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Kaypi Perú: This Is Peru - 8 Etnia Group and Raices y Expresiones

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2017-02-15T19:17:00.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_uyUX5sUOPlM

On with the Dance / School children in Bridgeport, Conn., take to folk dancing like ducks to water ...

Collection Creator:
Princeton University  Search this
Extent:
1 Poster (1/8 size; , 37.5 x 28 cm)
Container:
Box 32, Folder 4
Type:
Archival materials
Posters
Place:
United States
Image:
Main Image: Photograph of girls in folk dress dancing

Other Image(s): 2 Photographs: (1) Three girls with tamborines (2) Girls doing folk dances
Local numbers:
Princeton Poster# 7550
General:
Issued by: Community Service, Inc.

Artist(s): Anon
Locale:
New York
Note:
Posters #7546 - 7552 are stapled together
Collection Restrictions:
Collection is open for research.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Relief and volunteer organizations  Search this
Genre/Form:
Posters
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 1: Pre-World War One / United States
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref4565

Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection

Choreographer:
Ailey, Alvin  Search this
Photographer:
Mitchell, Jack, 1925-  Search this
Dancer:
Allen, Sarita  Search this
Chaya, Masazumi  Search this
DeLavallade, Carmen , 1931-  Search this
DeLoatch, Gary, 1953-1993  Search this
Jamison, Judith  Search this
Roxas, Elizabeth  Search this
Truitte, James  Search this
Tyson, Andre  Search this
Williams, Dudley  Search this
Wood, Donna, 1954-  Search this
Extent:
16 Linear feet
Type:
Archival materials
Collection descriptions
Modern dance
Dance photography.
Date:
1961-2004
Summary:
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.
Scope and Contents:
The Jack Mitchell Photography of Alvin Ailey American Dance Theater Collection is comprised of approximately 10,000 black and white prints of solo and ensemble acts, portraits of principle dancers and various associates of the company, color slides and transparencies for private photo sessions and performances, black and white film strips and their corresponding contact sheets, and reference materials.
Arrangement:
The material in this collection has been kept primarily at the folder level in the order that was declared by the initial owner and photographer, Jack Mitchell. Oversize prints were separated and housed in an associated series in the collection. The order of the material has been organized based on the medium of the material. Each subseries has been organized based on the following:

Series I: Black and White Prints Subseries A: Solo and Ensemble Images and Portraits were organized alphabetically by ballet name. Subseries B: Prints for Jack Mitchell Publication were organized by page number in the publication.

Series II: Color Photography Subseries A: Original Slide Boxes were organized numerically based on Jack Mitchell's label assignments. Subseries B: Color Slides were organized numerically based on subseries A's label assignments. Subseries C: Color Transparencies were organized numerically based on subseries A's label assignments.

Series III: Black and White Negatives Subseries A: Black and White Film Strips were organized chronologically by date. Subseries B: Contact Sheets were organized chronologically by date.

Series IV: Reference Material

OVERSIZE Series I: Black and White Prints were organized chronologically by date.
Biographical / Historical:
Jack Mitchell was born on September 13, 1925 in Key West, Florida. Although he was not in the field of photography, Mitchell's father bought him his first camera when Jack was a teenager. His first published photograph was of actress, Veronica Lake, for a War Bond Tour, a tour issued by the government that promoted debt securities to soldiers to finance military operations and expenditures He enlisted in the United States army and became a photographer in Italy at the end of World War II. In 1949, Ted Shawn, a dancer and choreographer who is respected among the dance community as a pioneer of American modern dance, invited Mitchell to Massachusetts photograph his dancers at his dance center, Jacobs's Pillow. It was during this time where Mitchell's interest and appreciation for moving bodies was realized. In the lifespan of his career, Mitchell created over 150 covers for Dance Magazine1, the New York Times, Time, Life, Newsweek, Rolling Stone, Vanity Fair, and Vogue.2

As Jack Mitchell started to photograph the poses and ballets of the American Ballet Theater throughout the late 1950s, Alvin Ailey saw some of Mitchell's photographs. By 1961, Mitchell had established himself as a distinguished photographer of dance, coining the term, "moving stills". His photographs became the benchmark and standard that other dance photographers measured their work. In November 1961, Ailey invited Mitchell to a performance space in Clark Center, NY, and with his dancers, they performed for Mitchell's camera; some of the photographs from that first photo session can be found in this collection.

