Writings and notes document the writing and publication of Saarinen's Picture Book Zoo and Who Am I?, as well as Saarinen's ideas in draft, typescript and sketch form for other publications such as "Animals and War Machines," a proposed follow-up to Who Am I? titled "Who Helps Who?" and other children's writings such as "Susie Sing All Day" and "What Is Mine?" Documentation consists of correspondence with publishers, drafts and typsecripts of texts, original artwork including preliminary sketches, photos of artwork, and book layouts.
Also found are school writings from the 1920s-1930s; typescripts and handwritten drafts of Saarinen's memories of the Cranbrook Academy of Art, Eliel Saarinen, and the Saarinen family; and miscellaneous writings which include "Sculpture by American Soldiers" in which Saarinen drew on her 1945 experience teaching convalescent soldiers.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
The papers of Florida realist sculptor Duane Hanson date from 1935-2006 and measure 12.9 linear feet. Hanson's career is documented through biographical information, personal business records, correspondence, subject files, artwork, writings, printed materials, and photographs. There are numerous letters from the O.K. Harris Gallery and Ivan Karp, Dr. Martin Bush at Witchita State University, and Dewey Hanson.
Scope and Contents:
The papers of Florida realist sculptor Duane Hanson date from 1935-2006 and measure 12.9 linear feet. Hanson's career is documented through biographical information, personal business records, correspondence, subject files, artwork, writings, printed materials, and photographs. There are numerous letters from the O.K. Harris Gallery and Ivan Karp, Dr. Martin Bush at Witchita State University, and Dewey Hanson.
The bulk of the collection consists of correspondence and includes personal letters, fan mail, and correspondence with museums, galleries, universities, friends, and colleagues. Subject files also include scattered correspondence but typically contain printed materials and scattered business records. There is a slight overlap between the correspondence files and the subject files.
Biographical materials include a guestbook spanning 1978-1994 from many exhibitions. Also found are four videos, mostly of Hanson's television appearances and exhibitions. Personal business records contain loan records, damage reports, and expense records. Scattered writings include statements by Hanson about his artwork. Also found within the papers is one sketchbook and a few loose sketches. Printed materials largely consist of clipping files and exhibition catalogs. There are photographs are of Duane Hanson and his father Dewey, and of Hanson depicted with various works of art, as well as slides.
Arrangement:
The collection is arranged as 8 series.
Missing Title
Series 1: Biographical Material 1978-1994 (Box 1; 0.6 linear feet)
Series 2: Personal Business records, circa 1960s-1996 (Box 1-2; 0.5 linear feet)
Series 3: Correspondence, 1963-2006 (Box 2-8; 5.8 linear feet)
Series 4: Subject Files, 1935-1996 (Box 8-9; 1.1 linear feet)
Series 5: Writings and Notes, 1970-1988 (Box 9; 0.2 linear feet)
Series 6: Artwork, circa 1980-circa 1984 (Box 9; 0.3 linear feet)
Series 7: Printed Material, 1958-1994 (Box 9-14; 4.0 linear feet)
Series 8: Photographs, 1978-1990 (Box 14; 0.1 linear feet)
Biographical / Historical:
Sculptor and educator Duane Hanson (1925-1996) spent most of his career in South Florida and is best known for his hyper-realist sculptures of people.
Duane Hanson was born January 17, 1925 in Alexandria, Minnesota. His family later moved to Parkers Prairie, Minnesota where he created his first sculpture in wood at the age of 13. He graduated from Macalester College in St. Paul, Minnesota and completed his education with an MFA from the Cranbrook Academy of Art in Michigan.
During school and after, Hanson created realistic and grotesque sculptures of taboo subjects and other sculptures depicting physically violent occurrences.
In 1962, Hanson accepted a teaching position at Oglethorpe University in Atlanta, Georgia where he remained for three years. At Oglethorpe, Hanson received grant funds to create his most well-known works out of resin and fiberglass. He moved to South Florida in 1965, where he continued to sculpt life-size human forms with detailed features and accessories.
Art dealer Ivan Karp at O.K. Harris Gallery took an interest in the works and represented Hanson, who moved to New York City to continue his career. He exhibited at numerous solo exhibitions in the United States and Germany. In 1973, Hanson returned to South Florida where he would remain for the duration of his life. His retained the national spotlight, however, and was very active in the Florida art scene. He was named Florida Ambassador of the Arts in 1983.
Duane Hanson married his second wife, Wesla in 1968, with whom he had two children. Also, he had two children from a previous marriage which ended in divorce. Hanson died of cancer in January of 1996.
Related Materials:
The Archives of American Art also holds an oral history interview with Duane Hanson conducted on 1989 August 23-24 by Liza Kirwin.
Provenance:
Duane Hanson's widow, Wesla Hanson, donated his papers in two accretions in 1997 and 2006. Additions are expected.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Awards and certificates; photocopies of correspondence; catalogs and announcements and a book, Harry Bertoia, Sculptor by June Compass Nelson (Wayne State Univ., 1970), and a phonograph album of Bertoia's sound sculpture "Sonambient." Also included is an illustrated booklet entitled "My Career" by Bertoia written when he was 17 and a student in Gladys Little's occupational information class at Cleveland Junior High School in Detroit, Mich. The booklet has been microfilmed on reel 2787.
Biographical / Historical:
Harry Bertoia (1915-1978) was a sculptor, designer, and metalsmith from Michigan and California. Harry Bertoia was born in Italy. He attended Cranbrook Academy of Art and was a designer for Knoll Associates.
Related Materials:
Also in the Archives are extensive papers lent for microfilming. Microfilm reels 3843-3851 contain personal correspondence, 1947-1979 and undated; business records, 1943-1979; and clippings. Among the correspondents are: Anni Albers, Josef Albers, Albert Christ-Janer, Charles Eames, Walter Gropius, Victor Gruen, Henry Moore, Louis Redstone, Zoltan Sepechy, and Minoru Yamasaki. Reel 1471 consists of sketches; jewelry designs; monoprints; three photographs of Bertoia with his work; a photograph of his assistant, Jim Flanagan working on a sculpture; and photographs of works. Also, a scrapbook containing family and personal photographs and photographs of works; clippings; a statement to friends by Bertoia; a funeral address by his widow Brigitta; and Bertoia's death certificate. Notes by Brigitta are included.
Provenance:
Papers donated 1979 by Brigitta Bertoia, Bertoia's widow; she also lent material on reel 1471 for microfilming. The booklet and phonograph album were donated in 1975-1977 by Gladys M. Little, Bertoia's teacher in junior high school; and papers on reels 3843-3851 were lent for microfilming 1986 by Bertoia Studios Ltd. (and subsequently purchased by the Vitra Design Museum, Germany).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 Search this
Extent:
0.4 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1938-1982
Scope and Contents:
Letters, photographs, slides, and printed materials on art exhibits and subjects.
REEL 3134: Papers accumulated by Lowe while Director of the Tennessee Fine Arts Center regarding an exhibit on the work of African American sculptor William Edmondson, 1964. Included are 12 letters, 1961-1964, from Louise Dahl-Wolfe, Thomas D. Mabry and others concerning works loaned to the exhibit; a photograph of Edmondson and 12 of his sculpture; an undated exhibition announcement; and 10 clippings.
UNMICROFILMED: Letters and photocopies of letters; files, containing photographs, slides, and negatives relating to a Alexander Archipenko exhibition, Paris, France, 1969, exhibition of Mexican Folk Art from the Nelson A. Rockefeller Collection, Museum of Primative Art, 1969, and the Art Embassies Program, 1966; photos of Lowe; slides of Cranbrook Academy of Art installations; articles and photocopies of articles, regarding Nelson Rockefeller, and his art collection, James Montgomery Flagg, and others; printed material, including press releases and exhibition catalogs; and miscellany.
Biographical / Historical:
Arts administrator and designer; Washington, D.C. Worked at Cranbrook Academy of Art, 1951-1953; was Director of the Tennessee Fine Arts Center, 1959-1964; a curator, Department of Exhibitions & Design, National Collection of Fine Arts, 1964-1972.
Provenance:
Donated 1971 & 1984 by Harry Lowe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Washington (D.C.) Search this
Biographical materials, correspondence, awards, photographs, and printed materials relating to the career of the noted ceramicist and teacher who devoted the last quarter century of her life to the Cranbrook Academy of Art in Bloomfield Hills, Michigan.
Correspondence consists chiefly of letters received from museums, colleagues (including Charles Eames), friends and former students. Other materials include biographical sketches, resumes, exhibition catalogs and announcements, clippings, scrapbook fragments, a file relating to students and colleagues, a register of funeral visitors, numerous personal and family photographs and five photo albums of Grotell and her work.
Biographical / Historical:
Ceramist and educator. Born 1899. Died 1973. After several years as a textile designer in her native Finland, Grotell immigrated to the United States in 1927. For a short time she studied with Charles Fergus Binns and from 1938 to 1966 she headed the ceramics department at the Cranbrook Academy of Art. During this period, the height of her career, she became one of the leaders in the development of ceramics as a medium of artistic expression. In addition, her research on glazes for Eero Saarinen made possible the widespread architectural use of colored glazed bricks.
Related Materials:
Slides of Grotell's work located at the George Arents Research Library for Special Collections, Syracuse University.
Provenance:
Order and arrangement is that of the George Arents Research Library for Special Collections, Syracuse University.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
New School for Social Research (New York, N.Y.) -- Faculty Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Interviews
Sketches
Drawings
Photographs
Illustrated letters
Date:
1846-1981
Summary:
The papers of painter and teacher Julian E. (Edwin) Levi date from 1846 to 1981, and comprise 6.9 linear feet. They include biographical information and extensive correspondence with museums and galleries, as well as letters written to his family, circa 1927, while Levi was living in Paris. Also found within the papers are scattered drawings and sketches by Levi, writings and notes, financial records, two scrapbooks, printed material, miscellaneous records and photographs that document Levi's professional career and personal life.
Scope and Content Note:
The papers of painter and teacher Julian E. Levi date from 1846 to 1981, and comprise 6.9 linear feet. They consist of biographical information, correspondence, artwork, writings and notes, financial records, scrapbooks, printed material, miscellaneous records and photographs that document Levi's professional career and personal life.
Biographical information includes French documents regarding his trips to Paris in 1920 and 1926-1927. Julian E. Levi's Correspondence, 1914-1981, and undated, concerns professional and personal matters and consists primarily of incoming letters from friends and colleagues, arts organizations, museums, schools, and galleries. Also found are approximately sixty letters he wrote to his family circa 1927, while living in Paris. In addition, a small number of Henderson Family letters, 1846-1886, are included with the Julian E. Levi papers; their relationship to Levi is unclear. Found within the correspondence are illustrated letters and original artwork in the form of greeting cards. Additional Artwork consists mainly of pencil drawings and sketches by Levi, including a large number of stage costume designs.
Writings by Levi consist of brief statements concerning his work and other artists, brief reminiscences of friends, a poem, and the text of a speech. Notes contain miscellaneous jottings, lists of paintings, addresses and telephone information, and address books. Among the writings by others are catalog introductions for Levi exhibitions by unknown authors, and by Lewis Mumford and Archibald MacLeish for An American Group, Inc.
Financial Records concern both business and personal transactions and document art sales, commissions, consignments, and gallery expenses. Also included are receipts, a small number of banking and tax records, and scattered documentation of purchases, appraisals, and sales of antiques in his collection.
Scrapbooks (2 disbound volumes) contain clippings, other printed items, and a few photographs documenting Levi's exhibitions. There are a substantial number of exhibition catalogs and announcements. Miscellaneous printed material includes brochures, newsletters and publications, clippings, invitations, announcements of meetings, blank postcards, travel brochures and printed souvenirs. Also found is a copy of his book, Modern Art: An Introduction, and one of the articles he published in the American expatriate periodical Gargoyle.
Items of note among the Miscellaneous Records pertain to the American Artists' Congress, An American Group, Inc., Downtown Gallery, and New York City Council for Art Week. Other items of interest are a blueprint of plans for Levi's studio at his home in Easthampton, New York, and records regarding the New School for Social Research where Levi taught for many years.
Photographs of artwork include a disbound album of Levi's work and exhibition installation views that show paintings by Levi. Pictures of Levi include some taken when he was a young child, along with many views of him in his studio, with students, and others. Many views of places probably were used as reference for paintings. Other places recorded in photographs include Downtown Gallery, Stuart Davis's grave, and studios he occupied while in Paris, circa 1926-1927 and at the American Academy in Rome, 1967-1968. Of particular note are copies of Resettlement Administration and Farm Security Administration photographs.
Arrangement:
The collection is organized into 9 series. Correspondence and Scrapbooks are arranged chronologically. Other series are further categorized by record type or broad topic, with material in each folder arranged chronologically or alphabetically, as noted in the series descriptions.
Missing Title
Series 1: Biographical Information, circa 1906-1980 (Box 1; 14 folders)
Series 2: Correspondence, circa 1846-1981 (Boxes 1-3, OV 9; 2.3 linear ft.)
Series 3: Artwork, circa 1922-1972 (Box 3; 8 folders)
Series 4: Writings and Notes, circa 1938-1978 (Box 3; 11 folders)
Series 5: Financial Records, 1920s-1980 (Box 3; 0.4 linear ft.)
Series 6: Scrapbooks, 1921-1940(Box 4; 2 folders)
Series 7: Printed Material, circa 1922-1981(Boxes 4-6 and OV 10; 2.3 linear ft.)
Series 8: Miscellaneous Records, circa 1940-1974 (Box 6 and OV 9; 0.2 linear ft.)
Series 9: Photographs, circa 1902-1974 (Boxes 6-8 and OV 11; 1.1 linear ft.)
Biographical Note:
Julian Edwin Levi was born in New York in 1900, and his family relocated to Philadelphia six years later. At age 17, Levi enrolled in the Pennsylvania Academy of the Fine Arts where he studied under Henry McCarter and Arthur B. Carles. Upon completing his studies at the Academy in 1919, Levi was awarded one of the Pennsylvania Academy's Cresson Traveling Scholarship which enabled him to travel to Italy during the summer of 1920.
Levi then headed to Paris where he spent the next four years. During this time he became fluent in French, looked at a wide variety of art that influenced him to experiment with abstraction, and had paintings accepted for exhibition the Salon d'Automne of 1921 and 1922. He met many artists in Paris, and developed a close friendship with Jules Pascin. He retuned for a second stay in Paris during 1926 and 1927.
Upon his return to Philadelphia in 1924, Levi and several other modern artists in the city (including his former instructors Carles and McCarter) began exhibiting together under the name "31." The group's work was not well-received. For the remainder of his time in Philadelphia, he continued to paint and on several occasions was able to see Albert Barnes' collection that normally was not open to the public. Levi moved to New York City in 1932 and was attracted to the support and cooperation offered by various artists' organizations. He became a member of An American Group, Inc., in 1933, and was in active in the American Artists' Congress beginning around 1937. Later, Levi was elected to the National Institute of Arts and Letters, an Associate Artist of the National Academy of Design, and a member of the Century Association.
The sea, beaches, dunes, and shores served as inspiration for many of Levi's paintings. He studied his subjects closely, amassing a wide knowledge of boats, fishing, and related equipment; he even learned professional fishing and sailing techniques in order to better understand his subjects. Levi also focused on painting people, and his wife often served as his model. Paintings by Levi are in many museums, among them: Albright-Knox Art Gallery, Art Institute of Chicago, Butler Institute of American Art, Cranbrook Academy of Art, Des Moines Art Center, Detroit Institute of Arts, Guild Hall, Museum of Modern Art, Metropolitan Museum of Art, Newark Museum, Norton Simon Museum, Santa Barbara Museum, Springfield Museum of Art, Toledo Museum, University of Illinois, and the Whitney Museum of American Art.
Many of the paintings Levi produced while employed by the Federal Art Project, 1936-1938, served as the nucleus of his first one-man show held in 1940 at Downtown Gallery. He remained with Downtown Gallery for more than a decade. Later, he was associated with the Alan Gallery, Frank K. M. Rehn Galleries, and Nordness Gallery, each of which staged frequent solo exhibitions of Levi's work. He participated in most of the major national exhibitions and in the Venice Biennale, winning prizes awarded by the Art Institute of Chicago, Carnegie Institute, National Academy of Design, University of Illinois, Guild Hall, and the Pennsylvania Academy of the Fine Arts. A large retrospective exhibition of his work was organized by Boston University in 1962, and a small retrospective was held in 1971 at Wake Forest University, Winston-Salem, North Carolina.
A highly respected and much loved teacher, Levi emphasized the importance of drawing and provided individualized instruction. He considered himself a "coach" and viewed his students as less experienced artists (all were encouraged to call him Julian instead of Mr. Levi). His teaching career, which lasted for more than three decades, began in 1946 with his appointments as a painting instructor at the Art Students League and the New School for Social Research in New York City (later the New School appointed him director of its Art Workshop). In 1964 he began making weekly trips to the Pennsylvania Academy of the Fine Arts in Philadelphia, where he taught painting; at the start of the 1977 academic year, he reduced his schedule to once a month and acted as a general critic. During the 1967-68 academic year, Levi was on sabbatical leave while artist-in-residence at the American Academy in Rome. In addition, he taught summer courses at Columbia University in the early 1950s and occasionally served as a guest instructor at other summer programs over the years.
Julian Levi died in New York City, February 28, 1982, after a brief illness.
Provenance:
The papers were a gift received in several accessions between 1969-1982 from Julian E. Levi and his estate (Herman Englander, executor). Portions of the collection were microfilmed upon receipt.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Little Gallery records measure 11.5 linear feet and date from 1918 to 1985. The collection documents Little Gallery's operations through artist, exhibition, and subject files, printed material, photographs, and one sound recording. The collection also includes personal and professional papers, photographs, and some printed material related to Marguerite (Peggy) and Albert deSalle.
Scope and Contents:
The Little Gallery records measure 11.5 linear feet and date from 1918 to 1985. The collection documents Little Gallery's operations through artist, exhibition, and subject files, printed material, photographs, and one sound recording. The collection also includes personal and professional papers, photographs, and some printed material related to Marguerite (Peggy) and Albert deSalle.
Artist files consist of photographs of artwork, correspondence, price lists, shipping information, biographical summaries, and some printed material pertaining to various artists represented at the Little Gallery. Two artists particularly documented in these records are Francis De Erdely and Jean Lamouroux, who were both friends of Peggy deSalle and her husband Albert.
Exhibition files contain correspondence, shipping information, price lists, inventories, publicity material, and several pieces of posterboard signage. Little Gallery's subject files consist of correspondence, photographs, financial information, printed material, and other items that relate to advertising, other galleries and museums, contributions of artwork, collectors, and more.
Peggy and Albert deSalle's personal and professional papers include papers related to Peggy's career as an artwork photographer, writings, correspondence with artists, price lists, inventories, artist biographies, and photographs that document Peggy deSalle's transition into selling the art of European craftsmen.
Printed material documents Little Gallery exhibitions and events, as well as activities of Peggy and Albert deSalle outside the gallery, artists, and events at other galleries and organizations. Also found is a deSalle family scrapbook.
Photographs are primarily of Peggy and Albert deSalle, gatherings with friends, and professional events, including interior and exterior photos of the Little Gallery.
Arrangement:
This collection is arranged as six series.
Series 1: Artist Files, 1950-1982 (Box 1-4; 4 linear feet)
Series 2: Exhibition Files, 1956-1975 (Box 5; .4 linear feet)
Series 3: Subject Files,1950-1988 (Box 5-9; 4 linear feet)
Series 4: Peggy and Albert deSalle Personal and Professional Papers, 1918-1985 (Box 9-11; 2.3 linear feet)
Series 5: Printed Material, 1922-1984 (Box 11, 13; .5 linear feet)
Series 6: Photographs, 1920s-1980s (Box 11-13, .4 linear feet)
Biographical / Historical:
Established in 1950 by Marguerite (Peggy) deSalle, the Little Gallery in Birmingham, Michigan was the first gallery in the region to deal in and exhibit contemporary art. Initially deSalle primarily handled the work of local artists starting out in their careers, and the work of faculty from the Cranbrook Academy of Art. deSalle's ex-husband and close friend, artist Zoltan Sepeshy, assisted her in meeting local artists to show at the gallery. Over time, Little Gallery added the works of artists from Europe, Africa, and other parts of the United States. deSalle also established a framing gallery in the basement, and showed jewelry and pottery in addition to paintings and sculptures.
Peggy deSalle (1903-1985) was born in Hungary where she lived until her family emigrated to New York when she was six years old. As a young woman she frequented the studio of Michigan painter Paul Honore, where she met Albert deSalle and Zoltan Sepeshy. In the 1920s she worked as a photographer for William Suhr, a restorer of paintings, at the Detroit Institute of Arts. While working there, she was offered the opportunity to learn photography at various museums in Europe, particularly Germany.
In the 1940s, prior to opening the Little Gallery, deSalle worked out of her home selling art, antiques, silver, goblets, bowls, and paintings brought to the United States by German political refugees. At one point her inventory was approximately 200 works of art.
Albert deSalle served in the U.S. army and was honorably discharged in 1918. In the 1920s and 1930s, deSalle performed in the theatre and worked in a secretarial and managerial capacity for artist Paul Honore. Not long after Peggy began Little Gallery, Albert joined the gallery's staff and remained there until his death in 1964.
In 1983, Peggy donated funds for the founding of the Peggy and Albert deSalle Gallery of Photography at the Detroit Institute of Art.
Provenance:
The papers were donated in 1985 by William E. Woolfenden as personal representative of the estate of Marguerite L. deSalle.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Little Gallery records, 1918-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Letters received by Olga Milles, primarily from her family, the Granners, in Graz, Steiermark, Austria (1933-1951). Other correspondents include Kurt Messner (from prisoner of war camp), his father Adolf Messner (1944-1946), Carl Milles (1944-1951), his sister Ruth Milles (1940), and Signe Rutenskold (1944-1946). Three letters were written to Carl by Olga (1939). Other materials consist of a one-page essay on "Youth" by Frank Crane and 3 photographs, of Benito Mussolini (1936), relatives (1950), and a work of art.
Biographical / Historical:
Carl Milles was a sculptor. His wife, Olga, was also an artist. Milles was born in Lagga, Sweden, the son of Major Emil ("Mille") Andersson. He derived his name from the inversion of his father's nickname "Milles (Mille's) Carl". He was apprenticed to a cabinetmaker and studied for 3 years at the Technical School in Stockholm, during which time he befriended sculptor John Borjeson. Between 1897 and 1900, Milles studied at the Ecole des Beaux Arts. While in Paris, he met artist Olga Granner, whom he married in 1905. In 1902, Milles gained recognition in Sweden with his design for the Sten Sture monument. Milles also studied at the Cranbrook Academy of Art in Michigan and became a citizen of the United States in 1945.
Provenance:
The donor, Margueritte E. Kimball, was charged with clearing out and photographing the Milles' house and studio at Cranbrook in the early 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The papers of Fred Mitchell, 1938-2007, measure 14.3 linear feet. Correspondence, writings, 29 diaries, and subject files, document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.
Scope and Contents:
The papers of Fred Mitchell, 1938-2007, measure 14.3 liner feet. Correspondence, writings, 29 diaries, and subject files document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.
Among the biographical materials are biographical notes, military records, passports, and resumes. Correspondence includes both professional and personal letters. Correspondents include friends, former students, colleagues, and individuals of romantic interest.
Writings by Mitchell include notebooks containing names and addresses, appointments, lists and a variety of notes. Diaries record Mitchell's personal and professional activities, plans, aspirations, and memories; also, many volumes contain loose items such as printed material, drawings, notes and letters. Other authors represented are Harry Hope Reed, Peter Rooney, and Patrick Rucker.
