Search Results

Creator:

Modjeski and Masters  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Names:

Masters, Frank, 1883-1974  Search this

Modjeski, Ralph, 1861-1940  Search this

Interviewer:

Vogel, Robert M.  Search this

Extent:

60 Cubic feet (140 boxes, 23 map folders)

Type:

Collection descriptions

Archival materials

Oral history

Lantern slides

Photographs

Drawings

Contracts

Letterpress books

Correspondence

Place:

Harrisburg (Penn.)

Pennsylvania

Date:

1870-1979

bulk 1900-1940

Summary:

The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.

Scope and Contents:

This collection documents the civil engineering career of Ralph Modjeski (1861-1940) and Frank masters (1883-1974). The materials include bound volumes and loose photographs of bridge work-in-progress; printed reports; articles, pamphlets; drawings, blue prints and tracings of bridges; letterpress books of correspondence; contracts; reports; studies of bridge materials; and glass plate negatives and lantern slides depicting bridges.

Arrangement:

The collection is arranged into ten series.

Series 1: Biographical Materials, 1915-1986

Series 2: Letter Press Books, 1898-1906

Series 3: Photographs, 1878-1979

Series 4: Contracts, 1895-1960

Series 5: Printed Materials, 1862-1969

Series 6: Newspaper Clippings, 1924-1941

Series 7: Lantern Slides, undated

Series 8: Glass Plate Negatives, 1906-1926

Series 9: Film Negatives, 1924, undated

Series 10: Drawings, 1901-1952

Biographical / Historical:

Rudolphe Modrzejewski was born to Helena Jadwiga Opid (d.1909) and Gustav Sinnmayer Modrzejewski (d. 1901) on January 27, 1861, in Cracow, Poland. His mother was an internationally known stage actress who went by the name Helena Modrzejewska. In 1868, Helena married Count Karol Bożenta Chłapowski. In July 1876, Helena and Rudolphe emigrated to America, where, for purposes of American citizenship, the Polish form of their surname was later changed to Modjeski (feminine form Modjeska). Modjeski became a naturalized citizen in 1883 in San Francisco, California.

In 1882, Modjeski returned to Europe to study at the Ecole Des Ponts et Chaussees and graduated in 1885 with a degree in civil engineering. Modjeski worked with prominent civil engineer and "Father of American Bridge Building," George S. Morison, on the Union Pacific Railroad Bridge over the Missouri River at Omaha as an assistant engineer. He remained with Morison from 1885 to 1892. Some of his assignments included working in the shops which produced steel sections; the design office where he advanced to chief draftsman; and as an inspector of quality control in shops that fabricated steel elements. Modjeski worked with Morison on his Willamette, Nebraska City, Sioux City, Winona, Cairo, and Memphis bridges across the Mississippi River. The Memphis bridge was the longest span cantilever in the country at the time.

In 1893, Modjeski opened a civil engineering practice in Chicago with S. Nicholson. After some financial difficulties, Nicholson and Modjeski dissolved their partnership. Modjeski's first individual large commission was the bridge at Rock Island, Illinois (1895) across the Mississippi River where he designed and supervised the construction of the bridge for the federal government and the Chicago, Rock Island and Pacific Railway Company.

In 1902, Modjeski went into partnership with fellow civil engineer, Alfred Noble (1844-1914) forming the firm of Noble and Modjeski. He went into partnership with Walter Angier, under the name Modjeski and Angier, civil and inspecting engineers, between 1912 and 1924 with several offices around the United States. Angiers had worked with him beginning in 1902 on the bridge across the Mississippi at Thebes, Illinois. Modjeski partnered, in 1924, with Frank Masters (1883-1974), who had worked with him and Angiers between 1904 and 1914 on the Memphis and Louisville Bridges, forming Modjeski and Masters. Clement E. Chase and Montgomery B. Case later joined the firm as partners. In 1937, Masters assumed full control and ownership of the firm which specialized in the design and construction supervision of large bridges and other structures, rehabilitation and reconstruction of existing bridges, the design of highways and expressways, subways and wharves, the design of large and complex foundations, inspection of construction materials, and the creation of surveys, investigations and reports.

Modjeski built and/or consulted on over forty bridges in his lifetime. He built truss, steel arch, and suspension bridges. He introduced steel tower pylons in place of masonry towers and he used better grades of steel, such as new steel alloys with improved strength and durability. He also introduced advancements in the design of cable configurations and deck-stiffening beams. Some of his major projects included: the Columbia River and Willamette bridges, McKinley Bridge at St. Louis; the Celilo Railroad Bridge at Celilo, Ohio; the Thebes Bridge over the Mississippi; the Quebec Bridge over the St. Lawrence River; the Delaware River Bridge; the San Francisco-Oakland Bay Bridge, the Manhattan Bridge, and the Mid-Hudson Bridge.

On December 28, 1885, Modjeski married Felicie Benda (d. 1936) in New York and the couple had three children: Felix Bozenta Modjeski (1887); Marylka Stuart Modjeski (1894) and Charles Emmanuel John Modjeski (1896-1944). Ralph and Felicie divorced in 1931. He later married Virginia Giblyn on July 7, 1931. Modjeski died in Los Angles on June 26, 1940.

Related Materials:

Materials in the Archives Center

Bollman Truss Bridge Collection, 1852-1986 (AC1064)

Canadian Bridges Photograph Albums, 1873-1911 (AC1025)

Victor C. Darnell Bridge Construction Photographs, 1911-1913 and undated (AC1018)

Beata Drake Covered Bridge Collection, 1954-1981 (AC0998)

Ben Franklin Bridge Photograph Album, 1922-1926 (AC1029)

Hartford, Connecticut Bridge Collection, 1903-1905 (AC1066)

Lake Shore and Michigan Southern Railroad Bridge Profiles, 1877-1896 (AC1073)

Richard H. Miller Bridge Collection : postcards and slides, circa 1950-1988 and undated, #950

George S. Morison Collection, 1846-1903 (AC0978)

Niagara Falls Bridge Commission Records, 1848-1946 (bulk 1890-1929) (AC1060)

Northern Pacific Railroad Bridge Construction Photograph Album, 1883-1884 (AC1030)

David Plowden North American Bridge Photographs, 1970-1976 (AC1019)

Quebec Bridge Photograph Collection, 1905-1986 (bulk 1905-1916) (AC1026)

Railroad Bridges Construction Photograph Album, circa 1905-1914 (AC1024)

Samuel Reed Bridge Collection, 1947-1964 (AC1001)

Rip Van Winkle Bridge Photographs, 1933-1935 (AC1027)

John A. Roebling Collection,1836-1975 (bulk 1930-1950) (AC0981)

Holton Duncan Robinson Papers, 1889-1938 (AC0963)

Lucinda Rudell Covered Bridges Collection, 1942-1979 (AC1028)

Lester Shanks Collection of Covered Bridge Photographs and Ephemera, 1876-2010 (bulk 1973-2008) (AC1244)

Washington, D.C. Bridges Collection, 1900-1905 (AC01095)

Raymond E. Wilson Covered Bridge Collection, 1958-1974 (AC0999)