Alvin Ailey was born on January 5, 1931 in in Rodgers, Texas, during the Great Depression. As his repertory reflected, the beginning of his life was defined by a tight-knit, predominantly African American folk culture. At age 12, Ailey and his mother, Lula Cooper, moved Los Angeles, California. It is here that he was exposed to the Ballet Russe de Monte Carlo, which led him to study under the Lester Horton Dance Theater, where he danced with Carmen DeLavallade, James Truitte, and Joyce Trisler. After 3 years of performing and training, he was positioned as a choreographer and later became the director of the company when Lester Horton suddenly died in 1953. His influence from Lester Horton, Martha Graham, and Katherine Dunham help to establish his philosophy that "Everything in dancing is style, allusion, the essence of many thoughts and feelings, the abstraction of many moments. Each movement is the sum total of moments and experiences".3 After Horton's death, Ailey went to perform at Ted Shawn's Jacob's Pillow Dance Festival, and then on to New York with his longtime schoolmate and fellow dancer, Carmen DeLavallade, to perform in the 1954 Broadway production of "House of Flowers". The Alvin Ailey American Dance Theater Company was established in 1958.

From the beginning of his journey as a dancer and choreographer, Ailey wanted to show African American experience in his performances. He embedded folk culture in his early works "Revelations" and "Blue Suites". In reflection, before his first South Asian Tour, Alvin expressed, "The cultural heritage of the American Negro is one of America's richest treasures. From his roots as a slave, the American Negro- sometimes sorrowing, sometimes jubilant but always hopeful -has touched, illuminated, and influenced the most preserved of world civilization. I and my dance theater celebrate this trembling beauty."4 "Revelations" was well- received by national and international audiences, Ailey recognized by the dance community as a choreographer with promise and his company and ballets he created were highly anticipated. By 1965, Ailey went from being a dancer to being the company's choreographer. From the onset, Ailey embraced diversity and invited interracial and interdisciplinary perspectives at of the company. He also created ballets for other notable companies including the American Ballet Theatre, Royal Danish Ballet, London Festival Ballet, the Joffrey Ballet, Paris Opera Ballet, and LaScala Opera Ballet.5 He was invited to choreograph Samuel Barber's Anthony and Cleopatra for the Metropolitan Opera at Lincoln Center in 19666, and Leonard Bernstein's Mass for the Kennedy Center for the Performing Arts in 1971.7

As the company embraced racial diversity, Ailey never lost his sense of obligation to the African American community. In 1969, he established the Alvin Ailey American Dance Center, which became the Ailey School, formed the Alvin Ailey Repertory Ensemble, and pioneered programs promoting arts in education, particularly those that benefitted deprived communities. Among his numerous distinctions were the Dance Magazine Award (1975), the NAACP Spingarn Medal (1976), given for "the highest and noblest achievement by an American Negro during the previous year or years"8 , the Samuel H. Scripps American Dance Festival Award (1987), the most prestigious award for modern dance for a lifetime contribution to the field, the Kennedy Center Award (1988) and Honorary Doctorates from Princeton University (1972)9 , Bard College (1977)10 , and Adelphi University (1977). President Barack Obama posthumously awarded Ailey the Presidential Medal of Freedom in 2014, the country's highest civilian honor, in recognition of his contributions and commitments to civil rights and dance in America.11

Through Jack Mitchell and Alvin Ailey's work, they were able to collaborate and create something "rich in historical connotations, the liveliest kind of permanent record of the works of important creators and creations that formed the nucleus of Ailey's remarkable vision of American dance and what it could be"12. Alvin Ailey's reputation for creating eclectic dance methods produced movements and poses that are still studied and idolized today. Mitchell was able to pay homage to many of the world's best dance artists from James Truitte, Carmen DeLavallade, Dudley Williams, Donna Wood, Renee Robinson, Gary DeLoatch, as well as Ailey, through his photography. With Ailey's longstanding and established stature within the dance community, and Mitchell's pronouncement of the detailed through his use of lighting in his photographs, this collection highlights the incredible collaboration between Ailey and Mitchell, and serves as a unique document of one of the world's most renowned American dance company's.