Subject files maintained by Mitchell concern friends, teaching activities, exhibitions; also, interests in art, dance, poetry, and music. Files on the Mitchell family concern four generations and include Elizabeth Pajerski, his artist sister with whom he sometimes exhibited. There are files on Coenties Slip artists and related exhibitions. Other subjects of note are a Franz Kline traveling exhibition curated by Mitchell, and Mississippi Art Colony. Individuals for whom threre are substantial subject files include Justo Gonzales, James M. McQuade, Jim Ochman, Peter Rooney, John W. ("Dicky") Stevens, and Phil Sultz.
Most artwork is by Mitchell and consists mainly of drawings and sketches. Artwork by others includes drawings and watercolors by Peter Rooney, students, and unidentified artists. Mitchell's sketchbooks (16 volumes) contain sketches, drawings, and a few finished watercolors.
Printed material is about or mentions Mitchell. Included are a variety of items such as exhibition catalogs and announcements, brochures, clippings, press releases, and concert programs. Photographs are of Mitchell with family and friends; artwork by Mitchell and other artists; exhibition installations and openings; and places including the Wall-South neighborhood just before the destruction of his studio and travel pictures.
Arrangement:
The collection is arranged in 9 series:
Missing Title
Series 1: Biographical Materials,1942-circa 2005 (Box 1; 0.4 linear feet)
Series 2: Correspondence, 1947-2004 (Boxes 1-2; 1.9 linear feet)
Series 3: Writings, circa 1940s-2004 (Boxes 2-3; 1.4 linear feet)
Series 4: Diaries, 1949-2002 (Boxes 4-6; 2.5 linear feet)
Series 5: Subject Files, 1943-2002 (Boxes 6-12; 6 linear feet)
Series 6: Artwork, circa 1940s-2002 (Boxes 12-13; 0.5 linear feet)
Series 7: Sketchbooks, 1955-1993 (Boxes 13, 15; 0.6 linear feet)
Series 8: Printed Material, 1938-2004 (Boxes 13-14; 0.5 linear feet)
Series 9: Photographs, 1940s-2002 (Box 14; 0.5 linear feet)
Biographical / Historical:
Fred Mitchell (1923-2013), a painter and educator who worked in New York City, was among the first artists to open a studio in Coenties Slip on the East River in downtown Manhattan.
A native of Meridian, Mississippi, Madison Fred Mitchell (always called Fred), won a Scholastic Magazine award and his work was shown in its "15th Annual National High School Art Exhibit" held at the museum of the Carnegie Institute in 1942. Mitchell studied at the Carnegie Institute of Technology for a year before entering the U. S. Army. After World War II ended, he resumed his education at Cranbrook Academy of Art (BFA 1946 and MFA 1956). He moved to New York in 1951 and became a member of the "Downtown Group." In 1952 he was among the organizers of Tanager Gallery and in 1954 founded the Coenties Slip School of Art.
Mitchell enjoyed a long career as a highly regarded teacher of drawing, painting, and art history. He taught at Finch College, the Positano Art Workshop in Italy, and Cranbrook Academy in the 1950s. During the 1960s, he was affiliated with Downtown Art Center at Seamens Church Institute in Coenties Slip, New York University, Cornell University, and Ithaca College. In the early 1970s Mitchell taught at Queens College, and from the mid-1980s-early 2000s served on the faculties of Parsons School of Design, Art Students League of New York, and City University of New York's Kingsborough Community College in Brooklyn.
He exhibited widely in group shows and solo exhibitions in the New York area and throughout the United States. Among these venues were: Howard Wise Gallery, Meridian Museum, Munson-Williams-Proctor Art Institute, State University of New York Binghamton, University of Oregon, and Whitney Museum of American Art.
After several years of declining health, Fred Mitchell died in New York City in 2013.
Provenance:
Fred Mitchell donated a small amount of printed material and photographs in 1972. The majority of the papers were donated in 2013 by Fred Pajerski, Fred Mitchell's nephew.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing the audiovisual recording in this collection must use an access copy. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Margaret Merwin Patch papers, 1885-1986. Archives of American Art, Smithsonian Institution.
Correspondence found in this series is with both family members and business colleagues, reflecting both aspects of Cunningham's life.
See Appendix for a list of notable correspondents from Series 2.
Arrangement note:
Correspondence is arranged chronologically with undated correspondence at the beginning of the series, followed by dated correspondence.
Appendix: Notable Correspondents from Series 2:
The following provides a list of notable correspondents from Series 2: Correspondence, showing dates of correspondence. Entries marked with an asterisk (*) indicate letters written by Imogen Cunningham.
Missing Title
Al: Apr 21, 1969*
Al and Phil: Jul 07, 1968*; Jan 02, 1969*; Nov 29, 1969*
Alfred: Dec 28, 1968*; Jul 12, 1969*
Arvilla: Feb 22, 1953
Barbara and Dave: Jul 09, 1968*; May 19, 1971*
Becky: undated
Bess: Mar 19, 1969*
Betsey: Dec 05, 1954*
Betty: Nov 17, 1970*
Beverley: Jan 24, 1966*
Bill: May 08, 1973*
Boris: Aug 28, 1957*
Caroline: Apr 05, 1971*; Jun 28, 1971
Cathy: Jan 06, 1969*
Charis: May 10, 1976
David and Laura: Dec 28, 1974*
Dick: May 29, 1970*; Oct 16, 1970
Dick and Perry: Apr 05, 1975*
Dory and Paul: Sep 14, 1964*
Ed: Nov 19, 1968*; Mar 12, 1969*
Ellen: Dec 16, 1965*; Oct 30, 1974*
Elsa and Joe: undated
Ethel and Willard: Dec 01, 1953*
Evelyn: May 02, 1970
Florence: Mar 10, 1969
Frances: undated; Jul 12, 1966*
Frank: May 15, 1965*
Gael: Sep 02, 1971*
Helen: May 08, 1963*; Jun 02, 1965*; Dec 31, 1973*
Jan: Aug 03, 1974*
Jane and Steve: Jul 07, 1974*
Jean: Jan 06, 1969*; mentioned in letter dated Feb 07, 1969*
Jei?: May 03, 1961
Jim: May 29, 1974
John: Dec 25, 1971*; May 05, 1974
Jose: Jul 06, 1968*
Lato: Feb 17, 1965
Lilli ann: Nov 02, 1971*
Liz: Jan 08, 1965*;
Liz and Louis: Jan 12, 1972*
Liz and Peter: Dec 1951
Maggie: Jan 04, 1971
Margaret: Sep 06, 1964*; Feb 28, 1966*; Mar 04, 1966; Nov 12, 1968*; Feb 11, 1972*; Sep 12, 1973*
Mary: Apr 04, 1967*; Apr 15, 1967; Jun 19, 1967*; Nov 25, 1969; Apr 12, 1970; Aug 31, 1970*; Nov 08, 1970*; Apr 23, 1974; Jan 31, 1976
Mia: Oct 08, 1958*
Midge: Jun 14, 1967*
Mildred: Nov 12, 1965
Nancy: Oct 22, 1966*; Apr 03, 1971*
Neil: Feb 18, 1961*: Nov 17, 1960*; Apr 27, 1962*
Otto and Virika?: Jun 18, 1976
Pat (Goucher College): undated; May 15, 1956; Feb 06, 1964*
Patience: Nov 24, 1959*
Paul: Jun 06, 1970
Peg: Feb 15, 1966
Peggy: Aug 30, 1970*
Phil: Oct 07, 1961
Ruth: Mar 20, 1955*
Ruth (jewelry maker): Aug 10, 1967
Samuel: Aug 12, 1968*
Thur: Dec 15, 1956
Tina (Cunningham relative): Feb 08, 1974; Feb 19, 1974*
Trevor, Thomas, Allen and Stan: Apr 09, 1970*; Mar 28, 1974*
Trisha: [Dec 1973]
831 Photographic Gallery: Jan 15, 1971; Jan 26, 1971*; Apr 10, 1971; Apr 17, 1971*; Apr 11, 1972; May 02, 1972; May 22, 1972*; Jun 07, 1972*; Jul 05, 1972; Jul 11, 1972*; Feb 21, 1974; Mar 06, 1974*
Aalto, Alvar: Jun 08, 1962; Jun 16, 1962*; Jul 02, 1962; Aug 03, 1963*; Sep 9, 1963
Adams, Ansel and Virginia: mentioned in [undated] letter from Cunningham to an unidentified correspondent; undated; Mar 01, 1941; Aug 03, 1949; Mar 28, 1951; Apr 02, 1951 (letter from Minor White); Aug 04, 1952; Jan 10, 1963; Apr 04, 1963; Dec 22, 1963; Jan 03, 1964; Jan 22, 1964*; Jan 23, 1964; Jan 28, 1964*; Feb 07, 1964; Feb 10, 1964*; Feb 12, 1964; Mar 09, 1964*; Mar 18, 1964*; Mar 22, 1964; Mar 26, 1964; Mar 28, 1964*; Apr 09, 1964*; May 21, 1964; Sep 17, 1964*; Sep 18, 1964; Dec 09, 1964; Feb 12, 1965; Jan 12, 1966; Jan 24, 1967; [Apr 12, 1966]; Feb 09, 1967*; Feb 13, 1967; May 22, 1967; May 24, 1967; May 25, 1967; Jun 14, 1967; Aug 14, 1967*; May 05, 1968; Jun 10, 1968*; Jun 14, 1968; Jan 25, 1969; Mar 10, 1969; Jun 04, 1969; Jul 16, 1969*; Jul 19, 1969; Aug 12, 1969*; Aug 13, 1969; Aug 21, 1969*; Dec 09, 1969*; Feb 06, 1970*; Feb 11, 1970; Apr 10, 1970; Jun 15, 1970*; Jul 05, 1970*; Jul 12, 1970; Sep 15, 1970; Dec 14, 1970; Feb 15, 1971; Apr 23, 1971*; Aug 05, 1971; Mar 26, 1972*; Aug 18, 1972; Apr 11, 1973; Jun 30, 1973*; Jul 02, 1973; Dec 13, 1973*; Dec 16, 1973; Feb 20, 1975*; Feb 21, 1975; May 19, 1975*; Feb 22, 1976 (2)
Adams: Ansel Adams Gallery (manager, Bill Turnage): Jul 06, 1973; Jul 13, 1973*; Oct 10, 1973; Oct 21, 1973; Feb 20, 1974*; Mar 19, 1974; Mar 28, 1974*; (workshop director, Norman Locks) Aug 13, 1974; Aug 25, 1974*; Oct 22, 1974*; Oct 23, 1974; Oct 30, 1974; Feb 24, 1975; Sep 01, 1975
AFRO: Aug 26, 1958*
After Dark: Jul 24, 1974
Afterimage: Jul 20, 1973
Ainsworth, Mr.: Oct 16, 1967*
Airame, Jacqueline: Jul 13, 1972; Jul 19, 1972*
Akin, Mrs.: Feb 18, 1965*
Alai, Heshmat: Mar 26, 1939
Album: Dec 12, 1969; Dec 17, 1969*; Jan 01, 1970; Feb 23, 1970; Mar 04, 1970*; Mar 11, 1970*; Mar 20, 1970*; Apr 21, 1970; Jun 24, 1970; Jul 05, 1970*; Sep 02, 1970*; Sep 07, 1970; Sep 14, 1970*; Oct 25, 1970*
Alexander, Jesse: Nov 25, 1974; Dec 03, 1974*
Alinders: Jul 22, 1968*
Allan, Fran: [Dec 24, 1972]; Dec 24, 1972*
Allen, Mary: Mar 11, 1971; Mar 26, 1971*; Aug 02, 1971; Aug 19, 1971*; Nov 02, 1971*; Nov 05, 1971
Allied Arts: Feb 03, 1974*
Alston, Elizabeth: see -- Look
Ameri, Victor: see Batten, Barton, Durstine & Osborn
American Academy of Arts and Sciences: May 10, 1967; Jun 18, 1967*; Mar 19, 1970; Feb 07, 1973*; Oct 15, 1974; Dec 02, 1974*; Feb 14, 1975; May 22, 1975*
American Broadcasting Company, San Francisco: Feb 12, 1965; Feb 19, 1965*
American Film Institute: Feb 19, 1971
American Foundation for the Blind, Inc.: Jan 15, 1965*; mentioned in letter dated Jan 05, 1974 from Witkin Gallery; Jan 18, 1974*; Feb 25, 1974
American Society of Magazine Photographers: Sep 18, 1958; Oct 17, 1963; Jul 14, 1965; Jul 16, 1965 (2); Sep 01, 1965; Sep 10, 1965*; Sep 14, 1965*; Sep 19, 1965*; Oct 12, 1965*; Oct 15, 1965; Nov 28, 1966*; Jan 04, 1967; also see -- Infinity
American West Publishing Company: May 03, 1973; May 07, 1973
American Women in the Arts: Sep 24, 1974; Oct 01, 1974*
Ampliaciones y Reproducciones Mas: Aug 02, 1968 (in Spanish); Sep 23, 1968 (in Spanish); Nov 18, 1968 (in Spanish); Nov 29, 1968 (in Spanish); Dec 22, 1968*; Jan 04, 1969 (in Spanish); Jun 06, 1969 (in Spanish); Aug 11, 1969*
Amthor Imports, Inc.: Jun 26, 1967
Anderson, Arnold: Mar 22, 1967; Mar 29, 1967*
Anderson, Michael and Karen: Oct 08, 1969 (photograph of their new baby)
Anderson, Ruth: Jan 06, 1957*
Anderson, Laura, and Polly Blank: Sep 29, 1956 (2); Dec 26, 1956*; Jan 06, 1957; Feb 08, [1957]; Feb 12, 1957*; [Jul 03, 1957]; Jul 10, 1957*; Jan 30, 1958*; Nov 17, 1959*; Mar 1966; Jan 21, 1967; Feb 04, 1967*; Feb 13, 1967; Jul 17, 1967*; Jul 26, 1968*; May 16, 1970*; Jan 01, 1972; Jun 25, 1974; Dec 18, 1974*; Apr 11, 1976*; May 31, 1976 (2); Jun 29, 1976
Andrews, Alice: see Eastman: George Eastman House
Angel Island Publications, Inc.: Jul 24, 1962; Aug 22, 1962*; Nov 19, 1962; Dec 15, 1962*
Angiulo, Anton: Jul 24, 1974 (including a photograph of Cunningham)
Anglim, Paule: Sep 30, 1974
Aperture: Jan 05, 1958; Jan 15, 1958; Feb 23, 1958; Sep 13, 1958; Dec 28, 1959; Feb 25, 1961; Feb 23, 1964; Dec 08, 1964; Dec 30, 1964*; Jan 18, 1965*; Feb 02, 1965; Mar 12, 1965*; Sep 20, 1965; Jan 17, 1966*; Feb 08, 1967; Nov 01, 1968*; Jan 16, 1970; Jan 16, 1970*; Jun 12, 1970; Dec 05, 1970; Dec 05, 1970*
Aphra: Feb 12, 1971*; Mar 11, 1971; Nov 16, 1971*; Apr 24, 1972; May 10, 1972*
Arizona State University: Feb 18, 1962; Apr 14, 1962*
Arizona: University of Arizona: Aug 06, 1975; Mar 1976; Apr 08, 1976; May 14, 1976; May 27, 1976
Armitage, Merle: Oct 1955; Aug 22, 1966*
Arnold, Mary: Dec 07, 1960*; Mar 22, 1962*
Arrow: Apr 10, 1970*; Jul 07, 1970*
Art Commission, City and County of San Francisco: see San Francisco: Art Commission
Artibus Asiae -- (Switzerland): Jun 03, 1958
Art Institute of Chicago: Oct 17, 1963; Nov 08, 1963*; Apr 15, 1964*; Apr 25, 1964; Apr 29, 1964; Apr 29, 1964*; May 12, 1964*; May 14, 1964; May 20, 1964*; Jul 17, 1964; Jul 21, 1964; Jul 28, 1964*; Aug 24, 1964*; Sep 23, 1964; Oct 02, 1964; Oct 17, 1964; Dec 09, 1964*
Artweek: Jun 05, 1974; Jun 07, 1974*
Asawa, Ruth: Nov 30, 1956*; Dec 24, 1959*; Sep 15, 1965; Sep 19, 1965*; Nov 27, 1971* (letter of recommendation); Mar 28, 1973*; also see San Francisco: Art Commission, City and County of San Francisco
Aspen Institute for Humanistic Studies: Dec 10, 1951; Apr 22, 1952*
Association du Salon National de la Photographie: Nov 16, 1960; Nov 16, 1961
Atherton, Mrs.: Oct 29, 1967*
Atkins, Carol: see Writings
Aurelius, Vagadu and Robin: [Jan 1968]; Dec 25, 1968; Mar 13, 1971*
Austin, Sin_____ W.: Nov 02, 1967
Axvall, Lydia Strong: Jan 21, 1966*; Feb 01, 1966; Dec 22, 1968*; Mar 07, 1969; Mar 10, 1969*; Apr 16, 1969; Apr 19, 1969
B., H.: Oct 14, 1944
Baar, Betty: Oct 09, [1962]*; May 01, 1963; May 07, 1963*; Jul 09, 1963; Jul 25, 1963*; Aug 02, 1963*; Mar 31, 1964; Apr 09, 1964*; Jan 08, 1965*; Nov 02, 1974
Bacigalupi, Elkus & Salinger: Dec 02, 1959 (re Partridge vs. City and County of San Francisco); Dec 06, 1959*
Baer, Frances and Morley: Mar 07, 1965
Baer, Nancy: see American Women in the Arts
Baliken, L.: Jun 08, 1963
Ballinger, Jinny: Jul 20, 1966
Barcelon-Burger Management Corp.: Aug 01, 1975
Barchfield, Agnes and John: [Apr 11, 1976]
Barnabas, Father: see Mount Angel Abbey Library
Barnes, Marion and Eric: Nov 09, 1973
Bartlett, Lincoln: Dec 12, 1967*; Mar 31, 1970; Jun 20, 1970*; Dec 23, 1972*; Apr 15, 1973; Jun 13, 1973; Jul 09, 1973*; Dec 05, 1973*; Apr 18, 1975; Apr 08, 1976
Bathhouse Gallery: Oct 18, 1971; Jan 07, 1972 (including exhibition announcement); Feb 03, 1972; Mar 09, 1972*; Mar 10, 1972; Mar 14, 1972*; Mar 23, 1972; Mar 26, 1972; Apr 11, 1972*; Jun 09, 1972
Batten, Barton, Durstine & Osborn: Jun 21, 1967* (2); Aug 05, 1967*
Bayard, Edward: Mar 07, 1975*
Bay Area Funeral Society, Inc.: Aug 23, 1973
Bay Area Photographers: Oct 02, 1959; Oct 18, 1959*
Baylis, Douglas: Nov 28, 1971 (death announcement)
Beal, June: May 12, 1973*; Jun 23, 1973*
Beckham, Alicemarie: Mar 01, [1968]; Dec 17, [1969]
Bender: Albert M. Bender & Co., Inc.: Nov 06, 1970*
Bender: Albert M. Bender Memorial Trust: Jun 14, 1951; Mar 22, 1960; Apr 19, 1960
Benjamin, Evelyn: Jun 10, 1963
Bennett, Gordon: Jan 18, 1974
Bennett, Judith: Dec 01, 1966; Dec 12, 1966*
Benvenuto, Elio: Mar 28, 1973*; also see San Francisco: Art Commission, City and County of San Francisco
Bernstein, David: Aug 31, 1971; Sep 05, 1971*
Berriault, Gina: Nov 13, 1966; Nov 28, 1966*; Dec 05, 1966
Bertanelmer: see Hader, Berta and Elmer
Best, Signe (Mrs. Charles Best): Oct 06, 1957; Oct 08, 1974*
Bez, J. Nicholas: Feb 02, 1970; Mar 13, 1970; Nov 12, 1970*; Nov 12, 1970*; Sep 05, 1971*; also see West Coast Airlines
Bibliotheque Nationale: Oct 12, 1959*; Jun 11, 1969; Nov 08, 1969; Dec 11, 1969; Dec 29, 1969*; Jan 09, 1970; Apr 01, 1970*; Apr 28, 1970; Jul 22, 1970*; Aug 06, 1970; Jun 23, 1973; Jul 06, 1973*; Jul 28, 1973; Sep 07, 1973*; Sep 15, 1973; Oct 10, 1973*; Oct 23, 1973; Nov 03, 1973*
Biod, Karin: [Sep 1964]
Biod, Sigrid: Sep 1964
Bishop, G. Paul: Jan 14, 1971; Jan 09, 1973*
Bissantz, Betty: see Goodwin, Betty
Bissantz, Edgar and Jean: undated (5); May 30, 1948*; Mar 29, 1959; Jul 03, 1959; Nov 17, 1959; Dec 10, 1959; Dec 16, 1959*; Jan 05, 1960*; Jan 17, 1960*; Jan 21, 1960; Feb 12, 1960; Nov 21, 1960; Feb 22, 1961; Aug 05, 1961; Dec 18, 1961; May 21, 1962 (including a photograph of Joan); May 28, 1962*; Feb 05, 1963*; Feb 06, 1963*; Feb 20, 1963; Mar 20, 1963; Mar 27, 1963*; Apr 13, 1963*; Apr 25, 1963; May 14, 1963; May 27, 1963; Jun 13, 1963; Jun 17, 1963*; Jul 09, 1963*; Sep 24, 1963*; Sep 28, 1963*; Oct 26, 1963 (2); Nov 09, 1963*; Nov 20, 1963; Nov 28, 1963; Dec 01, 1963*; Dec 19, 1963; Dec 25, 1963 (photo card of Edgar); Jan 21, 1964* (including a blueprint of a house facade); Jan 27, 1964; Feb 17, 1965*; Jul 03, 1964*; Jul 19, 1964*; Sep 22, 1964*; Oct 27, 1964*; Dec 21, 1964*; Feb 01, 1965*; Feb 26, 1965; Mar 01, 1965*; Mar 14, 1965; Apr 16, 1965*; Apr 22, 1965; May 18, 1965; May 27, 1965; Jun 02, 1965*; Jun 17, 1965*; Jun 30, 1965*; Aug 14, 1965*; Aug 16, 1965; Aug 20, 1965*; Dec 08, 1965; Jan 09, 1966*; Jan 16, 1966*; Feb 28, 1966*; Mar 07, 1966*; Oct 02, 1966*; Nov 27, 1966; Jan 20, 1967; Jan 26, 1967*; [Feb 1967]*; Feb 06, 1967*; Mar 17, 1967*; Apr 16, 1967; Jun 19, 1967*; Jul 21, 1967*; Oct 10, 1967; Oct 12, 1967*; Oct 24, 1967; Oct 29, 1967*; Apr 15, 1968; Apr 22, 1968*; May 20, 1968*; Sep 12, 1968; Nov 10, 1968; Nov 21, 1968*; Dec 16, 1968; May 19, 1969; Jul 05, 1969*; Jul 21, 1969; Nov 16, 1969*; Nov 27, 1969 (including photograph); Jan 24, 1970; Aug 06, 1970*; Nov 04, 1970*; Dec 19, 1970; Jan 08, 1971*; May 16, 1971; Aug 05, 1971; Nov 02, 1971*; Nov 19, 1971*; Nov 22, 1971*; Feb 16, 1972*; Sep 06, 1972*; Jan 23, 1973; Feb 12, 1973; Apr 25, 1973*; Aug 23, 1973; Nov 13, 1973; Aug 24, 1974
