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Oral history interview with Chuck Close, 1987 May 14-September 30

Interviewee:
Close, Chuck, 1940-  Search this
Interviewer:
Tully, Judd  Search this
Subject:
Kertess, Klaus  Search this
Glimcher, Arne  Search this
Serra, Richard  Search this
Held, Al  Search this
Bykert Gallery (New York, N.Y.)  Search this
Pace Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
SoHo (New York, N.Y.)  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)13141
(DSI-AAA_SIRISBib)212371
AAA_collcode_close87
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212371
Additional Online Media:

Oral history interview with Chuck Close, 2017 July 20

Interviewee:
Close, Chuck, 1940-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Pollock-Krasner Foundation  Search this
Type:
Interviews
Sound recordings
Topic:
Photographers  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)17501
(DSI-AAA_SIRISBib)390042
AAA_collcode_close17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_390042

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Jack Levine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Additional Online Media:

Chuck Close, New York, N.Y. letter to Honor? Desmond Sharrer, Charlottesville, Va.

Creator:
Close, Chuck, 1940-  Search this
Sharrer, Honoré Desmond, 1920-2009  Search this
Subject:
American Academy of Arts and Letters  Search this
Type:
Correspondence
Date:
2000 Mar. 24
Topic:
Grants  Search this
Record number:
(DSI-AAA)7807
See more items in:
Honoré Sharrer papers, circa 1920-2007
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7807

East Hampton -- Dubose-Eliel Garden

Former owner:
Close, Chuck, 1940-  Search this
Provenance:
Garden Club of East Hampton  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Dubose-Eliel Garden (East Hampton, New York)
United States of America -- New York -- Suffolk County -- East Hampton
Scope and Contents:
The folder includes worksheet and site plans.
General:
The property was covered in blacktop from the road to the studio in 1975. The paving was removed and borders around the pool fence were double-dug and planned predominantly as perennial gardens with some shrubs, vines, and annuals. After a trip to Williamsburg, former owners planted boxwood at the front steps and wisteria over the door. A "kitchen garden," and shade garden were also added.
Persons and firms associated with the garden include: Mr. and Mrs. Chuck Close (former owners, late 1970s); Ms. Jill Keefe and John Klos (former owners, ?-mid. 1980s); and Francis Fleetwood (architect, ca. 1985).
Related Materials:
Dubose-Eliel Garden related holdings consist of 1 folder (16 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardening in the shade  Search this
Gardens -- New York -- East Hampton  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Garden Club of America collection.
Identifier:
AAG.GCA, File NY161
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New York
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref26761

Philip Pearlstein papers

Creator:
Pearlstein, Philip, 1924-  Search this
Names:
WBAI Radio (New York, N.Y.)  Search this
WRFM (Radio station : New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Blaine, Michael  Search this
Cantor, Dorothy  Search this
Close, Chuck, 1940-  Search this
Downes, Rackstraw  Search this
Dückers, Alexander, 1939-  Search this
Field, Richard  Search this
Haas, Richard, 1936-  Search this
Hampleman, Jean  Search this
Kelly, W. J.  Search this
Levine, Jack, 1915-2010  Search this
McCarthy, David, 1960-  Search this
Shaman, Sanford Sivitz  Search this
Storr, Robert  Search this
Tamburini, Fernando  Search this
Tsao, Vivian, 1950-  Search this
Updike, John  Search this
Viola, Jerome  Search this
Wallin, Leland  Search this
Ward, John  Search this
Warhol, Andy, 1928- -- Photographs  Search this
Witkin, Jerome  Search this
Yezzi, David  Search this
Extent:
31.8 Linear feet
16.68 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Date:
circa 1940-2008
Summary:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
Scope and Contents:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

Biographical material includes appointment books, several awards, annotated calendars, a catalogue raisonné working list, identification card, membership files, resumes, and one sound recording. Correspondence is with Will Barnet, Chuck Close, Rackstraw Downes, Richard Haas, Jack Levine, Robert Storr, John Updike, Leland Wallin, Jerome Witkin, family, galleries and museums, students, colleagues, artists, arts organizations, and includes a digital recording.