Alvin Ailey's vision for a dance company was dedicated to enriching the American modern dance heritage and preserving African American culture. In a 1989 interview with Dance Magazine, shortly before his death, Ailey discussed how he took pride in knowing that "No other company around [today] does what we do, requires the same range, and challenges both the dancers and the audience to the same degree." Ailey searched for a collaborator that would help him display the value of communicative movement; he found his match in Mitchell. Ailey's influence went beyond the stage and Jack Mitchell's images in this collection document that evolution. With Alvin Ailey's passing in 1989 at age 58 and Jack Mitchell's death in 2013 at age 88, these photographs of Alvin Ailey American Dance Theater Collection serves as one of the few sources of this dynamic dance company, from its early days to an internationally recognized troupe.

Footnotes

2. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), viii

3. Bruce Weber, "Jack Mitchell, Photographer of the Arts, Dies at 88", The New York Times Obituaries (November 9, 2013): -- http://www.nytimes.com/2013/11/10/arts/jack-mitchell-photographer-of-the-arts-dies-at-88.html

4. Jennifer Dunning, Alvin Ailey: A Life in Dance. (New York; Addison- Wesley, 1996), 123

5. Ibid, 146.

6. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York: Birch Lane, 1995), 6-7.

7. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York; Birch Lane, 1995), 7.

8. Ibid.

9. Ibid.

10. Dunning, Jennifer. -- Alvin Ailey: A Life in Dance -- . (New York: Addison-Wesley, 1996), 286.

11. "Bard College Catalogue 2016-17: Honorary Degrees": -- https://www.bard.edu/catalogue/index.php?aid=1205177%26sid=670501

12. Office of the Press Secretary, "President Obama Names Recipients of the Presidential Medal of Freedom" (November 10, 2014): -- https://www.whitehouse.gov/the-press-office/2014/11/10/president-obama-names-recipients-presidential-medal-freedom

13. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), ix.
General:
COLLECTION LIST OF FEATURED REPERTORY

After Eden, Archipelago, Been Here and Gone, Black Belt, Blues Suite, Butterfly, Caravan, Carmina Burana, Caverna Magica, Chelsea's Bells, Come and Get the Beauty of It Hot, Concert in F, Congo Tango Palace, Crossword, Cry, Dance at the Gym, District Storyville, Divining, Episodes, Escargot, Facets, Fever Swamp, Flowers, Folkdance, Fontessa and Friends, For Bird – with Love, Forgotten Time, Frames, Gazelle, Hermit Songs, Hidden Rites, Hobo Sapiens, How to Walk an Elephant, Hymn, Icarus, Journey, Jukebox for Alvin, Lament, Landscape, Mary Lou's Mass, Masekela Langage, Memoria, N. Y. Export, Op. Jazz, Night Creature, North Star, Opus McShann, Pas de Duke, Passage, Pigs 'n Fishes, Portrait of Billie, Prodigal Prince, Quintet, Rainbow 'round my Shoulder, Revelations, Rift, Roots of the Blues, Sarong Paramaribo , Satyriade, Seven Journeys, Shards, Shelter, Spectrum, Speeds, Speeds, Streams, Suite Otis, The Beloved, The Lark Ascending, The Letter, The Mooche, The River, The Road of the Phoebe Snow, The Stack-Up, The Winter in Lisbon, Three Black Kings, Tilt, Toccata, Treading, Variegations, Vespers
Separated Materials:
There were 3 inscribed copies of "Alvin Ailey American Dance Theater: Jack Mitchell Photographs" originally stored in the collection. One copy of this text can be found in Series IV: Reference Materials with the publication draft, another copy is housed in the National Museum of African American History and Culture Library, and the last copy has been designated to serve as an archival reference text.
Provenance:
Acquired from the Alvin Ailey Dance Foundation, Inc. in 2013.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Topic:
Dancers -- Photographs  Search this
Alvin Ailey American Dance Theater  Search this
Choreography -- United States  Search this
Dance  Search this
Dance schools -- United States  Search this
Dance -- Production and direction  Search this
Dance companies  Search this
Dance -- North America  Search this
Genre/Form:
Modern dance -- United States -- 20th century
Dance photography.
Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
Identifier:
NMAAHC.A2013.245
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-a2013-245
Additional Online Media:

Program for "Cookie" An Evening with Charles Cook and Friends

Written by:
Unidentified  Search this
Distributed by:
Aaron Davis Hall, American, founded 1979  Search this
Subject of:
Charles Cook, American, 1914 - 1991  Search this
Mable Lee, American, born 1921  Search this
Tina Pratt, American, born 1935  Search this
Pepsi Bethel, American, 1918 - 2002  Search this
Susan Goldbetter, American  Search this
National Endowment for the Arts, American, founded 1965  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 8 7/16 × 5 1/2 (21.5 × 14 × 0.1 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1984
Topic:
African American  Search this
Comedy  Search this
Musical Theatre  Search this
Tap dancing  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.46.25.268
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Laura Cathrell Show-Down Magazine Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2013.46.25.268
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Program for
Additional Online Media:

Asian Pacific Americans: Local Lives, Global Ties

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
What does it mean to be a person of Asian or Pacific Island descent living in the United States today? What are the primary strategies for adaptation and change versus sustainability and continuity? These were the questions underlying the 2010 Festival program.

The Asian Pacific American (APA) population of metropolitan Washington, D.C., provided an excellent cross-section of the national APA community. Moreover, its rapid growth made it a good example of the "global/local" and "preservation/transformation" themes that were celebrated at the 2010 Festival. The large number of federal workers and the location of foreign embassies in the nation's capital have brought APAs here from all fifty states and from all Asian countries. While the majority of APAs are foreign-born, those based in D.C. combine both Asian and American influences into many aspects of their lives.

The Festival program brought together people from diverse communities in the Washington, D.C., area to highlight the breadth of traditions practiced by APA cultures. It emphasized the ways in which APAs make connections not only to each other, but also to the broader communities in which they live, work, and play. Through theater, music, dance, and sports performances; demonstrations of language and calligraphy traditions; martial arts, healing arts, and ritual arts; crafts and foodways presentations; and children's activities, Festival visitors could learn about APA identity, history, and culture, discovering shared and integrated traditions.

The Asian Pacific American program was part of a collaborative research and public presentation project between the Smithsonian Center for Folklife and Cultural Heritage and the Smithsonian Asian Pacific American Program. Partnering with the University of Maryland, local APA communities, and other organizations, the project researched and documented the cultural heritage of Asian Pacific Americans living in and around the capital region. In addition to the Festival program, the Smithsonian preserves collected stories, images, video, and audio clips of traditional APA culture in its archives and on its Web sites.

Phil Tajitsu Nash was Curator and Arlene Reiniger was Program Coordinator.

The program was produced in collaboration with the Smithsonian Institution's Asian Pacific American program. AARP was a Major Donor to the program with additional support from the Office of Hawaiian Affairs, Juanita Tamayo Lott in memory of Robert H. Lott, OCA, Pragmatics Inc., and the Taipei Economic and Cultural Representative Office in the United States.
Presenters:
Gina Inocencio, Terry Liu, Lucy Long, Cliff Murphy, Konrad Ng, Franklin Odo, Mark Puryear, Ang Robinson, Take Toma, Gerald Yamada, Michael Wilpers
Participants:
CRAFT TRADITIONS

Menosh Hashim, Indian American Urdu teacher, Falls Church, Virginia

Hongyi He, Chinese American paper cutter, Astoria, New York

HIRO, Japanese American painter and calligrapher, Alexandria, Virginia

Vu Hoi, Vietnamese American calligrapher, Merrifield, Virginia

Akiko Keene, Japanese American doll maker, Potomac, Maryland

Myoung-Won Kwon, Korean American calligrapher, Silver Spring, Maryland

Mereadani Lomaloma, Fijian American tapa painter, Washington, D.C.