Blackmarr, Philip M.: [1972] (resume)
Blank, Polly: see Andreson, Laura
Bobtoy (Chin): Aug 18, 1974
Boguszewski, Christina: Apr 04, 1949
Bookworks, The: Dec 20, 1974; Dec 28, 1974*
Boston Arts Festival: Apr 14, 1964; Aug 05, 1964
Bourke-White, Margaret: Dec 20, 1958*; Jun 24, 1971
Bourne, Frank: Sep 17, 1964*
Boyd, Collin: [Aug 23, 1974]; Aug 23, 1974*
Boyd, Nicholas: undated
Brandt, Bill: Dec 15, 1962*
Bransten, John: Jan 18, 1971; May 21, 1974*; May 31, 1974; Nov 12, 1974
Brassai family: Mar 18, 1974*
Breitenbach, Edgar and Margaret: Sep 05, 1962; Jan 11, 1963; Aug 30, 1963; Sep 07, 1963*; Sep 11, 1963; Nov 09, 1963*; Nov 18, 1963; May 25, 1965*; Jun 16, 1965; Jun 30, 1965*; May 03, 1968*; also see Library of Congress
Breitenbach, Margaret and Joseph: Dec 13, 1951; Dec 30, 1956*; Jul 19, 1958*
Breuer, Penelope: Mar 28, [1964]; May 13, 1964*; Apr 26, 1965*; May 15, 1965
Bristol, Bobbie (Horace Bristol, Jr.): Feb 09, 1957*; Feb 12, 1957; Feb 17, 1957*; Apr 09, 1958; Apr 14, 1958*; Apr 18, 1958*; Jul 10, 1958; Jan 26, 1960*; Jan 28, 1960; Jul 15, 1971*; May 27, 1972*
Bristol, Horace and Virginia: Jan 06, 1947; Nov 25, 1947; Feb 11, 1948; Feb 20, 1948; Feb 22, 1948*; Mar 11, 1948; May 03, 1948; Jun 22, 1948; Aug 14, 1948; Oct 03, 1948; Dec 06, 1949*; Dec 15, 1949; Jan 23, 1950; Jan 31, 1950*; May 17, 1950; Jun 05, 1950*; Oct 27, 1950; Nov 12, 1950*; Dec 03, 1950*; Jan 30, 1951*; Feb 08, 1951*; Mar 03, 1951; Apr 22, 1951; Sep 16, 1951*; Nov 11, 1951; Nov 24, 1951*; Jun 26, 1952*; Jul 08, 1952*; Dec 01, 1952; Aug 14, 1953; Sep 20, 1953*; Jul 11, 1956 (notification of Virginia's death); Dec 05, 1956; Dec 09, 1956*; Dec 20, 1956; Jan 08, 1957; Jan 20, 1957; Feb 26, 1957*; Mar 05, 1957 (marriage to Masako); Mar 13, 1957; Mar 19, 1957; Jun 18, 1957*; Nov 29, 1957; Dec 05, 1957*; Jul 04, 1958*; Jan 08, 1959*; Oct 13, 1959*; Sep 14, 1960; Nov 23, 1960; Nov 25, 1960*; Dec 02, 1960; Feb 21, 1961; Feb 25, 1961*; Mar 03, 1961; Mar 11, 1961*; Aug 11, 1961; Feb 23, 1962; Sep 22, 1962*; Jan 25, 1963; Mar 08, 1963*; Mar 22, 1963; May 26, 1963; Jun 12, 1963*; Jul 08, 1963; Oct 22, 1963; Dec 02, 1963; Dec 05, 1963*; Dec 12, 1963; Mar 09, 1964; Mar 27, 1964; Mar 29, 1964; Jul 03, 1964*; Sep 11, 1965*; Jan 18, 1967; Jan 24, 1967* (letter about Bristol); Apr 23, 1971*; May 03, 1971; Sep 02, 1971; Sep 08, 1971*; Mar 29, 1972*; Sep 10, 1972; Oct 01, 1972*
Britton, E. S.: Nov 16, 1947
Broadwater, Mr.: Jan 01, 1960*
Broadway High School Alumni Association: Dec 01, 1972*; Dec 09, 1972; Sep 06, 1974; Sep 08, 1974
Brooks Institute: Jun 02, 1975*
Brooks Institute Alumni Association: May 08, 1975
Brooks, Verena: Sep 28, 1974; Dec 20, 1974
Broughton, Irv: Oct 25, 1974*
Broughton, James, and Suzanna Hart: undated; Dec 08, 1952 (wedding announcement); Feb 18, 1965; Feb 14, 1969; Jun 20, 1970; Jul 25, 1970; Nov 22, 1970; Nov 26, 1970*; Dec 18, 1970* (2 receipts); [Dec 31,] 1970
Broun, Elizabeth: Jan 21, 1970; Nov 19, 1973; Nov 25, 1973*; Nov 30, 1973; Dec 05, 1973*; also see Kansas: University of Kansas
Brown, Emily: Oct 02, 1974; Oct 19, 1974*
Bruton, Esther: undated; Jan 11, 1974; Jan 17, 1974*
Bruton, Margaret and Helen: undated*; undated; Apr 09, 1970; Jan 22, 1971; Mar 21, 1971*; Jun 18, 1971*
Bry, Michael: Oct 04, 1974 (in German)
Buck, K. Robert: Sep 16, 1974; Oct 25, 1974*; Oct 30, 1974
Bullen, Reese: Apr 22, 1966; Dec 16, 1968
Bullock, Wynn and Edna: Nov 09, 1965; Nov 10, 1965*; Aug 07, 1973*; Apr 29, 1974*; May 24, 1974; Mar 23, 1976 (2); Jun 28, 1976
Bunnell, Peter: May 28, 1960; Sep 18, 1960; Oct 12, 1960*; Oct 21, 1960; Feb 13, 1961; Feb 18, 1961*; Feb 23, 1961; Aug 30, 1961; Jan 08, 1962; Feb 03, 1962; Apr 01, 1962*; Apr 09, 1962; Aug 08, 1962*; Aug 16, 1962; Sept 24, 1962; Sep 26, 1962; Nov 29, 1962; Dec 21, 1962; Jan 16, 1963; Mar 22, 1968*; Sep 29, 1968*; Jul 14, 1969*; Sep 27, 1970*; Mar 11, 1971*; also see Museum of Modern Art
Burlingame, Paul: Aug 03, 1970*; Aug 04, 1970 (with photograph); Aug 06, 1970; Aug 10, 1970*; Dec 03, 1970 (including 2 photographs); Jan 26, 1971; Mar 04, 1971; Mar 18, 1971
Burns, Robert: Jul 10, 1967*
Burstein, Beth: Mar 09, 1969*; Nov 19, 1970; Jun 24, 1976
Butler, Catherine: see Johnson, Catherine
Butler, John: undated (6); Dec 10, 1919; Nov 04, 1920 (including a photograph of Butler); Oct 05, 1946*; Oct 15, 1946; Oct 21, 1946*; Oct 24, 1946; Oct 31, 1946*; Aug 23, 1949; Mar 24, 1950; Aug 31, 1950; Oct 05, 1951*; Oct 12, 1951; Dec 14, 1951*; Jan 18, 1953; Nov 12, 1956*; Jun 21, 1957*; May 13, 1958*; Aug 03, 1958*; Dec 07, 1958*; Jan 07, 1959*; Jun 19, 1959*; Sep 23, 1959*; Jan 13, 1960; Jan 15, 1960*; Dec 19, 1960; Dec 25, 1960*; May 17, 1962*; Oct 12, 1962*; Feb 07, 1963*; Feb 19, 1963; May 08, 1963*; Dec 28, 1963*; Mar 08, 1965; Mar 08, 1965*; Jul 09, 1965*; Jul 28, 1965*; Nov 10, 1965*; Nov 09, 1966*; Dec 29, 1966*; Jul 05, 1968*; Jan 12, 1969*; Feb 03, 1969*; Mar 17, 1969; Jul 24, 1969*; Jul 05, 1970*; Aug 30, 1970*; Sep 19, 1973*
Butler, Richard and Carol: Sep 02, 1972 (wedding announcement)
Byers, Horace: Jan 10, 1929
Byron, Jim: Dec 06, 1965 (2)
C., Jack: undated
Caen, Herb: undated (2); Aug 17, 1962; Feb 02, [1964]; Aug 28, 1966*; Oct 16, 1967*; Apr 15, 1970*; May 1970; Sep 23, 1971; Jan 06, 1973*; Jan 24, 1973; also see -- San Francisco Chronicle
California Academy of Sciences: Apr 27, 1976; Feb 10, 1983
California Arts Commission: Feb 09, 1971 (including a booklet of clippings about a University of Santa Clara exhibition)
California Association of Women Deans and Vice-Principals: Mar 12, 1965
California College of Arts and Crafts: Nov 13, 1967; Nov 05, 1970; Nov 17, 1970*; Nov 20, 1970; Apr 23, 1971; Jun 29, 1971; Apr 07, 1972; Apr 16, 1972*; May 10, 1972; May 18, 1972; Jul 19, 1972*; Aug 22, 1972; Dec 07, 1972; Jan 1973; Jan 11, 1973; Feb 12, 1973
California Institute of the Arts: Feb 28, 1972; Mar 09, 1972*; Nov 01, 1972; Nov 07, 1972*
California League for American Indians: Mar 1961 (form letter)
California Living: Jul 05, 1972*
California Physicians' Service: Mar 16, 1966
California State University: Nov 12, 1972
California: University of California at Berkeley: Dec 11, 1956; Mar 14, 1961; Jan 05, 1962; Feb 15, 1962; May 22, 1962; May 24, 1962*; May 29, 1962; Jun 15, 1962; May 14, 1967; Jul 07, 1967; Jun 28, 1968; Jul 23, 1969; Aug 08, 1969 (2); Aug 10, 1969*; Sep 02, 1969*; Sep 04, 1969; Sep 24, 1969; Sep 24, 1969*; Sep 25, 1969; Sep 25, 1969*; Apr 24, 1970; Jul 23, 1970; Sep 07, 1972; Apr 10, 1973; Jun 01, 1973; Jun 07, 1973*; Jun 12, 1973; Jan 24, 1974; Feb 03, 1974*; Jan 27, 1976; Aug 27, 1982
California: University of California at Los Angeles: Apr 28, 1958*; May 13, 1958; May 20, 1958; Mar 09, 1960; Mar 28, 1960; Sep 07, 1960; Oct 14, 1960*; Dec 01, 1960; Apr 25, 1961; Jun 01, 1974*; Jun 21, 1974; Sep 17, 1974; Nov 20, 1974*
California: University of California at San Diego: Aug 31, 1970; Sep 14, 1970*
California: University of California at San Francisco: Apr 13, 1973* (2)
California: University of California at Santa Cruz: May 05, 1970; Aug 27, 1974
California: University of California Extension at Irvine: Nov 15, 1974; Nov 23, 1974*
California: University of California Extension at Santa Cruz: Dec 08, 1970; Dec 16, 1970*
California: University of California Extension Center, San Francisco: Jul 14, 1967*; Sep 13, 1973; Sep 15, 1973
California: University of California Press: Mar 30, 1956; Apr 20, 1956*
Call, Hughes: Jul 16, 1969*; Jul 02, 1976 (letter of condolence to Gryffyd Partridge)
Callahan, Harry: May 19, 1949
Camera: Apr 21, 1973 (letter to Witkin Gallery); Mar 07, 1974*; Jun 03, 1974*; Nov 17, 1974*; Jun 07, 1975*
Campbell, Jack: Aug 10, 1965*; Nov 27, 1971* (letter of recommendation); Jul 30, 1973; May 03, 1974*
Carr, Steve: also see Writings
Carter, William: May 01, 1975; May 20, 1975*; May 22, 1975
Case, Charles Albert: Feb 08, 1956; Feb 17, 1956; Jan 10, 1957; Jun 27, 1958; Jul 15, 1958*; Apr 04, 1959*; Feb 27, 1961*
Casebeer, Vern: Mar 04, 1971; Mar 14, 1971; Mar 26, 1971*
Casler, Chris: Jan 11, 1973
CBS News: Jun 18, 1975; Mar 30, 1976; Jun 04, 1976
Center for Creative Photography: see Arizona: University of Arizona
Center for Humanities, Inc.: Jun 05, 1974; Jun 07, 1974*
Center for Visual Studies: Jan 16, 1973*
Center of the Eye, Inc.: Mar 23, 1970; Mar 24, 1970; Jun 20, 1970*
Chaney, Verne: Dec 13, 1971; Jan 03, 1972; Feb 08, 1972*; Dec 28, 1974*
Chappell, Walter: Dec 01, 1972* (recommendation by Cunningham to Guggenheim Foundation); also see Eastman: George Eastman House
Cheney, Hal: Sep 23, 1972*
Chilberg, Mabel: Dec 22, 1966; Aug 03, 1970*; Aug 08, 1970
Chin, Bobtoy: see Bobtoy
Chinn, Benjamin: undated
Chipp, Herschel: May 05, 1967
Christian Science Monitor: May 29, 1959; Jun 01, 1959; Jun 11, 1959*; Aug 10, 1959; Aug 14, 1959*
Christy, George: May 28, 1974; Jul 30, 1974*
Ciabattari, Jane: see -- Aphra
Cincinnati Art Museum: Mar 07, 1960
Citizens' Vigilance Committee: Aug 14, 1962; Sep 08, 1962* (letter to Board of Supervisors, San Francisco); Sep 08, 1962* (letter to Recreation and Park Commission, San Francisco)
Clayden, Marian: Dec 22, 1974*; May 12, 1976
Cleaver, Virginia: Jul 08, 1974*
Clergue, Lucien: Oct 31, 1972 (6 photographs of Cunningham by Clergue); Apr 04, 1973*; Sep 07, 1973*; Jan 15, 1974*; mentioned in letter dated Feb 01, 1974; Feb 16, 1974
Close-Up: see Polaroid Corporation
Coates, L. D.: Jan 15, 1968
Coburn, Alvin Langdon: Apr 14, 1913; Feb 19, 1953*; Jun 02, 1960; [Jan] 1964; Sep 10, 1964
Coe, Gertrude: Mar 20, 1960; Feb 21, 1966; Feb 28, 1966*; Dec 10, 1966; May 12, 1967*
Coe, Lucy Campbell: Jun 07, [1966]; Sep 13, 1966*; Dec 11, 1966*; Dec 23, 1966; May 30, 1967*; Jun 19, 1967*; Jun 18, 1973 (including a photograph of Elsa Walsh by Cunningham)
Coelen, Leslie: Mar 13, 1971*
Cohan, Mr.: Apr 16, 1965*
Coke, Van Deren: Feb 27, 1969* (including resume)
Cole, Howard: Mar 09, 1967; Mar 17, 1967*; Mar 17, 1967*; May 26, 1967; May 29, 1967*; Jul 06, 1967; Aug 30, 1973
College of Marin: Nov 06, 1967; Nov 11, 1967*; Jan 02, 1968; Jan 05, 1968*; Jan 19, 1968*
Colum, Padraic: Apr 20, 1956*
Colwell, Larry: Dec 03, 1958; Jun 01, 1959*; Apr 12, 1960; Jan 09, 1961*; Jan 18, 1961; Feb 15, 1961*; Apr 20, 1961*; May 02, 1961; Aug 25, 1961; Dec 08, 1964; Feb 14, 1965*; Oct 13, 1965*; Sep 09, 1966; Sep 23, 1966; Oct 02, 1966*; Nov 09, 1966; Dec 21, 1966*; Jan 17, 1967; May 02, 1967*; May 02, 1968*; Nov 10, 1968; Dec 29, 1969*
Comer, Deirdre and Tony: undated (2); Nov 17, 1960*; Feb 07, 1966*; Apr 29, 1969*
Comer, Molly and Fred: undated (2; including a photograph of their view of the river); Jan 29, 1944 (2); Dec 1949 (including 2 photographs of their house); Jun 02, 1951*; Jan 24, 1952*; Jul 18, 1952*; Aug 04, 1952; Dec 02, 1952*; Feb 13, 1953*; Nov 11, 1953*; Nov 27, 1953; Nov 18, 1954; Jan 05, 1955; Nov 19, 1955
Conde Nast Publications, Ltd.: May 12, 1961
Connelly & Associates: Jul 16, 1964*
Connor, Linda: Dec 15, 1973 (including photograph by Connor)
Conrad, Barnaby: Mar 19, 1976
Constantine, Mildred: Oct 13, 1974*
Cook: Thomas Cook & Son: Jan 21, 1960 (re voyage on the BERLIN)
Cooper, Thomas: Sep 20, 1970; Sep 20, 1970*; Nov 09, 1971; Nov 12, 1971*; Nov 16, 1972; Dec 03, 1972*; Sep 20, 1973; Feb 26, 1975
Cooper Union for the Advancement of Science and Art: Jul 16, 1956
Corbett, A.: Jun 04, 1970
Costello, Allison: undated
Couchman, Bea: Feb 26, [1967]; Jan 05, 1968; Jan 10, 1968*; Jan 26, 1970*; Aug 18, 1970*; May 27, 1971; Aug 06, [1973];
Cowll, Sidney: Mar 24, 1974*
Cranbrook Academy of Art: Apr 22, 1976
Crane, Barbara: Feb 11, 1971; Jun 04, 1971*; Nov 24, 1971* (letter of recommendation); Nov 27, 1971* (letter of recommendation); [Apr 1973]*; May 26, 1973
Craven, George and Rachel: Mar 20, 1960; Oct 12, 1960*; Oct 21, 1960; Nov 16, 1960*; Apr 20, 1962*; Apr 26, 1962; [Dec 1963]; Mar 13, 1964*; Apr 09, 1964*; Jun 30, 1964*; Oct 03, 1964; Mar 07, 1966; Mar 10, 1966*; Mar 24, 1966*; Mar 25, 1966; May 02, 1966; May 04, 1966*; Oct 05, 1966*; Dec 21, 1969; Sep 07, 1972 (booklet ?The Group f/64 Controversy" by Craven enclosed in letter to Cunningham from University of California at Berkeley)
Crawford & Conover, Inc.: Aug 06, 1965
Crawford, Earl: Feb 17, 1975; Mar 24, 1975*
Creative and Extraordinary Person Project: Sep 01, 1974
Creative Camera: Feb 10, 1971; Jun 16, 1971; Jun 29, 1971*; Jul 08, 1971*
Crispino, Miss: Jul 06, 1968*
Crockett, Candace: Feb 11, 1974; Feb 17, 1974*
Crouch, Steve: Jan 25, 1960*; Jun 06, 1968; Jun 18, 1968*
Crowder, Katherine Kerr: Jun 21, 1965; Jun 27, 1965*
Crowell: Thomas Y. Crowell Company: Feb 12, 1962; Feb 26, 1962; Mar 02, 1962; Mar 06, 1962
Crowninshield, Frank: May 09, 1935; Jun 10, 1935*; Jun 13, 1935
Cunningham: Imogen Cunningham Trust: Mar 01, 1976; also see Morrison & Foerster; also see entry under Financial Material
Cunningham, John: May 24, 1974*
Cunningham, June and Alan: Jun 27, 1976
Cunningham, Lynn: Jan 07, 1972; Feb 09, 1972*; Aug 11, 1972*; May 02, 1973; May 16, 1973*
Cunningham?, Min: 1910*
Cunningham, Pearl: 1909 (3)*; 1910 (6, including a photograph of a woman drinking beer while holding a cigarette)
Cunningham Press: Jan 12, 1974*
Cunningham, Roger and Doris: Dec 25, 1967 (including photo Christmas card); Feb 15, 1968; Jul 15, 1968*; Aug 08, 1968; Dec 06, 1968; Dec 07, 1968 (including photo Christmas card); Apr 27, 1969*; May 11, 1969; Dec 13, 1969 (including photo Christmas card); Feb 25, 1970; Mar 03, 1970*; May 21, 1970; May 27, 1970 (including obituary for Nellie Cunningham); Jun 11, 1970; Apr 16, 1971*; Jan 11, 1972; [Apr 29, 1974]; May 08, 1974*; May 16, 1974; May 23, 1974*; Mar 31, 1975*; Apr 21, 1976*; Apr 27, 1976; Nov 30, 1979; Nov 30, 1979
Cunningham, Mr. and Mrs. T. N.: Mar 31, 1975*
Cushing, Nancy: undated; Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
Dadd, Mary: see McEwan, Mary
Dafoe, Dottie and Leslie: Apr 07, 1970; Nov 12, 1970*; Nov 12, 1970*; Dec 11, 1973
Dahl, Arthur L.: Nov 20, 1970*
Daily Express: Jul 07, 1960
Dallas Museum for Contemporary Arts: Dec 11, 1967
Daniel, Edna: Aug 24, 1961; Feb 20, 1963; Feb 26, 1969*; also see California: University of California at Berkeley
Danieli, Fidel: Aug 09, 1974; Oct 28, 1974*
Dater, Judy: Nov 27, 1971* (letter of recommendation); July 1973; Dec 04, 1974* (letter of recommendation); Oct 28, 1979
Daveney, Paula: Sep 07, 1943*; Feb 03, 1948; Jul 10, 1956 (letter from Berta Hader); Mar 02, 1971*; Oct 19, 1973*; Mar 11, 1974*; Sep 14, 1974*; Mar 10, 1975 (filing of Daveney's will); see Personal business records
David: Peter M. David Gallery: Nov 18, 1974; Nov 22, 1974*
Davidos, Rajan and Kimiko: Jan 05, 1969*; Apr 09, 1969; Apr 13, 1969*; also see Photographs
Davies, Louise: undated (3); Mar 04, 1971*; May 16, 1973*
Davies, Ralph: Sep 20, 1970*
Davis, Phil: May 20, 1974; May 25, 1974*; Jun 18, 1974; Aug 20, 1974*
DAY AT NIGHT (television program): Apr 25, 1974; May 03, 1974*
Dearborn, Betty: Apr 10, 1967; Jun 19, 1967*
Dearborn-Massar: see Massar, Phyllis
Dearborn Stove Company: Apr 21, 1965*
DeCordova and Dana Museum and Park: Nov 15, 1961; Mar 07, 1968*
DeGoff, Sidney: Oct 19, 1974*
Deitch, Donna: Jan 07, 1972; Jan 19, 1972*; Feb 24, 1975*; Mar 23, 1976; Apr 01, 1976*
Denny, Grace: Feb 06, 1967; May 06, 1967; Aug 24, 1967
Desmarais, Charles: Oct 11, 1974
Detroit Free Press: Sep 15, 1965; Sep 21, 1965; Oct 25, 1965
Deutsch, Barbara: Feb 18, 1974
De Young Museum: Nov 21, 1970 (letter from Janet Partridge)
De Young Museum Society: Jun 24, 1970
Dhaemers, Mrs.: Mar 04, 1966*
Diablo Valley College: Aug 15, 1972; Nov 15, 1972
Diamond, Martin: Oct 02, 1974; Feb 24, 1975*
Dickinson-Chetham, Helen: Dec 10, 1960*; Aug 28, 1962 (letter to Dorothy MacDonald); Jun 03, 1963
Dinsdale, Elizabeth: Sep 02, 1968; also see Cunningham, Roger
Dixon, Constance (daughter of Maynard Dixon): Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
Dixon, Edith: Nov 1946 (re death of Maynard Dixon)
Dmitri, Ivan: see Photography in the Fine Arts
Dommeyer, Frederick C.: Oct 01, 1965; Jun 21, 1966
Doniach, Sarah: Mar 03, 1970; Mar 12, 1970*
Donnelley, Adelaide: [Mar 29, 1972]; Mar 29, 1972*; Jun 10, 1972*; Jun 28, 1972
