Skip to main content Smithsonian Institution

Search Results

Collections Search Center
1969 documents - page 1 of 99

Operation Pedro Pan - The Largest Recorded Exodus of Unaccompanied Minors in the Western Hemisphere

Creator:
Smithsonian Institution  Search this
Type:
Youtube videos
Uploaded:
2011-05-06T18:37:35.000Z
Youtube Category:
Education  Search this
See more by:
SmithsonianVideos
YouTube Channel:
SmithsonianVideos
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:yt_vT0ItwvcQMI

Oral history interview with Walter Nottingham, 2002 July 14-18

Interviewee:
Nottingham, Walter, 1930-2012  Search this
Interviewer:
Owen, Carol, 1936-  Search this
Subject:
Knodel, Gerhardt  Search this
Kaufman, Glen  Search this
Crane, Jim  Search this
Moran, Lois  Search this
Merritt, Francis Sumner  Search this
Penning, Pauline  Search this
Larsen, Jack Lenor  Search this
English, Helen Williams Drutt  Search this
Ross, Shelley  Search this
Strengell, Marianne  Search this
Nordness, Lee  Search this
Rossbach, Charles Edmund  Search this
Miller, Don  Search this
Nottingham, Karron  Search this
Constantine, Mildred  Search this
Johnson, Meda  Search this
Cranbrook Academy of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Catholic Church  Search this
United States  Search this
St. Cloud State University  Search this
University of Wisconsin--River Falls  Search this
Type:
Sound recordings
Interviews
Topic:
Weavers  Search this
Decorative arts  Search this
Art  Search this
Mexico City (Mexico)  Search this
Weaving  Search this
Crocheting  Search this
Fiber artists  Search this
Record number:
(DSI-AAA_CollID)12090
(DSI-AAA_SIRISBib)238990
AAA_collcode_nottin02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_238990
Online Media:

The colonial history of Vincennes, under the French, British, and American governments, from its first settlement down to the territorial administration of General William Henry Harrison, being anaddress delivered by Judge Law, before the Vincennes Historical and Antiquarian Society, February 2 2d, 1839, with additional notes and illustrations

Author:
Law, John 1796-1873  Search this
Vincennes Historical and Antiquarian Society  Search this
Subject:
Gibault, Pierre 1737-1804  Search this
Hamilton, Henry -1796  Search this
Tecumseh Shawnee Chief 1768-1813  Search this
Physical description:
viii, 156 p., 1 l. 22 cm
Type:
Books
Place:
Vincennes (Ind.)
Indiana
Northwest, Old
Date:
1858
Topic:
History  Search this
Call number:
F534.V7L4X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_260522

Octavio Medellin papers

Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Names:
Gonzalez, Xavier, 1898-1993  Search this
Mérida, Carlos, 1891-1984  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Videorecordings
Date:
circa 1935-circa 1979
Summary:
The papers of painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.
Scope and Contents:
The papers of painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.
Arrangement:
The collection is arranged as five series.

Series 1: Correspondence, 1939-1978 (Box 1; 0.3 linear feet)

Series 2: Commission Files, 1950-1973 (Box 1, OV 6; 0.3 linear feet)

Series 3: Professional Files, circa 1950-circa 1979 (Box 1, OV 5; 0.2 linear feet)

Series 4: Printed and Documentary Materials, 1936-1979 (Boxes 1-2; 1.0 linear feet)

Series 5: Photographic Materials, circa 1935-circa 1979 (Boxes 2-4, OV 5; 1.8 linear feet)
Biographical / Historical:
Octavio Medellin (1907-1999) was a painter, sculptor, and educator in Dallas, Texas. Medellin was born in Matehuala, Mexico to parents of Otomi heritage. His family moved to San Antonio, Texas when he was eight years old and he became a citizen of the U.S. in 1939. Medellin attended the San Antonio Art School with classmate Xavier Gonzalez and studied with José Arpa. He also studied at the Chicago Art Institute for a short time. Medellin returned to Mexico in order to study the arts, culture, and history of the country and was greatly influenced by the Mayan and Toltec ruins and artifacts he saw there. He returned to San Antonio in 1931 where he taught at the Witte Museum. Under the sponsorship of Lucy Maverick, an artist he met at La Villita Art Gallery who was involved in the historic preservation of San Antonio, Medellin returned to Mexico a few years later to visit the Yucatan region of the country. In 1966, Medellin opened the Medellin School of Sculpture that is now the Creative Arts Center of Dallas. He also taught at North Texas State University and the Dallas Museum of Art. He completed numerous commissions in the state of Texas including a monument at Calvary Hill Cemetery, a sculpture for the Houston Police Administration, mosaics and carvings for St. Andrew's Catholic Church and St. Bernard Catholic Church, and decorations for the sanctuary in Temple Emanu-el.

Medellin retired from teaching in 1979 and moved with his wife Consuelo to Bandera, Texas. He and his wife had two children, Patsy and Sergio. Medellin died in Dallas in 1999. He was buried in Calvary Hill Cemetery near his commissioned monument, The Garden of the Glorious Mysteries.
Related Materials:
Additional Octavio Medellin papers are at Syracuse University, Special Collections Research Center, Syracuse, New York, and the Southern Methodist University Bywaters Special Collections at the Hamon Arts Library, Dallas, Texas.
Provenance:
The collection was donated from 1981 to 1983 by Octavio Medellin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.
Occupation:
Painters -- Texas -- Dallas  Search this
Sculptors -- Texas -- Dallas  Search this
Topic:
Painting, American  Search this
Public sculpture -- Texas -- Dallas  Search this
Hispanic American artists  Search this
Genre/Form:
Interviews
Photographs
Videorecordings
Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.medeocta
See more items in:
Octavio Medellin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-medeocta

St. Andrew's Catholic Church, Crucifix Carving

Collection Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1970-1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
See more items in:
Octavio Medellin papers
Octavio Medellin papers / Series 2: Commission Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-medeocta-ref22

St. Bernard Catholic Church, Mosaics

Collection Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Container:
Box 1, Folder 18-19
Type:
Archival materials
Date:
1956-1959
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
See more items in:
Octavio Medellin papers
Octavio Medellin papers / Series 2: Commission Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-medeocta-ref23

St. Bernard Catholic Church, Mosaics

Collection Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Container:
Oversize 6
Type:
Archival materials
Date:
1956-1959
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
See more items in:
Octavio Medellin papers
Octavio Medellin papers / Series 2: Commission Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-medeocta-ref52

St. Andrew's Catholic Church, Crucifix Carving

Collection Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Container:
Oversize 6
Type:
Archival materials
Date:
1970-1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
See more items in:
Octavio Medellin papers
Octavio Medellin papers / Series 2: Commission Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-medeocta-ref55

The Unsolved Murder of Civil Rights Activist Harry Moore

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Wed, 26 Feb 2020 19:26:45 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_8514f1f2efdee4866efd5d09c9126001

Statue of the Madonna, St. Mary Roman Catholic Church, Manhasset, New York

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Extent:
(4 folders; see also Box 6)
Container:
Box 2, Folder 45-48
Type:
Archival materials
Date:
1943-1946
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref109

Statue of the Madonna, Roman Catholic Church, Fishers Island, New York

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Extent:
(2 folders)
Container:
Box 2, Folder 54-55
Type:
Archival materials
Date:
1955-1958
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref112