Also found are sound recordings and transcripts of interviews with Pearlstein by Vivian Tsao, Michael Blaine, Sanford Sivitz Shaman, David McCarthy, and broadcast stations WRFM and WBAI. Writing projects and lectures by Pearlstein consist of student work, numerous articles and essays, sound and video recordings of lectures and speeches, letters, memorials, miscellaneous manuscripts and notes, and a U.S. and U.S.S.R. Workshop Exchange project proposal. Writings by others about Pearlstein are by W.J. Kelly, Alexander Dückers, Richard Field, John Ward, Jerome Viola, Robert Storr, and David Yezzi.

Personal business records contain agreements, consignment and loan documents, donations, financial material, exhibition files, insurance and inventories, recommendations written by Pearlstein, reproduction permissions, digital recordings, and teaching files for various institutions. Art reproductions, clippings, exhibition announcements and catalogs for exhibitions of artwork by Pearlstein and others, magazines and journals, newsletters, postcards, and publicity files that include one digital recording are in printed materials.

Two scrapbooks are of Egyptian and Roman architecture and objects accompanied by notes and a small amount of sketches, and one scrapbook is printed material regarding Pearlstein's work and exhibitions. Artwork is by Jean Hampleman, Fernando Tamburini, and unidentified artists. Photographs and moving images that include video recordings and motion picture film of Pearlstein in the studio, portraits, and candids; personal photographs of family, travel, and classmates including Andy Warhol and Dorothy Cantor; artist's models; events and exhibitions; and works of art.

Completed and unedited video and sound recordings, computer graphics footage, soundtrack material, and administrative records for the 1985 documentary video production Philip Pearlstein Draws the Artist's Model are also in this collection.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, 1964-2008 (0.8 linear feet; Boxes 1, 36, OV42)

Series 2: Correspondence, circa 1955-2008 (8.5 linear Feet; Boxes 1-10, OVs 42-43, 0.168 GB; ER01)

Series 3: Interviews and Transcripts, 1957-2003 (0.5 linear Feet; Box 10)

Series 4: Writing Projects and Lectures, circa 1945-2008 (2.5 linear Feet; Boxes 10-13, 37-38, 8.26 GB: ER02-ER13)

Series 5: Personal Business Records, 1955-2007 (1 linear Feet; Boxes 13-14, 3.77 GB: ER14-ER15)

Series 6: Printed Materials, 1946-2008 (3.0 linear Feet; Boxes 14-21, 36, OVs 42-43)

Series 7: Scrapbooks, circa 1953-1970s (0.4 linear Feet; Box 22)

Series 8: Artwork, undated, 1967-2004 (0.2 linear Feet; Box 22, OV 42)

Series 9: Photographs and Moving Images, 1940s-2008 (3.3 linear Feet; Boxes 22, 37, 39-41, 4.18 GB; ER16-ER18)

Series 10: Philip Pearlstein Draws the Artist's Model, Documentary Production Material, 1983-1991 (8.5 linear Feet; Boxes 23-30, SAV 31-35)
Biographical / Historical:
Philip Pearlstein (1924- ) is a painter and educator based in New York, N.Y.

Pearlstein was born in Pittsburgh, Pennsylvania, and he attended classes at the Carnegie Museum of Art as a child. While still in high school, his paintings were reproduced in Life magazine after winning Scholastic magazine's high school art competition. After graduating from high school Pearlstein enrolled in the Carnegie Institute of Technology's (CIT) art school, but left after a year to serve in the Army during World War II. He gained knowledge of printing, drafting, and sign painting while stationed in Florida and Italy. After the war he returned to CIT as a student and became art editor of the engineering school's Carnegie Technical magazine. During this time Pearlstein met his wife, Dorothy Cantor, and became close friends with Andy Warhol, both classmates at CIT. Pearlstein moved to New York City with Warhol after receiving his Bachelor of Fine Arts in 1949. In 1955, he completed his thesis on Francis Picabia and received a Master of Arts in art history from New York University's Institute of Fine Arts.

