mar. 1, 1942 -- Exhibition of Paintings by Artists of the United Nations (N134:512-518)

June 12-Sept. 30, 1942 -- Members' Summer Exhibition (N134:519)

Dec. 16-Jan. 22, 1942 -- Exhibition of Chinese and Indian Art (N134:520)

Mar. 31-, 1943 -- Exhibition of Junior Members (N134:521)

July 1-Sept. 30, 1943 -- Summer Exhibition of Smaller Paintings by Members (N134:522)

Feb. 17-Mar. 15, 1944 -- Exhibition of Studies by American Masters (N134:523)

Oct. 5-27, 1944 -- Exhibition of Enlarged Photographs of American Patriots as Seen in Sculpture (N134:523)

Jan. 10-Feb. 9 x, 1945 -- Members' Annual Exhibition of Painting and Sculpture

Dec. 22-Jan. 4, 1945 -- Seventh Annual Exhibition of the American Veterans Society of Artists, Inc. (N134:527-540)

May 21-30, 1946 -- The Traphagen School Exhibition of Costume Design, Illustrating the Development of American Fashion (N134:526)

Feb. 20-Mar. 7, 1947 -- Exhibition of Contemporary Chinese Paintings (N134:541)

Apr. 20-May 2, 1947 -- Junior Members' Exhibition

Dec. 10-24, 1947 -- Ninth Annual Exhibition of American Veterans Society of Artists, Inc. (N121:721-733)

Feb. 23-Mar. 6, 1948 -- Forty-seventh Annual Exhibition of the New York Society of Ceramic Arts (N134:543)

Mar. 9-21, 1948 -- Annual Exhibition of Junior Members (N134:543)

Apr. 8-May 30, 1948 -- Fiftieth Anniversary Exhibition of Painting and Sculpture by Members, Past and Present (N134:543)

June 10-Sept., 1948 -- Members' Summer Exhibition (N134:544)

Jan. 19-Feb. 9, 1949 -- Fifty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists (N134:544)

Mar. 14-31, 1949 -- Exhibition by Members of the Federation of Modern Painters and Sculptors (N134:545)

May 5-Sept. 15, 1949 -- Members' Summer Exhibition (N134:546)

Oct. 15-Nov. 4, 1949 -- Fourth Annual Exhibition of the Photo-Engravers Society

Jan. 4-Feb. 1, 1950 -- Fifty-second Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (N134:546-548 and 550)

Jan. 28-Feb. 19, 1950 -- Eighty-third Annual Exhibition of the American Water Color Society (N134:549)

Feb. 8-23, 1950 -- Exhibition of Creative Art Associates (N134:549)

Mar. 16-Apr. 2, 1950 -- Exhibition of Room Interiors Especially Designed by Members of the American Institute of Decorators, in collaboration with Members of the National Society of Mural Painters (N134:551)

May 7-28, 1950 -- Active Members' Exhibition (N134:551-554)

June 28-Sept. 15, 1950 -- Members' Summer Exhibition (N134:555)

Feb. 26-Mar. 17 x, 1951 -- Paul Mommen

Mar. 24-Apr. 19, 1951 -- Exhibition of Paintings by Non-Members (N134:558-559)

May 5-31, 1951 -- Spring Water Color Exhibition (N134:560)

June 6-, 1951 -- Group Exhibition by Distinguished Artist Members: Gifford Beal, Louis Betts, Charles Clapman, Walter Farndon, Albert Groll, Eugene Higgins, Leon Kroll, Van Dearing Perrine, Keith Shaw Williams

Jan. 6-30, 1952 -- Fifty-fourth Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (D176:917-919; N134:561)

Feb. 9-28, 1952 -- Annual Water Color Exhibition (N134:562)

Mar. 9-27, 1952 -- Exhibition of Oil Paintings by Distinguished American Artists (N134:572)

Jan. 4-18, 1953 -- Fifty-fifth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:563)

Jan. 25-Feb. 8, 1953 -- Annual Water Color Exhibition (N134:564)

Feb. 15-Mar. 1, 1953 -- Open Exhibition of Oil Paintings (N134:565-568)

Mar. *, 1953 -- Art of Indonesia

May 3-24, 1953 -- Members' Exhibition of Smaller Paintings in Oil (N134:569-571)

Nov. 1-14, 1954 -- The American Artists Professional League, American Art Week (N121:258-259)

Oct. 2-19, 1955 -- Open Water Color Exhibition

Jan. 8-22 x, 1956 -- Fifty-eighth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:573-575)

June 17-Sept. 7 x, 1956 -- Members' Summer Exhibition

Sept. 24-Oct. 8 x, 1956 -- James H. Walsh

Oct. 28-Nov. 10 x, 1956 -- Small Picture Exhibition by Members and Guests

Nov. 16-30 x, 1956 -- August Benziger

Dec. 5-22 *, 1956 -- Fiftieth Anniversary Exhibition of Books of the Year

Jan. 6-27, 1957 -- Fifty-ninth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Feb. 1-15, 1957 -- Catherine Lorillard Wolfe Art Club Sixtieth Annual Exhibition (N134:576-577)

Sept. * x, 1957 -- International Exhibition of Painting and Sculpture

Jan. 10-24 x, 1958 -- Sixtieth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

May 21-31 x, 1958 -- Water Color and Graphic Arts Exhibition by Members and Non-Members

Oct. 17-31 x, 1958 -- Twelfth Annual Exhibition of the Photo-Engravers Society

Nov. 22-Dec. 3 x, 1958 -- Metropolitan Young Artists Show

Jan. 11-26 x, 1959 -- Sixty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Dec. 9-Jan. 7 x, 1959 -- Metropolitan Young Artists Show

Jan. 15-28 x, 1960 -- Sixty-second Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Apr. 18-May 1, 1960 -- Catherine Lorillard Wolfe Art Club Flower Painting Exhibition and Sale (D176:1128-1129)

June 8-29 x, 1960 -- Summer Exhibition of Painting and Sculpture by Members

undated -- * Arts and Crafts Exhibitions

undated -- * x Annual Exhibitions of Books of the Year

undated -- * Ceramic Art Exhibition

undated -- x Water-Oils by Charles S. Chapman, N.A.

undated -- x Fine Art of the Caribbean

undated -- x Painters of the United States, 1720-1920, from the Permanent Collection of the Fine Arts Department, International Business Machines Corp.

undated -- * Pottery Exhibition

undated -- * Traveling Exhibition of Enlarged Photographs of Sculpture and Spring Exhibition of Small Sculpture by Members of the National Sculpture Society

undated -- * Exhibition of Small Sculpture

undated -- x Modern Tapestries from Vienna

undated -- x Annual Open Water Color Exhibition

undated -- x Catherine Lorillard Wolfe Art Club, Flower Paintings Exhibition and Sale

undated -- * Unidentified exhibition installations
Related Material:
These citations were compiled from Art Index, 1929-1960; The New York Times Index, 1898-1960; Poole's Index to Periodical Literature, 1898-1906; Nineteenth Century Readers' Guide to Periodical Literature, 1898-1899; and Readers' Guide to Periodical Literature, 1900-1960, using the format employed in Art Index. Citations are presented in chronological order, as it is anticipated that most researchers consulting the National Arts Club Records will be interested in a specific event or era in the Club's history, or are apt to be researching artists whose National Arts Club affiliation or exhibition activities were confined to a particular period.

1898

National Art Club. -- Harpers Weekly -- 42:329, April 2.

1899

Club to advance art industries. -- Critic -- 34:349-51, April.

National Arts Club organized. -- New York Times -- (7-2), 29-288-2, April 26.

1909

Position as a factor in the encouragement of the fine arts. G. Teall. -- Craftsman -- 15:604-13, February.

Club officials rule a member may take a process server into club as a guest to serve papers on fellow member, case of R.S. Perrin vs. D. Whipple. -- New York Times -- 7:3, June 29.

1913

Lecture of Prof. Eucken on Art and Morality. -- New York Times -- 9:3, March 1.

Offers prize to member who writes best manuscript on "A Critical Estimate of the Altman Collection." -- New York Times -- 12:7, November 8.

Annual exhibition of Books of the Year; organization of American Institute of Graphic Arts planned. -- New -- York Times 9:3, November 13.

1914

Alexander de Yourevitch has visited Russian political exiles as agent from the Czar; arranges for Russian trade exhibit in New York; National Arts Club has agreed to cooperate. -- New York Times -- 20:2, March 27.

Dinner in honor of Shakespeare celebration, address by Henry Clews. -- New York Times -- 13:2, April 24.

Farewell dinner to Karl Vollmoeller and George Sylvester Viereck at National Arts Club by Alfred Rau. -- New York Times -- III, 7:3, May 7.

Exhibition of Books of the Year (editorial). -- New York Times -- VI, 514:2, November 22.

1915

Awards announced. -- New York Times -- 10:1, January 7.

Paintings exhibition. -- New York Times -- V, 11:13, January 10.

Poster exhibition. -- New York Times -- III, 2:5, March 28.

Thanksgiving dinner to east side waifs. -- New York Times -- 11:1, November 26.

1917

Annual exhibition; Gold Medal and $1000 prize awarded to Ben Foster. -- New York Times -- 10:6, January 4.

Memorial services for W.B. Howland. -- New York Times -- 7:3, March 3.

Offers prizes for best patriotic medal, poem, and song. -- New York Times -- 9:14, April 6.

Offers prizes to promote expression of American patriotism in art. -- New York Times -- IV, 13:2, April 15.

H.A.W. Wood speaks at distribution of prizes. -- New York Times -- 11:3, May 31.

"Road to France," $500 prize offered for appropriate music. -- New York Times -- 13:2, June 9.

American Artists' War Emergency Fund Committee announces that art stamp will be sold to aid artists reduced in circumstances through the war. -- New York Times -- 13:6, July 10.

Offers prize of $500 for best musical setting for D.M. Henderson's "The Road to France." -- New York Times -- VIII, 9:3, August 12.

Prize for music for war song by D.M. Henderson is awarded to Signe Lund. -- New York Times -- 13:3, November 1.

1919

Annual books exhibition. -- New York Times -- VIII, 686:1, November 23.

1921

Comment on suggestion by G. Bellows that proposed members should possess some work by living American artist. -- New York Times -- III, 20:3, February 6.

Elects governors. -- New York Times -- 9:2, April 13.

1922

Awards Agar prize to Christine Herter. -- New York Times -- 16:7, April 7.

Address by Ann Martin. -- New York Times -- 4:3, August 3.

1923

Annual exhibition of books; I. Zangwill speaks; protest by member. -- New York Times -- 6:1, November 8.

1924

Prize winners of annual exhibition. -- New York Times -- 4:15, January 10.

Honors J.G. Agar at dinner. -- New York Times -- 6:2, February 26.

1925

Mural panels of Old NY used for New Year's fete to be put on exhibition. -- New York Times -- 29:1, January 4.

Announces prize winners at Members' Annual Exhibition. -- New York Times -- VIII, 11:2, January 18.

Murals depicting history of NYC, painted for New Years' ball, to be given to Museum of the City of New York. -- New York Times -- 25:4, February 3.

Exhibition of lithographs, woodcuts, and linoleum prints. -- New York Times -- VIII, 11:13, April 12.

1926

Exhibition. -- New York Times -- 4:5, January 14.

Exhibition. -- New York Times -- 17:3, April 8.

Exhibition of photographs of recent buildings. -- New York Times -- VIII, 12:6, April 18.

15th century books brought from Germany by Dr. Otto H.F. Vollbehr on exhibition at the National Arts Club. -- New York Times -- 6:6, August 24.

15th century Book of Hours, worth $15,000, stolen from exhibition at National Arts Club. -- New York Times -- 1:2, August 26.

Feature article on exhibition. -- New York Times -- IV, 15:1, August 29.

Book of Hours mysteriously returned to Vollbehr by E.M. Garlock, attorney, acting for unnamed client who claims to have bought book from stranger. -- New York Times -- 19:1, September 12.

Editorial on return of book. -- New York Times -- 20:4, September 13.

21st annual book exhibit; addresses. -- New York Times -- 28:3, November 4.

History in connection with 20th anniversary celebration. -- New York Times -- VIII,18:6, November 7.

1927

New Year's Eve costume ball. -- New York Times -- 15:3, January 1.

Exhibition of American paintings. -- New York Times -- 25:5, March 3.

Exhibition of etchings. -- New York Times -- IX, 10:4, December 11.

1928

Exhibits. -- New York Times -- 30:2, January 12; -- New York Times -- IX, 13:2, January 29.

Awards in small painting exhibition. -- New York Times -- 27:2, February 10.

Exhibit. -- New York Times -- VIII, 15:3, February 12.

First exhibition of decorative arts. -- New York Times -- 28:4, March 15; -- New York Times -- IX, 15:4, March 18.

Exhibition. -- New York Times -- IX, 15:2, April 15.

1929

J. Lie, P. Manship, and C. Beach win prizes. -- New York Times -- 25:3, January 11.

Annual members' exhibition. -- New York Times -- X, 18:4, January 27.

Exhibition of crafts. -- New York Times -- X, 15:6, December 8.

Prize awarded to D.C. Nisbet. -- New York Times -- 23:5, December 29.

1930

Arts Club prizes announced. -- Art News -- 28:21, January 4.

Annual exhibition of painting and sculpture. -- New York Times -- VIII, 13:3, January 19.

Seventh annual exhibition. -- New York Times -- VIII, 13:1, February 16.

Annual junior art show. -- New York Times -- 3:5, March 15; -- New York Times -- X, 19:3, March 16.

Exhibition of prints by living American etchers. -- New York Times -- X, 18:1, December 14.

1931

New York season; Living American Etchers. -- Art Digest -- 5:14, January 1.

M. Gregg Memorial Prize awarded to I.G. Olinsky; medal to H.W. Watrous. -- New York Times -- 34:6, January 10.

Exhibitions. -- New York Times -- VIII, 12:7, February 22.

Exhibition of Junior Artist Members. -- New York Times -- IX, 13:4, March 15.

Hold exhibition of portraits and other objects relating to history of Gramercy Park. -- New York Times -- II, 1:7 and 18:4, May 3.

Annual exhibition of paintings by members. -- New York Times -- 30:6, June 4.

Awards to R.D. Bowden $3000 prize, offered by J.G. Agar for best book on "The Soul of America." -- New York Times -- 20:6, June 8.

1932

Annual exhibition of work by painter and sculptor members; prizes announced. -- New York Times -- 27:7, January 7.

Art Club prizes. -- Art Digest -- 6:10, January 15.

Forum on development of art talent in young artists. -- New York Times -- 13:8, January 18.

Arts Club prizes. -- Art News -- 30:20, January 23.

Opening. -- New York Times -- 16:7, February 4.

Prizes awarded to junior artists. -- New York Times -- 19:2, March 8.

Art auction totals $600. -- New York Times -- 19:5, April 14.

Members' exhibition of small paintings. -- New York Times -- 16:6, May 5.

National Arts Club book exhibition. E. Yost. -- Publishers Weekly -- 122:2382-3, December 31.

1933

R. Nickerson, new member, wins medal at annual painting and sculpture show; other awards. -- New York Times -- 18:2, January 5.

Annual members' exhibition. -- New York Times -- 13:2, January 13; -- New York Times -- IX, 12:6, January 15.

National Arts club prizes. -- Art Digest -- 7:15, January 15; -- Art News -- 31:7, January 28 Celebrates 119th birthday of S.J. Tilden. -- New York Times -- 17:6, February 8.

Exhibition by junior artist members. -- New York Times -- 15:2, March 2.

1934

Prizes for annual members' show announced. -- New York Times -- IX, 12:3, January 14.

Annual dinner. -- New York Times -- 17:4, January 18.

Prizes. -- Art Digest -- February 1, 8:19; -- Art Digest -- 8:13, May 15.

Memorial exhibition of eight of its deceased painter and sculptor members. -- New York Times -- IX, 12:6, February 4.

Junior members exhibit. -- New York Times -- 17:1, March 8; -- New York Times -- IX, 9:7, March 18; Prizes awarded. -- New York Times -- 22:8, March 22.

Annual members' show. -- New York Times -- 17:2, May 3; Awards, -- New York Times -- 21:1, May 8; -- New York Times -- IX, 7:7, May 13.

Awards given by Arts Club. -- Art News -- 32:4, June 2.

Rare book exhibition planned. -- New York Times -- 19:4, September 18; Exhibition. -- New York Times -- 17:1, September 19.

1935

Annual exhibition of members' work opened. -- New York Times -- 17:5, January 10; -- New York Times -- 9:3, January 14.

Annual dinner; awards. -- New York Times -- 20:7, January 17.

Stag dinner; portrait of Victoria replaces painting of nude. -- New York Times -- 23:4, February 1.

Prizes, annual exhibition of painting and sculpture. -- Art Digest -- 9:21, February 1.

Members' annual exhibition. -- New York Times -- 18:2, February 8; -- New York Times -- VIII, 9:6, February 17.

Annual exhibition by junior artists. -- New York Times -- 18:5, March 9.

Arts Club plans a large bazaar. -- Art News -- 33:10, August 17.

Series of articles on traditions of club being written. -- New York Times -- II, 7:1, October 6.

Plans for annual book week. -- New York Times -- II and III, 8:5, October 13; exhibitors to be entertained by J.R. Gregg, president. -- New York Times -- 19:2, October 30.

To award two trips to Europe for mural decoration. New -- York Times -- 26:7, November 1; -- New York Times -- 19:5, November 14.

To hold "At Home" tea. -- New York Times -- II, 8:2, December 8.

Dinner. -- New York Times -- 14:8, December 11.

1936

Annual members' exhibition. -- New York Times -- 19:6, January 9; -- New York Times -- 13:8, January 11; -- New York Times -- IX, 10:1, January 19.

Exhibition of modern textbooks. -- New York Times -- 17:7, February 6.

Announces winners of trips to Europe. -- New York Times -- 21:2, February 11.

Exhibition by neighboring organizations. -- New York Times -- IX, 8:1, April 12.

Summer exhibit from permanent collection. -- New York Times -- IX, 7:4, June 21.

Exhibition of contemporary books; authors' night. -- New York Times -- VI, 9:2, November 8.

Plans for children's matinee at annual book exhibition. -- New York Times -- VI, 7:2, November 8.

Women's open table plans dinner. -- New York Times -- 16:4, November 23.

Exhibition of Society of American Etchers. -- New York Times -- XII, 9:2, November 29.

1937

Awards at members' exhibit. -- New York Times -- 24:3, January 27.

Exhibitions sponsored by Society of American Etchers. -- New York Times -- 21:3, February 3; -- New York Times -- X, 9:7, February 7.

Women's committee holds drama dinner. -- New York Times -- 13:1, February 15.

R.D. Kohn speaks, -- New York Times -- 25:7, March 11.

Jr. artists group exhibit. -- New York Times -- IX, 10:1, March 14; Awards. -- New York Times -- 23:6, March 25.

Photographic exhibition. -- New York Times -- X, 10:2, May 16.

Officers elected. -- New York Times -- 19:1, May 20.

H. Hamilton exhibit. -- New York Times -- IX, 6:7, September 26.

Book of the year exhibit. -- New York Times -- 23:6, November 4; -- New York Times -- VI, 4:3, November 28.

Mr. H.P. Crine elected life member. -- New York Times -- 9:1, November 28.

Members' exhibit. -- New York Times -- 28:3, December 9.

1938

Women's Open Table plans. -- New York Times -- 11:2, January 17.

Members' annual exhibit. -- New York Times -- , January 18 26:2; -- New York Times -- IX,9:3, January 23; Awards. -- New York Times -- 22:2, January 27.

Members studio receptions planned. -- New York Times -- VI, 2:7, January 30.

Dinner honoring Dr. W. Damrosch. -- New York Times -- 12:5, March 7.

Exhibit by art groups near NYC. -- New York Times -- 20:8, March 28.

Group show. -- New York Times -- X, 8:2, April 17.

Viennese ball. -- New York Times -- 22:6, April 21.

J.F. Talcott elected president; D.E. Waid executive committee chairman. -- New York Times -- 21:6, November 19.

Victorian ball. -- New York Times -- 18:1, December 17.

1939

Members' memorial exhibit. -- New York Times -- 15:1, January 13; -- New York Times -- IX, 9:2, January 22.

Members' painting and sculpture exhibit. -- New York Times -- IX, 9:2, February 5.

Jr. Members' lecture. -- New York Times -- 10:2, February 6.

Painting exhibit. -- New York Times -- 18:1, March 1; -- New York Times -- X, 10:2, March 5.

Jr. Members party planned. -- New York Times -- 50:3, March 5.

Exhibit of neighboring art organizations. -- New York Times -- 13:2, April 17.

Wild West party planned to benefit Jr. Members Scholarship Fund; to close 40th anniversary celebration. -- New York Times -- II, 2:8, April 23; -- New York Times -- II, 3:1, April 30.

Jr. Members plan New Year's Eve Olympian Ball. -- New York Times -- 30:2, December 19; -- New York Times -- II, 1:2, December 31.

1940

Art by deceased life members to be sold. -- New York Times -- 17:2, January 5.

Group show; awards. -- New York Times -- 21:2, January 11.

Group show. -- New York Times -- 24:2, January 24; -- New York Times -- IX, 9:2, January 28.

Non-members exhibition. -- Art News -- 38:15, February 3.

Exhibits: ceramics. -- New York Times -- 17:4, February 16; Ceramics and flowers. -- New York Times -- 15:5, February 19; Ceramics. -- New York Times -- II, 5:2, February 25; Exhibits: Jr. members. -- New York Times -- IX, 10:2, April 14; Group show awards. -- New York Times -- 21: 5, April 25.

Pan-American Ball held. -- New York Times -- 21:5, April 20.

Fund campaign for refugee artists started. -- New York Times -- 8:2, July 31.

Establishes artist refugee fund. -- New York Times -- 19:1, August 1.

Benefit exhibit plans. -- New York Times -- 20:8, October 2; Exhibit. -- New York Times -- IX, 5:4, October 6.

County fair planned. -- New York Times -- II, 3:3, October 6.

Refugee artists show their work. -- Art News -- 39:10, October 12.

Annual book exhibit opens. -- New York Times -- 3:5, November 3.

Testimonial luncheon for foreign authors in U.S. -- New York Times -- 45:2, November 10.

National Arts Club dramatizes books at the 35th annual new books of the year exhibition. -- Publishers Weekly -- 138:2046, November 30.

1941

Annual members' exhibit. -- New York Times -- 24:8, January 10; Comment. -- New York Times -- IX, 9:2, January 12; Awards. -- New York Times -- 24:6, January 23.

Annual prizes. -- Art Digest -- 15:13, February 1.

Benefits concerts planned. -- New York Times -- 39:1, February 23; -- New York Times -- 20:7, March 28.

Annual exhibit awards. -- New York Times -- 28:3, March 11; Comment. -- New York Times -- I, 10:3, March 16.

Group shows. -- New York Times -- IX, 10:1, March 30; -- New York Times -- IX, 8:2, May 25; -- New York Times -- X, 13:5, May 25; -- New York Times -- IX, 7:5, June 15.

Book exhibit. -- New York Times -- 1:6,November 9.

1942

Group show. -- New York Times -- X, 10:1, January 18.

Group show. -- New York Times -- 14:4, February 4; Private preview. -- New York Times -- 15:4, February 5; Comment. -- New York Times -- IX, 9:6, February 8.

Jr. members to honor servicemen at Hallowe'en party. -- New York Times -- 16:3, October 30.

37th annual show of new books. -- Publishers Weekly -- 142:2044, November 14.

To sponsor Chinese and Indian art exhibit in NYC. -- New York Times -- VIII, 9:1, December 13; Exhibit. -- New York Times -- 42:5, December 17.

1945

Holds Xmas fair. -- New York Times -- 13:3, November 16.

1946

Contemporary American painting exhibit planned. -- New York Times -- 23:6, February 20.

Jr. members and young non-members exhibition. -- Art News -- 45:67, May.

Annual book show plans. -- New York Times -- 21:2, November 1; Show, W.L. Laurence speaks. -- New York Times -- 13:1, November 12.

Annual book show. -- Publishers Weekly -- 150:2731, 2718, November 9.

Packaging the book. P. Boswell. -- Art Digest -- 21:3, November 15.

Choosing best book jackets, 41st annual book show. -- Art News -- 45:8, December.

1947

Preview exhibit. -- New York Times -- 21:5, January 9.

Forming symphony orchestra. -- New York Times -- 27:1, September 19.

1948

Ninth annual exhibition of American Veterans Society of Artists. -- Art Digest -- 22:19, January 1.

Conservatives score at the 50th annual exhibition of painting and sculpture. -- Art Digest -- 22:17, February 1.

Fiftieth annual exhibition. -- Art News -- 47:49, March.

Book fair opens in NYC. -- New York Times -- 30:7, December 9.

1949

Summer annual. -- Art Digest -- 23:14, August.

Dinner honors Mrs. F.D. Roosevelt. -- New York Times -- 39:5, October 11.

1950

Fifty-second annual exhibition of oils and sculptures. -- Art Digest -- 24:12, January 15.

Members' summer exhibition. -- Art Digest -- 24:18, August.

Fair plans. -- New York Times -- 44:8, November 1.

1951

Members-guests annual. -- New York Times -- II, 19:1, January 14.

53rd Annual Exhibition. -- Art Digest -- 25:18, January 15; -- Art News -- 49:47, February.

Non-members annual. -- New York Times -- 21:5, March 30.

Open competition for non-members. -- Art Digest -- 25:18, April 15.

Summer painting exhibition series opens. -- New York Times -- 42:8, June 7.

Members work. -- New York Times -- II, 6:4, June 17.

Summer exhibition. -- Art Digest -- 25:19, July.

1952

Fifty-fourth annual exhibition. -- Art Digest -- 26:19, January 15; -- Art News -- 49:47, February.

Members and guests annual. -- New York Times -- 59:2, January 6; Awards. -- New York Times -- 16:2, January 17.

Watercolor annual; awards. -- New York Times -- 14:4, February 8; -- Art News -- 51:56, March.

Non-members painting annual; awards. -- New York Times -- 16:5, March 10; -- New York Times -- 27:3, March 13.

Small pictures by members; awards. -- New York Times -- 25:5, April 9.

Exhibition of small oils. -- Art Digest -- 26:18-19, April 15; -- Art News -- 49:47, February.

1953

Theatre in an art gallery. A. Scheff. -- Theatre Arts -- 37:92, January.

Members-guests annual; awards. -- New York Times -- II, 11:2, January 11.

Non-members painting annual; awards. -- New York Times -- 21:5., February 19.

Members work; awards. -- New York Times -- II, 13:2, May 10; -- New York Times -- II, 8:5, June 21.

1954

Painting and sculpture annual by members and guests. -- New York Times -- 25:5, January 26.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Members and non-members annual; contemporary watercolors; awards. -- New York Times -- 27:5, February 11; Review. -- New York Times -- II, 14:2, February 14.

Grand national annual members' competition. -- Art News -- 53:63, May.

1955

Painting and sculpture annual; awards. -- New York Times -- 23:1, January 12.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Paintings annual; awards. -- New York Times -- 18:4, March 1.

Annual exhibition of American oil paintings. -- Art Digest -- 29:26, March 15.

Poet P. MacKaye honored on 80th birthday. -- New York Times -- 28:2, March 16.

1957

Arts Club honors Neuman; WNYC. C. Durgin. -- Musical America -- 77:12, April.

Art Clubs of America. -- Artist -- 53:67, June.

1958

At founding [sixtieth anniversary]. -- New York Times -- 49:2, November 27.

First annual metropolitan young artists show; awards. -- New York Times -- 49:2, November 27

1959

Stadium Concerts founder Mrs. C.S. Guggenheimer gets scroll from Mayor Wagner and National Arts Club medal. -- New York Times -- 9:2, March 12.

1960

Tenor competition awards. -- New York Times -- 47:8, November 15.
Provenance:
The National Arts Club donated its records to the Archives of American Art in 1987. Although a limited amount of printed matter was available at various libraries and on microfilm through the Archives of American Art, scholars have not had access to unpublished records of the Club until this time.

In November 2017 an addition to the Officers' Correspondence was donated by Elizabeth G. Knudsen, granddaughter of Edmund Greacen, former Arts Committee Chair.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The National Arts Club records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photography -- Exhibitions  Search this
Bibliographical exhibitions -- New York (State) -- New York  Search this
Clubhouses -- New York (State) -- New York  Search this
Decorative arts -- New York (State) -- New York -- Exhibitions  Search this
Handicraft -- New York (State) -- New York -- Exhibitions  Search this
Art -- Societies, etc.  Search this
Associations, institutions, etc. -- Taxation  Search this
Genre/Form:
Photographs
Scrapbooks
Photograph albums
Citation:
National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiartc
See more items in:
National Arts Club records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiartc

Paul Hollister papers

Creator:
Hollister, Paul M., 1918-2004  Search this
Names:
Hollister, Irene  Search this
Extent:
9.4 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
bulk 1947-2004
circa 1883-2004
Summary:
The Paul Hollister papers measure 9.4 linear feet and date from circa 1883 to 2004, with the bulk of the papers from 1947-1996. Biographical material and correspondence both personal and professional are included, in addition to project files documenting various writing, teaching and curatorial projects, as well as ongoing working relationships with various institutions. Also included are topical projects that overlapped with specific research interests, containing a considerable amount of research material. Writings by Paul Hollister include manuscript material spanning the breadth of his professional writing career, from his work as a columnist, to his articles on glass, as well as some works of fiction. Also included is a full manuscript of one of Hollister's books on glass paperweights. The published portion of this content is mirrored in the printed material series. The business records of Paul Hollister contain financial information about his household and collections, as well as his family's estate. Also included are records relating to Paul Hollister's art studio and an inventory of his paintings and other works of art in the form of index cards. Select photographs of Hollister's collection of art objects are included, along with images of Paul and Irene Hollister.
Scope and Contents:
The Paul Hollister papers measure 9.4 linear feet and date from circa 1883 to 2004, with the bulk of the papers from 1947-1996. Biographical material and correspondence both personal and professional are included,in addition to project files documenting various writing, teaching and curatorial projects, as well as ongoing working relationships with various institutions. Also included are topical projects that overlapped with specific research interests, containing a considerable amount of research material. Writings by Paul Hollister include manuscript material spanning the breadth of his professional writing career, from his work as a columnist, to his articles on glass, as well as some works of fiction. Also included is a full manuscript of one of Hollister's books on glass paperweights. The published portion of this content is mirrored in the printed material series. The business records of Paul Hollister contain financial information about his household and collections, as well as his family's estate. Also included are records relating to Paul Hollister's art studio and an inventory of his paintings and other works of art in the form of index cards. Select photographs of Hollister's collection of art objects are included, along with images of Paul and Irene Hollister.
Arrangement:
The collection is arranged in seven series:

Series 1: Biographical Material, circa 1944-1988 (0.2 Linear feet; Box 1)

Series 2: Correspondence, circa 1933-1999 (2.5 Linear feet; Boxes 1-3)

Series 3: Project Files, circa 1923-1997 (3.5 Linear feet; Boxes 3-7)

Series 4: Writings, circa 1930-1999 (1.3 Linear feet; Boxes 7-8)

Series 5: Business Records, circa 1942-1995 (0.9 Linear feet; Boxes 8, 10)

Series 6: Printed Material, circa 1883-2004 (0.9 Linear feet; Box 9)

Series 7: Photographic Material, circa 1940-2000 (0.1 Linear feet; Box 9)
Biographical / Historical:
Paul M. Hollister (1918-2004) was a glass historian, collector, painter, and writer in New York, NY. Hollister wrote on the topics of art history, journalism and fiction and is most well-known for his numerous books published about glass paperweights, and later a variety of other topics in the history of glass production in the decorative arts. Hollister was born in Boston and raised in New York City, where he worked as a journalist and simultaneously pursued his career as a widely-exhibited painter after graduating Harvard College with a degree in fine arts. After inheriting a small collection of European glass paperweights from his mother, Hollister developed a passion for the study of these objects, which led to him publishing books including the Encyclopedia of Glass Paperweights (1969) and Glass Paperweights of the New-York Historical Society (1974). Hollister traveled extensively lecturing at various museums and colleges, as well as occupying a regular adjunct position at Bard Graduate Center, where he later donated his personal library, and his estate would endow a lecture series in 2007.
Related Materials:
Related materials include the Paul M. Hollister Collection, circa 1806-2004 at the Rakow Research Library, The Corning Museum of Glass, Corning, New York.
Provenance:
The Paul Hollister papers were donated to the Archives of American Art in 1978 by Paul Hollister, with additions in 1999 and 2000. One further addition of photographs was donated by the Estate of Irene Hollister in 2018.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Authorization to publish, quote or reproduce from Paul Hollister's unpublished writings requires written permission from Joanne F. Oscadal, Estate of Irene Hollister.
Topic:
Art -- Study and teaching  Search this
Artists' studios  Search this
Decorative arts  Search this
Glassware--United States--History--20th century  Search this
Painters -- New York (State) -- New York  Search this
Paperweights  Search this
Genre/Form:
Photographs
Citation:
Paul Hollister papers, circa 1883-2004, bulk 1947-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hollpaul
See more items in:
Paul Hollister papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hollpaul

William Merritt Chase papers

Creator:
Chase, William Merritt, 1849-1916  Search this
Names:
Art Club of Philadelphia  Search this
Art Students League (New York, N.Y.) -- Faculty  Search this
Shinnecock Summer School of Art -- Faculty  Search this
De Voll, F. Usher, 1873-1941  Search this
Extent:
0.3 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Date:
circa 1890-1964
Summary:
The papers of New York painter and art instructor, William Merritt Chase, measure 0.3 linear feet and date from circa 1890 to 1964. Papers include a resolution of the Art Club of Philadelphia on Chase's death, letters, writings by Chase consisting of typescripts of lectures and lecture notes, blank postcards primarily depicting reproductions of artwork, a scrapbook, and photographs of Chase, his family, homes, and studios, and photographs of works of art.
Scope and Contents:
The papers of New York painter and art instructor, William Merritt Chase, measure 0.3 linear feet and date from circa 1890 to 1964. Papers include a resolution of the Art Club of Philadelphia on Chase's death, letters, writings by Chase consisting of typescripts of lectures and lecture notes, blank postcards primarily depicting reproductions of artwork, a scrapbook, and photographs of Chase, his family, homes, and studios, and photographs of works of art.

Letters include a photocopy of a 1901 letter signed by 28 students of the Shinnecock Summer School thanking Chase for a painting; a 1903 postcard to Mr. Harold R. Shiffer from his aunt; a 1912 letter to Chase signed by 32 pupils of the Art Students League thanking him for his efforts on their behalf and acknowledging his "qualities of sympathy, interest, and an understanding of our individual needs;" a 1915 note from an unidentified writer; a 1920 letter to Chase's wife Alice, from Gertrude Abbey, wife of Edwin Austin Abbey, referencing a tile possibly created by Edwin Abbey that Mrs. Chase owns; a 1935 postcard to Chase's daughter Helen from an unidentified writer; and a 1964 letter to Helen Storm from Ala Story in which Story describes a Chase exhibition that he is organizing and apologizes for having given a sketchbook of drawings owned by Helen to the Morgan Library.

Writings include 4 sets of lecture notes (one labeled as being notes for a lecture at Shinnecock), which are a combination of annotated typescripts and handwritten pages, and a typescript of a 1906 "Talk on the Old Masters by Mr. Chase" for the New York School of Art. Also found is a notebook with handwritten notes on a talk Chase gave to students in Philadelphia, presumably at the Pennsylvania Academy of Fine Arts.

Writings by others consist of a six-page typescript entitled "Reminiscences of a Student," by F. Usher De Voll, describing his experiences of Chase as a teacher.

Postcards (blank) include 3 reproductions of works of art by Chase, 8 reproductions of works of art by other artists, and 2 scenic views.

A Chase family scrapbook consists of mounted prints, primarily cyanotypes, that document Chase's travels to Rome, Milan, Gibraltar and the Loire Valley, and visits to major monuments, and also includes images of Chase and his family at leisure during their travels, as well as five family portraits.

Photographs of the Chase family include one of Chase with his son, Dana, and one of Chase with his wife, Alice, both undated. Other family members and friends are generally unidentified but do include Virginia Gerson and possibly Alice Gerson. Also found are four portraits of Chase, four photographs of Chase in his studio, a copy print of students at the Shinnecock Art School in circa 1895, and a copy print of an 1880 Tile Club trip up the Hudson River. In addition to circa 1960 copy prints, photographs include a variety of vintage prints such as albumen cabinet cards, silver gelatin prints, and a tintype.
Arrangement:
Due to the small size of the collection, the papers are arranged as 1 series.

Series 1: William Merritt Chase Papers, circa 1890-1964 (0.3 linear feet.; Box 1, OV 2)
Biographical / Historical:
William Merritt Chase (1849-1916) was one of America's most prominent painters and art instructors in New York, New York and Shinnecock, Long Island, during the late 19th century. One of the first Impressionist landscape painters in the U. S, Chase was also a highly accomplished portrait and still life painter.

Born in Indiana, Chase lived in New York and St. Louis, Missouri, before traveling to Europe and studying at the Royal Academy in Munich. After returning to New York in 1878, he taught at the Art Students League until 1896. His studio in the Tenth Street Studio building became an important gathering place for artists, students and patrons. Chase was also a member of the Tile Club whose members shared an interest in the decorative arts and sought to have their designs translated into ceramic tiles, from 1877-1887.

Chase became one of the most important teachers of American artists around the turn of the century. He opened the Shinnecock Hills Summer Art School in 1891 and taught there until 1902, living in a house at Shinnecock designed by Stanford White. In 1896 he opened the Chase School of Art and also taught at the Brooklyn Art Association in 1887, and 1891-1896, and the Pennsylvania Academy of Fine Arts from 1896-1909.