Two Oversized Photographs of Statue of the Madonna, St. Mary Roman Catholic Church, Manhasset, New York

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Container:
Box 6 (sol)
Type:
Archival materials
Date:
1943-1946
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref118

Photographs of Miscellaneous Sculpture, St. Scholastica Roman Catholic Church, Aspinwall, Pennsylvania

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Extent:
(7 folders; see also Box 6)
Container:
Box 4 (hol), Folder 10-16
Type:
Archival materials
Date:
1949-1950
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref194

Photographs of Sculpture Head of Young Christ, St. Germaine Roman Catholic Church, Bethel Park, Pennsylvania

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Container:
Box 5 (pam), Folder 3
Type:
Archival materials
Date:
1961
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref203

Five Oversized Photographs of Sculpture, St. Scholastica Roman Catholic Church, Aspinwall, Pennsylvania

Collection Creator:
deCoux, Janet, 1904-1999  Search this
Container:
Box 6 (sol)
Type:
Archival materials
Date:
1949-1950
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Janet deCoux papers
Janet deCoux papers / Series 8: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-decojane-ref225

James Britton papers

Creator:
Britton, James, 1878-1936  Search this
Names:
Arlington Galleries (New York, N.Y.)  Search this
Kelly, Andrew J.  Search this
Kent, Duncan Scott  Search this
Lockman, DeWitt McClellan, 1870-1957  Search this
Mitchell, Edwin Valentine, 1890-1960  Search this
Vonnoh, Robert William, 1858-1933  Search this
Blackfield  Search this
Fiske, Gertrude, 1878-1961  Search this
Higgins, Eugene, 1874-1958  Search this
Inukai, Kyohei, 1913-  Search this
Phillips, Duncan, 1886-1966  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Stieglitz, Alfred, 1864-1946  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Illustrations
Notebooks
Diaries
Prints
Sketches
Drafts
Date:
circa 1905-1984
bulk 1905-1935
Summary:
The papers of painter and writer James Britton measure 2.9 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.
Scope and Content Note:
The papers of painter and writer James Britton measure 2.9 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.

Biographical information consists of a file of photocopied materials prepared by the Britton Family. Scattered business and financial records include papers relating to Britton's auto accident, indexes of letters, illustrated indexes and lists of works of art, miscellaneous invoices and receipts, and file relating to Arlington Gallery.

Nine folders of correspondence include letters written to and by Britton along with posthumus materials to his widow, Caroline Britton. Correspondents include artists and friends Gertrude Fiske, Eugene Higgins, Kyonei Inukai, Andrew Kelly, Dewitt McClellan Lockman, Edwin Valentine Mitchell, Maurice Prendergast, Duncan Phillips, Alfred Stieglitz, Robert Vonnoh, and Robert C. Vose.

The bulk of the Britton papers consist of his extensive diaries - 49 volumes, plus notebooks of excerpts and detailed indexes. The diaries date from 1918-1935 and details Britton's daily activities and observations about art figures active in New York and Connecticut, classical music, the Great Depression, Prohibition, the Catholic Church, and politics. In addition, Britton talks of his relationships with his wife and children. The diaries served as a place for Britton to make lists of works of art, portrait subjects, potential clients, etc. Britton also created "Notebooks of Diary Excerpts" and a detailed index of many of the diaries.

Additional writings and notes include a handwritten and incomplete typescript of an autobiography, writings for Britton's publication Opus, and miscellaneous writings about art, music and plays. Writings by others include works by Duncan Scott Kent and Blackfield.

Artwork includes a print and sketches by Britton, and children's drawings.

Printed materials include issues of Britton's Art Review International, Opus, and other publications for which he wrote articles or provided illustration, clippings, exhibition catalogs, and programs.

Photographs include one photo of the artist with a painting and photos of works of art.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Information, 1970-1984 (Box 1; 1 folder)

Series 2: Business and Financial records, 1919-1933 (Box 1; 7 folders)

Series 3: Correspondence, 1913-1945 (Box 1; 9 folders)

Series 4: Diaries, 1918-1935 (Box 1-2; 1.5 linear feet)

Series 5: Writings and Notes, circa 1910s-1931 (Box 2-3; 0.4 linear feet)

Series 6: Artwork, circa 1920-1929 (Box 3; 5 folders)

Series 7: Printed Material, 1910-1982 (Box 4; 0.4 linear feet)

Series 8: Photographs, circa 1905-1930s (Box 4, OV 1; 3 folders)
Biographical Note:
James Britton (1878-1936) was a portrait painter and writer active in Connecticut and New York. Britton wrote extensively about American art and artists and was the editor of his own publications Art Review International and Opus. Also, he was a member of the group of New York painters and sculptors known as The Eclectics.

Born in Hartford, Connecticut in 1878, James Britton began his career as an apprentice working under August Jaccaci at Scribner's Magazine in 1895. He studied under George de Forest Brush at the Art Students' League and under Walter Griffin and Charles Noel Flagg in Hartford. He exhibited and worked with many of the American artists associated with the Ash Can school and The Eclectics, a group of New York artists that included Theresa Bernstein, Guy Pene du Bois, Walter Griffin, Philip L. Hale, Eugene Higgins, George Luks, Jane Peterson, Maurice Prendergast, and Mahonri Young. Mainly, Britton worked as a portrait painter but produced many landscapes of Sag Harbor, Long Island, and of his homes in Connecticut. He was a founding member of the New Society of American Artists and the Connecticut Academy of Fine Arts. He exhibited at numerous New York City galleries including Ainslie Galleries, Arlington Galleries, Babcock Galleries, Dudensing Galleries, Folsom Galleries, and at the studio of sculptor Marie Apel.

A prolific writer on American art and artists, as well as an illustrator, Britton worked as staff artist for the Hartford Times and as an art critic for American Art News and the Hartford Courant. He also founded and edited Art Review International and Opus. Two of his published books include Copley, Painter of the Revolution and Artists of America. Britton was also interested in classical music and wrote on composers Haydn and Beethoven. Britton's extensive diaries found within his papers chronicle his daily life and commentary.

In 1914, Britton married Caroline Korner and settled mostly in Connecticut. They had three children, Jerome, Teresa, and Ruth. In 1928, a car struck Britton and left him disabled. Although he continued to paint, he suffered from ill-health as a result of the accident. He died in 1936.

James Britton's works are represented at the Wadsworth Atheneum, Mark Twain Memorial, Manchester Public Library and at St. Joseph's College.
Provenance:
James Britton's granddaughters, Barbara Britton and Ursula Roberts Britton donated the James Britton papers in 1985.
Restrictions:
Use of original papers requires an appointment.
Rights:
The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
Topic:
Authors -- New York (State) -- New York  Search this
Art critics  Search this
Painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York -- Diaries  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Connecticut  Search this
Genre/Form:
Photographs
Illustrations
Notebooks
Diaries
Prints
Sketches
Drafts
Citation:
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.britjame
See more items in:
James Britton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-britjame
Online Media:

Diaries

Collection Creator:
Britton, James, 1878-1936  Search this
Type:
Archival materials
Date:
1918-1935
Scope and Contents note:
Britton's diaries cover a wide-range of subjects including current affairs and his thoughts about American art and artists, the art scene in New York and Connecticut, classical music, the Great Depression, Prohibition, the Catholic Church, politics, his artwork and writings, his professional associations, New York galleries and exhibitions, and his relationships with family and friends. The diaries also include lists and sketches, including sketches of paintings in his studio at the time of the diary entry. The diaries provide an intimate and descriptive perspective of the Great Depression and its effect on the American family. Hard economic times forced Britton to reuse his children's school composition notebooks as diaries, often writing in the margins or in between the original lines of writing. He describes the toll of the economy on his relationship with his family.

