Search Results

Creator:

Doll & Richards (Gallery)  Search this

Names:

Azeez Khayat Gallery  Search this

Kleemann Galleries  Search this

Macbeth Gallery  Search this

Museum of Fine Arts, Boston  Search this

Chetcuti, John  Search this

Freiman, Robert  Search this

Goodrich, Lloyd, 1897-1987  Search this

Haseltine, William Stanley, 1835-1900  Search this

Homer, Winslow, 1836-1910  Search this

Lindenmuth, Tod  Search this

Meyerowitz, William, 1887-1981  Search this

Shepler, Dwight, 1905-  Search this

Verner, Elizabeth O'Neill, 1883-1979  Search this

Woodward, Stanley Wingate, 1890-1970  Search this

Wyeth, Andrew, 1917-2009  Search this

Zoehler, Wendell H., 1907-1989  Search this

Extent:

87.5 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Financial records

Date:

1863-1978

bulk 1902-1969

Summary:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

Scope and Content Note:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.

Historical Note:

The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.

Related Material:

Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.

Separated Material:

A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.

Provenance:

The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

Function:

Art galleries, Commercial -- Massachusetts

Genre/Form:

Photographs

Scrapbooks

Financial records

Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

Identifier:

AAA.dollrich

See more items in:

Doll & Richards gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b774b9ae-a4eb-4849-9652-6be121c5142f

EDAN-URL:

ead_collection:sova-aaa-dollrich

Creator:

National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this

Extent:

4 Cubic feet (8 boxes)

Type:

Collection descriptions

Archival materials

Bumper stickers

Videotapes

Photographs

Clippings

Handbills

Signs (declaratory or advertising artifacts)

Posters

Place:

Texas -- Environmental protection

Date:

1985-1992

bulk 1987-1989

Summary:

The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.

Scope and Contents:

The collections contains materials documenting the efforts by persons in eight competing states to have the Superconducting Super Collider (SSC) built in their state, as well as efforts in each state to oppose locating the SSC within their state. The materials include correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, two photographs and one videotape.

Arrangement:

The collection is organized into nine series.

Series 1: Arizona (Ian MacPherson), 1988, undated

Subseries 1.1: Ian McPherson, 1988, undated

Series 2: Colorado (Uriel Nauenberg), 1987

Subseries 2.1: Uriel Nauenberg, 1987-1988

Series 3: Illinois, 1987-1991, undated

Subseries 3.1: Fermi National Laboratory Library/Paula Garrett, undated

Subseries 3.2: David L. Gross, 1988, undated

Subseries 3.3: Sharon Lough, 1988-1991

Subseries 3.4: Stan L. Yonkauski, undated

Series 4: Michigan, 1988-1989

Subseries 4.1: Larry Jones, 1988-1989

Series 5: New York, 1986-1990

Subseries 5.1: Gail Adair, 1987

Subseries 5.2: Mary Lou and Jim Alexander, 1986-1990

Subseries 5.3: Bill Herbert, 1987

Subseries 5.4: Doug McCuen, 1987-1988

Subseries 5.5: Brian L. Petty, 1987-1988

Series 6: North Carolina, 1987

Subseries 6.1: Bill Dunn, 1987

Series 7: Tennessee, 1987-1992

Subseries 7.1: Robert and Pat Sanders, 1987-1992

Subseries 7.2: J. Fred Weinhold, 1987

Series :, Texas, 1985-1990, undated

Subseries 8.1: Representative Joe Barton, undated

Subseries 8.2: Jean Caddel, 1986-1989

Subseries 8.3: Coby Chase, 1985-1989

Subseries 8.4: Red Oak Chamber of Commerce, 1990

Subseries 8.5: Waxahachie Chamber of Commerce, undated

Subseries 8.6: Mari Beth Williams, undated

Series 9: Miscellaneous, 1987-1988

Biographical / Historical:

The Superconducting Super Collider (SSC), if built, would have been the world's most expensive instrument for basic science. It would have allowed physicists to study the collisions of subatomic particles in conditions approximating those of the Big Bang, the beginning of the universe. The SSC design called for a 10-foot wide tunnel to be laid out in an oval pattern similar to a racetrack, approximately 53 miles in circumference and 14 miles in diameter. The tunnel, buried several hundred feet underground, would have contained nearly 10,000 superconducting magnets. Small clusters of buildings located above the tunnel were planned to house the SSC's offices, laboratories, and control facilities. All of these structures would have made the SSC the largest particle accelerator in the world and, at an estimated cost of between $4.4 and $11.8 billion, one of the largest public works projects ever undertaken in the United States.