Chase was a member of the National Academy of Design, and was president of the Society of American Artists from 1885 to 1895.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel N69-115 includes an additional family scrapbook, undated, containing photographs of Chase, his wife and children, a notice of sale of the Chase house in Shinnecock Hills, N.Y. designed by Stanford White, and photographs of the house. Found on reel N69-119 are circa two hundred photographs of Chase at work, his wife, his studios in Philadelphia and on 5th Avenue and 10th Street New York City, and numerous snapshots of characters in a tableau vivant that include his family, friends, Mary S. Moore Cross, and others. Reel N69-137 contains letters from Chase to his wife during his travels abroad, one note from John Singer Sargent requesting the use of Chase's studio for the famous party Sargent gave for Isabella Stewart Gardner in 1890, and a six-page typescript, "Reminiscences of a Student," by F. Usher De Voll, and photographs of Chase's studio. Loaned materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The papers were received in a series of accessions between 1969 and 2010. A portion was loaned for microfilming by Robert S. Chase and Chapellier Galleries in 1969. Roger Storm, the widower of Chase's daughter Helen, donated lectures and speeches, a 1912 letter, and photocopies of a dinner menu and photos of artwork in 1969. Art collector Fred D. Bentley gave photographic copy prints of Chase's summer home, studio and art school. D. Frederick Baker, the author of the Chase catalogue raisonné, gave two letters, two postcards, the Chase family scrapbook, vintage photographs, and blank postcards in 2010. Baker received the material from Chase's estate via Chase's grandson, Jackson Case Storm.
Restrictions:
Use of original papers requires an appointment.
Rights:
The William Merritt Chase papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, American  Search this
Art teachers -- New York (State) -- New York  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
William Merritt Chase papers, circa 1890-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chaswill
See more items in:
William Merritt Chase papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chaswill
Additional Online Media:

Dorothy Liebes papers

Creator:
Liebes, Dorothy  Search this
Names:
Morin, Relman, 1907-1973  Search this
Extent:
25 Linear feet
Type:
Archival materials
Collection descriptions
Sound recordings
Scrapbooks
Photographs
Date:
circa 1850-1973
bulk 1922-1970
Summary:
The papers of weaver, textile designer, and businesswoman Dorothy Liebes are dated circa 1850-1973 (bulk 1922-1970), and comprise 25 linear feet. Biographical information, subject files, correspondence, writings, artwork, financial records, scrapbooks, textile samples, printed material, sound recordings, and photographs document Liebes' career and personal life. Her second husband, Associated Press Reporter Relman "Pat" Morin, is also represented in the collection, although to a much lesser extent.
Scope and Content Note:
The papers of weaver, textile designer, and businesswoman Dorothy Liebes are dated circa 1850-1973 (bulk 1922-1970), and comprise 25 linear feet. Biographical information, subject files, correspondence, writings, artwork, financial records, scrapbooks, textile samples, printed material, sound recordings, and photographs document Liebes' career and personal life. Her second husband, Associated Press Reporter Relman "Pat" Morin, is also represented in the collection, although to a much lesser extent.

Biographical material consists of awards, biographical notes, membership and identification cards, passports, and a will. Dorothy Liebes' correspondence documents her personal life and career, including the operation of her studios in San Francisco and New York City.

Subject files contain correspondence, printed material, photographs, and miscellaneous items in varying combinations. They relate to businesses, organizations, individuals, and topics of interest to Liebes.

Writings by Dorothy Liebes include notes, drafts, and manuscripts of published and unpublished writings. Artwork by Dorothy Liebes consists of designs, feather weavings, a small hooked composition, and tapestry samples. Financial records are comprised of financial summaries, investment statements, and personal and business tax returns. Thirty-three bound scrapbook volumes contain printed and publicity materials, photographs, and a small number of documents relating to Dorothy Liebes' professional achievements.

Samples consist primarily of textile swatches designed by Dorothy Liebes and printed material includes articles, exhibition catalogs, press releases, and reproductions about or mentioning Dorothy Liebes and her work, as well as reproductions of artwork.

Also found are calendars, a transcript of a 1945 interview with Liebes on Nancy Craig's radio show "Woman of Tomorrow" and a circa 1956 sound recording on 5" magnetic tape from the Milwaukee Journal Radio Station.

Photographs are of artwork (not by Liebes), people, including Liebes, Relman "Pat" Morin, and Frank Lloyd Wright, places and textiles.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, 1934-1970 (Box 1, OV 22; 6 folders)

Series 2: Correspondence, 1922-1973 (Boxes 1-3; 2.4 linear ft.)

Series 3: Subject Files, 1896-1971 (Boxes 3-10, 19; 7.2 linear ft.)

Series 4: Writings, 1920-1969 (Boxes 10-11; 1.25 linear ft.)

Series 5: Artwork, 1938-1963 (Boxes 11, 19, OV 22; 0.35 linear ft.)

Series 6: Financial Records, 1947-1968 (Box 12; 0.25 linear ft.)

Series 7: Scrapbooks, 1933-1970 (Box 20, BV 24-56; 3.7 linear ft.)

Series 8: Samples, circa 1850-1855, circa 1930s-circa 1970 (Boxes 12-14, 20; 2.1 linear ft.)

Series 9: Calendars and Interviews, 1945-1971 (Boxes 14-15; 1.45 linear ft.)

Series 10: Printed Material, 1897-1970 (Boxes 15-16, 20-21, OV 23; 1.05 linear ft.)

Series 11: Photographs, 1897-1970 (Boxes 16-18, 21, BV 57; 1.5 linear ft.)
Biographical Note:
Weaver, textile designer, and businesswoman Dorothy Wright Liebes was known for distinctive textiles featuring bold color combinations and unusual textures achieved through the use of materials such as glass rods, sequins, bamboo, grass, leather, ribbon, wire, and ticker tape.

Born Dorothy Wright in Santa Rosa, California, she was the daughter of chemistry professor Frederick L. Wright and teacher Bessie Calderwood Wright. She studied art, education, and anthropology at San Jose State Teachers College and the University of California, Berkeley. During her college years, a teacher encouraged her to experiment with weaving and textile design since many of her paintings resembled textiles.

Liebes was a teacher for several years before deciding to pursue a career in textile design. She then studied weaving at Hull House in Chicago and traveled to France, Italy, Guatemala, and Mexico to learn the traditional weaving forms of those cultures. Upon her return to the United States, Liebes opened her first studio for weaving and textile design in San Francisco; Dorothy Liebes Design, Inc. was established in 1934, and eventually employed a staff of weavers.

Her first client in the industry was Goodall-Sanford Mills, with whom she worked as a consultant for more than a decade. As her client base expanded she decided to open a New York studio and maintained both studios until 1948 when she closed her San Francisco operation and relocated to New York City.

Liebes became a color and design consultant to corporations such as DuPont, Dow, and Bigelow-Sanford and tested and promoted newly developed synthetic fibers. She advised textile chemists in the development of fibers that were versatile enough to produce many different textures, and worked with engineers and technicians to develop new machines that could reproduce the irregularities of hand-loomed fabrics. Liebes became a sought-after speaker by textile industry and consumer groups, and sometimes taught workshops on color and design.

Her commissions included the United Nations Delegates Dining Room, the Persian Room at the Plaza Hotel and the King of Saudi Arabia's traveling royal throne room. Between 1937 and 1970, Liebes participated in more than thirty solo and group exhibitions at the San Francisco Museum of Art, Museum of Modern Art, de Young Museum, Cranbrook Museum, Detroit Institute of Art, Massachusetts Institute of Technology, Museum of Contemporary Crafts, and other venues. She received prizes and awards from institutions and corporations such as Lord and Taylor, Neiman-Marcus, the Paris Exposition, the American Institute of Decorators, the American Institute of Architects and the Architectural League. She was also awarded the Elsie de Wolfe Award and an honorary degree from Mills College in 1948.

Liebes' other notable activities included her work as Director of Decorative Arts for the 1939 San Francisco World's Fair, and as organizer and director of "Arts and Skills," a Red Cross occupational therapy project that included training in weaving for soldiers injured in World War II. In the 1950s, she worked with the Bureau of Indian Affairs, journeying though the southwest to study Indian schools and show weaver tribes that horizontal looms were more advantageous than vertical ones.

Liebes was married to businessman Leon Liebes from 1928 until their divorce in 1940, and continued to use the name Liebes for the remainder of her life. In 1948, she married Pulitzer prize winning Associated Press special correspondent Relman "Pat" Morin.

During the last year of her life, Dorothy Liebes was semi-retired due to a heart ailment. She died in New York City on 10 September 1972.
Provenance:
Gift of the Estate of Dorothy Liebes through Relman Morin (widower), 1972, and Ralph Higbee, 1973-1974.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Dorothy Liebes papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women textile designers -- New York (State) -- New York  Search this
Works of art  Search this
Weavers -- New York (State) -- New York  Search this
Textile design -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Scrapbooks
Photographs
Citation:
Dorothy Liebes papers, circa 1850-1973 (bulk 1922-1970). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.liebdoro
See more items in:
Dorothy Liebes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-liebdoro
Additional Online Media:

Jack Lenor Larsen papers

Creator:
Larsen, Jack Lenor  Search this
Names:
Josef Albers Foundation  Search this
Abakanowicz, Magdalena  Search this
Constantine, Mildred  Search this
Drutt, Helen Williams  Search this
Mondale, Walter F., 1928-  Search this
Noguchi, Isamu, 1904-1988  Search this
Tillich, Hanna  Search this
Wood, Beatrice  Search this
Extent:
3.7 Linear feet
Type:
Archival materials
Collection descriptions
Audiocassettes
Photographs
Sound recordings
Interviews
Video recordings
Date:
1941-2003
Summary:
The Jack Lenor Larsen papers measure 3.7 linear feet and date from 1941-2003. Larsen was a renowned weaver and designer, entrepreneur, and a scholar who wrote and lectured on modernist design. His career in the New York design world is documented by biographical materials, correspondence, writings by and about him, various printed materials and photographs.
Scope and Content Note:
The Jack Lenor Larsen papers measure 3.7 linear feet and date from 1941-2003. Larson was a renowned weaver and designer, entrepreneur, and a scholar who wrote and lectured on modernist design. His career in the New York design world is documented by biographical materials, correspondence, writings by and about him, various printed materials and photographs.

Found are biographical materials and artifacts including items from his early years, 4 volumes of daily planners and numerous awards. Correspondence includes letters from notables such as Isamu Noguchi, Walter F. Mondale, and various craft artists such as Helen W. Drutt English, Magdalena Abakanowicz, and Beatrice Wood, and author Hannah Tillich, widow of Paul Tillich. Business correspondence is from museums, professional societies, magazines and other organizations such as the Josef Albers Foundation. Larsen also curated textile exhibitions and there are records pertaining to these exhibitions.

There are a substantial number of writings, lectures and speeches by Larsen, and proofs of a book he co-authored with Mildred Constantin, Beyond Craft: The Art of Fabric. Also found are writings about Larsen and 3 interviews with him including a 1965 videotaped interview, 2 transcribed interviews, and an audio tape of Larsen's talk "Personal Perspective," presented at a conference of the American Craft Council.

Photographs show Larsen and his employees at work and at professional events. Photographs removed from albums retain their original order. Lastly, there are printed materials include catalogs and announcements, newspaper and magazine clippings, and press and promotional materials.
Arrangement:
The Jack Lenor Larsen papers are organized into 7 series based primarily on record type and arranged chronologically.

Series 1: Biographical Material, 1941-2001, (Box 1, 5; 0.6 linear feet)

Series 2: Correspondence, 1958-2003, (Box 1; 0.2 linear feet)

Series 3: Exhibition Records, 1986-1990, (Boxes 1-2; 0.7 linear feet)

Series 4: Writings, 1950-2003, (Boxes 2-3; 1.3 linear feet)

Series 5: Photographs, 1970-1992, (Box 3, 5; 0.5 linear feet)

Series 6: Printed Material, 1972-2002, (Boxes 4-5; 0.3 linear feet)

Series 7: Audio Recordings, 1965, (Box 4; 0.1 linear feet)
Biographical Note:
Jack Lenor Larsen (b. 1927), based in New York and of international reputation, has been deeply involved in the design of hand woven fabric and its application to modernist interior design. An international entrepreneur, Larsen also has written books on design and has been a frequent lecturer.

Larsen was born in Seattle, Washington to parents of Canadian/Scandinavian descent; his father was a building contractor. Larsen studied architecture at the University of Washington and became interested in materials design, receiving his M.F.A. from Cranbrook Academy of Art in Michigan in 1951. Following graduation, he opened a studio in New York and established Jack Lenor Larsen Incorporated. Just months later, Larsen successfully competed for the commission to design draperies for the important glass walled Lever House building on Park Avenue designed by Skidmore, Owings and Merrill.

Larsen was highly successful in marketing his ideas and innovations, which included combining metallic thread with natural polished linen and hand woven fabrics consisting of varied yarns in random and repeating patterns. This later style of fabric became known as the "Larsen Look" and was synonymous with modern design. Larsen's firm successfully adapted technological advances to fabric design but also used ancient techniques; they were first to design fabrics for jet air planes, stretch upholsestry and printed velvets.

In 1958-1960, Larsen represented the United States Department of State in Vietnam and Taiwan, studying those countries' crafts with the goal of developing industry to create jobs and products for export. Larsen then saw the opportunity for international fabric design and production. He travelled to Latin America, Africa and Asia to study local crafts and weaving with an eye towards business opportunites, focusing on hand spun and hand woven silks. By the 1990s Larsen was producing fabric in over 30 countries. In 1997, Jack Lenor Larsen, Inc. merged with the British fabric house, Cowtan and Tout and became the United States subsidiary of the British company, Colefax and Fowler.

Many museums have collected and/or exhibited Larsen fabrics. Notable among them are The Metropolitan Museum of Art, Musee des Arts Decoratifs (in the Louvre Museum), Museum of Modern Art, Stedelijk Museum in Amsterdam, and the Victoria and Albert Museum in London. In addition, Larsen is the author of several books relating to fabric and fabric design including Material Wealth: Living with Luxurious Fabrics (an international survey of contemporary fabric design) and an autobiography, Jack Lenor Larsen: A Weaver's Memoir.
Provenance:
The records were donated to the Archives in 2004 by Jack Lenor Larsen in connection with the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Jack Lenor Larsen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Weavers -- New York (State) -- New York  Search this
Textile design -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Genre/Form:
Audiocassettes
Photographs
Sound recordings
Interviews
Video recordings
Citation:
Jack Lenor Larsen papers, 1941-2003. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.larsjack
See more items in:
Jack Lenor Larsen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-larsjack

Terence Harold Robsjohn-Gibbings papers

Creator:
Robsjohn-Gibbings, Terence Harold, 1905-  Search this
Names:
Hadrian's Villa (Tivoli, Italy)  Search this
Robsjohn-Gibbings (Firm)  Search this
Dunn, Alan, 1900-  Search this
Hadrian, Emperor of Rome, 76-138 (Homes and Haunts) -- Italy -- Tivoli  Search this
Petty, Mary  Search this
Richter, Gisela Marie Augusta, 1882-1972  Search this
Extent:
14.4 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sketchbooks
Photographs
Date:
1915-1977
1898
Summary:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977 with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.
Scope and Contents:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977, with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.

Biographical materials consist of a key to the city of San Francisco, an award certificate, a photograph of a table from Robsjohn-Gibbings' personal art collection, and a ring design.

Correspondence is primarily with Robsjohn-Gibbings' friends, business associates, and scholarly researchers discussing relationships, business commissions, and his professional work. Correspondents of note include illustrators Alan Dunn and Mary Petty, and classical art historian Gisela Richter.

Writings by Robsjohn-Gibbings consist of 13 essays, 2 copies of the draft manuscript The Cuckoo Sings, 2 manuscript drafts of Furniture of Classical Greece, and a notebook of collected inspirational quotations. There is also a translation of a selection of Heinz Kahler's Hadrian und Seine Villa Bei Tivoli.

Project files include photographs and portfolios of 28 commercial and residential commissions; photographs and watercolor renderings of designs produced by Robsjohn-Gibbings Ltd.; photographs and portfolios of designs for Widdicomb Furniture Company; and printed material and research related to the furniture designs for Saridis of Athens. The series also includes portfolios of residences photographed by Ezra Stoller Associates, and photographs and notes for a 25 year Interior Design retrospective exhibition.

Printed material includes published books by Robsjohn-Gibbings, annotated books on Hadrian's Villa and decorative sculpture, catalogs, clippings, press releases, and miscellaneous printed material.

Photographs are of Robsjohn-Gibbings, his friends, his New York office and Athens apartment, and photo shoots for Life and Look magazines.

There are 24 volumes documenting Robsjohn-Gibbings career from 1936 to 1963, an additional 4 volumes of press coverage of his books, and 2 more volumes documenting European art and historical interior design.

Artwork includes 4 sketchbooks of classical Greek and Roman furniture designs rendered in graphite and watercolor by Robsjohn-Gibbings.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1942-1970 (4 folders, Box 1)

Series 2: Correspondence, circa 1940-1976 (0.2 linear feet; Box 1)

Series 3: Writings, circa 1930-1976 (0.5 linear feet; Box 1, BV 12)

Series 4: Project Files, circa 1930-1976 (4 linear feet; Box 1-2, Box 6-8, BV 13-16, OV 42-53, OV 55)

Series 5: Printed Material, 1898-1977 (1.9 linear feet, Box 2-4, Box 9)

Series 6: Photographic Materials, 1915-1976 (0.3 linear feet; Box 4, Box 9, OV 54)

Series 7: Scrapbooks, 1936-1970 (5.9 linear feet, Box 9-11, BV 17-41)

Series 8: Artwork, circa 1930-1976 (0.5 linear feet; Box 4-5, Box 9)
Biographical / Historical:
Terence Harold Robsjohn-Gibbings (1905-1976) was a furniture and interior designer who lived and worked in New York City and Athens, Greece.

Robsjohn-Gibbings was born in England and studied architecture at London University. In 1930, he immigrated to America and six years later opened his own interior decorating firm, Robsjohn-Gibbings Ltd., on Madison Avenue. Throughout the 1940s and 50s, he was one of the most recognized decorators in America and designed homes for Doris Duke, Alfred Knopf, and Thelma Chrysler Foy. One of his earliest commissions was Hilda Boldt Weber's 43 room Casa Encantada mansion in Bel-Air, for which he created more than 200 custom pieces of furniture between 1934 and 1938.

From 1943 to 1956, Robsjohn-Gibbings was the principal designer for the Widdicomb Furniture Company in Grand Rapids, Michigan. These residential furnishings reflected an elegant, simplistic aesthetic and were regularly showcased in the magazines Town and Country, Interior Design, Vogue, and House Beautiful.

He was a critic of the prevailing taste in Bauhaus modernism and Queen Anne, Georgian, and Spanish extravagance and expressed these views on design and aesthetics in the books Goodbye, Mr. Chippendale (1944), Mona Lisa's Moustache (1947), and Homes of the Brave (1953).

In 1960, he and his collaborator, Carlton Pullin, met the Greek furniture makers Susan and Eleftherios Saridis, who commissioned Robsjohn-Gibbings to design a line for their company, Saridis of Athens. These pieces were modeled after classical Greek forms and aesthetics, and are detailed in Robsjohn-Gibbings' Furniture of Classical Greece (1963).

In 1965, Robsjohn-Gibbings moved to Athens, Greece and continued designing residential and commercial spaces until his death in 1976.
Provenance:
Portions of the Terence Robsjohn-Gibbings papers were donated by the artist in 1966. In 1977, Margaret Carson donated a manuscript copy of The Cuckoo Sings. Later in 1977, the bulk of additional material in the collection was donated to the Archives of American Art by Robsjohn-Gibbing's associate and executor, Carlton Pullin.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Terence Harold Robsjohn-Gibbings papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Furniture design -- United States  Search this
Furniture designers -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Decorative arts  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Terence Harold Robsjohn-Gibbings papers, 1898, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robstere
See more items in:
Terence Harold Robsjohn-Gibbings papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robstere

Mildred Constantine Papers

Creator:
Constantine, Mildred  Search this
Names:
Cleveland Museum of Art  Search this
Getty Conservation Institute  Search this
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
Museum of New Mexico  Search this
Ohio State University  Search this
Philadelphia Museum of Art  Search this
Rhode Island School of Design  Search this
Abakanowicz, Magdalena  Search this
Albers, Anni  Search this
Barr, Alfred Hamilton, 1902-  Search this
Barragán, Luis, 1902-  Search this
Block, Lou, 1895-1969  Search this
Bourgeois, Louise, 1911-2010  Search this
Buic, Jagoda, 1930-  Search this
Burle Marx, Roberto, 1909-1994  Search this
Cohen, Elaine Lustig, 1927-  Search this
Coiner, Charles T., 1897-  Search this
Corzo, Miguel Angel  Search this
D'Harnoncourt, Anne, 1943-2008  Search this
Danto, Arthur Coleman, 1924-  Search this
Dehner, Dorothy, 1901-1994  Search this
Fitch, James Marston  Search this
Goeritz, Mathias, 1915-  Search this
Hart, Allen M., 1925-  Search this
Hicks, Sheila, 1934-  Search this
Koch, Richard H., d. 2009  Search this
Larsen, Jack Lenor  Search this
Lionni, Leo, 1910-  Search this
Reeves, Ruth, 1892-1966  Search this
Reuter, Laurel  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Shahn, Ben, 1898-1969 -- Photographs  Search this
Smith, David, 1906-1965  Search this
Ten Haeff, Ingeborg, 1915-  Search this
Vignelli, Massimo  Search this
Weisman, Donald M.  Search this
Wilder, Elizabeth, 1908-  Search this
Wilke, Ulfert, 1907-1987  Search this
Zeisler, Claire, 1903-1991  Search this
Extent:
5.3 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Illustrated letters
Transcripts
Video recordings
Interviews
Date:
1945-2008
Summary:
The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.
Scope and Content Note:
The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2008. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is the book Whole Cloth that she wrote with Laurel Reuter.

Correspondence, though mostly business related, often touches on personal matters since many of the artists and art world figures with whom she corresponded were also friends. Correspondents include Miguel Angel Corzo, Arthur C. Danto, Dorothy Dehner, Allen Hart (who sent more than 40 illustrated letters), Elizabeth Wilder and Donald L. Weisman. She also corresponded with many art institutions and organizations, among them the Cleveland Museum of Art, Independent International Design Conference, El Museo del Barrio, Museum of New Mexico, Ohio State University, Philadelphia Museum of Art, and the Estate of David Smith.

Subject files reflect Constantine's activities and interests. A large portion of this series concerns Whole Cloth, a book written with Laurel Reuter that presents an historical look at how artists have used cloth in their work. Correspondence between the two authors, with artists, institutions, and others concerns researching and writing the volume. Also documented are the successes and failures of Constantine's decade long pursuit to publish the book. Other substantive files relate to the Cleveland Museum of Art, Getty Conservation Institute, Sheila Hicks, Jack Lenor Larsen, Rhode Island School of Design, and Soviet Film Posters. Files concerning the University of the Arts' 2003 Commencement include a videocassette.

Writings by Constantine are lecture material and notes. Also found are transcripts of interviews with Constantine and writings by others. Printed material includes newspaper and magazine articles about Constantine and her career. A scrapbook of printed material and photographs documents an exhibition of Latin American posters at the Library of Congress organized by Constantine.

Photographs of people include Mildred Constantine with family, friends, artists and others at public and private events around the world. Notable photographs include: Magdalena Abakanowicz, Anni Albers, Alfred Barr, Luis Barragan, Lou Block, Louise Bourgeois, Jagoda Buic, Elaine Lustig Cohen, Charles Coiner, James Marston Fitch, Mathias Goeritz, Ingeborg Ten Haeff, Ann d'Harnoncourt, Sheila Hicks, Richard Koch, Nancy Koenigsberg, Jack Lenor Larsen, Leo Lionni, Roberto Burle Marx, Ruth Reeves, Laurel Reuter, Eleanor Roosevelt, Ben Shahn, Massimo Vignelli, Ulfert Wilke, and Claire Zeisler. Also, there are photographs of artwork by a wide range of artists.
Arrangement:
The Mildred Constantine papers are organized into 8 series.

Series 1: Biographical Material, 1947-1997 (Boxes 1, 6; 0.2 linear feet)

Series 2: Correspondence, 1964-2008 (Boxes 1, 6; 1.0 linear feet)

Series 3: Subject Files, 1964-2008 (Boxes 2-5; 3.3 linear feet)

Series 4: Writings, 1991-2008 (Box 5; 0.2 linear feet)

Series 5: Printed Material, 1961-2006 (Box 5; 0.2 linear feet)

Series 6: Photographs, 1993 (Box 5; 0.3 linear feet)

Series 7: Artwork, 1945 (Box 5; 1 folder)

Series 8: Scrapbook, circa 1940s (Box 6; 0.1 linear feet)
Biographical Note:
Curator and writer Mildred Constantine (1913-2008) was associated with the Museum of Modern Art's Department of Architecture and Design from 1943 to 1971. She then became an art consultant and independent curator, and wrote on fiber and textiles, decorative arts, photography, caricature and cartoons.

Mildred Constantine (known as "Connie") began her career at College Art Association. Hired as a stenographer in 1930, she soon was promoted to editorial assistant for Parnassus, the forerunner of Art Journal.

Constantine left the College Art Association in 1937 to study at New York University and earned BA and MA degrees. She then continued her education at the National Autonomous University of Mexico. In 1940, Constantine worked in the Office of Inter-American Affairs at the Library of Congress; it was there that she met René d'Harnoncourt.

Influenced by her 1936 travels in Mexico, Constantine's first curatorial effort was an exhibition of Latin American posters. Drawn from the collection of the Museum of Modern Art, the exhibition was held at the Library of Congress.

At the urging of René d'Harnoncourt, The Museum of Modern Art's Architecture and Design Department hired Constantine in 1943. The majority of her 28 year tenure at the museum was spent working with the department's founder, architect Philip Johnson. As a curator during the 1950s and 1960s, Constantine's innovative exhibitions brought lesser known portions of the museum's collection to public attention. Among her exhibtions were: "Words and Images," that focused on graphic design and posters; "Polio Posters," the first Museum of Modern Art show dedicated to social issues; "Olivetti: Design in Industry;" "Signs in the Street;" and "Lettering by Hand." She also published books on Art Nouveau, contemporary package design, and other subjects.

In 1971, Constantine left the Museum of Modern Art to become an independent curator and art consultant. Exhibitions included "Frontiers in Fiber: The Americans," and "Small Works in Fiber" with Jack Lenor Larsen. Tina Modotti: A Fragile Life, Constantine's book on the photographer, actress, model, and political activist, appeared in 1974. That same year, she and Alan Fern produced Revolutionary Soviet Film Posters that focused on works from the 1920s. Her last published work, Whole Cloth, was written with Laurel Reuter and published in 1997. Constantine continued to research and write, and at the time of her death was working on a large, international survey of the study of thread.

Mildred Constantine and Ralph W. Bettelheim (1909-1993) were married for 50 years. They had two daughters, Judith and Vicki.

Mildred Constantine died from heart failure on December 10, 2008, at home in Nyack, New York.
Related Material:
Oral history interviews with Mildred Constantine were conducted for the Archives of American Art by Harlan Phillips, 1965 October 15, and by Paul Cummings, 1976 May 3-1976 August 26.
Provenance:
The papers were donated to the Archives in 2009 by Mildred Constantine's daughters, Judith Bettelheim and Vicki McDaniel.
Restrictions:
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Mildred Constantine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Film posters, Russian  Search this
Textile fabrics in art  Search this
Curators -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Illustrated letters
Transcripts
Video recordings
Interviews
Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consmild
See more items in:
Mildred Constantine Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-consmild
Additional Online Media:

Dorothea A. Dreier papers

Creator:
Dreier, Dorothea A., 1870-1923  Search this
Names:
Cooperative Mural Workshop  Search this
Women's Trade Union League of America  Search this
Bartlett, Agnes Willard  Search this
Bartlett, Mary F.  Search this
Bartlett, Maud W.  Search this
Davis, Charles H. (Charles Harold), 1856-1938  Search this
Dreier, Ethyl Eyre Valentine  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dreier, Mary E. (Mary Elisabeth), 1875-1963  Search this
Forbes, Rebecca  Search this
Gogh, Elisabeth du Quesne van, 1859-1936  Search this
Kuhn, Walt, 1877-1949  Search this
Mahan, Ellen Kuhn  Search this
Robins, Margaret Dreier  Search this
Robins, Raymond, 1873-1954  Search this
Schetter, Charlotte  Search this
Shirlaw, Walter, 1838-1909  Search this
Extent:
2.6 Linear feet
Type:
Archival materials
Collection descriptions
Pamphlets
Sketchbooks
Photographs
Broadsides
Date:
1881-1941
bulk 1887-1923
Summary:
The papers of artist and art patron Dorothea A. Dreier measure 2.6 linear feet and date from 1881-1941, with the bulk of the material dating from 1887-1923. The papers document the life and work of Dorothea Dreier and also contain the papers of and about members of her immediate family, particularly her sisters, Mary and Katherine Dreier, and Margaret Dreier Robins. Found are correspondence, printed materials, legal and financial records, photographs, and one sketchbook by Dreier.
Scope and Content Note:
The papers of the painter Dorothea A. Dreier measure 2.6 linear feet and date from 1881 to 1941, with the bulk of the materials dating from 1887-1923. These papers document not only her life and work as an artist, but also the activities of her distinguished family in the realms of social reform, women's suffrage, and politics, through correspondence, newspaper clippings, pamphlets, broadsides, exhibition catalogs, publications, photographs, ephemera, a sketchbook, and legal and financial records.

Biographical materials include official documents, childhood writings, notes, ephemera, membership cards, invitations, programs, notes, lists, and legal and financial records.

Measuring 1.2 linear feet, correspondence is the largest and most extensive series and consists of letters from family and close friends as well as business correspondence. Although the letters in this series span from 1881-1925, a large number stem from Dorothea's 1913-1916 stay at Saranac Lake for treatment of her tuberculosis.

Family correspondents consist of members of Dorothea's immediate family as well as more distant relations, including those who resided in her parent's native Germany. Letters from her sisters Mary E. Dreier, and Margaret (Gretchen) Dreier Robins, her sister-in-law Ethyl Eyre Valentine Dreier and brother-in-law Raymond Robins provide some insight into the varied social reform and political movements, such as women's suffrage and the Bull Moose Party, with which they were allied. Additionally both Mary and Margaret were active in the Women's Trade Union League, Margaret having served as the League's president from 1907-1922. Therefore their correspondence is a rich resource for scholars interested in women's history and the history of the Progressive Era in the United States.

Due to their shared interest in the arts, her sister Katherine S. Dreier's letters provide information about her own work as an artist, particularly when she was studying abroad, exhibitions in which she participated or visited, and the Cooperative Mural Workshop, a combination art school and workshop that she ran from 1914-1917 with Walt Kuhn, with substantial financial help from Dorothea.

Additionally through her Brooklyn neighborhood, art classes, and support of numerous social causes, Dorothea had a large circle of friends. Frequent correspondents include the Bartlett sisters, Agnes, Mary, and Maud, Rebecca Forbes, Ellen Kuhn Mahan, and Charlotte Schetter. Notable art world correspondents include Vincent van Gogh's sister Elisabeth du Quesne van Gogh, the American Tonalist landscape painter Charles Harold Davis and Dreier's painting instructor and close friend, the painter Walter Shirlaw.

Printed materials reflect the varied interests and activities of Dorothea Dreier and select members of her immediate family through exhibition announcements, catalogs, including a numbered copy of the The Dorothea A. Dreier Exhibition from the memorial exhibition of her work at the Brooklyn Museum of Art in 1925, newspaper clippings relating to her career, the activities of other members of the Dreier family, art and politics; as well as pamphlets, broadsides, brochures and blank postcards.

Photographs include both studio portraits and informal snapshots of Dorothea and Katherine Dreier; group photographs including Dorothea; travel photographs, many of which appear to have been taken in the Netherlands; and photographs of Teddy Roosevelt giving a speech at a railway station. Artworks include a sketchbook by Dreier, five sketchbooks by friend and teacher, Walter Shirlaw, and an unidentified artist, a pencil drawing by Shirlaw, an engraving by Huquier and an etching by Ernest D. Roth.
Arrangement:
The collection is arranged into 5 series:

Series 1: Biographical Material, 1884-1923 (Box 1; 0.75 linear feet)

Series 2: Correspondence, 1881-1925 (Boxes 1-2; 1.2 linear feet)

Series 3: Printed Material, 1883-1916 (Boxes 2-3; 0.5 linear feet)

Series 4: Photographs, circa 1900-1923 (Box 3; 7 folders)

Series 5: Artwork, circa 1885-1941 (Boxes 3-4; 9 folders)
Biographical Note:
Dorothea A. Dreier was born on December 8, 1870, in Brooklyn, New York to German immigrant parents. The second of five children in a close knit, socially progressive family, her siblings include the social reformers and suffragettes Mary E. Dreier and Margaret Dreier Robins. However she was closest to her youngest sister, Katherine S. Dreier, fellow artist, patron of modern art and cofounder of the Société Anonyme, an organization dedicated to the promotion of modern art in the United States. Her sole brother, H. Edward Dreier, followed his father into business and managed the family investments.

Of all the Dreier sisters, Dorothea is the least well-known and there is scant information about her artistic career. It appears that she began her formal art training with John Twachtman and William Merritt Chase, although accounts disagree as to whether it took place at the Art Students League or the National Academy of Design. In 1904 Dorothea and her sister Katherine began studying with the painter Walter Shirlaw, with whom they developed a close friendship. Both sisters also traveled abroad frequently as the family maintained close ties with their German relatives and they combined these visits with trips to museums and galleries throughout Europe where they studied the works of the Old Masters as well as more contemporary artists. As evidenced by her series of oil paintings of Dutch weavers of 1908, Dorothea was greatly influenced by Van Gogh's early paintings of rural Dutch peasant life and she spent long periods abroad living and painting in Laren, The Netherlands. Her later paintings depicted landscapes, both in The Netherlands and the Adirondacks, as well as a series of New York street scenes.

Unfortunately, during a 1913 sojourn in Laren, Dorothea contracted tuberculosis. She remained at Saranac Lake, a renowned treatment center in the Adirondacks from late December 1913 to sometime in 1916. During her convalescence, Dorothea remained actively involved in the arts as she continued to paint and draw and supported her sister Katherine's work at the Cooperative Mural Workshop, a short-lived combination art school and workshop that focused on the decorative arts.

In 1920, Dorothea supported Katherine's decision to champion modern art and made generous financial contributions toward the establishment of the Société Anonyme, where Dorothea's first solo exhibition took place in 1921. This was her only solo exhibition prior to her untimely death in 1923. In the spring of 1925, Christian Brinton of the Brooklyn Museum of Art organized a memorial exhibition for which Katherine Dreier privately published a limited edition catalogue.
Related Material:
The papers of Katherine S. Dreier related to the Société Anonyme Archives are located at the Beinecke Rare Book and Manuscript Library at Yale University.

The Schlesinger Library at the Radcliffe Institute of Harvard University holds the papers of Mary E. Dreier
Provenance:
The bulk of the collection was donated to the Archives of American Art in 1959 by Mrs. Peter Voorhees, Dorothea A. Dreier's neice. Additional materials were donated in 2007 by Theodore and Barbara Dreier, Dreier's great-nephew and great-neice.
Restrictions:
The bulk of this collection has been digitized and is available online via the Archives of American Art's website.
Rights:
The Dorothea A. Dreier papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women -- Suffrage  Search this
Suffragists  Search this
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Pamphlets
Sketchbooks
Photographs
Broadsides
Citation:
Dorothea A. Dreier papers, 1881-1941, bulk 1887-1923. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dreidoro
See more items in:
Dorothea A. Dreier papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dreidoro
Additional Online Media:

Wilhelm Reinhold Valentiner papers

Creator:
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Names:
Detroit Institute of Arts  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Bode, Wilhelm von, 1845-1929  Search this
Colenbrander, H. T. (Herman Theodoor), 1871-1945  Search this
Ford, Edsel, 1893-1943  Search this
Heise, Carl Georg, 1890-1979  Search this
Hofstede de Groot, C. (Cornelis), 1863-1930  Search this
McIlhenny, John  Search this
Mellon, Andrew W. (Andrew William), 1855-1937  Search this
Morgan, Anne Tracy, 1873-1952  Search this
Sarre, Maria  Search this
Wills, Helen, 1905-1998  Search this
Extent:
6.9 Linear Feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sketches
Prints
Photographs
Diaries
Place:
Germany -- Politics and government -- 1918-1933
Date:
1853-1977
Summary:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.
Scope and Contents:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.

Biographical materials include certificates, membership cards, a curriculum vitae, and genealogical information on the Valentiner and Lepsius families.

Correspondence includes letters in German from Valentiner's parents, siblings, extended family members, and his wife and daughter. General correspondence includes letters and cards in German and English from art historian mentors and peers, including Wilhelm von Bode, Cornelius Hofstede de Groot, Carl Heise, and Herman Colenbrander, as well as art collectors and friends, including John McIlhenny, Andrew Mellon, Edsel Ford, Maria Sarre, and Helen Wills Moody Roark.

Seven diaries dated 1910-1939 were written in German, some of which also contain sketches, photographs, and other enclosures. Additional writings and notes consist of autobiographical writings, numerous essays, lectures, and monographs on Italian and Dutch art and artists, and reports and lectures on exhibitions at the Metropolitan Museum of Art and the Detroit Institute of Arts. Lecture seminar notes appear to have been written while Valentiner was a student in Germany, and materials related to Arbeitsrat für Kunst date from the period after Valentiner's military service when he served as a chairman to the newly formed Working Council for the Arts, prior to his return to America in 1921.

Printed material includes bulletins, exhibition catalogs, clippings, and three clippings scrapbooks, which document Valentiner's professional career in New York and Detroit.

Photographic materials are of Wilhelm Valentiner, his immediate and extended family members, and his friends. Photos of Valentiner are from his youth, military service in Germany, and his personal and professional career in the U.S. Photographs of friends include art scholars, collectors, and family friends, including Maria Sarre, Helen Wills Moody Rorke, and Anne Morgan, the daughter of Pierpoint Morgan. There are also a handful of reproductions of artwork used as scholarly references in his writings. The two photo albums focus on Valentiner's family and friends from his youth in Germany, and Valentiner with family members later in his life.

Artwork in the collection consists of prints from a page in a German book, a bookplate, and two woodcuts by unidentified artists.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1853-1976 (8 folders; Box 1)

Series 2: Correspondence, 1860-1974 (3.4 linear feet; Box 1-4)

Series 3: Diaries, 1910-1939 (7 folders; Box 3)

Series 4: Writings and Notes, 1890-1970 (1.7 linear feet; Box 4-6, 9)

Series 5: Printed Material, 1915-1977 (0.2 linear feet; Box 6)

Series 6: Scrapbooks, 1908-1933 (0.4 linear feet; Box 6, 9)

Series 7: Photographic Materials, 1840-1970 (0.8 linear feet; Box 6-8)

Series 8: Artwork, 1890-1960 (3 folders; Box 8)
Biographical / Historical:
Art historian and museum director Wilhelm Reinhold Valentiner (1880-1958) lived in New York City, N.Y., Detroit, Michigan, and Raleigh, North Carolina and was known for his leadership and collection development during his tenure at the Metropolitan Museum of Art and the Detroit Institute of Arts.

Valentiner was born in Karlsruhe, Germany to Karl Wilhelm Valentiner, a professor of astronomy at Heidelberg University, and his wife, Anna Lepsius Valentiner. The youngest of four children, Valentiner attended the University of Leipzig and continued studies in art history at the University of Heidelberg, where he received his doctorate in 1905 under the mentorship of Henry Thode. His relationship with Thode and with fellow students Edwin Redslob and Hermann Voss would eventually lead to lifelong friendships with a network of European scholars and historians, including Wilhelm von Bode and Cornelius Hofstede de Groot.