The diaries contain exhaustive detail about the New York art scene and his fellow artists. He writes about George Bellows, Childe Hassam, Ernest Blumenschein, among many others, and about visiting numerous galleries, museums, and exhibitions, such as Knoedler, Frank Rehn, and Kraushaar Galleries, as well as his membership in various clubs and associations, including the New Society of American Artists.

There are two numbered sets of diaries. The first set is numbered XXV-XL and the second set is numbered Miscellanous Volumes 1-32. Britton also created a two-volume index of his diaries numbered XXV-XL. Most of the index was transcribed by the processing archivist and a partial list of relevant name/subject entries is found with the link to each individual diary. A more comprehensive list of entries from Britton's index is also included as an addendum.

A Volume XXX B is referenced in Britton's index which does not appear to be in the collection. It may be missing or perhaps the number was changed by Britton at a later date.

The narrative summaries and access points included with the Miscellaneous Volumes 1-32 were created by the processing archivist and should not be considered fully comprehensive.

See Appendix for a list of names and subjects for Diaries XXV-XL from Series 4.1.
Appendix: List of Names and Subjects from Diary Volumes XXV-XL in Series 4.1.:
Adams, Herbert: XXVII, 88

Ainslie, George: XXXI, 66, 94; XXXII, 38-39; XXXV, 59; XXXVIII, 9, 28, 33

Aitken, Robert J: XXXI, 38-40, 44, 46; XXXV, 7-8, 20, 43; XXXVI, 23

Alexander, Francis: XXXVI, 2

Allen, Ted: XXXVII, 29

Andrews, Helen: XXIX, 68

Anderson, Karl: XXVII, 116

Anderson, Oscar: XXV, 64, 71, 103-106, 119; XXVI, 28; XXXV, 16

Anderson, Ruth: XXXVIII, 30

Anisfeld, Boris: XXVI 48-5l; XXVII; XXXI, 93

Apel, Marie: XXV, 52; XXVI, 44, 47, 57, 97-99; XXIX, 40, 70

Armistice: XXVI, 64-68, 76

Arndt, Paul: XXIX, 70

Art News: XXXVIII, 73

Art Review International: XXVII, 1, 59; XXXIII, list

Atwood, William E: XXV, 50, 53, 56, 62-63, 67-70, 88, 90; XXVI, 28

Auerbach-Levy, William: XXV, 73, 80

Avery, Milton: XXIX, 54

Babcock, E.C.; XXVI, 85, 90, 102-3, 112, 117, 123, 127; XXVII, 38, 41, 49, 73, 80; XXXI, 66-8, 72; XXXV, 60, 108

Ballerini, Nicolo: XXXI, 47; XXXVI, 15-7

Bannon, Annie: XXV, 4; XXVII, 118; XXIX, 52; XXX, 12; XXXI, 13, 75-6, 93; XXXII, 34; XXIV, 1, 138

Baker, Bryant: XXV, 51, 56, 62, 83, 88, 92

Barile, Xavier J.: XXXI, 95; XXXII, 46; XXXV, 124; XXXVII, 29

Barry, James: XXVI, 82; XXIX, 32; XXX, 18; XXXI, 28; XXXIV, 84, self portrait

Bartlett, Paul: XXVII, 65, 90, 109; XXX, 20; XXXII, 1, 34-5; XXXV, 7, 20

Bayley, Frank [Copley Gallery]: XXV, 70, 101-102; XXIX, 4-5, 59

Beal, Gifford: XXVII, 28, 61, 70; XXXI, 76-80; XXXV, 117

Bean, Caroline: XXVII, 49; XXXVI, 14

Beaux, Cecelia: XXVII, 54, 69, 119; XXXIII, 2

Beckwith, Carrol: XXIX, 1

Bellows, George: XXV, 84; XXVI, 41-6, 187; XXVII, 114-117; XXXIX, 6, 70; XXX, 12; XXXII, 46; XXXV, 43; XXXV B, 2, 3, 6; XXXVII, 49, 100; XXXI, 52, 73; XXXII, 46; XXXIII, 8; XXXVII, 14

Belcher, Hilda: XXXVIII, 29

Bernstein, Teresa: XXV, 38, 50-5, 69, 80, 90-105; XXVI, 44-6, 58-9, 63, 80-4, 90-2, 104, 133

Betts, Louis: XXVII, 25

Birch Miniature: XXVII

Blakelock, R.A.: XXX, 27, 42-3, 46; XXXIV, 37; XXXV, 78

Blashfield, Edwin H.: XXVI, 42

Booth, Ralph H.: XXV, visits Gloster exhibit, 80

Borglum, Gutzon: XXX, 20

Boswel, Peyton: XXVI, 98; XXXIII, 16

Bouche, Louis: XXXVII, 25

Boucher, Dr.: XXV, 3, 103-106; XXXI, 76

Bowdoin, W.G.: XXVI, 47-8, 62, 91, 103, 123; XXVII, 69; XXXI, 2; XXXIII, 2; XXXVI, 26-7

Brandegee, Robert B.: XXV, 70; XXVI, 31, 62; XXVII, 43, 57, 118-19; XXIX, 2, 44, 68, 72; XXXVII, 24

Brennan, Alfred

Britton, Caroline: XXV, 32; XXVII, 49; XXXIV, 22, 31; XXXVIII, 61

Britton, Dr. Christian: XXVI, 48, 50-2, 60, 86, 117; XXVII, 32, 115-117; XXX, 3-4; XXXI, 92; XXXIII, 30; XXXIV, 15; XXXVI, 26

Britton, Ernest J.: XXVI, 39; XXIX, 44, 52; XXX12, XXXI, 7-13; XXXI, 50, 92; XXXII, 32-33; XXXIII

Britton, Jerome: XXV, 37; XXXVIII, 32, 35

Britton, Captain J.C.: XXV, 3; XXVI, 2, 29, 43; XXVII, 114; XXIX, 2, 44, 52, 74; XXXI, 12, 50, 65-71; XXXV, 9-11

Britton, Mrs. J.C.: XXV, 3, 25

Britton, Leo F.: XXXI, 76

Britton, Ruth: XXX; XXXVIII, 54, 63

Britton, Teresa: XXV, 61; XXVI, 115; XXVII, 110

Brooks, Richard: XXV, 55, 71

Brown, Frank L.: XXV, 71, 92

Brown, Henry Kirke: XXXIII, 37

Bruno, Guido: XXVII, 110

Brush, Franklin: XXV, 56, 63, 97, 105-7, 137

Brush, George de Forest: XXXIII, 2

Buchanan, Charles L: XXVII, 42

Bunce, W. Gedney: XXVII, 46, 48, 71-2; XXXV, 6, 120

Burr, Colin: XXIX, 5

Burrows, Carlyle: XXXVII, 29; XXXVIII, 10, 31, 72

Buttero, Arturo: XXXVI, 24, 45

Caffin, Charles H.: XXVII, 80

Cameron, D.Y.: XXIX

Capone, Gaetano: XXVI, 100

Caprio, V.D.: XXXV, 42, 45, 94-5

Carlsen, Enid: XXIX, 5, 72; XXXI, 27, 76, 77, 82; XXXIII, 1-2; XXXVI, 68; XXXV B, 7