As Pearlstein's career evolved, he became known for his realistic nudes and landscapes. Many of Pearlstein's paintings were inspired by his travels to the western United States, Peru, Egypt, and to Italy as a 1958 Fulbright Grant recipient. His work has been exhibited throughout the United States and internationally, and he has worked closely with the Tanager and Alan Frumkin Galleries in New York. In addition to his painting career, Pearlstein was an instructor at Pratt Institute from 1959 to 1963 and at Brooklyn College from 1963 to 1988. He is also a member of the National Academy of Design and the American Academy of Arts and Letters, serving as president from 2003 to 2006.

Pearlstein continues to work and live in New York, N.Y.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Philip Pearlstein conducted by Paul Cumming, June 8 to August 10, 1972.
Provenance:
The papers were donated in multiple installments by Philip Pearlstein from 1975 to 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Authorization for commercial use of audiovisual material for the documentary Philip Pearlstein Draws the Artists' Model requires prior arrangement with Pearlstein or his heirs.
Topic:
Architecture -- Egypt  Search this
Architecture, Roman  Search this
Art -- Study and teaching  Search this
Art teachers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearphil
See more items in:
Philip Pearlstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pearphil

Museum of Contemporary Art interviews

Creator:
Museum of Contemporary Art (Chicago, Ill.)  Search this
Names:
Adrian, Dennis, 1937-  Search this
Brown, Roger, 1941-1997  Search this
Close, Chuck, 1940-  Search this
Danforth, George  Search this
Fischl, Eric, 1948-  Search this
Hafif, Marcia, 1929-  Search this
Jacobi, Peter, 1935-  Search this
Jacobi, Ritzi, 1941-  Search this
Keister, Steve, 1949-  Search this
LeWitt, Sol, 1928-2007  Search this
Lohan, Dirk  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Pozzi, Lucio, 1935-  Search this
Ryman, Robert, 1930-  Search this
Schulze, Franz, 1927-  Search this
Yasuda, Robert, 1940-  Search this
Extent:
8 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Video recordings
Date:
1979-1986
Summary:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.
Scope and Contents:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.

The first set of interviews are with contemporary artists who had solo exhibitions at the museum between 1979 and 1985, including Chuck Close, Roger Brown, Eric Fischl, Peter and Ritzi Jacobi, Steve Keister, Sol Le Witt, and collector Dennis Adrian, whose Chicago art collection was exhibited in 1982. The remainder of the series contains four sets of interviews and other footage relating to exhibitions and programming, including the 1979 exhibition Wall Painting - Ryman, Hafif, Pozzi, Jackson, Yasuda; the 1981 exhibition Kick out the jams: Detroit's Cass Corridor 1963-1977; and the 1983 exhibition and educational program Eleven Chicago Artists, created with Chicago's N.A.M.E. gallery, which traveled to area high schools featuring short video documentaries about each artist that were created from the footage on the tapes in this collection. The last set includes interviews with architects Dirk Lohan and George Danforth and historian Franz Schulze, created for the 1986 program "Mies van der Rohe Remembered," celebrating the centennial of the architect's birth.
Arrangement:
Collection is arranged as one series.

Series 1: Interviews with Artists, Collectors, and Curators (Boxes 1-8)
Biographical / Historical:
The Museum of Contemporary Art in Chicago was founded in 1967 with Jan van der Marck as its first Director. The period from 1979 to 1986, represented in the videorecordings in this collection, was a period of physical expansion for the Museum, as well as a period when audiovisual components of artworks and exhibition design were increasingly incorporated into exhibitions and other programming. In 1979, a physical expansion of the museum begun in 1977 was unveiled with the opening of four new galleries, signaling an increased capacity for showing local and emerging contemporary artists and engaging the community.