Upon von Bode's recommendation to J.P. Morgan, then President of the Metropolitan Museum of Art, Valentiner joined the staff of the Metropolitan in 1908 as the curator for Decorative Arts. In 1913, he founded the journal Art in America, where he would remain as editor until 1931. At the onset of World War I, Valentiner returned to Germany to enlist and served until the war's end, at which point he spent a brief period working at the Kaiser Friedrich Museum and participated in the Arbeitsrat für Kunst, a new group that questioned the traditional relationship between artists and established art institutions. Though shortlived, his participation as a chairmen for the Working Council for the Arts introduced him to leading German artists and architects, including Walter Gropius, Karl Schmidt-Rottluff, Käthe Kollwitz, and Lyonel Feininger. At this time, he also met his future wife, Cecelia Odefay, who he married in 1919.

In 1921, Valentiner returned to the U.S. and was asked to serve as a collecting advisor to the Detroit Institute of Arts. In 1924, he was appointed the Institute's director, a position he held until his retirement in 1944. During his tenure, he oversaw the opening of a new wing, the first acquisition of pre-Columbian and African art, the strengthening of Chinese and Islamic art collections, significant acquisitions of European Modernists, and the development of the museum's education and conservation divisions.

In 1937, Valentiner founded the Art Quarterly journal for the College Art Association, which he edited until 1949. After his retirement from the Institute, Valentiner was called from retirement to serve as director for the Los Angeles County Museum and the Getty Museum in California, and the North Carolina Museum of Art in Raleigh. Valentiner died from complications of pneumonia in 1958.
Related Materials:
Also found in the Archives of American Art are the Mary E. Adams letters from Wilhelm Valentiner and an oral history interview with Mary and Clinton Adams conducted by Paul Karlstrom, April 24, 1998. The North Carolina Museum of Art also holds papers of Wilhelm Valentiner, most of which are also available at the Archives on microfilm reels D31 and 2140-2144.
Separated Materials:
In 1981 and earlier, the Archives microfilmed the William R. Valentiner papers that were on deposit from the North Carolina Museum of Art onto reels D31 and 2140-2144. The papers were returned to the North Carolina Museum of Art, but the microfilm is still available for use at the Archives research centers and for interlibrary loan.

Reel D31 includes diary entries, 1914-1957, describing Valentiner's service in the German army, 1914-1918, with the War Information Office in Berlin, the overthrow of the monarchy and German politics, relations between Germany and Russia and communist activity in Germany, the administration of Berlin museums and radical artists' activities, his work with the L.A. County Museum, Detroit Institute of Fine Arts, the North Carolina Museum of Art, and private collectors, impressions of friends, including Henry Ford, Carl Hamilton, the Hohenzollerns, Franz Marc, Rainer Maria Rilke, Walter Rathenau, Helen Wills, Benjamin Altman, J. Pierpont Morgan, and recollections of women art collectors, including Mrs. August Belmont, Rita Lydig, and Mrs. Leonard Thomas. A very small portion of the filmed materials may be found among the Valentiner papers at the Archives, but most of the materials were returned to the North Carolina Museum of Art.

Loaned materials on reels 2140-2144 consist of 26 diaries, 1904-1958; autobiographical writings; manuscripts and lectures by Valentiner; correspondence with family, friends, authors, museums, galleries, and dealers, including Harry Bertoia, Charles Culver, Lyonel and Julia Feininger, Walter Gropius, Paul and Mary Weschler, and Morris Graves; and a scrapbook containing clippings, drafts of speeches, and invitations.
Provenance:
From 1972 to 1977, Valentiner's papers were gathered from various sources by historian Margaret Sterne who was researching and writing a biography of Valentiner. Sterne died just prior to publication and the papers were sorted by Archives' staff and returned to the lender when known. After publication of the biography, the bulk of the papers were returned to their respective lenders (primarily the University of North Carolina) and the remaining papers were sorted and accessioned by the Archives. Donors are listed as unknown or anonymous.
Restrictions:
Use of original papers requires an appointment and is limited to the Archvies' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Wilhelm Reinhold Valentiner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Michigan -- Detroit  Search this
Museum directors -- Michigan -- Detroit  Search this
Art, Dutch  Search this
Art, Italian  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art museums -- United States  Search this
Museum directors -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Scrapbooks
Sketches
Prints
Photographs
Diaries
Citation:
Wilhelm Reinhold Valentiner papers, 1853-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.valewilh
See more items in:
Wilhelm Reinhold Valentiner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valewilh
Additional Online Media:

Robert Reid papers

Creator:
Reid, Robert, 1862-1929  Search this
Names:
Reid, Charles D.  Search this
Reid, Sara Bigelow  Search this
Extent:
0.9 Linear Feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Date:
circa 1880-circa 1930
Summary:
The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.
Scope and Contents:
The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.

Letters are primarily from Robert Reid to his sister Sara Bigelow Reid and document a single year in Reid's life (1887) when he moved to Paris and traveled to Italy, serving as a diary of his activities through October of that year. Writings consist of an essay and journal entries entitled "Really Random Recollections of Charles D. Reid for Robert N. Reid" written by Robert Reid's brother Charles between 1918 and 1920. Scrapbooks 1 and 2 were compiled by Charles D. Reid and document Reid family history. Scrapbook 3 consists primarily of correspondence between Charles D. Reid and various schools concerning his interest in vocational education and a 1913 paper he wrote on that subject. Scrapbook 4 has had most entries removed and is inscribed by Charles D. Reid's father "Jared Reid Jr., Hartford Ct., Jan. 1880." Charles D. Reid presumably removed the entries to place in Scrapbooks 1-3.

Photographs of Reid include a group of men (circa 1880s) with Reid in the back row, of Reid working on a mural, and a 1927 portrait of Reid. Additional photographs of Reid are found in the scrapbooks. Also found is a copy print of Reid's studio, photographs of Europe, photographs of works of art by Reid, and a photograph of the stage and crowd at an unidentified event.
Arrangement:
Due to the small size of the collection the papers are arranged as one series.

Series 1: Robert Reid Papers, circa 1880-circa 1930 (Boxes 1-2; 0.9 linear feet)
Biographical / Historical:
Robert Reid (1862-1929) was a painter, muralist, craftsman, and teacher who worked primarily in New York City and Colorado.

Robert Reid was born in 1862 in Stockbridge Massachusetts and studied at the School of Painting and Drawing of the Museum of Fine Arts, Boston, from 1880-1884. He then moved to New York City and studied at the Art Students' League before moving to Paris in 1885, where he continued his studies at the Académie Julian over the next four years.

In 1887 Reid embarked on a tour of Italy that included visits to Milan, Venice, Florence, Rome and Naples. On his visits to Naples he was accompanied by several cousins, including Clara Field, who were on an extended European tour. Throughout the year Reid recorded his experiences and impressions in letters to his sister, Sara Bigelow Reid. In March of 1887 he submitted the first of three paintings to the Paris Salon, all of which were subsequently accepted.

In 1889 Reid returned to the United States and settled in New York City, teaching at the Cooper Union and the Art Students' League and painting portraits before embarking on various mural and decorative art projects. His first mural project was for one of the eight domes in the Liberal Arts Building of the World's Columbian Exposition in Chicago in 1892. In 1897 he painted allegories of the five senses for octagonal panels in the Library of Congress, and in 1899 executed a large allegorical mural for the New York Appellate Division Court House. The Boston State House includes three large panels, including "Paul Revere's Ride" and the "Boston Tea Party," painted by Reid between 1901 and 1904. His stained glass work included a 1906 series of ten windows for the Unitarian Memorial Church at Fairhaven, Massachusetts.

During the 1890s Reid's return to outdoor work and his easel paintings demonstrated a balance between decorative and Impressionist techniques, and were often of women in landscape settings holding or carrying flowers. In 1898 he exhibited as one of the Ten American Painters who seceded from the Society of American Artists in favor of a less traditional, more Impressionistic style.

In the 1920s Reid moved to Colorado Springs and taught at the Broadmoor Art Academy. Several years before his death, Reid taught himself to paint with his left hand after suffereing a stroke that resulted in paralysis of his right hand. He died in Clifton Springs, New York, in 1929.

H. Barbara Weinberg's 1975 essay "Robert Reid: Academic 'Impressionist'" (Archives of American Art Journal, Vol 15, No. 1, 1975) was used in the writing of this Biographical Note.
Provenance:
The collection was donated to the Archives of American Art by Joseph Bowdring in 1973. Bowdring purchased the papers along with Reid's paintings.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Robert Reid papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Robert Reid papers, circa 1880-circa 1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reidrobe
See more items in:
Robert Reid papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reidrobe
Additional Online Media:

Long Island is my nation : the decorative arts & craftsmen: 1640-1830 / Dean F. Failey ; with the assistance of Robert J. Hefner & Susan E. Klaffky ; Society for the Preservation of Long Island Antiquities

Author:
Failey, Dean F  Search this
Hefner, Robert J  Search this
Klaffky, Susan E  Search this
Society for the Preservation of Long Island Antiquities  Search this
Physical description:
1 v. (various pagings) : ill. ; 28 cm
Type:
Exhibitions
Place:
New York (State)
Long Island
Date:
1998
C1998
Topic:
Decorative arts, Early American  Search this
Decoration and ornament  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_566710

Chronological Name and Subject Files

Collection Creator:
Hitchcock, Henry-Russell, 1903-1987  Search this
Extent:
21.9 Linear Feet (Boxes 1-22)
Type:
Archival materials
Date:
1919-1987
Scope and Contents note:
Files consist of Henry-Russell Hitchcock's personal and professional correspondence, as well as subject files relating to academic research, teaching, curatorial interests, and professional associations. Subject files are comprised mainly of correspondence and printed material, with a small number of photographs that mostly relate to exhibitions and writings. After 1932, copies of Hitchcock's outgoing letters are almost always included, making the files from 1932-1987 almost complete.

The correspondence includes large numbers of letters from prominent architectural historians, architects, artists, preservationists, museum directors and curators. Also included is correspondence with students, friends, relatives, publishers, and representatives of organizations and institutions.

Among the correspondents of note are: Bernard Berenson, Eugene Berman, Leonid Berman, Lyonel Feininger, Brendan Gill, Robert Goldwater, George Howe, Lincoln Kirstein, J. J. P. Oud, Erwin Panofsky, Kingsley Porter, Paul J. Sachs, R. M. Schindler, Theodore Sizer, E. Baldwin Smith, Peter van der Meulen Smith, James Soby, Victor Spark, Harold Sterner, John Summerson, Virgil Thomson, Paul Vanderbilt, Theo Van Doesburg, Helmut von Erffa, and Gordon Washburn. Other important correspondents represented in a decade or more of correspondence include: Jere Abbott, Winslow Ames, Everett A. (Chick) Austin, Alfred H. Barr, Agnes Rindge Claflin, John Coddington, Walter Cook, John Coolidge, Henry (Harry) Sayles Francis, George Heard Hamilton, Ada Louise Huxtable, Philip C. Johnson, William Jordy, George N. Kates, Edgar Kauffmann, Jr., Richard Krautheimer, Phyllis W. Lehmann, Thomas J. McCormick, Agnes Mongan, Lewis Mumford, Nikolaus Pevsner, A. Kinglsey Porter, Willebald Sauerlander, Vincent Scully, Helen Searing, James Thrall Soby, Dorothy Stroud, John Summerson, Virgil Thomson, Emily Tremaine, Paul Vanderbilt, Rudolph Wittkower, and Frank Lloyd Wright.

See Appendix for a list of individuals, organizations, and subjects in Series 2
Arrangement note:
Files are arranged with a single alphabet for each year.
Appendix: Individuals, Organizations, and Subjects in Series 2:
Below is an index to individuals, institutions, organizations, and a small number of subject files, found in Series 2: Alphabetical Files. The index indicates the name and the alphabet year(s) in which each can be found.

Hitchcock did not follow strict alphabetical schema when organizing his files and filing eccentricities for the letters D, M, N, and V are explained below. The original arrangement has been left in place due to the difficulties and time involved in re-arranging the material within multiple alphabets.

Note on filing order for D's: Names beginning with the prefix "de" (e.g. De Cordova) are all filed before names beginning with the letters "de" e.g. Deerfield Academy.

Note on filing order for M's: Names beginning with the prefix "Mac" and "Mc" are all filed after names beginning with Ma. They are interfiled according to the first and subsequent letters following the prefix e.g. McIntyre, Mackay, McKean, MacLaren.

Note on filing order for N's: Proper names beginning with the word "new" (e.g. New American Library) are all filed before names incorporating the syllable "new" e.g. Newark Public Library.

Note on filing order for V's: Names beginning with the prefix "van" (e.g. Van Derpool) are all filed before names beginning with the syllable "van" e.g. Vancouver Hotel.

Aaron, Dan (1967)

Abbott, Etheldred (1946)

Abbott, Jere (1927, 1928, 1945-1947, 1949-1950, 1952-1955, 1958, 1968, 1982-1984, undated)

Abby, Elwina (1928)

Abraham, C. P. (1946)

Abrams, Al (1979)

Abrams, Inc. (1969, 1977-1978)

Abrams, Robert (1976)

Abramson, Louis Allen (1948, 1949)

Academy of Political Science (1952)

Achilles, Mrs. Theodore (1955)

Ackerman, James S. (1948, 1952-1955, 1960, 1964, 1966)

Ackworth, Angus (1945)

Adams, Anthony (1960)

Adams, Florence B. (1948)

Adams, Frances S. (1965)

Adams, Frederick (1949)

Adams, Henry (1974)

Adams, Nicholas (1976-1978)

Adams, Philip R. (1952)

Addis, Reid M. (1974-1975)

Addison Gallery of American Art (1953-1954)

Addison, John (1982, 1984)

Adler, David (1928)

Agtmaal, J. G. van (1958)

African Studies, International Congress of (1978)

Ahda Artzt Gallery (1964)

Air Ministry (1946)

Aitken, Dott and Son (1946-1947)

Akron (1948)

Alabama Polytechnic Institute (1955)

Aladdin Office Services (1957)

Albany Institute of History and Art (1966, 1969)

Albers, Joseph (1946)

Albrecht, Otto (1927)

Albright Art Gallery (1947)

Albright-Knox Art Gallery (1962)

Aldrich, Frances T. (1948)

Alexander, Robert L. (1951, 1956-1958, 1960-1961, 1963-1965, 1967-1968, 1975-1977, 1986)

Alexander, Dr. and Mrs. Samuel Allen (1958)

Alexander, William (1968)

Alfa (1958)

Alfieri, Bruno (1959, 1964-1965, 1968-1969)

Alfonsin, Anthony (1983)

Alford, John (1946, 1955)

Alford, Roberta (1961)

Alinari (1958)

Allen, Mr. and Mrs. Eliot D. (1953)

Allen, F. P. (1961)

Allen, W.G. Russell (1945, 1947, 1952-1953, 1956)

Allen and Unvin, Ltd. (1978, 1980)

Allert de Lange, C. V. (1956)

Allison, George E. (1948)

Allstate Insurance (1948)

Altree, Guy (1975)

Altschul, Frank (1952)

Alumnae Association [Smith College] (1952) ( -- see also -- : Smith College Alumnae Association)

Ambassadeurs Club (1946)

America-Italy Society (1958)

American Academy in Rome (1950, 1958-1959, 1983)

American Academy of Arts and Sciences (1953-1954, 1957-1958, 1961-1963, 1965, 1970, 1973, 1976, 1981)

American Antiquarian Society (1935, 1939, 1947, 1952, 1955)

American Architectural Books (1937, 1945, 1961)

American Association for State and Local History (1963)

American Association of Architectural Bibliographers (1958-1959, 1961, 1963-1964, 1966, 1970)

American Association of Museums (1952, 1955, 1962)

American Association of Schools of Architecture (1982)

American Association of University Professors (1948, 1981-1982)

American Association of University Women (1948, 1958)

American Automobile Association (1962)

American Collector -- (1947)

American Committee on Renaissance Studies (1954)

American Council of Learned Societies (1950, 1961, 1963, 1980)

American Embassy, London (1962)

American Express (1952, 1955)

American Federation of Arts (1942, 1947-1948, 1952, 1955, 1958, 1962, 1974)

American Friends Service Committee (1951)

American Historical Association (1942)

American Historical Review -- (1943, 1952)

American Institute of Architects (1942, 1945, 1948, 1950, 1952-1955, 1957, 1959, 1961-1962, 1964, 1969-1970, 1972-1973, 1978, 1980)

American Institute of Planners (1945)

American Life Foundation (1972)

American Museum in Britain (1961)

American National Theatre and Academy (1952)

American Peoples Encyclopedia -- (1953)

American Philosophical Society (1943)

American Quarterly -- (1949, 1952-1953, 1955)

American Science and History Preservation Society (1981)

American Scholar -- (1948, 1982)

American Society of Architectural Historians (1945-1947)

American Society of Planners and Architects (1946)

American State Capitols Research Project, Victorian Society in America ( -- see -- : Victorian Society in America, American State Capitols Research Project)

American Studies Association (1976)

American Unitarian Association (1941)

Amery, Colin (1982)

Ames, Eleanor D. (1968)

Ames, Winslow (1942, 1945-1947, 1950-1957, 1965, 1967-1968, 1970, 1976, 1978-1979, 1981)

Ames, Winslow and Anna (1973)

Amherst College (1967)

Amsterdam (1963)

Amulree, Basil (1946-1947, 1952)

Ancient Monuments Society (1957)

Anderson (1951)

Anderson and Castle, Ltd. (1959)

Anderson, Arthur J. (1955)

Anderson, P. G. (1946, 1955, 1958)

Anderson, Paul R. (1946)

Anderson Photographers (1952)

Anderson, Stanford (1979)

Andrews, Edward (1959)

Andrews, George F. (1959-1960)

Andrews, Wayne (1945, 1947, 1956, 1958, 1961-1964, 1968-1970, 1982)

Annan and Sons (1936, 1954, 1956, 1958)

Anson, Peter F. (1953, 1955)

Antheil Booksellers (1969)

Antiques (1981)

Antunes, Paulo (1958)

Appalachian Mountain Club (1946)

Appel, R. G. (1965)

Appleman, Philip (1957)

Appleton, William Sumner (1946)

Arango, Jorge (1955)

Archaeological Institute of America (1928, 1950, 1952-1955)

Archaeology -- (1952)

Archer, John (1964, 1976)

Architect and Building News -- (1949)

Architects Discussion Group (1966)

Architects for Peace (1982)

Architects Journal -- (1956)

Architects Yearbook -- (1946, 1955-1956)

Architectura -- (1969, 1971-1972)

Architectural Association (1946, 1956, 1962)

Architectural Design -- (1951, 1956-1957, 1967, 1978)

Architectural Digest -- (1980)

Architectural Forum -- (1945, 1954-1955, 1957, 1964, 1966-1969)

Architectural Heritage -- (1968)

Architectural History -- (1966)

Architectural History Association, Inc. (1976)

Architectural History Foundation, Inc. (1978-1987)

Architectural League of New York (1950, 1962, 1974-1975)

Architectural Press (1945-1951, 1954-1958, 1964, 1968, 1982)

Architectural Quarterly -- (1968)

Architectural Record -- (1928, 1936, 1937, 1946, 1948, 1950-1952, 1954-1959, 1963, 1966, 1969, 1976, undated)

Architectural Review -- (1927, 1945-1969, 1977, 1982-1983)

Architecture and Building (1959-1960)

Architecture Association (1950-1951, 1955, 1959)

Architecture Club (1952, 1956, 1958-1959, 1965)

Architecture Collaborative (1957)

Architecture: Nineteenth and Twentieth Centuries -- (Pelican History of Art series) (1962-1968)

The Architecture of H. H. Richardson and His Times -- [reprint] (1961-1962)

Architecture Plus -- (1974)

Architektoniki -- (1959)

Archives Centrales Iconographiques d'Art National (1958)

Archives Centrales Photographiques (1956)

Archives of American Art (1960-1961)

Archon Books (1967, 1979)

Arcschavir, A. (1959)

Arizona State University (1960, 1962, 1969)

ARK (1955-1956)

Arkitektens Forlag (1962)

Arlington, Margaret (1962)

Armitage, Mrs. G. W. (1951)

Armitage, Merle (1956)

Armour, John (1954)

Arnasson, H. Harvard (1956)

Arnold, Frederic K. (1948, 1955)

Arnot Art Gallery Association (1958-1959)

Art and Technics -- (1950-1951)

Art Association of Indianapolis (1947)

Art Bulletin -- (1940-1941, 1943, 1945, 1948, 1950-1951, 1953, 1955-1961, 1966- 1967, 1969)

Art Gallery of Ontario (1970)

Art Gallery of Toronto (1950) (see also: Toronto, Art Gallery of)

Arthur, Eric (1956)

Artigas, Francisco (1955)

Art in America -- (1947, 1955-1960)

Art Institute of Chicago (1951, 1956, 1978, 1983) (see also: Burnham Library;

Chicago, Art Institute of; Ryerson and Burnham Libraries)

Art Journal -- (1977)

Art News -- (1948, 1953-1955, 1959, 1967)

Art Nouveau Exhibition (1960)

Art Quarterly -- (1953-1971)

Art Reference Bureau (1958, 1967, 1970-1971)

Arts -- (1928, 1963)

Arts and Architecture -- (1956)

Arts Club of Chicago ( -- see -- : Chicago, Arts Club of)

Arts Council of Great Britain (1955-1956, 1968)

Arts Review -- (1962)

Asam Brothers (1965)

Ash, Carla Caccamise (1978)

Ashton, Leigh (1953)

Asia (1928)

Askew, Constance (1945, 1947, undated)

Askew, Constance and R. Kirk (1941, 1948, 1961)

Askew, Pamela (1977)

Askew, R. Kirk (1950-1952, 1963)

Aslin, Elizabeth (1956, 1958, 1960, 1962-1964, 1968-1970, 1972-1974, 1979-1981, 1984-1985)

Association of Art Museum Directors (1952)

Association of Collegiate Schools of Architecture (1949, 1954)

Atelier -- (1951)

Athenaeum of Philadelphia (1969-1970, 1977-1978, 1980-1981, 1983, 1985)

Atkin, William Wilson (1958)

Atkinson, Fello (1950-1959, 1961-1967, 1969, 1971-1973, 1977-1978, 1980, 1982)

Atkinson, G. A. (1961, 1969)

Atkinson, George (1955)

Atomic Energy Commission of Canada ( -- see -- : Canada, Atomic Energy Commission of)

Auden, W. H. (1952-1953)

Aufsberg, Lala (1958, 1965-1967, 1971-1972)

Aurora Zanichelli (1955)

Austin, A. Everett [Chick] (1953, 1957, 1984)

Austin, A. Everett [Chick] and Helen (1952)

Austin Art Center (1965) ( -- see also -- : Trinity College)

Austin, David (1966)

Austin, Helen (1948, 1950, 1956, 1958, 1960, 1965-1968, 1970, 1973, 1986, undated)

Austin, Mollie (1961)

Austin, Sarah G. (1979)

Australian Journal of Art (1978)

Authors Club (1962)

Auzas, Pierre-Marie (1965-1967, 1979-1980)

Avenue -- (1985)

Avery, Elizabeth P. (l950)

Avery Library, Columbia University (1951, 1973-1974, 1977, 1981) (see also: Columbia University)

Avery, Peter (1965)

Avery Study Center, Columbia University (1982) ( -- see also -- : Columbia University)

Avis Rent-a-Car (1961)

Azelle, Robert (1955)

"B. 1955" (2 pocket calendars) (1955)

Bacon, Leonard Lee (1970)

Bacon, Mardges (1984)

Baga, Khalid (1979)

Baggage Declaration (1945)

Bailey, James and Gordon, Inc. (1957-1962, 1964)

Bailey's Studio (1946)

Baker (1957)

Baker, Joseph (1960)

Baker, Roger (1953)

Bakewell, Hester Adams (1970)

Baldinger, Wallace S. (1949)

Baldwin, Deborah (1985)

Baldwin, Raymond E. (1945)

Baldwin, Susan (1976)

Ball, Mr. and Mrs. William Burnham (undated)

Ballard, Mary (1974)

Ballman, Lucille (1949)

Balmoral Castle (1952, 1954)

Baltimore City Museum (1952) (see also: Peale Museum)

Baltimore Museum of Art (1948)

Baltimore Sun -- (1968) ( -- see also -- : Sun) (1968)

Banham, Reyner (Peter) (1956, 1959, 1961-1962, 1972-1973)

Banham, Reyner (Peter) and Mary (1958)

Banker, Douglas (1977)

Banking (1965-1966, 1970-1971)

Bannister, Turpin C. (1941, 1943-1945, 1947, 1950-1952, 1954-1956, 1958, undated)

Bantam Books (1962)

Bar, D. D. (1969)

Barbarosa, Jorge de Castro (1957)

Barber, Leila (1966)

Barclay, Jo (1953)

Barclay's Bank (1945-1948, 1950, 1952-1955, 1957-1958, 1960-1961, 1972)

Bardwell, Helen H. (1955)

Barley, M. W. (1952)

Barman, Christian (1951)

Barnard College (1954-1957, 1965)

Barnes, Anthony (1952)

Barnes, Charles D. (1968)

Barnes, Cynthia (1962)

Barnes, Henry (1952)

Barnlund, Mr. and Mrs. D. C. (1949)

Barnstone, Howard (1953, 1958, 1960-1961)

Baron, Docteur Lucien (1927)

Barr, Alfred H. (1928, 1930-1932, 1937, 1945, 1954, 1973, 1981, undated)

Barr, Marga (Daisy) (1957, 1959, 1961, 1978, 1983, 1985, undated)

Barrall, Xavier (1976)

Barrand, H. (1955)

Barrett, John (1956)

Barsee, L. (1976)

Barton, Eleanor (1949, 1955-1956, 1959, 1965)

Baskin, Leonard and Lisa (1969)

Batsford, Ltd. (1941, 1948-1953, 1955-1957)

Battle, Governor (1955)

Bauch, K. (1966)

Bauer, A. (1928)

Bauer, Catherine (1940)

Bauhaus Archiv (1963)

Baumann, Christopher (1946)

Baume, Henry B. (1956-1957)

Bayer, Adolf (1963)

Bayer, Herbert (1954)

Bayer, Julia (1945, 1952)

Bayley, J. B. (1946, 1952)

Bayley, John (1953)

Bayley, Stephen (1974)

Beardall Fenton and Co. (1969)

Beatty, C. J. P. (1962)

Beck, Andy (1976)

Beck, Haig (1979)

Beckwith (1964)

Bedenkapp, John (1952-1956, 1959)

Beeton, M. (1946)

Beggs, Thomas (1946)

Belding, Ann (1950-1951)

Bell, Herbert C. F. (1946, 1948-1949, 1957-1958)

Bell, Janet M. (1952)

Bellotto (1960)

Belluschi (1954-1956)

Beloit College (1945)

Belz, Carl (1972)

Benda, E. (1931)

Bender, Angela (1966)

Bendixson, T.M.P. (1961)

Benero, Herbert W. (1955)

Benes, Miroslava (1975)

Benesch, Otto (1946, 1956)

Benesch, Otto and Eva (1947, 1959)

Bennett, Gordon C. (1946)

Bennett Books (1950)

Bennett, Richard M. (1939)

Bennett, Mrs. Roger Williams (1962)

Bennington College (1953, 1957)

Benson, Elizabeth (1962)

Benson, John Howard (1952-1954)

Benson, Robert Alan (1968)

Benton, Charlotte (1978)

Benton, Tim (1974)

Berenson, Bernard (1931)

Bergdoll, Barry (1979-1982, 1984)

Berger, Maurice (1978)

Bergeron, Claude (1967)

Berlin (1956, 1964, 1975)

Berlin, Technische Universitat (1966)

Berman, Eugene (Genya) (1931-1932, 1945, 1969)

Berman, Leonide (1931, undated)

Bermudez, Luis (1955)

Bernett, Dick (1950)

Bernett, F. A. (1959, 1963-1965, 1968)

Bernett, Frederick (1961)

Bernett, P. A. (1967)

Bernier, Rosamond (1955)

Berrill, Maurice (1958, 1958)

Berry-Hill Galleries (1971, 1981)

Betjeman, John (1946, 1952, 1956)

Bett, Regina (1966-1967)

Bevan, Roger (1978)

Beyer, Klaus G. (1970-1971)

Bialostocki, Jan (1968, 1970-1971, 1973, 1985)

Bicknell, Minnette (1975)

Bicknell, Peter (1965)

Biederman, Charles (1978)

Bielfeld Kunsthalle (1968-1970, 1973-1975, 1985) ( -- see also -- : Kunsthalle Bielfeld)

Biennale (1959-1960)

Bier, Julius (1953)

Bildarchiv -- (1956)

Billcliff, Roger (1971)

Bills, Paid (1965-1970)

Binet, Ann (1955)

Birkhams, Martin (1960)

Birmingham Public Library (1946)

Birrell, J. P. (1963)

Birthday (1978, 1980, 1983, 1985)

Bischoff, Ralph F. (1946)

Bissell, Elaine (1951)

Bixley, Grace (1954)

Blach, Peter (1939)

Blackheath Society (1955)

Blackman, Audrey (1962-1963)

Blake, Sarah (1966)

Blanch, M. (1958)

Blanckenhagen, Peter H. von (1979)

Blau, Eve M. (1978-1984)

Bletter, Rosemarie (1981-1982)

Bliss, Eleanor (1945, 1947-1953, 1959-1960, 1963, 1967, 1972, 1974-1975, 1978, 1981, undated)

Bliss, Robert (1963)

Bliss, Mr. and Mrs. Robert Woods (1958)

Bloch, Stella Rubenstein (undated)

Blond, Anthony (1962)

Bloom, Florence and William (1964-1965)

Blue Cross/Blue Shield (1963, 1982, 1985) ( -- see also -- : Medicare/Blue Shield)

Blume, Marcia (1960-1961)

Blunt, Anthony (1946)

Blyth, R. Henderson (1947-1948)

Boardman, Jane Carrott (1969)

Boas, George (1954)

Boase, T.S.R. (1957)

Bobbs Merrill Co. (1966, 1968, 1971)

Bober, Harry (1955, 1957)

Bodine, Thomas R. (1973)

Boggs, Jean (1952, 1957, 1960, 1962)

Bohan, Peter J. (1957, 1963)

Bohdan, Carol (1971)

Boissonnas (1927)

Bollingen Foundation, Inc. (1956, 1960)

Bolschwig, Otto A. (1927) ( -- see also -- : Van Bolschwig, Otto A.)

Bolton and Fairhead, Ltd. (1946-1947)

Bond van Nederlandsche Architecten (1956)

Bonet Gari, Luis (1972-1973)

Bonn (1963-1964)

Bony, Jean (1956)

Bonython, John (1966)

Book Land (1963)

Boothby, Norman B. (1952)

Booziotis, Bill (1959)

Borgenecht Gallery (1961)

Borges, Max (1956)

Born, Ernest (1952)

Bornecque, Jacques-Henry (1955)

Borowski and Co. (1970)

Boschma, C. (1963)

Bose, Konrad (1953-1954)

Boston Albany Railroad (1963)

Boston Architecture Center (1949, 1966)

Boston Arts Festival (1954)

Boston Athenaeum (1950-1951)

Boston College (1975)

Boston, Municipal Court of (1966)

Boston, Museum of Fine Arts (1945, 1947-1950, 1967, 1969, 1975, 1982) ( -- see also -- : Museum of Fine Arts, Boston)

Boston Public Library (1955)

Boston Redevelopment Authority (1964, 1967)

Boston Society of Independent Artists (1950)

Boston University (1954, 1963, 1968)

Botz, H. (1969)

Bourgeois, Victor (1953)

Boutmy, P. de (1956)

Bouton, Margaret (1949)

Bouverie, David Pleydell (1945, 1950, 1952-1953, 1955, 1965, 1972-1973, 1975) ( -- see also -- : Pleydell-Bouverie, David)

Bowdin College (1973-1974)

Bowen, Carroll G. (1960)

Bowler, Fairchild (1955)

Boyd, Robin (1966)

Boyden, Mary (1952)

Boyer, Christine (1983)

Boyle, Michael (1970)

Brackett, Jeffrey R. (1935)

Bradley, John (1957)

Bradley, Prentice (1954)

Bramm, Vincent (1974)

Brandeis University (1961)

Brandl, Ernest H. (1946-1947, 1959-1961)

Brandon, Harvey (1970, 1981)

Brandon-Jones, John (1955-1956, 1960)

Branner, Robert (1964-1966)

Brasher, Louise Tharaud (1979)

Braxton, Anne (1968)

Brazil (1957)

Braziller, George (1959-1961, 1966, 1972)

Brena, Francisco (Paco) (1982-1983)

Brendel, Otto J. (1950)

Brentano Books (1941, 1946)

Brett, Lionel (1953, 1955)

Bretter, Ernest (1955)

Brewer, Charles (1961)

Brewer, Gussie (1946)

Brewer, Helen (1959)

Brewer, Joseph (1928, 1935-1938, 1940-1941, 1944-1961, 1964, 1967, 1969, 1971-1973, 1984)

Brewer, Warren and Putnam, Inc. (1932)

Brewster, E. W. (1946)

Brewster, Margaret F. (1946)

Briggs, Rose T. (1947, 1949-1954, 1963-1964, 1973, 1978, 1981)

Bright, William E. (1959)

Brighton Corp. (1958)

Brion-Guerry, L. (1971)

Bristol Society of Architects (1951)

Bristol, University of (1963, 1965-1967)

Britannica Encyclopedia (1953) ( -- see also -- : -- Encyclopedia Britannica -- )

British Book Center (1951-1952)

British Broadcasting Corporation (1955, 1969, 1974-1975)

British Committee for the Interchange of Teachers (1951-1952, 1955)

British Council (1960)

British Council in the Netherlands (1952)

British Information Services (1945, 1951)

British Ministry of War Transport (1945, undated)

British Museum (1950)

Britton, Coby (1972)

Broadfoot, Winston (1976-1977)

Brockhaus Fine Arts (1974)

Brocklebank, Mr. and Mrs. Charles (1986)

Brocklebank, Marcia Early (Mrs. Charles) (1966, 1973, 1977-1978)

Brockunier, S. H. (1952)

Broderick, Mosette Glaser (1974-1977, 1979-1981, 1985-1986)

Brodrick, Peter (1949-1957, undated)

Brokaw, Chloe (1961)

Brooklyn Museum (1945, 1963, 1967, 1977)

Brooks, H. Allen (1953, 1956, 1958-1983)

Brotz, Howard (1963-1964, 1966, 1979)

Brown, Betty (1960)

Brown, Charles H. (1958, 1962)

Brown, Donald H. (1955-1956)

Brown, Eric (1949)

Brown, Blanche (1972)

Brown, Elizabeth Miles (1977)

Brown, Mrs. Leonard M. (1967)

Brown, Margaret (1949, 1951)

Brown, Milton W. (1957, 1976)

Brown, Robert (1970, 1974-1975)

Brown, Theodore (1956)

Brown University (1982)

Brown, William E. (1955)

Browne, Mrs. Douglas (1952)

Brownstone Revival Committee of New York City (1969-1970)

Bruccoli, Matthew (1965)

Brun, Jean-Pierre (1973)

Brunet, Peirre (1956)

Brunner, Bob (1962)

Brussels (1972)

Bryan, John Albury (1970)

Bryan, Polly (1959)

Bryant, Helen P. (1962)

Bryn Mawr College (1973-1974)

Bucarelli, Palma (1965)

Bucher, Francois (1960)

Buchholz Gallery (1948)

Buchman, Joan (1968)

Buck, Robert L. (1982)

Buckley, Charles E. (1964, 1971)

Buckman, Louise (1950)

Buddensieg, Tilmann (1978)

Buell, Irwin A. (1948)

Buffalo Academy of Fine Arts (1939, 1982)

Buffalo Architectural Guidebook (1979, 1981-1982)

Building Design (1974)

Building Magazine (1951)

Built in the U.S.A. (1952)

Bull, Harry (1946)

Bulloch, O. M. (1956)

Bulloche, J. E. (1955)

Bullock (1978)

Bulloz (1958)

Bunce, John (1954)

Bunce, Nellie (1955, 1959, 1968, 1973, 1979-1980, 1986)

Bunschaft, Gordon (1956)

Bunting, Bainbridge (1967)

Burchard, John Ely (1947, 1951-1952, 1956, 1962)

Burden, William A. M. (1955)

Burdon-Muller, Rowland (1948-1952)

Burg, Hermann and Margaret (1946)

Burg, John (1958)

Burke, Anne (1962-1964, 1967-1970, undated)

Burke, Joseph (1954-1958)

Burnham, Alan (1942, 1937, 1956-1957, 1970)

Burnham, Frances B. ( 1953)

Burnham Library, Art Institute of Chicago (1945, 1971) ( -- see also -- : Ryerson and Burnham Libraries; Art Institute of Chicago; Chicago, Art Institute of)

Burns, Howard (1968)

Burns, John (1952, 1983)

Burroughs, T.H.B. (1967)

Burton, Christopher (1963)

Burton, Emily (1952)

Burton, Michael (1953, 1956)

Bush, Lucile (1965)

Bush, Martin H. (1963)

Bush-Brown, Albert (1952, 1956-1958, 1977)

Bush-Brown, Harold (1954, 1965)

Butler, Jeanne F. (1972)

Butler, L. D. (1967)

Butler, Ruth (1957)

Butterfield, Victor (1945, 1947)

Butterick, George F. (1978)

Cabral, Edward (1980)

Cadbury-Brown, John (1955)

Cadbury-Brown, H. T. (Jim) (1956, 1958)

Cahill, Fred V. (1957)

Cahn, Elizabeth (1977)

Calder, Sandy (1938, 1955-1956)

Caldwell, Ian (1975-1976)

Calendars (see: B.1955)

California (1965)

California Institute of Technology (1948-1949)

California Palace of the Legion of Honor (1950)

California, San Jose State University (1979)

California, University of (1951-1952, 1961, 1964, 1966-1967, 1971, 1973, 1976, 1980)

Callisen, Sterling A. (1941)

Callisen, Sterling A. and Sally (1945)

Cambridge [Mass.] Historical Society (1967)

Cambridge University (1962, 1964, 1966)

Campagnie Francaise d'Aeronautiques (1956)

Campanella, Gaspare (1970)

Campbell, Colin G. (1978)

Campbell, Malcolm (1975)

Canada, Atomic Energy Commission of (1973)

Canada Council (1971)

Canada, National Archives of (1956)

Canada, National Gallery of (1926, 1960)

Canada, Royal Architectural Institute of (1960)

Canfield, Abigail and Cass (1975)

Canner and Co. (1949)

Caples, Sara Elizabeth (1969-1970)

Car (European) (1965)

Car (1966)

Cardiff Public Library (1946)

Carey, Jane F. (1973)

Carey T. (1973)

Carlhian, Jean Paul (1952-1953, 1966, 1971, 1973)

Carling, E .B. (1947-1948)

Carlisle, Anna (1956)

Carlson, Ralph (1979)

Carnegie Book Shop (1952)

Carnegie Institute (1955, 1985)

Carnegie Institute of Technology (1947, 1954)

Carpenter, G. R. (1946)

Carpenters Company of Philadelphia (1973)

