American experience. Freedom riders / American Experience Films presents ; a film by Stanley Nelson ; produced by Laurens Grant ; A production of Firelight Films ; WGBH Educational Foundation ; written, produced and directed by Stanley Nelson
The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.
The collection is arranged in four series.
Series 1: Original Audio Cassette Tapes, 1983-1986
Series 2: Transcripts/Tape Summaries, 1984-1986
Series 3: Photographs, 1984-1986
Series 4: Reference Tapes and CDs, undated
Biographical / Historical:
In 1985, Joan and Robert Morrison conducted approximately 100 oral history interviews with a wide variety of Americans about their experiences during the 1960s. They also collected photographs of each of their interviewees—one taken during the 1960s and the other taken at the time of the interview. Portions of fifty-nine of those interviews were published in their 1987 book, From Camelot to Kent State: The Sixties Experience in the Words of Those Who Lived It (Times Books). Some of the new photographs, which were taken by Barbara Beirne, also were exhibited at The New School in 1989.
The interviewees include civil rights activists, anti-war activists, Vietnam War soldiers, Gold Star mothers, Peace Corps members, Weathermen, black leaders, and counter culture figures. Some of the narrators are members of the rank-and-file, others played leading roles. The in-depth interviews focus on three main questions: 1) What motivated you to act as you did in the Sixties? 2) What actions did you take and what were the results? 3) How did your experiences in the Sixties affect the way your life has developed since then?
Source Information taken from memo to National Museum of American History Collections Committee.
The Morrison's donated this collection of audiocassettes, transcripts, and photographs to the National Museum of American History Archives Center in 1989.
Tape recordings not available for playback until researcher copies are made; researchers must use transcripts until then.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Some original interviews have restrictions; these have been withheld by the Morrisons' until they can get clearances from the interviewees.
Portrait of African American woman, seated on bench in studio. Retouching pencil and ink on negative: "41666 Mrs. Mary Church Terrell." Defender Safety Base edge imprint.
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1960 -- Black-and-white negatives -- Acetate film
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
The collection, which dates from the 1980s and measures 1.42 linear feet, was compiled in the course of preparations for the "Black Women: Achievements Against the Odds" exhibit, which was staged at the Anacostia Museum from February 1976 to December 1976. This collection documents the lives and achievements of African American women in a variety of fields, including law, medicine, education, politics, science and the arts. The collection is comprised of documents, magazine and newspaper clippings, correspondence, photocopies, brochures and pamphlets.
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
United States. Works Progress Administration Search this
1.5 Linear feet
The papers of painter, journalist, and civil rights activist John Brantley Wilder measure 1.5 linear feet and date from 1937 to circa 1979. The papers include correspondence; clippings; invoices; photographs; reproductions of some of Wilder's pen and ink sketches; as well as a scrapbook, which includes clippings, photographs, and printed material. Also included in the collection is a diorama representing a Sioux family.
Scope and Contents:
The papers of painter, journalist, and civil rights activist John Brantley Wilder measure 1.5 linear feet and date from 1937 to circa 1979. The papers include correspondence; invoices for paintings and materials; clippings of Wilder's articles and sketches that appeared in newspapers; a scrapbook of clippings, photographs, and printed materials; photographs and slides, primarily of artwork; and reproductions of Wilder's pen and ink sketches for the Philadelphia Tribune. The collection also includes a diorama representing a Sioux family. This is one of eighteen "Miniature Indian Dioramas" produced for the Works Progress Administration's Pennsylvania Museum Extension Project.
Due to the small size of this collection, the papers are arranged as one series.
Series 1: John Brantley Wilder papers, 1937-circa 1979 (Boxes 1-2; 1.5 linear feet, OV 3)
Biographical / Historical:
John Brantley Wilder (1909?-1990) was a painter, journalist, and civil rights activist. He worked for the Federal Art Project of the Works Progress Administration (later the Work Projects Administration, WPA) through the early 1940s and worked for the Philadelphia Tribune in a variety of capacities from the 1960s to the 1970s, including producing pen and ink sketches for Negro History Week, circa 1961. In addition to his art and journalism work, in the late 1940s Wilder led a campaign urging Hollywood to expand the portrayal of African Americans in film beyond maids and servants.
The papers were donated by John Brantley Wilder in 1979.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Painting, American -- Pennsylvania -- Philadelphia Search this