Materials at Other Organizations

Southern Illinois University, Morris Library Special Collections

Walter E. Angier photograph collection, 1901-1915

Walter E. Angier Vertical File Manuscript, 1924

Michigan Historical Collections, Bentley Historical Library, University of Michigan

Alfred Noble Papers, 1862-1922

Provenance:

The collection was donated by Modejeski and Masters Consulting Engineers, through Joseph J. Scherrer, October 2, 1990.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Civil engineering  Search this

Bridge failures  Search this

Bridges  Search this

Genre/Form:

Oral history -- 1950-1970

Lantern slides

Photographs -- Black-and-white negatives -- Glass

Drawings

Contracts

Letterpress books

Photographs -- 19th century

Correspondence

Citation:

Modjeski and Masters Company Records, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0976

See more items in:

Modjeski and Masters Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep827750b46-05ec-4519-8a2c-dddf6ab57d6e

EDAN-URL:

ead_collection:sova-nmah-ac-0976

Medium:

paper; ink

Dimensions:

Height x Width: 3 1/2 x 5 1/2 in. (8.89 x 14 cm)

Type:

Covers & Associated Letters

Place of Destination:

Connecticut

Date:

1919

Object number:

0.214896.42

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8e5574345-3c6d-4137-a355-81d009b3e409

EDAN-URL:

edanmdm:npm_0.214896.42

Medium:

paper; ink

Dimensions:

Height x Width: 3 1/2 × 5 1/2 in. (8.89 × 13.97 cm)

Type:

Covers & Associated Letters

Date:

1918

Object number:

0.214896.7

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm80a17f547-a073-4bfd-a025-6c4513d46c6e

EDAN-URL:

edanmdm:npm_0.214896.7

Medium:

paper; ink

Dimensions:

Height x Width: 3 3/8 × 5 1/2 in. (8.57 × 13.97 cm)

Type:

Covers & Associated Letters

Date:

1918

Object number:

0.214896.86

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8c751e29f-565b-4541-8810-490e6e187f57

EDAN-URL:

edanmdm:npm_0.214896.86

Medium:

paper; ink

Dimensions:

Height x Width: 3 1/2 × 5 1/2 in. (8.89 × 13.97 cm)

Type:

Covers & Associated Letters

Date:

1919

Object number:

0.214896.9

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm868ef46f2-a08c-46bb-af68-8f7874145469

EDAN-URL:

edanmdm:npm_0.214896.9

Subject of:

Stu Gilliam, American, 1933 - 2013  Search this

Mel Stewart, American, 1929 - 2002  Search this

Hilly Gene Hicks, American, born 1950  Search this

Val Bisoglio, American, born 1926  Search this

Edward James Begley Jr., American, born 1949  Search this

Manufactured by:

20th Century Fox Film Corporation, American, founded 1935  Search this

Owned by:

Stu Gilliam, American, 1933 - 2013  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W: 3 1/2 × 5 1/2 in. (8.9 × 14 cm)

Type:

postcards

Date:

ca. 1973

Topic:

African American  Search this

Comedy  Search this

Television  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Vivian Gilliam in memory of Stu Gilliam

Object number:

A2014.178.26.4.1

Restrictions & Rights:

Unknown - Restrictions Possible

Rights assessment and proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Archival Collections

Memorabilia and Ephemera-Advertisements

Exhibition:

Taking the Stage

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5bb7fa493-2ae3-4428-bb0a-2d3f4b01ff83

EDAN-URL:

edanmdm:nmaahc_A2014.178.26.4.1

Maker:

Aero Service Corporation  Search this

Physical Description:

linen (overall material)

paper (overall style)

Measurements:

overall: 3 9/16 in x 5 9/16 in; 9.04875 cm x 14.12875 cm

Object Name:

postcard

Decorative motif:

United States: District of Columbia, Capitol Hill, United States Capitol

Referenced:

United States: District of Columbia, Washington

Date made:

1939-05-03

Classified:

Souvenirs  Search this

Novelty  Search this

Postcards  Search this

ID Number:

2011.0227.394

Accession number:

2011.0227

Catalog number:

2011.0227.394

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng4aaf8c530-4f07-2a12-e053-15f76fa07904

EDAN-URL:

edanmdm:nmah_1983213

Creator:

Fisher, Richard  Search this

Fisher, Richard, Mrs.  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

1 Cubic foot (4 boxes , 1 map-folder)

Type:

Collection descriptions

Archival materials

Books

Place:

Panama Canal (Panama)

Canal Zone

Date:

1902-1968

Summary:

The Fisher Collection of Panama Canal materials contains materials collected by Richard Fisher, who lived in the Panama Canal Zone during its construction. Materials include books and pamphlets, stereographs, postcards, and panoramic photographs detailing the construction and history of the Panama Canal.

Scope and Contents:

The collection contains stereographs and postcards relating to the construction of the Panama Canal; typescripts of letters sent from Panam, 1944; legislative documents; panoramic photographs detailing the Panama Canal's landscape; photographs of buildings; and books and pamphlets discussing the history of the Panama Canal.

Arrangement:

The collection is arranged into two series.

Series 1: Photographs and Stereographs,

Series 2: Publications, 1902-1968

Biographical / Historical:

Richard Fisher lived in the Canal Zone during the construction of the Canal and collected and assembled these materials.

Related Materials:

Materials at the Archives Center

Panama Canal Commission Photonegatives (AC1116)

Joe Britton Panama Canal Zone Photographs (AC1234)

W.P. Stine Panama Canal Papers (AC1039)

Katherine Kingsford Panama Canal Photograph Album (AC1040)

W.A. Fishbaugh Panama Canal Photograph Album (AC1021)

John Frances Little Panama Canal Scrapbook (AC0708)

Charles Wood Panama Canal Photograph Album (AC1114)

Robert Dearborn Panama Canal Glass Negatives (AC1111)

William Currie Photograph Album (AC1043)

Roland A. McCrady Photograph Collection (AC0710)

George S. Morison Collection (AC0978)

George W. Sims Papers (AC0127)

William R. Hutton Papers (AC0987)

Division of Cultural History Lantern Slides and Stereographs (AC0945)

Robert F. Olds Collection (AC0231)

Provenance:

The collection was donated by Mrs. Richard Fisher in 1977 to the Division of Mechanical and Civil Engineering (now the Division of Work and Industry).

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Canals  Search this

Dams -- Panama  Search this

Locks and dams  Search this

Genre/Form:

Books

Citation:

Richard Fisher Collection of Panama Canal Materials, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1045

See more items in:

Richard Fisher Panama Canal Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84852e71d-e403-4888-83f8-7130c9e4afa5

EDAN-URL:

ead_collection:sova-nmah-ac-1045

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2023-06-05T14:13:34.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_a6j3EiIzIwM

Donor:

Enterline, Stevenson  Search this

Eney, William J.  Search this

Creator:

Quebec Bridge Company.  Search this

Collector:

National Museum of American History (U.S.). Division of Engineering and Industry  Search this

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

0.5 Cubic feet (3 boxes, 1 map folder)

Type:

Collection descriptions

Archival materials

Photograph albums

Postcards

Photographs

Place:

Canada

Quebec

Date:

1905-1986

bulk 1905-1916

Summary:

The collection documents the construction of the first and second Quebec Bridges over the St. Lawrence River. Construction on the first bridge began in 1900 and the bridge collapsed before completion in 1907. Construction on the second Quebec Bridge, which is the longest cantilever bridge in the world, was completed in 1917.