Physicists planned to use the SSC's superconducting magnets to accelerate two streams of protons (particles with a positive electrical charge that forming part of the nucleus of an atom) to a velocity of 20 trillion electron-volts (TeV) in opposite directions within the tunnel's parallel beam tubes. They would then deflect the two streams into each other and study the particles that were created in the resulting high-speed collisions. From these events, physicists hoped to detect particles never seen before and learn more about the composition of matter.

In January 1987, President Reagan publicly declared his support for the proposed SSC, to be built under the authority of the Department of Energy (DOE). States were invited to submit site proposals for the project, and from the twenty-five states that responded, eight finalists were selected: Arizona, Colorado, Illinois, Michigan, New York, North Carolina, Tennessee, and Texas.

The huge scale of the SSC meant that it would have a significant environmental and cultural impact on the area selected. The SSC would, one source estimated, "require 16,000 acres of donated land, a flow of between 500 and 2,200 gallons of water a minute and up to 250-megawatts of power, as well as accessibility to a major airport, so the world's scientists can fly in and out."1

In many of the finalist states, opponents of the SSC organized and actively campaigned against the project. They raised issues such as the threat to uproot hundreds of people from their homes or create heavy tax and utility burdens. Opponents attended public hearings on SSC issues, distributed leaflets by mail and by hand, and conducted letter-writing campaigns to local politicians. In New York, Citizens Against the Collider Here (CATCH) was able to force the state to withdraw from the competition. Groups in other states learned from the New York group's experiences and used similar techniques in their own campaigns, sometimes adopting the name CATCH. As one CATCH activist recalled, "opponents were not against the SSC or basic sciences, however they did not believe that they should be forced out of their homes for the SSC."2

Supporters of the SSC, on the other hand, addressed the concerns of the citizens by writing editorials or distributing pamphlets responding to particular issues or questions. Prominent city officials and politicians traveled to the proposed sites to discuss the economic and scientific benefits of the SSC, and cities distributed bumper stickers supporting the project. Scientists rebuffed claims that the SSC would produce large amounts of deadly radioactivity and contaminate the entire area. Supporters promised that, "the SSC project would bring federal funding, international prestige, and jobs—starting with 4,500 construction jobs, and later 2,500 full-time research staff positions."3

In November 1988, the Department of Energy declared the winning site to be Ellis County, Texas, southwest of Dallas near the town of Waxahachie. Full-scale construction began three years later with the building of laboratory facilities for the design and manufacture of the SSC's superconducting magnets. Contractors began boring the main tunnel and several vertical access shafts in January 1993.

The anticipated tremendous costs that dogged the project eventually helped undermine it. In June 1992 and again in June 1993, the House voted to cancel funds for the SSC; both times, the Senate restored funding. However, in October 1993 the House rejected the Senate's second restoration, and President Clinton echoed Congress's decision to cancel further work on the SSC. The project received a small budget to support termination activities through 1996. Once the remaining projects were shut down and the scientists and staff dispersed, only several empty buildings in the rural Texas countryside, and fourteen miles of tunnel underneath it, remained of the once-ambitious facility.

At the National Museum of American History, planning for the Science in American Life exhibit—which would examine how science, technology, and American society have intersected over a hundred-year period—began in 1990, at the same time that preparations were being made in Texas to build the Super Collider. Early in the planning phases, Smithsonian curators decided to dedicate a section of the exhibit to the SSC. This section was intended to be a "work in progress" that would change over time as the collider was built, reflecting the current and ongoing debates over the massive machine.

The exhibition design called for using materials donated by both supporters and opponents of the SSC. Early in the exhibit's development the curators began contacting organizations and individuals who both supported and opposed the SSC, asking if they still had materials related to their efforts. Over a two-year period, the curators collected a wide range of items in more than twenty donations, ranging from bumper stickers, t-shirts and hats, to newspaper clippings, maps, and copies of state site proposals.

The design of the SSC portion of the Science in American Life exhibit became permanent with the closing of the SSC in late 1993. The SSC portion now focuses on the roles that special interest groups, protest, and grass-roots political campaigns play in large-scale scientific endeavors. Many of the donated items were included in the exhibit.