Carr, Gerald (1968)

Carre Gallerie (1947-1949)

Carrington, Robert (1953, 1970)

Carroll, Martha 1975

Carrott, Richard G. (1955-1956, 1959-1963, 1965, 1967-1969, 1971-1979, 1981-1986)

Carter, Amon E. (1960)

Carter Foundation (1961)

Carter, Lady Bonham (1956)

Carter, Edward C. (Bobby) (1926, 1944-1948, 1960)

Carter, Ernestine (1947, 1952, 1962-1963, 1968, 1978-1979, 1983) ( -- see also -- : Carter, John and Ernestine)

Carter, Gwendolyn (1952)

Carter, John 1941, (1946, 1948, 1952, 1954, 1959)

Carter, John and Ernestine (1936, 1945) ( -- see also -- : Carter, Ernestine)

Carter, Norman F. (1952, 1954, 1959)

Casabella-Continuita (1961, 1965)

Casanelles, Enric (1959)

Cascieri, Arcangelo (1954)

Case Western Reserve University (1972-1973)

Cassidy, Victor M. (1974)

Cassilly, Carolyn (1974)

Casson, Hugh (1948, 1955)

Cassy, Edmund J. (1964)

Cast Iron Architecture, Friends of (1970, 1973-1974)

Castano Galleries (1963)

Castro, Dicken (1955-1957, 1960-1961)

Catholic University of America (1963)

Catlin, Stanton L. (1952, 1956)

Catsoulis, Evangelos (1981, 1983)

Causey, Andrew (1983)

Cavanagh, Tom R. (1949)

Cement and Concrete Association (1954)

Center for Inter-American Relations (1969)

Central Corporate Library (1960)

Central Council for the Care of Churches (1955)

Central National Bank of Middletown (1946)

Central Office of Information (1955-1956)

Centrum (1963)

Century Association (1972-1973, 1975-1977, 1979-1980, 1982, 1984)

Cetto, Max L. (1960)

Chafee, D. S. (1984)

Chafee, Richard (1969, 1974, 1976-1978)

Chalfont, Randolph (1962-1963)

Chambers Encyclopedia -- (1946-1949, 1954, 1961-1963)

Chapin, Betty (1981)

Chapin, Betty and Schuyler G. (1975, 1982)

Chapman, Edward (1952-1953)

Chapman, Rosamund (1957)

Charette (1963)

Charney, W. Mick (1977)

Chattey, Paul W. (1983)

Cheek, Leslie (1946-1948, 1953, 1984)

Cheek, Richard (1978-1979)

Chelmsford and District Chapter, Society of Architects (1962)

Cheltham, Charles (1962, 1964)

Chermayeff, Serge (1939, 1946-1948, 1950, 1954)

Chernow, Barbara (1982)

Chesapeake and Ohio Railway Co. (1948)

Chevojon Freres (1956, 1958)

Chicago Architectural Landmarks, Commission on (1964)

Chicago Architectural Photographing Co. (1956, 1958, 1966)

Chicago, Art Institute of (1937, 1944, 1945, 1951, 1960, 1978) ( -- see also -- : Art Institute of Chicago; Burnham Library Ryerson; Burnham Libraries)

Chicago, Arts Club of (1951-1952)

Chicago Committee on Architectural Landmarks (1960)

Chicago Historical and Architectural Landmarks, Commission on (1969-1970, 1973, 1975)

Chicago School of Architecture Foundation (1967)

Chicago, University of (1947, 1953, 1957, 1961-1962, 1973, 1986) ( -- see also -- : University of Chicago)

Chickering, A. H. (1954)

Childs, Charles D. (1951-1952, 1955)

Childs, Maurice F. (1952, 1955)

Chittenden, A. J. (1947)

Christian Science Monitor -- (1948)

Christiansen, Erwin O. (1946)

Christmas Cards (1952, 1983, undated)

Church, Robert M. (1951-1952, 1954-1955)

Churchill, Agnes (1948)

Cincinnati (1969)

Cincinnati Art Museum (1955-1956, 1960-1961)

Cincinnati Astronomical Society (1935)

Cincinnati Modern Art Society (1948)

Cincinnati, University of (1966)

Cistercian Order (1958)

City Art Museum of St. Louis ( -- see -- : St. Louis, City Art Museum of)

City University of New York (1970, 1974-1976, 1978)

City [of Springfield, Mass.] Library Association (1954)

Ciucci, Giorgio (1970)

Claflin, Agnes Rindge (1948-1949, 1952, 1956, 1959, 1961, 1966, 1973, 1977-1978) ( -- see also -- : Rindge, Agnes)

Clapp, Verner W. (1953)

Clark Art Institute (1973, 1986)

Clark, G. R. (1946)

Clark, James (1973)

Clark, Orton Loring (1952)

Clark, Robert J. (1960, 1963-1971, 1974-1975, 1980)

Clark, Ronald W. (1956)

Clark, Susan (1975)

Clark, Willene B. (1976)

Clarke, M. L. (1962)

Clarke, Marian (1947-1948, 1950)

Clarke, Peter (1946)

Clausen, Meredith (1987)

Clayton, B. D. (1971-1972)

Clayton, Barry (1965)

Clerehan, Neil (1953)

Clews, Mrs. Henry (1955)

Clifton-Raymond Associates (1968)

Clifton-Taylor, Alec (1984)

Clinton [Conn.] Historical Society (1947)

Close, Elizabeth (1960)

Clough, R. T. (1959)

Club of Odd Volumes (1948-1950, 1952-1957, 1961-1965, 1968-1970)

Cochrane, Alexander S. (1947, 1951-1954)

Cochrane, Alexander and Cally (1950)

Cochrane, Mr. and Mrs. E. W. (1953)

Cochrane, Eric (1964)

Cochrane, Eric and Lydia (1956, 1983, 1985)

Cochrane, Lydia (1955, 1959, 1960-1963, 1965, 1967, 1970-1971, 1975, 1977-1978, 1980-1982, 1984, 1986)

Coddington, John (1945-1949, 1951, 1956-1957, 1959, 1961-1962, 1968-1970, 1977, undated)

Coe, Bill (1958)

Coe, R. E. (Ted) (1962)

Coe, Ralph T. (1953, 1955, 1974)

Coffin, David R. (1965, 1968, 1973)

Cogswell, Dorothy (1951, 1959, 1962)

Cohen, Alfred (1946)

Cohen, Joan L. (1954-1957, 1960, 1963-1965)

Cohn, David N. (1984)

Cohn, Suzanne (1968)

Colby College (1968)

Cole, Dorothy (1958)

Cole, Harry (1957)

Coletti, Joseph (1961)

Coletti, Paul (1957)

Colgate University (1976, 1978)

Colibris Editora Ltda. (1962, 1964-1965, 1967)

Colin, Mrs. Ralph F. ( 1955)

Collaborazione Culturale, Instituto per la (1962)

College Art Association (1940, 1946-1953, 1955-1959, 1961-1964, 1966, 1969-1971, 1973-1979)

Colliers Encyclopedia -- (1947-1949, 1958-1959)

Collins, Cecil (1956)

Collins, Colin (1955)

Collins, Elizabeth (1959)

Collins, George R. (1960-1961, 1964, 1968, 1975-1976, 1979, 1983)

Collins, Peter (1964-1965, 1967-1968)

Colonial Travel Bureau (1955)

Columbia Historical Society (1982)

Columbia University 1937, 1939-1941, 1945, 1947-1948, 1954-1956, 1958-1959, 1961, 1964-1969, 1971, 1973-1977, 1979-1983, 1985-1986 ( -- see also -- : Avery Library; Avery Study Center, Columbia University)

Columbia University, Temple Hoyle Buell Center for the Study of American Architecture (1984)

Columbus Gallery of Fine Arts (1948-1949)

Colvin, Howard M. (1959)

Colwell, Miriam (1976)

Combs, Tom (1975)

Comite Francais D'Historie de L'Art (1967)

Commercial Credit Corporation (1947)

Committee for the Centennial Exhibition of New England Architecture (1957)

Committee for the Preservation of Architectural Records (1979)

Committee on Education and Labor, U. S. Congress (1954)

Committee on Government and Art (see: Government and Art, Committee on)

Community Arts Center (1945)

Community Chest (1958)

Comparative Studies in Society and History -- (1958)

Conant, Kenneth G. (1946-1947, 1952, 1973)

Concrete Quarterly -- (1955)

Condit, Carl W. (1963)

Condolence Letters [on death of mother] (1952)

Conference Board of Associated Research Councils (1948, 1951)

Congress on the History of Art, Twentieth International (1960-1961)

Conlon, Kathleen M. (1969)

Connaissance des Artes -- (1959)

Connecticut Automobile Assigned Risk Plan (1946-1947)

Connecticut College (1938-1942, 1944, 1947, 1953, 1956, 1963, undated)

Connecticut Commission on the Arts (1968)

Connecticut, Department of Agriculture (1937)

Connecticut State Department of Consumer Protection (1986)

Connecticut, State of (1946, 1948)

Connecticut, University of (1952, 1963)

Connecticut Valley Historical Museum (1954)

Connors, Joseph (1984)

Constable, Olivia (1955)

Constable, W. G. (1952-1953)

Constantine, Mildred (1952, 1955, 1960-1961, 1963)

Contemporary Authors -- (1978)

Cook, R. V. ( 1946)

Cook, Ruth (1952, 1956)

Cook, Mrs. Sidney (1950)

Cook, Thomas (1956-1957)

Cook, Walter (1946-1947, 1949-1956, 1958)

Cooke, Howard Lester (1954-1955)

Cookson, Beatrice (1970)

Coolidge, Harold (1956)

Coolidge, John (1939-1941, 1944-1945, 1950-1951, 1953-1956, 1958, 1960-1962, 1966, 1968, 1973-1974, 1976, 1978-1979, 1983, undated)

Coolidge, John and Polly (1947-1949, 1969, 1977)

Coolidge, Polly (1952)

Cooper (1952)

Cooper, Douglas (1947, 1953, 1960)

Cooper-Hewitt Museum (1972-1973, 1975, 1979-1980, 1983)

Cooper Union (1946-1948, 1955, 1964-1965, 1968)

Copp, Philip (1979)

Copplestone, Lewin (1972)

Corcoran, Desmond (1981)

Corcoran, G. S. (1946)

Corcoran, Gerald (1952)

Cordes, Paul (1945)

Cordingley, Alan (1957, 1961)

Cordingly, Ann (1975)

Corke, Jean (1962)

Corkran, W. S. (1954-1955)

Cornell University (1946, 1964-1966, 1969, 1976)

Corning Glass Center (1952)

Cortetti, John (1952)

Costabel, Jorge (1956)

Costopoulos, Dorothy (1973-1975)

Cott, Perry B. (1946, 1949)

Country Life -- (1952-1954, 1956, 1958, 1962-1963)

Courtauld Institute of Art (1966)

Court House (1979)

Courtright, Margot (1978)

Covell, William King (1936, 1946, 1948-1952, 1958, 1962-1963, 1965, 1968)

Coventry Architecture and Planning Department (1955)

Cowdrey, Mary Bartlett (1951, 1952-1955, 1958-1965, 1968, 1973-1974)

Cowin, Ruth (1962)

Cowles, Mr. and Mrs. Gardner (1975)

Cowles, William S. (1952)

Cowling, Francis B. (1949-1950)

Cox, Harvey (1970)

Cox, Trenchard (1952, 1956)

Cox, Warren (1957)

Craig, Maurice James (1949)

Cranbrook Academy and Museum of Art (1982, 1984)

Crandall, Robert T. (1959)

Crane, Alexander (1949, 1951)

Crane, Tom (1980)

Crapanzano, Frank (1947)

Craven, Wayne (1962)

Crawford, Martha (1958)

Creative Art (1928)

Creese, Walter (1945, 1950-1954, 1956, 1960-1962, 1968-1969)

Criticism (1961)

Crivelli Galleria (1960)

Crook, Joseph Mordaunt (1975, 1981, 1983)

Crosby, Sumner (1951-1952, 1958-1959)

Crowe, R. N. (1956)

Crowell Co. (1967)

Crowell, Frederick (1962-1963)

Crystal Palace (1954)

Cubitt, James (1952, 1966)

Cucci, Ditta (1966)

Culpepper, Ralph (1966)

Cultural Center, New York (1974)

Cummings, Abbott Lowell (1947, 1951, 1956, 1964)

Cunard Lines (1949, 1973, 1976)

Cunill, Titit (1973, 1974)

Cunningham, Charles C. (1945, 1947-1948, 1957, 1962, 1964, undated)

Cunningham, Charles C. and Priscilla (1958, 1961, 1968)

Cunningham, E. (1963)

Cunningham, Priscilla (1959-1960, 1973) ( -- see also -- :

Cunningham, Charles C. and Priscilla)

Curjel, Hans (1952)

Curtis, L. P. (1952)

Curtis, Louis (1967)

Custom Shop (1946, 1953)

Customs 1947, (1948, 1952, 1958-1959)

Cutting, Gloria P. (1950)

Czech, Hermann (1969)

Dabrowski, Magdalena (1973)

Da Capo Press, Inc. (1974, 1976)

Dahl, Curtis (1975, 1978)

D'Amato, Alfonse M. (1986)

Dame, Bernard L. (1949)

Dane, William J. (1955, 1957)

Danes, Gibson (1947-1958, 1961, 1966, 1972)

Danish Architectural Press (1962)

Dannatt, Trevor (1952-1953, 1955)

D'Arcy Galleries (1961)

Dark, Frank (1955-1958, 1964)

Darmstadt, Technische Hochschule (1966)

Darr, William (1956)

Dartmouth College (1937, 1947, 1968, 1978)

Darwin, Dana (1957)

Dauber and Pine (1951, 1958, 1966)

Davidson, Eugene (1952)

Davidson, L. (1955)

Davidson, Rita 1947

Davidson, W. F. (1952)

Davies, Jane B. (1957, 1969)

Davies, Turner and Co. (1946-1947)

Davis (1959)

Davis, Dotsie (1984) ( -- see also -- : Davis, Samuel R. and Dotsie)

Davis, E. Holden (1969)

Davis, Elizabeth H. (1953)

Davis, Howland S. (1948)

Davis, Laura (1945)

Davis, Lavinia (1961)

Davis, Philip and Helen (1927)

Davis, Richard S. (1950, 1952, 1954-1955, 1957, 1959)

Davis, Robert G. (1954)

Davis, Robert Tyler (1948, 1950)

Davis, Rodman (1983)

Davis, Samuel R. (1969-1973, 1976, 1978-1979, 1981)

Davis, Samuel R. and Dotsie (1983) ( -- see also -- : Davis, Dotsie)

Davis, Wendell (1945-1946, 1949, 1953-1955, 1958)

Davis, William (1946, 1955)

Davison, George W. (1945)

Davison, Robert (1947)

Davy Car Hire (1953-1954, 1958)

Dawes, Horace (1946)

Dawes House (1954)

Dawson, Tom (1952-1953)

Dayton Art Institute (1953)

De Cordova and Dana Museum and Park (1949)

De Graaff, Jan (1940)

De Long, David (1973, 1979-1981, 1983-1984, 1986-1987)

De Mare, Eric (1956)

De Sales, Xavier (1956)

De Vaughan, Carol (1969)

De Witt, Dennis (1976)

De Witt, Mrs. Vergil B. (1947)

De Zurko, Edward R.(1951-1954, 1956-1957, 1959)

De la Faille, C. A. Baart (1952)

Dean, Margaret (1951, 1953-1954)

Dearstyne, Howard (1958-1959, 1972, 1974)

Deere and Co. (1965)

Deerfield Academy (1966)

Deerfield Village (1959)

Delafield, Mr. and Mrs. Joseph Livingston (1962, 1965)

Delafield, Lawrence (1965)

Delafono, John (1952, 1955)

Delahoyd, Mary (1971)

Delaney, Beauford (1961)

Delaware, University of (1957, 1961, 1967, 1970, 1976)

Delftsch Bouwkundig Studenten Gezelschap (1963)

Delhaye, Jean (1960)

Dema, S. J. (1951)

Demithorne, Janet (1952)

Democrat Chronicle -- , Rochester, N.Y. (1936)

Dendy, William (1975)

Dening, C.F.W. (1946)

Department [Smith College Art Department] (1956) ( -- see also -- : Smith College)

Department of State (1952) ( -- see also -- : State Department; United States Department of State)

Des Grange, Jane (1960)

Deshmukh, C. D. (1965)

Design -- (1957)

Detroit Institute of Arts (1945, 1959)

Deul, C. A. (1956)

Deutsch-Amerikanisches Institut (1963)

Deutsche Bank (1965, 1967)

Deutscher Kunstverlag CMBH (1969, 1971)

Devinoy, Pierre (1948, 1952, 1956)

Dewald, Ernest (1951)

Di Blasi, Louise (1962)

Dick Travel Agency (1945, 1947-1949)

Dickey, John M. (1973)

Dickson, Harold E. (1951-1952, 1956)

Dictionary of American Biography -- (1955)

Dictionary of the Arts -- (1942)

Dillon, James L. (1956)

Dillon, Joan (1955)

Dinan Associates (1982)

Dingwall, Ronald J. (1947)

Dinnerstein, Lois (1961)

Dipsas Booksellers (1950)

Directory of American Scholars -- (1963)

Dix, George (1950)

Dodd, Mrs. Dexter (1961)

Dodd, E. Merrick 1961

Dodd, Eugene M. (1964-1965)

Dodd, Lamar (1956)

Dodd, Maurice (1946-1948)

Dodge Corp. (1954)

Doesberg, Theo V. (1930)

Dole, Philip (1962)

Dolker (1956)

Doll and Richards (1952)

Domitilla, O.S.B. (1969)

Donaldson, James R. (1970)

Donaldson, Norman V. (1952)

Donnell, Courtney G. (1972, 1974, 1980-1981)

Donnelly, Marian C. (1982)

Donnisfes, Sam (1975)

Dooley, William G. (1947)

Dorbey, Margaret (1957)

Dorfles, Gillo (1956)

Dormoy, Marie (1956)

Dorner, Alexander (1938-1939, 1942, 1952, 1954, undated)

Dorner, Lydia (1953)

Dorsch, George T. (1971-1972)

D'Orsi, Juliana (1955)

D'Orsi, Michael (1953)

Doubleday and Co. (1955, 1957)

Douglass Brokerage Corp. (1970)

Douglass College (1957)

Dovell, Peter (1954)

Dover Publications (1962-1963, 1969)

Dow, Mrs. Frank E. (1952-1954)

Dow, George (1946)

Dow, Marian (1950)

Downing, Antoinette F. (1949)

Downing, George E. (1961)

Downing, Mrs. George E. (1970)

Downs, Arthur Channing (1972, 1974)

Downtown Gallery (1945)

Dows, Olin (1941)

Doyle Stationery (1965-1968, 1972)

Drake Hotel (1950)

Drake, Lindsey (1946-1947, 1953)

Drake, Stuart (1979)

Drap, Al (1971)

Drawing Society (1965, 1967-1968, 1971, 1973-1975, 1977)

Drew, Jane (1946-1949, 1955, 1961)

Drew, Ralph (1953)

Drew-Bear, Lotte (1966)

Drew-Bear, Mrs. Robert (1951)

Drexler, Arthur (1956-1959, 1962, 1964, 1974, 1987)

Driscoll, Mrs. Philip (1963, 1964)

Dublin (1963)

Dublin Tour (1959)

Duell, Sloan and Pearce (1941, 1943-1945, 1947-1953, 1955, 1959-1961)

Duemling, Bob (1951-1955, 1957-1958)

Duhart, Emilio (1954-1955, 1960)

Duke University (1962, 1975)

Duncan, Hugh Dalsiel (1960)

Duncan of Jordanstone College of Art (1962)

Duncan, William (1978)

Duncan, Winston (1979)

Dunham, Elizabeth W. (1954)

Dunlap Society (1976-1977)

Dunn, Esther (1950, 1954)

Dunn, Helen (1979)

Dunnell, Mrs. W. W. (1946)

Dupres, Eddie (1938)

Durand, Patricia (1956)

Durham University, School of Architecture (1960)

Durlacher Brothers (1949, 1951-1952, 1963)

Dusenberg, Elsbeth (1955)

Dutch Gables Book [ -- Netherlandish Scrolled Gables... -- ] (1977-1979)

Dutchess County Department of Planning (1968)

Dutton and Co. (1965)

Early, James (1964)

Early, Marcia A. (1962-1963)

Early Victorian Architecture in Britain -- ( -- see -- : Victorian Paperback)

East Side Communities, Association of (1976)

East Sixty-Second Street Association (1970-1972, 1976, 1979)

Eastbourne Public Libraries and Museum (1946)

Eastman, L. R. (1960)

Eaton, Leonard K. (1960, 1968, 1970-1973)

Ebert, Elizabeth Roberts (1942, 1947)

Eccles Public Library (1962)

Ecole des Arts Decoratifs (1956)

Edgell, G. H. (1953)

Ediciones 3 (1962)

Edinburgh Architectural Association (1956)

Edinburgh, British Council in (1946)

Edinburgh, City of (1946)

Edmunds, Sheila (1962-1965)

Educational Broadcasting Co. (1963)

Edwards, David J. (1954)

Edwards, Folke (1954)

Edwards, Francis, Ltd. (1946)

Edwards, Jared (1971, 1973-1974)

Egan, Patricia (1961-1962)

Egbert, Donald (1945, 1951, 1953, 1956, 1959)

Eggers, Henry L. (1948)

Eidelberg, Martin (1969)

Eisenberg, Marvin (1966)

Eisenhower, Milton (1952)

Eisenman, Alvin (1952, 1954)

Eisenman, Peter (1964, 1976)

Eisler, Benita (1976)

Eisler, Colin (1964, 1975)

Electa Editrice (1968, 1976, 1980)

Electric Co. (1954)

Elek, Paul (1945, 1957-1958, 1968, 1970)

Elkington, Mary (1955-1958)

Elkington, Robert (1960)

Ellis, Connie (1969)

Ellis, Donald G. (1952)

Ellum, Wendy (1956)

Ellison, Clifford (1964)

Elmer, Maud V. (1958, 1962)

Elmhurst, Dorothy (1937)

Emery, Ruth (1950-1951, 1954, 1956-1957, 1960-1961, 1968, 1975, 1981)

Emil, Allan D. (1954)

Emmons, Mr. and Mrs. Donn (1947)

Employers Liability Insurance (1940, 1943)

Enciclopedia del l'Arte -- (1958)

Enciclopedia Italiana -- (1954)

Encyclopedia Britannica -- (1955, 1957-1959, 1970-1971) ( -- see also -- : Britannica Encyclopedia)

Encyclopedia of World Art -- (1958, 1961-1964, 1966)

Encyclopedia Universale Del l'Arte -- (1969)

Encyclopedia Universalis -- (1981)

Enggass, Robert (1961, 1963)

England, Robert (1968)

Engle Lecture (1965)

Engles, Charles (1948)

Epler, Robert (1966)

Erickson, John David (1948)

Ernst, Barbara (1979)

Ervin, John (1959, 1961)

Esherick, Joseph (1954)

Esposito, Joseph (1977-1978, 1980)

Essex Institute (1956, 1977)

Estrada, Rauel (1956)

Etherington, Edward (1968)

Etlin, Richard A. (1981)

Eton College Arts Society (1969)

Europe (1969, 1977)

Evans (1965)

Evans, Allan (1968)

Evans, David J. (1945)

Evans, James and Barbara (1952)

Evans, Janice (1974)

Evans, John (1950)

Evans, Kathleen Horne (1961)

Evans, Lydia (1945, 1968)

Evans, Rosamund (1945, 1954-1958)

Evershed, Emily (1966)

Ewart, Joy (1959)

Experiment (1963)

Ezequelle, Betty J. (1972)

Faber and Faber, Ltd. (1945, 1956)

Fahertyand Swartwood, Inc. (1970)

Fairbanks, G. (1946)

Fairbanks, Jonathan (1960, 1969, 1971-1976, 1980)

Fairhurst, P. G. (1955-1956)

Farleigh Dickinson University (1974)

Faison, S. Lane (1952-1955, 1962-1963, 1969, 1973-1974)

Fanelli, Giovanni (1969)

Farley, Margaret (1949)

Farnsworth, Edith B. (1951-1952)

Farnsworth, John (1952-1953)

Farthing, Cecil (1956, 1959)

Fast-Wengenmayer, Annemarie (1973)

Faulkner, Jean and Winthrop W. (1956)

Faulkner, Winthrop W. (1961)

Feddersen, Phil A. (1951)

Feder, Kathy S. (1972)

Feesender, De Witt H. (1953)

Fehm, Sherwood A. (1969)

Feinberg, Barry (1957, 1960)

Feingold, Jessica (1946)

Feininger, Lyonel (1930)

Feld, Stuart (1969)

Feriday, Peter (1964)

Ferry, Hawkins 1945

Ferry, W. H. (1947)

Fiat (1959)

Fickert Insurance (1965, 1970)

Fielden F. (1956, 1966)

Fife Memorial Fund (1951-1952)

Fifth Avenue Playhouse Group, Inc. (1928)

Film sur l'art (1957)

Fine Arts Agents (1946)

Finkel, Kenneth (1974)

Finsbury, Metropolitan Borough of (1946)

Fire Alarm Maintenance Co. (1957)

First National Bank of Northampton (1952)

First Presbyterian Church, Baltimore (1939)

Fischer Fine Arts, Ltd. (1972)

Fischer, H. R. (1962-1963)

Fischer, Wend (1974)

Fischer, Wolfgang (1973, 1980-1981)

Fisher, Howard T. (1930, 1957, 1976)

Fisher, Jutto (1962)

Fishl, Leslie (1960)

Fisker, Kay (1947-1953, 1956, 1960-1961)

Fitch, James Marston (1959, 1969, 1972, 1974, 1980)

Fitz-Gerald, Charles (1951, 1959)

Fitz-Gerald, Helen Louise (1963, 1966-1967, 1969, 1972, 1978)

Fitz-Gerald, Norman (1959)

Fitzgerald, D.V.J. (1971)

Fitzwilliam Museum (1951)

Flamm, Roy (1951)

Flanders, Ralph E. (1950, 1953)

Fleetwood-Hedreth, Peter (1970)

Fleming and Co. (1957)

Fleming, John (1963, 1965, 1969)

Fletcher Co. (1954)

Fletcher, J. S. (1924)

Fletcher, Norman (1951, 1953-1954, 1956-1957)

Flexner, James (1950)

Flint, C. (1966)

Florida State University (1949)

Florida, University of (1962)

Floyd, Margaret Henderson (1981)

Fodera, Leonardo (1960-1961)

Foeder, Barton (1950)

Fogel, Seymour (1952)

Fogg Art Museum (1945, 1948-1949, 1965, 1969, 1974, 1977)

Foley, Charles H. (1955)

Foley, J. B. (1963)

Foley, May E. (1955)

Fondersmith, John (1977)

Foote, E. J. (1975)

Forbes, Astrid and Kip (1975)

Forbes, John Douglas (1950, 1952, 1957-1958, 1962-1964)

Force, Juliana (1946)

Ford, Anne (1967)

Ford, Charles (1946)

Ford, Edith (1952-1953)

Ford, Edsel (1936)

Ford Foundation (1964)

Forman, Henry Chandlee (1957)

Forstman (1970)

Forstman, Theodore (1969)

Fort Wayne 1973

Forum Magazine -- (1950, 1957-1959)

Foster, Kathleen A. (1981)

Foster, Philip (1971-1975, 1978, 1986)

Foto Hutter (1966)

Foto Van Ojen (1958)

Foulkes, William George (1971-1972, 1978, 1986)

Fourth Avenue Booksellers (1983)

Foyle Ltd. (1947)

Franc, Helen (1947, 1951, 1953-1954, 1963, 1977, undated)

Francastle, Pierre (1956)

Francis, Dennis Steadman (1978)

Francis, Francis C. (1928)

Francis Henry (Harry) Sayles (1925-1932, 1945-1948, 1952-1953, 1955, 1959, 1961, 1963-1964, 1967-1970, 1972-1973, 1977-1981, 1983, undated)

Frank, Edward (1964-1965)

Frankbauser, Mary (1966)

Frankenstein, Alfred (1951)

Frankenstein, Mrs. Victor S. (1950)

Franklin, Cecil A. (1961)

Franklin, Danny (1975)

Franklin Institute (1963)

Franklin Square Subscription Agency (1965)

Franzen, Ulrich (1962)

Frary, I. T. (1957)

Frazer, Alfred (1957)

Fredericks, Mr. and Mrs. Marshall (1952)

Free Library of Philadelphia ( -- see -- : Philadelphia, Free Library of)

Freedman, Harry S. (1952)

Freeman, Donald (1972, 1976)

Freeman, Harrison B. (1937)

Freeman, Judy (1951)

Freer Gallery (1950)

Fregna, Roberto (1962)

Freiburg (1964)

Freidrich, Reinhard (1964)

French Line (1970)

French Railways, Ltd. (1956)

Frick Art Reference Library 1954

Friedman, B. H. (1962)

Friedman, Lee M. (1945)

Friedsam, M. (1926)

Friends of the Upper East Side Historic District (1986)

Frost, Eunice E. (1945, 1950, 1952, 1955)

Fry, E. Maxwell (1948)

Fuchs-Greven (1960)

Fulbright Fellowship (1951, 1959)

Funk and Wagnall's Encyclopedia -- (1957)

Furniture (1968)

Furry, C. I. (1941)

Futagawa, Yukio (1974)

Gaddis, Eugene R. (1982-1984, 1986)

Gagarin, Judy (1970)

Gallum, Barbie (1952)

Gale Research Co. (1964)

Galecki, Marta McBride (1977)

Games, Stephen (1983)

Gardner, Jean McClintock (1983)

Garfield, Leslie J. (1970, 1973, 1978, 1980-1981, 1984)

Garland, Peter (1958)

Garland, Peter and Mary (undated)

Garland Publishing, Inc. (1975-1977, 1979-1980, 1983-1984)

Garvan, Anthony N. B. (1948, 1955-1956)

Garvan, John (1952)

Garzanti, Aldo (1966)

Gaston, Godfrey (1952)

Gaudi, Amigos de (1956)

Gaudi Exhibition (1957-1958)

Gaunt, William (1952)

Gaus, John M. (1948)

Gayle, Margot (1971-1972, 1983-1984)

Gazette des Beaux-Arts -- (1953-1954, 1956)

Geary, Ronald (1952-1953)

Gebhard, David (1953, 1966, 1970, 1973-1974, 1977, 1981)

Gebhardt (1956)

Geddes, Robert L. (1974, 1981)

Geer, Ronald (1952)

Gehring, P. (1954)

Gelfand, Morris (1947)

Gelotte, Ernest N. (1954)

Gemeente Helversum, Publik Werken (1927)

General Adjustment Bureau (1951)

Georgia Institute of Technology (1949-1951, 1953-1954, 1962)

Georgia, University of (1975)

Gered Antiques, Ltd. (1959)

German Renaissance Architecture -- (1972, 1978-1982)

Germantown Historical Society (1972)

Gerold, William (1962-1966)

Gersheim, Helmut (1946, 1953, 1958)

Gerson, H. (1956, 1958)

Geske, Norman (1952, 1963-1964)

Gettier, Astrid E. (1966)

Getty Trust 1985

Gibb-Smith, C. H. (1954-1955)

Gibson, Cynthia (1970)

Giella, Barbara (1978-1979, 1986)

Giese, Delius [Fritz] (1948-1949)

Gift (1956) ( -- see also -- : Wesleyan University)

Gilbert, Creighton (1952, 1969, 1972-1975)

Gilchrist, Agnes (1945, 1951-1952, 1954-1957, 1961, 1968-1969)

Gilchrist, Brenda (1951-1953, 1957)

Gilkerson, Ann (1977)

Gill, Brendan (1970, 1972-1973, 1978, 1980, 1986)

Gilman's Old Books, Inc. (1947)

Girauden Photographic (1956)

Girourd, Mark (1961, 1975, 1983)

Gisser, Leon (1948)

Gittes, Lois Severini (1977)

Glaeser, Ludwig (1978, 1984)

Glasgow (1966)

Glasgow School of Architecture Club (1962)

Glasgow, University of (1967, 1972-1973)

Glaubiga, Merel (1977)

Gleason Brothers (1954)

Glick, William J. (1966)

Gobel, Laura (1965)

Goding, Stowell C. (1951)

Goeschel, Nancy (1969-1970, 1977-1978, 1980)

Goff, Bruce (1948)

Goldberg, Gary (1966)

Goldfinger (1955)

Goldsmiths and Silversmiths Co. (1946)

Goldsmith's Hall (1961-1962)

Goldstein, Malcolm (1979)

Goldstein, Stanley James (1954)

Goldthwaite, Richard A. (1970)

Goldwater, Robert (1965)

Gomes, Peter S. (1979)

Gomme, Andor (1963)

Goodall, Donald (1948-1950)

Goodall, John (1948, 1952)

Goodfellow, Gavin (1958)

Goodhue, H. Shippen (1953-1956, 1958, 1966, 1970, 1972, 1975, 1981-1982)

Goodhue, H. Shippen and Lydia (1973-1974)

Goodiery, Susan (1951)

Goodman, R. (1971)

Goodrich, Lloyd (1947-1949, 1951)

Goodspeed's Book Shop (1950-1951)

Goodwin, Genevive (1965)

Goodwin, Germaine (1958)

Goodwin, J. L. (1955)

Goodwin, James (1966)

Goodwin, Julie (1979)

Goodwin, Lubi (1974)

Goodwin, Philip (1939, 1945, 1947)

Gorbaty, Norman (1953-1954)

Gordon, David A. (1977)

Gordon, Douglas H. (1948, 1952-1953, 1966, 1971)

Gordon, Rae and Righter Travel (1965-1968)

Gorski, Taderisz A. (1953)

Gould, Cecil (1959)

Gouverneur, Elizabeth (1974)

Government and Art, Committee on (1950-1951, 1953, 1957)

Gowan, James (1962)

Gowans, Alan (1956, 1959-1960, 1962-1963, 1969)

Graduate Students (1956)

Grady, James (1956-1961, 1963-1964, 1966-1969)

Graeffe, Arnold Didier (1947)

Graf, Otto (1963)

Graham, F. Lanier (1970)

Graham Foundation for Advanced Studies in the Fine Arts (1961, 1973, 1978-1979, 1982)

Graham, Fred (1956)

Graham, John A. (1945)

Graham, Roy F. (1977)

Grannard, Harold (1928)

Grant, Leland (1975-1982, 1984)

Graves, Michael (1967)

Gray, Basil (1961)

Gray, Christopher (1977-1978, 1982)

Gray, Nicolete (1958)

Graybill, Sam (1951-1953, 1957)

Greater London Council (1985)

Greek Embassy (1958)

Green, E.R.R. (1962)

Green, J. Wilder (1951-1959, 1961-1962, 1977, 1981)

Green, Priscilla (1952, 1957)

Green, Samuel (1939, 1945, 1947, 1950-1958, 1960, 1962-1966, 1971, 1977)

Green, Samuel and Bunnie (1948)

Greenberg, Allan (1979, 1981)

Greenthal, Kathryn T. (1977, 1980)

Gregg Press Ltd. (1968-1969, 1972)

Gregory, E. C. (1947)

Grennard, Paul (1928)

Grey Art Gallery, New York University (1981)

Greystone Corp. (1962)

Grierson, Margaret (1952)

Griffiths, Peter Noyes and Lady (1956)

Grimes, Tammy (1972-1975, 1977-1979, 1981-1982, 1984)

Grinberg-Vinavert, Georges (1951)

Grippe, Peter (1952)

Grolier Club (1952, 1970-1973)

Grolier Encyclopedia -- (1961-1963)

Gropius House (1986)

Gropius, Walter (1947, 1950, 1952)

Grosser, Maurice (1951-1952, 1977, 1986)

Grove, Elsa Butler (1955)

Grow, Lawrence (1975)

Grube, Max (1968)

Gruen, Victor (1960)

Guevara, Max and Elisa (1959)

Guggenheim, Barbara 1976

Guggenheim Memorial Foundation (1945-1955, 1959-1961, 1963-1965, 1972, 1975-1982)

Guild for Religious Architecture (1969, 1971-1972)

Guildford, Glenn (1949-1950, 1958-1959)

Guildhall (1984)

Guilloton, Michael A. (1954, 1957)

Guinness, Desmond (1967)

Gundermann, Leo (1964)

Gunther, Nancy (1959)

Gutheim, Frederick (Fritz) (1946-1947, 1952, 1958-1959, 1965, 1969)

Gutman, John (1956)

Guy, James (1949)

Guy, Rice and Davis (1936, 1938, 1941-1942)

Guys, Gilbert (1928)

Haber, Francine (1965-1966)

Hack, Garrett (1969)

Hacker (1966)

Hacker Art Books (1971-1972)

Hadzi, Molly (1954, 1956, 1966)

Hadzi, Molly and Dmitri (1955, 1961, 1963)

Haessler, George (1978)

Hager, Louise (1956, 1966)

Hajer, Gerhard (1966)

Hale, William F. (1982)

Hall, J. A. (1946)

Hall, Louise (1948, 1951, 1954)

Hallmark, Donald Parker (1969)

Hallsborough Gallery (1965)

Hambright, Mrs. Joseph (1966)

Hamburg (1956)

Hammill and Barker (1947)

Hamilton, Charles E. (1969)

Hamilton, George Heard (1945-1950, 1954-1957, 1959-1960, 1965, 1968, 1972, 1980)

Hamilton, George Heard and Polly (1953)

Hamilton, Janet (1948)

Hamilton, Polly (undated)

Hamlin, Talbot F. (1945-1947, 1950, 1956)

Hamlyn, Paul (1963-1965, 1967)

Hammer, Karl (1969)

Hammond, Caffy (1958, 1961-1963, 1966-1968, 1973-1974)

Hammond, John (1968-1969)

Hammond, Walter (1954)

Hampshire Bookshop (1949-1952, 1960)

Hanks, David (1977, 1979)

Hanna, A. J. (1954)

Hannary, John (1973)

Hansen, Mr. and Mrs. Preben (1956)

Hanson, Bernard (1964)

Harbron, G. Dudley (1946-1949)

Harcourt, Brace and Co. (1933)

Harcourt Brace Jovanovich, Inc. (1971-1974, 1976-1977, 1979)

Harday, Jorge A. Ferrari (1969)

Hardenberg (1924)

Harling, Robert (1970)

Harnell and Co. (1967)

Harper Brothers (1955)

Harper's Magazine -- (1945)

Harrington, Elaine (1985)

Harrington, Richard (1958)

Harris Catalog (1968)

Harris, Eileen (1973)

Harris, Hamilton (1953)

Harris, John (1960-1965, 1967-1971, 1973, 1977, 1979-1980, 1983)

Harris, John and Eileen (1974)

Harris, Karsten (1972)

Harris, Margaret (1972)

Harris, Paul S. (1951)

Harris, Roger (1961)

Harris, Tom (1946)