Scope and Contents:

The collection documents the construction of the first and second Quebec Bridges over the St. Lawrence River primarily through photographs. The collection is arranged into two series: Series 1, Photographic Materials, 1905-1965 and Series 2, Other Materials, 1916-1986.

Series 1, Photographic Materials, 1905-1965, is divided into two subseries: Subseries 1.1, Photographs, 1907-1965 and Subseries 1.2, Photograph Album, 1905. The black-and-white photographs primarily document the construction of the second Quebec Bridge, 1907-1917. Many of these photographs were taken in a workshop where the production of the bridge parts and building materials occurred. One picture, marked number 24, is of the Prime Minister of Canada, Robert Borden, attending the construction site in October 1913. This series also contains photographs of the 1907 bridge collapse and pictures taken in 1965 of the current second bridge. Subseries 2, Photograph Album, 1905, documents the construction of the first Quebec cantilever bridge. The album contains mounted black-and-white photographs taken between May 12 and November 23, 1905.

Series 2, Other Materials, 1916-1986, consists of newspaper articles and postcards. The newspaper articles detail the 1916 construction accident on the second Quebec bridge; one 1917 article about the bridge; and one 1986 article about the 1907 collapse of the first bridge. There are three postcards, both black-and-white and color, of the Quebec Bridge.

Arrangement:

Collection is arranged into two series.

Series 1, Photographic Materials, 1905-1965

Subseries 1, Photographs, 1907-1965

Subseries 2, Photograph Album, 1905

Series 2, Other Materials, 1916-1986

Biographical / Historical:

The first Quebec Bridge was built over the St. Lawrence River in order to connect important railroad lines.[1] This bridge collapsed on August 29, 1907, killing 79 men.[2] The engineers for the second bridge were Maurice Fitzmaurice, H.E. Vautelet, and Ralph Modjeska.[3]

Notes: [1] "Bridge of 1,800-FT. Span Across the St. Lawrence," Popular Mechanics Vol. 8, No. 12 December 1906

[2]"Wrecked Quebec Bridge to be Recommended"[3] "Wrecked Quebec Bridge to be Recommended"

Provenance:

Originally collected for the Division of Mechanical and Civil Engineering's reference collections; exact date and source of acquisition unknown.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply.

Topic:

Bridges -- Design and construction  Search this

Bridges -- Canada  Search this

Bridge failures  Search this

Bridges -- Quebec  Search this

Rivers -- Quebec  Search this

Genre/Form:

Photograph albums -- 20th century

Postcards -- 1900-1920

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1900-1950

Citation:

Quebec Bridge Photograph Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1026

See more items in:

Quebec Bridge Photograph Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87b51becf-1e0e-417b-80c4-79ab4bdf13b0

EDAN-URL:

ead_collection:sova-nmah-ac-1026

Maker:

B. S. Reynolds Co.  Search this

Metrocraft  Search this

Physical Description:

paper (overall material)

white; green (overall color)

Measurements:

overall: 3 1/2 in x 5 1/2 in; 8.89 cm x 13.97 cm

Object Name:

postcard

Place made:

United States: District of Columbia

Decorative motif:

United States: District of Columbia, Capitol Hill, United States Capitol

Date made:

ca 1901-1948

Classified:

Souvenirs  Search this

Novelty  Search this

Postcards  Search this

ID Number:

2011.0227.075

Accession number:

2011.0227

Catalog number:

2011.0227.075

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-8965-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1419996

Maker:

Washington News Co  Search this

Physical Description:

linen (overall material)

paper (overall style)

Measurements:

overall: 3 9/16 in x 5 9/16 in; 9.04875 cm x 14.12875 cm

Object Name:

postcard

Place made:

United States: District of Columbia

Decorative motif:

United States: District of Columbia, Capitol Hill, United States Capitol

Date made:

1938-06-03

Classified:

Souvenirs  Search this

Novelty  Search this

Postcards  Search this

ID Number:

2011.0227.420

Accession number:

2011.0227

Catalog number:

2011.0227.420

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng4aaf8c530-4f21-2a12-e053-15f76fa07904

EDAN-URL:

edanmdm:nmah_1983239

Names:

American Philatelic Congress  Search this

American Philatelic Society  Search this

Bureau Issues Association  Search this

National Philatelic Collection (U.S.)  Search this

National Philatelic Museum  Search this

Philadelphia Women's Stamp Club  Search this

Smithsonian Institution  Search this

United States. Bureau of Engraving and Printing  Search this

Universal Postal Union  Search this

Washington Philatelic Society  Search this

Women's Philatelic Society of New York  Search this

Belote, Theodore Thomas  Search this

Bruns, Franklin R. (Franklin Richard), 1912-1979  Search this

Colman, Hamilton F.  Search this

Elaine, Rawlinson  Search this

Ellis, F. L.  Search this

Robertson, Ruby Lee  Search this

Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this

Sloane, George B. (George Benedict), 1898-1958  Search this

Wetmore, Alexander, 1886-1978  Search this

Extent:

7.84 Cubic feet (Ten (10) letter size document boxes; two (2) flat boxes (17.5 x 11.5 x 3.25 in.); one (1) tall legal size document box; and fourteen (14) oversize folders)

Type:

Collection descriptions

Archival materials

Date:

1897-1957, 1968, 1973, and 2007

Summary:

The Catherine L. Manning Collection consists of materials including correspondence and memoranda; exhibit pages; departmental reports; photographs of stamp sources and Manning; philatelic badges and name tags; floor plans; calendars; convention brochures and programs; clippings; and other related materials. Manning was a thirty-year curator of the National Philatelic Collection at the Smithsonian Institution. Her papers document the history of the Smithsonian's National Philatelic Collection for several decades as well as the philatelic history in the United States and for women stamp collectors.

Scope and Contents:

The Catherine L. Manning Collection consists of materials including correspondence and memoranda; exhibit pages; departmental reports; photographs of Manning; photographs of stamp sources; panoramic photographs of philatelic convention attendees; philatelic badges and name tags; floor plans; diaries and notebooks; convention brochures and programs; clippings; and other related materials. Manning was a thirty-year curator of the National Philatelic Collection at the Smithsonian Institution. Her materials document the history of the Smithsonian's National Philatelic Collection for several decades as well as philatelic history in the United States and the history of women stamp collectors.

Of note are the Manning materials related to her time at the Smithsonian and her interactions with colleagues such as Theodore T. Belote; Franklin R. Bruns, Jr., and Alexander Wetmore. Also of interest are the materials related to Manning's membership and involvement in the American Philatelic Congress, the American Philatelic Society, the Bureau Issues Association, the Washington Philatelic Society, the Philadelphia Women's Stamp Club, the Women's International Stamp Club, and the Women's Philatelic Society of New York. Manning's work as a charter member of the board of directors of the private non-profit National Philatelic Museum in Philadelphia, Pennsylvania is also documented.