Notes

1 DeMott, John S. and J. Madeleine Nash, "Super Push for a Supercollider," Time, April 13, 1987, p. 19, Box 2, Folder 20.

2 "Alexander Narrative," a brief typescript history of the New York CATCH organization, Box 3, Folder 14.

3 Koszczuk, Jackie. "Anti-SSC Felling CATCH-es On Fast," Daily Star News (Fort Worth, Texas), September 17, 1988, p. 4, Box 2, Folder 5.

Related Materials:

When the Superconducting Super Collider entered its termination phase in 1993, the Records Management Department of the project began grouping the official records of the SSC into five "disposition packages." These packages were in various stages of being assembled, shipped, received, and processed for research use and were dispersed to: the Fort Worth Regional Federal Records Center; Fermi National Accelerator Laboratory ("Fermilab") Archives; Niels Bohr Library, Center for History of Physics, American Institute for Physics; Ronald Reagan Presidential Library; and Lawrence Berkeley National Laboratory Archives.

Provenance:

This collection was donated by individuals connected in various ways to the Superconducting Super Collider. The items were donated from personal collections, official files, and the project archives of several different institutions. The donors were Gail Adair, Mary Lou and Dr. Jim Alexander, Representative Joe Barton, Jean Caddel, Coby Chase, Bill Dunn, the Fermi National Laboratory Library, David L. Gross, Bill Herbert, Larry Jones, Sharon Lough, Uriel Nauenberg, Doug McCuen, Ian McPherson, Andrea Miller, Brian L. Petty, the Red Oak Chamber of Commerce, Pat and Dr. Robert Sanders, the Waxahachie Chamber of Commerce, J. Fred Weinhold, Mari Beth Williams, and Stan L. Yonkauski. A brief statement identifying donors and their connections to the Superconducting Super Collider accompanies each subseries in the container list.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Environmental impact analysis  Search this

Environmental protection -- Citizen participation  Search this

Superconducting Super Collider  Search this

NIMBY syndrome  Search this

Genre/Form:

Bumper stickers

Videotapes

Photographs -- 1980-2000

Clippings -- 20th century

Handbills

Signs (declaratory or advertising artifacts)

Posters -- 20th century

Citation:

Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.0538

See more items in:

Superconducting Super Collider Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep886b5ecfc-c9b8-4e8c-8c4c-ee8e1622a6d9

EDAN-URL:

ead_collection:sova-nmah-ac-0538

Collection Creator:

National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this

Container:

Map-folder 1

Type:

Archival materials

Date:

undated

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Superconducting Super Collider Collection

Superconducting Super Collider Collection / Series 8: Texas / 8.2: Jean Caddel

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8798a8887-ef66-4a98-b76c-35d0be81cd81

EDAN-URL:

ead_component:sova-nmah-ac-0538-ref225

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 39, Item 30

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d0ca406b-db8d-4129-9f9d-cbe6cf2acf21

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3323

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 39, Item 65

Type:

Archival materials

Photographs

Date:

1910-07

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86e051ac1-b0b4-46fb-a6e7-8b81f1b2afe2

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3358

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 40, Item 48

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a7f33086-37e6-4fe0-84fb-c2fc3fb13ed1

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3407

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 41, Item 40

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e03f0b31-5816-4bc3-b063-3d1d1082982f

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3460

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 41, Item 45

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f53e926f-0fda-4846-8956-b2ac6f58a6f4

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3465

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 41, Item 48

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8952aec17-58f8-4d21-8036-0001cfa6da16

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3468

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 41, Item 54

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.2: Panama Canal

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88002229d-f59e-4e7b-91f7-e7b1e5fd7583

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3474

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 42, Item 3

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.3: Other Canals

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fbd02a2a-5bb8-464a-989a-3f523eb21bb0

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3482

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 42, Item 5

Type:

Archival materials

Photographs

Date:

1914-03-14

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.3: Other Canals

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep842fefdd4-83ca-4a6a-ae7d-eede27c64dca

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3484

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 42, Item 6

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.9: Canals / 1.9.3: Other Canals

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82339ecf2-72f2-4bf2-9416-53f922305e36

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3485

Collection Creator:

McFarland, J. Horace (John Horace), 1859-1948  Search this

American Rose Society  Search this

Extent:

1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)

Type:

Archival materials

Photographic prints

Place:

United States of America -- Florida -- Duval County -- Jacksonville

Date:

10 September 1927

General:

Built in 1926 on Avondale Circle in the Avondale neighborhood, this was the home of Joseph E. and Annie Holt Bryan. Mr. Bryan was a prominent local contractor who financed the construction of the eponymous Bryan Building in downtown Jacksonville, completed in 1928.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Houses  Search this

Sidewalks  Search this

Foundation planting  Search this

Hedges  Search this

Gardens -- Florida -- Jacksonville  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.