The museum's education department began using video to create a rich record of solo and group exhibitions mounted at the museum, and created short video programs to reach out to new audiences. For their 1979 Wall Paintings exhibition, artists were interviewed while making their work in the museum, creating a visual record of the ephemeral works on display and the process of their creation. Video interviews with Detroit artists were created in preparation for a 1981 exhibition showing contemporary artists in the Cass Corridor community of that city. In 1983, Museum staff collaborated with Chicago's N.A.M.E. gallery to create the traveling exhibition Eleven Chicago Artists, which combined artwork with video documentaries showing artists at work and talking about their creative process. The exhibition traveled to city and suburban schools around Chicago. And on the centenary of the birth of architect Ludwig Mies van der Rohe in 1986, interviews were conducted with Mies' grandson, Dirk Lohan, also an architect, as well as architectural historians George Danforth and Franz Schulze.
Provenance:
Donated 1986 by the Museum of Contemporary Art, Chicago.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Museum of Contemporary Art interviews are for study purposes only. Duplication requires prior written permission from the Museum of Contemporary Art, 237 East Ontario Street, Chicago, Ill, 60611. The collection is subject to all copyright laws.
Occupation:
Art -- Collectors and collecting -- Illinois -- Chicago -- Interviews  Search this
Topic:
Artists -- United States -- Interviews  Search this
Art -- Michigan -- Detroit  Search this
Genre/Form:
Interviews
Video recordings
Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.musecaci
See more items in:
Museum of Contemporary Art interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musecaci

Christine Fairsmith interviews of artists

Creator:
Fairsmith, Christine  Search this
Names:
Close, Chuck, 1940-  Search this
Eddy, Don, 1944-  Search this
Fish, Janet  Search this
Flack, Audrey  Search this
Pekarsky, Mel  Search this
Extent:
0.2 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Date:
1981
Summary:
The Christine Fairsmith interviews of artists is comprised of transcripts of interviews with Chuck Close, Don Eddy, Janet Fish, Audrey Flack, and Mel Pekarsky, all conducted by Fairsmith in 1981 towards her degree from the Museum Studies program at City College of New York.
Scope and Contents:
The Christine Fairsmith interviews of artists is comprised of transcripts of interviews with Chuck Close, Don Eddy, Janet Fish, Audrey Flack, and Mel Pekarsky, all conducted in 1981 by Fairsmith towards her degree from the Museum Studies program at City College of New York.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Christine Fairsmith is the Development and Communications Coordinator at Princeton University, Princeton, New Jersey. From 1994 to 2003 she also served as the curator of education at Grounds for Sculpture. She received her MA in Museum Studies at City College of New York.
Provenance:
The Christine Fairsmith interviews of artists were donated by Christine Fairsmith in 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Christine Fairsmith interviews of artists are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Citation:
Christine Fairsmith interviews of artists, 1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fairchri
See more items in:
Christine Fairsmith interviews of artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fairchri

The Louis K. Meisel Gallery selected records

Creator:
Louis K. Meisel Gallery  Search this
Names:
Baeder, John  Search this
Baldessari, John, 1931-  Search this
Battcock, Gregory, 1937-  Search this
Bourdon, David  Search this
Close, Chuck, 1940-  Search this
Eddy, Don, 1944-  Search this
Estes, Richard, 1932-  Search this
Flack, Audrey  Search this
Goings, Ralph  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Meisel, Louis K.  Search this
Meisel, Susan Pear  Search this
Messer, Thomas M.  Search this
Rivers, Larry, 1925-2002  Search this
Rose, Barbara  Search this
Sadat, Anwar, 1918-1981  Search this
Stamos, Theodoros, 1922-1997  Search this
Taylor, Elizabeth, 1932-2011  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Warhol, Andy, 1928-  Search this
Extent:
0.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1964-2003
Summary:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.
Scope and Contents note:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

Among the correspondents are John Baeder, Chuck Close, Don Eddy, Richard Estes, Audrey Flack, Ralph Goings, Richard McClean, Theodoros Stamos, and others. Also found are letters from Larry Rivers, Anwar el-Sadat, Robert Hughes, and Tom Messer.

Writings include a typescript by Louis K. Meisel on becoming an art dealer. A subject file on art historian Gregory Battcock contains several reviews, scattered materials including letters, clippings, lists, press releases, and a photograph of Battcock with David Bourdon, Hilton Kramer, Rosalind Krauss, Barbara Rose, and others attending an International Art Association of Art Critics conference. There are subject files on Jason Seley containing photographs, correspondence, and printed materials.