Carroll, John: XXXIII, 20-4; XXXV, 32, 34, 45, 64, 89-90, 106-7, 212, 127, 135-6; XXXCIII, 12, 17

Cary, Elizabeth Luster: XXVI, 95; XXVII, 79; XXXI, 67, 82; XXXVII, 13, 16

Cezanne, Paul: XXXV B, 6

Chapman, Carlton: XXIX, 59; XXX, 4-5

Chase, William M.: XXV, 96; XXVII, 64, 68; XXXVIII, 3

Chasseriau: XXX, 32

Chavannes, Purvis de: XXV, 56

Cheney, Russell: XXXVI, 26-7, 75-6; XXXVIII, 18

Clark, Eliot: XXVII, 99, 100; XXX, 5

Clarke, Thomas B: XXVI, 115; XXVII, 87, XXIX, 48, XXX, 8

Clivette, Merton: XXXVI, 48-50

Coburn, F.W.: XXV, 62, 67, 92

Cole, Thomas Casilear: XXXV, 77, 120, 123, 126, 131, 136; XXXVI, 82, 85; XXXVIII, 14, 33

Cooney, Mrs Anna P Britton Macgronen: XXVI, 39; XXVII, 43, 57, 91, 111, 115; XXIX, 43, 55; XXXI, 72; XXXV, 5, 31; XXXV B, 27; XXXVI, 6

Cooney, John: XXV, 21, 39; XXVI, 58, 115; XXVII, 42; XXIX, 49, 55; XXXI, 73-6; XXXII, 5; XXXV, 114, 125; XXXVI, 6, 9-10, 28, 39; XXXVI, 48, 61, 71, 88; XXXV B, 27

Cooney, Michael: XXXI, 92

Copley, John Singleton: XXV, 29, 50, 61-2, 65, 70, 73, 77-8, 86, 102-3, 108, 113, 115-17; XXVI, 57, 81-2, 106, 109-12, 111-122, 129; XXVII, 1, 3, 17-8, 29, 35, 93; XXIX, 4; XXX, 35, 44-6; XXXI, 36; XXXII, 8-9; XXXIII, 4, 17, 26, 32, 34, 46, 80, 84-5, 87, 99; XXXVI, 2, 34; XXXVII, 12; XXXVIII, 51; XXXIX; XL, 1-2

Coppedge, Fern: XXV, 95

Cornoyer, Paul: XXV, 71

Cortissoz, Royal: XXVI, 102, 134; XXXIII, 9; XXXV, 111

Costigan, John: XXVIII, 3

Cosway, Richard: XXV, 115

Cox, Kenyon: XXVII, 7, 97

Crane, Bruce: XXX, 38-40

Crews, Floyd: XXXV, 36, 60, 90, 94, 114, 122-4, 136-7; XXXVI, 23-5, 37, 46, 86; XXXV B, 5, 9, 18-9; XXXVII, 22; XXXVIII, 13, 33-4; XXXIX, 1

Cross, Amy: XXXV, 116

D'Hervilly: XXXV, 29

Damrosch, Helena: XXXV, 134

Daniel, Charles: XXVI, 98, 134; XXVII, 26, 99; XXIX, 39, 42; XXIX, 56; XXXI, 84-6; XXXVII, 16; XXXVIII, 3

Davey, Randell: XXV, 54, 69, 73, 80-1, 84-89, 95-100, 106; XXVI, 29, 40, 99-100; XXVII, 27, 38

Davies, A.B.: XXVII, 84, 87-8

Davis, Ch. H.: XXXIV, 2

De Nezzo, Victor: XXXI, 65; XXXIII, 10

De Valera, Eamon: XXIX, 81; XXX, 1, 11; XXXI; XXXIII, 2; XXXV, 19, 135; XXXVI, 53

DeCamp, Jos: XXXIII, 14

DeKay, Charles: XXX, 39

DeMorgan, William: XXXVIII, 47

Detweiller, F.: XXVI, 97, 119, 123-5, 130-4; XXXVI, 6, 20-1, 37, 54-5, 77-8, 80-2, 85-7; XXXV B, 20; XXXVII, 22, 29, 32-8; XXXVIII, 14, 49, 52, 81, 88-9; XXXIX, 5

Dewey, Ch. Melville: XXIX, 72

Dickinson, Edwin: XXVII, 94; XXXVIII, 31, 42, 94

Dickinson, S.E.: XXVI, 48, 90, 125-7, 133; XXVII, 40-1, 51, 56-8, 63-4, 70, 73-9, 91, 93; XXVII, 93-7, 107-9; XXIX, 36, 40, 64, 70-1; XXX, 2, 38, 45, 47, 51, 61, 72-5, 82, 94; XXXII, 5, 32-3; XXXIII, 7, 10, 23-5; XXXIV, 1, 3-4; XXXV. 6, 36, 38, 55-6, 74, 77, 90, 93-4, 105-6, 115, 121-2; XXXV B, 17, 20-5; XXXVI, 5, 7, 11, 30, 36, 44, 55-6, 71, 90, 83; XXVII, 1; XXXVIII; XXXIX

Donner, Herman Montago: XXXVI, 18

Donoghue, John: XXXII, 1

Donohue, William Howard: XXXVIII, 49; XXXIX, 3-4

Dorfner, Joseph: XXXV, 132, 136

Dorr, C. H.: XXXVI, 102; XXXVII, 78, 90

Dougherty, Paul: XXXVI, 103, 142; XXXVII, 33-4, 70; XXX, 3, 17; XXXVII, 72

Douglas, H. W.: XXVII, 119; XXIX, 11, 64, 68

Downes, W.H.: XXV, 28

Downey, Chris: XXXV, 29

Dreier, Katherine: XXXVIII, 89

DuBois, Guy Pene: XXV, 85, 91; XXVI, 40, 89-91; XXVII, 53, 69, 74, 79, 100; XXIX, 72; XXXI, 62; XXXII, 6; XXXV, 117

Dudensing: XXXI, 46, 78; XXXII, 40, 46; XXXV, 99, 121-2; XXXVI, 88; XXXV B, 17, 21; XXXVII, 13, 24; XXXVIII, 8, 10, 17, 33, 49, 52, 88-9, 92, 94, 100, 105;

Dunlap, William: XXXV, 84-6

Duveen: XXVIII, 9

Duveneck, Frank: XXV, 53, 86; XXVI, 48; XXIX, 57; XXXI, 67; XXXIII, 1; XXXV, 61

Eakins, Thomas: XXVII, 67; XXXV, 111; XXXVI, 21; XXXV B, 6

Eaton, Alfred J.: XXXV, 21

Eilshemius, Louis: XXXVIII, 89

Eitel, Walter O.: XXV, 48, 103; XXVI, 100; XXVIII, 104

Ehrich, Walter: XXIX, 10, 55

Elliott, C. L.: XXX, 26

Ennis, George Pearse: XXVII, 38, 96; XXIX, 6; XXXI, 79; XXXIII, 7; XXXV, 131; XXXVIII, 9