Identifier:

AAG.MCF, Item FL057006

See more items in:

J. Horace McFarland Company collection

J. Horace McFarland Company collection / Series 1: Garden Images / United States / Florida / FL057: Jacksonville -- Miscellaneous Sites in Jacksonville, Florida

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6e93a2186-3f6c-47d2-a18e-01c2f1e625a5

EDAN-URL:

ead_component:sova-aag-mcf-ref8094

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 35, Item 27

Type:

Archival materials

Photographs

Date:

1927-06-02

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / Suspension, United States, Miscellaneous

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82efb1ad7-502a-4553-b3a0-ce10fb92ed15

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3076

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 33, Item 40

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / Philadelphia-Camden Suspension Bridge

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8efa7eaf0-5f38-450e-bab0-7abfc5e3d2b1

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref2964

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 34, Item 16

Type:

Archival materials

Photographs

Date:

1924-09-08

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / Philadelphia-Camden Suspension Bridge

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88f47d2f6-938f-4f1a-9dd0-007f1444a261

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref3000

Artist:

Matsuki Heikichi 松木平吉  Search this

Publisher:

Tsukioka Kogyo 月岡耕漁 (1869-1927)  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (sheet and image): 37.8 x 25.7 cm (14 7/8 x 10 1/8 in)

Type:

Print

Origin:

Japan

Date:

ca. 1922-1925

Period:

Taisho era

Topic:

Taisho era (1912 - 1926)  Search this

theater  Search this

Noh  Search this

Japan  Search this

actor  Search this

Japanese Art  Search this

Credit Line:

Gift of the Embassy of Japan, Washington, D.C.

Accession Number:

FSC-GR-309

Restrictions & Rights:

Usage conditions apply

On View:

Sackler Gallery 25: Staging the Supernatural: Ghosts and the Theater in Japanese Prints

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3e8059251-4e70-48b3-b910-4271b1412c55

EDAN-URL:

edanmdm:fsg_FSC-GR-309

Artist:

Tsukioka Kogyo 月岡耕漁 (1869-1927)  Search this

Publisher:

Matsuki Heikichi 松木平吉  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (sheet and image): 37.8 x 25.7 cm (14 7/8 x 10 1/8 in)

Type:

Print

Origin:

Japan

Date:

ca. 1922-1925

Period:

Taisho era

Topic:

Taisho era (1912 - 1926)  Search this

theater  Search this

Noh  Search this

Japan  Search this

actor  Search this

Japanese Art  Search this

Credit Line:

Gift of the Embassy of Japan, Washington, D.C.

Accession Number:

FSC-GR-346

Restrictions & Rights:

Usage conditions apply

On View:

Sackler Gallery 25: Staging the Supernatural: Ghosts and the Theater in Japanese Prints

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye36aa8051c-3fbd-402e-84d2-f24f5be91e28

EDAN-URL:

edanmdm:fsg_FSC-GR-346

Artist:

Tsukioka Kogyo 月岡耕漁 (1869-1927)  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (sheet and image): 37.8 x 25.7 cm (14 7/8 x 10 1/8 in)

Type:

Print

Origin:

Japan

Date:

ca. 1922-1925

Period:

Taisho era

Topic:

Taisho era (1912 - 1926)  Search this

theater  Search this

Noh  Search this

Japan  Search this

actor  Search this

Japanese Art  Search this

Credit Line:

Gift of the Embassy of Japan, Washington, D.C.

Accession Number:

FSC-GR-352

Restrictions & Rights:

Usage conditions apply

On View:

Sackler Gallery 25: Staging the Supernatural: Ghosts and the Theater in Japanese Prints

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3c6616d3d-deb9-4121-9b32-d16f6990f3d9

EDAN-URL:

edanmdm:fsg_FSC-GR-352