Peni Lomaloma, Fijian American tapa painter, Washington, D.C.

Bertrand Mao, Chinese American calligrapher, Potomac, Maryland

Sushmita Mazumdar, Indian American bookmaker, Arlington, Virginia

Helen Sze McCarthy, Taiwanese American painter, Silver Spring, Maryland

Gankhuyag Natsag, Mongolian American mask maker and calligrapher, Arlington, Virginia

Khin Mg San, Burmese American chinlone master and ball maker

Teresiter Sauler, Fijian American tapa painter, Washington, D.C.

Melissa Mokihana Scalph, Hawaiian lei maker, Alexandria, Virginia

Sala Sucu, Fijian American tapa painter, Washington, D.C.

Sivoni Sucu, Fijian American tapa painter, Washington, D.C.

Sue Tun, Burmese American muralist, Alexandria, Virginia

Paiboon Uthikamporn, Thai American calligrapher, Rockville, Maryland

Debi Velasco, Hawaiian lei maker, Lanham, Maryland

FOODWAYS TRADITIONS

Roohi Ahuja, Sikh

Karuna Baskaran, Bangladeshi American, Sterling, Virginia

Najmieh Batmangliji, Iranian American, Washington, D.C.

Evelyn Bunoan, Filipina American

Darlene Butts, Hawaiian

Meenu Chadha, Sikh

Ray Chen, Chinese American, Gaithersburg, Maryland

Nantana Nagavajara Chitman, Thai American, McLean, Virginia

Franklin Fung Chow, Chinese American, Washington, D.C.

Judith Do, Singaporean American, Sterling, Virginia

Nasreen Hasan, Bangladeshi American, Silver Spring, Maryland

Hi Soo Hepinstall, Korean American, Sperryville, Virginia

Aiko Ichimura, Japanese American, Washington, D.C.

Sukiman Kadir, Indonesian American, Silver Spring, Maryland

Sunda Khin, Burmese American, Fairfax, Virginia

Lani Lizarda, Filipina American, Reston, Virginia

Litia Lomalagi, Fijian American, Washington, D.C.

Louise Lomaloma, Fijian American, Washington, D.C.

Nit Malikul, Thai American, Silver Spring, Maryland

Mya Mya Myaing, Burmese American, Alexandria, Virginia

Mariette Hiu Newcomb, Chinese American, Vienna, Virginia

Tien Nguyen, Vietnamese American

John Tin Pe, Burmese American, Washington, D.C.

Penny Phoon, Malaysian American

Seng Luangrath Pradachith, Lao American

Vilayphone Rattana, Lao American, Woodbridge, Virginia

Noriko Sanefuji, Japanese American, Washington, D.C.

Terry Segawa, Japanese American, Bethesda, Maryland

Shantanu Sen, Indian American, Fairfax, Virginia

Warren Sonoda, Hawaiian, Alexandria, Virginia

Viengmone Sophavandy, Lao American, Silver Spring, Maryland

Lehua Melanie Stewart, Hawaiian

Sala Sucu, Fijian American, Washington, D.C.

Sam-Oeun Tes, Cambodian American

Lok Tiwari, Nepalese American, Silver Spring, Maryland

Arnedo "Nedo" Valera, Filipino American, Fairfax, Virginia

Benita Wong, Chinese American, Vienna, Virginia

PERFORMANCE TRADITIONS

Aloha Boys (Hawaiian) -- Aloha Boys (Hawaiian)Glen Hirabayashi, McLean, VirginiaIsaac Ho'opi', McLean, VirginiaIrv Queja, McLean, Virginia

American Bando Association (Burmese American) -- American Bando Association (Burmese American)Dara Brown, Bryan Carr, Sidney Grandison, Richard Gray, Fredericka Prevost, Levron Scuchalter, John Tolbert, André Turner, Duvon Winborne

