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Negative Log Book Number 18, (86-5143 to 88-15270)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1986
1986-1988
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB18]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367115
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  • View Negative Log Book Number 18, (86-5143 to 88-15270) digital asset number 1

Negative Log Book Number 21, (92-1 to 94-5200)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1992
1992-1994
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB21]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367119
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Negative Log Book Number 21, (92-1 to 94-5200) digital asset number 1

Woods Hole, Massachusetts

Creator:
United States National Museum Photographic Laboratory  Search this
Subject:
United States National Museum  Search this
United States Fish Commission  Search this
Physical description:
Stereoscopic photographs; 5 x 8;
Type:
Glass negatives
Place:
Woods Holl (Mass.)
Date:
1870
1870s
Local number:
SIA Acc. 11-006 [MAH-1614]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_384182

Woods Hole, Massachusetts

Creator:
United States National Museum Photographic Laboratory  Search this
Subject:
United States National Museum  Search this
United States Fish Commission  Search this
Physical description:
Stereoscopic photographs; 5 x 8;
Type:
Glass negatives
Place:
Woods Holl (Mass.)
Date:
1870
1870s
Local number:
SIA Acc. 11-006 [MAH-1641]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_384204

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce must be obtained from Juliet Kepes Stone or Imre Kepes.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Inka Engineering Symposium 4: Suspension Bridge Technology

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-11-19T16:46:06.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_7TPsrgC6EoI

Weaving the Bridge at Q’eswachaka

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2015-06-05T13:17:53.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_dql-D6JQ1Bc

[Trade catalogs from Walpole Woodworkers]

Variant company name:
Since 1933  Search this
Company Name:
Walpole Woodworkers  Search this
Notes content:
outdoor products: garden furniture ; porch rockers ; umbrellas ; rustic furniture ; cushions ; flags and flagpoles ; signs and sign posts ; bird houses and feeders ; planters and window boxes ; cedar lattice panels and trellis ; cedar arbors and gates ; small buildings (screen houses, storage sheds) ; garden bridges ; enclosures ; cupolas and weathervanes ; mailboxes ; mail posts ; lanterns and lantern posts ; fences ; birdbaths ; sundials ; doorstops ; backyard playgrounds ; wave slides ; baby and toddler's swings ; air pogo ; children's outdoor furniture ; basketball hoops
Includes:
Trade catalog and price lists
Color images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Walpole, Massachusetts, United States
Date:
2000s
Topic (Romaine term):
Garden and lawn equipment and supplies  Search this
Sporting goods  Search this
Architectural designs and building materials  Search this
Lighting (electric; gas; candle; oil; etc.)  Search this
Weathervanes and lightning rods  Search this
Recreation  Search this
Educational institutions; equipment and supplies (includes playground equipment)  Search this
Furniture and furnishings  Search this
Fences  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
"Schools -- Furniture, equipment, etc."  Search this
Amusements  Search this
Architectural design  Search this
Building materials  Search this
Candles  Search this
Fence industry  Search this
Furniture industry and trade  Search this
Garden ornaments and furniture  Search this
Garden tools  Search this
Hobbies  Search this
House furnishings  Search this
Interior decoration  Search this
Lamps  Search this
Lighting  Search this
Lightning conductors  Search this
Lightning rods  Search this
Meteorological instruments  Search this
Playgrounds  Search this
Recreation industry  Search this
Sporting goods  Search this
Weather vanes  Search this
Record ID:
SILNMAHTL_27322
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_27322

Brooklyn Bridge Park, Brooklyn, NY

Designer:
Michael Van Valkenburgh Associates, New York, New York and Cambridge, Massachusetts, USA  Search this
Michael Van Valkenburgh, American, b. 1951  Search this
Medium:
Print in black ink on white wove paper with annotations in highlighter and marker
Type:
architecture
Drawing
Object Name:
Drawing
Designed in:
Brooklyn, New York
Date:
ca. 2014
Credit Line:
Gift of Michael Van Valkenburgh
Accession Number:
2018-13-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_2018-13-1

Vegetation Proposal for Pier 1, Brooklyn Bridge Park, Brooklyn, NY

Designer:
Michael Van Valkenburgh, American, b. 1951  Search this
Michael Van Valkenburgh Associates, New York, New York and Cambridge, Massachusetts, USA  Search this
Medium:
Graphite, color pencil, pen and black ink on tracing paper
Type:
architecture
Drawing
Object Name:
Drawing
Designed in:
Brooklyn, New York
Date:
ca. 2014
Credit Line:
Gift of Michael Van Valkenburgh
Accession Number:
2018-13-2
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_2018-13-2

Sidewall

Manufacturer:
Thomas Strahan & Co., Manufactory  Search this
Medium:
Machine-printed
Type:
Wallcoverings
Sidewall
Manufactured in:
Chelsea, Massachusetts, USA
Date:
ca. 1955
Credit Line:
Gift of Chris Zeller
Accession Number:
1997-12-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1997-12-1
Additional Online Media:

The Champlain

Manufacturer:
Thomas Strahan & Co., Manufactory  Search this
Medium:
Machine-printed
Type:
Wallcoverings
Sidewall
Object Name:
Sidewall
Made in:
Chelsea, Massachusetts, USA
Date:
1920–40
Credit Line:
Gift of D.M.C. Hopping
Accession Number:
1973-70-16
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1973-70-16
Additional Online Media:

Sidewall

Medium:
Block-printed
Type:
Wallcoverings
Sidewall
Made in:
probably Boston, Massachusetts, USA
Date:
1780–1810
Credit Line:
Gift of I.M. Wiese
Accession Number:
1968-85-1-a,b
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1968-85-1-a_b
Additional Online Media:

Cevera, The

Manufacturer:
Thomas Strahan & Co., Manufactory  Search this
Medium:
Machine-printed paper
Type:
Wallcoverings
Sidewall
Object Name:
Sidewall
Made in:
Chelsea, Massachusetts, USA
Date:
1930–40
Credit Line:
Gift of George Caldwell of Strahan Company
Accession Number:
1945-41-17
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1945-41-17

Sidewall

Manufacturer:
Thomas Strahan & Co., Manufactory  Search this
Distributor:
John J. Morrow  Search this
Medium:
Machine-printed paper
Type:
Wallcoverings
Sidewall
Made in:
Chelsea, Massachusetts, USA
Date:
ca. 1920
Credit Line:
Gift of Grace Lincoln Temple
Accession Number:
1942-19-4
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1942-19-4

The Champlain

Manufacturer:
Thomas Strahan & Co., Manufactory  Search this
Medium:
Machine-printed
Type:
Wallcoverings
Sidewall
Object Name:
Sidewall
Made in:
Chelsea, Massachusetts, USA
Date:
ca. 1925
Credit Line:
Gift of Thomas A. Newman
Accession Number:
1940-6-5-a,b
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1940-6-5-a_b

Volume 1, 1860-1868

Alternate Title:
Journal of Facts in Natural History  Search this
Collection name:
Benjamin Dann Walsh Field Notebooks, 1860-1869
Physical Description:
1 field book
Physical Location:
Smithsonian Institution Archives
Sublocation:
Box 1 Folder 1
Record type:
Fieldbook record
Object Type:
Field notes
Illustrations
Clippings (information artifacts)
Place:
United States
Illinois
Date Range:
1860-1866
Start Date:
1860
End Date:
1866
Topic:
Entomology  Search this
Accession #:
SIA RU007123
Access Information:
Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu.
See more records from this collection:
Benjamin Dann Walsh Field Notebooks, 1860-1869
See more records associated with this person:
Walsh, B. D. (Benjamin Dann), 1808-1869
Data Source:
Smithsonian Field Book Project
EDAN-URL:
edanmdm:fbr_item_MODSI7263
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Volume 1, 1860-1868 digital asset number 1
Additional Online Media:

Argopecten irradians irradians

Collector:
J. H. Sears  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Preparation:
Dry
Place:
Danvera, Danvera River Bridge Near Salem + Beverly, Massachusetts, United States, North Atlantic Ocean
Common name:
Bivalves
Published Name:
Argopecten irradians irradians (Lamarck, 1819)
USNM Number:
200988
See more items in:
Invertebrate Zoology
Mollusca
Data Source:
NMNH - Invertebrate Zoology Dept.
EDAN-URL:
edanmdm:nmnhinvertebratezoology_382153

Unidentified Garden: two unidentified young men on a bench in the Back Bay Fens area near the Boylston Street Bridge.

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Landscape architect:
Olmsted, Frederick Law, 1822-1903  Search this
Collection Creator:
Olmsted Brothers  Search this
Sears, Thomas Warren, 1880-1966  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Collection Donor:
Tibbetts, Eleanor Sears  Search this
Extent:
1 glass negative (black-and-white, 5 x 7 in.)
Type:
Archival materials
Glass negatives
Place:
Emerald Necklace (Boston, Massachusetts)
Fenway (Boston, Mass.)
United States of America -- Massachusetts -- Suffolk County -- Boston
Date:
[between 1905 and 1910]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Spring  Search this
Walkways, dirt  Search this
Weeping trees  Search this
Men  Search this
Benches  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS081021
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic images / United States / Massachusetts / Unidentified photographs / SRS081: Unidentified Portraits & Views
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-srs-ref3929

Central Park: two unidentified young men on a bench in the Back Bay Fens area near the Boylston Street Bridge.

Landscape architect:
Olmsted, Frederick Law, 1822-1903  Search this
Photographer:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Olmsted Brothers  Search this
Sears, Thomas Warren, 1880-1966  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Collection Donor:
Tibbetts, Eleanor Sears  Search this
Extent:
1 glass negative (black-and-white, 5 x 7 in.)
Type:
Archival materials
Glass negatives
Place:
Emerald Necklace (Boston, Massachusetts)
Fenway (Boston, Mass.)
United States of America -- Massachusetts -- Suffolk County -- Boston
Date:
[between 1905 and 1910]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Spring  Search this
Walkways, gravel  Search this
Trees  Search this
Shrubs  Search this
Urban parks  Search this
Men  Search this
Benches  Search this
Genre/Form:
Glass negatives
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item NY147012
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic images / United States / New York / NY147: New York -- Unidentified
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-srs-ref5802

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