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Unedited footage from Murals of Aztlan by James Tartan 1981

Creator:
Archives of American Art  Search this
Type:
YouTube Videos
Uploaded:
2018-11-21T17:46:18.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
SmithsonianAAA
Data Source:
Archives of American Art
YouTube Channel:
SmithsonianAAA
EDAN-URL:
edanmdm:yt_U37Be9vqcjA

Through the Barbed Wire: Domingo Ulloa’s Braceros

Creator:
Smithsonian Education  Search this
Type:
YouTube Videos
Uploaded:
2020-03-24T16:32:47.000Z
YouTube Category:
Education  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_XcL8KAUo9z4

¡Printing the Revolution! Exhibition Preview

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-11-23T16:21:30.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_ze8EJsvfFeU

Man in a Mask (Rabbit Ears) (Self-Portrait)

Artist:
Carlos Almaraz, 5 Oct 1941 - 11 Dec 1989  Search this
Sitter:
Carlos Almaraz, 5 Oct 1941 - 11 Dec 1989  Search this
Medium:
Acrylic paint on paper
Dimensions:
Frame: 76.2 × 66 cm (30 × 26")
Image/Sheet: 54.6 × 43.2 cm (21 1/2 × 17")
Type:
Painting
Place:
United States\California\Los Angeles\Los Angeles
Date:
c. 1974
Topic:
Costume\Dress Accessory\Mask  Search this
Decorative  Search this
Self-portrait  Search this
Carlos Almaraz: Male  Search this
Carlos Almaraz: Visual Arts\Artist\Painter  Search this
Carlos Almaraz: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Monroe Price and Aimée Brown Price in memory of their dear friend Carlos Almaraz
Object number:
NPG.2022.15
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Carlos Almaraz
See more items in:
National Portrait Gallery Collection
Exhibition:
The Struggle for Justice Refresh
On View:
NPG, West Gallery 220
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4aa1c4517-da8d-4815-9533-2be804072fcd
EDAN-URL:
edanmdm:npg_NPG.2022.15

Chicano Art Expo

Artist:
Rodolfo O. Cuellar, born Auburn, CA 1950  Search this
Medium:
screenprint on paper
Dimensions:
overall: 21 1/2 in. × 15 in. (54.6 × 38.1 cm)
Type:
Graphic Arts-Print
Date:
1974
Topic:
Ceremony\festival  Search this
Chicanx  Search this
Object\fruit\cantaloupe  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
2020.15
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b46bcb49-e026-4af2-8b25-0a1f7b286bc8
EDAN-URL:
edanmdm:saam_2020.15

Oral history interview with Linda Vallejo, 2023 July 23-August 14

Interviewee:
Vallejo, Linda, 1951-  Search this
Interviewer:
Augusta, Laura, 1981-  Search this
Type:
Interviews
Video recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Linda Vallejo, 2023 July 23-August 14. Archives of American Art, Smithsonian Institution.
Topic:
Chicano art  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)22283
AAA_collcode_vallej23
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22283

Oral history interview with Linda Vallejo

Interviewee:
Vallejo, Linda, 1951-  Search this
Interviewer:
Augusta, Laura, 1981-  Search this
Extent:
6 Items (audiovisual files (7 hrs., 47 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2023 July 23-August 14
Scope and Contents:
An interview with Linda Vallejo conducted 2023 July 23-August 14, by Laura Augusta for the Archives of American Art, at Vallejo's studio in Topanga, Calif.­
Biographical / Historical:
Linda Vallejo (1951- ) is an artist known for her incisive explorations of Mexican American identity and American pop culture through printmaking, paint, and sculpture. Vallejo is based in Topanga, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Topic:
Chicano art  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.vallej23
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw912ce968f-a161-4af7-96ea-80b9bc8d893e
EDAN-URL:
ead_collection:sova-aaa-vallej23

Frank Romero drawings, 1972-1973

Creator:
Romero, Frank, 1941-  Search this
Type:
Drawings
Citation:
Frank Romero drawings, 1972-1973. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Chicano art movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13525
(DSI-AAA_SIRISBib)211807
AAA_collcode_romefran
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211807