Bhangra and Giddha: Folk Dances of Punjab

Burma American Buddhist Association

Burmese American Dance -- Burmese American DanceKyaw Tha Hla, Myat Yin Chaw

Cambodian American Heritage Inc. -- Cambodian American Heritage Inc.Solei Becker, Paula Chea, Bonavy Chhim, Juliana Dos, Angela Ea, Laura Kun, Marina Kun, Lynna Lam, Alyssa Lim, Davina Lim, Maleena Lim, Samontha Lushinski, Victoria Mam, Diana Ouk, Kristina Ouk, Aleeyha Sophia Prak, Grace Rafferty, Megan Jean Smith, Chhomnimol Murielle Sokhon, Voleak Evelyn Sokhon, Kesarah Touch, Elizabeth Yap, Erica Yap, Katherine Yap, Regina Yap, Stephanie Yap, Darlene You, Vannika Jasmine You

Cambodian Buddhist Society Culture Group -- Cambodian Buddhist Society Culture GroupAnthony, Khalarath Bloesch, Kim Bloesch, Rachna Chhay, Rachny Chhay, Ngek Chum, Sovan Chum, Key Ek, Viphas Heng, Sophy Hoeung, Ra Klay, Elizabeth Korn, Dinita Mani, Masady Mani, Sok Nou, Chanversa Omkar, Chris Omkar, Joanna Pecore, Annong Phann, Dante Phann, Bobbharath Rithipol, Manida Sam, Vathana Say, Suejane Tan, Sunny Tech, Allsya Thao, Victor Thao, Sochietah Ung, Ganbott Voey

Chinatown Community Cultural Center and the Wong People, Washington, D.C. -- Chinatown Community Cultural Center and the Wong People, Washington, D.C.Sifu Raymond Wong, Mei Cao, Sue Lin Li, Damian Ma, Charles Meadows, Michael Peters, Dat Phan, Can-Ye Wong

Chinese Opera (Society for Kunqu Arts)

Dana Tai Soon Burgess & Company (Korean American), Washington, D.C.

Dhroopad (Bangladeshi American)

Fiji Vesi Tagitagi Ensemble -- Fiji Vesi Tagitagi EnsembleLitia Lomalagi, Sili Lomalagi, Louise Lomaloma, Sala Sucu, Saula Sucu

Fil-Am Dance Ensemble (Migrant Heritage Commission)

Ganga (Bengali American) -- Ganga (Bengali American)Hitabrata Roy, Vienna, VirginiaKrishna RoyBroto Roy, Falls Church, VirginiaNupur LahiriIndrajit Roy ChowdhuryGautam Adhikari

Hakka Association in the Washington Metropolitan Area

Hakka TungFa Chorus of Greater Washington, D.C.

Halau Ho'omau (Hawaiian)

Halau O'Aulani (Hawaiian)

Hawaiian Serenaders and Dancers

Himalayan Music Group from Nepal with Prem Raja Mahat

India International School

Kaur Foundation (Sikh)

Korean American Cultural Arts Foundation

Lao American Break-dancers -- Lao American Break-dancersBinly AKA Lancer, Kennedy Phounsiri, Ranny Sitthideth, Issy Visarayachack

Lao American Women's Association of Greater Washington, D.C. -- Lao American Women's Association of Greater Washington, D.C.Sue Chaison, Reagan Naughton, Sengpheth Sandara, Nicky Tummatip

Lao Heritage Foundation Musicians -- Lao Heritage Foundation MusiciansBriana Chaisone, Bobby Inthavong, Khamsa Sounviengxay, Xai Souphom

Lao Swan Dance Group -- Lao Swan Dance GroupMimi Chanthaphone, Sivilay Phabmixay, Silidavone Phanthavong, Christina Sivanthaphanith