Escobal: XXXVII, 42

Expressionists: XXVII, 50, 73

Fairchild, May: XXXVI, 63; XXXVIII, 30; XXXVII

Fenning, Elizabeth: XXIX, 54

Feurbach, Anselm: XXIX, 41

Fiedler, Max: XXXVI, 17;

Fiske, Gertrude: XXVI, 127

Fitler, Mrs. W.C. Claude Raquet Hirst: XXV, 54; XXVII, 62; XXXVIII, 30

Flagg, Charles Noel: XXVII, 71; XXIX, 41, 45; XXXII, 34; XXXV B, 5, 18

Flagg, Montague: XXIX, 34; XXXV B, 18, 23; XXXVIII, 20

Flanagan, John: XXVII, 69; XXIX, 45, 56; XXXI, 38-9, 61-2; XXXII, 35; XXXV, 82

Foster, Ben: XXIX, 3; XXXV, 107

Foster, Charles: XXVII, 119; XXIX, 3

Frankel, S: XXXVI, 89; XXXVII, 24-5

Frazen, August: XXVII, 85, 99; XXXI, 73; XXXIII, 33; XXXV, 131; XXXVI, 23; XXXVIII, 36-40

Freer, William Dink: XXX, 12; XXXV, 11, 39

Friedlander, Arthur: XXXIII, 7

Fuller, George: XXVI, 33; XXXI, 26; XXXV, 61

Fury, C.: XXV, 23; XXVI, 33; XXVII, 119; XXIX, 68-9; XXXI, 11, 68; XXXII, 34

Garber, Dan: XXVI, 46

Gaspard, Leon: XXXVIII, 90-1

Gay St.: XXXI, 65

Gay, Edward: XXXI, 26, 49; XXXII, 4; XXXIII, 26, 31, 31, 33; XXXV, 45, 58

Gay, Frank B.

Gay, George A.

Gernhardt, Harry: XXV, 103, 110; XXVII, 90; XXIX, 62; XXXI, 6

Gerrity, Thos: XXVII, 38, 78, 80; XXIX, 49

Gibson, Charles Dana: XXVI; XXXIII, 19, 25; XXXV B, 2-3

Giles, Howard: XXVI, 97; XXVII, 101-2; XXIX, 6-8; XXXII, 4; XXXV, 107; XXXV B, 2, 4

Golbberg, Frieda: XXXV B, 14-5, 15, 20-4

Goldthwait, Anne: XXIX, 45; XXXV, 82

Goodwin, Arthur: XXVI, 29; XXXI, 3-6; XXXVI, 22

Gould, Robinson: XXXVIII, 41

Grant, Isaac H.: XXV, 93

Grant, Walter: XXXVIII, 20

Granville-Smith, W.: XXVI, 104; XXVII, 38, 46, 68-9, 100-2; XXXII, 4; XXXIII, 19; XXXV, 78, 107, 116; XXXVIII, 9

Greacen, Edward: XXIX, 55

Green, Dulce: XXIX, 54

Green, H. Abbot: XXV, 23; XXIX, 68; XXXI, 65

Gregg, F. J.: XXVI, 98; XXVII, 32, 84-5, 90, 104-5; XXXII, 9

Griffin, Walter: XXVII, 65, 71, 99-100, 115; XXIX, 58; XXX, 28; XXXI, 53; XXXIII, 34; XXXV, 81, 120

Groll, Albert: XXXVII, 47, 100; XXXI, 61-2, 79; XXXIII, 8, 15; XXXIV, 1-2; XXXV, 20; XXXVI, 11-13; XXXV B, 4; XXXVI, 23

Gruppe, Charles P: XXXVIII, 40, 43

Hackett, Francis: XXVI, 132

Hafner, Charles Andrew: XXXI, 38, 80; XXXIV, 1, 14; XXXV, 1, 44, 55, 57, 60 63, 67, 77, 90-2, 120, 129, 130, 133; XXXV B, 1, 5; XXXVI, 14, 20, 25, 73

Hafner, Victor: XXXV, 55, 66, 92, 94

Hale, Philip L.: XXV, 40, 52; XXVII, 48, 56, 117; XXXV, 16l; XXXVI, 80

Hall, Frederick: XXVI, 127

Halpert, Samuel: XXVI, 135; XXVII, 26l XXIX, 6, 39, 80

Hambridge, Jay: XXXV B, 1-5

Hamilton, McClure: XXXIII, 25

Hardie, Robert Gordon: XXXVIII, 51

Harris, Frank: XXVII, 110

Harris, Sam: XXXVIII, 45

Hart, Charles Henry: XXXI, 1

Hartman, Bertram: XXVII, 25l; XXIX, 55

Hassam, Childe: XXV, 97; XXVII, 34, 48; XXIX, 55; XXX, 28l XXXI, 1, 73; XXXII, 1; XXXIII, 14, 20, 34; XXXV, 25, 80-2, 119; XXXVI, 10; XXXVIII, 91

Haverty, J. J.: XXXVII, 17-21; XXXVIII, 17

Hawthorne, Charles W: XXX, 55-6

Haydn, Josef: XXV; XXVI, 97; XXVII, 79-80, 113; XXXIV, 17-20; XXXV, 46, 127; XXXVI, 15-6, 28-9, 33; XXXVIII, 74, 81-2, 94-5

Haytner, George: XXIII, 43

Healey, George P. A.: XXXI, 21-2; XXXVIII, 50

Hecht, Victor

Heney, Charles: XXVII, 83l XXVI, 51, 53, 89

Henri, Robert: XXVI, 46, 98; XXVII, 53-4, 115-7; XXXI, 20; XXXII, 46; XXXIII, 25; XXXV, 107

Herbert, Victor: XXXVI, 15

Higgins, Eugene: XXVI, 45-6, 60, 84, 136-7; XXVII, 25, 53, 73, 75-6, 95-8; XXIX, 3-5, 12; XXXI, 66-8, 72-4; XXXIII, 8, 23; XXXV, 6, 9, 20, 23, 108-9; XXXVI, 22-3; XXXVII, 14-5

Hines, William Clocker: XXXVII

Hooker, J.: XXVI, 31-3; XXXVIII, 105, 107

Hopkinson, Charles: XXV, 40

Hoppin, Charles A.: XXXI, 90; XXXII, 32-3; XXXIII, 19, 33, 38; XXXIV, 14, 23-4; XXXV, 6, 11-2, 24, 39, 55, 76, 88, 90; XXXV B, 12

Horne, Grace: XXV, 53, 69, 81

Horton, Herbert: XXXVI, 20

Howell, Felicia Waldo: XXV; XXVI, 29

Huneker, James: XXXI, 18; XXXVI, 10; XXXVIII, 78

Hunt, William Morris: XXX, 45; XXXIII, 35, 37

Huntington, Dan: XXX, 13, 16; XXXVIII, 51

Ingres: XXX, 23; XXIV

Inman, Henry: XXX, 17; XXXV, 87

Innes, George: XXXI, 66

Inukai, Kyohei: XXXV, 110-111, 132, 136; XXXVI, 7, 25, 28-9, 36, 38, 40, 42-3, 46, 50-6, 64; XXXV B, 10, 13, 26-7; XXXVII, 16, 39, 42; XXXVIII, 4, 8-9, 18, 20, 34-5, 40-1l 82, 85, 88, 90-100