Frank Romero drawings

Creator:
Romero, Frank  Search this
Extent:
0.01 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1972-1973
Summary:
The drawings of Frank Romero measure 0.01 linear feet and date from 1972 to 1973. The collection consists of seven pen and colored ink drawings of frogs, people, and abstract images. The sketches were taken from one of Romero's early sketchbooks.
Scope and Contents:
The drawings of Frank Romero measure 0.01 linear feet and date from 1972 to 1973. The collection consists of seven pen and colored ink drawings of frogs, people, and abstract images. The sketches were taken from one of Romero's early sketchbooks.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
California painter Frank Romero (1941- ) is a pioneer in the Chicano art movement.

Romero was born in 1941 to parents of Mexican heritage in Los Angeles, California. He studied at Otis College of Art and Design and California State University, Los Angeles, where he befriended Carlos Almaraz. In the 1960s he worked in graphic design for the Charles and Ray Eames Studio. In the 1970s Romero, along with Almaraz, Roberto de la Rocha, and Gilbert Lujan, formed the art collective Los Four. Los Four were the first Chicano artist to be shown at the Los Angeles County Museum of Art. His best known painting is "Death of Ruben Salazar" (1986), which was from his police brutality series.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Frank Romero conducted by Jeffrey Rangel, January 17-March 2, 1997.
Provenance:
Donated 1988 by Frank Romero.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Chicano art movement  Search this
Chicano artists  Search this
Genre/Form:
Drawings
Citation:
Frank Romero drawings, 1972-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.romefran
See more items in:
Frank Romero drawings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9197ee068-3555-4112-a2fe-125000cc1a0e
EDAN-URL:
ead_collection:sova-aaa-romefran

David Alfaro Siqueiros

Artist:
Rupert García, born 29 Sep 1941  Search this
Sitter:
David Alfaro Siqueiros, 29 Dec 1896 - 6 Jan 1974  Search this
Medium:
Screenprint on paper
Dimensions:
Image (overall): 45.7 × 47.9 cm (18 × 18 7/8")
Sheet (overall): 50.5 × 55.9 cm (19 7/8 × 22")
Frame (overall): 64.3 × 69.4 × 5.1 cm (25 5/16 × 27 5/16 × 2")
Type:
Print
Date:
1974
Topic:
Poster  Search this
David Alfaro Siqueiros: Male  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter\Muralist  Search this
David Alfaro Siqueiros: Society and Social Change\Reformer\Activist\Political activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase, Gift of Richard Rodriguez) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
Object number:
NPG.2019.80
Restrictions & Rights:
Usage conditions apply
Copyright:
© Rupert García
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4fc6efa1b-0656-47a6-95fc-abe73911b0ec
EDAN-URL:
edanmdm:npg_NPG.2019.80

Orale ese Vato

Title (Spanish):
Orale ese Vato
Artist:
Baca, Walter R.  Search this
Physical Description:
cotton (overall material)
ink, pen (overall material)
Measurements:
overall: 42 cm x 41 cm; 16 9/16 in x 16 1/8 in
Object Name:
paños
Place Made:
United States: New Mexico, Albuquerque
Date made:
1992
Classified as:
Popular Culture  Search this
Depicted:
Mickey Mouse  Search this
Referenced:
Latino  Search this
Used:
Prisons  Search this
Credit Line:
Gift of Rudy Padilla
ID Number:
1993.0150.02
Catalog number:
1993.0150.02
Accession number:
1993.0150
See more items in:
Home and Community Life: Ethnic
Cultures & Communities
Mexican America
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-f3b4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1153486
Online Media:

Teatro Campesino Poster

Title (Spanish):
Póster del Teatro Campesino
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 89 cm x 59 cm; 35 1/16 in x 23 1/4 in
Object Name:
poster
Used:
Labor Unions  Search this
Migrant Workers  Search this
Latino  Search this
Subject:
Theater  Search this
Credit Line:
Luis Miguel Valdez
ID Number:
2007.3011.03
Nonaccession number:
2007.3011
Catalog number:
2007.3011.03
See more items in:
Culture and the Arts: Entertainment
Mexican America
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-7699-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1320091