Manning's interest in stamp designs is exhibited in the collection through the photographs of stamp sources and the newspaper clippings she collected as well as through her correspondence with authors and philatelic scholars about the topic, including F. L. Ellis and George B. Sloane who wrote for Stamps.

Some of Manning's personal philatelic collections and personal philatelic objects have been accessioned into the National Postal Museum's permanent museum collection.

Arrangement:

This collection is arranged into fourteen series.

Series

Series 1: Biographical Materials and Documents, 1897-1957, 1968, 2007

Series 2: Diaries and Notebooks, 1944-1957

Series 3: Catherine L. Manning Employment: H. F. Colman and Smithsonian Institution (SI); Bureau of Engraving and Printing Material and Stamp Mailing Envelopes, 1902-1973

Series 4: Philatelic Organizations, 1926-1956

Series 5: Philatelic, Non-Philatelic, and First Day of Issue Events, 1926-1956

Series 6: Philately - General, 1901-1947

Series 7: Women in Philately and Women on Postage Stamps, 1936-1957

Series 8: Stamp Source Material: Documents, Lists, Correspondence; Stamp Catalogs and Stamp Dealers; 1897, 1920s-1949

Series 9: Stamp Source Material: Images, 1900s-1950

Series 10: Post Office Department Material, 1927-1954

Series 11: Correspondence - Individual and Organization (A-Z), 1921-1954

Series 12: Correspondence - General (A-Z); Holiday Cards; Panoramic Photographs, 1928-1956

Series 13: Manning's Little Women Stamp Exhibit; Scott Catalogue 1944

Series 14: Objects and Oversize Materials, 1930-1955, and undated

Biographical / Historical:

Catherine Lemmon Manning (1881-1957), the first woman outside the sciences to achieve the title "Assistant Curator" at the Smithsonian Institution, tended the National Philatelic Collection for nearly thirty years. During her tenure, she organized the collection, processed thousands of specimens received from the Universal Postal Union and the Bureau of Engraving and Printing, published articles, exhibited, and participated widely in the philatelic community.

A native of Washington, D.C., Manning worked for the stamp dealer John Murray Bartels in 1898. When Bartels sold his business in 1901, Manning continued to work for the new owner, Hamilton F. Colman. While with Colman, Manning also worked as the philatelic secretary for former New Jersey Senator, Joseph Sherman Frelinghuysen and helped build his collection. As a result of her philatelic expertise, Manning was asked to assist the Smithsonian Institution in accessioning the Post Office Department collection which Postmaster General Frank Harris Hitchcock had transferred. Manning's philosophy that "it is better to generalize than specialize" determined the National Philatelic Collection's trajectory from the time she succeeded Joseph B. Leavy as Government Philatelist in 1922 until her retirement in 1951.

Throughout her life she received many honors, including being the first woman elected to office in the American Philatelic Society (vice president, 1935-1937). She was a charter member of the American Philatelic Congress and in 1936 received its award for service to philately. In 1938, Manning served on the committee that selected Elaine Rawlinson's design for the 1938 Presidential definitive series. According to her daughter-in-law Ruby Lee Robertson, Manning met numerous times at the White House with President Franklin D. Roosevelt, a fellow philatelist. She was a charter member of the board of directors of the privately-run National Philatelic Museum in Philadelphia and received its 1949 silver trophy for achievement in philately. Manning retired from the Smithsonian on January 31, 1951. The American Philatelic Society inducted her into its Hall of Fame in 1990.

Also referred to as "Kate", Manning's personal collecting interests had a great range including mint and used stamps - U.S. and world, saved correspondence envelopes and postcards, greeting cards, poster labels (also known as Cinderellas), stamp exhibition souvenirs, special event covers for anniversaries and local events during her lifetime, first day covers, women on stamps, and especially the sources that inspired stamp designs.

Provenance:

Ruby Lee Robertson, Catherine L. Manning's granddaughter-in-law, donated Manning's philatelic estate to the National Postal Museum from 2006 to 2008. The materials in this collection were separated out from the museum collections in January 2009 and remained with the Curatorial Department until October 2023 with their release to the NPM Archives.

Restrictions:

Collection is open for research. Access to original archival materials is by appointment only. Researchers must submit request for appointment in writing. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Rights:

The National Postal Museum Archives makes its archival collections available for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. Please refer to the Smithsonian's Terms of Use and the NPM Rights and Reproductions for additional information. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Topic:

Museums -- Employees  Search this

Women museum curators  Search this

Stamp collecting  Search this

Stamp collectors  Search this

Citation:

Catherine L. Manning Collection, NPMA.2023.1, National Postal Museum, Smithsonian Institution

Identifier:

NPMA.2023.1

See more items in:

Catherine L. Manning Collection

Archival Repository:

National Postal Museum Archives

GUID:

https://n2t.net/ark:/65665/zn8b1865dd8-e095-472d-8dbe-ec53af39a8e0

EDAN-URL:

ead_collection:sova-npma-2023-1

Creator:

United Shoe Machinery Corporation  Search this

Names:

Emhart Corporation.  Search this

Extent:

145 Cubic feet (296 boxes)

Type:

Collection descriptions

Archival materials

Papers

Photographs

House organs

Catalogs

Scrapbooks

Commercial catalogs

Albums

Magazines (periodicals)

Advertisements

Clippings

Research

Legal records

Motion pictures (visual works)

16mm motion picture film

Business records

Place:

Massachusetts

Beverly (Mass.)

New England

Date:

1898 - 1987

Summary:

The collection documents the activities of the United Shoe Machinery Corporation of Beverly, Massachusetts, manufacturers of shoe machinery equipment. The collection consists of engineering records, legal records, research and development records, employee/personnel records, correspondence, company catalogs, product literature, advertising materials, photographs, and moving images.

Scope and Contents:

This collection is among the largest and most complete bodies of business records in the holdings of the Archives Center. The records document in considerable detail the firm's engineering department and research and development efforts in shoe making machinery and in related technical areas, especially during World War II and as it attempted to diversify its activities after the war. There is detailed information, much of it on microfilm, about the leasing of United Shoe Machinery (USM) machines. The records also provide insight into the USM's culture of corporate paternalism, including its athletic and relief associations and its industrial school. The collection is rich in visual materials depicting both the machines made by the firm and the employees and the facilities.

Arrangement:

The collection is arranged into seventeen series.