Harris, Upham and Co. (1955)

Harrison, M. (1946)

Harrison, Wallace K. (1953)

Hartford (1964, 1972)

Hartford, Huntington (1963)

Hartford Magazine -- (1974)

Hartman, William E. (1962)

Hartneck, Timothy W. (1979)

Hartt, Frederick (1956, 1960-1961)

Harvard Architecture Review -- (1978)

Harvard Club (1963)

Harvard Fund (1947)

Harvard Magazin -- e (1978-1979, 1982-1983)

Harvard University (1923-1924, 1927-1928, 1939, 1942, 1946-1951, 1953-1958, 1961, 1965-1967, 1973-1974, 1976-1979, 1981-1982)

Harvey, Katharine (1970, 1976)

Harvey and Lewis (1945)

Hasbrouck, W. R. (1961, 1963-1964, 1969)

Hasbrouck, William (1967)

Haskell, Arthur C. (1955)

Haskell, Douglas (1945, 1951-1952, 1954-1955, 1958)

Haskell, Henry C. (1946)

Haskell, Rosamund (1966)

Hasler, Charles (1962)

Hasselmann, Dorothy S. (1945)

Hatch, J. D. (1948-1949)

Hatchards Booksellers (1963-1964)

Hatje, Gerd (1959-1965, 1980)

Hattis, Phyllis (1966)

Hauf, Harold (1951)

Haupt, Otto (1963)

Hausen, Marika (1965-1966)

Haverkamp-Bergman, Egbert (1971, 1973)

Havinden, Ashley (1948, 1952, 1961)

Havinden, Margaret 1946, 1953

Havinden, Margaret and Ashley (1950)

Hawksmoor Committee (1962)

Hawthorne Books (1979)

Haydon, Harold (1961)

Hayes, Bartlett (1954)

Hayes, Marian (1954-1955, 1959, 1962, 1968, 1970)

Heath and Co. (1961)

Heaton, E. W. (1959)

Hecht, Jean (1956)

Hecht, Lynn S. (1962-1964, 1966)

Heckel, Louise (1960)

Hecksher, Morrison (1970, 1973-1974)

Hedge, Alice Payne (1948, 1953-1954, 1956, undated)

Hedge, E. Russell (1959-1963)

Hedge, Henry R. (1954, 1956-1958)

Hedge, Mrs. Henry R. (1953)

Hedge, Mrs. William R. (1947, 1953)

Hedrich, E. T. (1956)

Hedrich, J. O. (1969)

Heil, Bernard (1958)

Heilkamp, Detlef (1971)

Heimsath, Clovis B. (1952)

Heine, Georgette (1970)

Heintzelman, Arthur W. (1956)

Heinz, Thomas A. (1978-1981)

Heinzel, Brigitte (1967, 1969)

Heiser, Bruce E. (1953-1954)

Heisner, Beverly F. (1967)

Held, Mr. and Mrs. Julius (1965)

Heleniak, Kathryn Moore (1975)

Helm, Francis and Mary (1948)

Hemmenway, Mary (1948-1950, 1954)

Henderson, Pat Milne (1957, 1964) ( -- see also -- : Milne-Henderson, Pat)

Henderson, M. (1958)

Hendricks, Gordon (1967)

Henley, Helen B. (1941)

Hennessey, William J. (1975-1977)

Hennings, John (1955)

Henry (1973)

Henry, Anne Wythe (1972, 1975)

Henry, Barklie [Buzz] (1959)

Hentrich, Helmut (1957, 1959-1960, 1963-1976, 1978-1981, 1985)

Hentschel, Walter (1969)

Herald Tribune -- (1945)

Herbert, Gilbert (1970)

Herget, John T. (1960)

Hergert, Elizabeth (1963)

Heron, Patrick (1952-1954, 1956, 1979)

Herrmann, George (1960)

Herschman, Judith (1979)

Hersey, George L. (1959-1963, 1967-1968, 1971-1972, 1975

Hershberger, Howard (1960, 1961, 1963)

Herve, Lucien (1956-1957)

Herzog, Marion Rawles (1967, 1970)

Hesketh, Peter Fleetwood (1969)

Hesse (1956)

Hessler, Herman (1971)

Heyl, Bernard (1959-1963)

Hibbard, Don J. (1976)

Hibbard, Howard (1962, 1968)

Highest, Gilbert (1954)

Hill, Draper (1960)

Hill, Frederick and May (1968)

Hill, Oliver (1946, 1949, 1955)

Hiner, Walter (1946)

Hines, Thomas S. (1967, 1972, 1981)

Hirschl and Adler Galleries (1968)

Historic American Buildings Survey (1973)

Historical Society of Pennsylvania ( -- see -- : Pennsylvania, Historical Society of) -- History News -- (1963)

Hitchcock, Alice Davis [mother, Mrs. Henry Russell] (1925, 1940, 1942-1943, 1946-1950)

Hitchcock, Mr. and Mrs. Carl (1955)

Hitchcock, Charles D. (1940, 1971)

Hitchcock, Harriet (1963)

Hitchcock, Dr. and Mrs. Henry Russell [parents] (1928-1929, undated)

Hitchcock, June (1979-1980)

Hitchcock, Mrs. Peter S. (1964)

Hoag, John D. (1952, 1955-1956, 1959, 1961-1965, 1967-1968, 1970-1971, 1976)

Hochman, Elaine S. (1973, 1976)

Hodge, Alan (1957)

Hodge, Philip G. (1951)

Hodgkinson, Ianthe (1966)

Hofer, Philip (1945-1947, 1949, 1951-1952, 1959, 1961, 1968)

Hoffman, Donald L. (1964, 1969-1970, 1978)

Hoffmann, Werner (1956)

Hofstra College (1952)

Hogan, Austin (1940)

Hojer, Gerhard (1967, 1970, 1973)

Holcomb, Donald M. 1956

Holderbaum, James (1962, 1964, 1966, 1968)

Holdet, L. A. (1946)

Holdin, Harrison (1976)

Holiday Inn (1972)

Holland (1964, 1967)

Holland-America Line (1958, 1971)

Holman, William G. (1981)

Holmegaards Glasvaerk (1960)

Holmes, J. P. (1953)

Holser, Clifford B. (1952)

Holt, Rinehart and Winston (1972)

Holzbog, Tom (1967)

Homolka, Larry J. (1965-1967)

Hooker, Arthur (1952)

Honour, Hugh (1966)

Hood, Graham (1971)

Hooker, John (1953)

Hooper, S. C. (1954)

Hoover, Donald (1952)

Hoover, Kathleen O'Donnell (1948-1949, 1951)

Hope, Henry R. (1943, 1945-1950, 1954, 1957, 1959, 1962)

Hopping, D.M.C. (1955-1956)

Hordczak, Theodore (1956)

Horn, Estelle (1950)

Horn, Milton (1946, 1949, 1951-1952)

Horn, Walter (1958)

Horne, Mr. and Mrs. Bernard S. (1955)

Hornsey, Borough of (1946)

Horsburgh, Patrick (1952-1955)

Horta Committee (1960)

Hosken, Franziska Porges (1963)

Hotel Grande Bretagne (1961)

Hotel Inghilterra (1961)

Housend, Brian (1956)

House Beautiful -- (1928)

Housing (1945)

Houston (1959, 1967)

Houston, University of (1953-1954)

Howard, Charles (1956)

Howard, Tom (1945)

Howard University (1961-1962)

Howarth, Thomas (1953-1957, 1959-1960, 1962-1963, 1966)

Howe, George (1945, 1949, 1951, 1953)

Howe, Hester (1954, 1956)

Howe, Lawrence (1955)

Howe, Mrs. Lawrence (1945)

Howe, Stewart S. (1954)

Howe, Thomas C. (1953, 1954)

Howlett, D. Roger (1965)

Howland, Richard H. (1952-1954, 1959, 1961)

Hoyle, Henry D. (1969)

Hoyt, Deming (1960)

Hoyt, Natalie (1947, 1949-1951, 1956, 1959, 1963)

Hoyt, Nelly (1968)

Hubbard, L. Kent (1937)

Hubbard, R. J. (1959)

Hubbard, Ray (1978)

Hubbard, Russell (1949)

Huber, Erna (1963-1964, 1966, 1970-1971)

Huber, Erna and Charlie (1983)

Hudnut, Claire (1948)

Hudnut, Helen (1947-1948)

Hudnut, Joseph (1945, 1951)

Hudson River Conservancy Society, Inc. (1945)

Huemer, Frances (1955)

Huff, William S. (1958, 1965)

Hughenden Manor (1950)

Hughes, Richard (1953-1954)

Hughes, Talmadge C. (1945)

[Hugnet?], Georges (undated)

Hulst, Roger d' (1973)

Hulton Press (1957)

Hundertmark, Dieter (1960)

Hunn, Robert (1970)

Hunter, Anna C. (1955)

Hunter, Bob (1954)

Huntington, C. (1955)

Huntington, Constant (1952)

Huntington, David C. (1961, 1963-1965, 1967-1968, 1971)

Huntington, J. D. (1951)

Huntington, James L. (1954-1955, 1957-1959, 1963-1965)

Huntington, John (1955)

Huntington, Trudy (1952)

Huse, Norbert (1975)

Hussey, Alfred R. (1949)

Hussey, Mary (1954, 1962)

Huxley Brothers (1951, 1954)

Huxtable, Ada Louise (1947, 1950, 1957-1958, 1961-1962, 1969, 1971, 1982-1983)

Hyams, N. (1948)

Hyde Hall, Inc., Friends of (1965)

Hyman, Isabelle (1977)

Iber, Howard John (1972, 1974)

Illinois Institute of Technology (1950, 1954)

Illinois, University of (1947, 1949, 1965, 1979)

Ilmanen, William (1954, 1956)

Imperial Institute (1956)

Inaya, Beata (1956)

In the Nature of Materials -- (1968-1969) ( -- see also -- : Wright, Frank Lloyd)

Income Tax (1956-1957, 1972)

India International Center (1964-1965)

Indiana University (1948, 1953, 1966)

Indiana, University of (1945, 1961)

Indianapolis, Art Association of (1948)

Information Agency, U.S. (1955)

Information Service, U.S. (1961)

Inghilterra Hotel (1960)

Inglis, F. C. (1954)

Ingraham, David (1941)

Ingraham, Henry A. (1945, 1947)

Innendekoration (1963)

Inspector of Foreign Dividends (1956)

Inscoe, Eva Jane (1983)

Institute for Advanced Studies (1963)

Institute for Architecture and Urban Studies (1975)

Institute of Contemporary Art (1948-1949, 1953-1954, 1956, 1961, 1963-1964, 1976)

Institute of Fine Arts, New York University (1949, 1956-1957, 1960, 1967) ( -- see also -- : New York University)

Institute of International Education (1955)

Institute of Landscape Architects (1952)

Instituto di Storia dell'Arte (1961)

Instituto Italiano di Cultura (1958)

Instituto per la Collaborazione Culturale (1965) ( -- see also -- : Collaborazione Culturale, Instituto per la)

Insurance (1970)

Insurance Company of America (1963)

Intercultural Publications, Inc. (1953)

International Architecture Students Conference (1949)

International Congress of African Studies (see: African Studies, International Congress of)

International Encyclopedia of Architecture, Engineering, and Urban Planning -- (1976-1977)

International Design Conference (1955)

International Information Administration (1952)

International Publications, Inc. (1954)

International Union of Architects, Sixth Congress (1960)

International University of Art (1970)

Ireland, Royal Institute of Architects of (1962)

Irving, Robert Grant (1968)

Irvy, Benjamin (1981)

Isham, Gyles (1954)

Isis -- (1961, 1964)

Isley, Natelle (1956)

Italian Institute (1956)

Ivins, William M. (1936)

Jack, William A. Park (1936)

Jackson, Esther (1953)

Jacobi, Frank (1952)

Jacobs Antiques (1948-1949)

Jacobs, Robert A. (1965)

Jacobs, Stephen (1966)

Jacobus, John [Jake] (1957-1962, 1964-1966, 1969-1971, 1980-1981)

Jacobus, John [Jake] and Marion (1963)

Jaffe, Michael (1952-1956, 1958-1964, 1966, 1968, 1973, 1977, 1986)

Jaffe, Ronald (1952)

James, Evan (1946)

James, George (1952)

James, Philip (1952, 1958)

Jamieson, K. I. (1953)

Janis Gallery (1949)

Janis, Sidney (1950)

Jansen, Dick (1953-1954, 1961-1962)

Jansen, Dick and Ellen (1955)

Janson, H. W. (1959-1962, 1972, 1975, 1977, 1983)

Janson, Peter (1978, 1982)

Jarrett, James (1958-1959, 1981)

Jeannert, Marie-Louise (1982)

Jefferson National Expansion Memorial (1947)

Jemma, Manuela (1965)

Jenkins, Frank I. (1955-1956, 1958, 1960-1961, 1964-1967)

Jennings, Nancy Gillespie (1970)

Jerome Hotel (1955)

Jerome, T. T. (1947)

Jersey City, N. J. (1981)

Jewell, Jim (1953, 1956)

Joedicke, Jurgen (1963)

Johanneson, Eric (1969)

John, Dorothy (1954)

Johns Hopkins University (1952, 1965, 1967-1971, 1973-1975)

Johnson Art Collection (1926-1927)

Johnson, Buffie (1948)

Johnson, Donald Leslie (1977)

Johnson Gallery, Museum of Modern Art (1984)

Johnson, J. R. (1969)

Johnson, J. Stewart (1968, 1976)

Johnson, James R. (1946-1951, 1953-1954, 1958-1959, 1966, 1978, 1983)

Johnson, Laura (1945)

Johnson, Margaret (1952)

Johnson, Peter 1977, 1979

Johnson, Philip C. (1934, 1945-1967, 1969, 1973, 1975, 1978-1979, 1981-1983, undated) ( -- see also -- : -- Nineteenth Century American Architects -- [with Philip Johnson])

Johnson Reprint Corp. (1973)

Johnson, Robert H. (1947)

Johnson, Thomas (1973)

Johnson, W. (1958)

Johnson, Wendell (1961-1966, 1973, 1980, 1982-1984)

Johnson-Marshall, Percy and April (1960) ( -- see also -- : Marshall, Percy Johnson)

Johnsson, Ulf C. (1965)

Johnston, Norman (1952)

Jonals Co. (1958)

Jones, Cranston (1958)

Jones, Douglas (1966)

Jones, Ernest (1957-1958)

Jones, Mrs. Fred (1941)

Jones, Howard M. (1958-1959)

Jones, Martin R. (1956-1959, 1962)

Jones, Ralph (1958)

Jones Real Estate (1970)

Jones, Robert 1959

Jones, Ronald F. (1946)

Jordy, William (1950-1962, 1964, 1968-1970, 1972-1973, 1976, 1978, 1981, 1983, undated)

Joselit, David (1981)

Journal of the History of Ideas -- (1955)

Joyce, Henry (1980)

Judkins, Winthrop (1971)

Judson (1978)

Judson, H. Richard (1965)

Jules, Mervin (1962-1963, 1965, 1970)

Kahn, Albert (1945-1946)

Kahn, Charles (1978)

Kahn, David M. (1975)

Kahn, Louis I. (1960)

Kahn, Moritz (1938)

Kaiga Bunka Chuokyoku (1954)

Kalamazoo Institute of Arts (1961)

Kalec, Donald Gordon (1974-1976)

Kallman, G. M. (1948)

Kallman, Gerhard (1969)

Kamys, Walter (1957, 1962)

Kane, Amanda (1962)

Kansas City Star -- (1964)

Kansas State College (1955)

Kapp, Helen (1956)

Kantor, Sibyl (1980, 1982)

Kardan, Sel (1985)

Karl-Ernst-Osthaus-Museum (1956)

Karlsruhe (1956, 1963)

Karner, L. C. (1959)

Karolik, Maxim (1952)

Karpel, Bernard (1969)

Karpinski, Caroline (1970)

Karshner, Joseph H. (1957)

Kates, George N. (1923, 1926-1928, 1930, 1945, 1948-1949, 1956, undated)

Katz, Ruth B. (1953)

Katzenellenbogen, Mrs. Adolph (1950)

Kaufman, Emil (1953)

Kaufmann, Edgar, Jr. (1942, 1944, 1947, 1952, 1960-1963, 1968, 1970, 1974-1978, 1981-1984, 1986)

Kauter, Mat (1947)

Keacer (1961)

Kearns, G. W. (1953)

Keating, Mary (1978)

Keefe, John W. (1970)

Keefe and Keefe 1985

Keener, John P. (1947-1948)

Keeney, Barbara (1955)

Keiiti, Taira (1962)

Keiser, George C. (1929, 1945, 1947, 1953, 1956)

Keisern, George C. and Nancy (1948, 1951-1952, 1955)

Keiser, Nancy (1957, 1962, 1970, 1972, 1974, 1976, 1979, 1983)

Keith, Lucy (1953)

Kelley, Charles H. (1979)

Kelly, Burnham (1953-1954, 1964)

Kennedy, Clarence (1972)

Kennedy Fund (1963) ( -- see also -- : Smith College)

Kennedy, John F. (1953)

Kennedy, Robert W. (1949-1950)

Kennedy, Roger G. (1967)

Kennedy, Ruth L. (1955-1956, 1958, 1961-1968, undated)

Kentucky Engineer -- (1955)

Kentucky, University of (1969)

Kenyon Corn Meal Co. (1959)

Kepes, George (1948)

Kermacy, Martin S. (1956)

Kerr, Chester (1951-1952)

Kersting, A. F. (1971)

Kestenbaum, Joy M. (1979, 1984-1985)

Ketchum, Phillips (1949)

Kettell, Russell (1954)

Keyes, Margaret (1975)

Kidney, Walter C. (1957, 1972-1973, 1983)

Kihlstedt, Folke T. (1971, 1974, 1980)

Killian, Tom (1983)

Kimball, Fiske (1938, 1953-1955)

Kinehardt, Sibley (1968)

King and Chusman Insurance (1948)

King, A. Rowden (1952)

King, Anthony (1962-1963)

King, May Abigail (1968)

Kings College (1962)

Kingston School of Art (1961)

Kingzett, Richard (1961)

Kirstein, Coco (1928)

Kirstein, Lincoln (1928-1929, 1945, undated)

Kissin, Meredith (1973)

Kitchen (1960-1961)

Kizar, John (1979)

Klapper, Paul (1947)

Kleinbauer, Eugene (1962)

Klemm, Heinz (1964)

Klinger, Timothy C. (1973)

Knoedler and Co. (1951, 1955, 1968-1970)

Knorre, Eckhard van (1971, 1973)

Knowledge Publications (1966)

Knowlton, John H. (1974)

Knox, Brian (1981)

Knox, Bruce (1972)

Knoxville (1978)

Koch, Carl (1947)

Koch, Edward (1983)

Koch, Robert (1958-1959)

Kochen (undated)

Koenig, Philip (1951)

Kohn, Geraldine (1961)

Koike, Shinji (1951-1952, 1955)

Kolper, Fred (1956)

Kommer, Bjorn (1964)

Konsthistorisk Tidskrift (1937)

Kootz, Samuel (1948)

Kopcke, Guenter (1976)

Korn, Thomas H. (1952)

Kornegay, Bill (1961, 1963, 1969-1970, 1974, 1982-1983)

Kornwolf, James D. (1977-1979)

Kostof, Spero (1976)

Kowsky, Francis (1978-1981)

Kozlow, Robert D. (1951-1954, 1957)

Kramer, Ellen (1950-1955, 1957-1958, 1960-1961, 1964, 1967-1969, 1971-1972, 1975)

Kramer, Estel Thea (1976)

Krautheimer, Richard (1945, 1947, 1950, 1952, 1957, 1961, 1963, 1965-1967, 1969, 1971, 1982)

Krautheimer, Richard and Trude (1952)

Kredler, Jack (1927)

Kremer, Eugene (1965, 1967)

Kremers, David Edward (1974)

Krinsky, Carol Herselle (1981)

Krom, Martha (1980)

Kruft, Hanno-Walter 1984

Kubler, George A. (1945-1946, 1949-1950, 1954-1957)

Kuhn, Ethel (1964)

Kultermann, Udo (1965)

Kunhardt, Mr. and Mrs. (undated)

Kunin, Jack Henry (1969)

Kunstakedmiets Bibliotek (1956)

Kunsthalle Bielfeld (1983) ( -- see also -- : Bielfeld Kunsthalle)

Kunstwerk -- (1957)

Kwan, Michael (1972, 1975, 1977)

Labo, Mario (1961)

Lacoste, Gerald (1956)

La Farge, Henry A. (1950, 1955)

Lain, Alan K. (1946, 1977)

Lamb, Deborah (1951)

Lamb, Robert J. (1976)

Lambert, Jean (1963-1966)

Lambert, Phyllis (1974-1976, 1982, 1984)

Lambert, R. J. (1960-1961)

Lambert, Sam (1955)

Lambs, S. R. (1952)

Lamont, Corliss (1953)

Lamont, Ruth (1960)

Lancashire Society of Architects 1(962)

Lancaster, Clay (1951-1953)

Lancaster, Margaret (1949-1950)

Land, Terre (1955)

Landau, Sarah (1974-1986)

Landesamt fur Denkmalpfleg Nord-Rhein-Westfalen (1956)

Landmarks Conservancy, New York (1977, 1983)

Landmarks Preservation Commission, City of New York (1970-1971, 1973, 1975, 1982, 1985)

Landmarks Preservation Foundation, New York (1985)

Landor, Walter (1940)

Landy, Jacob (1957-1959, 1961-1963, 1966, 1970)

Lane, Barbara Miller (1976-1977)

Lane, Gilman (1941)

Lane, Stephen (1948)

Lang, S. (1956)

Lang, Samuel (1970)

Langenskiold, Eric (1960)

Langrock Co. (1949-1950)

Langsam, Walter E. (1966, 1968-1969)

Langston, Jane (1978)

Lanmon, Lorraine (1974)

Larkin, Oliver (Pete) (1946-1947, 1949, 1951-1952, undated)

Larkin, Oliver (Pete) and Ruth (1950)

Larsen, Susan (1972)

Lasdun, Denys (1940, 1954, 1958-1959, 1961-1962)

Laskin (1981)

Laskin, Myron (1974)

Laskin, R. (1964-1965)

Lasko, Peter (1982)

Lasko, Viola (1955)

Laubs, E. R. (1953)

Lauder, Standish (1963, 1966)

Laughlin, Clarence J. (1955)

Laughlin, James (1953)

Launder, Victor (1950)

Laurent, Marge and Paul (1950)

Law, Graham C. (1949-1951)

Lawrence, Leslie (1943, 1945)

Lazzaro, G. di San (1967)

Lebold, Joan (1954-1955)

Lebovich, Bill (1977)

Leconte, Andre (1958)

Le Corbusier (1936)

Ledermann, P. (1958)

Lee, Antoinette Josephine [Toni] (1975, 1982)

Lee House (1948)

Lee, Renselaer (1947)

Lee, Sherman (1959)

Leeb, Mr. and Mrs. Brian P. (1954)

Leeds (1946)

Leeds Architecture Students Association (1955)

Leeper, John Palmer (1957)

Leeuwen, Tom von (1974-1975, 1977)

Lefevre Gallery (1982)

Legge, Christopher (1953)

Lehman, Arnold (1970)

Lehmann, Karl (1952-1953)

Lehmann, Karl and Phyllis (1955-1956)

Lehmann, Phyllis W. (1949, 1951-1952, 1956, 1959-1960, 1965, 1968-1969, 1973, 1978, 1981)

Lehmbruck, Manfred (1964)

Leib, Norbert (1967)

Leibner, Gernard (1973)

Leibowitz, Herbert (1976)

Leicester, University of (1963, 1966-1968, 1970)

Leided, Rykstuniversiteit te (1966)

Leigh, Roger ( 1955)

Lemon, Sally (1954-1955, 1957)

Lenn, Lottie H. (1951)

Leonard, A. O. (1951)

Leonard, J. C. (1957)

Lerski, Hanna (1978)

Lescaze, William E. (1928, 1937, undated)

Levassor (1956)

Lever House (1983)

Lever, Jill 1986

Levine, Neil (1972, 1976-1977, 1983)

Levine, Seymour J. (1951)

Levion, Sally (1954)

Levy, Julien, Gallery (1946)

Levy, S. Dean (1973, 1982)

Lewine, Milton (1967)

Lewis, David (1946)

Lewis, Mrs. David (1945)

Lewis, Lesley (1946, 1952)

Lewis, Stanley T. (1952)

Lewis, Virginia 1958

Lewis, Wilmarth Sheldon (1948-1952, 1954, 1963)

Li, Sue Yung (1956)

Library (1968-1969)

Library Company of Philadelphia ( -- see -- : Philadelphia,

Library Company of)

Library of Congress (1940-1942, 1944, 1947)

Lichebeelden Institute (1956-1958)

Licht, Fred (1963)

Liddell, Janet (1953)

Lieb, Norbert (1971-1973)

Liebert, Herman (1947, 1951)

Lieberthal, Mary (1976)

Lienhardt, Robert C. (1963)

Life Magazine -- (1945-1946)

Lilliput Magazine -- (1947)

Limerick, Jeff (1974)

Lincoln, Alfred W. (1961)

Lincoln, Dick (1959)

Lindekee, Mary Proal (1951)

Lindley, Mr. and Mrs. Daniel (1955)

Lindsay, G. Carroll (1955)

Lindsay, Ian G. (1957)

Lindsay, Joan R. (1949)

Line, Ralph Marlow (1953)

Linn, Janet Denithorne (1970)

Lipman, Jean (1971)

Lipman, Jonathan (1980)

Lipstadt, Helene Rebecca (1976)

Lisker, Albert (1953)

Lisker and Lisker (1954)

Liskowski, Bohdan (1961)

Lissam, Simon (1965)

Little and Ives Co. (1960)

Little, Bertram (1960)

Little, Sidney W. (1953-1955)

Liverpool School of Architecture (1949, 1958, 1962-1963)

Liverpool University Architecture Society (1955)

Locchead, Kenneth (1952)

Locke, Margaret E. (1949)

Lockwood-Matthews Mansion (1973)

Lo Curzio, Massimo (1965)

Lodge, Henry Cabot (1950)

Lodge, Sprucewold (1954)

Loeb, Hermann (1946)

Loeb, John (1974-1976, 1983)

Loftstrom, Edward V. (1963)

Logan, Ann M. (1955)

London (1963)

Long Island Antiquities, Society for the Preservation of (1969)

Long, Susie (1949)

Longhi, David (1959, 1974)

Look Magazine -- (1962)

Lord Travel Agency (1952, 1954)

Loren, Erle (1955)

Los Angeles (1972)

Los Angeles County Museum (1955, 1958)

Lotus (1964, 1970)

Louisiana State University (1955, 1958)

Louisville, J. B. Speed Art Museum (1952)

Louisville, University of (1975)

Louw, H. J. (1977)

Love, Iris (1965)

Lowd, Dana (1951)

Lowe, David (1951-1954, 1975)

Lowe, John (1955)

Lowell, Isabel (1923)

Lowenthal, Esther (1961, 1964, 1968-1969)

Lowenthal, Helen (1951-1952, 1955-1956)

Lowry, Bates (1966, 1972)

Lubbock, Jules (1980)

Lubetkin, Bertholde (1936, 1945-1946, undated)

Lucas, Clive (1974)

Lucas, Jannette (1948, 1950-1952)

Luckhurst, K. W. (1951, 1955-1956)

Luginbuhl, Viola (1962)

Lukas, Gabriel (1969)

Lukomski, George (1956)

Luman, Thomas (1938)

Lunn Travel (1962)

Lurcat, Andre (1928, 1930, undated)

Luty, Alan (1963)

Luzuriaga, Carlos (1949)

Lym, G. R. (1978)

Lyman Allen Museum (1942, 1947, 1949, 1958)

Lyman, Charles (1965)

Lyman, Dwight C. (1955, 1973)

Lynes, Russell (1973)

Maas and Co. (1962)

Maas, John (1957, 1966, 1969-1971)

McAndrew, John (1940, 1945, 1949, 1953, 1957, 1969, 1978, 1981)

McArthur, Shirley (1985)

McAuley, Theodora (1962)

McBreen (1949)

McBride, Henry (1947)

McCall's Magazine -- (1946)

McCallum, Ian (1956, 1958-1959, 1963-1964)

McCay, Mrs. A. B. (1948)

McComb, Arthur (1945)

McCormick, Margaret (1978)

McCormick, Thomas J. (1948-1987, undated)

McCosher, Delphina (1964)

McCoubrey, John W. (1967)

McCoy, Esther (1956, 1960)

McCray, Porter (1956, 1969)

McCullough, Jane Fiske (1966, 1968)

McDonald (1978)

McDonald, Thoreau (1949)

McDonald, William L. (1955, 1963, 1982-1983)

MacDougall, Elisabeth B. (1980)

McGehee, Mary (1955)

McGraw Hill Co. (1957, 1959,-1966)

McGuire, Diane Kostial (1963)

McGuire, William (1972)

McIlhenny, Henry P. (1955, 1971)

McIntyre, Ruth A. (1962)

Mackay Brothers and Co. (1947)

Mackay, David (1965-1966)

Mackay-Smith, Alexander (1952-1953, 1962) ( -- see also -- : Smith, Alexander Mackay)

McKean, A. G. (1953)

McKenna, Rosalie Thorne (Rollie) (1949-1958)

McKibbin, David (1949, 1956, 1959, 1961)

McKinley (1956)

McKinley, Hazel G. (1964, 1979, 1981)

Mackintosh Society (1963-1964)

McLanathan, Richard B. K. (1958)

MacLaren, Alistair (1960, 1962-1964, 1966, 1968, 1970)

McMillan Co. (1953)

Macmillan Encyclopedia of Architects -- (1980, 1982)

Macmillan Publishers, Ltd. (1984)

McNair, Andrew (1975)

McNamara, Ellen 1974, 1976

Macomber, C. Clark (1951)

Macomber, Mr. and Mrs. Charles C. (1955)

Macomber, Gail (1953)

McQuade, Walter (1960)

McReynolds, George (1952)

Magazine of Art -- (1947-1953)

Magaziner, Henry J. (1971-1973)

Magee, John J. (1970)

Magill, Peter (1951, 1955)

Magruder, Charles (1957)

Mahard, Francis M. (1968)

Maher, Billy (undated)

Maher, James T. (1981)

Maher, William P. (1938)

Maison du Libre (1951)

Manchester Society of Architects, Student Association (1955)

Mancini, Lillian (1951)

Mancoff, Debra (1978)

Mandell, Mrs. M. Hussey (1952)

Mandell, Richard (1968)

Mandelsohn, Louise (1955)

Mang, Karl (1974)

Manitoba, University of (1958-1959)

Manning, Eileen (1952)

Mansell Collection (1956-1958)

Manson, Grant (1941, 1952, 1957-1958)

Manuzio (1962)

Maple and Co. (1946)

Mar, Arxiu (1958)

Marcus, Stanley (1962)

Marden, Philip S. (1951)

Marder, Tom (1979-1981)

Marenco, Vittoria (1964)

Mark, Edward L. (1966-1967)

Markowitz, Arnold (1970)

Mark Twain Memorial (1966-1970, 1975, 1977)

Marlborough Fine Arts Ltd. (1962)

Marlor, Clark S. (1969)

Marmo (1962)

Marquis, Alice (1986)

Marquis Co. (1947- 1948)

Marr, Harriet (1952)

Marre, Robert de La (1927)

Marsanas, Luis (1963-1964)

Marshall, Percy Johnson (1959, 1963) ( -- see also -- : Johnson-Marshall, Percy)

Martienssen, Heather (1962)

Martin, J. L. (1946-1947, 1952)

Martin, J. R. (1965)

Martin, Leslie (1954, 1957, 1959, 1962-1963)

Martin, Thomas P. (1947)

Martindale, Katharine (1960)

Maryland Center for Public Broadcasting (1978)

Maryland Historical Society (1957)

Maryland State Library (1939)

Marzoli, Carla C. (1954, 1956, 1958, 1964, 1968)

Mas, Arxiu (1956)

Masheck, Joseph (1970, 1973, 1977)

Mason, Clark (1963-1964)

Mason, Francis S. (1961-1965, 1967, 1979)

Mason, Howard (1962)

Massachusetts, Commonwealth of (1952, 1954)

Massachusetts Hospital Service, Inc. (1954)

Massachusetts Institute of Technology (1946-1952, 1954, 1958, 1962-1963, 1965-1973, 1975-1981)

Massachusetts Motor Vehicle Assigned Risk Pool (1955)

Massachusetts Review -- (1969)

Massachusetts State Association of Architects (1954, 1957)

Massachusetts Turnpike Authority (1959)

Massachusetts, University of (1951, 1969)

Massey, James C. (1963, 1966)

Matheson, Donald W. (1980)

Matheson, Martin (1966)

Mattingly, Garrett (1946)

Maufe, Edward (1960)

Maunoury, Jean (1948)

Maxant, Harriett (1967)

Maxon, John (1961)

Maxtone-Graham, John (1974)

Maxwell, Clifford (1975, 1977, 1981)

Maxwell Mansion (1971)

May, John S. (1955)

Mayer, Grace M. (1953)

Mayflower Descendants, Society of (1944-1945, 1947-1950, 1952, 1954, 1956, 1959, 1963, 1966-1968, 1970, 1973-1975)

Mayher, Phil (1952)

Mayne, Jonathan (1962)

Mead, Katherine (1964, 1967)

Medicare/Blue Shield (1971-1972, 1985) ( -- see also -- : Blue Cross/Blue Shield)

Meehan, Patrick J. (1984)

Meeks, Carroll (1944-1966, undated)

Meigs, Walter (1954)

Meijburn, Herm. van der Kloot (1927)

Meiss, Millard (1952, 1960, 1962- 1963)

Melbourne, University of (1958)

Mellon, Tom (1962)

Mellquist, Jerome (1955-1956, 1958)

Mendelsohn, Eric (1953)

Mendelsohn, Frances (1959)

Mendenhall (1964)

Menges, Axel (1986)

Meredith Press (1962)

Meriden Gravure Co. (1960)

Merkel, Jayne (1967)

Merrill, David O. (1960)

Mesevery, Robert (1956)

Metcalf Printing (1973)

Metcalf, Priscilla (1956-1957, 1962-1963, 1966-1968, 1977)

Metropolitan Museum of Art (1951, 1968-1970, 1972-1973, 1979-1980, 1982)

Meyer, B. A. (1946)

Meyer, Charles (1961)

Miami, University of (1972)

Michalski, Thomas (1976)

Michigan, University of (1928, 1947-1948, 1965-1966, 1970)

Microcard Committee (1951)

Microcard Foundation (1948)

Middlesex Hospital (1938, 1941, 1945)

Middlesex School Alumni Bulletin -- (1952)

Middleton, Robin (1956-1961, 1963-1967, 1969, 1971-1972, 1978)

Middletown Press (1945)

Mies van der Rohe (1947)

Miles, H. (1961)

Miles, Hamish (1965, 1966)

Miles, James (1946)

Miles, Jean (1960)

Millar, John F. (1980-1983)

Millar, Olive (1952)

Millech, Knud (1930, 1956)

Miller Co. (1945, 1947-1952, 1955)

Miller, Dorothy (1961)

Miller, Herman (1963)

Miller, Janet (1978)

Miller, Meredith (1958-1959)

Miller, R. Craig (1973-1978, 1981-1984, 1986)

Miller, Mrs. Russ (1958)

Miller, Stephen R. (1976- 1977)

Millett, Fred B. (1949, 1963)

Millon, Henry A. (1956, 1964, 1966-1967, 1978, 1980-1981, 1983)

Millon, Henry A. and Judy (1973)

Millon, Judy (1982, 1984)

Milne-Henderson, Pat (1960, 1962) ( -- see also -- : Henderson, Pat Milne)

Milwaukee Art Center (1977)

Milwaukee Public Library (1952)

Minard, Ralph (1963)

Mindlin, Henrique E. (1955)

Minneapolis City Planning Department (1969)

Minneapolis Institute of Arts (1941, 1956, 1959)

Minnesota Society of Architects (1958)

Minnesota, University of (1944, 1946-1947, 1949-1950, 1955, 1958, 1961-1962, 1969, 1972, 1985)

Minnick, Margaret (1979-1981)

Minton, Lee R. (1973)

Mississippi State College for Women (1947)

Mitchell, Allen (1963)

Mitchell, Anthon (1952)

Mitchell, Charles (1962, 1974)

Mitchell, Herbert (1969, 1975)

Mitchell, Robert D. (1970)

Mitchell, Shirley Spratt (1968)

Mock, Betty (1947, 1949-1951)

Modern Age (1962)

Modern Architecture (1943, 1945)

Modern Architecture Symposium (1962, 1964, 1966)

Moe, Henry Allen (1953, 1963, 1968)

Moeller, Achim F. (1973)

Moholy-Nagy, Sibyl (1969, 1971)

Mohr, Elizabeth Heaton (1963)

Moise, Howard (1951)

Moller, C. F. (1956)

Moltke, J. W. (1971)

Mongan, Agnes (1944-1948, 1950-1955, 1963, 1969, 1973)

Mongan, Elizabeth (1945)

Monkhouse, Christopher P. (1982)

Monks Hall Museum (1964)

Montgomery, Charles F. (1955, 1959)

Montrose (1952)

Moog, Helen C. (1948)

Moore, Asher (1940-1941, 1943, 1945-1954, 1958-1961, 1981)

Moore, C. A. (1953)

Moore, Charles (1952)

Moore, Mr. and Mrs. Franklin Frazes (1951)

Moore, Henry (1955)

Moore, Hugh (1965)

Moore, Lamont (1951)

More, Hermon (1948)

Morea, Alberto (1957, 1959)

Moret, O.J.V. (1955)

Morgan, Charles H. (1965)

Morgan, Keith N. (1980-1981)

Morgan, William N. (1957)

Morgas, Antonio de (1956)

Morison, Samuel E. (1951)

Morley, Grace L. McCann (1937)

Morra (1958)

Morris, Mrs. E. Huckins (1959)

Morris, Ellen (1980)

Morris, Laura B. S. (1962)

Morris Society (1965)

Morris, Mrs. V. C. (1951)

Morrison, Hugh (1935-1936, 1940-1941, 1945, 1947-1953, 1956, 1970)

Morrison, Mary Lane (1977)

Morrissey, Rita (1957-1961, 1966-1967, 1969-1975, 1980, 1982, 1985-1986)

Morse, John D. (1946- 1947)

Morton, James P. (1976)

Morton, John and Flossie (1941)

Morton, M. M. (1960)

Moss, Richard (1959)

Mount Holyoke College (1942, 1947, 1949, 1951-1952, 1957, 1963, 1970)

Mount Vernon Ladies Association (1955)

Moynihan, Daniel Patrick (1986)

Mumford, Lewis (1927-1930, 1945-1946, 1948, 1951, 1979, 1982)

Munich (1956)

Municipal Art Society of New York (1957, 1978-1981, 1983)