Jaccaci, August: XXVII, 35

Jacobs, Michel: XXXV, 133

Johnson, Eastman: XXXIII, 19

Jones, Paul: XXXV, 137; XXXV B, 21

Judson, Alice: XXVI, 104; XXVII, 5-6, 38-9, 41, 60, 64, 96-7; XXIX, 3, 36; XXXIV, 13; XXXV, 73; XXXVI, 14, 30, 54, 69-70; XXXVIII, 9-90

Katzief, J. D.: XXXVII, 35-7; XXXVIII, 41

Keefe, Lucia: XXVV, 52

Keller, Deane: XXVII; XXXVIII, 94, 103; XXXIX, 3

Kennedy, E. D.: XXIX, 63

Kenny, M.: XXV, 86

Kensett, John F.: XXVII, 52-3

Kent, Rockwell: XXIX, 33, 43

Kevorkian: XXIX, 10, 45, 55; XXXIII, 19

Kidder, Frank: XXVI, 133

Kimbel, Richard: XXV, 91-2, 105; XXVI, 104, 113; XXVII, 52, 69; XXXI, 80; XXXIII, 9; XXXV, 123-4, 131, 168; XXXVIII, 85

Kingore, C. Grant: XXVII, 32, 76, 117; XXIX, 43

Kinnis: XXXVII, 44

Kitson, Henry Hudson: XXV, 65; XXXVI, 66-7

Klauser, Ella: XXVI, 113

Kneisel, Franz: XXXVI, 15

Knoedlers: XXVI, 136, 180-1; XXVII, 115; XXIX, 47, 58

Kone, Irma: XXVI, 29

Konody, Paul G.: XXIX, 63

Kraushaar, John: XXVI, 42; XXXVIII

Kress: XXV, 29, 107; XXVI, 42-3; XXVII, 118; XXIX, 1, 21, 54; XXXV, 14, 16

Kronberg, Louis: XXV, 37, 53, 64, 83, 95-7; XXXI, 3-4, 83; XXXV, 16; XXXVII, 23

Kuehne, Max: XXVI, 42

Kusnitzky, Abraham: XXXI, 47; XXXVI, 83

La Farge, John: XXXVIII, 64

Langzettel, George: XXIX, 44

Lanier, Henry: XXVII, 116

Lathrop, W. L.: XXXV, 81-2

Laurens, Jean Paul: XXXIII, 21

Lawlor, Frederick: XXVI, 100; XXVII, 52-3

Lawson, Ernest: XXVI, 135; XXVII, 116-7; XXIX, 35-6, 56, XXIX, 38-9, 80, 84; XXXV; XXXVIII, 64

Lee, Charles: XXXIII, 5, 7

Legros, Alphonse: XXXI, 10, 77

Lever, Beatrice Sinclair: XXVI, 42, 47, 57, 86, 123-4; XXVII, 26, 33, 36, 61, 69; XXXII, 43

Lever, Hayley: XXV, 54, 69, 83-4, 109, 119; XXVI, 37, 40, 104; XXVII, 25, 61, 78, 101, 131; XXXI, 79; XXXV, 107, 109; XXXVI, 22, 31

Levy, John: XXIX, 56; XXX, 8, 27; XXXI, 2; XXXII, 2, 43; XXXIII, 3, 10, 23, 33; XXXV, 103; XXXVI, 61-3

Lie, Jonas: XXVI, 44; XXVII, 116; XXIX, 52; XXXI, 79

Lindsay, Sam; XXXVI, 36, 56-7, 72-3, 83-4

Little, Philip: XXVII, 33, 36; XXX, 8, 39

Londoner, Amy: XXVI, 44

Lukeman, Augustus: XXXV, 133-4; XXXVIII, 5

Luks, George: XXV, 89; XXVI, 42; XXVII, 48, 56, 85, 87-8, 117; XXX, 28; XXXIV, 37; XXXVI, 10; XXXVIII, 4

Lyle, Margaret: XXV, 46

Lyndhurst, Lord John S. Copley Jr.: XXXV, 112

Macbeth, Robert: XXVII, 33; XXIX, 8-9; XXXII, 37; XXXIV, 15; XXXVIII, 85

Mahon, Judge Edward: XXVII, 90

Mallet, Mrs.: XXXV, 58

Manning, Rose: XXXV, 92, 124; XXXVI, 22-8, 30, 65; XXXV B, 5, 8, 12-3, 18-9; XXXVIII, 54-9, 63

Marin, John: XXIX, 39

Martin, Homer: XXVII, 27; XXX, 45, XXXI, 67; XXXII, 4

Mason, Henry: XXXI, 66-7; XXXVIII, 100, 199

McBride, Henry: XXVI, 47, 96, 104; XXVII, 31, 92, 102-3; XXXI, 79; XXXIII, 11; XXXV, 25; XXXVI, 22; XXXVIII, 93

McCameron, Robert: XXIX, 66, 71

McCord, Mary: XXXVI, 104

McCormack, John: XXVI, 98

McCormick, William B.: XXXVII, 16-7

McCullough, William: XXXV, 69; XXXVI, 49

McDowell, Edward: XXXVIII, 82, 84

McEvoy, Ambrose: XXIX, 63

McManus, James G.: XXXI, 76; XXXV, 18; XXXVIII, 74, 105

Melchers, Gary: XXVI, 44

Meriden Property: XXIX, 53, 55; XXXIII, 23

Merrick, Lula: XXVI, 50, 113; XXVII, 50, 69, 73, 96, 117; XXXV, 133; XXXVI, 29

Metcalf, Willard: XXXIII, 2, 13; XXXV, 43, 81

Milch Galleries: XXXI, 3; XXXII, 41; XXXIII

Miller, Charles Townsend Abercrombie: XXXV, 62, 118, 122, 131, 136; XXXVI, 7, 33, 45, 58-9; XXXV B, 22; XXXVIII, 16

Molarsky, Maurice: XXVI, 59; XXVII, 100, 112

Moloof: XXXVI, 70

Monstross, N. E.: XXVI, 40, 101

Montgomery, J.: XXV, 41, 43, 107

Morris, Dr. Charles Evans: XXXVI, 50-1

Morse, S. F. B.: XXXVIII, 79

Moutfort, Arnold: XXVII, 40, 51, 63, 77, 79, 88, 93, 99; XXIX, 4, 40, 44, 64

Mowbray-Clarke: XXIX, 9

Mozart: XXXIV, 21

Muller, J. Frank: XXVII, 69; XXXV B, 26

Muller, Michael: XXXVII, 29-30, 41; XXXIX, 3-4

Muncy, Percy: XXXVI, 32; XXXVIII, 16; XXXV B, 7

Muranyi, Gustave: XXXVII, 34

Murphy, J. Francis: XXVI, 101-2; XXVII, 39, 42-3, 66-8, 84, 95, 100; XXIX, 56, 72-3; XXXI, 52, XXXIII, 17-8, 33; XXXV, 78; XXXVI, 24; XXXV B, 7

Mussman, Mrs. S.: XXXVI, 47



Myers, Jerome and Ethel: XXVII, 32-3, 79; XXX, 12; XXXVI, 20; XXXVII, 14; XXXVIII, 4, 20, 64