Photographs include a photograph of Louis K. Meisel and his wife, Susan Meisel with Photorealists artists at a book party. Also found are photographs of John Baldesarri with Herbert and Dorothy Vogel; and Andy Warhol and Elizabeth Taylor.
Arrangement note:
The collection is arranged as 4 series:

Series 1: Correspondence, 1964-2003 (Box 1; 0.2 linear feet)

Series 2: Writings, circa 1970s (Box 1; 1 folder)

Series 3: Subject Files, 1974-1981 (Box 1; 5 folders)

Series 4: Photographs, circa 1980s-1993 (Box 1; 0.1 linear feet)
Biographical/Historical note:
Louis K. Meisel (1942- ) opened the Louis K. Meisel Gallery on Prince Street in the SoHo neighborhood of New York City in 1966. The gallery has promoted the work of realist painters, sculptors, and photographers. Louis K. Meisel Gallery has also championed another genre of American realism, the Pin-up; the gallery has an extensive collection of vintage and contemporary Pin-ups. Artists represented include: John Baeder, Robert Bechtle, Charles Bell, Chuck Close, Audrey Flack, Ronald Kleemann, Mel Ramos, and Theodoros Stamos, among others.

Born in 1942 in Brooklyn, Louis K. Meisel has had a varied career as an art dealer, writer, and collector. Meisel attended Columbia University, 1964 and the New School for Social Research in New York, 1963-1965. Credited with coining the phrase, Photorealism in the late 1960s, Meisel defined the qualities of the Photorealist artist.

Louis K. Meisel has written numerous books and articles on Photorealism, the American Pin-Up, and other art-related topics. He has also lectured at academic and art-related institutions, including the Arts and Crafts Center in Pittsburgh, Pennsylvania, 1978; Wharton School, University of Pennsylvania, 1980, 2002; the Natural History Museum, Smithsonian Institution, 1993; and the Ringling School of Art and Design in Sarasota, Florida, 2002. His collecting interests have been wide-ranging. In addition to his extensive collection of Photorealist paintings and Pin-up illustrations, Meisel is a collector of 1940s Moderne, tin toys, Art Deco statues, and naturalia.

Since 2000, Louis K. Meisel, in partnership with Frank Bernarducci, has operated the Bernarducci. Meisel. Gallery on 57th Street in New York as a venue for established and emerging artists.
Provenance:
The Louis K. Meisel Gallery selected records were donated by Louis K. Meisel in 1990 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Louis K. Meisel Gallery selected records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Louis K. Meisel Gallery selected records, 1973-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louikmei
See more items in:
The Louis K. Meisel Gallery selected records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louikmei

Laboring under globalization : tapestries by contemporary artists / K. L. H. Wells

Author:
Wells, K. L. H  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Boetti, Alighiero 1940-1994  Search this
Kentridge, William 1955-  Search this
Stephens, Marguerite 1934-  Search this
Close, Chuck 1940-  Search this
Macuga, Goshkla 1967-  Search this
Type:
Articles
Place:
Afghanistan
South Africa
China
Date:
2018
21st century
Topic:
Tapestry  Search this
Call number:
N81 .A887X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1103802

Fierce creativity 2014 / curated by Chuck Close and Jessica Craig-Martin ; with text by David Rimanelli

Curator:
Close, Chuck 1940-  Search this
Craig-Martin, Jessica  Search this
Writer of supplementary textual content:
Rimanelli, David  Search this
Host institution:
Pace Gallery  Search this
Publisher:
Artists for Peace and Justice  Search this
Physical description:
115 pages : illustrations (some color) ; 28 cm
Type:
Exhibitions
Date:
2014
21st century
20th century
Topic:
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095751

Regarding Warhol : sixty artists, fifty years / Mark Rosenthal, Marla Prather, Ian Alteveer, Rebecca Lowery