Donoho, David: undated (2); Sep 30, 1963; Feb 15, 1965; Mar 01, 1966; Mar 03, 1966*; Dec 12, 1966; Jan 02, 1967; Jan 04, 1967*; Mar 08, 1967; Apr 03, 1967; Apr 11, 1967; May 11, 1967; May 17, 1967; May 24, 1967; May 30, 1967*; Jun 02, 1967; Jul 27, 1967; Aug 01, 1967; Aug 07, 1967; Sep 17, 1967; Sep 29, 1967*; Oct 07, 1967*; Nov 05, 1967; Jul 03, 1968; Jul 08, 1968*; Jul 11, 1968; Sep 27, 1968*; Sep 29, 1968; Oct 13, 1968; Nov 12, 1968; Dec 03, 1968; Dec 24, 1968; Mar 12, 1969*; Mar 16, 1969; May 20, 1970; Mar 23, 1971; Mar 27, 1971*; Apr 20, 1972*; May 21, 1974; Jun 05, 1975; Jun 29, 1975; also see San Jose State College
Dooley: Thomas A. Dooley Foundation, Inc.: see Chaney, Verne
Doubleday & Company, Inc.: Nov 12, 1970; Nov 26, 1970*
Dowling, Ed and Muriel Peterson: Jul 18, 1958*; Aug 29, 1965*
Doyle, Kathleen: undated
Dresden, Maud: May 31, 1910 (2) (a postcard with a photograph of Dresden and Cunningham; and a postcard with a photograph of Dresden and Omer Foisie)
Dreyfus, Emile: Sep 26, 1955 (including 2 photographs of ?old fogies" playing card game)
Drummond, Katherine: Apr 20, 1961*; Oct 07, 1961; Dec 29, 1963*; Jan 27, 1964; Jan 03, 1967; Sep 22, 1968*
Duarte, Carlota: Apr 28, 1976
Ducasse, Mabel and Curt (Brown University): Sep 17, 1956; Dec 25, 1956; Jan 10, 1959*; Dec 07, 1960; Dec 14, 1960*; Dec 29, 1963*; Jan 10, 1964; Jan 20, 1964*; Feb 22, 1964*; Oct 07, 1964; [Jan 1965]; Feb 05, 1966; Feb 12, 1966; Feb 14, 1966*; Feb 26, 1966; Mar 01, 1966*; Mar 25, 1966; Apr 05, 1966*; Oct 16, 1966; Nov 10, 1966*; Dec 27, 1966; Apr 26, 1967*; Apr 29, 1967; May 23, 1967*; May 24, 1967; May 26, 1967*; Jun 07, 1967; Jun 08, 1967; Jun 18, 1967*; Jun 27, 1967; Aug 14, 1967*; Nov 26, 1967*; Dec 15, 1968*; Jan 06, 1969*; Dec 14, 1969; Dec 29, 1969*; Jan 08, 1970; Feb 02, 1970; Mar 08, 1970*; Mar 17, 1970; May 25, 1970; Jun 12, 1970*; mentioned in letter dated Sep 27, 1975
Dunham, Dorothea: Apr 08, [1976]
Duskin, Mr.: undated*
E., Charline: Feb 14, 1967*; Apr 04, 1968; Apr 10, 1968*; Mar 17, 1970
E., W.?: Jul 08, 1960
Eakins Press: Apr 30, 1976*
Eastman: George Eastman House: Jun 25, 1958; Nov 27, 1958*; Feb 05, 1959*; Apr 21, 1959; Jun 23, 1959; Jul 06, 1959*; Jul 16, 1959; Aug 10, 1959; Aug 18, 1959; Sep 04, 1959*; Nov 17, 1959*; Nov 23, 1959; Dec 20, 1959*; Jan 01, 1960*; Feb 12, 1960*; May 12, 1960; Jul 15, 1960; Sep 21, 1960; Oct 14, 1960; Nov 02, 1960; Dec 23, 1960; Dec 30, 1960; Mar 21, 1961*; Apr 06, 1961*; Apr 03, 1962; May 18, 1962*; May 24, 1962; Jun 05, 1962*; Jul 10, 1962; Aug 03, 1962; Nov 28, 1962*; Jan 11, 1963; Jan 17, 1963*; Nov 20, 1963*; [Dec 1963]; Apr 25, 1964*; Jun 08, 1964*; Jul 08, 1964; Jul 28, 1965*; Jun 29, 1967*; Apr 04, 1968*; Aug 14, 1969*; Sep 17, 1969*; Sep 30, 1969; Jul 07, 1970*; Aug 25, 1970; Sep 04, 1970*; Sep 21, 1970; Sep 28, 1970*; Oct 08, 1970; Oct 16, 1970*; Oct 20, 1970; Aug 04, 1971*; Dec 20, 1971; Jan 22, 1972*; Apr 26, 1972*; mentioned in letter dated Feb 18, 1976; also see International Museum of Photography; also see White, Minor
East Shoreline Charter Service: May 04, 1968
Eastwood, Alice: see Printed Material
Eckbo, Royston and Williams: Feb 10, 1947 (including notes and blueprints for landscaping Cunningham's yard in Green Street); Jun 09, 1947*; Sep 21, 1947*
Ecko, Evans: Apr 10, 1976
Edison Street Gallery: Mar 03, 1975; Apr 04, 1975*
Edwal Scientific Products Corp.: Mar 14, 1961*
Edwards, Norman: Aug 08, 1962*; Sep 20, 1962
Eitner, Lorenz: see Stanford University
Elkus, Jonathan, Marilyn and Ian: Dec 14, 1965*; May 1973
Ellegood, Donald: see Washington: University of Washington Press
Elliot, Ralph: Mar 21, 1962*
Embarcadero Center: Sep 20, 1972; Sep 29, 1972*
Emerson, Donna: undated (including a photograph of Emerson)
Emmons, Donn: Nov 12, 1974
Encyclopaedia Britannica: Jun 04, 1965; Jun 15, 1965*; Mar 17, 1971; Mar 22, 1971*; Apr 06, 1971; Apr 16, 1971*; Nov 10, 1971; Nov 23, 1971*; Jan 14, 1972; Jan 21, 1972*; Jan 25, 1972; Jan 28, 1972*; Feb 02, 1971; Feb 10, 1972; Feb 19, 1972*
English, Christopher: Jul 06, 1973; Jul 13, 1973*
Eng-Skell Company: Jan 05, 1959
Epstein, Ellen: Jan 09, 1968*
Epstein, Mrs. Jacob: Nov 21, 1963*
Erceg, Don and Jo (Joseph): Mar 01, 1965; Oct 18, 1965; Jun 21, 1966*; Sep 20, [1966]; Sep 26, 1966*; Nov 09, 1966*; Nov 13, 1966; Nov 25, 1966*; Jan 06, 1967; Jan 25, 1967*; Jun 21, 1967*; Jul 04, 1967; Jul 19, 1967*; Nov 07, 1967; Jul 05, 1968*; Jan 24, 1970*; May 03, 1971*; also see Lynch: Douglas Lynch Associates
Erpen, Gustave: Feb 06, 1966*
Esalen Institute: Apr 20, 1964; Apr 23, 1964*
Ets-Hokins, Jeremy: Sep 18, 1974*
Everyday Art Quarterly: Feb 13, 1948
Exchange National Bank of Chicago: Jan 24, 1968
f/64, Group: Sep 07, 1972 (booklet ?The Group f/64 Controversy" by George M. Craven enclosed in letter from University of California at Berkeley)
Faber and Faber, Ltd.: Jan 26, 1970; Jan 31, 1970* (2); Feb 17, 1970
Falkner von Sonnenburg, Erwin: undated (in German); Jan 03, 1955 (in German); Aug 28, 1967*; Sep 23, 1968 (in German); Oct 19, 1968*; Dec 15, 1968*; Jan 12, 1969*; Jan 28, 1969 (in German); Feb 04, 1969*; Mar 11, 1969 (in German); Apr 16, 1969 (in German); Apr 23, 1969; Nov 28, 1970*; Jun 23, 1971*; Dec 13, 1971 (in German); Dec 25, 1971*; Apr 07, 1972 (in German); Feb 14, 1973 (in German); Jul 26, 1973*; Aug 21, 1973 (in German); Aug 01, 1974 (in German)
Falkner von Sonnenburg, Helene: May 1952 (in German); Jul 10, 1952; Aug 07, 1952; Sep 14, 1952*; Oct 15, 1952*; Nov 10, 1952*; Jan 05, 1953*; Jan 19, 1953*; Jan 27, 1953; Feb 02, 1953*; Feb 09, 1953*; Feb 25, 1953*; Apr 10, 1953*; May 19, 1953*; Jul 10, 1953*; Aug 20, 1953*; Oct 15, 1953 (death notice); mentioned in letters dated Dec 01, 1953*; Mar 19, 1954; May 14, 1954; May 24, 1954
The Family Circle: May 27, 1954*; Jun 07, 1954*; Jun 11, 1954; Jul 21, 1954; Jul 24, 1954*; Jan 25, 1955*; Jan 31, 1955; Jul 19, 1955; Jul 29, 1955; Aug 10, 1955; Sep 12, 1955*
Farley, Mr. and Mrs. William: Sep 22, 1948
Fascioni, Anna: Mar 23, 1971
Feininger, Andreas: Sep 19, 1937
Feininger, Lyonel and Julia: mentioned in [undated] letter from unidentified correspondent; Dec 14, 1951*; Feb 12, 1952*; Mar 18, 1952 (2); Mar 20, 1960
Feminist History Research Project: Jan 03, 1973
Fenno, J. (Jake?): May 27, 1968; May 30, 1968*
Ferry, Frances: Jan 30, 1966; [Mar 1969]; Apr 14, 1969*; Apr 19, 1969*; Jun 22, 1969*; Jul 11, 1969*; Sep 02, 1971*; Oct 16, 1975
Film Dynamics: May 21, 1973*
Finley, Mr. and Mrs. R. W.: Mar 31, 1975*
Finnegan, Josephine: Jul 05, 1972*; Jul 09, 1972
Fisher, Lois: mentioned in letter dated Mar 10, 1955
Focus Gallery: Nov 16, 1966; May 13, 1970; May 18, 1970*; May 30, 1970 (receipt for works); Apr 30, 1973; May 16, 1973; May 21, 1974; Apr 19, 1975; Jun 26, 1979; Jun 03, 1980
Foisie, Omer: see Dresden, Maud
Folger, Mr.: Feb 24, 1966*
Forbes, John D.: Jun 14, 1967*; Jun 17, 1967
Ford, Mr.: Nov 27, 1967*; May 21, 1968*
Forth, Robert: Jan 18, 1973*
Fortune: Mar 27, 1946
Fort Worth Art Center: Feb 27, 1956
Foster, Eve: Nov 13, 1957*; May 17, 1959*; Jan 18, 1960; Dec 10, 1960*
Foster (Zlatovski), Jane: undated; Oct 30, 1952; Dec 19, 1956; Jul 09, 1957* (including clippings about her indictment); see Notes for Foster's excerpts from -- My Ten Years as a Counterspy -- by Boris Morros, 1959
Foster, W. E.: Aug 14, 1957 (including clippings about Jane and George Foster's indictments)
FR Corporation: Feb 09, 1960
Franke & Heidecke: Apr 13, 1959; Jun 05, 1959*; Jun 18, 1959
Frankel, Peg: undated; Nov 28, 1983
Frankenstein, Alfred: see -- San Francisco Chronicle
Freed, Arthur: Aug 17, 1970
Freehe, Clifford: photograph of Freehe contained in letter from Dick Muffley dated May 19, 1974; also see Washington: University of Washington, Seattle
Freemesser, Bernard: Apr 09, 1969; Sep 24, 1973; Oct 27, 1973*; also see Oregon: University of Oregon
Friedman, Marian: [Apr 11, 1976]; May 07, 1976*
Friedman, Mickey: Apr 03, 1975; Jan 12, 1976; Jan 21, 1976; Mar 17, 1976*; Sep 22, 1976 (letter of condolence to Gryffyd Partridge)
Friends of Photography (gallery): Oct 12, 1971*; [May 31, 1973]; Jun 19, 1973; Feb 02, 1974*; May 14, 1974
Friends of the San Francisco Public Library: see San Francisco Public Library
Fuller, Pat: Apr 27, 1974; May 05, 1974*
Fuller, R. Buckminster: Mar 31, 1965
G., P. K.: Jul 05, 1968*
Gaelen, Leslie H.: May 16, 1961*; Nov 21, 1969; Nov 26, 1969*; Apr 29, 1970; Mar 20, 1971; Mar 26, 1971; Mar 31, 1971; May 11, 1971*; May 14, 1971*; Mun 03, 1971; Jun 09, 1971*
Galen, William: Mar 04, 1965; Aug 16, 1965
Gardner, Chrissie: Feb 18, 1968*; Aug 18, 1974*
Gardner, Juanita: Oct 16, 1972
Garnett, William: Dec 04, 1969*; May 09, 1970
Garrod, Richard: Feb 25, 1971
GAUSE (Western Managers of World Personalities): Mar 10, 1955; Mar 13, 1955*
Geddes, Norman Bel: Jun 27, 1932; Jul 07, 1932
Geen, Elizabeth: Mar 30, 1969*
Geldermann, Jessie and Arturo: Jun 12, 1958; Feb 02, 1959*; Feb 06, 1966*
General Foods Corp.: Nov 08, 1966*
Geske, Norman: see Nebraska: University of Nebraska
Gibbons, Mrs.: Jan 13, 1969*
Gichner, Lawrence: May 14, 1970; May 27, 1970*; Sep 14, 1970*
Gilbert, Arnold: Dec 02, 1969; Dec 15, 1969*; Dec 22, 1969; Feb 10, 1970*; Feb 16, 1970; Feb 19, 1970*
Gilbert, Jeffrey: Feb 05, 1976
Gill, Anne and Elwood: Oct 15, 1968; Oct 19, 1968*
Gillet, Anne: Feb 25, 1976 (including a term paper about Cunningham and 2 photographs of details on Cunningham's house)
Gilpin, Laura: May 31, 1959; Jun 04, 1959*; Feb 21, 1976*; Apr 17, 1976
Gisbon, Helen: Jan 28, 1958*
Glaezer, Rabbi: Oct 30, 1966
Glaser, Leslie: Jul 09, 1974*
Glenn: Jack Glenn Gallery: Mar 25, 1974; Apr 05, 1974; May 02, 1974; May 08, 1974*; May 09, 1974; Aug 23, 1974; Oct 04, 1974*
Golden Gate Magazine: May 08, 1961
Goldschmidt, Lisa: [Feb 07, 1969]; Feb 07, 1969*
Goldsmith, David: Jan 22, 1974*; Jan 19, 1975
Goldsmith, John: Oct 17, 1974
Goldsmith, T.: Nov 21, 1973
Goldstein, Virginia (Vagadu Aurelius' mother): Feb 07, 1971; Feb 27, 1971*
Goldstine, Daniel: Jul 05, 1964*
Goldstine, Edgar N.: undated; Jul 10, 1976 (letter of condolence to Gryffyd Partridge)
Goodger-Hill, G.: see Writings
Goodhue, Dr.: Sep 04, 1959* (2); Dec 07, 1972*
Goodwin, Betty: Nov 01, 1974
Goodwin, David: Dec 25, 1969 (photo Christmas card); Jul 22, 1970*; Jun 03, 1970; Dec 25, 1973; Apr 11, 1976
Gordon, Richard: Oct 11, 1974
Gorsline, Jerry: Sep 03, 1968
Grady, Jim: Nov 26, 1956*
Graham: Martha Graham Dance Co.: Apr 29, 1976*
Grant, Cary: Oct 24, 1970*
Grant, Verne: undated; Oct 24, [1974]; Nov 20, 1974
Graves, Morris: Apr 13, 1969*; Feb 23, 1972*; Jun 11, 1973*; Jun 30, 1973; Jul 05, 1973*; Jul 30, 1973; Aug 17, 1973*; Sep 03, 1973*; Dec 21, 1973
Graves, Wallace: Nov 12, 1972
Gray, Burt: Oct 11, 1974*
Grey, Abby and Benjamin: Jan 24, 1965; Feb 10, 1965*
Grieve, Ginger: Feb 04, 1976 (including a photograph of Grieve)
Grotch, Stanley: Nov 16, 1971*; Jan 08, 1971*
Grover, Oliver D.: Jun 26, 1912
Grubb, Erica: see Washington: University of Washington Press
Guggenheim: John Simon Guggenheim Memorial Foundation: undated* (2; one re Gini Dodge Leonard); Nov 30, 1956* (re Ruth Asawa Lanier); Nov 03, 1959 (recommendation for Cunningham from Theodore Roethke); Nov 16, 1959*; Feb 10, 1960; Nov 22, 1966; Dec 21, 1966* (re Thomas Knight); Jan 30, 1967*; Nov 22, 1967; Dec 07, 1968*; Aug 28, 1969; Sep 15, 1969*; Feb 20, 1970; Mar 20, 1970 (2); Mar 23, 1970 (telegram awarding fellowship); Apr 02, 1970; Apr 04, 1970*; Apr 08, 1970; Apr 09, 1970; Apr 21, 1970 (2); Apr 27, 1970 (2); Apr 30, 1970*; May 14, 1970; Jun 01, 1970*; Jun 08, 1970; Jul 26, 1970*; Jul 29, 1970; Sep 11, 1970; Oct 28, 1970*; Nov 18, 1970*; Dec 04, 1970; Dec 11, 1970; Dec 18, 1970*; Dec 22, 1970; Jan 11, 1971*; Jan 15, 1971; Jan 27, 1971; Jan 30, 1971*; Feb 22, 1971*; Mar 03, 1971; Mar 07, 1971*; Mar 11, 1971; Mar 14, 1971*; Apr 07, 1971; Apr 26, 1971; May 02, 1971*; May 11, 1971; Aug 04, 1971*; Aug 06, 1971; Aug 13, 1971; Dec 02, 1971*; Dec 06, 1971; Dec 09, 1971; Dec 25, 1971*; Feb 24, 1972; Feb 29, 1972*; Jun 10, 1972*; Jun 13, 1972; Nov 21, 1972; Dec 01, 1972* (including recommendations by Cunningham for Bill Heick and Walter Chappel); May 03, 1973*; Oct 30, 1974*; Nov 20, 1974; Dec 04, 1974* (letter of recommendation for Judy Dater); Dec 10, 1974
Guillumette: Paul Guillumette, Inc.: Jul 17, 1953
Gustafson, Egil: mentioned in letter dated Nov 02, 1974
Gustaitis, Rasa (Rasa Gustaitis Moss): Dec 24, 1969
Gustin, Paul and Ina: Aug 19, 1965*; Oct 07, 1965
Guthrie, Helen: see MacDonald, Dorothy and Helen
Gutman, Judith Mara: Apr 25, 1971
Haberstitch, David: see Smithsonian Institution; see Writings
Hader, Berta and Elmer: undated; Jul 10, 1956; Aug 22, 1956; Sep 11, 1965*; Jul 22, 1968*; May 01, 1969; Dec 28, 1969; Apr 20, 1971*; Jun 21, 1973; mentioned in letter Oct 19, 1973*; Feb 21, 1974*; Feb 25, 1974; Feb 25, 1975*
Hagan, R. A.: Apr 12, 1975 (poem by Hagan)
Hagberg, Jochen: see Writings
Hagel, Hansel, and Otto: Feb 24, 1965; Apr 22, 1968*; Oct 26, 1973
Hagen, Charles: see -- Afterimage
Hall, James Baker: Mar 14, 1976
Hall, Norman: Dec 09, 1960*,Dec 17, 1960; May 12, 1961; Oct 07, 1962*; May 05, 1963*; Nov 21, 1963*; Dec 30, 1963; Feb 22, 1964*; Jun 11, 1965*; Sep 22, 1968*; Oct 07, 1968; Oct 11, 1968*; Jul 22, 1969*; Nov 25, 1969*; also see -- London Times; -- also see -- Photography
Halprin, Ann: Nov 1970
Hammid, Hella: Apr 25, 1964*; Jan 22, 1967*; Oct 07, 1968*; Aug 27, 1969*; Apr 25, 1972 (letter of recommendation)
Handbook Co.: Mar 28, 1972*
Hansen family: Dec 25, 1968 (including photograph)
Harcourt Brace Jovanovich, Inc.: Feb 07, 1973; Feb 14, 1973; Feb 18, 1973*
Harmon family: Dec 25, 1962
Harnden, Betsey: Jan 20, 1973*
Harootian, Koren Der: Dec 28, 1956
Harper's Bazaar: Jan 07, 1963*; Nov 07, 1970*; Jan 1971 (2)
Harrington, La Mar: see Henry Gallery
Harris, Eugenia: May 11, 1975*
Harrison, Halstead: undated
Harrison, Lynne: Oct 27, 1965; Nov 02, 1965*; Dec 26, 1965; Apr 05, 1966; Oct 16, 1966; Nov 03, 1966*; Mar 08, 1967*; Mar 25, 1967; Feb 08, 1968; Feb 11, 1968*; Aug 09, 1968*; Oct 05, 1973; Jan 23, 1974; Mar 27, 1974*; Apr 23, 1974*; Sep 30, 1974; Oct 02, 1974*
Hartman, Louis: Dec 29, 1967*
Hauberg, John: Mar 28, 1972; Apr 17, 1972*
Haupt, Hanna: Feb 09, 1961 (in German)
Haupt, Peter and Dorle: Jan 25, 1959*; Nov 29, 1960*; Sep 07, 1961 (in German); Dec 14, 1965*; Jul 27, 1967; Aug 28, 1967*; Jul 06, 1968*; Sep 23, 1968*; Nov 24, 1968; Dec 08, 1968*; Jan 10, 1969; Aug 29, 1969*; Jan 03, 1969; May 24, 1971*; Sep 16, 1972; Oct 04, 1972; Jun 09, 1973; Oct 06, 1973; Dec 03, 1974*
Haupt, Otto: Aug 08, 1960 (in German)
Haven, Tom: [Jul 25, 1973]; Jul 25, 1973*
Haynes, Bruce and Joan (Partridge): Aug 30, 1967; Sep 26, 1967*; Dec 29, 1967*; Jan 17, 1968; Jan 31, 1968; Apr 04, 1968*; Jan 05, 1969*; Feb 02, 1969; Feb 05, 1969*; Apr 13, 1969*; Feb 29, 1972*; Jun 07, 1974*; Nov 18, 1974*
Healey, Myrtle: undated calling card
Heick, Bill: undated; mentioned in letter dated Dec 01, 1972*
Heick, Helen: Oct 09, 1958 (including a typescript of Heick's ?On a Freighter to Japan" and a reprint of her "A Panacea Called Haramaki"); Dec 16, 1960*
Heinecken, Robert: see California: University of California at Los Angeles
Heino, Vivica: Mar 25, 1971*; May 05, 1972*
Hellman, Lillian: Dec 02, 1973*; Dec 26, 1973
Helps, Bob: [Jan 31, 1974]; Jan 31, 1974*
Henod Textiles: undated
Henry Gallery (University of Washington, Seattle): May 05, 1958; May 15, 1958*; Jul 27, 1960 (2); Aug 03, 1960 (letter from Gryffyd Partridge); Aug 23, 1960*; Mar 26, 1961*; Mar 17, 1964; Mar 19, 1964*; Mar 30, 1964; Apr 16, 1964*; Apr 20, 1964 (2); Apr 24, 1964*; Aug 30, 1964*; Sep 16, 1964; Sep 27, 1964*; Oct 15, 1964; Dec 10, 1964; Dec 30, 1964*; Jan 12, 1965; Jan 18, 1965*; Mar 30, 1965; Mar 31, 1965; Apr 01, 1965*; Apr 21, 1965*; Jun 04, 1965; Jun 17, 1965; Jun 20, 1965; Jun 23, 1965*; Jun 27, 1965*; Jul 20, 1965; Aug 05, 1965*; Nov 10, 1965*; Jan 03, 1966; Jan 14, 1966; Jan 21, 1966*; Jan 24, 1966; Jan 30, 1966*; Feb 11, 1966; Apr 06, 1966; Jun 20, 1966*; Jun 21, 1966; Jul 04, 1966*; Aug 03, 1966; Aug 09, 1966*; Sep 14, 1966; Oct 21, 1966*; Dec 02, 1966; Dec 11, 1966*; Dec 21, 1966; Feb 02, 1967*; Jun 18, 1967*; Oct 31, 1967; Nov 09, 1967*; Sep 15, 1970*; Sep 28, 1970; Nov 07, 1970*; Nov 24, 1970; Jan 16, 1971*; Jan 26, 1971; Feb 24, 1971; Mar 03, 1971*; Apr 26, 1971; Jun 09, 1971; Jun 16, 1971*; May 08, 1972; Jul 11, 1972; Mar 01, 1973; Mar 28, 1973*; Apr 10, 1973; May 07, 1973*; Oct 17, 1973*; Dec 18, 1973; Jan 18, 1974*; Jan 21, 1974; Feb 06, 1974; Feb 07, 1974*; Feb 12, 1974; Feb 20, 1974; Mar 05, 1974*; Mar 20, 1974; Mar 27, 1974*; Mar 28, 1974; Apr 21, 1974; Apr 26, 1974*; May 05, 1974*; May 06, 1974*; May 10, 1974 (including 5 installation photographs from Cunningham's exhibition); Jun 04, 1974
Heron, Edith: Mar 07, 1974
Herrick, Mariam and Francis: Apr 14, 1971; Dec 1973; Dec 26, 1974; May 30, 1975*
Herring, Frances: Apr 15, 1970
Hershey, Ann: see KPIX 5