Nave, Captain Royston: XXVII, 41, 51, 57-8, 64, 76, 91-7, 107-8; XXIX, 40, 70-1; XXXIV, 3-4, 13-4, 23

Neagle, John: XXXV, 80

Neimyer, John H.: XXIX, 44

Nelson, George Laurence: XXVI, 51, 116; XXVII, 60, 100; XXXV, 76

Nelson, W. H.: XXVI, 44; XXVII, 79, 99-100; XXIX, 44; XXXI, 80; XXXII, 40, 43; XXXIII, 30; XXXIV, 14-5; XXXV, 59, 77

Newell, Glenn: XXXIII, 3, 8, 40, 43, 94

Nielson, Isabel: XXV, 51, 88, 99; XXVI, 30

Nielson, Raymond: XXV, 51; XXVII, 70

Nisbet, Robert: XXVII, 101, 116; XXXI, 73; XXXVI, 23

Nolan, Daniel: XXV, 72; XXIX, 60

Norton, Clara: XXXIV, 13

Nuni, Ann: XXV, 88, 91, 110, 124, 137-8; XXXVI, 7, 14, 28, 31; XXXV B, 1-5, 9, 11, 14, 17, 20, 26

Nuni, Grove: XXXVIII, 95

Nyerighazi, Erwin: XXXV, 128, 130; XXXVI, 7, 15-6, 20, 73; XXXV B, 8, 14

O'Brien, Jim: XXXVIII, 34

O'Callahan, Clinton: XXXI, 47

O'Connor, Andrew: XXIX, 72; XXXV, 7

O'Connor, Patricia: XXV, 107

O'Malley, Power: XXXI, 20, 26

O'Ryan, General John F: XXVII, 111

Olin, Albert: XXXI, 49

Oliver, Miss Jean N.: XXV, 37, 54-7, 70, 81, 88-90, 105; XXVI, 44, 92-3, 127; XXXI, 5; XXXV, 16

Pach, Walter: XXVII, 112

Palmer, Delos: XXVII, 41; XXXV, 64-5

Palmer, Erastus: XXXII, 10; XL, 1

Palmer, Hermann: XXXII; XXXVII, 39

Parsons, Ruth: XXV, 111, 118-9; XXVI, 30

Patty, W. A.: XXXIII, 9; XXXVIII, 69

Paxton, William McGregor: XXV, 52; XXXI, 81

Pennell, Joseph: XXIX, 63; XXX, 28; XXXI, 44; XXXVII, 15; XXXVIII

Perkins, Parker: XXV, 56

Pettie of Knoedlers: XXXIII, 11

Phillips, Duncan: XXVI, 95; XXXIV, 28-9

Pierce, Waldo: XXXVI, 79-80

Pierpont, J.: XXXVII, 42; XXXVIII, 12, 20

Pokras, Max: XXXVII, 35

Pollia, Joseph: XXXVII, 35; XXXVIII; XXIX, 5

Popp, John: XXXI, 47

Potter, E.C.: XXXVII, 5, 17; XXXIX, 3, 7

Potter, Louis: XXIX, 1

Potter, Nathan D.: XXXV B; XXXVI, 5, 20, 27, 30-2, 37-8, 42-5, 69-74; 86; XXXVII, 13-7, 42; XXXVIII, 20, 91, 101; XXXIX, 3-7

Potter, William J.: XXXVI, 68, 70, 72, 74, 79; XXXVIII, 90-1

Poussin, Nicolo: XXXII, 3

Powell, Widow: XXIX, 52; XXXII, 31, 41, 116; XXXV, 138

Prendergast, Maurice: XXVII, 50, 57, 71, 89; XXXI, 53

Prutting, J.: XXXVIII, 105

Price, F. Newlin: XXIX, 42, 72; XXXI, 1, 77; XXXIII, 13; XXXVII, 25

Quinn, Edmund: XXXI, 62-3; XXXVIII, 64

Quinn, John: XXXVIII, 78

Quistgaard, John Van Rehling: XXXVI, 106, 123-4; XXXII, 43; XXXIII, 3, 30, 33-5; XXXIV, 1, 37; XXXV, 101-3; XXXVIII, 99

Ranger, Henry W: XXVII, 63

Ray, Man: XXIX, 57; XXXI, 92

Regnault, Henri: XXXIV, 21

Rehn, Frank: XXVII, 47; XXIX, 55

Reinhardt, Henry: XXIX, 50

Reynolds, Sir Joshua: XXXI, 15-6

Richter: XXVII, 89; XXIX, 18, 43

Riley, John: XXXIII, 40-1

Ringius, Carl: XXV, 93, 107; XXVI, 29; XXXI, 47

Rio, Anita: XXVII, 98; XXXI, 72, 78-9; XXXV, 27; XXXVI, 11

Ritman, Louis: XXVII, 89



Rittenberg, Henry: XXXI, 80; XXXIII, 7; XXXVI, 74

Robbins, John W.: XXIX, 11

Robinson, Theodore: XXXI, 49, 76, 90-1; XXXII, 4; XXXIII, 1, 13, 15

Robinson, Will: XXVI, 104

Rodin, Auguste: XXV, 55

Roosevelt, Theodore: XXXI, 64

Rosenthal, A.: XXXI, 1

Rosenthal, Sonia: XXIX, 46

Rowse: XXXIII, 37

Rungius, Carl: XXVII, 39, 101; XXXIII, 9

Ruth, Babe: XXXV B, 30

Ryder, A. P.: XXVII, 72; XXIX, 51; XXXVI, 1, 13; XXXV B, 2-3

Sag Harbor, New York: XXXVIII

Sahler, Helen: XXV, 56, 71, 99; XXVI, 92, 113; XXVII, 69

Saint-Gaudens, Augustus: XXV, 87; XXVII, 109; XXIX, 12

Saling, Paul: XXXVI, 36

Sargent, J. S.: XXV, 38, 52, 72; XXVI, 85; XXIX, 60; XXX, 28; XXXI, 78; XXXIII, 10; XXXV, 34, 103; XXXVI

Sargent, Margaret: XXX, 28

Seymour, R. Russell: XXV, 47; XXVII, 118; XXIX, 1

Seaton-Schmidt, Anna: XXV, 38, 91

Shakespear: XXX, 24; XXXVIII

Shee, Sir Martin A.: XXXIII, 43; XXXIV, 11-2

Sherman, John: XXXI, 42

Sherwin, Mrs. Louis: XXVI, 116; XXVII, 110; XXIX, 2

Shurtleff, Roswell M.: XL, 1

Sloan, John: XXV, 40, 52, 54, 68-9, 73, 85, 93-4; XXVI, 29, 64, 77-8, 99-100, 137; XXVII, 31, 35, 38-9, 112-3, 116-7; XXIX, 66; XXXI, 51; XXXII, 46

Smith, W. H.: XXIX, 69

Snell, Henry: XXV, 81, 100, 104; XXVII, 99; XXIX, 10

Society of American Artists: XXXII, 11-27

Spanish Encyclopedia: XXIX, 27

Speicher, Eugene: XXVII, 117; XXXIII, 25; XXXVIII, 72

Spencer, Elizabeth: XXVI, 103-4; XXXVIII, 29

Stieglitz, Alfred: XXVI, 98; XXIX, 39

Sterner, Marie: XXVII, 25, 79; XXXI, 27; XXXIII, 10, 12

Sterner, Albert: XXVI, 136; XXVII, 79; XXXIII, 12; XXXVI, 20; XXXV B, 1, 3-4

Stevenson, Gordon: XXXVI, 13-4, 21, 45, 87, 90; XXXVII, 33; XXXVIII, 6, 8, 31, 74