Series 1: Historical and Background Materials, 1901-1985

Series 2: Executive Records, 1927-1987

Subseries 2.1: United Shoe Machinery, 1927-1975

Subseries 2.2: Emhart Corporation, 1976-1987

Series 3: Correspondence, 1890, 1901-1915

Series 4: Wilson Palmer Files, 1925-1952

Series 5: Research and Development Department Records, 1914-1980

Subseries 5.1: Background, 1947-1974

Subseries 5.2: Financial Information, 1947-1975

Subseries 5.3: Reports, 1962-1973

Subseries 5.4: Facilities, 1947-1975

Subseries 5.5: Personnel, 1942-1979

Subseries 5.6: Labor, 1961-1970

Subseries 5.7: Subject Files, 1943-1977

Subseries 5.8: Project Files, 1914-1968

Subseries 5.9: New Development (ND) Project Files, 1924-1970

Subseries 5.10: Experimental (EX) Project Files, 1931-1938

Subseries 5.11: Automatic Controls Project, 1939-1979

Subseries 5.12: Baseball Stitching Machine Projects, 1949-1973

Subseries 5.13: Component Inserting Projects, 1954-1960

Subseries 5.14: Automatic Control Research Notebooks, 1939-1976

Subseries 5.15: Baseball Stitching Machine Research Notebooks, 1942-1956

Subseries 5.16: Component Inserting Research Notebooks, 1956-1965

Subseries 5.17, General Research Notebooks, 1939-1968

Series 6: Legal Records, 1900-1968

Subseries 6.1: Court Exhibits for Machine History, 1910-1951 (bulk 1948-1950)

Subseries 6.2: Leases, Cancellation Letters, Shipments, and Transfers (Microfilm), 1900-1958

Subseries 6.3: Patent Search, 1949

Series 7: Engineering Records, 1904-1979

Series 8: Employee/Personnel Materials, 1908-1981

Series 9: Mutual Relief Association Incorporated, 1902-1951

Series 10: Athletic Association, 1929-1962

Series 11: Industrial School Records, 1909-1938

Subseries 11.1: English for American Citizenship (Industrial Series), 1912, 1919-1921

Subseries 11.2: English for American Citizenship (Intermediate Series), 1921

Subseries 11.3: Text Books, 1909-1938

Series 12: Northwestern University Students' Cooperative Work, 1951-1960

Series 13: Aberthaw Construction Company Records, 1918-1920

Subseries 13.1: Correspondence, 1918-1919

Subseries 13.2: Reports, 1919-1921

Subseries 13.3: Purchase Orders, 1919-1920

Subseries 13.4: Receiving Records, 1919-1920

Series 14: Publications, 1898-1987

Subseries 14.1: United Shoe Machinery Corporation Catalogs, circa 1899-1961

Subseries 14.2: Beverly Today, 1979-1985

Subseries 14.3: Machinery Division Newsletter,1969-1970

Subseries 14.4: The Three Partners,1914-1920

Subseries 14.5: USM Today,1968-1976

Subseries 14.6: Quarter Century Club News, 1977-1987

Subseries 14.7: H.E. Smith & Company Catalogs, 1898-1930

Series 15: Product Literature, 1952-1979

Series 16: Advertising and Marketing Materials, 1902-1981

Series 17: Photographs, 1907-1960s

Subseries 17.1: Employees, 1907-1981

Subseries 17.2: Equipment/Products, 1961-1972

Subseries 17.3: Factories/Buildings, 1920s-1960s

Subseries 17.4: Trade Shows, 1954, 1968-1973

Subseries 17.5: Miscellaneous, undated

Subseries 17.6: Postcards, 1906-1938

Subseries 17.7: Prints from Glass Plate Negatives, undated

Subseries 17.8: Albums, 1915-1950s

Subseries 17.9: Film Negatives, 1956-1958

Subseries 17.10: Glass Plate Negatives, 1915-1923

Series 18: Audio-Visual Materials, 1934-1972

Biographical / Historical:

The United Shoe Machinery Company was formed in 1899 by the consolidation of the most important shoe machinery firms in the industry: Goodyear Shoe Machinery Company; Consolidated McKay Lasting Machine Company; and McKay Shoe Machinery Company. By this merger, conflicting patents were eliminated and patents supplementing each other were brought under United control to permit their prompt combination in a single machine or process. To ensure efficiency, the new company also continued the practice previously followed by its constituent firms of renting machinery that it manufactured instead of selling it. The authorized capital of the new company was twenty five million dollars. After the 1899 merger, United grew quite rapidly. In 1903, it began construction of a new factory in Beverly, Massachusetts about thirty-five miles from Boston. At its peak, this company employed 9,000 workers and produced eighty-five percent of all shoemaking machines in the United States. By 1910, it had an eighty percent share of the shoe machinery market with assets reaching forty million dollars, and it had acquired control of branch companies in foreign countries.

In 1911, the first of three civil anti-trust suits was brought against United by the United States government. It charged that the 1899 merger had restrained trade and violated the Sherman Act. The Massachusetts District Court ruled that the 1899 merger was not an attempt to restrain trade, only an attempt to promote efficiency. The court also said that the five companies that were merged to form United were not competitive with each other. The government appealed to the Supreme Court, which only affirmed the District Court's verdict.

In 1917, the United Shoe Machinery Corporation, incorporated in 1905, absorbed the United Shoe Machinery Company. The United Shoe Machinery Corporation had its headquarters in Boston and its main manufacturing plant in Beverly, Massachusetts.

The second government suit was brought against United Shoe in 1915. The government claimed that United Shoe's leasing system restricted the shoe manufacturer to exclusive use of United Shoe's products and that it was a violation of the newly enacted Clayton Act. The Massachusetts District Court ruled in favor of the government. The Supreme Court, hearing United Shoe's appeal case, only affirmed the District Court's ruling. In 1923, United modified its leasing policy.

The last government suit against United was filed in 1947 and charged United with monopolizing the trade, manufacture, and distribution of shoe machinery from 1923 to 1947. During this period, United had bought all shares, assets, and patents of twenty one companies that dealt in the shoe machinery manufacture. The court ruled that United had clearly violated the Sherman Act, and United was forced to modify its leasing policies and restrict its purchases of other shoe machinery businesses and its acquisition of patents. In 1968, the United Shoe Machinery Corporation changed its name to USM Corporation. In 1976, United Shoe Machinery Company merged with Emhart Industries and produced the modern-day Emhart Corporation.

In 1989, in order to resist a two billion dollar takeover attempt by a New York investment group (which included oil heir Gordon P. Getty), Emhart merged with Black & Decker Corporation. The merged company operates from Black & Decker's headquarters in Towson, Maryland. The company headquarters in Farmington, Connecticut, were closed in June 1989.

Related Materials:

Materials at Other Organizations

Lynn Historical Society & Museum, Lynn, Massachusetts

Lynn, Massachusetts businesses collection, 1888-1991

Small volumes and pamphlets of shoe and shoe-related industry businesses in Lynn, Massachusetts, including miscellaneous articles and histories on the shoe industry in Lynn, manuals, catalogs, broadsides, patents, handbooks, patterns, price lists, brochures, and legal materials. Businesses represented include Beaudry Machine Company, Beckman Machine Company, Bresnahan Shoe Machinery Company, George W. Emerson & Company, Hamel Shoe Machinery Company, Gregory & Read Co., David Knox & Sons Machinery Company, Krippendorf Kalculator Company (manufacturers of a mechanical device to compute pattern values), Peerless Machinery Company, Quarmby & Hilliker, Machine Builders, Swain, Fuller Manufacturing Company, W.J. Young Machinery Company, and George J. Kelly, Inc. (maker of shoe polish).