Heyman, Therese: undated (2); Feb 26, 1965*; Dec 20, 1965; Apr 25, 1969; Apr 13, 1970; Feb 22, 1971*; Apr 29, 1971; Mar 09, 1974*; Feb 11, 1975 (letter from Cunningham's lawyers, Morrison & Foerster); also see Oakland Museum
Hiatt, Mary: Apr 30, 1970; Jul 12, 1976 (letter of condolence to Gryffyd Partridge)
High, Dennis: mentioned in letter dated May 10, 1976
Higman, Harry W.: Apr 25, 1953; Jun 08, 1965*; Jun 08, 1965*
Himelfarb, Harvey: Mar 27, 1971
Hoffman, Lee: Jun 09, 1972; Jun 15, 1972*; Dec 19, 1972; Jan 06, 1973*
Hoffman, Michael E.: see -- Aperture
Holder, Preston: Mar 21, 1966; Apr 12, 1966*; Sep 12, 1966; Sep 13, 1966*; Sep 18, 1966; Oct 11, 1966; Oct 30, 1966*; Jan 23, 1967; Nov 18, 1968; Nov 19, 1968*
Holger, Zelda: Feb 28, 1976
Holt, Rinehart & Winston, Inc.: Sep 26, 1972*; Oct 11, 1972; Oct 16, 1972*; Oct 18, 1972
Holub, Leo: Aug 20, 1969*; Aug 24, 1969; Dec 25, 1973; Jan 1975; Jun 21, 1976
Homestead Productions: Jan 07, 1971
Hooykaas, Else Madelon: Jan 02, 1971; Jun 09, 1971*; Jun 16, 1971; Jan 12, 1972
Hoover, Herbert (the office of Herbert Hoover): May 21, 1935*; Jun 4, 1935; Oct 05, 1935; Oct 09, 1935*; Feb 25, 1936; Feb 28, 1936*; Apr 22, 1936; Apr 29, 1936*; May 06, 1936; May 13, 1936*
Hosoe, Eikoh: Dec 25, 1974
Howell, Thekla and Robinson: [Jan 1966]; Dec 25, 1968; Feb 08, 1969*
Humboldt State College: Jan 21, 1965 (2); Jan 10, 1966; Jan 13, 1966*; Jan 30, 1966*; Feb 22, 1966; Mar 01, 1966*; Jul 01, 1966*; Sep 24, 1966*; Sep 30, 1966; Oct 05, 1966*; Mar 04, 1968*; Apr 05, 1968; Jul 04, 1968*; Feb 06, 1970*
Hume, Portia Bell: Mar 16, 1942; Mar 20, 1942*; May 03, 1942; May 24, 1942*
Hunt Institute for Botanical Documentation: Mar 01, 1974; May 24, 1975*
Huppe: Sep 07, 1973*
Hurd, Mrs.: Aug 09, 1968*
Illinois: University of Illinois: Jan 14, 1965; Feb 01, 1965*; Mar 17, 1965; Mar 26, 1965*; Apr 09, 1965
Imada, Kinji: Jul 07, 1968*; Dec 25, 1971*
Image Circle: Apr 05, 1971*
Indiana University: Oct 31, 1958; Dec 02, 1958
Infinity: Oct 23, 1965*; Nov 07, 1965*; Jan 26, 1966*; Jun 03, 1966*; Jun 20, 1966*; Oct 04, 1966; Oct 14, 1966*; Oct 19, 1966*; May 24, 1967*; also see American Society of Magazine Photographers
Ingalls, David: Feb 22, 1972
Inokuma, Geniciro: Nov 25, 1955
Institute of International Education: Jan 10, 1965*; Mar 26, 1965*; May 03, 1971
International Invitational of Photography: see Volunteer Service Photographers
International Museum of Photography: Feb 10, 1972; May 03, 1972; Jun 16, 1972*; Nov 10, 1974*; also see Eastman: George Eastman House
Iowa: University of Iowa: Nov 14, 1967; Nov 22, 1967*; Nov 24, 1967*; Dec 04, 1967; Jan 04, 1968; Jan 04, 1968; Jan 13, 1968*; Mar 04, 1968*; Oct 29, 1968; Nov 10, 1968*; Nov 16, 1968; Apr 08, 1969; May 26, 1971
Irwin, Clare: undated; Oct 08, 1960*; Nov 04, 1968*; Jan 10, 1969; Feb 25, 1969*; Mar 11, 1969*; Aug 30, 1970*; Sep 11, 1970; Dec 15, 1970; Mar 26, 1971*; Mar 31, 1971; Apr 02, 1971*; Apr 10, 1971; Dec 15, 1971*; May 10, 1972*; May 26, 1972; Jun 08, 1972*; Oct 05, 1972; Oct 19, 1972*; Sep 18, 1973; Nov 30, 1973*; Jan 24, 1974*; Apr 09, 1974; May 23, 1974*; Feb 26, 1976; Mar 06, 1976*; Oct 20, 1976
Irwin? family: Jul 19, 1967 (in German)
Irwin, Melanie: Sep 24, 1971
Iselin, Leni: Aug 25, 1961; Sep 19, 1961; Sep 23, 1961; Oct 17, 1961; Mar 02, 1962; Apr 29, 1962*; May 19, 1962; May 25, 1962*; Jun 12, 1962*; Oct 23, 1962*; Jan 08, 1963*; Mar 29, 1963*; Jul 18, 1963*; Nov 26, 1963*; Jan 03, 1964*; Jun 02, 1964*; Aug 07, 1964*; Nov 17, 1964*; Jun 18, 1967*; Jul 10, 1967*
Istituto Editoriale Domus: Aug 11, 1958; Aug 17, 1958*; Aug 26, 1958
Jackson, Herbet: Oct 16, 1967
Jacobs, Ken: May 21, 1973*
Jameson, Catherine E.: see Marple, Warren
Janis: Sidney Janis Gallery: Feb 23, 1976
Jay, Bill: see -- Album
Jobert, Muriel: Jan 12, 1960*; Jul 19, 1960; Dec 11, 1960*; Nov 20, 1962; Feb 05, 1964*; Sep 17, 1964*; Dec 12, 1966*; Jan 12, 1967; Feb 04, 1967*; Jun 19, 1967*
Johnson, Catherine: Jan 20, 1968
Johnson, Lyndon B.: Jun 14, 1965 (invitation to reception at the White House)
Johnson, Tom: see College of Marin
Jones, George: Sep 07, 1971; Nov 10, 1971
Jones, Laura: undated
Jourdan, Alda: Jan 15, 1956
Jourdan, Erven: Feb 27, 1976
Junior League of Oakland: Oct 19, 1967
Junior League of San Francisco: Nov 15, 1951; Aug 05, 1965
Ka_____, Kay: [Feb 1973]
Kalamazoo Institute of Arts: Mar 16, 1961; May 22, 1961*; May 24, 1961; Jan 05, 1962
Kalina, Judith: Oct 1972; Mar 14, 1975; May 30, 1975*; Aug 31, 1975
Kalkman, Robert Rodgers: Jan 23, 1973
Kanaga, Consuelo: undated; Mar 05, 1961; Mar 12, 1961*; Jan 06, 1962; May 02, 1968*; May 08, 1968; Feb 25, 1969*; mentioned in letter dated Oct 1972
Kansas: University of Kansas: Mar 05, 1974
Kantor, Jayne: Oct 07, 1974; Oct 13, 1974*; Oct 18, 1974; Jan 15, 1975
Kelly, Dorothea: Jan 04, 1964, (including photograph of a painting in a stairway)
Kelly, Jain: see Witkin Gallery
Kemp, Edward: see Oregon: University of Oregon
Kennedy, Lawton: Feb 16, 1966*
Kent State University Press: Jun 24, 1970
Kewell, Jeanne: Jun 07, 1954; Jun 17, 1954*; Jun 26, 1954; Jul 20, 1954*
Khounta, Penelope: Apr 18, 1973
Kier, Mary Alice: Apr 19, 1971
Kilgore, Don: May 12, 1974; May 25, 1974*; May 25, 1975
Kim-Le, Richard: Apr 01, 1976*
Kingston, Rodger: Dec 22, 1974
Kirkman, Tom: Apr 24, 1972; Jun 24, 1972*; Jun 27, 1972
Kismaric, Carole: see Snyder: Norman Snyder Studios, Inc.
Klemmer, Ruth: Dec 21, 1973 (including 2 photos circa 1916)
Klingenberg, Grace: Jan 07, 1963
Knight, Tom and Katy: Dec 21, 1966* (letter to Guggenheim re Thomas Knight); Jan 21, 1974; Jan 25, 1974*; also see Humboldt State College
Knopf: Alfred A. Knopf, Inc.: Mar 04, 1976; Mar 09, 1976*
Kolbrener, Bob: Dec 02, 1974
Kolisch, Marian Wood (granddaughter of Charles Erskine Scott Wood): Sep 28, 1974
Korty, John: May 21, 1970 (2); Jun 04, 1970*; Jul 20, 1970 (letter from Museum of Modern Art); Jan 24, 1972; Mar 07, 1973; Jan 1974 (3); Feb 09, 1974*; Mar 06, 1976
Koryhut, Wanda: Aug 21, 1957; Aug 30, 1957
Kosmak, Evelyn and George: Jun 19, 1964; Sep 24, 1970
Kouns, John: Nov 27, 1971* (letter of recommendation)
KPIX 5: Apr 07, 1971; Jun 03, 1975 (2); Jun 03, [1975] (2)
KQED: undated; May 12, 1965; Feb 15, 1966; Jun 14, 1971; Aug 07, 1971; Dec 15, 1971*; May 04, 1972; Jun 14, 1972; May 02, 1974; May 01, 1975
Kraft, Jim: undated
Kralka, Ania: Feb 05, 1966; Feb 13, 1967*; May 12, 1967*; Nov 08, 1970*; Jan 1976
Krannert Art Museum: see Illinois: University of Illinois
Krasnow, Peter: May 27, 1976
Krotki, K. J. and Ania: Apr 01, 1961; Dec 25, 1962 (photo Christmas card); Dec 25, 1963 (photo Christmas card); Mar 16, 1970; Jan 18, 1972
Krotta, Krysia: Feb 10, 1959*; Jun 24, 1959; Aug 21, 1959*; Dec 12, 1959*; Nov 25, 1960*; Feb 21, 1961*; Mar 03, 1961*; Mar 09, 1961; Mar 26, 1961*; Apr 13, 1976*
Lane, William and Saundra: Nov 12, 1968*; Jan 31, 1969*; Feb 27, 1969*; mentioned in letter dated Mar 12, 1969*; Apr 14, 1969*; Apr 18, 1969; Apr 29, 1969*; Jul 30, 1969*; Sep 17, 1969*; Nov 15, 1969; Dec 11, 1969*; Dec 17, 1969; Jan 13, 1970*; Mar 04, 1970*; Aug 24, 1970; Sep 25, 1970*; Oct 20, 1970*; Nov 16, 1970*; Dec 08, 1970; Jul 23, 1971* (2)
Lange, Dorothea: undated; Apr 24, 1958*; Apr 18, 1963*; May 17, 1971 (Dorothea Lange Purchase Award given to Cunningham)
Lanier, Addie Laurie: undated*
Lanier, Eiko: Feb 10, 1963*; Feb 22, 1964*; also see Photographs
Lanier, Ruth Asawa: see Asawa, Ruth
La Paz Pottery: Jun 13, 1973*
Larson, Jerry: see Mount Angel Abbey Library
Laszlo, Ernie: see Writings
Latent Image (Gallery): Mar 19, 1971
Laub, Randolph (Ohio Silver [gallery]): May 14, 1973*; Jun 28, 1973; Jul 24, 1973*
Laughlin, Clarence John: Jan 06, 1952
Laurel, Stan: mentioned in letter dated Feb 22, 1976
Lavenson, Alma: Aug 19, 1953*; Jun 25, 1954*; Dec 07, 1959*; Apr 12, [1968]; Jul 31, 1968*
Lee, Alan W. S.: Jan 11, 1913 (including 14 photographs of China); Apr 17, 1916; Oct 26, 1917; Jan 05, 1918; Mar 1918; Aug 21, 1918 (including 8 photographs of Japanese ceramics); Jan 07, 1919; May 09, 1919; Jun 11, 1919; Jan 14, [1920]; Mar 23, 1920; Apr 14, 1920; May 13, 1920; Jul 17, 1920; Sep 13, 1920; Oct 17, 1920; Dec 01, 1920; Feb 03, 1921; Feb 13, 1921; May 29, 1921; Sep 20, 1921 (including a photograph of the Thames River and Tower Bridge, 4 of Peking, one of a Nagasaki fountain, and one of Poyang Lake); Nov 25, 1921; Jan 09, 1922; Feb 09, 1922; Apr 05, 1922; Aug 24, 1922; Nov 28, 1922; Jan 19, 1923; Aug 31, 1923; Feb 09, 1924; Aug 13, 1924; Mar 23, 1926; Dec 01, 1926; Jan 28, 1927; Jun 02, 1927; Aug 26, 1932; Feb 22, 1934; Oct 18, 1934; Jan 04, 1937 (including 3 photographs of Diplomatic Corps ceremony); Jul 12, 1938; Aug 11, 1939; Aug 31, 1939; Jan 19, 1940
Lee, Hannah Simms: Jan 19, 1957; Feb 12, 1957*; Jun 11, 1965*; Mar 03, 1971*; Mar 13, 1971*
Leefe, Miriam: May 31, 1963*; [Jun 1963]; Aug 07, 1963*; Sep 27, 1963*; Nov 23, 1963*
Lemkin, Mari: Aug 02, 1962; Aug 06, 1962*
Lentz, Bernard: Mar 13, 1958; Nov 23, 1958; Jan 02, 1960; Feb 07, 1960
Leonard, Gini Dodge: Nov 12, 1971; also see undated letter from Cunningham to the Guggenheim Foundation
Leonard, Joanne: Jun 16, 1974
Leone, Anna: Feb 07, 1969*
Leslie, Caird: May 05, 1956*; Dec 10, 1961
Levi Strauss and Company: mentioned in letters dated Sep 20, 1972 and Sep 29, 1972*
Lewis, Carol: Sep 17, 1975
Library of Congress: mentioned in [undated] letter from Cunningham to unidentified correspondent; Jul 14, 1949; Nov 16, 1949; Sep 05, 1962; Dec 03, 1962; Mar 18, 1963; Mar 27, 1963*; May 07, 1963; May 20, 1963*; Jul 08, 1963*; Jul 17, 1963; Jul 30, 1963; Nov 14, 1963; Nov 20, 1963*; Dec 30, 1963*; Feb 18, 1964; Mar 19, 1964*; Mar 26, 1964; Apr 07, 1964*; Apr 15, 1964; Apr 24, 1964*; Jun 04, 1964; Oct 08, 1964
Life: Dec 29, 1959*; Sep 19, 1969*; Oct 02, 1969; Oct 27, 1969; Mar 13, 1970 (2); May 06, 1970; Jan 14, 1972*; Aug 31, 1972; Oct 03, 1972; Oct 09, 1972*; Nov 03, 1972*; Nov 06, 1972*; Dec 29, 1972*; Jan 05, 1973; Jan 26, 1973
LIMELIGHT (exhibitions): Sep 17, 1954; Oct 06, 1954*; Oct 21, 1954*; Jan 10, 1955; Jan 21, 1955*; Mar 08, 1955; Apr 01, 1955*; Apr 25, 1955; Sep 14, 1955; Oct 03, 1955*; Nov 10, 1955*; Feb 24, 1956; Mar 25, 1956*
Linenthal, Alice Adams: Jul 23, 1966
Liston, Mrs. J. Glen: see Western Association of Art Museums
Littlejohn, David: Jun 05, 1970*
Locks, Norman: see Adams: Ansel Adams Gallery
Logan: Reva and David Logan Foundation: Feb 17, 1970; Apr 13, 1970*; Sep 13, 1971*; Nov 16, 1971*; Aug 03, 1973; Mar 25, 1974; Jun 05, 1975
London Times: Dec 30, 1963
Look: Dec 05, 1969; Dec 09, 1969*; Dec 24, 1969*; Jan 09, 1970; May 12, 1970*; May 25, 1970; Mar 13, 1971*; Mar 20, 1971*; Feb 1973; Mar 28, 1973*
Lovatt?, Bill: Jan 06, 1961*
Loveless family: Mar 09, 1971*
Ludington, Wright: Feb 13, 1953
Lushington, Beatrice: Jul 19, 1976
Luther, Dr. R. and Ida: Sep 28, 1923 (in German); Aug 01, 1927 (in German)
Lynch: Douglas Lynch Associates Graphic Design: Sep 20, [1966]
Lyons, Nathan: Nov 20, 1963; Jun 29, 1967*
MacCormack, Robert: Dec 04, 1956*
MacDonald, Dorothy and Helen (Helen MacDonald Guthrie): undated; Mar 09, 1961; Aug 28, 1962 (letter from Helen Dickinson-Chetham); Jun 30, 1965*; Aug 31, 1965*; Jan 24, 1966*; Jul 02, 1966*; Sep 01, 1966*; Jan 03, 1967*; May 29, 1967*; Jul 31, 1967*; Aug 02, 1967; Aug 14, 1967*; Oct 29, 1967*; [Jan 1968]*; Jan 01, 1968 (letter from Joan and Bruce Haynes); Mar 20, 1968*; Mar 27, 1968; Jun 10, 1968*; Jul 05, 1968*; Jul 19, 1968*; Apr 15, 1969*; Apr 20, 1970*; Apr 30, 1970; [Jul 1970]; Jul 19, 1970*; Nov 18, 1970*; [Nov 21, 1970]; Jan 16, 1971*; Jan 30, 1971*; Jul 26, 1971*; Oct 07, 1972*; [Dec 25, 1973]; Feb 14, 1974; [Feb 14, 1974]; Feb 20, 1974*; Mar 26, 1974*; May 16, 1974; Jun 24, 1974 (letter to Gryffyd Partridge); Oct 03, 1974*; Nov 21, 1974*; Dec 28, 1974*; Jun 25, 1976 (letter of condolence to Gryffyd Partridge)
Macfadden Publications, Inc.: Jul 22, 1942
MacGalliard, Wally: Jun 03, 1972; Jun 07, 1972*
MacKay, Alastair: Jun 05, 1972*; Jul 30, 1973*; Aug 11, 1973; Aug 27, 1973*
Mackland, Ray: Feb 10, 1960*
Macmillan Company: Jun 23, 1936; Aug 08, 1939; Aug 31, 1939*
Maddox, Miss (of Atrium): Jun 01, 1966*
Madison Art Center: May 25, 1973; Jun 28, 1973; Jan 15, 1974; May 07, 1974*
Maimone, Paul: Jul 10, 1974; Nov 08, 1974*
Malanga, Gerard: Mar 21, 1973
Malarkey, Mr.: Jul 08, 1965*
Malcolm, Ida Parton: Jul 23, 1967*
Mandel, Mike: Aug 22, 1975 (including 3 postcards designed by Mandel and a baseball card picturing Cunningham holding a ball and glove); Nov 13, 1975
Mann, Margery: undated (3); Jan 08, 1966; Oct 04, 1966 (letter to -- Infinity -- including a typescript "Imogen Cunningham" by Mann); Sep 25, 1967 (letter to Don Ellegood); Aug 09, 1968*; Oct 10, 1968 (letter from Ellegood); Oct 14, 1968*; mentioned in letter dated Apr 29, 1969; Aug 10, 1969; Apr 1970; May 18, 1970 (letter from Washington Press); Feb 08, 1971*; Mar 03, 1971*; Nov 16, 1972; Mar 30, 1973*; Sep 08, 1973*; Feb 06, 1974*; Apr 24, 1974; Aug 21, 1974 (letter from Cunningham's lawyers, Morrison, Foerster, Holloway, Clinton & Clark); Aug 27, 1974 (2); also see Writings
Manning, Harvey: see Washington: University of Washington, Seattle
Manself Press: Oct 26, 1974
Marcus, Lynn: undated
Maring: Dennis E. Maring & Co.: Nov 13, 1975
Marks, Milton (State Senator, Wash.): Nov 24, 1970; Nov 26, 1970*
Marple, Warren, Lorna, and Elliot: Jun 25, 1965; August 1966*; Apr 15, 1974 (2); May 18, 1974; May 21, 1974*; Dec 21, 1974
Martinez, Caroline, Zoura, and Al: Apr 24, 1974; Feb 25, 1975*; Jun 29, 1976
Masclet, Daniel: [Dec 1960] (in French); Dec 06, 1960*; Nov 16, 1961; Jun 13, 1963*
Massachusetts Institute of Technology: Jan 10, 1968; Jan 29, 1968; Feb 25, 1968; Mar 25, 1968; Apr 11, 1968; May 20, 1968; Jun 05, 1969; May 25, 1970; also see White, Minor
Massar, Phyllis: undated (2); Dec 20, 1963; Oct 01, 1969; Oct 08, 1969*; Apr 11, 1970; Aug 08, 1970; Aug 14, 1970*; Sep 03, 1970; Sep 10, 1970*; Sep 14, 1970; Sep 15, 1970*; Oct 01, 1970; Oct 05, 1970*; Oct 17, 1970; Nov 08, 1970; Nov 12, 1970*; Dec 11, 1970; Feb 22, 1971*; Feb 28, 1971; Mar 05, 1971; Mar 12, 1971; Jan 05, 1973; Jan 08, 1973*; Mar 07, 1973; Mar 19, 1973*; Mar 29, 1973; Apr 09, 1973; Apr 25, 1973; Mar 27, 1974*; Jun 23, 1974; Jul 23, 1974; Dec 15, 1974
Mathias, Mr.: Dec 12, 1967*
Mattison, Ethel and Jack: Nov 09, 1947; Dec 25, 1966; Jan 24, 1967*; Oct 12, 1968*
Maugham, W. Somerset: mentioned in letter dated Jun 10, 1936
Mayer, Grace M.: see Museum of Modern Art
Mayer, Helene: see Falkner von Sonnenburg, Helene
Mayer, Ida: Jan 03, 1955 (in German)
Mayes, Elaine: Nov 27, 1971* (letter of recommendation)
Mazzeo family: Dec 31, 1959*
McBride, Mary Margaret: Jan 10, 1961; May 06, 1969; Oct 24, 1970*
McCabe, Darlene: Jan 26, 1976
McCann-Erickson, Inc.: Dec 22, 1970; Dec 30, 1970*; Feb 04, 1971*; Feb 12, 1971*; Mar 05, 1971
McCarthy: Oct 14, 1959*
McCarthy, Jane: Nov 07, 1970
McClatchy, Phebe: Nov 26, 1951
McDougal, Littell & Company: Feb 11, 1970
McEwan, Mary: undated (4); Oct 11, 1954*; Nov 18, 1954*; Dec 26, 1954*; Jan 02, 1955; Jan 14, 1955*; Feb 02, 1955; Feb 25, 1955*; Feb 28, 1955*; Mar 14, 1955*; Mar 27, 1955; Apr 20, 1955; May 11, 1955; May 29, 1955*; Jun 23, 1955; Jul 14, 1955*; Aug 03, 1955; Aug 30, 1955; Sep 22, 1955; Oct 03, 1955*; Oct 12, 1955; Oct 21, 1955 (2); Nov 22, 1955; Dec 11, 1955*; Jan 06, 1956; Jan 16, 1956*; Jan 10, 1956*; Apr 22, 1956 (married to Rex Dadd); Jun 06, 1958; Jun 27, 1958*; Dec 1958; Mar 16, 1959; May 04, 1959; Sep 27, 1959*; Jan 01, 1960*; Feb 13, 1960*; Nov 29, 1960*; Feb 13, 1961; Feb 26, 1961*; May 16, 1961*
McGraw, Dick: Dec 25, 1966; Jun 15, 1967*; Mar 08, 1968*
McGraw-Hill Book Company, Inc.: Mar 29, 1961
McHugh, Vincent: Mar 11, 1970; May 15, 1970; May 21, 1970*
McIntosh, Jenny: Dec 19, 1947
McKee, Tasheira & Wahrhaftig: May 11, 1939 (divorce decree)
McLeod, James: Jun 11, 1970 (letter from Beatrice Roethke); Jul 05, 1970*; Jul 11, 1970*
McLuhan, Teri: see Outerbridge & Dienstfrey
McMinn, Helen: Jan 28, 1972
Mees, Kenneth: Jul 19, 1957*; Jul 26, 1957; Feb 05, 1958*; Jun 01, 1958*; Aug 26, 1958*
Melchert, Ralph (Ramel): Sep 19, 1973
Meltzer, Milton: Jan 27, 1976
Menapace, John: Mar 06, 1969; May 31, 1970*; Jun 10, 1970; Jun 18, 1970*
Mendocino Art Center: Feb 15, 1971; Feb 22, 1971*
Mendocino Historical Research, Inc.: Mar 04, 1976
Menninger, Edwin: undated
Merrill, Forrest: Oct 21, 1974*
Mesaros, Ron: Oct 02, 1970; Oct 11, 1970*
Metcalf: Addison M. Metcalf Collection of Gertrude Steiniana: Mar 23, 1955; Sep 22, 1955*; Sep 26, 1955; Oct 11, 1955
Metropolitan Museum of Art: Jul 12, 1969*; Jul 21, 1969; Aug 11, 1969*; Aug 13, 1969; Aug 16, 1969*; Dec 16, 1969; Dec 21, 1969*; Jan 14, 1970; Feb 22, 1970*; Apr 30, 1970; May 07, 1970*; May 14, 1970; May 31, 1970*; Jun 16, 1970; Nov 30, 1970; Mar 11, 1971; Mar 17, 1971; Mar 22, 1971*; Apr 14, 1971; Feb 20, 1973; Mar 02, 1973*; Mar 08, 1973; Mar 17, 1973* (2); May 15, 1973*; May 31, 1973; Jul 17, 1973