Strauss, Richard: XXXVI, 41

Stuart, Gilbert: XXVII, 19, 21; XXVII, 35; XXXIII, 43; XXXIV, 11; XXXV, 85; XXXVIII, 50

Sully, Thomas: XXX, 15; XXXVIII, 50

Szopory, Baron Imre: XXXV, 105, 124-7, 131, 136; XXXVI; XXXV B, 7; XXXVII, 28, 31, 39; XXXVIII, 8, 83; XXXIX, 5, 7

Tarbell, Ed.: XXV, 96

Thayer, Abbot: XXVII, 108

Thompson, Juliet: XXIX, 45

Thorp, Earl: XXXVII, 36

Towle, Captain Ledyard: XXVII, 107

Townsend, J. B.: XXV, 53, 64; XXVI, 42, 47, 49-50, 57-8, 84, 86, 97, 100, 104, 106, 136; XXVII, 33, 35-6, 47, 62, 80, 96; XXIX, 45, 61; XXXII, 43; XXXV, 116; XXXVIII, 4, 73

Trotta, Guiseppe: XXVII, 91

Tupper, Alex: XXXI, 5

Twachtman, John: XXV, 89; XXVII, 6, 65; XXIX, 13, 16, 56-7, 61; XXX, 34, 44; XXXI, 39, 45, 48-9, 67; XXXIV, 35

Valencampf, Theo: XXV, 51, 56, 67, 70, 91, 109, 119; XXVI, 28; XXIX, 61; XXXV, 16

Van Cleef, Augustus: XXXVIII, 73

Van Veen, Peter: XXXI, 67; XXXVIII, 85

Vanderbilt, Gertrude: XXXII, 4

Vanderlyn, John: XXXV, 87

Vayana, Nunzio: XXVII, 118; XXXII, 34; XXXVI, 16

Vezin, Charles: XXVII, 102; XXXVI, 65-6; XXXVII, 24

Vincent, Harry: XXXI

Vinton, F. P.: XXXIII, 1; XXXV

Von Boskerk, Robert: XXVII, 85

Von Shollay, Ruth: XXV, 51, 87-8, 96, 98; XXVI, 28; XXIX, 54, 60

Vonnoh, Robert: XXVII, 104; XXIX, 6, 8; XXXI, 79; XXXIII, 7; XXXVI, 22; XXXV B

Vose, Robert: XXV, 5-, 62, 118; XXVI, 33; XXVII, 46, 110; XXIX, 61; XXX, 8, 10, 42, 44; XXXI, 50; XXXVIII, 91

Wagner, Richard: XXVI, 84

Waitt, Marian: XXVI, 84

Walcott, Albert: XXIX, 64; XXX, 5, 7; XXXI, 12, 15, 51, 79, 83; XXXII, 94-6; XXXV, 36

Walker, Horatio: XXXI, 49

Walkowitz, Abraham: XXVI, 58; XXVI, 112

Wallace, Cornelia: XXXV, 88, 90-1, 94, 123-5, 130-7, 198; XXXVI, 7-8, 19, 26, 30, 46, 85, 87; XXXVIII, 67, 72, 74-5

Wallace, Ruth: XXIX, 64; XXXI, 23; XXXII, 38-9; XXXIV, 3, 55, 77

Wanda,: XXXVI, 60; XXXVII, 23

Warner, Olin L.: XXXII, 1; XXXV, 106; XXXVIII, 64

Washington, George: XXXV, 83

Watrous, Harry: XXVII, 102; XXIX, 3, 21; XXXI, 83; XXXVI, 33

Weiland, James: XXVII, 68; XXXIII, 17

Weir, J. Alden: XXVI, 41, 136; XXVII, 43, 46; XXIX, 17; XXX, 44; XXXI, 62, 83, 87-9; XXXII, 1, 4; XXXIII, 2, 13; XXXV, 106-7, 110

Weitenkampf, Frank: XXV, 29, 31; XXVI, 86; XXXV B, 11

Wendell, Theodore: XXIX, 71; XXXI, 67

West, Benjamin: XXXV, 85

Wetherell, H. K. K.: XXXVI, 22; XXXVIII, 67

Whistler, James: XXVII, 56; XXIX, 65

White, Edwin: XXX, 15

Wilson, Woodrow: XXV, 23; XXVI, 113-5; XXX, 23

Woolf, Michael

Woolf, Sam: XXVI, 42; XXVII, 33; XXXIII, 9; XXXV, 81; XXXVI, 14; XXXV B, 10

Wright, Ed Ashel

Wright, Dr. Joel: XXV, 48; XXIX, 54

Wyant, Alexander: XXVII, 83

Yeats, John B.: XXIX, 65, 66

Young, Howard: XXIX, 50; XXXII, 33

Young, Mahonri: XXVII, 34, 70; XXX, 3, 17, 20, 28; XXXI, 53; XXXV, 76, 91, 109-10; XXXV B, 14; XXXVI, 24; XXXVIII, 12; XXXVIII, 72, 92

Zogbaum, Rufus

Zorach, William: XXXI, 86
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
Collection Citation:
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.britjame, Subseries 4.1
See more items in:
James Britton papers
James Britton papers / Series 4: Diaries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-britjame-ref40

Richmond, VA, Saint Paul's Catholic Church

Collection Creator:
Wilbur H. Burnham Studios  Search this
Container:
Box 9, Folder 30
Type:
Archival materials
Date:
1950s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Wilbur H. Burnham Studios records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Wilbur H. Burnham Studios records, circa 1904-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Wilbur H. Burnham Studios records
Wilbur H. Burnham Studios records / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wilbhbur-ref280

Leo Baekeland Diary Volume 16

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5".)
Container:
Box 19, Folder 3
Type:
Archival materials
Biographies
Diaries
Place:
Yonkers (N.Y.) -- 1900-1914
Date:
1914 August 17-1914 December 31
Scope and Contents:
Inscription on flyleaf: "I / Journal of / Dr. L.H. Baekeland / Yonkers, NY [sic] / August 17, 1914 / to December 31, 1914." The diary details Baekeland's daily activities. He writes often of his visits and discussions, and the subjects of correspondence he has written and received. It sheds light on the use and distance of travel by automobile in the early twentieth century. In the notes, Baekeland explains increasing time spent in the laboratory in 1913.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Laboratories  Search this
Automobiles -- 1910-1920  Search this
Tourism  Search this
Family -- 20th century  Search this
Genre/Form:
Biographies
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref305
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Leo Baekeland Diary Volume 16 digital asset number 1
  • View Leo Baekeland Diary Volume 16 digital asset number 2

Leo Baekeland Diary Volume 23

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5")
Container:
Box 19, Folder 7
Type:
Archival materials
Diaries
Date:
1917 July 18-1917 December 7
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Family -- 20th century  Search this
Genre/Form:
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref312
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Leo Baekeland Diary Volume 23 digital asset number 1

Modify Your Search







or


Narrow By