Munson Williams Proctor Institute (1951, 1962, 1966-1967)

Munsterberg, Hugo (1946)

Munz, Heinrich (1958)

Munz, Ludwig (1956)

Murphy, Francis (1967)

Murray, Edward (1971)

Murtagh, William J. (1979-1980)

Museo Internazionale di Architettura Moderna (1961-1963)

Museum of Fine Arts, Boston (1962) ( -- see also -- : Boston, Museum of Fine Arts)

Museum of Modern Art (1936, 1939, 1941, 1943-1962, 1964-1969, 1971, 1973, 1975, 1982, 1984, undated)

Museum of the City of New York (1956-1958)

Musgrave, Clifford (1956)

Music Press (1949)

Myers, Denys P. (1963)

Mylonas, Paul M. (1956)

Mystic Seaport (1974)

Nachmani, Cynthia (1977)

Nagel, Charles (1954-1955)

Nagle, Priscilla C. (1963)

Nairn, Ian (1956)

Napoli, Univesita degli Studi di (1978)

Napper, J. H. (1961)

Nash, Roy (1949-1950)

Nash, Suzanne (1952)

Nation -- (1957)

National Academy of Design (1962)

National Archives of Canada ( -- see -- : Canada, National Archives of)

National Buildings Record -- (1942, 1947, 1949)

National Buildings Register (1942-1943, 1954, 1956, 1958, 1960)

National Council on the Arts and Government (1957)

National Cyclopedia of American Biography -- (1961, 1970-1971)

National Endowment for the Humanities (1969-1970, 1973, 1975-1976, 1978-1979)

National Foundation for Arts and Humanities (1970-1971)

National Galleries of Scotland (1946)

National Gallery (London) (1964)

National Gallery of Art (1950, 1962, 1964, 1968, 1975, 1980-1982)

National Gallery of Canada (see: Canada, National Gallery of)

National Institute of Arts and Letters (1956)

National Monuments Record (1971)

National Park Service (1965, 1970)

National Registration Identity Card (Great Britain) (1946)

National Science Foundation (1968)

National Trust (1950, 1952)

National Trust for Historic Preservation (1955, 1958, 1961-1962, 1964-1966, 1969-1970, 1976-1978)

National Trust for Scotland (1953)

Navy League (1946)

Naylor, Edith M. (1944)

Nebraska, University of (1955)

Nelson, Paul D. (1928)

Nesbin, Esther W. (1950)

Netherlandish Scrolled Gables... -- ( -- see -- : Dutch Gables Book)

Netsch, Walter (1961)

Neuburg Staatsarchiv (1973)

Neuman, Hartwig (1985)

Neutra, Richard (1928, 1940-1941, 1954, 1969, undated)

Neville, Elizabeth (1964)

Neville, Richard G. (1958)

Neville, Harriett Elizabeth (1966)

New American Library (1952)

New Amsterdam Casualty Co. (1948)

New England Antiquities, Society for the Preservation of (1972-1973) ( -- see also -- : Preservation of New England Antiquities, Society for the; Society for the Preservation of New England Antiquities)

New England Architecture, Committee for the Centennial Exhibition of (1957)

New England Quarterly -- (1955)

New Gallery (1963)

New Haven Festival of Arts (1959)

New Haven Preservation Trust (1964, 1966-1969)

New Jersey Historical Society (1962)

New Jersey Society of Architects (1957)

New Liberty (1952)

New London (1976)

New Mexico, University of (1957)

New Watson Hotel (1955)

New York Central Railway (1956)

New York City (1972)

New York City, Art Commission of (1983)

New York City Planning Commission (1972)

New York Graphic Society (1970

New York Herald Tribune -- (1947)

New-York Historical Society (1950-1951, 1961-1962, 1969)

New York State Association of Architects (1949)

New York State, Temporary Commission on the Restoration of the Capitol (1980-1981)

New York, State University of (1952)

New York Times -- (1947-1948, 1957, 1960-1961)

New York University (1945-1949, 1951-1954, 1958, 1960-1961, 1968-1986) ( -- see also -- : Gray Art Gallery; Institute of Fine Arts) New York University Seminar (1977, 1980)

New Yorker -- (1926, 1946)

Newark Public Library (1969)

Newbegin's Bookshop (1947)

Newberry, S. W. (1958)

Newcastle (1956)

Newcastle on Tyne, University of (1970)

Newcomb College (1961)

Newcomb, Rexford (1946-1947)

Newhall, Beaumont (1947, 1950, 1952, 1955-1958, 1967)

Newhan Book Shop (1947)

Newhouse, S. I., Jr. (1982)

Newhouse, Victoria (1980-1982, 1984)

Newman, Robert B. (1952, 1954-1955)

Newmeyer, Alfred (1959-1960)

Newnham College (1962)

Newnes, Ltd. (1946)

Newport Co. [Rhode Island], Preservation Society of (1952) ( -- see also -- : Preservation Society of Newport Co. [Rhode Island])

Newport Historical Society (1968)

Newton, Roger Hale (1946, 1953)

Nicholette, Manfredi (1955)

Nichols, Fred (1956-1960)

Nicholson, Ben (1946, 1950-1953)

Niebling, Howard V. (1973)

Niemeyer, Oscar (1955-1956)

Nijmegan (1969)

Nineteenth Century American Architects -- [with Philip Johnson] (1932)

Nismonger, Estelle (1948)

Noble, Michael (1972)

Nodena Foundation (1952)

Noehles, Karl (1956)

Nordt, Janis M. H. 1981

North Carolina, University of (1941, 1960, 1969)

North Dakota Agricultural College (1953)

North Easton (1968)

North Easton Historic District, H. H. Richardson Tour (1975)

Northampton Historical Society (1952)

Northwest College Lectures and Concerts Association (1959)

Northwestern University (1968-1971, 1977-1978, 1985)

Norton and Co. (1965-1967, 1970, 1978-1979, 1981-1982)

Norton, Paul H. (1952-1953, 1957-1960, 1963, 1966-1968)

Notre Dame, University of (1965)

Novotny (1959)

Noyes, S. R. (1947)

Nutt, Richard S. (1959)

Oak Park (1969)

Oak Park, Landmarks Commission of (1978)

Oakes Ames Memorial Hall (1970)

Oberhuber, Konrad (1965)

Oberlin College (1947, 1950)

Obesity Diet (1945)

O'Brien, Wendy (1962)

Observer -- (1953)

O'Callaghan, John (1970-1971, 1974)

Ochsner, Jeffrey Karl (1972, 1975, 1979-1987)

O'Connor, R. B. (1962)

O'Gorman, James F. (1970, 1974, 1977)

Ogunquit Museum of Art (1965)

Ohio Historical Society (1956)

Ohio State University (1952, 1959, 1962, 1967)

Ohle (1956)

Ojeda, Luis (1949)

Oklahoma, University of (1949)

Olana (1964, 1966)

Old Print Shop, Inc. (1951)

Olds, Irving S. (1952)

O'Leary, Pat (1956-1957)

Olfanos (1970)

Ollinger, G. Batchelder (1970)

Olmstead, Lorena Ann (1951)

Olpp, William H. (1948)

Olsen, Karolyn (1954-1955)

Olson, Charles (1965-1966)

Olson, Joan H. (1964)

O'Malley, Rev. J.M.E. (1960)

O'Malley-Williams, A. C. (1961) ( -- see also -- : Williams, A. C. O'Malley)

Omoto, Sadayoski (1951)

O'Neal, William B. (1961, 1967, 1970, 1978)

O'Neil, Kathleen (1946)

One World (1946)

Onot, Etta S. (1973)

Open University (1981)

Oppeille (1946)

Oppenheimer, Herbert (1975-1977)

Oppositions -- (1974)

Opus Musicum -- (1964)

Oregon, University of (1953, 1960-1962)

Orfanos, Patricia (1982)

Orth, Myra (1971, 1973)

Ortner, Evelyn (1970)

Ortner, Everett H. (1975)

Osmun, Bill (1959)

Osterreichische Nationalbibliothek (1956, 1958)

Osterstrom, Marta (1966)

Ostrow, Stephen (1957)

Osuhowski, Carol (1955)

Ott, Orville (1956)

Otto, Christian F. (1965-1966, 1968, 1970-1972, 1975, 1979-1982)

Oud, J.J.P. (1928-1929, 1948, 1950, undated)

Oudheidkunding Genootschap (1962)

Owings, Nathaniel (1961)

Overby, Osmund (1968, 1971, 1973, 1976-1977)

Owens, Dean (1981)

Owens, Jean (1976)

Oxford University (1935, 1953)

Ozinga, M. D. (1953, 1961-1964, 1966)

Pacific Historical Review -- (1970)

Padovic, James Farrell (1952, 1955)

Paffrath Gallery (1960-1961)

Pagano Foundation (1963)

Page, Evelyn (1950, 1954)

Page, Gertrude W. (1931)

Page, H. (1952)

Page, Robert (1975)

Paget, Paul (1971)

Paige, Maude Steinway (1969)

Paint Journal -- (1956)

Palestrant, Stephen (1963)

Pallottino, Massimo (1961)

Palmer, James E. (1952)

Palmer, Richard (1946)

Palmes, James C. (1957)

Palsgrove, James L. (1948, 1953)

Panofsky, Erwin (1940, 1945, 1952-1953, 1956, 1961)

Park, Helen O'B. (1975)

Park, Rosemary (1954)

Paris, Barbara (1949)

Parker, Barbara (1954)

Parkhurst, Charles (1952, 1954-1955, 1961, 1968)

Parkin, John C. (1959-1960, 1962, 1964, 1968)

Parks, Robert O. (1955-1956, 1961-1962)

Parmentier, Douglas (1945)

Parsons, Katharine (1952-1953, 1960, 1963)

Parsons School of Design (1947)

Partovi, Zahra (1985)

Partridge, Margaret (1973)

Passediot Gallery (1949)

Passport (1945, 1954, 1968)

Pastuhov, Vladimir Dimitrievitch (1961)

Paterson, A. B. (1953)

Patterson, John (1942, 1947)

Pattison, Walter (1947)

Paul, Adaline (1952-1953)

Paul, Jacques (1966)

Paul, Jurgen (1965, 1971, 1973-1974)

Paul Memorial Library (1954)

Paulsson, Gregor (1956)

Paxton Drawings (1951)

Peabody Institute of Baltimore (1938)

Peabody Museum (1948, 1951)

Peale Museum (1952-1953, 1956) ( -- see also -- : Baltimore City Museum)

Pearlman, Jill (1985-1986)

Pearson Fund (1977)

Pearson, Marjorie (1972, 1978-1980)

Pearson, Norman H. (1952)

Peat, Wilbur (1955)

Peck, F. Taylor (1954)

Pegge, Denis (1962)

Pei, I. M. (1962)

Pelican Books (1971, 1979)

Pelligrini and Cudahy, Inc. (1948)

Pelzer, Dorothy (1948)

Pendleton, Ralph (1955)

Penguin Books (1945-1946, 1953, 1955, 1957-1979, 1981- 1982, 1984)

Pennsylvania Academy of the Fine Arts (1950-1951, 1972-1973)

Pennsylvania, Historical Society of (1942, 1953, 1958)

Pennsylvania Railroad Co. (1956-1957)

Pennsylvania State College (1949-1950, 1952)

Pennsylvania, University of (1955-1957, 1970, 1973, 1976-1978)

Pennsylvania, University of, Architecture Society (1952-1953)

Penrose Annual -- (1956)

Penshorn, Everett (1973)

Pentland, W. T. (1957)

Perkin, George (1960)

Perkins, Elizabeth (1966)

Perkins, Holmes (1952-1953, 1956, 1960-1961)

Perry, Judy (1956)

Perspecta -- (1957, 1959-1960, 1963-1964, 1970, 1981)

Perspectives U.S.A. -- (1952)

Perstel Verlag (1972)

Peters, Susan Dodge (1978)

Peterson, Bob (1961)

Peterson, Charles E. (1936, 1947-1948, 1950-1954, 1956, 1966, 1974)

Peterson, Jon (1964)

Peterson, Joyce (1952-1953)

Petersson, Robert (1956)

Petrick (1950)

Petrides, Andreas (1980)

Pettingil, George E. (1956-1957, 1978)

Pevsner Festschrift (1966-1969)

Pevsner Memorial Library (1986)

Pevsner, Nikolaus (1941-1942, 1945, 1947-1979, 1983-1984, undated)

Pfistermeister, Ursula (1971)

Phaidon Press, Ltd. (1967, 1969, 1970-1973)

Phelps, Kevin (1977)

Phi Beta Kappa (1948, 1954, 1958)

Philadelphia Award (1960)

Philadelphia, Free Library of (1944)

Philadelphia, Library Company of (1980)

Philadelphia Museum of Art (1945, 1951, 1954-1955, 1974-1975, 1982)

Phillips, Cecil L. (1946)

Phillips, John (1946)

Phillips, Wildger John (1952)

Phoenix Indemnity Co. (1955)

Photographie Giraudon (1958)

Pickard of Leeds, Ltd. (1954)

Pickens, Buford L. (1941, 1945, 1960, 1968, 1978)

Picture Post Library (1952-1955)

Pidgeon, Monica (1955)

Pierson, Jewel (1965)

Pierson, William (1948, 1953)

Pilgrim Society (1945-1954, 1956-1958, 1960-1986)

Piper, Marion K. (1971)

Pitt and Scott Ltd. (1956)

Pittsburgh History and Landmarks Foundation (1967)

Pittsburgh, University of (1928, 1956-1957)

Placzek, Adolph K. (1965-1967, 1973-1974, 1976, 1979)

Plagemann, Volker (1969)

Planning Committee [Birkenhead Co., England] (1954)

Plaut, James S. (1946, 1953)

Pleasants, Frederick K. (1948, 1954)

Plenum Publishing Corp. (1969-1972)

Pleydel, H. Cliquet (undated)

Pleydell-Bouverie, David (1965, 1971, 1977-1978, 1983, undated) ( -- see also -- : Bouverie, David Pleydell)

Plimouth Plantation, Inc. (1950, 1953, 1955)

Plishke, E. A. (1954)

Plymouth Antiquarian Society (1952, 1960, 1962-1963, 1970, 1973-1974, 1976, 1983)

Plymouth Five Cents Savings Bank (1961)

Plymouth National Bank (1945, 1955)

Poe, Anthony (1955)

Poland (1973)

Polish Academy of Sciences (1972)

Polish Embassy (1970)

Pollard, Phyllis (1958)

Polshek, James Stewart (1980)

Polytechnic School of Architecture, Surveying, and Building (1955)

Pommer, Richard (1965, 1967, 1971, 1974-1975)

Pomona College (1946, 1963)

Pope-Hennessy, John (1959, 1962, 1964, 1966, 1971-1973, 1978)

Poppeliers, John C. (1968)

Porter, A. Kingsley (1923-1925, 1927-1931)

Porter, Lucy (1930, 1936, 1945-1946, 1949-1954, 1956-1957, 1963, undated)

Porter-Phelps-Huntington House, Inc. (1953, 1955-1957)

Porter-Phelps-Huntington Foundation (1962-1964, 1967)

Portnoy, Martin (1986)

Portsmouth Priory (1949)

Posener, Julius (1964-1966, 1968-1969)

Postmaster, Western District, London (1956)

Potter, Brooks ( 1956)

Potter, Inc. (1969)

Powell, Herbert ( 1963)

Powell, Philip (1952)

Powell, Philip and Moya (1954)

Praeger, Inc. (1962-1963, 1967-1971, 1973)

Prairie School Press (1963, 1966, 1968, 1970)

Prakapas, Eugene J. (1974, 1985)

Prats, Joan (1956)

Pratt and Whitney Aircraft (1945)

Praz, Mario (1955-1956)

Prentice-Hall, Inc. (1962)

Pre-Raphaelite Decorative Arts Exhibition (1971)

Preservation League of New York (1981)

Preservation of New England Antiquities, Society for the (1956, 1963, 1966) ( -- see also -- : New England Antiquities, Society for the Preservation of; Society for the Preservation of New England Antiquities)

Preservation Society of Newport Co. [Rhode Island] (1948, 1955) ( -- see also -- : Newport Co. [Rhode Island], Preservation Society of)

Prestel Verlag (1975)

Preston, James (1963)

Preusser, Robert (1957)

Prey, Pierre du (1968-1969)

Preziosi, Donald (1981)

Price, Eric J. (1946)

Price, Paton (1949)

Priest, Allen (undated)

Primex Trading Co. (1950)

Prince, Charlotte (1969)

Princeton University (1945-1947, 1951-1952, 1955, 1957-1958, 1963, 1972, 1974-1978, 1985)

Prior, Harris K. (1947-1949, 1951, 1954-1956, 1962)

Pritzker Architecture Prize (1982)

Prochnik, Wit-Olaf (1956)

Producers' Council (1961-1962)

Program (1964)

Progressive Architecture -- (1948, 1953-1954, 1956-1958, 1960-1961, 1965-1967, 1969, 1971, 1977)

Propylaen Verlag Berlin (1975)

Providence Preservation Society (1960-1961)

Providence Public Library (1969)

Ptasnik, Mieczyslaw (1970)

Pugin's "Contrasts," Introduction to (1968)

Pulitzer, Mrs. Ralph (1954)

Putnam, George (1941)

Putnam, Natalie (1953)

Quadrangle Books (1969)

Quantrill, Malcolm (1956-1963, 1967, 1983, 1985)

Quaritch Ltd. (1953)

Queens College (1947)

Quinan, John (1972, 1980)

Quincy, Edmund (1959-1962)

Quincy Society of Fine Arts (1965-1966)

Raab, Martin D. (1954)

Rabinovich, Guillermo (1962)

Radcliffe College (1962)

Radice, E. A. (Ted) (1946, 1953-1954)

Raider, Nancy (1985)

Rainer, Roland (1956)

Rambusch, Catha Grace (1980-1981, 1983)

Ramsey, Ronald Lanier (1972)

Rand, Marvin (1959)

Randall, John D. (1958, 1973, 1981, 1984)

Randall, Richard R. (1966)

Randolph Hotel (1958)

Randolph Macon Women's College (1955)

Random House (1963)

Ransom, David (1977)

Rapson, Carin (1961)

Rapson, Ralph (1954, 1958-1959)

Rat fur Formgebung (1956)

Rathbone, Perry (1951-1952)

Rathbun, Mary C. (1947)

Rauch, Basil (1954, 1956)

Rava, Rebzi (1957)

Rawles Ltd. (1953)

Rebhuhn, Anne (1941)

Redfern Gallery (1946)

Reed, L. B. (1948-1950, 1952-1953)

Reed, Susan Welsh (1965)

Reeves and Son (1946)

Reform Club (1955)

Regensburg Stadt Museum (1973)

Regina College (1952)

Regional Planning Office [Australia] (1953)

Reiach, Alan (1954, 1956-1957)

Reid, Alexander (1946)

Reiff, Robert (1959)

Reinauer, B. Franklin (1985)

Reinberger, Mark (1982)

Reiner, Jan (1952)

Reinhardt, Phyllis A. (1953-1955, 1960-1961, 1967-1968)

Reinhold Books (1957, 1959)

Reinhold Publishing Co. (1954)

Reinink, A. W. (1964, 1966-1967, 1969-1972)

Renaissance Conference (1945)

Renaissance Quarterly -- (1970)

Renaissance Society of America (1954, 1956-1958, 1961)

Renascence (1955)

Rensselaer Polytechnic Institute (1947, 1986)

Research Publications (1970-1971)

Residenz Verlag (1968)

Revista de Occidente Argentinia -- (1949)

Rewald, John (1977)

Rewald, S. (1976)

Rheinisches Museum (1958)

Rheinland Landschaftsverband (1956)

Rhode Island (1968)

Rhode Island Architecture -- (1939, 1968)

Rhode Island School of Design (1949-1950, 1952, 1956, 1982-1983)

Rhoads, William B. (1969)

Ribner, Jonathan (1979)

Rice, Davis and and Daley (1946-1949)

Rice Institute (1958)

Rice, Norman (1966)

Rich, Daniel Catton (1981)

Rich, Frances (1966)

Richards, Brian (1955)

Richards, Charles R. (1928)

Richards, Jim (1950, 1956)

Richards, Jim and Kit (1955)

Richards, John M. (1946, 1947, 1952, 1954, 1965)

Richardson (1956)

Richardson, A. E. (1945, 1954)

Richardson, Douglas (1971-1972, 1974-1976)

Richardson, Douglas Scott (1966)

Richardson, E. P. (Ted) (1953, 1955)

Richardson, H. H. (1974, 1978, 1982)

Richardson, Joseph P. (1973)

Richmond (1947, 1965)

Ricketson, John H. (1963)

Rickey, George W. (1961)

Rider, Fremont (1950)

Rietveld (1963)

Rijksmuseum (1956)

Rindge, Agnes (1930, 1945, 1947) ( -- see also -- : Claflin, Agnes Rindge)

Ringling Museum of Art (1948-1949, 1952)

Riopelle, Chris (1979-1982, 1984)

Ripley, Dillon (1958)

Ritter, John C. (1962)

Riverside, University of California at (1966)

Robb, David M. (1945, 1953, 1959)

Roberts, Abby B. (1941)

Roberts, Laurance (1959)

Robertson, Jacques (1955)

Robertson, Nancy (1959)

Robie House, Committee for the Preservation of the (1962-1965, 1967)

Robinson and Cleaver (1960-1961)

Robinson, Cervin (1962)

Robinson, Franklin W. (1981)

Roche, Kevin (1966, 1974-1975)

Rochester (1967)

Rochester Memorial Art Gallery (1949)

Rochester, Print Club of (1949-1950)

Rochester, University of (1970)

Rockefeller, Mr. and Mrs. David (1967)

Rockefeller, Mr. and Mrs. John D., 3rd (1955)

Rockefeller, Winston (1957)

Rococo Architecture in Southern Germany -- (1967-1968)

Rodman, Selden (1949)

Roe, Albert S. (1961)

Rollins, Clara B. (1950)

Romaine, Lawrence B. (1941, 1946-1953, 1955, 1958, 1961)

Rome (1959)

Roop, Ellen (1967)

Roos, Frank J. (1938, 1947)

Roosevelt University (1957-1958)

Rorimer, James J. (1955)

Roscoe, Field (1952)

Rose, Francis (1947, 1949-1954, 1956, 1964, undated)

Rose, Frederica (1955)

Rose, Laura (1976)

Rosebery, Earl of (1952)

Rosenberg, Arthur M. (1951)

Rosenberg, Eugene (1956)

Rosenberg, George (1976)

Rosenberg, Jim (1954)

Rosenblum, Robert H. (1952-1953, 1956-1969, 1972, 1982)

Rosenthal, Julius (1948)

Rosenwald, Lessing J. (1948)

Rosett, Francis (1957-1958)

Rosever, Kenneth M. (1952)

Ross, Marian Dean (1941, 1947, 1952-1954, 1956, 1960-1962, undated)

Ross, Marvin C. (1957, 1962)

Ross, Robert W. (1925, undated)

Roth, Leland (1970, 1973-1974, 1976, 1978, 1982)

Rothenberg, Jacob (1952)

Rowaan, H. (1963)

Rowe, Barbara C. (1958)

Rowe, Brian and Colin (1952)

Rowe, Colin (1953-1956, 1960-1961, 1964, 1977)

Rowland, Browse and Delbanco (1952)

Rox, Henry (1953, 1945)

Royal Archaeological Institute of Great Britain and Ireland (1955)

Royal Architectural Institute of Canada ( -- see -- : Canada, Royal Architectural Institute of)

Royal Automobile Club (1956)

Royal College of Art (1953)

Royal Institute of British Architects (1936, 1946-1957, 1959, 1962, 1968, 1970, 1975, 1981,1986)

Royal Society of Arts (1950, 1953, 1955-1956, 1959-1962, 1964, 1966-1967, 1969-1970, 1972, 1975-1976, 1978-1980, 1983, 1985-1986)

Royal Vangorcum Ltd. 1965

Rub, Timothy (1978-1982, 1986-1987)

Rubin, Don (1970)

Rubin, Joan Carpenter (1980)

Rudd, J. William (1961, 1963, 1966)

Rudisill, Richard (1964)

Rudolph, Paul (1950, 1952-1954, 1963-1964, undated)

Rueger, Charles (1954)

Rufford Travel (1954-1955)

Ruggie Agency (1949-1950, 1952-1955, 1961)

Rusch, Basil (1955)

Rusk, W. S. (1935)

Ruskin Society of America (1951, 1953)

Russell, A. LeBaron (1947)

Russell, Beverly (1975)

Russell, Christopher A. (1953)

Russell, Gordon (1956)

Russell, Mr. and Mrs. William G. (1954)

Russian Review -- (1955)

Rutgers University (1955, 1972-1973, 1982, 1985)

Rutledge, Anna Wells (1951, 1955, 1957, 1962, 1966)

Ryan Studios (1958)

Ryder, Arthur (1949)

Ryerson and Burnham Libraries, Art Institute of Chicago (1949) ( -- see also -- : Burnham Library; Art Institute of Chicago; Chicago, Art Institute of)

Saarinen, Aline B. (1962)

Saarinen, Eero (1957, 1963-1964)

Sabin Coal Co. (1954-1955)

Sachs, Paul J. (1925-1926, 1928, 1951-1952, 1955)

Saint, Andrew (1982, 1986)

St. George's Gallery Books (1959, 1964-1965, 1968, 1970, 1977-1978)

St. James Press (1978)

St. John's University (1961)

St. Louis, City Art Museum of (1961, 1966)

Salmon and Son (1954)

Salto Liberia (1962)

Saltonstall, Gladys (1928)

Saltonstall, Leverett (1953)

Salzberg Seminar in American Studies (1959)

Salzburg (1953)

Samoset Garage (1946)

Samson, Miles D. (1984)

Samuel, Godfrey (1948, 1952, 1956, 1959)

San Antonio Fine Arts Forum (1958)

Sanborn, Herbert J. (1960)

San Jose State University ( -- see -- : California, San Jose State University)

Santacroce, Valeria A. (1959-1960)

Sarton, May (1953)

Satterwaithe, Margaret (1970)

Sauer, David (1958)

Sauerlander, Willebald (1961-1966, 1969, 1971-1974)

Sauermost, Heinz Jurgen 1969

Savage, Charles C. (1972-1977, 1979, 1983, 1986)

Savage, Henry (1973)

Saville Club (1946)

Sawelson-Gorse, Naomi (1986)

Sawyer, Charles H. (1947, 1952-1953)

Sawyer, H. Keith (1983)

Scalvini, Maria Luisa (1983)

Scanlan, Stuart J. (1954)

Scarmuzza, Jack (1952)

Schaack, Margaret C. D. (1974)

Schaefe, Madeline (undated)

Schaeffer, Bertha (1955)

Schaeffer, John (1946)

Schafran, Lynn (1970)

Schalk, Dorothy (1957)

Scheper, H. (1956)

Scheu-Riesze, Helene (1959)

Schindler, R. M. (1930)

Schlee (1973)

Schmidt, Erwin (1958)

Schmitt, Robert (1962-1967, 1970)

Schmoller, Hans (1958)

Schmuzer Article (1965)

Schnabel, Henry H. (1964, 1967, 1969)

Schneider, Donald D. (1961, 1966, 1975, 1976)

Schneiderman, Stephen (1962)

Schnell, Hugo (1966-1967)

Schoener, Allan (1953)

School Service Bureau (1950, 1957)

Schorske, Elizabeth (1953)

Schorske, Elizabeth and Carl (1948, 1954)

Schraack, Mr. and Mrs. Henry C. (1975)

Schreider, Louis (1971)

Schulze, Franz (1986)

Schwarz, Heinrich (1952)

Schwinn, Walter K. (1976)

Scientific American -- (1952)

Scott, Geoffrey (1928)

Scott, Hayden (1952, 1958)

Scribner's Sons (1948, 1950, 1960, 1966-1967, 1969, 1979)

Scully, Arthur (1982)

Scully, Vincent (1948, 1950-1956, 1962, 1971-1972, 1977)

Scutt (1963)

Seagram and Sons U. S. Bicentennial Project (1976-1978)

Seale, William (1973, 1975, 1980-1981, 1984, 1986)

Searing, Helen (1962-1963, 1967, 1971, 1973, 1975-1976, 1979, 1983-1984)

Seaver, Esther (1948-1949, 1952)

Seeger, Mia (1956)

Segre, Maria (1963)

Seiberling, Frank (1952, 1955-1956, 1958, 1963)

Sekler, E. F. (1953)

Sekler, Edward F. (1976)

Sekler, Edward L. (1960, 1965-1967)

Seligman, Georges E. (1950)

Sellin, David (1972)

Selz, Peter (1959-1960)

Senie, Harriet (1976, 1979, 1981)

Senter, Terance A. (1972, 1974)

Serynyk, Peter (1966, 1973)

Sert, Jose Luis (1954, 1956)

Seven Arts Book Society (1957)

Severini, Lois (1978-1979, 1982-1984)

Seymour, Anne Halle (1966)

Seznec, Jean (1955)

Shaker Community, Hancock, Mass. (1962)

Shapira, Nathan, H. (1961)

Shapiro, Ellen R. (1977)

Shapiro, Meyer (1961)

Shaw, Thomas S. (1966)

Shawe-Taylor, Desmond (1946)

Shawmut Bank (1954)

Shea, Mrs. John L. (1954)

Shear, John K. (1956)

Sheffield, Margaret (1974)

Shelter Publications (1973)

Shepley, Bullfinch, Richardson and Abbott (1961, 1981)

Shepley, Henry (1948)

Sheraton Hotel (1952, 1968)

Sheridan, Friede (1956-1959, 1961)

Sherwood, Mrs. John R. (1952)

Shillaber, Caroline (1957, 1972)

Shipley, Brown (undated)

Shipman, Mary (1965)

Shipman, Mary and Arthur (1956)

Shoe String Press, Inc. (1965, 1979)

Shokokusha Publications (1961)

Shore, James R. (1962)

Shores, Ken (1962)

Sias, Garrett K. (1959)

Sidles, Mrs. Frank C. (1963)

Sihriu, Omico (1955)

Silsby, Peter (1961)

Silverman, Jill Anne (1975)

Silvermine Publications (1965)

Simpson, Charles (1968)

Simpson, Mrs. Kenneth F. (1950)

Simpson, Marc (1977)

Simpson, P. L. (1973)

Sims, W. S. (1946)

Simson, Otto G. (1954)

Singelenberg, Pieter (1962-1963, 1970-1971, 1974)

Singleton, W. A. (1956)

Sinnen, Jean (1964)

Sise, Hazen (1969)

Sitwell, Gilbert (1952)

Sizer, Theodore (1933, 1945-1946, 1950-1952, 1956, 1963)

Skempton, A.W. (1961)

Skidmore, Owings and Merrill (1960-1963, 1979)

Skopek, Thomas (1949)

Sky, Alison (1975)

Slater Memorial Museum (1950)

Sleepy Hollow Restorations (1957)

Slive, Seymour (1958)

Slive, Zoya (1965)

Sloan, Joseph C. (1959)

Sloane, Joseph C. (1958)

Small, Philip L. (1928)

Smartt, Donald (1981)

Smith, Alexander Mackay (1949) ( -- see also -- : Mackay-Smith, Alexander)

Smith and Sons (1953)

Smith, Anna L. (undated)

Smith, Betty (1928-1929)

Smith College (1946-1964, 1966-1973, 1975-1976, 1978, 1981-1982) ( -- see also -- : Department; Kennedy Fund)

Smith College Alumnae Association (1954) ( -- see also -- : Alumnae Association)

Smith, E. Baldwin (1946-1947, 1953)

Smtih, Edith (1928-1929)

Smith, Fred S. (1928)

Smith, Mrs. Frederick (1945)

Smith, G. E. Kidder (1957, 1961, 1963, 1965)

Smith, George Walter Vincent Museum (1961)

Smith, Gertrude D. (1972)

Smith, Hinchman and Grulls Associates, Inc. (1976)

Smith, Kathryn (1976-1980, 1983, 1986)

Smith, Linn (1947)

Smith, Meg (1972, 1974)

Smith, Patricia Anne (1950)

Smith, Peter van der Meulen (1927-1928)

Smith, Robert C. (1950-1952, 1956)

Smith, Sidney (1947)

Smith, Vincent (1971)

Smith, William and Son (1949)

Smithson, Peter (1966)

Smithsonian Associates (1975)

Smithsonian Institution (1967, 1976, 1979)

Smyser, H. M. (1965)

Smyth, Craig Hugh (1951-1952, 1956, 1983)

Snow, Florence (1955)

Snow, Wilbert (1945)

Snowden, Ernest (1927-1928)

Snyder, John (1974)

Soby, James Thrall (1945-1950, 1954-1955, 1957-1958, 1960-1961, 1968, 1977, 1979)

Soby, Nellie (1951-1953)

Societe Editions de France (1958)

Society for the Preservation of Long Island Antiquities ( -- see -- : Long Island Antiquities, Society for the Preservation of)

Society for the Preservation of New England Antiquities (1948, 1972, 1975) ( -- see also -- : New England Antiquities, Society for the Preservation of; Preservation of New England Antiquities, Society for the)

Society of Architectural Historians (1949-1985, 1987)

Society of Architectural Historians of Great Britain (1958-1980, 1983-1986)

Society of Mayflower Descendants ( -- see -- : Mayflower Descendants, Society of)

Solomon, Arthur and Marny (1975)

Solomon, Pringle (1948)

Somerset Co. [N.J.] Park Commission (1970)

Somerwil, J. (1962)

Sommer, Clifford C. (1958)

Sommer, Frank (1970)

Sonne, Fi (1955-1956)

Sonnenberg, Benjamin (1972)

Sorem, Lucia (1961)

Soria, Martin (1958)

Sotheby Parke Bernet, Inc. (1971, 1982)

Southern California, University of (1966, 1968)

Southern Regional Education Board (1966)

Spaeth, John W. (1945-1946)

Spark, Victor (1948, 1971)

Spear, Dorothea (1955)

Speed Art Museum ( -- see -- : Louisville, J. B. Speed Art Museum)

Speed, Herbert (1946)

Speirs, Bruce (1982)

Spence, Basil (1963-1964)

Spence, Eleanor (1954)

Spencer, Brian (1973-1974)

Spencer, Stephen (1956)

Spencer, Walter L. (1975-1976, 1978)

Sperling, Harry G. (1955)

Speyer, Darthea (1952)

Spokes, P. S. (1955)

Sprague, Joan Forrester (1960)

Sprague, Paul (1973, 1980, 1983)

Springarn, J. E. (1938)

Springfield [Mass.] (1980-1981)

Springfield [Mass.] City Planning Department (1971)

Springfield [Mass.] Museum of Fine Arts (1949, 1954)

Springfield [Mass.] Republican (1944-1945)

Springfield [Miss.] Art Museum (1949)

Staatsarchiv (1966)

Stabile, Elizabeth (1963)

Stadt Koln (1957)

Stahl, Frederick A. (Tod) (1969-1970)

Staib, Hermann (1966, 1968-1969, 1974)

Staley, Karl A. (1953)

Stamm, Gunther (1979)

Stamp, Gavin (1978, 1985)

Stanford University (1985)

Stanton, Phoebe B. (1952-1954, 1958, 1965, 1968, 1970)

Staples Press (1950)

Starr, Mrs. Nathan C. (1952)

State Department, U. S. (1955, 1956, 1958) ( -- see also -- : Department of State; United States Department of State)

State Department, U.S. Information Agency (1957)

State Historical Society of Wisconsin ( -- see -- : Wisconsin, State Historical Society of)

Stebbins, Theodore E. (1965-1969, 1972-1973, 1977-1978)

Steegman, John (1950-1952, 1955-1956)

Steele, Geoffrey (1946, 1948, 1953)

Steen Hasselbalchs Forlag (1962)

Stein, Donna (1973-1974, 1978-1979)

Stein, Joseph A. (1947)

Stein, Margaret (1949)

Stein, Roger B. (1960)

Steiner, Johannes (1966)

Steinway and Sons (1946)

Steinway, Cassie (1960-1961, 1976, 1979, 1983-1985, undated)

Steinway, Cassie and Federick (1954)

Steinway, Frederick (1974)

Steinway, Lydia (1952-1953)

Steinway, Ruth (1928, 1945, 1947, 1949-1950, 1955-1956, 1958-1963, 1965-1968, 1970-1971, 1973-1974, 1978)

Steinway, Ruth and Theodore D. (1952-1954)

Steinway, Theodore D. (1982)

Steliaros, Mary (1974)

Stephens, Sherrie L. (1962)

Stern (1979)

Stern, Edgar (1977)

Stern, Edgar and Bita (1975)

Stern, Robert (1964, 1975, 1984-1985)

Sterner, Harold (1947)

Sternfeld, Fred and Sophia (1946-1957, 1959-1964, 1966, 1968, 1978, 1985-1986)

Sternfeld, Sophia (1970)

Stetson, Eugene W. (1965)

Stevens and Brown (1946)

Stevens, Sam (1964)

Stevens, Samuel (Thomas) (1953-1954)

Steyer, Glenn (1978)

Stiles, Florence Ward (1949-1950)

Sting, Hellmut (1966)

Stirling, James (1953)

Stockwell, E. Sidney (1960)

Stoddard and Talbot (1941, 1950, 1953, 1956, 1975)

Stoddard, Whitney (1952, 1054)

Stoedtner, Franz (1956-1958, 1964, 1970)

Stoller, Ezra (1956-1957, 1960)

Stone and Downer (1946)

Stony Point Folk Art Gallery (1957)

Stora Co. (1949)

Storrer, William Allin (1971-1978, 1980)

Stott, Eric (1982)

Stout, George L. (1953)

Stowe-Day Foundation (1965)

Stowell, Robert F. (1949)

Strache, Wolf (1963)

Strachey, John (1945)

Straight, Stephen M. (1966, 1970)

Straka, Paul (1974)

Strand, Janann (1976)

Stratton, Julius Adams (1963)

Strauss, Irma (1982)

Strickland, Charles R. (1938, 1948, 1955, 1957, 1959, 1961, 1963, 1966-1967, 1979)

Stroheim and Romann (1965)

Stroock, Paul A. (1969)

Stroud, Dorothy (1949-1953, 1955-1964, 1966-1967, 1971, 1973, 1978, 1983, undated)

Struck, Paul (1948)

Stubbins, Hugh (1952, 1960)

Stubblebine, James H. (1959, 1967-1968)

Stubbs, Mr. and Mrs. (1986)

Studio Books (1960-1961)

Studio Publications (1927-1928)

Stulz, Dale W. (1981)

Sturbridge Village (1966-1976)

Sturges, W. K. (1952)

Sturges, Walter Knight (1969-1970)

Sturm, Martha (1967)

Stuttgart (1956, 1963)

Suffness, Rita (1977)

Summerson, John (1936-1937, 1939, 1941, 1945-1949, 1952-1954, 1956, 1958, 1960-1962, 1966-1967, 1969-1970, 1980, 1982)

Sun [Baltimore] 1952 ( -- see also -- : -- Baltimore Sun -- )

Sunderland, Elizabeth (1946)

Sunderland, John (1953)

Sutherland, A. M. (1962)

Sutton, Mrs. Harvey P. (1941)

Swan, C. P. (1954)

Swarthmore College (1928, 1939, 1945)

Swayze, H. (1959)

Sweeney, James Johnson (1954, 1960)

Sweeney, Mr. and Mrs. James Johnson (1967)

Sweeney, John (1949, 1952-1953)

Sweeney, Robert L. (1976, 1980)

Sweet Briar College (1953)

Sweet, Frederick A. ( 1946, 1948, 1954)

Sweet, Victoria M. (1968)

Sweetland Photographers (1950)

Swets and Zeitlinger (1960)

Swetzoff Gallery (1951)

Swetzoff, Hyman (1952)

Swinton, George (1954-1955, 1957, 1964)

Swiss Review of World Affairs -- (1962)

Sylvester, David (1955)

Syracuse University (1976)

Syrkus, Szymon (1929)

Szambien, Werner (1977)

Tafel, Edgar (1962, 1971, 1973-1975, 1979-1980)

Tait, Alan (1966-1967)

Talbot, Harry (1952)

Talbott, Page (1976)

Talkington, Melinda (1969)

Tallmer, Jerry (1954)

Tamms, Frederick (1971)

Tannenbaum, Lily (1969)

Tanennbaum, Samuel (1952-1953)

Tate, Vernon (1947)

Tatum, George B. (1966, 1970, 1973, 1976)

Taube, Ivan (1975)

Taxes (1955)

Taylor, Fred M. (1954)

Taylor, Helen-Louise (1936-1938, undated)

Taylor, Lisa (1984)

Taylor, Nicholas (1962, 1966)

Taylor, Richard (1971)

Taylor, Walter (1953)

Tchelitchew, Paul (1952)

Teachers Insurance and Annuity Association (1946, 1948, 1954, 1956, 1962)

Technische Hochschule, Darmstadt ( -- see -- : Darmstadt, Technische Hochschule)

Technology Christian Association (1949)

Teel, William E. (1955)

Teichmann, Maurice (1956)

Teitelbaum Holdings, Ltd. (1982)

Tembo, Allan (1952)

Temple Hoyle-Buell Center for the Study of American Architecture, Columbia University ( -- see -- : Columbia University, Temple Hoyle-Buell Center...)