United Shoe Machinery Company Records, 1915-1974

Materials assembled by Edward F. McCarthy, director of USM research, including notebooks, diagrams, manuals, brochures, catalogs, code sheets, flow charts, price lists, handbooks, lectures, directories, lexicons, catalogs of other firms, personal notebooks on shoe construction (1927-1931), factory visits to other shoe companies, and production of leading manufacturers (1939-1960), and floor directory of the plant; ledgers listing machines shipped and returned from the Lynn and Puerto Rico plants (nine volumes, 1935-1974); and machine development materials, including patents, chiefly those of Edward Quinn.

Peabody Essex Museum (PEM) Salem, Massachusetts

An accession in 1987 of institutional archives, includes publications, photographs, advertisements, lectures, scrapbook of shoes made for United Shoe Machinery Corporation of Beverly, Massachusetts, shoes from which are in the collection of the Peabody Essex Museum (87020).

Beverly Historical Society, Beverly, Massachusetts

The United Shoe and Machinery Company Collection contains a large quantity of the company's patents, most of which pertain to the production and manufacture of shoes. Additionally there are patents for golf balls, nail guns, and magnetic closures. The majority of the remaining materials are Quarter Century Club documents ranging from financial and membership records, to pictures and other ephemera. The remainder of the collection consists of miscellaneous objects including sample knives and knife parts from the Booth Brothers Company.

University of Connecticut, Dodd Center

Emhart Corporation Records, undated, 1883-1989

Emhart Corporation was a multinational company located in Farmington, Connecticut. Prior to its 1989 merger with Black & Decker, Emhart operated in over one hundred countries with a worldwide work force of 30,000 employees. Emhart's products included machines for the manufacture of glass bottles and shoes; filling, sealing and packaging machinery; security systems; electronics; chemical products; metal fasteners; rubber processing equipment; and consumer and do-it-yourself products. Brand name products included True Temper® hardware and sporting goods, and Price Pfister® plumbing fixtures. Emhart's domestic roots went back to the American Hardware Company, founded in New Britain, Connecticut, in 1902.

Beverly Public Schools (Beverly, Massachusetts)

Beverly Public Schools/Beverly trade school records, 1909-1995

Materials relating to the establishment and operation of the Beverly trade schools, including trustee minutes, annual reports, curriculum journals, correspondence, photographs, programs and ephemera, and calendars.

Cornell University, Division of Rare and Manuscript Collections

[United Shoe Machinery Corporation publications], 1911-1913

Harvard University, Baker Library

[United Shoe Machinery Company, of New Jersey, et al. court proceedings], 1911-1917

United Shoe buildings and properties

The Cummings Properties now owns and leases "the Shoe."

Separated Materials:

Materials at National Museum of American History

The Division of Work and Industry holds artifacts related to the United Shoe Machinery Corporation. Some artifacts include a drafting table (1989.0259.349), tool chest (1989.0259.348), and molds for shoes, shoe heels, shoe welts, threads, needles, awls, and show wax.

Provenance:

The collection was donated by United Shoe Machinery Corporation, through Kevin Cochrane on November 20, 1987.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage and audio visual materials. Using cold room materials requires a three hour waiting period, reference copies do not exist for audio visual materials. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit. Contact the Archives Center at 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Industrial workers  Search this

Photography, Industrial  Search this

Tanners  Search this

Shoe machinery industry  Search this

Industrial history  Search this

Baseball  Search this

Genre/Form:

Papers

Photographs -- 20th century

House organs

Photographs -- Black-and-white negatives -- Glass -- 1900-1950

Catalogs

Scrapbooks

Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century

Commercial catalogs

Albums

Photographs -- Black-and-white negatives -- Acetate film -- 1900-1950

Magazines (periodicals) -- 20th century

Advertisements -- 20th century

Clippings -- 20th century

Research -- 20th century

Legal records

Motion pictures (visual works) -- 20th century

16mm motion picture film

Business records -- 20th century

Citation:

United Shoe Machinery Corporation Records, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0277

See more items in:

United Shoe Machinery Corporation Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83f85a875-2e03-4934-b565-4ea239c46d53

EDAN-URL:

ead_collection:sova-nmah-ac-0277

Creator:

Hales, Landy R., 1889-1972  Search this

Extent:

5.5 Cubic feet (15 boxes, 1 map folder)

Type:

Collection descriptions

Archival materials

Photograph albums

Design drawings

Sketches

Scrapbooks

Photographs

Clippings

Date:

1908 - 1969

Summary:

Papers document Landy R. Hales (1889-1972), an inventor and commercial artist who designed window and interior store displays, posters, children's games, and puzzles primarily from 1920s to 1930s in New York City and Baltimore. Of significance is Hales's work for Macy's Department Store. The papers consist of correspondence, patents, business records for several of Hales's companies, photographs, drawings/sketches, prototypes, and newspaper and magazine clippings.

Scope and Contents:

The papers document Hales's career as an inventor and commercial artist as well as his work in games, puzzles, educational tools, and posters. The collection includes sketches and design drawings, photographs, publicity materials, clippings and articles, and game prototypes.

Series 1, Brilliant Sign Company, 1908-1909, consists of stock shares, transferred by Hales to others in the amount of twenty dollars for the Brilliant Sign Company of Baltimore City, Maryland.

Series 2, Landy R. Hales, Inc., 1927-1929, 1944, consists of of invoices, orders, and check stubs from R.H. Macy and Company and Gimbel Brothers, Inc. for work by Landy R. Hales, Inc. for window displays. The orders detail what will be constructed and decorated. The R.H. Macy materials also contain a 1927 souvenir from Macy's Wonderland Christmas. Included in this series is a 1944 United States Treasury Department War Finance Program citation to Landy R. Hales.

Series 3, Hales Layer Poster Corporation, 1922-1969 (bulk 1920s), consists of materials documenting Hales poster company. Hales's formed Hales Layer Poster Corporation in New York State on July 16, 1925 to manufacture, purchase, sell and deal in layer posters and equipment for constructing layer posters in packaged or other forms. The corporation's other directors were Alfred J. Silberstein and Alvin A. Silberman, both of New York. Hales developed a new method of making a poster by placing cut-out pieces of materials such as composition board or wood on a background, then building layers to form three dimensions in the finished product. The first store to use Hales layer posters was Saks Fifth Avenue in New York City. The posters were never sold and were only used in advertising and window displays.

The materials consist of stock shares and values, a certificate of incorporation, branded letterhead, correspondence, an order book (blank forms), a point-of-purchase ad featuring Little Red Riding Hood, a patent for a display device, layer poster instructions, examples of posters, sample card stock, and instructions for the ABCD Ease Game. The display device patent (US 1,563,485) was issued to Hales on December 1, 1925. The invention relates to display devices for commercial advertising arrangements constructed out of layers of veneer or cardboard for reproducing and illustrating articles for sale, magazines, posters or art works. The principal object was to provide a display picture having depth. The correspondence, 1922-1937, 1969 and undated, contains letters with individuals companies, hotels, and department stores primarily in New York City such as B.F. Keith's New York Hippodrome, Saks & Company, Hotel Nassau, Keystone Manufacturing Company, and Rialto Theatre. Much of the correspondence relates to services provided by Hales Layer Poster Corporation. Hales's correspondence with Morris Gest, a theatrical producer who introduced La Chauve-Souris, a touring revue during the early 1900s, to the United States. There is also a letter typewritten by Hales in 1969 to Pablo Picasso about copying Picasso prints using the Hales layer poster method.