Author:
Rosenthal, Mark (Mark Lawrence)  Search this
Prather, Marla  Search this
Alteveer, Ian  Search this
Lowery, Rebecca  Search this
Author:
Apfelbaum, Polly 1955-  Search this
Baldessari, John 1931-  Search this
Celmins, Vija 1938-  Search this
Close, Chuck 1940-  Search this
Gober, Robert 1954-  Search this
Haacke, Hans 1936-  Search this
Jaar, Alfredo  Search this
Kass, Deborah 1952-  Search this
Katz, Alex 1927-  Search this
Koons, Jeff 1955-  Search this
Schnabel, Julian 1951-  Search this
Trecartin, Ryan 1981-  Search this
Tuymans, Luc 1958-  Search this
Sponsoring body:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Andy Warhol Museum  Search this
Subject:
Warhol, Andy 1928-1987  Search this
Warhol, Andy 1928-1987 Influence  Search this
Warhol, Andy 1928-1987  Search this
Physical description:
304 pages : illustrations (chiefly color) ; 28 cm
Type:
Books
Exhibitions
Interviews
Date:
2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1000677

Keith/six drawings/1979 / Chuck Close

Title:
Keith
Author:
Close, Chuck 1940-  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
[13] pages : chiefly illustrations ; 16 cm
Type:
Specimens
Artists' books (books)
Smithsonian Libraries artists' books
Date:
1979
©1979
Topic:
Artists' books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637931

Chuck Close: artist file, [photographs]

Artist:
Close, Chuck 1940-  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000629
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137808

A couple of ways of doing something / poems by Bob Holman ; photographs by Chuck Close ; interview by Lyle Rexer

Author:
Close, Chuck 1940-  Search this
Holman, Bob 1948-  Search this
Rexer, Lyle  Search this
Subject:
Close, Chuck 1940-  Search this
Holman, Bob 1948-  Search this
Physical description:
[43], viii, [2] p. : ill. ; 39 cm
Type:
Portraits
Interviews
Poetry
Date:
2006
C2006
Topic:
Artists  Search this
Photography, Artistic  Search this
Daguerreotype  Search this
Call number:
TR680 .C56 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_807219

Isca Greenfield-Sanders : red boat beaches : August 30-September 29, 2007 : John Berggruen Gallery

Title:
Red Boat Beaches
Author:
Greenfield-Sanders, Isca 1978-  Search this
Close, Chuck 1940-  Search this
John Berggruen Gallery (San Francisco, Calif.)  Search this
Subject:
Greenfield-Sanders, Isca 1978-  Search this
Physical description:
42 p. : col. ill. ; 22 cm
Type:
Books
Exhibitions
Date:
2007
C2007
Call number:
ND237.G619 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_826021

Work / Christopher Finch

Title:
Chuck Close work
Author:
Close, Chuck 1940-  Search this
Finch, Christopher  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
335 p. : ill. (some col.) ; 35 cm
Type:
Books
Place:
United States
Date:
2007
Topic:
Artists  Search this
Portraits, American  Search this
Call number:
N6537.C54 F55 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_836811

Chuck Close : family & others

Title:
Family & others
Family and others
Author:
Close, Chuck 1940-  Search this
Gosudarstvennyĭ Ėrmitazh (Russia)  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
86 p. : ill. (some col.), ports. ; 32 cm
Type:
Books
Exhibitions
Date:
2007
Call number:
N6537.C54 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_840650

Chuck Close : paintings, 1968-2006 / [curator, Klaus Kertess]

Author:
Museo Nacional Centro de Arte Reina Sofía  Search this
Kertess, Klaus  Search this
Close, Chuck 1940-  Search this
Ludwig Forum für Internationale Kunst  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
155 p. : ill. (chiefly col.) ; 27 cm
Type:
Books
Exhibitions
Date:
2007
C2007
Call number:
ND237.C58 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_841479

Attention to detail / curated by Chuck Close

Author:
Close, Chuck 1940-  Search this
FLAG Art Foundation  Search this
Physical description:
63 p. : chiefly col. ill. ; 26 cm
Type:
Exhibitions
Date:
2008
21st century
20th century
Topic:
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_896096

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