Temple University, Tyler School of Art (1962)

Tendler, Max (1962)

Tenko, Allen (1963)

Terrestris Greenhouses (1970)

Terry, Laurence (1952)

Texas Co. (1954)

Texas, University of (1968)

Thames and Hudson, Ltd. (1961, 1967-1968, 1970, 1972)

Thevoz, Michel (1970, 1974)

Thirteen, WNET (1978)

Thom, Mary (1955-1956)

Thomas, Downing (1949)

Thommasini, Anthony (1984)

Thompson, Francis (1946)

Thompson, K. (1954)

Thompson, Luther (1946-1948, 1950)

Thompson, Margaret and Randall (1948, 1956)

Thompson, Molly (1949)

Thompson, Paul (1968)

Thompson, R. S. (1960)

Thomson, Virgil (1927-1928, 1937, 1945-1948, 1950-1952, 1955, 1959, 1963, 1965, 1967, 1968, 1971-1972, 1974, 1979-1981, 1983, 1986, undated)

Thornburrow, David A. (1958)

Thornton Society of Washington (1943)

Ticeand Lynch (1946-1947)

Time -- (1959, 1967)

Time-Life (1946)

Times Literary Supplement -- (1967)

Tiranti, John, Ltd. (1949-1950)

Tirion, P.D.J. (1949)

Tobias and Co. (1946)

Toe, Abby N. (1970)

Toledo Museum of Art (1951, 1955)

Tomlinson, Mrs. (1951)

Tomlinson, Juliette (1975, 1977)

Tonetti, Joseph (1963)

Tongue, Sukru (1955)

Tonny, K. (1932)

Topeka City Beautification Association (1955)

Torbert, Donald R. (1956, 1959, 1961)

Toronto (1957)

Toronto, Art Gallery of (1950-1951, 1958-1960, 1974, 1977) ( -- see also -- : Art Gallery of Toronto)

Toronto, University of (1957-1960, 1976)

Town and Country -- (1946)

Trachtenberg, Martin (1976)

Trager, Philip (1983-1984)

Trans-World Shipping Co. (1960)

Trapp, Frank (1953)

Trappes-Lomax, Michael (1954)

Traversa de Dalt (1956)

Treasury Department, United States ( -- see -- : United States Treasury)

Trehearne and Norman (1959-1960)

Tremaine, Dee (1950)

Tremaine, Emily (1951-1957, 1962, 1965, 1969)

Trenton (1973)

Triennale de Milano (1959)

Trinity College ( -- see also -- : Austin Art Center) (1961, 1964, 1965, 1967, 1972-1973)

Trojan, Alina (1971)

Truex, Van Day (1946-1947)

Tselos, Dmitri (1943, 1946, 1956, 1958, 1961)

Tucker and Sons, Ltd. (1954)

Tunick, Susan (1982)

Tunnard, Christopher (1945, 1949-1951, 1958, 1965, undated)

Tunnard, Christopher and Lydia (1946-1948, 1975, 1981)

Tunnard, Lydia (1956, 1963)

Turl, Victor (1946, 1956)

Turner, Evan (1958)

Turner, Paul (1970, 1977, 1985)

Tuttle Co. (1952)

Twitchell, Ralph S. (1953)

Twiss, Richard E. (1979)

Tyler School of Art ( -- see -- : Temple University)

Ufford, James K. (1958)

UNESCO (1953)

Union College (1966, 1969)

Union Internacional de Arquitectos (1963)

Unitarian Association (1950)

Unitarian Congregational Society (1945)

Unitarian Universalist Church (1963)

United Engineering Trustees (1947)

United Kingdom Income Tax (1978)

United Press Association (1955)

United States Cultural Center, Berlin (1967)

United States Department of the Interior (1938, 1962)

United States Department of State ( -- see -- : Department of State; State Department, U. S.)

United States Congress, Committee on Education and Labor ( -- see -- : Committee on Education and Labor, U. S. Congress)

United States Information Service (1946, 1961)

United States Treasury (1945, 1969)

Unity Temple (1970)

Universal Transcontinental Corp. (1947)

Univesita degli Studi di Napoli ( -- see -- : Napoli,

Universita degli Studi di) (1978)

Universita Internazionale dell'Arte (1970)

University of Bristol ( -- see -- : Bristol, University of)

University of California at Riverside ( -- see -- : Riverside, University of California at)

University of California, San Jose State ( -- see -- : California, San Jose State University)

University of Chicago (1941, 1942) ( -- see also -- : Chicago, University of)

University of Cincinnati ( -- see -- : Cincinnati, University of)

University of Delaware ( -- see -- : Delaware, University of; Winterthur Program, University of Delaware)

University of Georgia ( -- see -- : Georgia, University of)

University of Glasgow ( -- see -- : Glasgow, University of)

University of Massachusetts ( -- see -- : Massachusetts, University of)

University of Melbourne ( -- see -- : Melbourne, University of)

University of Minnesota ( -- see -- : Minnesota, University of)

University of Nebraska ( -- see -- : Nebraska, University of)

University of New Mexico ( -- see -- : New Mexico, University of)

University of Notre Dame ( -- see -- : Notre Dame, University of)

University of Oklahoma ( -- see -- : Oklahoma, University of)

University of Oregon ( -- see -- : Oregon, University of)

University of Pennsylvania ( -- see -- : Pennsylvania, University of)

University of Pittsburgh ( -- see -- : Pittsburgh, University of)

University of Texas ( -- see -- : Texas, University of)

University of Toronto ( -- see -- : Toronto, University of)

University of Wisconsin ( -- see -- : Wisconsin, University of)

University of Witwatersrand ( -- see -- : Witwatersrand, University of)

University of York ( -- see -- : York, University of)

University Prints (1956-1959, 1962, 1964)

Unnitzer, Petra (1983)

Upjohn, Everared M. (1953)

Upton, Eleanor S. (1953)

Usonia (1983)

Utrecht, Kunsthistorische Instituut (1962)

Utrecht, Ryksuniversiteit te (1968)

Valentine and Sons Ltd. (1954)

Van Agtmaal (1958)

Van Bolschwig, Otto A. (1954) ( -- see also -- : Bolschwig, Otto A. Van)

Van der Berg, H. M. (1962)

Van der Poel, Priscilla (1949-1950, 1952, 1955-1956, 1958, 1960, 1962-1964, 1966, 1968-1969)

Van Derpool, James G. (1954-1956, 1959)

Van Eyck, Aldo (1956, 1963)

Van Fleet, Frederick A. (1946)

Van Gent, Arie (1957)

Vann, James Allen (1973)

Van Ojen (1958)

Van Ravensway, Charles (1939, 1963, 1966)

Van Tassel, Peter (1952-1953, 1966)

Van Trump, James D. (1957-1959, 1961, 1965, 1969)

Van Zanten, David T. (1965-1970, 1972-1973, 1975-1979, 1983, 1985)

Vancouver Hotel (1954)

Vanderbilt, Paul (1928-1930, 1941, 1945-1946, 1948-1950, 1952-1954, undated)

Vandersall, Amy (1966, 1971-1972)

Vanity Fair -- (1982)

Varley, Lee (1946, 1948, 1954, 1979)

Vassar College (1927, 1944-1946, 1961, 1965-1966, 1975, 1977)

Vaughan College (1962)

Venezuela, Universidad Central de (1967)

Venice (1975)

Venturi, Robert (1961, 1972)

Verlag Schnell and Steiner (1967, 1969)

Veronen, L. (1966)

Victoria and Albert Museum (1946, 1948-1949, 1953, 1955-1956, 1958)

Victorian Exhibition (1972)

Victorian Paperback [ -- Early Victorian Architecture in Britain -- ] (1966)

Victorian Society (1958, 1960-1966, 1968-1970, 1972-1980, 1985)

Victorian Society in America (1968, 1971-1986)

Victorian Society in America, American State Capitols Research Project (1971-1977)

Victorian Studies -- (1956-1959, 1962, 1967, 1969, 1971, 1973-1974)

Viereck, Florence (1955)

Viereck, Peter (1949-1950, 1952-1953, 1956, 1961)

Viereck, Peter and Anya (1955)

View Magazine -- (1945)

Villanueva, A. (1956)

Villanueva, Carlos Raul (1955, 1957-1959, 1961)

Villanueva, Marcel (1965)

Viollet, Brian (1958)

Viollet, H. Roger (1959)

Virginia, Commonwealth of (1953, 1957)

Virginia Museum of Fine Arts (1954, 1957)

Virginia Quarterly Review -- (1960)

Virginia, University of (1928, 1962, 1969-1970)

Visson, Assia R. (1946-1947)

Visual Publications Ltd. (1961)

Vogt, Adolf Max (1975)

Voice of America (1960, 1967)

Volpe, Anne R. (1974)

Von Erffa, Helmut (1948, 1952, 1955-1956, 1958, 1963, 1968)

Von Groschwitz, Fran (1970)

Von Groschwitz, Gustav [Von] (1945-1948, 1951-1952, 1961-1962, 1965, 1968, 1972, 1978)

Von Klemperer, Betty (1961, 1968)

Von Moschzisker, Berthe (1945, 1947-1951)

Vorenkamp, A.P.H. (1952)

Vorobiov, Mary (1954)

Vose Galleries (1960)

Vose, Robert C. (1949)

Vose, S. Morton (1952)

Vygen, Willy (1928)

Wachs, W. C. (1937)

Waddy, Patricia (1976)

Wade, John (1954)

Wade, Karen Graham (1974-1975, 1977, 1982)

Waddington Galleries (1956)

Wadsworth Athenaeum (1928, 1941, 1946-1948, 1958, 1963)

Wadsworth, Cleome (1945)

Wadsworth, Julius and Clarice (1959)

Wagner, Gunter (1983)

Wagner, Mary-Louise (1954)

Walch, Nicole (1972)

Wald, Alan (1977)

Walker Art Center (1944-1945, 1948, 1952, 1958-1959)

Walker, John (1928, 1965, 1977)

Walker, Robert (1959)

Walker, William (1946)

Wallace, Michael Lee (1959)

Walsh, Alice M. (1970)

Walter, Gayle (1953)

Walter Parrish International, Ltd. (1977)

Walters Art Gallery (1949)

Walters, Walter H. (1971)

Warburg Institute (1946, 1948)

Ward, Clarence (1943, 1945, 1947, 1952)

War Department (1948)

Ward, James (1980-1985)

Warn, Robert (1972, 1974)

Warner Burns Toan Lund (1982)

Warners, Albert (1963)

Warnoff, Deborah (1974)

Warren, Geoffrey (1936)

Warren, Richard (1974)

Warren and Whetmore (1957)

War Service Appointment (1942-1943)

Wasch, William (1983)

Washburn College (1938)

Washburn, Gordon B. (1945, 1948-1949, 1953-1954, 1965, undated)

Washington, Associated Students' University of (1965)

Washington Memorial Library (1954)

Wasmuth Antiquariat (1963-1968, 1970, 1972-1974, 1979)

Wasserman, Mrs. Amha (1959)

Wasserman, Jack (1961-1964)

Waterhouse, Ellis (1952)

Watkin, David A. (1965, 1973, 1981)

Watrous, James (1960-1961)

Watson, Peter (1946)

Watson, Steven (1985-1986)

Watts, Sarah Miles (1985)

Waugh, Arthur (1951-1953)

Way Forum (1963)

Weade, Katharine H. (1947)

Weakley, Joan (1980-1981)

Weatherby, Mrs. J. H. (1952)

Webb, Brian (1949-1950)

Webb, Geoffrey (1956)

Webb, James H. (1955)

Webb, Ltd. (1948)

Webber, Elroy (1949)

Weber, Harvey A. (1939, 1952)

Weber, Roland (1976)

Webster, J. Carson (1941, 1949, 1954, 1966, 1970, 1972-1974)

Webster, Sara (1983)

Wedgewood (1954, 1958-1959, 1961-1962)

Weese, Harry (1956)

Weill, Betsy (1977)

Weinberg, H. Barbara (1970, 1974, 1978, 1980)

Weinberg, Herbert (1954)

Weinrab, Ben (1966)

Weinreb Ltd. (1965)

Weirick, James (1974)

Weisberger, Bernard A. (1979)

Weiser, Walter (1956)

Weisman, Winston (1951-1957, 1960-1963, 1966, 1968, 1973-1975)

Weissburger, Herbert (1961)

Welch and Forbes (1956-1957, 1959, 1961, 1970, 1982, 1985)

Welch and Goodhue (1986)

Weller, Allen S. (1955)

Wellesley College (1945, 1947, 1952, 1954, 1958, 1969)

Wellington, Ohio (1973)

Wells College (1965)

Wells, Mason B. (1957-1958)

Wells, Ruth (1949)

Welsh College of Advanced Technology (1962-1963, 1966)

Wensinger, Arthur Stevens (1956, 1967)

Wenzinger, Jerry (1961)

Werkkunstschule Krefeld (1964-1965)

Wesley, Richard (1980)

Wesleyan College [Macon, Ga.] (1945)

Wesleyan University (1935, 1937-1943, 1945-1950, 1952, 1962-1963, 1967, 1973-1979, 1981-1982, 1987) ( -- see also -- : Gift)

West, J. (1952)

West-Taylor, John P. (1960, 1962)

Westbrook, Shirlee (1973-1974)

Western Reserve University (1952, 1958)

Weyhe, E. (1928, 1941, 1949, 1952-1953)

Wheaton College (1949, 1971)

Wheelock, Phyllis (1958)

Wheldon, Rupert (1927)

Whiffen, Marcus (1950-1966, 1968,-1969, 1971, 1978, 1980)

White House (1981, 1986)

White, Keith E. (1959)

White, Norval (1961)

White, Patricia (1975)

Whitechapel Art Gallery (1956)

Whitehead, Philip B. (1946)

Whitehill, Walter Muir (1951-1953, 1955, 1966, 1976)

Whitlock and Sons (1946)

Whitney Museum of American Art (1949-1950)

Whitson, Jim (1948)

Whitson Publishing Co. (1979)

Whittesley, Julian (1949)

Whittier, Charles H. (1970, 1973)

Who's Who -- (1946-1947, 1952, 1958, 1961, 1975, 1982)

Wichman, Douglas J. (1973)

Wick, Peter A. (1973)

Wickey, Thomas (1952)

Wickiser, Ralph L. (1955)

Wicksteed, O. H. (1956)

Wiebenson, Dora (1965-1966, 1968-1972, 1977, 1979, 1980)

Wiedenhoeft, Ron (1969)

Wilbraham Place (1953, 1955, 1957, 1959-1962)

Wildenstein, Georges (1953)

Wiley and Sons (1948, 1966)

Wilk, Christopher (1976, 1978)

Wilkie, David (1951-1955, 1957-1958)

Wilkinson (1956)

Wilkinson, Catherine M. (1963, 1965-1966)

Willard, Helen (1950)

Willett, Frederick W. (1969)

Williams, A. C. O'Malley (1961) ( -- see also -- : O'Malley-Williams, A. C.)

Williams, Arthur G. A. (1955)

Williams, B. (1957, 1964, 1967-1968)

Williams, Buck (1958)

Williams College (1940, 1946, 1948-1949, 1953, 1975-1976)

Williams College Museum of Art (1963)

Williams, Eda Carter (1958)

Williams, Edgar I. (1952)

Williams, David (1975)

Williams, Gail (1979)

Williams, J. Ronald (1967)

Williams, Marjory (1951)

Williams, Richard B. (1985)

Williams, Richmond (1960-1961, 1963)

Williams, Ronald (1973)

Williams, Stanley T. (1950)

Williams, Talcott (1940)

Williamsburg (1956-1957, 1961, 1972)

Williamson, L. S. (1962)

Willis, L. S. (1941)

Willis, Peter (1964-1965)

Wills, Royal Barry (1957)

Willson, Mr. and Mrs. Stuart Van Vranken (1953)

Wilmerding, John (1966, 1968)

Wilson, A. F. Johnson (1950)

Wilson, Arnold (1962)

Wilson, Daphne (1951)

Wilson, H. L. McG. (1950)

Wilson, J. P. (1956)

Wilson, Jean (1950, 1955)

Wilson, Joan R. (1969)

Wilson, John H. (1980-1984)

Wilson, Richard G. (1971, 1973)

Wilson, Suzanne (1975, 1978)

Wilson, Thomas J. (1955)

Wimpfheimer, Greta (1950)

Winchester, Alice (1953)

Wind, Edgar (1945-1946)

Wingerter, Wolfgang (1981)

Winnipeg Art Gallery Association (1959)

Winslow House (1944-1945)

Winslow, Philip N. (1961)

Winslow, Ralph E. (1947)

Winter, Robert W. (1959)

Wintersteen, Bonnie (1952)

Winterthur Museum (1952-1953, 1955-1957, 1959, 1961, 1964, 1969, 1983)

Winterthur Program, University of Delaware (1954-1955)

Winthrop and Co. (1926)

Wichnitzer, Rachel (1951)

Wischnitzer, Ruth (1964)

Wisconsin State Conservation Commission for Historic Preservation (1972)

Wisconsin, State Historical Society of (1960)

Wisconsin, University of (1946-1947, 1963, 1967, 1977)

Wisner, John B. (1970-1971)

Wittamer, L. (1961, 1962)

Wittenborn and Co. (1947, 1949-1950, 1955)

Wittenborn, George (1967-1968)

Wittkower Fellowship Fund (1974)

Wittkower, Rudolph (1945, 1949, 1951-1954, 1947, 1959, 1966-1968)

Wittler, Leila (1947, 1950)

Wittmann, Otto (1952, 1964)

Witwatersrand, University of the (1948-1950)

WNET, Channel Thirteen ( -- see -- : Thirteen, WNET)

Woburn Public Library (1936)

Wofsy, Alan (1982)

Wolf, Gertrude (1952)

Wolf, J. Robert (1962)

Wolf, Peter M. (1965, 1970)

Wolf, Reva (1980)

Wolfe, Christopher (1977)

Wolfe, R. (1963)

Wolff, Michael (1957)

Wollman, Henry (1971, 1973, 1976-1978)

Wood, Barbara L. (1950)

Wood, Charles B. (1971, 1974)

Wood, W. L. (1941)

Wood, Welby Carter (1970)

Woodbridge, Henry (1949)

Woodhouse, Lawrence M. (1965, 1984)

Woodring, Carl (1971)

Woodrow Wilson Foundation (1969-1970)

Woodside, Joan (1974-1980, 1983-1984, 1986)

Woolf, Virginia (1927)

Worbs, Dietrich (1982-1983)

Worcester Art Museum (1947, 1981)

World Construction Program (1957)

World Crossroads of Learning, Inc. (1965)

World Publishing Co. (1952, 1967)

World Writing (1953)

Wortman, Julie (1974)

Wrenn, George (1959)

Wright, Benjamin F. (1949, 1951)

Wright, David (1950-1952)

Wright, Frank Lloyd (1937, 1942-1943, 1945, 1947, 1950-1953, 1957-1958, 1978, 1980, 1982-1983, undated)

Wright, Mrs. Frank Lloyd (1959)

Wright, Frank Lloyd, Home and Studio Foundation (1977, 1984)

Wright, Frank Lloyd, and -- In the Nature of Materials -- (1941)

Wright, John Lloyd (1968)

Wriston, Barbara (1952-1953, 1956, 1960, 1962, 1967)

Wurm, Heinrich (1966)

Wurster, William W. (1943-1944, 1946,-1948, 1950, 1951-1957, 1959, 1961)

Wurster, William W. and Catherine 1945

Wyoming, University of (1975)

Xenakis, Jason (1958)

Yale Review -- (1966-1968, 1970)

Yale University (1947-1960, 1962-1963, 1965-1979, 1982, 1986)

Yardley, Michael (1975-1978)

Yeon, John (1954)

York City Art Gallery (1958)

York Institute of Architectural Study (1957-1959, 1961)

York, University of (1962, 1970)

Yorke, R.F.S. (1952)

Youell, William (1948)

Young, E. A. (1947)

Young, Elaine (1962)

Young, Elizabeth (1961)

Young, Paul E. (1949)

Young, Mr. and Mrs. Wilfred B. (1954-1955)

Youritzin, Glenda Green (1974)

Zacchwatowicz, Jim (1963)

Zador, Anna (1970, 1972)

Zarnecki, George (1953)

Zaroff, Anne T. (1975)

Zawisa, Bernard J. (1952-1953, 1956)

Zenith Corp. (1969-1970)

Zenobi Sarto (1963)

Zerkowitz, A. (1957)

Zevi, Bruno (1952)

Zewicher, Mrs. Victor K. (1950)

Zimmerman Brothers (1963-1966, 1969)

Zimmerman, Mrs. Isadore (1952)

Zodiac Revue -- (1959-1969)

Zorn, Kate (1979)

Zubarec, Michael (1956-1957)

Zwemmer, A. (1946-1948, 1955, 1959)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Henry-Russell Hitchcock papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hitchenp, Series 2
See more items in:
Henry-Russell Hitchcock papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hitchenp-ref1065

Jacques Seligmann & Co. records

Creator:
Jacques Seligmann & Co.  Search this
Names:
De Hauke & Co., Inc.  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
MM. Jacques Seligmann & fils  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Hauke, Cesar M. de (Cesar Mange), d. 1965  Search this
Parker, Theresa D.  Search this
Seligman, Germain  Search this
Seligmann, Arnold, 1870-1932  Search this
Seligmann, Jacques, 1858-1923  Search this
Seligmann, René  Search this
Trevor, Clyfford  Search this
Waegen, Rolf Hans  Search this
Extent:
203.1 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Date:
1904-1978
bulk 1913-1974
Summary:
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.
Scope and Contents note:
The Jacques Seligmann & Co., Inc., records measure approximately 203.1 linear feet and date from between 1904 and 1978, with bulk dates of 1913-1974. The records include extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies, including de Hauke & Co., Inc., and Modern Paintings, Inc.

Historians and researchers will find the collection an invaluable resource in tracing the provenance of particular works of art. Although in the early 1940s many records in the Paris office were destroyed by Seligmann staff to keep them from falling into the hands of the occupying German military forces, many records survive, as much of the firm's business had previously come to center in the New York office. In all, the remaining records provide a comprehensive view of the activities and transactions of collectors and art dealers in the years leading up to and following World War II.

Correspondence (Series 1) is the largest series of the collection (80 linear feet) and is comprised of extensive correspondence files, primarily between Germain Seligman and his New York office staff with domestic and foreign private clients, collectors, dealers, individuals representing public museums and collections, and international scholars. The New York Office Correspondence (Series 1.1) concerns a wide variety of topics, including routine business matters, but focuses primarily on potential and realized sales and purchases and provenance documentation. Also found is detailed information on financial transactions, commissions, stock inventory, and the travel of Germain Seligman and other staff. Paris Office Correspondence (Series 1.2) is separated into a small subseries and contains correspondence written primarily by Jacques Seligmann from Paris. The subseries General Correspondence (Series 1.3) is the largest subsection of the Correspondence series and contains letters written to and received from clients and other business associates concerning business transactions and inquiries. The subseries Museum Correspondence (Series 1.4) contains letters between the firm and art institutions and museums. The subseries Germain Seligman's Correspondence (Series 1.5), contains not only personal letters but a wealth of information concerning the affairs of the firm. Much personal correspondence was marked "private."

Also of note in the Correspondence series are the Legal Correspondence Files (Series 1.6) and the Inter-Office Correspondence (Series 1.9) and Inter-Office Memoranda (Series 1.13). The Legal Correspondence Files subseries houses correspondence with both U.S. and Paris attorneys and concerns legal affairs and specific lawsuits. Of particular interest are Germain Seligman's attempts to recover Seligmann family and Paris gallery artwork and other assets stolen or confiscated by the Germans in World War II. This small subseries also contains limited information on the stock and inventory holdings of several of the firm's and Germain Seligman's subsidiary corporations, family legal affairs and lawsuits, and other related legal matters. The subseries Inter-Office Correspondence and Inter-Office Memoranda (called fiches by Seligmann staff) include memos between Germain Seligman and his staff about clients, collectors, sales, acquisitions, and other matters. These offer interesting commentary clearly intended to be read by staff only.

Also prominent is Collectors Files (Series 2), which contains numerous reference files documenting the collections of existing and potential clients with whom Seligmann & Co. maintained contacts. The files are arranged by either individual name or institution and reflect the wide scope of collector references maintained by the firm throughout its operating years. The files contain a variety of reference materials, such as photographs, provenance notes, and sales, purchase, and inventory information in cases where the collector purchased from the firm or the firm purchased from the collector. Researchers will find that many of the private and public names that appear in General Correspondence (Series 1.3) appear in the Collectors Files as well. Also found in this series are specific files relating to the Duc d'Arenberg Collection, the Clarence H. Mackay Collection, the Mortimer L. Schiff Collection, and the Prince of Liechtenstein Collection. The firm either handled substantial estate sales for these collections or purchased and sold important pieces from these collections.

Auction Files (Series 3) and Exhibition files (Series 4) trace the sales and exhibition activities undertaken by Jacques Seligmann & Co., Inc. In the Auction files, researchers will find documentation of auctions of individual works of art owned by the firm and handled by Christie's, Parke-Bernet, and other auction houses. Of particular interest is the 1948-1949 Parke-Bernet auction of the C. S. Wadsworth Trust, a "dummy" trust set up by the firm to dispose of a portion of its unsold inventory. The Exhibition Files house a variety of documentation, such as catalogs and correspondence, concerning the firm's active exhibition history. Many of the exhibitions featured works of art recently acquired by the firm, such as the 1937 exhibition, Twenty Years in the Evolution of Picasso, which included a number of Picassos the firm acquired from Madame Jacques Doucet that year.

Reference Files (Series 5) includes a card catalog to books and catalogs in the library maintained by Jacques Seligmann & Co., Inc., and a photograph reference index of works of art. Inventory and Stock Files (Series 6) tracks the firm's inventory through a series of stock books and supporting documentation that include sales and provenance information.

Financial Files and Shipping Records (Series 7) consists primarily of records of the New York office, but some Paris office documents can be found scattered throughout. Found in this series is a wide variety of financial records including purchase receipt files, credit notes, invoices, consignment invoices and books, invoices, consular invoices, sales and purchase account books, ledgers, and tax records. The records appear to be quite complete and date from 1910 to 1977. Of particular interest are the purchase receipts and credit notes and memoranda that contain detailed documentation on acquisitions and sales. The consignment invoices provide information about works of art sold on behalf of other galleries and dealers, as well as which galleries and dealers were handling works of art for Jacques Seligmann & Co., Inc. Although quite large and complex, the financial records offer a comprehensive overview of the firm's business and financial transactions.

The records of subsidiary companies that were part of Jacques Seligmann & Co., Inc., such as Contemporary American Department, de Hauke & Co., Inc., Modern Paintings, Inc., and Gersel Corp. are arranged in their own series. In 1935, the firm established the Contemporary American Department to represent young American artists. Under the direction of Theresa D. Parker, a longtime gallery employee, the department initiated an exhibition and loan program. Contemporary American Department (Series 8) includes mostly correspondence files and exhibition files.

The largest subsidiary company to operate under Jacques Seligmann & Co., Inc., was de Hauke & Co., Inc. De Hauke & Co., Inc., Records (Series 9) dates from 1925 through 1949 and contains domestic and foreign correspondence with clients, collectors, and dealers; inter-office correspondence and memoranda with Jacques Seligmann & Co., Inc.; administrative and legal files; and financial records. Modern Paintings, Inc., records (Series 10) contains the legal and financial files of this subsidiary company, which was established in 1930 to incorporate most of the stock of the liquidated de Hauke & Co., Inc. Gersel Corp. Records (Series 11) contains a small amount of material from this company.

Researchers should note that a scattering of records from most of the subsidiary companies may also be found throughout additional series, particularly Inventory and Stock Files (Series 6) and Financial Files and Shipping Records (Series 7). Records for the firms Tessa Corp. and Georges Haardt & Co., which were also owned by Germain Seligman, are not part of the Jacques Seligmann & Co., Inc., Records, although scattered references to these two firms may be encountered throughout the collection.

German Seligman's Personal papers (Series 12) includes scattered family and biographical materials, his research and writings files, and documentation of his personal art collection. Found in Family and Biographical Material (Series 12.1) are photographs of family members, including Jacques Seligmann, and of the Paris gallery. Also found is a limited amount of correspondence concerning Germain Seligman's residency status and his desire to obtain an army commission during World War II. Germain Seligman's research and writing files are found in this series and include material for his books: Roger de La Fresnaye, with a Catalogue Raisonné (1969); Merchants of Art, 1880-1960: Eighty Years of Professional Collecting (1961); The Drawings of Georges Seurat (1947); and Oh! Fickle Taste; or, Objectivity in Art (1952). Documentation of Germain Seligman's private art collection is arranged in this series and includes provenance and research files and correspondence concerning his art collection.

Overall, the historical records of Jacques Seligmann & Co., Inc., offer researchers a comprehensive and detailed resource for studying one of the most active dealers in decorative arts, Renaissance, and European contemporary art. The records clearly document the firm's numerous acquisitions and sales of important works of art to well-known European and American collectors and museums as well as Germain Seligman's extensive client contacts and references. The collection offers an insightful, intriguing, and often fascinating view into the complex field of art sales, trading, and acquisition during the first half of the twentieth century, when many major collections in the United States were formed.

Researchers interested in tracing the provenance of individual works of art should carefully check each series of the collection for information to obtain a complete history for any work. Jacques Seligmann & Co., Inc., staff set up many different files to cross-reference works of art from various angles, such as artist or creator; collector or collection; most recent owner or repository location; stock inventory number, if owned by Seligmann & Co.; and photographic reference files. The task is made somewhat more difficult by the number of commission sales and joint ownership of works of art, often documented solely in the Inventory and Stock Files (Series 6) or the Financial Files and Shipping Records (Series 7). Only by tracing a name or date through the various series can one find all of the information relating to a particular work of art and its provenance.
Arrangement note:
Following is an outline of the arrangement of the collection by series and corresponding box numbers and extent. More detailed information for each series and subseries, along with a box and folder inventory, is found in the Series Descriptions/Container Listings, which can be found by following the series links below. Glass plate negatives are housed separately and closed to researchers.

Series 1: Correspondence, 1913-1978 (1-174, 80 linear feet)

Series 2: Collectors Files, 1875, 1892-1977, undated (Boxes 175-252, 35 linear feet)

Series 3: Auction Files, 1948-1975, undated (Boxes 253-259, 2.75 linear feet)

Series 4: Exhibition Files, 1925-1977, undated (Boxes 260-272, 5.5 linear feet)

Series 5: Reference Files, 1877-1977, undated (Boxes 273-278, 2.25 linear feet)

Series 6: Inventory and Stock Files, 1923-1971, undated (Boxes 279-289, 4.5 linear feet)

Series 7: Financial Files and Shipping Records, 1910-1977 (Boxes 290-357, 30.5 linear feet)

Series 8: Contemporary American Department, 1932-1978 (Boxes 358-381, 10 linear feet)

Series 9: De Hauke & Co., Inc., Records, 1925-1949, undated (Boxes 382-416; 16 linear feet)

Series 10: Modern Paintings, Inc., Records, 1927-1950 (Boxes 417-420, 1.25 linear feet)

Series 11: Gersel Corp. Records, 1946-1969 (Box 421, 0.25 linear feet)

Series 12: Germain Seligman's Personal Papers, 1882, circa 1905-1984, undated (Boxes 422-459, OV 460, 17 linear feet)
Biographical/Historical note:
Jacques Seligmann & Co., Inc., was counted among the foremost French and American art dealers in antiquities and decorative arts and was among the first to foster and support the growth and appreciation for collecting in the field of contemporary European art. The company's clients included most of the major American and European art collectors of the era, and the art that passed through its galleries often ended up in the collections of prominent American and European museums through the donations of the wealthy benefactors who purchased them from the company. Jacques Seligmann & Co., Inc., took an active part in promoting such donations as well as providing its own donations and selling paintings, sculpture, and decorative arts directly to many museums.

The company was first established as Jacques Seligmann & Cie. in 1880 on the Rue des Mathurins in Paris by Jacques Seligmann (1858-1923), a German émigré who came to France in 1874 and soon thereafter became a French citizen. The company experienced so much success that in 1900 a new, larger Galerie Seligmann was opened on the Place Vendôme, and Jacques's two brothers, Simon and Arnold, joined the business as partners. Simon served as the company's accountant, and Arnold was in charge of correspondence with the firm's many clients. Jacques remained as the manager and was in charge of all purchases for the firm.

Prominent clients of the company included Baron Edmond de Rothschild of France, the Stroganoff family of Russia, Sir Philip Sassoon of England, and American collectors Benjamin Altman, William Randolph Hearst, J. P. Morgan, Henry Walters, and Joseph Widener. As American clients increasingly came to dominate the company's sales activities, a New York office at 7 West Thirty-sixth Street was opened in 1904. Five years later, Jacques purchased the Hôtel de Sagan (also called the Palais de Sagan by the Seligmann family) in Paris as a location where Jacques Seligmann & Cie. could stage larger exhibitions and receive its most distinguished clients.

In 1912 a family quarrel resulted in a lawsuit that split the company. Arnold remained at the Place Vendôme location, reorganized under the name Arnold Seligmann & Cie., while Jacques consolidated his operations and moved the headquarters for Jacques Seligmann & Cie. to the Hôtel de Sagan. Jacques also opened an additional gallery at 17 Place Vendôme to retain a presence near the company's original location, but this branch soon relocated to 9 Rue de la Paix. The New York office, which formerly had operated out of a single room, was upgraded to larger office space and a gallery at 705 Fifth Avenue.

Jacques's son, Germain Seligman (1893-1978), showed an interest in art connoisseurship from his early years and often accompanied his father to work in the galleries. (In 1943, when Germain Seligman became an American citizen, he dropped the second "n" from his surname, and for clarity his name appears with this spelling throughout this finding aid.) His father taught him how to deal with clients and often assigned him tasks to help in the completion of sales. Germain accompanied Jacques on many business trips and in 1910 was sent to St. Peterburg, Russia, to secure information about the selling price of the Swenigorodskoi enamels owned by the Russian collector M. P. Botkine.

Germain continued to work informally in the firm's galleries until the outbreak of World War I. Within hours of the mobilization order in 1914, Germain joined the French army as a second lieutenant in the 132nd Infantry Regiment of Rheims. By 1916 he was promoted to first lieutenant in the Twenty-fourth Infantry Brigade and in the following year achieved the rank of captain in the Fifty-sixth Infantry Division. Also in the same year, he was assigned as the first French liaison officer to the First Division of the American Expeditionary Force in France, serving as translator for Major George C. Marshall. Seligman was discharged from the French army in 1919 and was awarded the French Croix de Guerre with six citations. (In 1938 Seligman also was awarded the Office of the Legion of Honor from France, and in 1939 he was decorated by General John Joseph Pershing with the Distinguished Service Medal of the United States, in recognition for his service during World War I.)

After his discharge from military service, Germain Seligman actively joined his father's company as a partner in 1920. Jacques Seligmann & Cie. was changed to Jacques Seligmann et Fils, and Germain was placed in charge as the president of the New York office. The strong American art market necessitated Germain's making numerous cross-Atlantic trips each year. Upon the death of his father in 1923, Germain took over as president of both the Paris and New York offices, and the company was once again renamed Jacques Seligmann & Cie.

In the early years of Jacques Seligmann & Co., Inc., the firm carried few paintings, as collectors focused their interest mostly on small objects, enamels, ivories, and other decorative pieces from the Byzantine to the Renaissance eras. Stone and bronze sculptures, medieval and Renaissance tapestries, and eighteenth-century French furniture were the most avidly collected pieces of the era. The galleries of Jacques Seligmann & Co., Inc., reflected its clients' tastes, but soon after the turn of the century art trends began to change.

The 1913 Armory Show introduced many Americans to contemporary European art, and collectors in the United States began to show marked interest in it. The advent of World War I brought much of the art market to a standstill in Europe, but interest in the Impressionists continued in the United States, and it quickly resumed in Europe, as well, after the war. Both collectors and dealers began buying modern art, led by such progressive American collectors as Walter Arensberg, Albert C. Barnes, A. E. Gallatin, Mrs. Horace O. Havemeyer, Mrs. Potter Palmer, Duncan Phillips, and John Quinn, among others.

Under Germain's leadership, Jacques Seligmann & Co., Inc., began acquiring works by Pierre Bonnard, Paul Cézanne, Honoré Daumier, Edgar Degas, Pablo Picasso, Henri Rousseau, and Vincent van Gogh. While Germain promoted this trend for modern art in the New York gallery, other family partners did not approve as this was a new direction for the firm. For this reason Germain Seligman looked to establish a new, independent business venture in the evolving field of modern art. He selected as his partner César Mange de Hauke.