Poster for the 1984 Summer Olympic Games held in Los Angeles, California

Physical Description:
paper (overall material)
Measurements:
overall: 36 in x 24 in; 91.44 cm x 60.96 cm
Object Name:
poster, summer olympics
poster, olympics
poster
Date made:
1984
Web subject:
Sports  Search this
Level of sport:
Olympics  Search this
Related event:
Olympic Summer Games: Los Angeles, 1984  Search this
Credit Line:
Gift of Los Angeles Olympic Organizing Committee (through Carol Daniels)
ID Number:
1985.0297.18.14
Accession number:
1985.0297
Catalog number:
1985.0297.18.14
See more items in:
Culture and the Arts: Sport and Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-c956-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1764580

Tomás Ybarra-Frausto research material on Chicano art, 1965-2004

Creator:
Ybarra-Frausto, Toma?s, 1938-  Search this
Subject:
Garza, Carmen Lomas  Search this
Goldman, Shifra M.  Search this
Mesa-Bains, Amalia  Search this
Mexican Museum  Search this
Studio 24 (San Francisco, Calif.)  Search this
Royal Chicano Air Force  Search this
Type:
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Citation:
Tomás Ybarra-Frausto research material on Chicano art, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5563
(DSI-AAA_SIRISBib)216281
AAA_collcode_ybartoma
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216281
Online Media:

Tomás Ybarra-Frausto research material on Chicano art

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Jiménez, Luis, Sculptor

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 14, Folder 50
Type:
Archival materials
Date:
1983-1984
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d1988fef-b069-48c6-87e0-f1cda0f4abc7
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref2878

Oral history interview with Gaspar Enriquez, 2023 January 10 and April 26

Interviewee:
Enriquez, Gaspar, 1942-  Search this
Interviewer:
Augusta, Laura, 1981-  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gaspar Enriquez, 2023 January 10 and April 26. Archives of American Art, Smithsonian Institution.
Topic:
Chicano art  Search this
Chicano artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)22250
AAA_collcode_enriqu23
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22250

Oral history interview with Gaspar Enriquez

Interviewee:
Enriquez, Gaspar, 1942-  Search this
Interviewer:
Augusta, Laura, 1981-  Search this
Extent:
2 Items (sound files (3 hrs., 48 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
2023 January 10 and April 26
Scope and Contents:
An interview with Gaspar Enriquez conducted 2023 January 10 and April 26, by Laura Augusta for the Archives of American Art, at Mi Casa Art Center in San Elizario, Texas.­
Biographical / Historical:
Gaspar Enriquez (1942- ) is a Chicano painter, portrait artist, and educator in San Elizario in El Paso County, Texas. Known for his portraits of members of his local Chicano community, Enriquez has made a career of exploring what it means to reflect, teach, and advance what it means to be Chicano.

Laura Augusta (1981 -) is an art historian and curator in El Paso, Texas.
Related Materials:
The Archives of American Art also hods the Gaspar Enriquez papers.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Texas  Search this
Painters -- Texas  Search this
Topic:
Chicano art  Search this
Chicano artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.enriqu23
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1c20492-1540-45c4-a3f6-db03346dc597
EDAN-URL:
ead_collection:sova-aaa-enriqu23

Yolanda M. López to Tomás Ybarra-Frausto

Creator:
López, Yolanda M., 1942-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
1979 Mar. 14
Citation:
Yolanda M. López. Yolanda M. López to Tomás Ybarra-Frausto, 1979 Mar. 14. Tomás Ybarra-Frausto research material on Chicano art, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Hispanic American artists  Search this
Record number:
(DSI-AAA)1739
See more items in:
Tomás Ybarra-Frausto research material on Chicano art, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1739
Online Media:

Amalia Mesa-Bains greeting card to Tomás Ybarra-Frausto

Creator:
Mesa-Bains, Amalia  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
1984 March 7
Citation:
Amalia Mesa-Bains. Amalia Mesa-Bains greeting card to Tomás Ybarra-Frausto, 1984 March 7. Tomás Ybarra-Frausto research material on Chicano art, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20000
See more items in:
Tomás Ybarra-Frausto research material on Chicano art, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20000
Online Media:

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