Metzker, Ray: Sep 14, 1960; Dec 06, 1960*; Feb 12, 1962; Apr 27, 1962*
Miles, Josephine: Apr 02, 1973
Miller, Barbara J.: undated
Mills College: Mar 19, 1954; May 14, 1954; May 24, 1954; Jan 27, 1956; Feb 27, 1956*; Apr 11, 1956; Apr 14, 1956*; May 29, 1958; Feb 22, 1965; Apr 08, 1970*; Sep 06, 1973; Sep 08, 1973*; Feb 11, 1975; Feb 25, 1975; Apr 04, 1975*; May 13, 1975*
Minard, F.: Dec 29, 1966
Mind's Eye (gallery): Oct 25, 1973
Minneapolis Institute of Arts: Mar 29, 1957
Mocy?, Robert: Apr 04, 1965
Model, Lisette: May 21, 1970; Jun 11, 1971
Modern Photography: Dec 12, 1950 (typescript of "A Passion for the Medium" by Christina); Feb 27, 1951; Aug 11, 1953; Jul 06, 1954*; Apr 14, 1955; Jan 13, 1956*; Aug 23, 1957*; Feb 01, 1968; Aug 08, 1968; Apr 18, 1972
Moholy-Nagy, L.: Jan 04, 1941
Monk, Heidi: Apr 02, 1969; Apr 14, 1970
Monterey Peninsula College: Jan 21, 1970; Jan 26, 1970*; Jan 27, 1970; Mar 03, 1970; Mar 04, 1970; Mar 11, 1970*; Apr 15, 1970*
Moon, Orrin C.: see Mendocino Art Center
Moore, Richard: May 22, 1975
Morais, Ka: Feb 10, 1976
Morais, Ken: mentioned in letter dated May 10, 1976
Morgan, Barbara and Willard: Jan 09, 1967; Apr 10, 1968*; Dec 26, 1969*; Nov 29, 1970; Dec 03, 1970*
Morgan, Edith: Oct 14, 1953; Jan 03, 1955*; Jun 30, 1957*
Morgan Guaranty Trust Co.: Aug 16, 1969*
Morley, S. Griswold: Oct 09, 1961; Jul 14, [1962]; Jul 08, 1968*; Aug 09, 1968*; also see Printed Material
Morris, Mark: Apr 09, 1974
Morrison, Foerster, Holloway, Clinton & Clark: Aug 21, 1974 (letter to Marjorie Mann); Aug 21, 1974 (letter to Gryffyd Partridge); Sep 11, 1974; Feb 11, 1975 (letter to Theresa Heyman); Feb 18, 1975 (letter to Gryffyd Partridge and Adrian Wilson); Feb 27, 1975; Mar 17, 1975
Morros, Boris: see Notes for Jane Foster's excerpts from -- My Ten Years as a Counterspy -- by Morros, 1959
Mount Angel Abbey Library: Apr 03, 1970; Aug 30, 1971; Sep 06, 1971*; Sep 24, 1971*; Oct 07, 1971; Oct 17, 1971*; Nov 07, 1971*; Nov 08, 1971; Nov 26, 1971; Dec 02, 1971*; Dec 17, 1971; Jan 07, 1972*; Feb 14, 1972; Mar 16, 1974*; also see Photographs
Mozesson, Phiz: mentioned in letter dated Dec 16, 1970*
Mozley, Anita: Apr 08, 1973*; Jun 09, 1973; Jun 15, 1973*
Ms.: Nov 25, 1974; Apr 26, 1975*
Muffley, Dick: Jul 06, 1968*; May 04, 1973 (including a photograph of himself, 2 of his house, and 4 of an atom smasher); May 19, 1973*; May 17, 1974*; May 19, 1974 (including 3 vacation photographs and a photograph of Cliff Freehe)
Munson-Williams-Proctor Institute: Jan 09, 1957; Feb 16, 1957*; Feb 19, 1957*; Feb 21, 1957; Feb 28, 1957
Museum of Fine Arts, Springfield, Mass.: Jun 03, [1974]; Aug 13, 1974; Aug 16, 1974*
Museum of Modern Art: undated; Apr 02, 1937; Sep 17, 1941; Sep 25, 1941*; Oct 22, 1946; Oct 28, 1946; Jan 01, 1960*; Mar 01, 1960; Mar 14, 1960; Apr 08, 1960; Apr 12, 1960; Jun 02, 1960; Nov 03, 1960; Dec 30, 1960; Jan 10, 1961*; Jan 16, 1961; Feb 01, 1961*; Feb 03, 1961; Feb 07, 1961*; May 19, 1961; Apr 04, 1962; May 29, 1962; May 30, 1962; Mar 26, 1963; Apr 05, 1963*; May 03, 1963; May 20, 1963; May 30, 1963*; Jun 04, 1963; Jun 16, 1963*; Jul 02, 1963; Jul 04, 1963*; Jul 08, 1963*; Jul 22, 1963; Aug 07, 1963*; Aug 12, 1963; Oct 16, 1963*; Oct 28, 1963; Oct 31, 1963; Nov 08, 1963*; Dec 12, 1963; Jan 25, 1964*; Jan 29, 1964; Apr 13, 1964; Apr 21, 1964; Jun 01, 1964; Jun 08, 1964; Sep 21, 1964*; Sep 29, 1964; Jan 02, 1965*; Jan 06, 1965; Jul 15, 1965 (2); Jul 28, 1965* (2); Sep 30, 1965; Oct 12, 1965*; Oct 20, 1965; Nov 14, 1965; Jul 28, 1966*; Jul 31, 1966; Aug 11, 1966; Sep 01, 1966*; Sep 06, 1966; Nov 09, 1966*; Dec 01, 1966; Dec 07, 1966; Jan 25, 1967 (2); Apr 03, 1967; Apr 07, 1967*; Apr 10, 1967*; May 23, 1967; Jun 17, 1967; Dec 09, 1967; Feb 13, 1968; May 15, 1968; Jun 13, 1968; Jul 11, 1968; Sep 12, 1968*; Oct 09, 1968; Oct 21, 1968; May 10, 1969; Jul 14, 1969*; Sep 05, 1969; Sep 08, 1969; Apr 09, 1970; Apr 21, 1970; Jul 20, 1970 (letter to John Korty); Nov 18, 1970; Mar 08, 1971; Aug 04, 1971*; Sep 07, 1971*; Feb 16, 1972; Apr 10, 1973*; Dec 18, 1974; Dec 24, 1974*; Jun 09, 1975; also see Steichen, Edward
Myers, Evelyn: Jan 29, 1958*
Nathan, Joan: Jul 07, 1969*
National Council on the Aging, Inc.: Jan 23, 1973 (including booklet "Older Americans and the Arts: A Human Equation")
National Institute of Arts and Letters: Jan 05, 1961*
National Organization for Women: Jun 18, 1974
NBC: see TONIGHT SHOW
Nebraska: University of Nebraska: Nov 03, 1965; Nov 20, 1965*; Mar 17, 1966; Apr 04, 1966*; Apr 25, 1966; Jun 02, 1966*; Jun 14, 1966; Jul 19, 1966; Jul 25, 1966*; Jul 28, 1966; Aug 26, 1966*; Sep 06, 1966; Sep 12, 1966*; Nov 01, 1966; Nov 10, 1966*; Nov 16, 1966; Dec 21, 1966*; Mar 17, 1967*; Mar 23, 1967
Neevel, Paul: see Writings
Nesbit, Norman: Mar 30, 1969*
Neumann, J. B.: see New Art Circle
Neumeyer, Fred (Alfred): Apr 15, 1970
New American Library: Jul 08, 1966*; Jul 10, 1967; Jul 19, 1967*
New Art Circle (J. B. Neumann, Dir.): Oct 22, 1937
Newberry, James H.: Sep 13, 1969
New Directions: Apr 01, 1963*; Jan 22, 1964*
Newhall, Beaumont and Nancy: mentioned in [undated] letter from Cunningham to unidentified correspondent; Aug 26, 1957; Aug 05, 1967*; Aug 09, 1967; Aug 12, 1967*; Jan 24, 1968; Feb 02, 1968*; May 03, 1968*; Sep 17, 1969; Sep 23, 1969; Mar 03, 1971 (including resume for Beaumont Newhall); Mar 09, 1971*; Jul 17, 1974; Jul 24, 1974*; Aug 15, 1974; also see Eastman: George Eastman House; also see Writings
Newman, Arnold: Sep 02, 1969*; Dec 31, 1969; Jan 06, 1970*; Jan 16, 1970*; Apr 17, 1970; Aug 03, 1970*
New York Graphic Society, Ltd.: Sep 25, 1974; Oct 01, 1974*; Oct 16, 1974; Feb 25, 1976; Mar 09, 1976*; Mar 12, 1976
New York Times: May 02, 1973; May 06, 1973*
New York Times Book Review: Oct 31, 1966*; Nov 03, 1966
Nicastro, Peter: see Writings
Nord, Ina: Dec 10, 1950
Nordberg, Rod: Feb 06, 1975; Feb 19, 1975*
Norman, Dorothy: Oct 28, 1959*; Nov 02, 1959; Nov 05, 1959
Norman, Mrs. P.: Oct 08, 1973*; Jun 07, 1974*; Oct 15, 1974*; Nov 21, 1974*
Norris University Center: see Northwestern University
Northwestern University: Apr 22, 1975
Norton: W. W. Norton & Company, Inc. Katherine Barnard): Jan 08, 1957; Jan 18, 1957*; Jan 21, 1957; Feb 02, 1957*
Noskowiak, Sonya: Jan 08, 1974*; Dec 25, 1974
Novack, Ellen: Aug 27, 1967; Apr 22, 1973
Noyes, Pat and Dick: Feb 06, 1966*; Jan 25, 1967; Feb 06, 1967*; Jul 31, 1967*; Sep 26, 1967*; Oct 12, 1967; Oct 29, 1967*; Jun 02, 1968; Sep 13, 1968*; Jan 04, 1969*; Jan 11, 1969; Apr 28, 1969; Jul 15, 1969; Jul 25, 1969*; Dec 12, 1969*; Dec 29, 1969*; May 16, 1970; Jan 24, 1971; Apr 01, 1971*; Nov 16, 1971*; May 24, 1972; Jun 08, 1972*; [May 1973] (including a photograph of a mountain range; Oct 24, 1973; Nov 30, 1973*; [Dec 02, 1973]; Dec 02, 1974; Jan 27, 1975*; Jul 22, 1976 (letter of condolence to Gryffyd Partridge)
Oakland Art Museum: Mar 11, 1963; Mar 14, 1963*; Mar 19, 1963; Jul 07, 1967; Oct 14, 1968; Dec 27, 1973; Mar 11, 1974; Mar 28, 1974; Aug 27, 1974; Oct 23, 1974; Jan 08, 1974; Jan 16, 1975*; Jan 22, 1975*; Feb 25, 1975; Mar 18, 1975; Apr 14, 1976; Jun 03, 1976; also see Heyman, Therese
Oakland Museum Association: Dec 20, 1965; Apr 25, 1969
Oakland Public Museum: Nov 15, 1957; Nov 25, 1957; May 17, 1971
Oka, Jane: Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
O'Keeffe, Georgia: undated Christmas card; Feb 08, 1971*; Feb 16, 1971; May 02, 1971; Jan 31, 1972; Feb 04, 1974*; Feb 11, 1974; Jan 31, 1975; Mar 16, 1976; Mar 24, 1976*; Apr 02, 1976
Oklahoma: University of Oklahoma Press: Dec 16, 1957; Jan 03, 1958*; Jan 24, 1958; Jan 17, 1958*; Jan 31, 1958; Feb 25, 1958; Mar 07, 1958*
Olsen, Cynthia: Sep 29, 1970; Oct 24, 1970*
Oregon: University of Oregon: Sep 23, 1965; Feb 23, 1966; Feb 28, 1966*; Mar 07, 1966; Apr 11, 1966; Apr 12, 1966*; Nov 16, 1966; Nov 25, 1966*; Dec 14, 1966; Feb 03, 1967; Feb 06, 1967*; Feb 20, 1967; [Mar 1967]; Apr 17, 1967; Apr 24, 1967; May 01, 1967; May 25, 1967; Jun 21, 1967*; Jun 23, 1967; Jul 27, 1967; Jul 28, 1967*; Aug 02, 1967*; Aug 31, 1967; Sep 05, 1967; Sep 06, 1967; Sep 17, 1967*; Sep 26, 1967; Oct 06, 1967*; Oct 07, 1967*; Oct 11, 1967; Oct 13, 1967*; Apr 09, 1968; Apr 17, 1968*; Apr 19, 1968*; May 17, 1968; Mar 16, 1969; Mar 30, 1969*; Apr 25, 1973; Nov 16, 1974; Dec 02, 1974*
Orion Service & Trading Co., Inc.: Aug 08, 1958; Aug 17, 1958*
Orpet, Mildred: Feb 03, 1958; Feb 06, 1958*
Oskar, Keri: Sep 14, 1972; Sep 19, 1972*
Ostroff, Eugene: see Smithsonian Institution
Otis, Norman: Apr 08, 1949
Outerbridge & Dienstfrey: Mar 10, 1972
Owings, Margaret Wentworth: undated (4)
Ozenfant, Amedee: Oct 05, 1939; Nov 25, 1939; [1940]; Feb 26, 1940
P., J.: Feb 26, 1975
Pacific Telephone and Telegraph Company: Jan 16, 1952; Jan 20, 1952*; Oct 29, 1968*; Nov 07, 1968; May 01, 1969*
, Christina: Dec 12, 1950 (typescript of "A Passion for the Medium" by for -- Modern Photography)
Palfi, Marion: Apr 13, 1976
Palmer, Jon: undated
Palmer, Phil: Dec 01, 1965
Parasol Press: Jan 15, 1974*
Park, David: mentioned in letter dated Dec 26, 1961 from United States Information Agency
Park, Henry (Susan Park's son): May 10, 1970; Dec 07, 1972
Park, Susan: May 05, [1968]; Oct 31, 1968; Jul 24, 1969*; Aug 21, 1969*; Nov 21, 1969*; Nov 30, 1969; Dec 06, 1969*; Jan 03, 1972; Dec 07, 1972; Jan 17, 1973*; Dec 04, 1973
Parker, Elizabeth: May 20, 1960 (including a Cunningham photograph of Parker, circa 1906)
Parker, Fred: see Pasadena Art Museum
Parkin, John: May 08, 1974*; Apr 08, 1976; Jul 14, 1976 (letter of condolence to Gryffyd Partridge)
Parrish, Martha Cunningham: Feb 15, 1968; Jul 19, 1968*
Partridge, Bruce: Jun 07, 1966; Jan 03, 1974
Partridge, Gryffyd, Janet, Rym, and Loren: undated (3); Mar 30, 1943; Sep 03, 1943*; [1944]; Jul 14, 1946*; Feb 28, 1954; Jun 19, 1958; Nov 05, 1958*; Nov 05, 1958 (2); Oct 11, 1959*; Apr 14, 1960*; Apr 18, 1960; Apr 18, 1960; Apr 21, 1960*; Apr 30, 1960*; May 08, 1960*; May 18, 1960*; May 26, 1960; May 28, 1960*; Jun 04, 1960*; Jun 07, 1960*; Aug 03, 1960 (letter to Henry Gallery); Aug 05, 1960*; Feb 27, 1961; Apr 03, 1961; Jun 22, 1961; Aug 31, 1961; Sep 05, 1961; Sep 09, 1961*; Sep 13, 1961; Sep 18, 1961; Sep 21, 1961; Sep 29, 1961; Oct 08, 1961; Oct 19, 1961; Nov 10, 1961; Nov 13, 1961; Nov 21, 1961; Nov 27, 1961; Nov 27, 1961*; Dec 01, 1961; Jan 01, 1962; Apr 18, 1963*; Mar 12, 1965*; Apr 18, 1965*; Nov 27, 1966 (announcement of Loren's wedding to Frank Tose); Apr 19, 1967; Jun 01, 1968*; Jun 27, 1968*; Jul 04, 1968*; Jul 05, 1968; Jul 11, 1968*; Jul 22, 1968; Jul 27, 1968*; Aug 07, 1968*; Aug 09, 1968*; Aug 11, 1968*; Jan 24, 1970*; Nov 21, 1970 (2); Jun 21, 1971*; Aug 19, 1971; Feb 03, 1973*; Apr 30, 1974 (letter from Padraic); Jun 24, 1974 (letter from Dorothy MacDonald); Aug 21, 1974 (letter from Cunningham's lawyers, Morrison, Foerster, Holloway, Clinton & Clark); Aug 27, 1974; Sep 20, 1974; Feb 18, 1975 (letter from Cunningham's lawyers, Morrison & Foerster); also see Partridge, Loren
Partridge, Loren: Oct 04, 1968*; Oct 05, 1968; Oct 11, 1968*; Oct 17, 1968; Oct 31, 1968*; Nov 12, 1968*; Nov 21, 1968*; Dec 05, 1968*; Dec 08, 1968; Dec 14, 1968*; Jan 25, 1969*; Mar 03, 1969*; May 03, 1969*; Jun 04, 1969*; Jun 16, 1969*; Jun 21, 1969; Jul 19, 1969; Jul 22, 1969*; Jul 23, 1969*; Aug 09, 1969; Aug 09, 1969*; Sep 03, 1969; Oct 08, 1969*; Aug 02, 1971; Jan 27, 1974*; Feb 25, 1974*
Partridge, Padraic, Marjorie, and Kayla: undated (27); Aug 24, 1942; Sep 14, 1942; Jun 12, 1947; Sep 10, 1947; Nov 03, 1947; Dec 18, 1947; Jan 16, 1950; Sep 11, 1951 (Kayla's birth announcement); Jun 24, 1960; Sep 16, 1960; Jan 14, 1961*; May 09, 1961; Jan 10, 1962; May 20, 1962*; Jun 09, 1962*; Jul 23, 1962; Sep 10, 1962*; Dec 31, 1962; Sep 05, 1964*; Jan 18, 1965*; Mar 07, 1965*; Mar 25, 1965 (including 4 poems by Kayla); Apr 18, 1965* (2); Aug 11, 1965*; Aug 11, 1965; Aug 14, 1965*; Jan 12, 1966*; Feb 01, 1966*; May 08, 1966*; Aug 07, 1966; Aug 10, 1966*; Oct 04, 1966*; Nov 13, 1966*; Dec 1966; Dec 05, 1966*; Jan 04, 1967*; May 18, 1967; May 22, 1967*; Sep 22, 1967*; Oct 04, 1967*; Dec 03, 1967*; Feb 14, 1968*; Apr 10, 1968*; May 23, 1968*; Jul 07, 1968*; Sep 27, 1968*; Nov 30, 1968*; Jan 15, 1969; Mar 12, 1969*; Jul 23, 1969*; Dec 12, 1969*; Apr 01, 1972; Jan 11, 1973; Jan 12, 1974*; Jan 23, 1974; Jan 24, 1974*; Jan 26, 1974; Jan 29, 1974; Jan 31, 1974*; Feb 12, 1974*; Mar 08, 1974*; Apr 05, 1974*; Apr 16, 1974*; Apr 30, 1974 (letter to Gryffyd); May 12, 1974; May 27, 1974*; Jun 08, 1974*; Aug 13, 1974*; [Sep 11], 1974; Sep 14, 1974*; Sep 15, 1974*; Sep 28, 1974; Oct 02, 1974*; Nov 07, 1974; Nov 07, 1974; Dec 01, 1974*; Dec 24, 1974*; Dec 26, 1974*; Dec 27, 1974*; Feb 22, 1975*; Feb 28, 1975*; Mar 17, 1975; also see Photographs
Partridge, Roi and May Ellen: undated (6); Jun 16, 1958; Sep 13, 1958; Nov 07, 1958; Nov 12, 1958; Apr 15, 1960*; Dec 16, 1961; Sep 01, 1964; Mar 03, 1965; Apr 07, 1967; Apr 22, 1967; Apr 24, 1967*; Jan 06, 1968*; Apr 12, 1968; May 23, 1968; Nov 29, 1968*; Dec 27, 1968; Jul 23, 1969; Aug 12, 1969*; Aug 19, 1970; Dec 22, 1971*; Apr 1972 (poem to Rym); Sep 21, 1973; May 09, 1974; May 22, 1974*; May 22, 1974* (2); Apr 05, 1975; Jan 01, 1976; Jan 21, 1976; Feb 10, 1976; Feb 14, 1976; Apr 19, 1976; Jun 30, 1976 (letter to Gryffyd Partridge)
Partridge, Rondal, Elizabeth, Joan, Joshua, Aaron, Betsy, and Meg: undated (5); Jul 07, 1940; Sep 27, 1953*; Jan 04, 1959; Jan 03, 1960; Jul 24, 1960; Oct 14, 1961; Dec 17, 1961; Sep 29, 1962; Dec 26, 1962; Feb 08, 1965*; Apr 08, 1965*; May 04, 1965*; Apr 18, 1965*; May 10, 1965; Jun 07, 1965*; Jun 20, 1965*; Jul 03, 1965; Jul 07, 1965*; Jul 08, 1965*; Aug 04, 1965*; Aug 26, 1967 (announcement of Joan's wedding to Bruce Haynes); Jul 14, 1968*; Jul 31, 1968*; Aug 23, 1968*; Oct 14, 1968*; Dec 29, 1973; Jan 17, 1974*; Nov 29, 1974*
Pasadena Art Museum: Sep 29, 1969; Nov 19, 1969*; Oct 20, 1970; May 14, 1974
Pascal, Naomi: undated
Patkowska, Marja (Maryla): Nov 06, 1963; Sep 10, 1964; Sep 11, 1965*; Sep 25, 1965; Aug 06, 1967*; Dec 08, 1968*; Feb 08, 1973*Feb 10, 1973*
Pattee, Hilary: Oct 03, 1967; Oct 10, 1967*; Feb 02, 1968
Penick: S. B.Penick & Company (botanical products): Jul 14, 1950
Penington, Ruth: undated; Apr 04, 1974*; May 18, 1974*; May 22, 1974; May 28, 1974*; Apr 02, 1975*; Jun 10, 1975*; Aug 05, 1975 (2)
Percival, Willa: Sep 05, 1968; Feb 09, 1969*
Perry, Mrs.: May 04, 1957*
Phillips, Michael: May 25, 1972*
Phoenix College: Aug 10, 1969; Aug 28, 1969*; Sep 11, 1969; Dec 02, 1969; Dec 09, 1969*; Apr 04, 1975*
Photographer's Gallery: Nov 28, 1973*; May 22, 1974; May 29, 1974*
Photographer's Place: [Mar 31,] 1976
Photographic Society of China: Nov 27, 1962
Photography: Mar 29, 1954; Jan 31, 1955; Feb 15, 1955*; Apr 30, 1955*; Aug 30, 1955; Oct 06, 1955; Feb 02, 1956*; Oct 13, 1957*; Oct 17, 1957; Nov 12, 1958*; Jan 28, 1959*; Feb 03, 1959; Apr 29, 1959; Oct 21, 1959*; Nov 24, 1959*; Jan 01, 1960*; Feb 19, 1960; Oct 16, 1960; Feb 03, 1961; Mar 10, 1961*; Mar 24, 1961*; Apr 07, 1961; May 05, 1961*; May 09, 1961*; Oct 17, 1961; May 04, 1962; Jul 20, 1962; Aug 01, 1962; Aug 10, 1962*; Oct 07, 1962*; Jun 04, 1963; Jun 07, 1963*; May 10, 1965*
Photography in the Fine Arts: Apr 03, 1961; Feb 08, 1963*; Jun 21, 1966; Jun 22, 1966*; Jul 07, 1966; Jul 08, 1966*; Jul 12, 1966*; Jul 26, 1966; Oct 19, 1966 (2); Oct 28, 1966; Nov 04, 1966; Nov 09, 1966*; Dec 09, 1966; Dec 12, 1966*
Photography of the World: Oct 30, 1956
Photography Publishing Corp.: Sep 16, 1953
Photography Year Book: see -- Photography
Piaskowski, Nata: Jul 14, 1976 (letter of condolence to Gryffyd Partridge)
Pi Beta Phi Fraternity: undated; May 03, 1961; Nov 28, 1969*; Apr 05, 1970; May 1970; May 30, 1973; May 17, 1974*; Mar 18, 1991
Polaroid Corporation: Mar 09, 1965*; Feb 03, 1966*; May 01, 1973; May 04, 1973*
Polish Embassy: Mar 03, 1961*
Pond-Smith, David: Oct 26, 1974
Poon, Irene: mentioned in letter dated Dec 07, 1968; May 03, 1976; May 04, 1976*
Porter, Allan: see -- Camera
Porter, Bern: undated (2); May 24, 1960; Feb 05, 1964*
Posner, Irina: May 20, 1976
Powell, Jim: Feb 14, 1975
Prism: Apr 12, 1974
Professional Photographers of Northern California, Inc.: Dec 18, 1962; Jan 04, 1963*
Protze, Jens: Jun 06, 1972*
Publications Photo-Cinema Paul Montel: Nov 07, 1962 (in French)
Purcell, Victor: Dec 29, 1960; Jan 31, 1961*; Feb 28, 1961; Jun 04, 1961
Pynchon, Peter: [Sep 1965]; Apr 11, 1966
Quaker, Anna: Jul 07, 1959*
Quivira Bookshop and Photograph Gallery: Mar 28, 1972
Rado, Charles: see Guillumette: Paul Guillumette, Inc.