The instructions for "how to make" a Hales layer poster are well documented, detailing the step-by-step process and including the use of Hales Studio colors for painting. Specific instructions for the "Tom, Tom Piper's Son" with color guide are found here. A full, unused layer poster kit is in box 14. Additionally, Hales created the ABCD Ease Game, a board game played with dice with the objective to reach "ease." The way to reach "Ease" is through truth, courage, justice, thrift, study, work, loyalty, and honesty. Instructions and prototypes of the gameboard are represented.

Series 4, Hales Manikins, Inc., 1938-1948 and undated, consists of correspondence, a voting trust agreement, board of directors meeting minutes, stock shares, a floor plan for the company, blueprints for rubber figures, and a patent for a manikin and method of making the same (US 2,129,421). Hales Maninikin incorporated in 1941 in Baltimore, Maryland to manufacture, distribute, sell and otherwise deal in manikins and other display advertising figures. The board of directors meeting minutes contain articles of incorporation, by-laws, and minutes.

Series 5, Hales Pictures, Inc., 1937-1938, 1967 and undated, consists of an agreement with Walt Disney Enterprises, sketches by Kay Kamen, Ltd., a press release about Hales Picture Puzzles, and prototypes of Hales Puzzle Pictures. Of note is a copy of the February 1938 Rockefeller Center Magazine. The magazine contains articles about science, technology, publishing, the arts, events at Radio City Music Hall (Disney-related) and television. It offers good documentation of office business machines.

The first series of puzzles Hales introduced in 1937 were four subjects from Walt Disney's characters: Mickey Mouse, Minnie Mouse, Pluto, and Donald Duck. The object of the puzzle was to put all of the pieces together in their proper place--some of the puzzle pieces were raised to different levels. After the puzzle was completed, it could be glued to a backboard. There are prototypes for the Mickey Mouse, Minnie Mouse and Donald Duck puzzles. Only the Mickey and Minnie puzzles contain puzzle pieces. The Donald Duck puzzle consists of the box only.

In August 1937, Hales Pictures Inc., entered into a one year agreement with Walt Disney Enterprises that granted Hales the right to reproduce Disney characters for his puzzles and poster pictures. Hales paid Disney the sum of five-hundred dollars as an advance on future royalties. Disney also provided to Hales typical representations of the Disney characters. There are a series of Kay Kamen Ltd., Disney character drawings for Pluto, Donald Duck, Minnie Mouse, and Mickey Mouse. These drawings were provided to Hales by Kamen. The Minnie and Mickey Mouse drawings have been heavily annotated and mocked up by Hales for the purposes of creating his signature Hales Puzzle Pictures. Kamen (d. 1949) began his professional career as a retail hat merchant and later entered advertising. In 1932, Kamen contacted Disney, soon signed a contract, and was named the company's sole licensing representative. Through merchandising, Kamen made Disney's mouse star popular.

Series 6, Hales Sign Company, 1909 and undated, consists of examples of promotional and branded pieces for Hales's sign painting business that was located in Baltimore, Maryland.

Series 7, Drawings/Sketches, 1927-1930 and undated, consists of pencil, ink and paint sketches. The bulk of the sketches are Christmas-related, such as the poster study for the Macy's Christmas Wonderland, 1927 and the toy department displays for a bridge, drawbridge, house and tower. Other sketches include Noah's Ark, a matador, the "The Wise Woman of Gotham," Carlin's Amusement Park of Baltimore, Maryland, and resort scenes (tennis, golf and sailing).

Series 8, Photographs, 1925-1935, consists primarily of black-and-white prints documenting Hales's work in his studio and for clients such as Macy's. Some of the photographs were taken by Worsinger Window Service, Hughes Company of Baltimore, Le Don Studio of White Plains, New York; Apeda Studio, Inc. of New York City; Schultze Studio of Brooklyn, New York, and H.C. Campbell Company of Oakland, California.

Series 9, Greeting Cards, undated, consists of examples of greeting cards and postcards, primarily for Christmas, Easter, and Valentines Day, assembled by Hales.

Series 10, Clippings, 1922-1935, consists of loose photocopies and original news and magazine clippings in a bound volume. The clippings primarily relate to Hales's work in New York City, but there are clippings about The Corner Shop at Macy's, and there are copies of illustrations assembled by Hales, specifically the "Best Fifty Small Folio Currier and Ives Prints. " The majority of these he clipped from the New York Sun. Also included are clippings about La Chauve-Souris the touring revue during the early 1900s.

Arrangement:

The collection is arranged into ten series.

Series 1, Brillant Sign Company, 1908-1909

Series 2, Landy R. Hales, Inc., 1927-1929, 1944

Series 3, Hales Layer Poster Corporation, 1922-1969 (bulk 1920s)

Series 4, Hales Manikins, Inc., 1938-1948 and undated

Series 5, Hales Pictures, Inc., 1937-1938, 1967 and undated

Series 6, Hales Sign Company, 1909 and undated

Series 7, Drawings/Sketches, 1927-1930 and undated

Series 8, Photographs, 1925-1935

Series 9, Greeting Cards, undated

Series 10, Clippings, 1922-1935

Biographical / Historical:

Landy R. Hales was born on September 17, 1889 in Baltimore, Maryland to Landy J. Hales and Fanny Linthicum Hales. Hales grew up in Anne Arundel, Maryland and had one brother, Wesley Hales. Hales began his career with no formal art training and apprenticed as a sign painter in Baltimore, Maryland. In 1908, Hales formed the Brilliant Sign Company in Baltimore to design displays for area businesses. In 1913, Hales married Lenore McCully. They had two children, Elizabeth McCully Hales (b. 1915) and Landy Romain Hales (b. 1921).

During World War I, Hales designed posters for the Liberty Bond Program, created by then Secretary of the Treasury William Gibbs McAdoo (1863-1941). This poster campaign was intended to popularize the bonds, and Hales created posters using his "layer technique," which was a method of making a poster by placing cut-out pieces of materials such as composition board or wood on a background, then building layers to form three dimensions in the finished product. In the early 1920s, Hales moved to New York City to advance his career and expand his opportunities. In New York, Hales specialized in display devices, commercial art, and advertising. An artist-inventor, Hales patented two ideas, a display device (US Patent 1,563,485) and a manikin (US Patent 2,129,421). He founded Landy R. Hales, Inc. (1925), Hales Layer Poster Corporation (1925), Hales Manikins, Inc. (1941), and Hales Pictures, Inc. 1937. In 1937, Hales Pictures Inc., entered into a one-year agreement with Walt Disney Enterprises that granted Hales the right to reproduce Disney characters for his puzzles and poster pictures. During the same year, Hales leased office space at Rockefeller Center.

Hales worked for Morris Gest, a theatrical producer, creating advertising for the Russian show Le Chauve Sourvis which featured the Parade of the Wooden Soldiers. Hales also manufactured and installed mechanical displays in Macy's Christmas windows at 34th Street and worked as an independent contractor for other department stores such as Gimbel Brothers and Saks & Company as well as the Hotel Nassau, Keystone Manufacturing Company, Rialto Theater, Keith's New York Hippodrome, and the Music Box Theatre.