Marshallese Community

Mongolian School of Greater Washington

Mongolian Wrestlers

Nen Daiko—Ekoji Buddhist Temple (Japanese American) -- Nen Daiko—Ekoji Buddhist Temple (Japanese American)Cordula Dahal, Brant Horio, Maya Horio, Emily Ihara, Lisa Iwahara, Diane Miyasato, Greg Nakamura, Lisa Noguchi, Kevin Shin

Nepal Dance School

Nguyen Dinh Nghia (Vietnamese American), Bowie, Maryland -- Nguyen Dinh Nghia (Vietnamese American), Bowie, MarylandFa Hoang, Tuan Hoang, Tung Huynh, Hoa Nguyen, Phuong Nguyen, Trang Nguyen

Northern Virginia Rondalla (Filipino American)

Pakistani American Association

Rumah Gadang (Indonesian American), Arlington, Virginia -- Rumah Gadang (Indonesian American), Arlington, VirginiaMuhammad Afdal, Nani Afdal, Ni Nyoman Noviantari Djangkuak, Obaida Farid, Zaafira Jaya, Hendri Julizardo, Malik Kadir, Sukiman Kadir, Urooba Khan, Julia Kurnia, Tera Kurnia, Aldo Lawindo, Alya Lawindo, Abdul Malik, Hairul Nizam, Raisha Nanda Noer, Putri Sudrajat, Vita Sumedi, Ni Kadek Sutami, Amara Wibowo, Jannah Alfallah Yusuf

Sama Ensemble (Persian American) -- Sama Ensemble (Persian American)Ali Analouei, Giti Abrishami, Whoman Bahrami, Behnaz Bibizadeh, Steve Bloom, Naser Khorasani, Azam Shariatpanahi, Souri Shirzadi

Samia Mahbub Ahmad (Indian American) -- Samia Mahbub Ahmad (Indian American)Samia Mahbub Ahmad, Vasanti Athavale, Debapriya Nayak

Samoan Community of Washington, D.C.

Shizumi Kodomo Dance Troupe (Japanese American) -- Shizumi Kodomo Dance Troupe (Japanese American)Misaki Buker, Sakurako Buker, Carolyn Hane, Shizumi Manale, Chie Meier, Maki Meier, Naomi Meier, Oksana Micheale, Jessa Nather, Rena Schwartz, Ami Yanai

Sikh Kirtani Jatha

Somapa Thai Dance Company -- Somapa Thai Dance CompanySuteera Nagavajara, Chotima Eiamchim, Saul Gonzalez, Puangtip Manakul, Geoffrey Nelson, Boosaba Pananon, Warin Tepayayone, Kotchakorn Thepnorarat, Daranee Yongpradit

Sri Lankan Ensemble

Sulu D.C. (Asian Pacific American) -- Sulu D.C. (Asian Pacific American)Kilusan Bautistsa, Lily Bee, Regie Cabico (host), Alexander Cena, Simone Jacobson, Gowri K, Jenny C. Lares, iLL-Literacy, The Pinstriped Rebel (deejay), SNRG, Tiayi Sun, Yoko K

Sutera Malaysia

Sutradhar Institute (Indian American)

Tae Kwon Do

Ultimate Kali-Eskrima (Filipino American) -- Ultimate Kali-Eskrima (Filipino American)Walter H. Crisostomo, Wesley H. Crisostomo, Lexi D. Crisostomo, Kibok Kim, Ron Laster, Hans Ege Werger

Veiyasana Dance Troupe (Fijian American) -- Veiyasana Dance Troupe (Fijian American)Venina Bulewakula, Akisi Catanasiga, Emali Catanasiga, Evaloni Catanasiga, Emma Koroiveibau, Adi Lusiana Lomalagi, Sailasa Lomalagi, Mereadani Lomaloma, Josivini Tokalauvere

Washington Chushan Chinese Opera

Washington Gu-Zheng Ensemble -- Washington Gu-Zheng EnsembleGrace Chu, Alice Kan, Kent Kan, Jane Li, Li Li, Phoebe Liu, Angela Wang

Washington Toho Koto Society -- Washington Toho Koto SocietyZainab Abdul-Rahim, Miya Aoki, Jim Best, Kyle Brady, Wanda Butler Hardie, Colin Khem, Lombar Martinez, Kyoko Okamoto, Keiko O'Rourke, Sachiko Smith, Izumi Tamanaha, Yoshiko Tucker

Wat Thai of Washington, D.C.