Raffner, Jim: [Dec 1973]*
Rags: Jul 17, 1970*; Aug 11, 1970*; Aug 24, 1970; Aug 27, 1970*
Ramsing, Roy: Aug 17, 1969
Randlett, Mary: Feb 18, 1971; Feb 27, 1971*
Random House, Inc.: Feb 01, 1971; Feb 15, 1971*; Jan 18, 1972; Jan 21, 1972*; Apr 15, 1976; Apr 17, 1976*
Rasmussen, Karen, Margarete, and Steendeiler?: [Dec 1960]; Mar 30, 1961*; Dec 25, 1961; Feb 07, 1966*
Ratcliffe, M. S.: Jan 01, 1973
Ray, Man: mentioned in letter dated Oct 17, 1961; Jan 12, 1969*
Reed, Gervais: see Henry Gallery
Reed, Robert: Oct 31, 1967
Reese, Lynn: [Dec 31, 1971]; Jul 22, 1974; also see Writings
Reimers, Margaret (Peggy): Feb 01, 1965*; Jan 13, 1969*; Mar 16, 1974*
Reynard, Jessica: Jan 27, 1967; Feb 15, 1967*
Reynoso, Louise: Jun 02, 1966*; Feb 16, 1967
Rhodes, Daniel: Jul 09, 1968*; [Jan 1969]; Jun 15, 1970; Aug 04, 1970*; Jun 09, 1971*
Richmond Art Center: Feb 10, 1967
Riordan, Dan: Sep 18, 1962 (including a calling card and a photograph of a stunt rider and horse)
Rioux, Seggei John: May 21, 1975*
Rivera, Diego: mentioned in letter dated Feb 22, 1931
Roberts, Jackie Paul: Jun 19, [1962]; Jul 01, 1962*
Robertson, Clark: Nov 06, 1967; Dec 28, 1969*
Rochester Institute of Technology: Jan 09, 1970; Feb 18, 1970*
Rockford College: Mar 15, 1967
Roerich: Nicholas Roerich Museum: Feb 24, 1960
Roethke, Beatrice and Theodore: Aug 22, 1959; Oct 29, 1959*; Nov 03, 1959 (recommendation to Guggenheim for Cunningham from Theodore Roethke); Nov 11, 1959; Dec 08, 1961; mentioned in letter dated Sep 15, 1965; Oct 21, 1968; Oct 30, 1968*; Jun 11, 1970 (letter to James McLeod); Sep 12, 1971; [Sep 12, 1971]*; May 05, 1972*; May 17, 1972; Oct 14, 1972
Rusk, Virginia Foisie: Jan 06, 1969*; Dec 02, 1971*
Russell, Elizabeth H.: Sep 08, 1954
Rustin, Arnold and Jean: Apr 05, 1965; Apr 24, 1965; Apr 28, 1965; May 04, 1965*; Jun 07, 1965*; Jun 16, 1965; Jun 21, 1965*; Aug 09, 1965*; Mar 05, 1967; Mar 09, 1967*; Sep 16, 1967*; Nov 26, 1967*; Feb 17, 1969*; Sep 20, 1970*; Dec 23, 1971*
Rustin, Debbie: undated*; Dec 10, 1961; Apr 22, 1968; Apr 30, 1968*; May 05, 1968; May 25, 1968; May 30, 1968*; Aug 12, 1968; Sep 03, 1968; Sep 10, 1968 (including photograph); Sep 10, 1968*; Sep 17, 1968; Sep 29, 1968*; Oct 28, 1968; Nov 04, 1968; Nov 23, 1968*; Nov 29, 1968; Jan 31, 1969; Feb 03, 1969*; Dec 02, 1970*; Jan 30, 1971; Mar 03, 1971*; Apr 13, 1971; May 11, 1971*; May 10, 1974; Jul 27, 1974
Ryan, Elaine: Nov 22, 1971
S., B.: Aug 23, 1963*; Sep 30, 1963*; Oct 08, 1968*
S., Thomas: Feb 22, 1931
St. Petersburg: Museum of Fine Arts: Apr 07, 1972
Sandahl, Margaret: [May 1965]; May 13, 1965*
Sands, Don: mentioned in letter dated Mar 06, 1969
San Francisco: Art Commission, City and County of San Francisco: Mar 08, 1973; Mar 28, 1973*; Apr 14, 1973; Sep 10, 1973; Sep 12, 1973*
San Francisco Art Institute: Oct 21, 1970; Jun 21, 1971; Jun 24, 1971*; Apr 17, 1973
San Francisco Chronicle: Feb 23, 1965*; Feb 26, 1965*; Nov 20, 1970*; Sep 23, 1971
San Francisco Examiner: Oct 27, 1969; Nov 09, 1969*
San Francisco International Film Festival: Dec 11, 1966*
San Francisco Museum of Art: Jun 18, 1952; Dec 04, 1964; Mar 19, 1965 (letter to John Humphrey from Phil Palmer); Jul 09, 1965; Sep 23, 1969; Feb 25, 1971; Apr 12, 1973; Feb 19, 1975; Apr 15, 1975
San Francisco Psychoanalytic Institute: Apr 14, 1959; Apr 15, 1959*
San Francisco Public Library: Apr 12, 1973; Apr 16, 1973; Feb 20, 1975; Apr 30, 1975
San Francisco State College: Mar 19, 1964; Mar 20, 1964*; Mar 09, 1965*; Apr 09, 1965*; Jan 14, 1969; Jan 28, 1969 (2); Feb 10, 1969; May 14, 1971
San Francisco Women Artists: Apr 13, 1970 (2); Apr 18, 1970*
San Jose State College: Sep 07, 1965; Mar 22, 1967; Mar 29, 1967*; Apr 03, 1967; Jul 03, 1968; Nov 12, 1968; Jun 01, 1971; also see Donoho, David
Santa Barbara Museum of Art: Apr 03, 1972; Aug 24, 1972*; Nov 21, 1972; Jan 09, 1973*; Mar 29, 1973; Apr 26, 1973*; May 07, 1973; Sep 07, 1973*; Nov 06, 1973; Nov 16, 1973*; Nov 27, 1973; Mar 28, 1974*; Apr 03, 1974; May 03, 1974*; Oct 28, 1974*; Nov 18, 1974; Nov 25, 1974
Santa Clara: University of Santa Clara: May 20, 1966; Feb 09, 1971 (including a booklet of clippings about a University of Santa Clara exhibition)
Santa Rosa-Sonoma County Free Public Library: Feb 24, 1971
Saturday Evening Post: May 24, 1962*; Jul 25, 1962*
Savage, Naomi: Sep 03, 1970; Sep 10, 1970*; Dec 06, 1970; Jun 06, 1971*
Sawahata, Alfred: [1943]; Feb 17, 1943; Mar 08, 1943; Apr 07, 1943; Aug 27, 1944; Jan 26, 1945; Feb 21, 1945; Apr 08, 1945; Mar 19, 1946; Dec 27, 1949; Nov 19, 1950*; Jun 27, 1976 (letter of condolence to Gryffyd Partridge)
Saxton (U.C. Medical School): Jun 07, 1940
Schaefer, Nance: Oct 09, 1973; Oct 29, 1973*
Schaeffer: Rudolph Schaeffer School of Design: Jan 08, 1967; Nov 05, 1974; Jul 06, 1976
Schappert, Liz: Mar 11, 1969*; Jan 07, 1974*
Scherbatsky, Serge and Phoenix: Feb 26, 1969*; Sep 18, 1973; Nov 14, 1973; Oct 19, 1974*; Mar 24, 1975; May 28, 1975*
Schoener, Allon T.: Dec 02, 1955; Dec 07, 1955*; Feb 05, 1956; Feb 15, 1956*; Feb 27, 1956*; Sep 02, 1956; Dec 02, 1956; Dec 09, 1956*; Jan 01, 1957; Jan 30, 1957*; Feb 18, 1957*; Feb 24, 1957; Feb 26, 1957*; Mar 10, 1957; Apr 06, 1957*; May 19, 1957; Jun 18, 1957*; Nov 08, 1957*; Dec 04, 1957; Dec 26, 1957; Jan 07, 1958*; Mar 10, 1958*; Dec 20, 1958*; Oct 03, 1960; Jan 09, 1973*; Feb 03, 1973*; May 02, 1973*; [Dec 25, 1973]; Jan 07, 1975*; Jan 20, 1975
Schoener, Ida and Harry: Jan 06, 1957; Jan 24, 1957*; Oct 03, 1960
Schoener, Jason and Virginia: Dec 08, 1964; Jun 11, 1965*
Schott-Hawks, Susan: Nov 12, 1973
Schultz, Carl: [Apr 05, 1971*]; Apr 05, 1971
Sculthorp, Esther: Apr 05, 1969*
Seagram: Joseph E. Seagram & Sons, Inc.: Jun 06, 1974; Jun 07, 1974*; Jul 11, 1974
Seattle Art Museum: Jun 30, 1957; Jul 16, 1957; Jan 28, 1959*; Feb 02, 1959; Jun 12, 1959 (letter from Gerdes, Montgomery & Miller re photo of Alfred Salmony); Oct 03, 1964; Dec 08, 1970; Dec 23, 1970*; Jan 22, 1971*; Jan 25, 1971; Jan 26, 1971; Jan 28, 1971*; Feb 08, 1971; May 11, 1971; May 14, 1971*; Jul 04, 1971*
Seattle: Office of Public Services: May 06, 1974*
Seaver, Keven: Aug 02, 1974
Seiberling (Steinberg), Dorothy: see -- Life
Selz, Peter: see California: University of California at Berkeley:
Semanco, Al and Bill Sonnenstahl: Apr 18, 1973
Shad's Gallery (Shedrich Williams, director): Feb 20, 1974*; Oct 12, 1974; [Oct 11, 1974]; Jan 20, 1975*; Mar 19, 1975*
Shaftel, Stanley: Aug 05, 1974
Shapiro, Norman: Oct 17, 1966; Dec 11, 1966*
Shartsis, Arthur: Mar 30, 1975*; Jun 13, 1975*; Aug 19, 1975; Sep 11, 1975; Sep 12, 1975; Sep 22, 1975; Sep 25, 1975; Nov 21, 1975; Jan 20, 1976; Feb 18, 1976; Mar 02, 1976; Mar 29, 1976; Jun 02, 1976
Sheeler, Charles: Feb 17, 1956
Shelton, Sybil: Sep 29, 1973
Shen Yao: Mar 31, 1955; Dec 11, 1955*; Oct 07, 1965*; Oct 12, 1965; May 07, 1968; Jun 12, 1970; Jan 05, 1971; Jun 21, 1971; Jan 26, 1972; Dec 30, 1972*; May 31, 1973; Jun 12, 1973*; Dec 21, 1973*; Mar 07, 1974; Mar 15, 1974*; Nov 15, 1974*; Jan 10, 1975; Jan 13, 1975*; Jul 31, 1975; Feb 23, 1976; Mar 29, 1976; Apr 23, 1976
Siegel, Arthur: undated
Siembab: Carl Siembab Gallery: Jun 10, 1968; Sep 13, 1968; Sep 17, 1968*; Sep 19, 1968; Oct 04, 1968*; Nov 04, 1968*; Nov 18, 1968; Nov 30, 1968*; Dec 27, 1968*; Mar 10, 1969*; Apr 24, 1969*; Apr 24, 1969; Jul 11, 1969*
Silverman, Jan Edward: Oct 23, 1974; Oct 28, 1974*
Sinel, Jo: Jun 25, 1942; Sep 30, 1964*; Jan 08, 1967
Siskind, Aaron: undated (see Siegel, Arthur); Feb 03, 1968*; Feb 26, 1968
Sivertz, Victorian: Oct 14, 1974; Oct 22, 1974*
Slack, Charles: May 18, 1971; May 24, 1971*
Slattery, Paul: Jan 27, 1940
Smit, R. H.: Jul 25, 1971*
Smith, Ethel Sabin: May 20, 1970 (2); Sep 21, 1970*; Jul 30, 1973*; Aug 27, 1973*
Smith, Henry Holmes: Jun 13, 1970; Jul 20, 1970*; Oct 09, 1970; Feb 02, 1971*
Smith, W. Eugene: Apr 13, 1975
Smithsonian Institution: Jul 11, 1968; Jul 23, 1968; Aug 01, 1968*; Aug 12, 1968; Sep 06, 1968; Oct 14, 1968*; Dec 28, 1968*; Jan 05, 1969*; Jan 13, 1969; Jan 13, 1969*; Jan 26, 1969; Feb 03, 1969*; Feb 08, 1969*; Mar 08, 1969*; Jul 14, 1969*; May 18, 1970; Jun 03, 1971*; Jun 09, 1971*; Jul 08, 1971*; May 29, 1974; Sep 05, 1974*; Jul 09, 1976 (letter of condolence to Gryffyd Partridge); also see Writings; also see Photographs
Snowden, Earl of: Dec 06, 1965 (letter signed by his secretary)
Snyder: Norman Snyder Studios, Inc.: Mar 04, 1976; Mar 19, 1976*
Sobel, Dr.: Mar 10, 1966*
Society for the Engouragement of Contemporary Arts: May 13, 1974
Society for Photographic Education: Apr 09, 1969
Solari, Paolo: see Photographs for gallery installations
Solem, Arnie: Jul 20, 1967
Sonnenburg: see Falkner von Sonnenburg, Erwin
Sonnenstahl, Bill: see Semanco, Al
Sonoma League for Historic Preservation: Dec 16, 1970
Sooy, Francis: see California: University of California at San Francisco
Southern Pacific Company: Dec 06, 1941; Dec 08, 1941*; Dec 23, 1941
Spear, Ann: Jul 27, 1957
Spencer, Paul: Aug 20, 1971
Spink & Gaborc, Inc.: Feb 12, 1965
Staempfli Gallery, Inc.: Jan 24, 1962
Stahlman, George: Oct 01, 1974; Oct 08, 1974*; Oct 19, 1974
Stammer, Ron: Jul 17, 1969*
Standard Pyroxoloid Corp.: Mar 12, 1969*; May 20, 1970*
Stanford University: Jan 23, 1967*; Feb 01, 1967; Feb 04, 1967; Feb 08, 1967; Feb 09, 1967; May 30, 1967*; Aug 20, 1969*; Sep 12, 1969; Jul 03, 1972; Jul 19, 1972*; Jul 27, 1972
State: U.S. Department of State: Jun 08, 1971; Jun 14, 1971*
Stauffacher, Jack Werner: Feb 17, 1965
Steichen, Edward: May 06, 1950*; May 22, 1950; Nov 17, 1959*; Jul 14, 1965; Jul 19, 1965*; Mar 17, 1969 (invitation)
Stein, B. F.: Jun 13, 1975*
Stein, Gertrude: see Metcalf: Addison M. Metcalf Collection of Gertrude Steiniana
Steinberg, Stefanie: Jan 07, 1973; Dec 25, 1973
Steinert, Otto: Dec 30, 1972*; mentioned in letter dated Jan 07, 1973 from Stafanie Steinberg; mentioned in letter dated Feb 01, 1974; Feb 07, 1974*; Feb 17, 1974*; Feb 28, 1974 (in German); Mar 01, 1974* (in German); Mar 25, 1974 (in German); Jun 03, 1974*
Stettner, Mr.: Jun 22, 1966*
Stewart, Mrs.: Jul 16, 1965*
Stieglitz: Alfred Stieglitz Archives, Yale University Library: Aug 30, 1961; Jan 08, 1962; Feb 03, 1962; Apr 09, 1962; Sep 26, 1962; Nov 29, 1962; Dec 21, 1962; Jan 16, 1963; also see Bunnell, Peter
Stieglitz, Jean (Alfred's niece): Feb 05, 1967; Feb 02, 1969; Feb 05, 1969*; Apr 19, 1969*; Apr 24, 1969; Apr 28, 1969*
Strand, Paul and Hazel: mentioned in [undated] letter from Cunningham to unidentified correspondent; Mar 18, 1960*; Mar 24, 1960; May 06, 1960; Jan 09, 1971*; Feb 23, 1971; Mar 26, 1971*; Jan 1973 (including photos of a house and 2 landscapes); Apr 14, 1973
Stratford, Hugh: Dec 19, 1966; Jan 06, 1967*
Straub, Bernice, and Maple Young: undated
Streeta, H. V. (Associated Press): Feb 04, 1967
Strother, John: Sep 23, 1971
Struss, Karl: Jan 25, 1919; Jan 1959; Jun 02, 1975; Jun 08, 1975*; Jun 21, 1975; Sep 15, 1975; Oct 11, 1975
Tatlock, Hugh: Dec 20, 1964*; Jan 07, 1965; Apr 21, 1965*; Jan 19, 1967; Jul 31, 1967*; May 28, 1971; Jun 23, 1971*; Jan 12, 1972; Nov 08, 1972*; Nov 13, 1972
Taussig, Arthur: Jul 20, 1973; Oct 13, 1973; Oct 20, 1973*
Taylor, Adrian: Apr 07, 1972; Apr 12, 1972*
Teatro Municipale: Feb 10, 1983
TeeJay Publications: Oct 31, 1974; Nov 23, 1974*
Telford, John: see Edison Street Gallery
Thomas, Michael: Jun 23, 1973*; Sep 26, 1974; Oct 03, 1974*
Thomas, Randy: see Mind's Eye
Thompson, Carol: see California: University of California at Berkeley
Thomson, Kristyne: May 13, 1974*
Tice, George: May 23, 1970; Mar 24, 1975*
Tice, Opal: Apr 21, 1967*
Time, Inc.: Dec 09, 1969*; Oct 13, 1975
Time-Life Books: Oct 11, 1969*; Dec 04, 1969; Dec 10, 1969; Dec 15, 1969; Feb 03, 1970; Feb 10, 1970; Feb 12, 1970*; Apr 13, 1970*; May 28, 1970*; Jul 19, 1970*; Aug 29, 1970*; Apr 30, 1971*; Jun 30, 1971*; Nov 16, 1971; Nov 19, 1971*; Nov 29, 1974*
Toklas, Alice B.: Dec 22, 1952*; Jan 07, 1953; Oct 21, 1954*; Nov 07, 1954; Jun 12, 1960; Sep 06, 1964*
Tomoko, Bobby: Jan 02, 1965
TONIGHT SHOW: Mar 24, 1976*; Apr 13, 1976; Apr 21, 1976*; also see Photographs
Toth, Dr. Tas: Nov 04, 1966; Jan 25, 1967*
Troeller, Linda: Jul 10, 1973
Trumbull, Harlan and Dorothy: Apr 27, 1965; Jul 09, 1965*; Jul 19, 1965; Apr 05, 1968; May 13, 1974*; May 17, 1974
Tucker, Anne: Jan 24, 1974
Tucker, Kay: Nov 14, [1968]; Nov 17, 1968; Sep 18, 1973 (including a photograph of Yankee Beach)
Turnage, Bill: Oct 22, 1974*; Oct 30, 1974; also see Adams: Ansel Adams Gallery
Tuttle, Lyle: undated
Tynan, Kenneth ( -- The New Yorker): -- Jan 29, 1960
Ulman, Elinor: undated (5); Apr 10, 1968*; Jan 26, 1971*; Mar 17, 1972*; [Apr 05, 1974]; Apr 05, 1974*; Sep 07, 1974*; Sep 27, 1974; Nov 17, 1974*; Feb 29, 1975
Ulrich, David: Sep 07, 1972; Sep 26, 1972*
U.S. Camera -- magazine (Tom Maloney): Apr 05, 1940*; Aug 25, 1941; Sep 02, 1941*; Feb 10, 1954; Mar 29, 1954; Apr 08, 1955*; Apr 30, 1956*; Jun 29, 1957*; Jan 12, 1959; Jan 19, 1959*; Jan 1969; Feb 27, 1969*; Oct 12, 1969* (2); also see Vestal, David
United States Information Agency: Jan 14, 1961*; Apr 04, 1961; Dec 26, 1961; Jun 06, 1971*;
Unte_____, Liesel: Jul 08, 1968*
Unteutsch, Liesel: May 1, 1969* (in German)
Untitled (gallery): May 04, 1976; May 13, 1976*; Jul 19, 1976 (letter of condolence to Gryffyd Partridge)
Valeska, Lette: Sep 20, 1973; Oct 20, 1973*
Valvo, Ninfa: see Stanford University
Vanasse, Sally: Apr 30, 1969
Van der Zee, John: May 27, 1972*; also see International Museum of Photography
Van Dyke, Milton: Dec 23, 1969 (photo Christmas card)
Van Dyke, Willard: Jul 28, 1947*; Apr 28, 1957*; Nov 05, 1960; Dec 15, 1960; Sep 14, 1965; Dec 01, 1966; May 14, 1967*; Jun 11, 1967; Feb 02, 1968*; Feb 17, 1968; May 15, 1968; May 19, 1968*; Jul 05, 1968*; Jul 11, 1968; Mar 16, 1970*; Apr 13, 1970*; Feb 07, 1972*; Dec 07, 1972*; May 03, 1973; [Feb 06, 1974]*; Feb 06, 1974*; Nov 25, 1974; May 11, 1975*; Jun 28, 1976 (letter of condolence to Gryffyd Partridge); also see Museum of Modern Art
Vanity Fair: May 09, 1935; Jun 10, 1935*; Jun 13, 1935
Van Meter, Bruce and Barbie: undated (2); Mar 04, 1968*; Feb 17, 1969*; Sep 19, 1969; Dec 25, 1969; Dec 29, 1969*; Mar 08, 1971; Mar 11, 1971*; Jul 25, 1971*; Aug 03, 1971; Dec 05, 1971*; Apr 29, 1976*
Vaughan, Carolyn H.: May 21, 1971; Dec 10, 1971; Dec 15, 1971*; Jan 17, 1972; Jan 21, 1972*; Feb 03, 1974* (letter of recommendation)
Vera (the designer): Mar 21, 1961*
Vestal, David: Apr 23, 1969*; Dec 08, 1969
Vignes, Michelle: Sep 30, 1974
Viking Press: Dec 13, 1956*; Jan 07, 1957
Virginia Slims Books of Days: May 22, 1973; Jun 07, 1973*
Visual Dialogue Foundation: Mar 16, 1970*
Vodman, Mary Ann: Aug 25, 1973; Mar 28, 1974*
Voelckers, Frau: Jul 31, 1947*; Jun 28, 1948; Jul 02, 1949*; Aug 14, 1949*; Feb 27, 1950*; Nov 27, 1950*; Aug 01, 1952*; Jan 09, 1953*; Dec 08, 1954*; Jan 14, 1955; Dec 26, 1955*
Voelckers, Renate: Dec 24, 1969*
Volckers, Maria Therese: Dec 20, 1958; Jan 11, 1959*; Jul 13, 1961 (in German); Jun 10, 1965*
Volunteer Service Photographers: Dec 1974
Vondras, Radek: undated
von Probpsoc.?, Jan: Aug 06, 1969*
von Sonnenburg: see Falkner von Sonnenburg, Erwin