Hales left New York City in 1945 and returned to Maryland, where he did commercial work for Carlin's Amusement Park in Baltimore and created layer posters for himself and family members. Hales died in 1972 at the age of 84.

Related Materials:

Materials at the Archives Center

Warshaw Collection of Business Americana, Parades:stereographs, circa 1880-1908 (AC0060)

Messmore and Damon Company Records, 1930s-1990s (AC0846)

Hudson Fulton Celebration Parade Photograph Album, 1909 (AC1149)

William L. Bird "Holidays on Display" Collection (AC1288)

Provenance:

The collection was donated by Katharine Landa McNulty Hogben, Frances Helen McNulty Beverage, Margaret Ann McNulty Klipp, Lenore Hales McNulty Frey, and Elizabeth Stuart McNulty on November 27, 2005.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Games  Search this

Display of merchandise  Search this

Toys -- 20th century  Search this

Store decoration  Search this

Parades  Search this

Parade floats  Search this

Show windows  Search this

Packaging  Search this

Parade float designers  Search this

Genre/Form:

Photograph albums

Design drawings

Sketches

Scrapbooks

Photographs -- 20th century

Clippings

Citation:

Landy R. Hales Papers, 1908-1969, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0906

See more items in:

Landy R. Hales Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep851d5a1c1-6cde-4678-93d8-d2dc3f1dfa2d

EDAN-URL:

ead_collection:sova-nmah-ac-0906

Collector:

Orth, Edward J.  Search this

Exhibition Collectors Historical Organization  Search this

Names:

New York World's Fair (1939-1940 : New York, N.Y.)  Search this

Extent:

130 Cubic feet (417 boxes, 25 map-folders)

Type:

Collection descriptions

Archival materials

Souvenirs

Photographs

Pamphlets

Guidebooks

Exhibition posters--1930-1940

Diaries

Ephemera

Film transparencies

Motion picture film

Posters

Place:

Flushing Meadows Park (New York, N.Y.)

New York (N.Y.)

Date:

1835-2000, undated

Summary:

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.

Scope and Contents:

Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.

Arrangement:

The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated

Biographical / Historical:

Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.

Related Materials:

Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library

Separated Materials:

Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this

World's fairs  Search this

Amusement parks--History  Search this

Amusement parks--New York (State)--History  Search this

Architecture--Exhibitions  Search this

Architecture--New York (State)--New York  Search this

Architecture--United States--Designs and plans  Search this

Burlesque shows--New York (State)--New York--1930-1940  Search this

Business history Business enterprises--United States--History  Search this

Chicago's Century of Progress  Search this

Construction and civil engineering  Search this

Construction industry--United States--Management--History  Search this

Corporate culture--History  Search this

Corporate culture--United States  Search this

Engineering--History--20th century  Search this

Exhibition buildings – New York (State) – New York  Search this

Exhibition buildings--1920-1940  Search this

Exhibitions -- Design  Search this

Fairs -- New York (State) -- New York -- History  Search this

Fashion--History--20th century  Search this

Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this

Food in popular culture--New York (State)--New York  Search this

Graphic arts--United States--History--20th century  Search this

International exhibitions  Search this

International Exhibitions Bureau  Search this

Lighting, Architectural and decorative--History--20th century  Search this

Technology -- United States -- History -- 20th century  Search this

Transportation--New York Metropolitan Area--Planning  Search this

Transportation--New York (State)  Search this

United States --Foreign relations --1933-1945  Search this

Urban parks--United States--History  Search this

Urban design  Search this

World War 1939-1945 -- Economic aspects -- United States  Search this

Consumerism  Search this

Consumers--History--20th century  Search this

General Motors Corporation  Search this

Grand Central Parkway extension  Search this

Organizational behavior--United States--History  Search this

Public relations--History  Search this

New York World's Fair Commission  Search this

Queens (New York, N.Y.) Buildings, structures, etc.  Search this

Genre/Form:

Souvenirs -- 1930-1940

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940

Pamphlets -- 1930-1940

Guidebooks -- 1930-1940

Exhibition posters--1930-1940

Diaries

Ephemera -- 20th century

Film transparencies

Motion picture film

Posters -- 1930-1940

Citation:

Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0560

See more items in:

Edward J. Orth Memorial Archives of the New York World's Fair

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33

EDAN-URL:

ead_collection:sova-nmah-ac-0560

Physical Description:

paper (overall material)

Measurements:

overall: 13.5 cm x 8.5 cm; 5 5/16 in x 3 11/32 in

Object Name:

real photo postcard

Place made:

United States: District of Columbia, Washington

Date made:

after 1907

Subject:

Architecture, Domestic Buildings  Search this

ID Number:

PG.78.38.23

Catalog number:

78.38.23

Accession number:

2018.0225

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-7b50-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1888341

Physical Description:

paper (overall material)

Measurements:

overall: 8.5 cm x 13.5 cm; 3 11/32 in x 5 5/16 in

Object Name:

real photo postcard

Place made:

United States: District of Columbia, Washington

Date made:

1906

Subject:

Architecture, Domestic Buildings  Search this

ID Number:

PG.78.38.24

Catalog number:

78.38.24

Accession number:

2018.0225

See more items in:

Work and Industry: Photographic History

Photography

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-dcfc-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1888342

Physical Description:

paper (overall material)

Measurements:

overall: 8.5 cm x 13.5 cm; 3 11/32 in x 5 5/16 in

Object Name:

real photo postcard

Place made:

United States: District of Columbia, Washington

Date made:

1904-1907

Subject:

Church  Search this

Architecture  Search this

ID Number:

PG.78.38.27

Catalog number:

78.38.27

Accession number:

2018.0225

See more items in:

Work and Industry: Photographic History

Photography

Religion

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-dda3-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1888345

Collection Creator:

United Shoe Machinery Corporation  Search this

Type:

Archival materials

Date:

1907 - 1981

Scope and Contents:

This series consists of black and white and color photographs (originals, copy prints, and later prints), postcards, glass plate negatives (silver gelatin on glass) and film negatives (silver gelatin on cellulose acetate safety film) documenting the United Shoe Machinery Corporation and its activities. Images include, but are not limited to, portraits of United Shoe Machinery executives, employees, ledger pages from bound volumes, drawings/blueprints (especially wiring diagrams), the arrival of trains, factories and buildings (with directional views north, south, east and west), trucks, construction work, interior offices, bicycles used by employees, and hospital interiors with operating rooms. The materials are arranged topically. The film negatives and the glass plate negatives contain images of machinery manufactured by the company and other topics depicted in the employees, equipment/products, and factories/buildings subseries.

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage and audio visual materials. Using cold room materials requires a three hour waiting period, reference copies do not exist for audio visual materials. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

United Shoe Machinery Corporation Records, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0277, Series 17

See more items in:

United Shoe Machinery Corporation Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d4b806c4-04f1-44e5-8b1d-07c71654e052

EDAN-URL:

ead_component:sova-nmah-ac-0277-ref33