TALKSTORY DISCUSSION STAGE -- TALKSTORY DISCUSSION STAGEKiran Ahuja, Keola Akana, Chris Baltazar, Kumar Barve, Ahmad Borhani and family, Hung Bui, Eric Byler, Yoonmee Chang, Nicholas Chen, Wendy Cheng, Laura Chin, Harry Chow, Sandy Hoa Dang, Judith Do, Tammy Duckworth, Kimmie Duong, Ryan Edgar, Eni Faleomavaega, Theo-dric Feng, Cora Foley, Jennie Chin Hansen, Lisa Hasegawa, HIRO, Mazie Hirono, Vu Hoi, Michael Honda, Bel Leong Hong, Terry Hong, Nasima Hosain, Kun-yen Huang, Hoa Tu Huong, Tommy Hwang, Grant Ichikawa, Gina Inocencio, Tim Johnson, Tanya Joshua, Harminder Kaur, Mark Keam, Phyllis Khaing, Jeong H. Kim, Yann King, Harold Koh, Howard Koh, Soohyun Julie Koo, Ford Kuramoto, Chin-fun Kwok, Myoung-Won Kwon, Cherry Kwunyeun, Rosetta Lai, Jenny Lares, Brigitte Le, D. Lee, Susan Lee, Wendy Lim, Michael Lin, Lawrence Liu, Juanita Tamayo Lott, Gerald Maa, Harpal S. Mangat, Bertrand Mao, Gale Awaya McCallum, Lurline McGregor, Norman Mineta, V. Mirandah, Ruby Moy, Myamya Myaing, Hiu Newcomb and family, Long Nguyen, Franklin Odo, Annabel Park, H.K. Park, Alakananda Paul, Dilip Paul, Saswati Paul, Mali Phonpadith, Lili Qi, Shirley Queja, Sonia Reynolds, Anna Rhee, Amy Rider, Miriam Riedmiller, Noriko Sanefuji, Larry Shinagawa, Eric Shinseki, Shiro Shintaku, Sala Sucu, Saula Sucu, Carol Takafuji, Annie Tao, Take Toma, Sandi Tun, Carmelita Tursi, Kris Valderrama, Yeni Wong, Gerald Yamada, Bruce Yamashita, Joanne Yamauchi, Al Yanger, Charlotte Yeh, Joanna Zhao
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2010, Series 2
See more items in:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2010-ref18

Massachusetts Fieldwork: Irish Step-Dancing [sound recording]

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C  Search this
Field worker:
Wachs, Eleanor F  Search this
Physical description:
1 sound cassette : analog
Culture:
Americans  Search this
Irish Americans  Search this
Type:
Musical sound recordings
Place:
United States
Massachusetts
Ireland
Date:
1987
Topic:
Ireland--Songs and music  Search this
British Isles--Songs and music  Search this
Local number:
FP-1988-CT-0159-2
Restrictions & Rights:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution
See more items in:
Smithsonian Folklife Festival records, 1967-2010 228797
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_322887

Hammond Dance School

Created by:
Robert H. McNeill, American, 1917 - 2005  Search this
Subject of:
Unidentified Child or Children  Search this
Bernice Hammond  Search this
Medium:
silver and photographic gelatin on photographic paper
Dimensions:
H x W x D (image): 16 × 20 in. (40.6 × 50.8 cm)
Type:
gelatin silver prints
Place depicted:
Washington, District of Columbia, United States, North and Central America
Date:
ca. 1940
Topic:
African American  Search this
Ballet  Search this
Children  Search this
Education  Search this
Local and regional  Search this
Photography  Search this
Recreation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Graham Holdings Company, © Robert H. McNeill
Object number:
2014.276.2.7
Restrictions & Rights:
© Robert H. McNeill. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Robert McNeill Photographs
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2014.276.2.7

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