The papers of Hazel Hannell measure 1.2 linear feet and date from 1934 to 1985. The papers focus on Hazel Hannell's and Vinol M. S. Hannell's careers in Chicago, Illinois and their participation with Chicago-area art groups. Found are forty-seven calendars published by the Chicago Society of Artists, some of which are annotated by the Hannells. Also found are scattered biographical materials, photographs, and clippings.
Scope and Contents:
The papers of Hazel Hannell measure 1.2 linear feet and date from 1934 to 1985. The papers focus on Hazel Hannell's and Vinol M. S. Hannell's careers in Chicago, Illinois and their participation with Chicago-area art groups. Found are forty-seven calendars published by the Chicago Society of Artists, some of which are annotated by the Hannells. Also found are scattered biographical materials, photographs, and clippings.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Hazel Hannell (1895-2002) was a painter, ceramicist, and activist in Indiana and Chicago, Illinois. Born Mary Hazel Johnson, she married printmaker V.M.S. (Vinol) Hannell. Together, the Hannells were active in the No-Jury exhibitions and the Chicago Society of Artists. The Hannells often worked together making furniture from their own and others' designs. They co-designed the interior of the Victor Vienna Cafe at the Century of Progress Exposition.
Provenance:
Donated 1986 by Hazel Hannell.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.
Arrangement:
In Box 84, Folders 1 - 10.
Local Numbers:
AC1146-0000117-01 to AC1146-0000273 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