César Mange de Hauke was born on March 8, 1900, the son of a French engineer and a Polish mother. After completing academic and art studies in England and France in the years following World War I, de Hauke arrived in the United States in 1926. While in New York City, he was introduced to Germain Seligman by Germain's cousin, René Seligmann, and by 1927 de Hauke had joined Jacques Seligmann & Co., Inc., as a sales representative.

With their shared interest in modern French painting, Seligman and de Hauke decided to explore the feasibility of sales in this area by forming a subsidiary to Jacques Seligmann & Co., Inc., that would specialize in contemporary European artists. In 1926 Seligman personally financed the fledgling company, first called International Contemporary Art Company, Inc., and he appointed de Hauke its director, but even before the legal documents setting up the company were completed the name was changed to de Hauke & Co., Inc. Although the bulk of the new company's art purchases took place in Paris and London, the majority of its sales occurred in the United States.

Seligman and de Hauke worked out an agreement allowing de Hauke to purchase works of art that could then be sold as stock inventory of Jacques Seligmann & Co., Inc., or privately under de Hauke's own name. Ownership of paintings was often shared among various art dealers, involving complicated commission transactions upon completion of sale. Seligman provided display space for de Hauke & Co., Inc., at the new, larger gallery of Jacques Seligmann & Co., Inc., now located at 3 East Fifty-first Street. The two businesses were deeply intertwined, as evidenced by the facts that Seligman's financial records include a great deal of de Hauke material and many of de Hauke's records are written on the stationery of Jacques Seligmann Co., Inc.

During the second half of the 1920s, de Hauke showed the work of modern French School artists in New York City. He exhibited works by Pierre Bonnard, Amedeo Modigliani, Odilon Redon, Ker-Xavier Roussel, Edouard Vuillard, and many others. De Hauke was equally interested in French School drawings and watercolors, and the scope of his exhibitions also included works by nineteenth-century masters such as Paul Cézanne, Jacques-Louis David, Eugè00E8;ne Delacroix, Jean Ingres, Pierre-Auguste Renoir, and Georges Seurat.

Among the exhibitions held at the New York gallery were two highly successful shows featuring the works of Pablo Picasso. The first one, held in 1936, displayed paintings from the Blue and Rose Periods and was soon followed by the 1937 exhibition, Twenty Years in the Evolution of Picasso. The star of this exhibition was Les Demoiselles d'Avignon which Germain had recently acquired from the Jacques Doucet Estate sale.

Despite the bleak economic conditions of the 1930s, the new business venture proved so successful that the other family members of Jacques Seligmann & Co., Inc., withdrew their opposition to expanding into the field of modern art, and de Hauke & Co., Inc., was dissolved and re-formed under the new name, Modern Paintings, Inc. César M. de Hauke was appointed its director, but tensions had crept into the relationship between the former partners, and by 1931, de Hauke had resigned and returned to Paris.

The mid-1930s appear to have been a period of reorganization for the company. By 1934 Modern Paintings, Inc., was also dissolved, and it assets were assumed by Jacques Seligmann & Co., Inc., and by Tessa Corp., another subsidiary of the firm. In 1935, however, the firm established a new subsidiary, the Contemporary American Department, to represent young American artists. Theresa D. Parker, a longtime gallery employee, was selected to head the department, and she initiated an exhibition and loan program. Soon thereafter, the City of Paris offered to buy the company's building at the Hôtel de Sagan as part of a complicated negotiation for a site for the Exposition Internationale des Arts et Techniques dans la vie Modern 1937. The Paris office of Jacques Seligmann & Co., Inc., reestablished itself at 9 Rue de la Paix, but Germain selected the New York office as the headquarters for Jacques Seligmann & Co., Inc. Subsequently he filed his legal residence as New York City. Germain's half-brother, François-Gerard, was left in charge of the Paris office operations, although Germain continued to commute between the two offices until the summer of 1939.

During the New York World's Fair of 1939, Germain served as a member of the Exhibition Committee, which coordinated the art section. When the fair was extended for an additional year, Seligman was asked to take responsibility for planning the French art section. World political events intruded, however, and rumors of impending war affected both the European and American economies as well as the international art world. Speculative sales, particularly in Europe, made for a chaotic and unpredictable market. In June 1940 German forces invaded France and occupied Paris. Business for Jacques Seligmann & Co., Inc., took a dramatic downturn. In the summer of 1940 the Seligmann galleries and family holdings were seized by the Vichy government, along with Germain's private art collection. The family house and its contents, along with almost the entire stock of the Paris firm, was sold at public auction. Jacques Seligmann & Co., Inc., staff burned the Paris office archives in an effort to keep the records relating to works of art from falling into the hands of the Nazi occupiers, who were looting and shipping art to Germany.

Family members also experienced the pains and changes brought on by the war. Jean Seligmann, a cousin of Germain and the head of Arnold Seligmann & Cie., was captured and shot in Vincennes, France. François-Gerard, a half-brother, was drafted into the army and subsequently joined the French Resistance. Another brother, André, fled France in September 1940 and arrived in New York City, where he opened his own gallery. (He would later return to Paris after the war, but died shortly thereafter from a heart attack.)

Germain applied for a commission in the United States Army in 1942, but his application was initially turned down due to his noncitizen status. Soon thereafter, however, President Franklin D. Roosevelt signed the second War Power Act, which stipulated that naturalization could be expedited if the individual served in the military during the war. This act prompted Germain to further press his application for a post overseas, citing his citizenship status as fairly inconsequential or at least no longer a grave hindrance. Despite numerous letters exchanged with the War Department, however, his application was eventually rejected due to changes in military personnel policy.

During the war years, the Seligmann company in New York moved from its 3 East Fifty-first Street location to smaller quarters at 5 East Fifty-seventh Street. The first exhibition in this space was held in the spring of 1944. By 1945 the Contemporary American Department was reactivated, with Theresa D. Parker as its head.

In the years following the war, a rapprochement occurred among the family members who had been split since the family quarrel between Jacques and Arnold Seligmann. With the death of Jean Seligmann during the war, Arnold Seligmann & Co. had been left without a director. Germain consolidated the two family businesses, but made separate financial and administrative entities of the Paris and New York offices. Henceforth they were affiliated "only by ties of affection."

During the early to mid-1950s, many of the activities involving Jacques Seligmann & Co., Inc., centered upon the recovery of looted artwork and property as well as resolving outstanding issues from the consolidation of the various family businesses. The firm was also involved in the sale of several significant collections.

In 1951 Germain was commissioned by the family of the Duc d'Arenberg to sell the family's collection of important illuminated manuscripts, engravings, and select paintings. Jan Vermeer's Portrait of a Young Girl was purchased for over a quarter million dollars.

Jacques Seligmann & Co., Inc., also handled the 1953 sale of works from the Prince of Liechtenstein's collection and negotiated the purchase of seven Italian marble sculptures that were eventually sold to the Samuel H. Kress Foundation in 1954. From the late 1950s up until the closing of the company in 1977-1978, the exhibitions mounted by the firm seem to indicate a gradual focus back toward drawings and more traditional art. Contemporary American artists continued to be shown as well, but the firm no longer maintained its leading edge in the art market.

Germain, who during the 1940s had written several works, among them a monograph on Roger de La Fresnaye in 1945 and The Drawings of Georges Seurat in 1947, devoted himself more and more to writing. In Oh! Fickle Taste; or, Objectivity in Art, published in 1952, Seligman addressed the importance of political and social climates in understanding the evolution of art collecting in the United States. He followed this book with the 1961 publication of Merchants of Art, 1880-1960: Eighty Years of Professional Collecting which memorialized his father and traced the history of Jacques Seligmann & Co., Inc. Germain's most significant work, Roger de La Fresnaye, with a Catalogue Raisonné (1969), was lauded by art critics and listed among the 1969 "Best Ten Books of the Year" by the New York Times.

With the death of Germain Seligman in 1978, the firm doors closed, leaving behind a legacy of collecting that helped to establish American collectors and museums in the forefront of the international art world. A survey of the major art museums and collections in the United States reveals the significant number of works that were acquired either by sales or through donation from Jacques Seligmann & Co., Inc. The influence the company wielded is also demonstrated through the network of relationships it built with collectors, art museums and institutions, and other dealers, such as Dr. Albert C. Barnes, Bernheim-Jeune, George Blumenthal, Sen. William A. Clark, the Detroit Institute of Arts, M. Knoedler & Co., Inc., the Metropolitan Museum of Art, the Museum of Modern Art in New York, the National Gallery of Art, Marjorie Merriweather Post, Henry Walters, and Wildenstein & Co., among others.

1858, September 18 -- Jacques Seligmann born in Frankfurt, Germany.

1874 -- Jacques Seligmann leaves Germany to work in Paris, France, as an assistant at Maître Paul Chevallier, a leading Paris auctioneer. Soon after he leaves to work for Charles Mannheim, an expert in medieval art.

1880 -- Jacques Seligmann opens his own shop at the Rue des Mathurins. An early client is Baron Edmond de Rothschild.

1893, February 25 -- Germain Seligman is born in Paris, France. His mother's maiden name is Blanche Falkenberg (d. 1902).

1900 -- Jacques Seligmann & Cie. is formed when Jacques's brothers, Arnold and Simon, join him as partners and the business moves to the Place Vendôme.

1904 -- The New York City office of Jacques Seligmann & Co., Inc., is established, with Eugene Glaenzer as the manager. Beginning in 1905, Seligmann begins yearly visits to the New York office.

1907 -- Jacques Seligmann is elected a Fellow for Life of the Metropolitan Museum of Art.

1909 -- Jacques Seligmann & Cie. acquires the Hôtel de Sagan on the Rue Saint Dominique. Jacques moves the headquarters for the company to this location and reserves its use for the most exclusive and important clients, but his brother Arnold continues to oversee the general operations of the company at the Place Vendôme.

1912 -- A lawsuit between Jacques Seligmann and his brother, Arnold, results in a split in the family company. Arnold remains at Place Vendôme under the name Arnold Seligmann & Cie. Jacques consolidates his activities at the Hôtel de Sagan. He also opens another gallery at 17 Place Vendôme, but this is soon moved to 9 Rue de la Paix.

1914 -- As a result of the split in the family business, a new office and gallery are opened at 705 Fifth Avenue, and Jacques Seligmann & Co., Inc., is incorporated within the State of New York.

1914-1919 -- Germain Seligmann serves in the French army as a second lieutenant in the 132nd Infantry Regiment of Rheims. Later he is assigned as the first French liaison officer to the First Division of the American Expeditionary Force in France. He is discharged from active service in 1919.

1920 -- Germain Seligman becomes a partner with his father and formally joins Jacques Seligmann & Fils as the president of the New York office.

1923, October -- Jacques Seligman dies.

1924 -- Germain Seligman becomes the president of both the Paris and New York offices. Several of his brothers and sisters become partners in the firm. Theresa D. Parker joins the New York office.

1926 -- The New York office moves to 3 East Fifty-first Street. Germain Seligman, with César Mange de Hauke, sets up de Hauke & Co., Inc., to sell modern European paintings to American clients.

1930 -- De Hauke & Co., Inc., becomes Modern Paintings, Inc.

1931 -- De Hauke resigns as head of Modern Paintings, Inc., and returns to Paris.

1934 -- Modern Paintings, Inc., is dissolved, and its assets are assumed by Jacques Seligmann & Co., Inc., and by Tessa Corp., another subsidiary of the parent company.

1935 -- The Contemporary American Department is created as a part of Jacques Seligmann & Co., Inc., and Theresa D. Parker directs its operations.

1936-1937 -- Jacques Seligmann et Fils moves out of its gallery space at the Hôtel de Sagan and briefly reestablishes its headquarters at 9 Rue de la Paix. By 1937, however, the company headquarters moves to New York City. Germain Seligman establishes his legal residence there.

1939 -- World War II begins.

1940 -- During the summer, the Seligmann family house and its contents (at Rue de Constantine) are seized and sold by order of the Vichy government, along with Germain's private art collection and the gallery's stock. The Paris archives of Jacques Seligmann & Co., Inc., is destroyed by the Seligmann staff in order to keep the records from falling into the hands of the Nazis. René Seligmann dies in a New York hospital in June; François-Gerard, Germain's half-brother, is called up to serve in the army and joins the French Resistance. Another brother, André, escapes to the United States and opens a gallery in New York. Jean Seligmann, a cousin of Germain and the head of Arnold Seligmann & Cie., is captured and shot at Vincennes, France.

1943 -- Germain Seligman becomes an American citizen (and drops the second "n" from his original surname).

1944, Spring -- The New York gallery holds its first exhibition in the new 5 East Fifty-seventh Street location in New York City. During the war years, the firm had moved from its Fifty-first Street location to smaller quarters.

1945 -- The Contemporary American Department is reactivated.

1946 -- After the war, Arnold Seligmann & Cie. is left without a director, although it remains at the Rue de la Paix location. Germain consolidates the two firms but organizes the Paris and New York offices as separate financial and administrative entities.

1969 -- Germain Seligman publishes Roger de La Fresnaye, with a Catalogue Raisonné. The book receives acclaim and is listed on the 1969 New York Times "Ten Best Books of the Year."

1978, March 27 -- Germain Seligman dies.
Provenance:
The records of the Paris and New York art dealer Jacques Seligmann & Co., Inc., were donated to the Archives of American Art in 1978 by Mrs. Ethlyne Seligman, widow of Germain Seligman. A small addition of 19 linear feet was donated in 1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Genre/Form:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jacqself
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jacqself
Additional Online Media:

Mary Fanton Roberts papers

Creator:
Roberts, Mary Fanton, 1871-1956  Search this
Names:
Barnard, George Grey, 1863-1938  Search this
Borglum, Gutzon, 1867-1941  Search this
Carman, Bliss, 1861-1929  Search this
Coburn, Charles Douville  Search this
Enters, Angna, 1907-  Search this
Fanton, Belle  Search this
Glackens, William J., 1870-1938  Search this
Guilbert, Yvette, 1865-1944  Search this
Haggin, Ben Ali, 1882-1951  Search this
Henri, Robert, 1865-1929  Search this
Herford, Oliver, 1863-1935  Search this
Kroll, Leon, 1884-1974  Search this
Le Gallienne, Eva, 1899-  Search this
Muray, Nickolas, 1892-1965  Search this
Osbourne, Lloyd, 1868-1947  Search this
Remington, Frederic, 1861-1909  Search this
Rerikh, Nikolai Konstantinovich, 1874-1947  Search this
Roberts, Dorothy, 1906-  Search this
Roberts, Goodridge, 1904-  Search this
Roberts, William C.  Search this
Seton, Ernest Thompson, 1860-1946  Search this
Sloan, John, 1871-1951  Search this
Troubetzkoy, Pierre, 1864-1936  Search this
Yeats, John Butler, 1839-1922  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1880-1956
Summary:
The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The bulk of this collection is Roberts' correspondence with numerous important artists, dancers, actors, writers, and musicians of the day. Also found are scattered biographical materials, family correspondence, writings, printed material, photographs and artwork.
Scope and Content Note:
The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The collection is comprised mainly of correspondence with family members, artists, dancers, actors, writers, musicians, and visual and performing arts organizations. Also found are scattered biographical materials, writings, printed material, photographs and artwork.

The collection contains a small amount of biographical material about Mary Fanton Roberts and her husband, William Carman Roberts, including his journal of a vacation with Ernest Thompson Seton and his wife. Personal Correspondence is with her husband and sister Belle Fanton, and with friends. Business and political correspondence documents her career as a magazine editor and writer, her participation in political organizations and events, her participation in radio talks, and her correspondence regarding war issues.

Art correspondence/subject files include correspondence with and collected materials on artists, photographers, art patrons, critics, and wives of artists, as well as arts organizations, museums, and schools. Correspondence of note is with George Gray Barnard, Gutzon Borglum, Ben Ali Haggin, Leon Kroll, Frederic Remington, W. Goodridge Roberts, Nicholas Roerich, Pierre Troubetzkoy, illustrator Oliver Herford, John Butler Yeats, and Ashcan school artists Robert Henri, John Sloan, and William Glackens, as well as many others. Dance and theatre correspondence/subject files include correspondence with actors, dancers, playwrights, patrons, organizations and theatres. Correspondence of note in this series is with Charles "Orlando" Coburn, Eva Le Gallienne, Angna Enters, and the "Duncan Dancers." Literary and music orrespondence/subject files include correspondence with authors, poets, critics, singers, publishers, and musicians, such as Bliss Carman, Yvette Guilbert, and Lloyd Osbourne. Additional material found in these subject files, other than letters, includes invitations, photographs, calling cards, artwork, news clippings, and printed material.

Writings by Roberts include an autobiographical essay about her youth and early career, guest lists and notes concerning hosted events, and typescripts of poems by her niece Dorothy Gostwick Roberts. Printed material is comprised of art exhibition catalogs, published articles and trade bulletins written by Roberts, and newsclippings. Photographs are of Roberts, her family, friends, and places she lived, and include autographed portraits given to her, primarily from actors and actresses. Also found are photographs taken by Nickolas Muray of art models. Scattered artwork in this collection includes several small drawings by unidentified artists, as well as a pencil portrait of Roberts by John Butler Yeats.
Arrangement:
The collection is arranged into 11 series:

Series 1: Biographical Material, 1906, 1912-1941, undated (Box 1; 2 folders)

Series 2: Personal Correspondence, 1902-1951, undated (Box 1; 7 folders)

Series 3: Business and Political Correspondence, 1903-1959, undated (Box 1; 6 folders)

Series 4: Art Correspondence/Subject Files, 1898-1956, undated (Box 1-2; 0.8 linear feet)

Series 5: Dance and Theatre Correspondence/Subject Files, 1902-1953, undated (Box 2-3; 0.8 linear feet)

Series 6: Literary and Music Correspondence/Subject Files, 1900-1952, undated (Box 3; 0.6 linear feet)

Series 7: General Correspondence, 1898-1946, undated (Box 3-4; 0.4 linear feet)

Series 8: Writings, 1915-1926, 1952, undated (Box 4; 3 folders)

Series 9: Printed Material, 1899, 1909-1947, undated (Box 4-5; 0.3 linear feet)

Series 10: Photographs, 1880-circa 1943, undated (Box 5; 0.2 linear feet)

Series 11: Artwork, 1906, undated (Box 5; 3 folders)
Biographical Note:
Mary Fanton Roberts was born in Brooklyn, New York in 1864. When she was a young girl her family moved to Deadwood, in the Montana territory, where her father had mining prospects. When she was old enough, she and her sister were sent back to New York to attend the Albany Female Academy. After finishing school, Roberts pursued journalism and became a staff writer for four years for the Herald Tribune, the Journal, and the Sun in New York. During her long career she was editor of Demorest Magazine, editor-in-chief of New Idea Woman's Magazine, managing editor of The Craftsman, and creator and editor of The Touchstone Magazine and Decorative Arts magazine. Her longest period at one publication was seventeen years as editor of Arts and Decoration. She often wrote articles on the topic of decorative arts and home decorating, and published two books, Inside 100 Homes, and 101 Ideas for Successful Interiors.

In 1906 she married William Carman Roberts, writer and editor of Literary Digest for thirty years. They lived in Manhattan and Waterford, Connecticut.

Roberts was very involved in the artistic, theatrical, and literary circles in New York City, and met and became friends with many young avant garde American artists, including Robert Henri and John Sloan. Through her husband she met many writers and poets, including Theodore Dreiser and Bliss Carman. Roberts was active in organizations such as the Women's City Club, Pen and Brush, and the MacDowell Society and also attended countless art openings, theater performances, and other social events. As an avid supporter of modern dance, she became friends with many performers, including Isadora Duncan and Angna Enters. After her husband's death in 1941, Roberts moved to the Chelsea Hotel, where she lived for the rest of her life. She maintained lifelong relationships with a wide circle of friends and continued to correspond with them and attend social events until her death in 1956 at the age of 92.
Provenance:
The collection was donated in 1957 by Phoebe DuBois and Violet Organ.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Mary Fanton Roberts papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Ashcan school of art  Search this
Works of art  Search this
Editors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Mary Fanton Roberts papers, 1880-1956. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robemary
See more items in:
Mary Fanton Roberts papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robemary
Additional Online Media:

James Graham & Sons records

Creator:
James Graham & Sons  Search this
Names:
Coe Kerr Gallery  Search this
Duveen-Graham (Gallery)  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Cicero, Carmen, 1926-  Search this
Coheleach, Guy  Search this
Crile, Susan, 1942-  Search this
De Kooning, Elaine  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Duveen, Albert  Search this
Fogel, Seymour, 1911-1984  Search this
Fried, Nancy  Search this
Graham, Robert Claverhouse, 1913-1994  Search this
Kriesberg, Irving, 1919-  Search this
Melchers, Gari, 1860-1932  Search this
Perrine, Van Dearing, 1869-1955  Search this
Santlofer, Jonathan, 1946-  Search this
Schley, Reeve, 1936-  Search this
Stevens, Peter  Search this
Thorne, Joan, 1943-  Search this
Trieff, Selina, 1934-  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
103.2 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Scrapbooks
Photographs
Date:
1821
1815
circa 1896-2011
Summary:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.
Scope and Content Note:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions of artwork by Jamie Wyeth, and to a lesser extent, Andrew and N.C. Wyeth.

Over the years, the gallery changed names and established contemporary art departments. In addition to records of James Graham & Sons, the collection holds the records of Duveen-Graham Modern Art (in partnership with Albert Duveen), Graham Gallery, Graham Modern, JG|Contemporary, and, to a lesser extent, The Clapp and Graham Co.

Alphabetical files are a mix of business correspondence and business records. The bulk of the series contains correspondence with galleries, museums, other institutions, and, to a lesser extent, clients regarding sales, consignments, and loans of artwork. Also found are materials relevant to the daily operations of the gallery, including correspondence, subject files, and scattered financial, business and legal records.

Exhibition files provide scattered documentation of the gallery's exhibitions through catalogs, clippings, correspondence, guest books, notes, photographs, press materials, price lists, and sales receipts and other financial records.

Artists' Files document the numerous artists who have been represented by the gallery, especially modern American artists. Folders for each artist can contain a variety of materials, including correspondence with the artist or with institutions regarding consignments, loans, sales and exhibitions; photographic materials primarily of artwork; sales invoices; exhibition catalogs, postcards, and other printed materials; press releases; magazine and newspaper clippings; price lists; artist binders; and research materials on artists and artwork. Also found are some subject files, per original arrangement. There is extensive material related to artists Carmen Cicero, Susan Crile, Elaine De Kooning's portrait of President John F. Kennedy, Edwin Dickinson, muralist Seymour Fogel, Nancy Fried, Irving Kriesberg, Gari Melchers, Jonathan Santlofer, Reeve Schley, Peter Stevens, Joan Thorne, and Selina Trieff.

Artwork files document sales, consignments, and loans of artwork primarily from the mid-1980s to 2000s. Materials include agreements and contracts; condition reports; correspondence; invoices and receipts; photographs of artwork; shipping records; and photocopied printed material and other documentation. This series requires written permission from the donor in order to access.

Sales records from 1959-1984 (missing 1974) are found in the Financial Records series. Also found are check stub books from the mid-late 1950s; price lists; records for the Four Seasons Charter Corp.; and scattered banking, consignment, tax, and other financial records. Inventory cards from mid-1950s-1970s and inventory lists, often with notations and prices, are found in the series Inventory Records.

Coe Kerr Gallery Records regarding the Wyeths document Jamie Wyeth's exhibitions primarily from the mid-1970s-early 1980s. Also found is limited material regarding Andrew Wyeth and N.C. Wyeth. Materials include correspondence, photographs, exhibition printed materials, and extensive newspaper clippings.

There are exhibition catalogs, books, announcements, magazines, clippings, postcards, posters and other printed materials related to artists, John Graham & Sons exhibitions, and exhibitions by Graham artists held at other galleries and museums. Also found is an 1815 fifty cent note which was redeemed in 1821.

Seven scrapbooks document discrete aspects of the business, including the gallery's advertising, participation in an art fair, and the careers of artists Guy Coheleach and Van Dearing Perrine. Materials housed in the scrapbooks include clippings, catalogs, photographs, and other printed materials.

Photographic Materials include mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Alphabetical Files, circa 1896, 1902-1999, bulk 1955-1986 (Boxes 1-15; 15 linear feet)

Series 2: Exhibition Files, 1912, 1947-2004 (Boxes 16-24; 8 linear feet)

Series 3: Artists' Files, circa 1907-2006, bulk 1955-1999 (Boxes 24-62, 95-96; 39.1 linear feet)

Series 4: Artwork Files, circa early 1900s-2011, bulk mid-1980s-2009 (Boxes 63-71, 94, 101; 9.3 linear feet)

Series 5: Financial Records, circa 1937-1993 (Boxes 72-76, 96; 4.5 linear feet)

Series 6: Inventory Records, circa 1954-1993 (Boxes 76-78, 96; 2.1 linear feet)

Series 7: Coe Kerr Gallery Records Regarding Wyeths, 1964-1988 (Boxes 78-80, 97; 2.7 linear feet)

Series 8: Printed Materials, 1815, 1821, 1949-2006 (Boxes 81-82, 97; 2.1 linear feet)

Series 9: Scrapbooks, 1897-1990s (Boxes 82, 98-100; 0.9 linear feet)

Series 10: Photographic Materials, 1929-1990s (Boxes 83-93, 96, 100-101; 11.5 linear feet)
Historical Note:
The James Graham & Sons gallery has been owned and managed by the Graham family in New York City since 1857. Throughout its history, the gallery has specialized in decorative arts, antiques, and 19th-early 20th century and contemporary American art.

In 1857, Samuel Graham founded a gallery at 66 Third Street and specialized in furniture. Graham was joined by his son James in the 1880s and expanded the business to include antiques and decorative arts. James A. Graham, the third generation Graham, joined the gallery in the early 20th century. James Graham and antiques dealer Marshall Clapp created Clapp & Graham in 1914, a partnership which was dissolved around 1940.

James R. Graham, the fourth generation Graham, joined the gallery in 1937, followed by his brother Robert Claverhouse Graham, Sr. in 1940. The gallery was then named James Graham & Sons and was located at 514 Madison Avenue. At this time, the gallery specialized in bronzes, ceramics, silver, sculptures, and 19th-early 20th century American art. Robert C. Graham, Sr. introduced modern American art, especially The Eight, into the gallery's inventory.

In 1955, the gallery moved to 1014 Madison Avenue, where it remained until the late 2000s. That same year, Graham opened its first contemporary department with Albert Duveen. Duveen-Graham Modern Art gallery was based on the third floor of the Madison Avenue building and dealt solely in contemporary art until its closing in 1958. Robert C. Graham, Jr. (Robin) joined the gallery in 1963, becoming the fifth generation Graham to run the family business. The gallery is currently located at 32 East 67th Street.

Betsy Fahlman's "James Graham & Sons: A Century and a Half in the Art Business" (2007) was a valuable resource in constructing this Historical Note.
Related Material:
Among the other resources relating to James Graham & Sons in the Archives of American Art is an oral history interview with Robert Claverhouse Graham, November 19, 1976, and the David Herbert papers, 1950-1995.
Provenance:
The James Graham & Sons records were donated in three accessions in 2007, 2008, and 2012 by Priscilla Caldwell and Jay Grimm of James Graham & Sons.
Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Rights:
The James Graham & Sons records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Painting -- United States  Search this
Sculpture -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Scrapbooks
Photographs
Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamegras
Additional Online Media:

Milton Wolf Brown papers

Creator:
Brown, Milton Wolf (Milton Wolf), 1911-1998  Search this
Names:
Archives of American Art  Search this
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College -- Faculty  Search this
Century Association (New York, N.Y.)  Search this
City University of New York -- Faculty  Search this
Whitney Museum of American Art  Search this
Brown, Blanche  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Lynes, Russell, 1910-1991  Search this
Meltzoff, Stanley  Search this
Panofsky, Erwin, 1892-1968  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
26 Linear feet
Type:
Archival materials
Collection descriptions
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Date:
1908-1998
Summary:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Scope and Content Note:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 25.8 linear feet. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.

Biographical material includes academic records, travel documents, financial documents, Brown's military records, and a transcript of a 1997 interview. Correspondence is with students, museums, universities, publishers, art organizations, and others. The bulk of these letters document Brown's professional activities, but also found are scattered letters from friends, artists, and colleagues such as Russell Lynes, Stanley Meltzoff, Louis Lozowick, Erwin Panofsky, and Paul Sachs.

This collection also contains 33 detailed travel journals written primarily by Milton Brown's wife, Blanche, documenting their travels in Europe, the United States, and other parts of the world. Within the writings series are notebooks from the period that Brown was a student and while traveling in Europe in 1959 and 1960; book project files, which include draft writings as well as related correspondence, research material, notes, photographs and other material. Files are found for American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography (1979), American Painting, From the Armory Show to the Depression (1955), The Story of the Armory Show (1963, 1988 2nd ed.), and other books. Among the writings are files for lectures written by Brown; essays, articles, and scripts written for various publications; general research notes and student writings; and writings by others sent to Brown for review and feedback.

Brown maintained a set of files documenting his work on the Prendergast Catalogue Raisonne Project, which consist of correspondence, drafts, reports, and research materials, including notes on twenty meetings with Mrs. Prendergast. Exhibition files document Brown's work as curator on several major exhibitions, including a Jacob Lawrence exhibition at the Whitney Museum, and his contributions to others. Also found here are three interviews of Milton Brown and Marcel Duchamp concerning the 50th Anniversary of the Armory Show and anniversary exhibition. Research files include notes, research material, and printed material on various art-related subjects that were maintained by Milton and Blanche Brown for regular use for lectures, teaching, and writing projects. Brown's teaching files contain scattered lecture notes, syllabi, correspondence, faculty records, and other materials from his time at CUNY, Brooklyn College, and other visiting professorships. Organization Files contain correspondence, reports, planning documents, and event materials. These records document his membership or advisory role in various organizations such as the Archives of American Art and Century Association.

This collection also contains printed material, such as exhibition announcements, newsletters, brochures, journals, event programs, and magazine and newspapers clippings compiled by Brown. Scattered photographs include nine photographs of Milton Brown, a few photographs of friends, and photographs of artwork.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, circa 1932-1998 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1908, 1934-1998 (Boxes 1-3; 1.8 linear feet)

Series 3: Travel Journals, 1941-1996 (Boxes 3-4; 1.6 linear feet)

Series 4: Writings, circa 1929-1990s (Boxes 4-13, 25; 8.7 linear feet)

Series 5: Prendergast Catalogue Raisonne Project, circa 1952-1990 (Boxes 13-14, 25; 1.8 linear feet)

Series 6: Exhibition Files, 1962-circa 1997 (Boxes 14-16, 28; 2.0 linear feet)

Series 7: Research Files, circa 1930s-1986 (Boxes 16-19; 3.0 linear feet)

Series 8: Teaching Files, circa 1946-1993 (Boxes 19-21; 2.0 linear feet)

Series 9: Organization Files, 1959-1995 (Boxes 21-22; 1.3 linear feet)

Series 10: Printed Material, 1925-1990s (Boxes 22-24, 26, 27; 3.2 linear feet)

Series 11: Photographs, circa 1956-1990s (Boxes 25, 27; 0.2 linear feet)
Biographical Note:
Milton Wolf Brown (1911-1998) was an art historian and educator in New York City.

Known to his friends as "Mainey," Brown was born in Brooklyn, New York, in 1911. At a young age he intended to be a painter and studied with Louis Lozowick. However, instead of attending art school, he entered New York University to study education and eventually received his master's and doctorate in art history from the Institute of Fine Arts. While there he took courses with Walter Friedlander, Erwin Panofsky, and Mayer Schapiro. He also received fellowships to the Courtauld Institute of Art in 1934 and Brussels in 1937, and studied from 1938-1939 at the Fogg Art Museum at Harvard University. In 1938 he married fellow student Blanche Levine. After serving in World War II, he began teaching in the art department at Brooklyn College in 1946. There he developed a specialization in American art history and his doctoral dissertation, American Painting from the Armory Show to the Depression, was published in 1955. In 1963 he participated in the fiftieth anniversary exhibition of the 1913 Armory Show. The publication of his book Story of the Armory Show coincided with this event.

In 1971 Brown established the graduate program in Art History at the City University of New York, which became preeminent in the areas of modern art and American art history. During the 1980s he remained a resident professor at CUNY, though he retired in 1979, and he held visiting professorships at Hebrew University in Jerusalem and the Center for Advanced Study in the Visual Arts at the National Gallery of Art. From 1983 to 1987 he had a senior fellowship at Williams College for the Prendergast Catalogue Raisonne Project.

Over the course of his career Brown curated exhibitions, including an exhibition on the works of Jacob Lawrence and The Modern Spirit: American Painting and Photography, 1908-1935, and wrote for numerous publications. He also served as an active member of several professional societies. Brown was close friends with art scholars and artists, such as Jack Levine, Moses and Raphael Soyer, Ad Reinhardt, and Paul Strand. In 1991 he returned to painting landscape watercolors, and had the opportunity to exhibit his work before his death in 1998.
Related Material:
Also at the Archives of American Art is an oral history interview with Milton Wolf Brown, conducted in 1976 by Paul Cummings.
Provenance:
The Milton Wolf Brown papers were donated in 2000 and 2001 by Blanche R. Brown, Brown's widow. Three reel-to reel sound recordings were lent for duplication to cassette and transcript in 1986 by Milton Brown. A cassette copy of the Martha Deane interview was donated in 2006 by Milton Brown's estate, via Naomi Rosenblum. Additional material was donated in 2002 and 2004 by Naomi Rosenblum, executor for the estate of Blanche R. Brown, who died in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Milton Wolf Brown papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art, American History Sources  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browmilt
See more items in:
Milton Wolf Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browmilt

Robert Kushner papers

Creator:
Kushner, Robert, 1949-  Search this
Names:
98 Green St. Loft  Search this
Clocktower Gallery  Search this
Kitchen, The  Search this
Paula Cooper Gallery  Search this
St. Mark's Church in-the-Bowery (New York, N.Y.)  Search this
Goldin, Amy  Search this
Solomon, Holly  Search this
Extent:
4.6 Linear feet
Type:
Archival materials
Collection descriptions
Sound recordings
Video recordings
Place:
SoHo (New York, N.Y.)
Date:
1967-2011
Summary:
The papers of the artist Robert Kushner measure 4.6 linear feet and date from 1967 to 2011. The collection documents primarily the early career of Robert Kushner through performance videos and other media artworks, correspondence, notes, lab records, inventories, an exhibition proposal, and subject files regarding critic Amy Goldin.
Scope and Contents:
The papers of the artist Robert Kushner measure 4.6 linear feet and date from 1967 to 2011. The collection documents primarily the early career of Robert Kushner through performance videos, other media artworks, correspondence, notes, lab records, inventories, an exhibition proposal, and subject files regarding critic Amy Goldin.

Performances and artworks comprise the bulk of the collection and include video recordings, sound recordings, and motion picture films documenting works by Robert Kushner created between circa 1967 and 1982. Most of the video footage documents live performances of Kushner's pageants and fashion shows that took place between 1972 and 1981, primarily in art spaces in the SOHO district of New York City. In addition to live performance documentation, videos and films include four moving image artworks, recorded music used in performances, and publicity including a television news magazine segment featuring Kushner and his edible costumes. Paper documentation of Kushner's video recordings includes correspondence, notes, lab records, performance programs, edit worksheets, and inventories of Kushner's performance videos. An exhibition file contains documentation of the development of a proposed exhibition from 1999-2000 entitled "Pret-a-porter: Robert Kushner, performance and fashion, 1970-1980."

Subject files compiled by Robert Kushner regarding critic Amy Goldin (1926-1978), Kushner's former teacher and close friend, contain mainly photocopies and a few original documents. Included are published and unpublished writings, letters to and from Goldin, photographs, and biographical material. A small amount of original primary sources related to Goldin are also found.
Arrangement:
Collection is arranged in 3 series:

Series 1: Performances and Artwork, 1967-1988 (Boxes 1-4, FC 6-7; 3.7 linear feet)

Series 2: Video Documentation and Exhibition Proposal, 1988-2002 (Box 4; 0.2 linear feet)

Series 3: Research Material on Amy Goldin, 1971-2011 (Boxes 4-5; 0.7 linear feet)
Biographical / Historical:
Robert Kushner (1949- ) is a New York, N.Y.-based painter of the Pattern and Decoration movement and an installation artist who began his career as a performance artist.

Kushner was born in Pasadena, California in 1949 and studied visual arts at the University of California at San Diego, La Jolla in the late 1960s and early 1970s. Kushner met and worked closely with the critic Amy Goldin at UCSD, and his work was strongly influenced by her scholarship and thinking about non-Western visual cultures, particularly regarding Islamic decorative art.

Kushner began his work with fashion, costume, and performance in the early 1970s in New York City. He performed and exhibited in the many SOHO art spaces that emerged at that time supporting avant garde and experimental art, such as the 98 Greene Street Loft, the Kitchen, The Clocktower, St. Mark's Church, and Paula Cooper Gallery. The work evolved from the creation of soft sculptures using found materials, to the creation of costumes and fashion "lines" with nontraditional materials, including fresh food, which he presented in the performance genres of pageants and fashion shows, using models to exhibit his works before live audiences. In 1973, art dealer Holly Solomon became a champion of his work. He was a founding member of the Pattern and Decoration movement beginning in the mid-1970s, and his performance, costume, and paintings are strongly associated with that movement.

Kushner has exhibited his work widely, with major exhibitions at the Whitney Museum of American Art, the Brooklyn Museum of Art, and the Philadelphia Institute of Contemporary Art. Kushner's work is included in the permanent collections of the Brooklyn Museum, the Metropolitan Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the National Gallery of Art, among many others. He is represented in New York by the DC Moore Gallery.
Provenance:
Donated 2013 by Robert Kushner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Topic:
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Pattern painting  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Robert Kushner papers, 1967-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kushrobe
See more items in:
Robert Kushner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kushrobe

Charles Fergus Binns papers, 1875-1934

Creator:
Binns, Charles Fergus, 1857-1934  Search this
Subject:
American Federation of Arts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
American Ceramic Society  Search this
Topic:
Decorative arts  Search this
Photographs  Search this
Ceramics  Search this
Ceramicists  Search this
Record number:
(DSI-AAA_CollID)6727
(DSI-AAA_SIRISBib)208852
AAA_collcode_binnchar
Theme:
Art Theory and Historiography
Lives of American Artists
Art Materials, Techniques, and Studio Art Education
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208852

Oral history interview with Wendell Castle, 1981 June 3-December 12

Interviewee:
Castle, Wendell, 1932-  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Esherick, Wharton  Search this
School for American Crafts  Search this
Topic:
Decorative arts  Search this
Sound recordings  Search this
Interviews  Search this
Design, Industrial  Search this
Furniture designers  Search this
Sculptors  Search this
Educators  Search this
Record number:
(DSI-AAA_CollID)13011
(DSI-AAA_SIRISBib)212038
AAA_collcode_castle81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212038
Additional Online Media:

Modify Your Search






or


Narrow By