Voyages: [Aug 12, 1968]; Dec 23, 1968*; Dec 31, 1968; Jan 06, 1969*; Jan 08, 1969; Mar 12, 1969*; Mar 26, 1969
Voystock, Thomas: May 1973
Wagstaff, Samuel: Apr 11, 1975; Apr 16, 1975*
Wahrhaftig, Alma: Jun 20, 1976
Wahrhaftig, Clyde: Jun 09, 1957; Aug 20, 1957
Waite, Esther: Jul 22, 1976
Walkinshaw, Jean: undated
Walsh, Elsa: Aug 12, 1960; Aug 30, 1965; Oct 06, 1965*; Jan 19, 1971; Oct 06, 1972*; Oct 10, 1972*; mentioned in letter dated Jun 18, 1973; Jun 25, 1973*; Jun 30, 1973; May 27, 1975*; Jul 06, 1976 (letter of condolence to Gryffyd Partridge)
Warden, J. E.: Aug 07, 1947
Warnecke: John Carl Warnecke and Associates: May 16, 1961; Dec 01, 1961; Dec 01, 1961*; Apr 25, 1962*; Jul 19, 1962; Jul 08, 1963*
Washington: University of Washington, Seattle: Jan 20, 1965; Feb 02, 1965; Mar 03, 1965; Mar 09, 1965*; Mar 12, 1965; Mar 19, 1965*; May 14, 1965; Mar 19, 1965*; Jul 28, 1965; Jun 21, 1967*; Jan 22, 1970*; Mar 14, 1974; Mar 26, 1974*; Apr 24, 1974; May 17, 1974*; Jun 03, 1974; Jun 21, 1974; Jun 25, 1974; also see Henry Gallery; also see Photographs
Washington: University of Washington Alumni Association: Feb 27, 1974; Mar 01, 1974*; Apr 04, 1974; Apr 29, 1974; May 05, 1974*; May 06, 1974*; May 10, 1974; May 14, 1974*; Jun 05, 1974*; Jul 25, 1974; Aug 03, 1974*
Washington: University of Washington Libraries: May 06, 1976
Washington: University of Washington Press: Jul 12, 1965; Jul 24, 1965*; Jul 26, 1965; Jul 29, 1965*; Jul 30, 1965; Sep 21, 1965; Oct 23, 1965*; Mar 16, 1966; Apr 04, 1966*; May 10, 1967; Sep 25, 1967; Sep 29, 1967; Apr 30, 1968; May 09, 1968*; Sep 29, 1968*; Oct 10, 1968; Nov 04, 1968*; Feb 26, 1969*; Apr 16, 1969; Apr 29, 1969; Apr 30, 1969*; Jun 19, 1969 (including contract); Jul 14, 1969*; Jul 18, 1969; Sep 15, 1969*; Sep 17, 1969*; Sep 22, 1969; Oct 08, 1969*; Oct 27, 1969; Nov 21, 1969; Nov 25, 1969*; Dec 09, 1969; Dec 23, 1969*; Jan 02, 1970; Jan 22, 1970*; Jan 27, 1970; Apr 09, 1970; Apr 26, 1970*; Apr 30, 1970; May 16, 1970*; May 18, 1970; Jun 17, 1970*; Jul 05, 1970*; Jul 28, 1970*; Aug 04, 1970; Aug 11, 1970*; Aug 14, 1970; Sep 14, 1970*; Sep 22, 1970; Sep 22, 1970*; Sep 30, 1970*; Oct 07, 1970; Oct 11, 1970*; Oct 14, 1970; Oct 15, 1970; Oct 16, 1970*; Oct 30, 1970; Nov 06, 1970*; Nov 16, 1970; Nov 17, 1970; Nov 20, 1970; Nov 26, 1970; Dec 07, 1970*; Dec 11, 1970; Dec 23, 1970*; Dec 28, 1970; Jan 05, 1971; Jan 16, 1971*; Jan 19, 1971; Feb 08, 1971*; Feb 10, 1971 (2); Feb 16, 1971*; Feb 23, 1971; Mar 11, 1971*; Mar 17, 1971; Mar 15, 1971*; Mar 29, 1971; May 02, 1971*; May 04, 1971; Jun 01, 1971; Jun 09, 1971*; Jun 16, 1971; Jun 22, 1971; Jun 27, 1971*; Jul 01, 1971; [Jul 01, 1971]*; Sep 13, 1971*; Sep 17, 1971; Feb 29, 1972*; Mar 02, 1973; Mar 28, 1973*; Apr 04, 1973; Oct 01, 1973; Nov 26, 1973; Dec 31, 1973*; Jan 10, 1974; Jan 21, 1974*; Jan 27, 1974 (including contract); Feb 05, 1974; Feb 09, 1974*; Feb 20, 1974; Mar 07, 1974*; Mar 13, 1974; Mar 30, 1974*; Apr 01, 1974; Apr 18, 1974; May 05, 1974*; May 07, 1974; May 24, 1974*; May 29, 1974 (2); Jun 03, 1974*; Sep 22, 1974*; Oct 25, 1974*; Oct 29, 1974; Oct 31, 1974; Dec 22, 1974*; Dec 26, 1974; Jan 07, 1975; Jan 27, 1975; Feb 02, 1975*; May 12, 1975; May 29, 1975*; Oct 16, 1975; Jan 09, 1976; Jan 14, 1976; Feb 27, 1976; Mar 17, 1976; Mar 23, 1976; Apr 19, 1976*; May 20, 1976; Jun 04, 1976; Jun 24, 1976
Watkins, Malcolm and Joan: Mar 13, 1969; Apr 14, 1969*; Sep 10, 1970*; Oct 24, 1970; Oct 25, 1970*; Oct 26, 1970*; Feb 15, 1971*
Watterston, Henning: Dec 11, 1948*; Feb 10, 1949*; Feb 21, 1949*; Mar 18, 1949*; Aug 01, 1949*; Nov 19, 1949*; May 22, 1950*; Dec 04, 1951*; Jan 12, 1954*; Jan 03, 1956*; Feb 22, 1971; Feb 26, 1971*
Weaver, Gay: Jun 01, 1974
Webb, Lucille and Todd: Dec 11, 1971 (including photograph of the Webbs)
Weber, Al: Apr 12, 1971
Wehr, Wesley: Feb 06, 1974
Welpott, Jack: Nov 27, 1971* (letter of recommendation); mentioned in letter dated May 15, 1974
Werling, Bob: Mar 12, 1972*; May 29, 1972*; Mar 29, 1974*; Sep 04, 1974; Apr 28, 1975*; May 22, 1975*; Jan 1976; Apr 16, 1976*
Wessels, Glenn: Jan 05, 1968
West Coast Airlines: Jun 07, 1966; Jun 11, 1966*; Jun 14, 1966; Jun 20, 1966*; Jun 21, 1966; Jul 01, 1966; Nov 09, 1966*; Nov 14, 1966; Nov 30, 1966; Dec 08, 1966*; Dec 11, 1966*; Jan 26, 1967*; Jul 26, 1967; Jan 04, 1968; Jan 09, 1968*
Western Association of Art Museums: Feb 02, 1967*; Feb 22, 1967; Feb 25, 1967*; Mar 02, 1967; Mar 17, 1967*; Feb 19, 1976 (2)
Western Family: Oct 1955
Weston, Edward: Jan 12, 1928 (photocopy)
Wheat, Beth: undated
Whistler Productions: May 02, 1974*
White House Cultural Affairs Office: Dec 06, 1969
White, Maynard (Clarence White's nephew): Jun 28, 1974
White, Minor: undated; Apr 02, 1951; Jul 20, 1951 (including a typescript re the Albert M. Bender Trust); Mar 08, 1954*; Mar 25, 1954; Jul 07, 1954*; Jul 16, 1954; Jul 28, 1954*; Aug 03, 1954; Aug 09, 1954*; Sep 07, 1954; Oct 21, 1954*; Oct 25, 1954; Nov 12, 1954*; Feb 10, 1955*; Feb 22, 1955; Aug 10, 1955; Aug 21, 1955*; Aug 26, 1955; Jan 23, 1956; Mar 01, 1956*; Mar 02, 1956; Mar 18, 1956*; Mar 22, 1956; Jan 23, 1957; Mar 11, 1957*; Mar 13, 1957; Mar 20, 1957; Mar 28, 1957*; Apr 02, 1957*; Apr 03, 1957; Apr 10, 1957; Apr 29, 1957*; May 10, 1957; May 14, 1957*; Jun 24, 1957*; Sep 12, 1957*; Jan 05, 1958; Jan 15, 1958; Feb 12, 1958*; Feb 23, 1958; Apr 06, 1958*; Sep 07, 1958*; Sep 13, 1958; Jun 01, 1959*; Oct 23, 1959; Nov 20, 1959*; Dec 12, 1959; Dec 20, 1959*; Dec 28, 1959; Feb 25, 1961; Mar 10, 1961*; Apr 1961; Dec 26, 1962; Feb 28, 1963*; Apr 02, 1963 (2); May 07, 1963; Nov 12, 1963; Feb 23, 1964; Mar 19, 1964; Mar 24, 1964; Mar 28, 1964*; Apr 01, 1964; Apr 04, 1964; Apr 21, 1964; Apr 30, 1964*; May 20, 1964*; Jun 11, 1964; Aug 10, 1964*; Sep 27, 1964*; Nov 26, 1964*; Dec 08, 1964; Dec 20, 1964*; Feb 13, 1965; Jun 11, 1965*; Jun 23, 1965*; Jul 13, 1965; Dec 08, 1966*; Jan 09, 1967; Jan 20, 1967*; Feb 22, 1967*; May 26, 1967*; Jan 10, 1968; Jan 26, 1968; Jan 29, 1968; Feb 02, 1968*; Feb 14, 1968*; Feb 15, 1968; Feb 25, 1968; Mar 25, 1968; Apr 02, 1968* (2); Apr 11, 1968; May 20, 1968; Aug 09, 1968*; Jan 01, 1969; May 03, 1969*; Jan 13, 1970*; Jan 16, 1970; May 07, 1970* (2); Aug 30, 1970*; Sep 27, 1970*; Oct 05, 1970; Oct 09, 1970*; Nov 05, 1970*; Nov 17, 1970; Aug 09, 1971*; Oct 07, 1971; Feb 29, 1972*; Mar 21, 1972; Dec 04, 1973; Dec 23, 1973*; Jan 07, 1974; Jan 17, 1974; Jan 13, 1975*; mentioned in letter dated Mar 14, 1976; Apr 10, 1976; also see Massachusetts Institute of Technology
Whitney Museum of American Art: Mar 11, 1959; Mar 14, 1959*; Jun 01, 1973; Jun 13, 1973*; Jul 23, 1973; Sep 21, 1973; Nov 13, 1973; Mar 20, 1974; Apr 22, 1974*; May 07, 1974; Nov 26, 1974; Feb 19, 1975; Feb 24, 1975
Wilcox, Jeduthan: Oct 16, 1971; Nov 08, 1971*; Nov 24, 1971; Nov 26, 1971*
Wildenhain, Marguerite: Feb 08, 1955; Feb 28, 1955*
Willard, Marian: Nov 23, 1956
Williams, Jonathan: Jan 20, 1971; Apr 10, 1971
Williams, Shedrick: see Shad's Gallery
Williams, Tina: Jun 25, 1963*
Williamson, Irene: Jan 08, 1971*; Mar 22, 1971*; Aug 22, 1977
Willis, Elizabeth Bayley: Nov 10, 1970
Wilson, Adrian and Joyce Lancaster: Dec 26, 1965; Feb 18, 1975 (letter from Cunningham's lawyers, Morrison & Foerster)
Wilson, Nicholas: Dec 19, 1973 (including 23 picture postcards)
Winkler, John (Wink): Jan 05, 1952; Jul 26, 1958; Jan 28, 1959; May 08, 1961; Sep 18, 1963; Jun 06, 1964; May 20, 1971; Jun 09, 1971*
Winlaw, Joseph: undated
Winningham, Geoff: Dec 10, 1968; Dec 12, 1968*; Dec 20, 1968; Dec 28, 1968*; also see Latent Image (Gallery)
Winokur?, Paula and Bob: Nov 05, 1963
Wisdom: Dec 12, 1956; Dec 24, 1956*
Wiseman, Diane: Apr 12, 1975; May 21, 1975*
Witkin Gallery (Lee Witkin, director): undated; Jan 13, 1969*; Jan 16, 1969; Aug 10, 1969; Sep 26, 1969*; Oct 16, 1969; Oct 18, 1969*; Jan 19, 1970; Apr 22, 1970; May 27, 1970; Jul 31, 1970; Aug 03, 1970*; Aug 08, 1970; Sep 07, 1970*; Sep 12, 1970; Sep 29, 1970; Oct 08, 1970*; Oct 24, 1970*; Oct 27, 1970; Nov 05, 1970*; Nov 06, 1970*; Nov 14, 1970; Nov 22, 1970; Dec 03, 1970*; Dec 08, 1970*; Feb 03, 1971; Feb 10, 1971*; Feb 13, 1971; Mar 27, 1971*; Apr 08, 1971; Apr 26, 1971*; May 02, 1971; Aug 04, 1971; Aug 07, 1971; Nov 09, 1971; Nov 18, 1971; Dec 15, 1971; Dec 17, 1971; Jan 23, 1972; Jan 28, 1972*; Mar 18, 1972; Mar 26, 1972*; Apr 17, 1972; Apr 24, 1972; May 15, 1972*; Dec 06, 1972; Mar 03, 1973; Mar 19, 1973*; Mar 26, 1973*; Mar 29, 1973; Apr 12, 1973; Apr 21, 1973; Apr 23, 1973*; May 09, 1973; May 10, 1973; May 17, 1973*; May 31, 1973; Jun 28, 1973*; Jun 30, 1973; Jul 25, 1973; Sep 05, 1973*; Sep 08, 1973; Sep 19, 1973*; Sep 28, 1973; Oct 17, 1973; Nov 07, 1973*; Nov 11, 1973; Nov 23, 1973; Nov 29, 1973*; Jan 05, 1974 (including letter dated Aug 08, 1973 from the American Foundation for the Blind); Jan 11, 1974*; Feb 07, 1974*; Mar 06, 1974*; Mar 13, 1974*; Mar 20, 1974; Mar 30, 1974; Apr 05, 1974*; Apr 11, 1974; Apr 18, 1974*; Jun 01, 1974*; Sep 07, 1974; Sep 11, 1974*; Oct 15, 1974*; Feb 01, 1975*; Feb 27, 1975*; Apr 12, 1975; Apr 25, 1975; Apr 30, 1975*; May 14, 1975*; Jan 16, 1976; Feb 28, 1976; Mar 29, 1976*; Apr 14, 1976; May 05, 1976*; May 18, 1976; May 27, 1976
Witt, Doreen: Dec 12, 1974
Witt-Diamont, Ruth: Nov 17, 1959*; Nov 30, 1970
Wolman, Baron: [Aug 1972]; Aug 02, 1972*
Wood, Charles Erskine Scott: see Kolisch, Marian Wood
Woods, Gurdon: undated; May 1970; Feb 15, 1971*
Wornum, Michael: Feb 08, 1966*
Worth, Courtia: undated
Worth, Don: Oct 31, 1968; mentioned in letter dated Dec 17, 1970*
Wright, Evelyn: Jan 08, 1973*
Wurlitzer, Pauline: Sep 11, 1958; Sep 11, 1958*; Sep 24, 1958; Nov 05, 1958*; Oct 31, 1960
Wurster, William (Bill): Jun 07, 1967; Jul 15, 1967*; Jul 28, 1967*; Jun 04, 1968*; Jul 04, 1968*; Jan 31, 1969*; Feb 03, 1969; Feb 25, 1969*; Apr 08, 1969; Apr 22, 1969; Apr 15, 1970
Yale University Library: see Stieglitz Archives
Yale University School of Art: Mar 12, 1976; Mar 19, 1976*; Apr 26, 1976
Yamamoto, Norito: Jul 01, 1959*; Sep 24, 1959*
Yao, Shen: see Shen Yao
Yick Contractors: Dec 21, 1966*; Jan 25, 1967*; Feb 25, 1967*
Young, Maple: see Straub, Bernice
Zane, Marjorie: Dec 14, 1967*
Zapton, Steve: see Untitled (gallery)
Zeldin, Karen Dash: undated
Zins, Ronald: Jun 25, 1970; Jun 29, 1970*
Zinszer, Mary Lemoyne: Oct 10, 1947*; Jan 31, 1969*; May 03, 1969*; Aug 07, 1969*; Oct 01, 1969; Nov 14, 1969*; Dec 09, 1969*; Jan 08, 1970*; Dec 23, 1971*
Zlatovski, Jane: see Foster, Jane
Zorach, William: Jan 15, 1960
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Imogen Cunningham papers, 1903-1991. Archives of American Art, Smithsonian Institution.
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.
Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.
Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.
Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.
Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)
Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)
Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)
Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)
Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)
Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)
Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.
Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.
Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.
Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Correspondence relating primarily to the Cranbrook Academy and Cranbrook School, and some to the Detroit School of Design, the Detroit Institute of Art, the Art Alliance of America, and the American Federation of Arts; a history of Cranbrook by Booth; a diary and visitors' book; Booth's proposal for an Academy of Art and one for the reorganization of the Cranbrook Foundation; a history of the Cranbrook Press; biographical data on the Booth family; addresses by Booth; material relating to the League to Enforce Peace and the Detroit Society of Arts and Crafts; and ca. 100 letters of Carl Milles, resident artist at Cranbrook.
Biographical / Historical:
Publisher, art administrator, art patron, founder of Cranbrook Academy, 1932; Detroit, Mich. Died 1949. Booth was president of the Detroit School of Design which was absorbed by the Detroit Museum of Art. The Detroit Museum of Art subsequently became the Detroit Institute of Art. Booth bought his estate in 1904 calling it Cranbrook, a family name. In 1932 he established it as the Cranbrook Academy and named Finnish-born architect, Eliel Saarinen, president.
Provenance:
Lent 1974 by Henry Booth, descendant of George G. Booth.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.
The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.
Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.
The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.
The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.
Missing Title
Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)
Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)
Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)
Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)
Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)
Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)
Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett (1917-2019) was born Florence Schust and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.
At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.
Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."
After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.
As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."
While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.
After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.
Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architects -- New York (State) -- New York Search this
Designers -- New York (State) -- New York Search this
Furniture designers -- New York (State) -- New York Search this
This series comprises a spiral-bound portfolio designed and compiled by Knoll Bassett to "briefly chart the direction of my life from 1932 onward." The portfolio documents her artistic development during her years at Kingswood School and Cranbrook Academy of Art; her work at Knoll Associates including the presentation of Knoll showrooms and work undertaken for a variety of corporate clients; and personal architecture projects in Vermont and Florida. Included are copies of designs from all periods of her career, and copies of letters and photographs of individuals and significant events throughout her life. Biographical text, written by Knoll Bassett, accompanies the material.
Arrangement note:
Included are copies of designs from all periods of her career, and copies of letters and photographs of individuals and significant events throughout her life. Biographical text, written by Knoll Bassett, accompanies the material.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
(Kingswood includes photographs of Rachel de Wolfe Raseman, taken 1936; Cranbrook includes photos of Eliel and Eero Saarinen and Carl Milles)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
